In this artwork, how is the Details discussed?
Lichtenstein began his war imagery efforts with single frame pictures such as BLAM. Blam uses quintessential war imagery. Although the text is limited to one four-letter word, the narrative is unnecessary owing to the eminent realism presented.  The canvas is loaded with images surrounding the focal figure, of the aircraft under attack.
It is regarded, along with Takka Takka as "successful in their combination of brilliant color and narrative situation". Blam is a jest with the viewer that uses an exclamation without narrative context. Like Blang (1962) and Varoom (1963), Blam's onomatopoeia explodes "like a violent central sun over the entire composition". Lichtenstein has revised the original source so that the aircraft and its explosion are the joint foci from which the painting radiates. Unlike the original, which had substantive narrative content, Lichtenstein's version has more formality and a linear pattern, but a more simplified surface.
onomatopoeia