In Assumption of the Virgin with Saint John the Baptist and Saint Catherine of Alexandria, how is the History and description discussed?
The altarpiece, mentioned by Giorgio Vasari, was presumably made in 1516, a date that according to sources was reported on the work. It was commissioned for the church of Santa Maria in Castello in Prato. In 1800 it was confiscated in Rome from the deposit of the church of San Luigi dei Francesi, and purchased by Domenico Venuti, becoming part of the Bourbon collection. Later it was exhibited in the National Museum of Capodimonte, in the room 10.The work maintains the typical canons of Fra Bartolomeo: a symmetrical composition and the use of soft colors of the devotional painting wished by the painter, inspired by the models of Raphael. At the center is depicted the Assumption of Mary, whose preparatory drawing is kept in the Uffizi Gallery, in Florence, surrounded by angels, while at her feet, on the left, kneeling and leaning against the tomb with flowers inside, is  John the Baptist, a figure who differs from the rest of the work, mostly inspired by the painting of Leonardo da Vinci, whilst to the right is Catherine of Alexandria. The upper part of the table is characterized by a gold background, a technique developed by the artist during his stay in Venice in 1508.
Giorgio Vasari Fra Bartolomeo Florence Raphael Uffizi John the Baptist Assumption of Mary Prato Uffizi Gallery San Luigi dei Francesi Catherine of Alexandria Leonardo da Vinci National Museum of Capodimonte