In the context of this artwork, discuss the The Triumph of Bacchus and Ariadne of the Scenes on the vault.
Prominently displayed in the center panel, the Triumph of Bacchus and Ariadne depicts a both riotous and classically restrained procession which ferries Bacchus and Ariadne to their lovers' bed.  Here, the underlying myth is that Bacchus, the god of wine, had gained the love of the abandoned princess, Ariadne. The procession recalls the triumphs of the Republican and Imperial Roman era, in which the parades of victorious leaders had the laurel-crowned ‘imperator’ in a white chariot with two white horses. In Carracci's procession, the two lovers are seated in chariots drawn by tigers and goats, and accompanied by a parade of nymphs, bacchanti, and trumpeting satyrs. At the fore, Bacchus' tutor, the paunchy, ugly, and leering drunk Silenus, rides an ass. The figures carefully cavort in order to hide most naked male genitals.The program refers to Ovid's Metamorphoses (VIII; lines 160-182) and the spirit alludes to contemporary images voiced, for example, in a carnival song-poem written by Lorenzo de Medici in about 1475, that entreats:
center Bacchus Ariadne Metamorphoses triumph Ovid satyr carnival song Lorenzo de Medici Silenus