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French painter Jules Flandrin made a copy of La Grande Odalisque in 1903 which is exhibited at the Ingres Museum in Montauban, France.
In 1964, French artist Martial Raysse, in his series Made in Japan, reframed La Grande Odalisque to make a portrait in the style of American pop art. This pastiche, through the inclusion of junk jewelry, relegates The Odalisque to the rank of a consumer product. 
In 1985, peruvian painter Herman Braun-Vega brought La Grande Odalisque in the middle of the country. In the shade of trees, she finds herself offered to the curiosity of Peruvian children. The title of this painting Pourquoi pas eux?(Why not them?) indicates that this is an advocacy for the popularization of culture ("This boy who touches the knee of Ingres's nude, touches Western culture even if he is not aware of it." Herman Braun-Vega). In 2010, he did it again with his painting La ronde au crépuscule au bord du pacifique, where La Grande Odalisque is relocated to the seaside, featuring, in addition to characters from Peruvian daily reality, nudes by Matisse and Picasso. 
La Grande Odalisque was appropriated by the feminist art group Guerrilla Girls for their first color poster and most iconic image. The 1989 Metropolitan Museum poster gave Ingres's odalisque a gorilla mask and posed the question "Do women have to be naked to get into the Met. Museum?". The poster used data from the group's first "weenie count" and drew attention to the overwhelming number of female nudes counted in the Modern Art sections of The Met. The poster was rejected by the Public Art Fund in New York and was run in advertising space on New York City buses until the bus company cancelled the lease arguing that the image was "too suggestive and that the figure appeared to have more than a fan in her hand." La Grande Odalisque is also referenced in the lyrics to "Pretension/Repulsion" by Welsh alternative rock band Manic Street Preachers from their 2009 album Journal for Plague Lovers. The songs lyrics were written by the band's former lyricist Richey Edwards before his disappearance in 1995. According to the Manics' vocalist, James Dean Bradfield, the song's lyrics deal with "the idealisation of beauty, or what is ugliness".
Martial Raysse The Met Montauban Odalisque Journal for Plague Lovers Herman Braun-Vega Jules Flandrin Guerrilla Girls James Dean Bradfield Ingres Museum odalisque Manic Street Preachers Richey Edwards