How does The Raising of Lazarus (Sebastiano del Piombo) elucidate its Style?
The painting was begun some five years after Sebastiano had moved from his native Venice to Rome, and shows that his adaption to a monumental and classical Roman style was effectively complete, though the colours "retain a Venice-like luminosity that enchants the eye".  Despite being conceived as a move against Raphael, with the help of Michelangelo, in its general composition it shows a good deal of influence from Raphael, and although the two paintings for Narbonne have only ever been seen together for a few days in 1520, and were both painted in conditions of great secrecy by the rival artists, in many ways they are a well-matched pair, showing how much Sebastiano had absorbed from Raphael.The help received from Michelangelo was limited to the main male figures (see below), and the crowd and landscape background was Sebastiano's composition.  The landscape has ruins and a bridge that look like a Roman setting, but the cloudy sky and other aspects suggest a Venetian landscape.
Raphael Venice The landscape Narbonne Michelangelo Sebastiano