In the context of this artwork, explain the Divisionism in Italy of the Divisionism.
The influence of Seurat and Signac on some Italian painters became evident in the First Triennale in 1891 in Milan. Spearheaded by Grubicy de Dragon, and codified later by Gaetano Previati in his Principi scientifici del divisionismo of 1906, a number of painters mainly in Northern Italy experimented to various degrees with these techniques. These Italian artists merged Neo-impressionism with Symbolism creating allegorical paintings using a divisionist method. For example, Pellizza da Volpedo applied the technique to social (and political) subjects; in this he was joined by Angelo Morbelli and Emilio Longoni. Among Pellizza's Divisionist works were Speranze deluse (1894) and Il sole nascente (1904). It was, however, in the subject of landscapes that Divisionism found strong advocates, including Segantini, Previati, Morbelli, and Carlo Fornara. Further adherents in painting genre subjects were Plinio Nomellini, Rubaldo Merello, Giuseppe Cominetti, Angelo Barabino, Camillo Innocenti, Enrico Lionne, and Arturo Noci. Divisionism was also an important influence in the work of Futurists Gino Severini (Souvenirs de Voyage, 1911); Giacomo Balla (Arc Lamp, 1909); Carlo Carrà (Leaving the scene, 1910); and Umberto Boccioni (The City Rises, 1910).
Signac Pellizza da Volpedo Gino Severini Futurists Divisionism Rubaldo Merello Symbolism Grubicy de Dragon Gaetano Previati Giacomo Balla Plinio Nomellini Umberto Boccioni Carlo Fornara Camillo Innocenti Divisionist Angelo Morbelli Carlo Carrà Emilio Longoni