In Silken Painting of Emperor Go-Daigo, how is the The Image of Emperor Godaigo in Paperback discussed?
A copy of this work is Emperor Godaigo's Image in Paperback . Sengoku period, established on March 21, Eishō14 (1517) . The author is Amitabha Buddha, a monk who held the position of Sanryo (the fourth of the six "main ranks" in Tokishu) at the time of the Shogunate's 23rd Yugyo Shonin, . Later, he is thought to be the same person as a high priest of the same name who served the 25th Buddha Tien as one of the six dormitory priests (the highest rank of the "main dormitory") ("Jishu Jishu Jishu") .The difference in coloration is noticeable at first glance, but the dimensions are almost identical and the outlines are faithfully reproduced in detail .As for the three shrine oracles at the top of the screen, "Kasuga-daimyojin" and "Hachiman-daibosatsu" have been switched from the original, and it is unclear whether this was intentional or whether the original had some misinterpretations at the time due to repair work . In addition, unlike the "Amaterasu" in the original, the "Amaterasu" is "Amaterasu Ootaijin", which matches the "Tai" in the "Amaterasu Ootaijingu" of the Sanja oracle that Seikouji has in its collection separately from the original . The character for "god" is also different from the original, with a dot . The reasons for these changes in the Sansha Oracle are not detailed as of 2014 .For the fact that imitations were used in worship rituals instead of the treasured originals, see #Coming after the establishment.
According to the director of the Shōjōkō-ji Yougyo-ji Museum of Treasures, Toyama Motohiro himself, the copy was discovered by Toyama while he was organizing the museum's archives . Later, in Heisei 21 (2009), it was exhibited for the first time at the Byodoin Museum Hosho-kan in Byōdō-in, in a special exhibition entitled "Commemoration of the 670th Anniversary of the Transfer of Emperor Go-Daigo's Throne: ACCESSORIES OF THE UNSHARENED TIME"  Initially, Toyama had assumed that the painting was an example from the Azuchi-Momoyama or Edo periods based on the impression of the coloring, but restoration work in 2012 uncovered a production record on the back of this paper, which revealed the aforementioned date of formation and artist .
Amaterasu Shōjōkō-ji Hachiman Emperor Eishō Emperor Go-Daigo Heisei Byōdō-in Sengoku period