In Triptych of the Annunciation, how is the Description discussed?
The Master of the Legend of Saint Ursula's mastery of oil painting is evident in this beautifully-preserved triptych. His craftsmanship made him one of the premiere painters in late fifteenth century Bruges.
The central panel of this triptych shows the moment of the Annunciation, as the Archangel Gabriel interrupts Mary's prayers to announce her selection. His vestments link Gabriel to the Mass, and so tie the Annunciation itself to the sacraments. His banner reads Ave Gratia Plena (Hail, full of grace), the first words of his salutation to her. The dove hovering over Mary's head symbolizes the Holy Spirit impregnating her. The bedroom setting is appropriate, since the triptych depicts the moment her marriage to God is consummated. The flowers behind her are traditional symbols for Mary: lilies for her purity and columbine for her sorrow.
The wings of the triptych contain an array of saints in verdant landscapes. The upper left panel has Jerome and Francis; lower left, Bernardino of Siena and Anthony Abbot; upper right, John the Baptist and Benedict; lower right, Michael and Christopher. When not in use, the wings would have been closed to conceal the brilliant interior, leaving visible only grisaille portraits of Paul and Bernard resembling statues.
Annunciation Anthony Abbot Michael Holy Spirit panel Mass lilies Francis Bruges Bernard John the Baptist Archangel Gabriel Mary's Bernardino of Siena columbine Jerome Gabriel Master of the Legend of Saint Ursula grisaille Christopher Paul triptych Benedict