How does this artwork elucidate its Provenance?
In his 1910 catalog of Frans Hals works Hofstede de Groot wrote:158. MADAME BODOLPHE. B. 56 ; M. 106. Three-quarter- length, life size. An old woman sits in a carved chair, seen in full face, and looking at the spectator. She leans her left hand on the arm of her chair and holds her gloves in her right hand. She wears a dark dress trimmed with fur, a white ruff, and a close-fitting white linen cap. [Pendant to 157.] Signed on the left with the monogram, and inscribed, "AETAT SVAE 72 AN 1643 "; canvas, 48 inches by 38 1/2 inches. Exhibited by the London dealers T. Agnew and Sons, November and December 1906. Exhibited at the Hudson-Fulton Celebration, Metropolitan Museum, New York, 1909, No. 34. Sale. Odier, Paris, March 25, 1861. In the collection of Count Andre Mniszech, Paris. In the collection of J. Pierpont Morgan; exhibited on loan in the Metropolitan Museum, New York.
This painting came into the collection via the bequest of school alumnus Stephen Carlton Clark in 1961. It was selected in 1939 along with Portrait of a Man with a Beer Jug by the New York art historian Thomas Craven to contrast Hals' earlier, more colorful genre work with his more subdued later portraits. Recently research into the costumes of Haarlemmers in the 17th-century has revealed that portraits with small wrist collars like hers, or indeed lacking them as her husband does, may indicate the Mennonite faith. This clue narrows the field for an eventual identification.
Mennonite Haarlem J. Pierpont Morgan Hofstede de Groot Metropolitan Museum Andre Mniszech Thomas Craven Stephen Carlton Clark Portrait of a Man with a Beer Jug Hudson-Fulton Celebration Frans Hals B. M. Man with a Beer Jug