Focus on this artwork and analyze the Influence and copies.
Nearly forty versions of the Madonna of the Yarnwinder made by pupils and followers of Leonardo survive today. Many show elements which were discarded as the prime version, or versions, evolved over a long period of time. Some include the figure group in the middle ground visible in the Buccleuch and Lansdowne underdrawings; others show the basket of wool described by Fra Pietro da Novellara, though to Christ's side rather than beneath his foot. Eight paintings, including the copy in the Louvre, show a different kind of rocky outcrop in the foreground from those in the prime versions; many of these are probably by Lombard Leonardeschi. Some artists elaborated on Leonardo's composition with the addition of still lives or extra figures.The Madonna of the Yarnwinder’s composition was especially popular in Spain, where it might have been brought over by Fernando Yáñez de la Almedina or Hernando de los Llanos (whose name also appears as Fernando de Llanos). Both painters were trained in Florence in the first years of the 16th century, and either might be the “Ferrando spagnolo” mentioned as a pupil of Leonardo when the master was working on the fresco of the Battle of Anghiari in the Palazzo della Signoria in 1505.
Fernando Yáñez de la Almedina Florence Louvre Hernando de los Llanos Leonardeschi Leonardo Palazzo della Signoria Yarn Battle of Anghiari prime version Lombard underdrawing