In this artwork, how is the Description discussed?
The sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries of South Asia. The buxom female form is also seen readily in historical South Asian arts. Through the combination of the handcrafted and industrial, the past and present are brought together and contrasted without a recognizable resolution.Among the influences cited for this sculpture are, "village witch-trials, fertility goddesses, and the indigo trade." The sculpture is also referred to as "Kunti", after a woman in the Adivasi community in Bastar, India that was part of Altaf's inspiration for the artwork.  In this case, the woman was declared a witch and put on display to be humiliated in public. Altaf describes this real-life woman, Kunti, as a normal, confident woman, who was dehumanized for possessing knowledge.Altaf started off by drawing the figure, then used clay to model it. The final sculpture, based on the clay model, is carved out of teakwood. Since it was not possible to carve the entire sculpture from one piece of wood, Altaf carved the torso and head as one piece, while the arms and legs have been carved separately. The body of the sculpture is not clothed, but bare. Her hands are stretched in mudra; one fist clenched, thumb outside fist, and the other hand open.  This symbolizes that she has knowledge in the grasped hand, and has the ability to receive more, while also dispersing information with the other open hand. The Blue Lady sits atop a vintage bottle drying rack; the inspiration for which Altaf drew from artist Marcel Duchamp's readymades, specifically his first readymade, the bottle drying rack.
teak India fertility readymade sculpture South Asia indigo South Asian Marcel Duchamp mudra teakwood readymades