Explore the Manhood about the Works of this artwork, The Voyage of Life.
Third in the series, Manhood, shows a now grown figure in the vessel, amid the tribulations of adult life. Storm clouds ominously darken the sky, wind whips at the man's clothing and rain falls in the background as the boat approaches a treacherous part of the river which has become rocky and rapid, running through a treacherous gorge marked by a gnarled, leafless tree. Gentler country lies at the bottom of the defile and the distant sky line lightens in that direction hinting of the hope of better times ahead. Among the dangers the man has not lost his faith: he has let go of his boat's tiller (which may have broken) and is part kneeling, gazing upward with hands clasped together. The vessel's figurehead now holds the hourglass while far above, behind and unseen by the voyager, his guardian angel continues to watch over from the Heavens, shining brightly through a break in the clouds. Cole writes:Trouble is characteristic of the period of Manhood. In Childhood there is no cankering care; in Youth no despairing thought. It is only when experience has taught us the realities of the world, that we lift from our eyes the golden veil of early life; that we feel deep and abiding sorrow; and in the picture, the gloomy, eclipse-like tone, the conflicting elements, the trees riven by tempest, are the allegory; and the Ocean, dimly seen, figures the end of life, to which the voyager is now approaching. The demon forms are Suicide, Intemperance, and Murder, which are the temptations that beset men in their direst trouble. The upward and imploring look of the voyager, shows his dependence on a Superior Power, and that faith saves him from the destruction that seems inevitable.
Manhood contains the most differences between the original 1840 version and the revised 1842 version.  The modified version shows a reduction in the wall of rocks and more of the distant sea.  As in Childhood, he repositioned the boat, moving it further back in the painting and closer to the rapids.  He also modified the stance of the voyager, from standing in the original to kneeling in the replica.
figurehead guardian angel allegory time tiller