In The Waterseller of Seville, how is the Baltimore Version of the Versions elucidated?
The third version, takes yet another angle on the waterseller. In this he appears almost despairing in his expression, perhaps to the extent of appearing farcical. The brilliant colours used are the most extreme of the three (with the pots taking on an altogether more shiny appearance). However, as in the Uffizi version, the characters lack the depth of personality present in the Wellington version. The man that was in the back of the other paintings is no longer visible and the background is shaded so the colors in the foreground really stand out, such as the pot and the man's red over piece that he is wearing.
waterseller Uffizi