In the context of Pan American Unity, analyze the Section Three of the The five sections.
'The Plastification of Creative Power of the Northern Mechanism by Union with the Plastic Tradition of the South'
The central section is largely taken up by a depiction of Coatlicue, Aztec Goddess of Life, merged with a huge stamping machine from Detroit, symbolizing the union between north and south. It is echoed throughout the section in the depiction of the modern carver (Carter) eschewing motorized tools for hand axes, in Kahlo looking for inspiration in native traditions (and dressed in native clothes), and in the symbolic joining of Rivera (from Mexico) and Goddard (from America) holding the "Tree of Life and Love" together.Persons depicted in Section Three include:
Coatlicue Life