Focus on Assumption of the Virgin (Titian) and explore the abstract.
The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518.  It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice.  It is the largest altarpiece in the city, with the figures well over life-size, necessitated by the large church, with a considerable distance between the altar and the congregation.
The images above and below are not Titian's work, they are by Palma Vecchio.
It marked a new direction in Titian's style, that reflected his awareness of the developments in High Renaissance painting further south, in Florence and Rome,  by artists including Raphael and Michelangelo.  The agitated figures of the Apostles marked a break with the usual meditative stillness of saints in Venetian painting, in the tradition of Giovanni Bellini and others.It was perhaps originally rather shocking for the Venetian public, but soon recognised as a masterpiece that confirmed Titian's position as the leading artist in Venice, and one of the most important in all Italy, a rival to Michelangelo and Raphael.
Raphael Titian Venice Florence panel painting Apostles altarpiece Italian Renaissance Santa Maria Gloriosa dei Frari High Renaissance Frari Giovanni Bellini Michelangelo Basilica di Santa Maria Gloriosa dei Frari