In November 1997 we'll be recording Schumann's Faust Scenes and for the first time we will have to use two different halls, which is a bit worrisome. Normally all the recording would be at the Concertgebouw, but they can't give us enough time, so we'll do the main recording in an Amsterdam studio and then the two Concertgebouw concerts will serve as a reserve.
SM: De quelle manière procédez-vous pour vos enregistrements?