Focus on Market of Goa and explain the Visual analysis.
Plate 5, Market of Goa, depicts the market in Goa, a region on the southwestern coast of India that was the center of maritime trade in Portuguese Asia. The Market of Goa depicts the bustling city of Goa, the center of maritime trade in Asia. Inscribed in Portuguese in the top left of the print is a description of the image. The Portuguese rua direita most accurately translates to "main street".The plate is set up like a stage and represents a "theatre of social order and morality." The inequalities between slaves, merchants, and noblemen are evident based on their clothing (or lack thereof) and accessories. Italian, German, and Portuguese merchants gather in crowds to sell their goods. Captives, imported from Mozambique, are shackled to their owners or carry them in palanquins.The print likely depicts the marketplace at morning. Trading was only allowed between the hours of seven and nine in the morning. The afternoon heat was too unbearable to work. Many figures can be seen taking shade under parasols to shield themselves from the scorching sun. Noblewoman can be seen being carried by slaves in palanquins.
Enslaved people were frequently sold in Goa. The average Goan household had about 30 slaves. Slaveowners made a hefty profit on the sale because slaves were given very little attention in regards to their health. Additionally, female slaves were sometimes forced to worked as prostitutes. Masters kept the profit these women made.
The minimal time to trade made for a crowded square. The market was set up like an auction. The bare-chested woman, arguably the focal point of the image, points at the child held by the wet nurse to her right. Just off the center of the image, a group of Portuguese men, one a money exchanger, can be seen sitting around a table, protected by parasols, and listening to a crier auctioning off what appears to be a cloak. In the lower left of the image, two men, Indian porters, carry a jug of water from the countryside. To the right of the porters, a crier auctions off a small dark-skinned child and a naked woman to a gathering of Portuguese men. Moving to the right of the image is a man riding a horse. Other various animals running amuck, adding to the chaos of the street.  In the far right, a Portuguese nobleman on horseback and a Portuguese noblewoman in palanquin are seen leaving the market. The noblewoman's litter is carried by Asian or African slaves. As they exit, they will walk by a hospital—a structure that crudely divides the foreground from the background. In the far left background, a group of women sit in a semi-circle selling goods out of their baskets.  
The mayhem and pandemonium are evident, but not representative in this plate is the way that the market was organized. Trades of similar classification were grouped together on the streets. Precious gems, golds, and silvers would be tabled near each other. Other goods included: Portuguese wines, fruits and vegetables, baked goods, herbs, medicines, textiles, embroidery, and wood carvings.It is important to note that these images are "drawn from life" and are considered "counterfeits from life". It is important to keep in mind that the plates are based on the entries and sketches of Linschoten's observations, and not those of the engravers, so it cannot be said for certain that the engravers did not take artistic liberties.
Linschoten's observations were considered to have "high empirical content" and are an example of the mapping impulse common by the Dutch. The mapping impulse was a compulsion to document everything in an almost scientific manner.
plate wet nurse porters Portuguese Asia prostitute Mozambique palanquin Goa marketplace Enslaved people parasol