Describe the characteristics of the Iconography in Mary Magdalene (Artemisia Gentileschi)'s Interpretation.
This depiction blends elements from two different biblical women: Mary, the sister of Lazarus (as referenced by the engraving on the mirror) and Mary Magdalene, signified by the jar of ointment at her feet. The combination of the two biblical characters to form Mary Magdalene was to be expected, as they were considered the same person in the sixth century. Though Mary Magdalene's dress has slipped offer her shoulder, it does not reveal her body, alluding to Mary Magdalene's eroticized past, as she is often depicted. Mary Magdalene was a commonly depicted figure at this time due to her relatable story: Mary Magdalene underwent a transition from a sinner to a repentant sinner.Her devotion is expressed in the upward glance toward heaven, and her intenseness as she leaves behind her erotic past. This scene is further supported as a moment of conversion as Mary pushes away a mirror (a symbol of vanity) inscribed with the words Optimam partem elegit (“You have chosen the best part”). The quote is from the Bible, Luke 10: 41–42, in which Jesus teaches Martha that her sister Mary has made a better choice in embracing a spiritual life. It is improbable that this phrase was added by Gentileschi, but at a later point in time, as is suggested by the words appearing in the gloss of the canvas.Mary Magdalene's expensive clothing and her sensual appearance do not contradict the spiritual meaning of this piece.  The exaggerated gesture of Mary's left arm and her turning away from the jewelry box next to her together indicate that she is refusing vanity.
Mary Magdalene Mary, the sister of Lazarus Jesus vanity