Explore the Criticism of this artwork, Young Spartans Exercising.
In 1879, Italian art critic Diego Martelli described the unfinished work as "one of the most classicizing paintings imaginable"; though after Martelli's remarks, Degas returned to the painting and removed the classicizing architecture.In a 1985 edition of The Art Bulletin, art critic Carol Salus hypothesises that the work "has traditionally been interpreted as representing young women challenging young men to wrestle or race, is instead a presentation of Spartan courtship rites". This position was challenged in the same publication the following year, with Linda Nochlin arguing that the work could encompass a variety of meanings, and by referring to Degas' own reluctance to explain the work in any great detail, allows the viewer to interpret the work to their own merit. This view is echoed by Christopher Riopelle, curator of 19th-century painting at the National Gallery, who in 2004, stated that the painting "starts as a traditional historical painting, closely based on classical accounts and meticulous research. It ends as something much more enigmatic."
Sparta Diego Martelli The Art Bulletin National Gallery