Focus on Legend of Saint Ursula and explore the Conservation.
The cycle has undergone numerous restoration treatments, the first one during Carpaccio's own lifetime and then continuing with one or two treatments each subsequent century. These (sometimes partial) restorations contributed to an uneven surface of the paintings and compromised the unity of the cycle. The nine canvases were covered with old varnish, glues, and retouching oil that had given the paintings a yellow-green hue. Over the years, several canvases had also suffered water damage while on the north wall of the Scuola. 
In 2010, the organization Save Venice Inc. launched a conservation campaign for the St. Ursula cycle. First preliminary research and diagnostic analysis was undertaken by the Istituto Superiore per la Conservazione e il Restauro and the Laboratorio Scientifico delle Gallerie. 
A pilot restoration on The Arrival of the Pilgrims in Cologne began in 2013, followed by the closing of the Saint Ursula room in the Accademia in August of 2016 to continue work on the rest of the paintings. In total, conservators treated more than 87 square meters of painted canvas and averaged 250 hours of work per each square meter. The reinstallation of the restored paintings was celebrated in June 2019.
Istituto Superiore per la Conservazione e il Restauro Carpaccio Cologne Saint Ursula Save Venice Inc. Venice