Focus on this artwork and explain the History.
Beginning in 1962, La Monte Young had begun formulating the concept of a continuous sound environment. In a 1964 program note for his Theatre of Eternal Music collective, Young describes "Dream Houses [that] will allow music which, after a year, ten years, a hundred years of constant sound, would not only be a real living organism with a life and tradition of its own, but one with a capacity to propel itself by its own momentum." The first continuous electronic sound environment was created in his and Marian Zazeela's loft on Church Street, New York City (where they still live) in 1966 with sine wave generators and Zazeela's lighting. Their intention was to create an immersive environment where "all the sensory information is unusual and outside your normal frame of reference."Versions of Dream House were presented in various locations of Europe and the United States. It premiered publicly in 1969 in a Munich gallery. A version existed at the Metropolitan Museum of Art in 1971. Other locations have included Stockholm, Kassel, and Cologne. The couple's subsequent installations were supported by the Dia Art Foundation, which was founded in 1974. In 1975, the concept was firmly established during the Dream Festival, a two month series in SoHo. Between 1979 and 1985, a Dream House was located at a mercantile warehouse at 6 Harrison Street in Tribeca; this location was closed following the downturn of the oil market.Since 1993, a long-running version of the exhibition located above the couple's 275 Church Street loft has been open to the public for lounging, immersive listening, and meditation. This version has recently employed a new configuration and musical piece featuring Young and Zazeela's associate Jung Hee Choi, titled Ahata Anahata, Manifest Unmanifest X and featuring alternate visuals. In 2015, a unique version of Dream House was established by the Dia Foundation at West 22nd Street in New York. Current iterations of Dream House are currently run by Young and Zazeela's MELA (Music Eternal Light Art) Foundation.In 2015, the MELA Foundation's primary financial backer pulled its funding. In 2020, the MELA Foundation began a fundraiser to save the installation and help pay back $150,000 worth of back rent following the COVID-19 pandemic.
Stockholm Dream Festival New York City sine wave Kassel Marian Zazeela Cologne United States Theatre of Eternal Music Europe generators La Monte Young Munich COVID-19 pandemic installation Dia Art Foundation Tribeca Jung Hee Choi Metropolitan Museum of Art SoHo