Focus on A Young Girl Reading and discuss the Painting.
The painting features an unidentified girl wearing a lemon yellow dress with white ruff collar and cuffs and purple ribbons.  The subject is depicted in profile, reading from a small book held in her right hand, sitting with her left arm on a wooden rail and her back supported by a large lilac cushion resting against a wall.  Her hair is tied in a chignon with a purple ribbon, and her face and dress are lit from the front, casting a shadow in the wall behind her.  Fragonard pays close attention to the face, but uses looser brushwork on the dress and cushion, and the ruff was scratched into the paint with the end of a brush.  The horizontal line of the armrest and a vertical line between two unadorned walls provide a sense of space and structure.The text of the book is not legible and no hint is given of the content.
In Young Girl Reading,  color helps convey emotion and mood. Fragonard used a typical Rococo color scheme, which consisted of soft, delicate colors and hues of gold. The pillow's violet tint, the darker-toned walls and armrest, and the female subject's rosy-toned skin and bright-yellow dress help create the illusion of warmth and joy, and a sense of sensuality. These bright colors present a strong contrast to the dark background and help the viewer home in on the curves and contours of the female form. Texture is created through Fragonard's loose, but energetic and gestural brushstrokes, as in the frills in the girl's dress. Texture helps create depth and contrast among different elements of the painting—for example, the walls, the dress, and armrest all have different textures created through different styles of brushstrokes.The work is more a genre painting of an everyday scene than a portrait, and the name of the sitter is not known. X-ray photography has revealed that the canvas originally featured a different head looking towards the viewer, which Fragonard painted over. It is one in a series of quickly executed paintings by Fragonard featuring young girls, known as figures de fantaisie.The painting was not a completed academic work, and probably passed through the hands of several collectors and dealers in France.  It was owned by surgeon Théodore Tuffier, and came to the US before 1930, when it was in the collection of Alfred W. Erickson in New York, founder of the advertising agency McCann Erickson.  It was inherited by his wife Anna Edith McCann Erickson in 1936, and following her death in 1961 it was bought by the National Gallery of Art.
McCann Erickson National Gallery of Art right Rococo genre painting Théodore Tuffier chignon X-ray