Focus on this artwork and analyze the History.
Constable visited Salisbury in 1811 and made a series of sketches of the cathedral, from the south-east, the south-west and from the east end. The artist selected a viewpoint from the bishop's garden (the south-east) and returned in 1820 to make further drawings and an open-air oil sketch, now in the National Gallery of Canada in Ottawa, which served as the model for the London version. Included in the paintings are figures of Dr. Fisher and his wife at the bottom left. Following the exhibition of the London version at the 1823 Royal Academy, Constable observed: "My Cathedral looks very well....It was the most difficult subject in Landscape I ever had upon my Easel. I have not flinched at the work of the windows, buttresses, &c. – but I have as usual made my escape in the Evanescence of the Chiaro-Oscuro". His patron took exception to the dark cloud over the cathedral, and when he commissioned a smaller replica, requested "a more serene sky".
A full-scale replica of the painting also resides at the Frick Collection in New York City. It is slightly different in that it shows different weather and hence light. Whereas the London version depicts the cathedral with an overcast sky, the version in the Frick shows the cathedral with a clear, bright sky. It was executed in 1825 after Fisher requested, in a letter, that Constable repaint the sky in the London version. Fisher died before Constable completed the work. A full-scale study for the Frick version is currently held at the Metropolitan Museum of Art.
Ottawa x Chiaro-Oscuro Royal Academy left National Gallery of Canada London Frick Collection Metropolitan Museum of Art