In this artwork, how is the Background discussed?
Towards the end of the eighteenth century, paintings depicting and glorifying the lives of prominent and famous artists became popular among the bourgeoisie and were exhibited at the Salon (Paris). This painting is an example of the Troubadour style as its subject is a great Renaissance figure and illustrates a detailed and intimate Renaissance studio scene, by incorporating columns, colored tiles, furniture (such as the easel, armchair, and stool), and by creating a linear grid. Besides the increased interest in Renaissance masters during the early nineteenth century, Ingres became curious about Raphael's artworks and life after seeing a replica of the Madonna della seggiola in his teacher's Toulousian art studio. At the beginning of the nineteenth century, Ingres was awarded the Prix de Rome, which provided him with the opportunity to study in Italy. While in Italy, Ingres sent work to be exhibited in Paris, including Raphael and La Fornarina.
Salon (Paris) Raphael Troubadour style bourgeoisie Renaissance Prix de Rome Madonna della seggiola La Fornarina