How does this artwork elucidate its Interpretations?
The painting references traditional and ancient iconography, mythology and symbolism, eroticism and botany all mapped out onto a scene depicting the legs of the artist herself (as signified by her wounded right foot) submerged in bath water. References to Kahlo's earlier works and influences have been noted. These include themes from her painting My Parents, My Grandparents and I (1936), allusions to fifteenth-century painter Hieronymus Bosch's The Garden of Earthly Delights in her attention to flora and fauna, and a reference to her political position by documenting the clash of the old and the new in the dramatic detail of a skyscraper burning inside a volcano. Among the various elements of macabre that are visible, a skeleton and a nude bather choked by a rope stand out.What the Water Gave Me  was Frida's memoir of her life, depicting life and death and comfort and loss. In the midst of her vision lies the way in which Frida found herself submerged by her life. Frida is quoted saying "I drank to drown my pain, but the damned pain learned how to swim, and now I am overwhelmed by this decent and good behavior." Scholar Graham Watt stated that a common feature of Kahlo's paintings is duality, as Kahlo painted "the body she lost and the body she had, her heterosexual and lesbian affairs, traditional and modern ways, Mexican and European, the closeness and treachery of those she loved, sadness and joy as well as the community of her world view and the loneliness of her position." Frida found only her hardships in her bath.  In this portrait Kahlo appears lifeless as she lies in a bathtub submerged in water, her legs barely visible but her feet emerge from the water. Her right foot is bleeding and deformed, reflecting what was happening to her body while she suffered in pain.
Of the 30-plus operations she endured, most were on her back, right leg and right foot. Hence the wreckage in the painting over her right leg; between the toes of her right foot is a bleeding crack. Along with Kahlo‘s childhood polio that caused more than a slight deformity in her right leg. The spina bifida Kahlo suffered from is a congenital deformity, which results from incomplete closure of neural tube and a partially fused spinal cord. This decreased circulation to her limbs, together with polio and the 1925 streetcar accident, was the root of Kahlo’s chronic battle with neuropathic pain.
Like What the Water Gave Me, Frida’s paintings were very personal. It is written by Leticia Pérez Alonso that “in Kahlo’s painting the viewer ends up identifying with the represented object, and thus the distance between both of them is dissolved.” In order to bring her viewers as deep into her life as possible, the strong details in her painting made it so that the distance between the self and the other is obliterated so that they are to share in the same experience. Kahlo returned to the same symbols and figures that can be seen in her other paintings.
The Volcano itself is the cornerstone of this painting as it is a strong symbol of her no longer suppressing her feelings about her body, her relationship to her husband, Diego Rivera; the source of most of her passion pain, and her self-worth. In her diary, Kahlo described herself as “the one who gave birth to herself.” A scholar concluded that she was starting to discover and experience both her own self and the world about her at a new more conscious level.” The eruption of the volcano mirrors her inevitable eruption.
What the Water Gave Me is a symbol of its own; a symbol of self-discovery. With this painting Frida Kahlo demonstrated her ability as a surreal artist who through her method of aggressive visual imagery, rather than verbal language, can convey the trauma of her own
existence by putting herself on trial all while simultaneously creating art.
According to the critic Bertram Wolfe, Kahlo's paintings appeared to bring together surrealism and a "deep-rooted Mexican tradition".On the basis of this painting, Kahlo was labeled a surrealist. Before
this she never considered herself a “surrealist” she just utilized this
portrait as her platform to express her hurt and expel her demons.
André Breton saw Kahlo's art as Surrealist, saying of her work, "The promises of fantasy are filled with greater splendor by reality itself!" For Breton, this work was exemplary of her Surrealism.
André Breton Surrealist My Parents, My Grandparents and I The Garden of Earthly Delights Diego Rivera surrealist Frida Kahlo Surrealism Hieronymus Bosch What the Water Gave Me Bertram Wolfe