In the context of this artwork, analyze the Reception of the work's narrative of the Reception.
Art critics of the period did not question Long's attention to archaeological detail and instead were primarily interested in the figures and narrative occurring within the setting. Art journalists at the time were noted to be absorbed in the ancient narrative. Media at the time of display applauded Long's placement of historical detail within the work. It has been noted that when the painting was originally displayed its meaning was ambiguous, without clearly signalling endorsement or disapproval at the Babylonian ritual. Bohrer points out that the painting struck a chord with the public, as its core topic is the transformation of women into an objective currency, amid the wider political changes with regards to women being able to possess land and currency of their own. Social theorist Sander Gilman puts forth that the painting is evident of how 19th-century European culture had internalised a conception of femininity and beauty that is distinctly racial. He argues that the fact that the women's arranged of beauty correlates distinctly with their racial features, from the most attractive who have fair skin and European features, while the least beautiful having darker skin and more pronounced features, is evidence of these internalised race judgements.Media outlets at the time were aware that the work was not just a fable, but aimed to make an important comment on the status of women in the Victorian era. The painting was noted to acquire wider social notability, its commentary on the marriage process resonating with wider audiences. Satirical versions of the painting were created and distributed, for example an 1876 cartoon published in the Punch Pocket Book, which showed Mr Punch, a popular comic cartoon character of the time, auctioning for sale young women and other comic characters. Academics note that the work, through its political social critique, prompted greater political reform and discussion about women's rights to own property, goods and currency.
objective Victorian era painting European culture Social theorist racial Babylonia women in the Victorian era Babylon Mr Punch auction