Focus on this artwork and explain the History.
The painting was rejected by Les XX, and kept in the artist's house in Ostend, although it was shown at his studio in his lifetime.It was first exhibited in 1929 at the Centre for Fine Arts, Brussels.  It was damaged by shrapnel during the Second World War, including the Death figure to the lower left with the skull mask, and acquired by the banker Louis Franck after Ensor's death in 1949.  It was wax lined and varnished in the early 1950s.  It was exhibited on loan at the Royal Museum of Fine Arts, Antwerp from 1947 to 1983, then the Kunsthaus Zürich from 1983 to 1987. It was shown at a retrospective in 1976 at the Art Institute of Chicago, and Guggenheim Museum.Frank sold the work to the Getty Museum in 1987, for €9 million. Despite protests in Belgium, the painting was exported, and it is on permanent exhibition at the Getty Center in Los Angeles.In their initial conservation work, the Getty removed the discoloured 1950s varnish, and left the cleaned painting unvarnished, as Ensor had left it.  The 1950s lining and its deteriorated wax resin adhesive were also removed, and the work was relined to and mounted on a new aluminium stretcher.  The gilding was removed from the simple frame, which was returned to its original white colour.
The Getty also holds a graphite and Conté crayon sketch, from 1885.  Ensor also made an etching in 1898, which shows some details, such as the inscriptions on banners, which appear to have been painted out by Ensor in the prime work.  
The painting is one of just three selected by Stefan Jonsson to explain the history of democracy and socialism over a period of two centuries, and how "the masses" are perceived.
Art Institute of Chicago Royal Museum of Fine Arts, Antwerp Centre for Fine Arts, Brussels Guggenheim Museum Getty Center Ostend Los Angeles Belgium Conté crayon Les XX Kunsthaus Zürich Conté