	Seidelman made her feature-film debut with "Smithereens" (1982), a bleak and darkly humorous look at New York City's downtown Bohemian scene of the 1980s. It was shot on 16mm for $40,000 on location, at times "guerrilla style" on the streets and in the subways of New York. "Smithereens" captured the look of the post-punk music scene and was the first American independent film to be selected for competition at the Cannes Film Festival. With recognition from Cannes, Seidelman became a member of the first wave of 80s-era independent filmmakers in the American cinema.