Explore the Technique of this artwork.
Pissarro's inspiration and artistic style was constantly evolving from the different environments he placed himself within. He studied at the Académie Suisse where he was introduced to two of the most influential people in his life: Claude Monet and Paul Cézanne. He moved around often in search of new inspiration and direction for his work. It was not until he returned to Paris and directed his attention from country landscapes to urban cities that emphasized the importance of order, proportion, and structure. His work depicts dynamic movement through his lack of attention to fine details, less individually drawn figures, and an increase of broad subjects portraying real life. His brushstrokes consists of short, loose, semi-thick strokes to enhance the idea of motion running through his work. At first glance, the work comes off as blurry and poorly painted until the viewer gazes at the painting and sees the qualities of details he positions through his stylistic brushstrokes.  The clumps of men in black top coats and suits are significant to traditional ninetieth century dress and the men on horses signify the police patrolling the street parade. The trees in front of the building are intricately stylized for the viewer to believe there are streamers flying through the winding trees. Pissarro designs the French Baroque architecture of the building as a static subject by its clarity and attention to detail of traditional French architecture.
Académie Suisse Claude Monet Paul Cézanne