Explore the Predecessors and later works of this artwork, Bernward Doors.
There are various possibilities for the model of the Hildesheim doors as panelled doors (on the Roman model) and for the material used. Outstanding examples of monumental bronzeworking of the period include the doors of the Palatine chapel (c.800) and the doors of the Marktportal of Mainz Cathedral, which Archbishop Willigis had the founder Berenger cast in 1009. However, these doors have no figural decoration, except for door handles in the shape of lion's heads on the Aachen Wolfstür. As his biographer Thangmar reported in the Vita Bernwardi, Bishop Bernward lived first in the Hostel of the Schola Francorum at the Vatican and then in the Imperial Palace on the Palatine during his stay at Rome in 1001/2. He would have had the opportunity to view the monumental bronze door at the entrance to Old St. Peter's. He probably also saw the Late Antique wooden doors of Santa Sabina with their relief cycle in which Old and New Testament scenes are arranged opposite each other in a typology. The Late Antique doors of Sant'Ambrogio in Milan are also a possible model.Franz Dibelius first pointed out the clear parallels between illumination of manuscripts in the time of Charles the Bald and the composition of the images and figures of the left door. Some scenes of the Bernward Doors, e.g. the creation of Adam or the earthly life of Adam and Eve are arranged nearly identically to the so-called Moutier-Grandval Bible (London, British Library, Ms Add. 10546). Significantly, this Late Carolingian manuscript came from Tours, where Bernward stayed in 1006, returning to Hildesheim a year later with expensive relics for the silver Cross of Bernward. Close parallels can also be seen with other significant manuscripts of the ninth century, such as the c.800 Alcuin Bible (Bamberg State Library, Msc.Bibl.1) and the Bible of Saint Paul Outside the Walls, created in 877 at Corbie Abbey (Rom, Abbazia di S. Paolo fuori le mura). That Bernward brought copies of famous Frankish bibles back from his travels is definitely not certain, but possible. The ivory cover of the Stammheim Missal (de), in which Alcuin presents a book to St. Martin of Tours, as the patron saint of his cloister, could derive from a bible of Tours acquired by Bernward. Rudolf Wesenberg drew further iconographic and stylistic connections, but with traditional frescos in St. Paul beyond the Walls and Old St. Peter's which Bernward could have seen while in Rome.A range of further medieval bronze doors followed the Bernward Doors, but they have no clear connection with Hildesheim. The idea of casting the whole door from a single mold did not catch on - the most important metal doors are composed of a wooden frame with bronze panels inserted. One of the Gniezno Doors, made for Poland in about 1175, is also a single piece casting, but artistically much less sophisticated.  This apparently proved too difficult, and for the other door 24 cast panels were soldered together. For the western doors of St. Paulus in Worms, in 1881, the sculptor Lorenz Gedon created a detailed replica of the Bernward Doors; unlike the original, these were made of cast iron and for reasons of space, the two highest images (the creation of Adam and the Ascension of Christ!) were not included.  The Renaissance Florence Baptistery doors are the most famous doors in the tradition Bernward played an important role in reviving.
Saint Paul Outside the Walls Milan Corbie Abbey cast iron Tours Palatine chapel Palatine St. Paulus Gniezno Doors Martin of Tours Florence Baptistery Willigis Adam and Eve Stammheim Missal tin Alcuin Vita Bernwardi Roman Hildesheim Cross of Bernward composition Moutier-Grandval Bible Old St. Peter's Eve Bamberg State Library Sant'Ambrogio Wolfstür Worms relief de Mainz Cathedral Charles the Bald Late Antique Vatican soldered Florence Baptistery doors Adam Lorenz Gedon Santa Sabina Thangmar