In this artwork, how is the Symbolism of the Subject elucidated?
At the top of the dome of the altarpiece, there is a carved head of Salomon that represents the divine wisdom. Behind Salomon is a leafy mask that is displayed directly above the Virgin Mary's throne. The leafage mask is a hallmark trait of the Renaissance, which also adds a descriptive and elegant vocabulary to the altarpiece. The mask is framed with a crown and a halo-like appearance of pomegranate leaves printed on a woven brocade cloth, as an honorary tribute to God. It also works to frame the symbolism of Salomon quite well. The symbolism of God above the throne acts as a safety net over the throne, the altar, and over the sacra conversazione.Also featured at the very top of the central arch is a crystal lamp suspended from a hanging ostrich egg, both symbolizing the Virgin Birth. Ostrich eggs were typically hung over altars that were dedicated to the Virgin Mary and can be found in earlier Italian Renaissance paintings, including Andrea Mantegna's San Zeno Altarpiece (c. 1456–1459) and Pierro della Francesca's Brera Madonna (1472). The ostrich egg could also be a symbol of the Resurrection, regarding Christ and the divine life. The ostrich egg could also serve as a symbol of wealth for the church, as ostrich eggs were not commonly represented in society.Along the left border of the altarpiece is a fig tree and along the right border is an acacia tree; both represent the passion and redemption that comes with the journey of life. The decoration of the gold mosaic includes acanthus foliage, along with partridges to symbolize the knowledge of Christ.
brocade Virgin Birth San Zeno Altarpiece partridge Pierro della Francesca sacra conversazione Andrea Mantegna Brera Madonna