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Thomson first visited Algonquin Park in May 1912, venturing through the area on a canoe trip with his Grip colleague Ben Jackson. Thomson's transition from commercial art towards his original style of painting began to be apparent around this time. His early works, such as Northern Lake (1912–13) and Evening (1913), were not outstanding technically, yet they did illustrate an above average ability regarding composition and colour handling.Northern River and the winter of 1914–15 stand as a point of transition in Thomson's art. In 1914 he made himself a sketch box to hold 8½ × 10½ inch (21.6 × 26.7 cm) panels, allowing him greater opportunity for sketching. A. Y. Jackson in particular taught him about the subtleties of composition, colour and technique in general, allowing the sketches that followed show a beginning desire to experiment with colour and texture rather than continue with the precision and subdued nature of his earlier works.
Algonquin Park A. Y. Jackson