How does Sappho and Phaon elucidate its abstract?
Sappho and Phaon is an 1809 neoclassical painting by the French painter Jacques-Louis David of Cupid, Sappho and her lover Phaon. It was commissioned by Prince Nikolai Yusupov for his Moika Palace and is now the only painting by David in the Hermitage Museum in Saint Petersburg.Sappho and Phaon was the second of David's major paintings to take a mythological love story as its subject, after The Loves of Paris and Helen from 1788.  It is visually very similar to that earlier work – the two paintings are sufficiently similar that a preparatory drawing for Sappho and Phaon was traditionally identified as being a sketch for Paris and Helen.  It may also have recalled the painting Sappho Singing her Poetry and Accompanying Herself on the Lyre by David's painting tutor Joseph-Marie Vien, though that painting is now lost and no images of it survive.Sappho is shown sitting in a chair at the foot of a bed in a classically decorated room with columns, a marble floor and a view to a rural landscape outside (with Venus's birds, doves, sitting on the doorstep). Phaon stands behind the chair holding a spear and bow. On her knee is a scroll with some of her verses in praise of Phaon and Cupid kneels in front of her, holding up her lyre, which she tries to play with her right hand whilst leaning her head back to let Phaon cradle her head in his left arm.
Phaon Moika Palace Hermitage Museum Joseph-Marie Vien Cupid Nikolai Yusupov Sappho Venus Saint Petersburg Jacques-Louis David The Loves of Paris and Helen neoclassical