In this artwork, how is the Further documentation discussed?
E. de Bruyn, De schilderijenverzameling van Zijne Koninklijke Hoogheid de prins van Oranje te Brussel, Bulletin de la Classe des Beaux Arts, Académie Royale de Belgique 28 (1946), 155-63.
H. E. van Gelder, De kinsteverzameling van kning Willem II, Maandlad voor de Beeldende Kunsten 24 (1948), 137-48.
Erik Hinterding and Femy Horsch, ‘‘’A Small but choice collection’’: the art gallery of King Willem II of the Netherlands (1792-1849)’, Simiolus: Netherlands Quarterly for the History of Art 19, no.1/2 (1989), 4-122. [Which includes a ‘Reconstruction of the Collection of Old Master Paintings’ pp. 55–122. Provenance for Flora is on page 13 and 114]
Tatyana K. Kustodieva, The Hermitage: Catalogue of Western European Painting; Italian Painting, Thirteenth to Sixteenth Centuries (Moscow and Florence: Iskusstvo Publishers, 1994), 296-7.
Darius A. Spieth, Revolutionary Paris and the Market for Netherlandish Art (Leiden and Boston: Brill, 2018), 99 note 194 and 270-1.
Wilhelm Suida, Leonardo und sein Kreis (Munich: 1929), 232-33, fig. 302.
King Willem II of the Netherlands Flora