Describe the characteristics of the Salon des Indépendants, 1913 in this artwork's Selected exhibitions.
The Salon des Indépendants was held 19 March through 18 May, the Cubist works were shown in room 46. Metzinger exhibited three works: Paysage, Nature Morte, and his large L'Oiseau bleu, number 2087 of the catalogue — Albert Gleizes exhibited three works: Paysage, Le port marchand, 1912, Art Gallery of Ontario, and Les Joueurs de football (Football Players) 1912–13, National Gallery of Art, Washington D.C. m. 1293 of the catalogue — Robert Delaunay, L'équipe du Cardiff F.C., 1912–13, Van Abbemuseum, Eindhoven, n. 787 of the catalogue — Fernand Léger, Le modèle nu dans l'atelier (Nude Model In The Studio) 1912–13, Solomon R. Guggenheim Museum, New York — Juan Gris, L'Homme dans le Café (Man in Café) 1912, Philadelphia Museum of Art.In room 45 hung the works of Robert Delaunay, Sonia Delaunay, František Kupka, Morgan Russell and Macdonald-Wright. This was the first exhibition where Orphism and Synchromism were emphatically present. Apollinaire in L'Intransigeant mentioned la Salle hollandaise (room 43), which included Jacoba van Heemskerck, Piet Mondrian, Otto van Rees, Jan Sluyters en Leo Gestel and Lodewijk Schelfhout.
Orphism Leo Gestel Albert Gleizes Jan Sluyters Les Joueurs de football (Football Players) Football Players right Sonia Delaunay Morgan Russell Piet Mondrian Robert Delaunay Les Joueurs de football Macdonald-Wright Synchromism František Kupka Juan Gris Fernand Léger Salon des Indépendants