Focus on Self-Portrait (Titian, Berlin) and explain the Description.
The painting's style is reminiscent of Titian's work of around 1560, especially the thick and irregular application of white paint in large sections. He seems to be around 60 years old, giving credence to the earlier dating. He wears the golden chain of the Order of the Golden Spur, wrapped in three strands, which was given to him by the Emperor Charles V in 1533. The chain is intended to signify his knighthood and elevated social status. He wears a black cap in both paintings; a motif seen a number of other of his later works. While the origins of the motif are unknown, it is probably intended to connect him with scholarship; similar headgear is often associated with Aristotle and St Jerome. A further explanation is that he sought to cover up a bald spot.
The portrait is in half length, with Titian in three-quarters profile view, seated behind a table, looking out into the distance. Although his expression is complex and hard to properly interpret, it can be viewed as a more outward looking and optimistic expression than the 1567 Madrid self-portrait, and a number of art historians note the aging and physical decline he had undergone by the time of the later work. As with all of his independent self-portraits, he is looking to the side, avoiding the viewer, possibly out of humility, but in a dignified pose. He is shown with strong shoulders and a keen, alert gaze, in which some detect an air "of combativeness...disquietude...and misgiving".Unlike the Madrid canvas, the portrait does not refer to his occupation as a painter, although art historian David Rosand believes that "instead of an implement of his craft, however, the open brushwork itself declares the painter's art". Further, the emphasis on his hands may reference that as a painter his talent derived from them.That the canvas is unfinished gives insight into Titian's working methods and techniques.
Emperor Charles V Aristotle St Jerome Titian Jerome bald spot