In the context of this artwork, explain the Censorship of the History.
When Tegel's Vasa Chronicle was published in 1622, the section describing the king's legal process and death sentences against the reformers was regarded as unfavourable to the Vasa dynasty and was subsequently left out.  The original manuscript, finally published in 1909, was however not the only account of the events. The oldest report, dating from the 1590s, is a handwritten manuscript simply confirming the event, and a publication on meteorological phenomena published in 1608 described the halo in 1535 as "five suns surrounding the right one with its rings as still depicted in the painting hanging in the Great Church".Knowledge of the events faded: in 1622 when the Danish diplomat Peder Galt asked for the meaning of the signs in the painting, he could get no replies anywhere in the city. He translated the Swedish text then accompanying the painting to Latin — "Anno 1535 1 Aprilis hoc ordine sex cœlo soles in circulo visi Holmie a septima matutina usque ad mediam nonam antermeridianam" — and concluded that the real sun represented Gustav Vasa and the other suns his successors, an assumption he thought confirmed by contemporary Swedish history. Even this confused report was soon forgotten and in 1632 the halo display in the painting was described in a German leaflet as three beautiful rainbows, a ball, and an eel hanging in the sky over the Swedish capital day and night for four weeks in 1520, furthermore interpreted as a prophecy announcing the forthcoming liberation of Protestant Germany by "the Lion from the North" (i.e. King Gustavus Adolphus).With the publishing of the first Swedish ecclesiastical history in 1642, the interpretation of the painting and the historical details surrounding it found a new path to follow. Relying on a publication from 1620, the sun dogs are said to have appeared first to King John III (1537–1592) on his deathbed – the painting subsequently being produced by the papist-friendly king in order to save the souls of the Protestant kingdom – and a second time before King Gustavus Adolphus shortly before his death at the Battle of Lützen in 1632.The 1592 date remained the established one until the 19th century. In the 1870s, however, several publications corrected the dating and within a few decades 1535 became the generally accepted date. The painting's correct historical context was finally laid bare with the publication of the censored manuscript from the Vasa Chronicle in 1909.
painting Latin sun dog German Battle of Lützen John III Gustavus Adolphus right Gustav Vasa papist Swedish history left halo