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Baldung treated the Fall in a number of woodcuts and paintings, which he signifies by the apple and the bite of the serpent; his iconography is often as original and arresting as in this work. In this panel, the bodies are grand in scale and fill essentially the entire space, and pale foreground colors are used against a dark background. The main elements are intertwined; the serpent is coiled around the tree trunk and also around Death, who he holds to the tree. Death's right arm extends upward to grasp the apple. The serpent, which has red eyes and a weasel-like head, closes its jaws around the wrist of Death's left arm, which is at the same time grasping the left arm of Eve. Eve's left hand holds part of the serpent's tail, while her right hand holds an apple behind her back. Among Baldung's treatments of the Fall, the new element in Eve, the Serpent and Death is the active role of the snake; Adam's decrepit condition, halfway between nude and skeleton, suggests the work of poison, as if from the serpent, and the snake's grip on Adam recalls the biting of the apple in the Fall. The apple that each of the figures holds is the symbolic origin of the present scene, in which "everything is dependent on and implicated in everything else".In the background is a dense forest while two more tree trunks, slim, angled, and parallel, occupy the middle ground. A marguerite, probably an oxeye daisy, sits at the roots of the main tree trunk, in front of Death's right heel.
oxeye daisy Death iconography weasel Adam woodcut the Fall Eve serpent