Focus on this artwork and explore the Other sources.
Ferretti-Bocquillon, Marina; et al. (2001). Signac, 1863-1935. New York: The Metropolitan Museum of Art. ISBN 0870999982.
Floyd, Ratliff (1992). Paul Signac and Color in Neo-Impressionism. New York, New York: Rockefeller University Press. ISBN 0-87470-050-7.
Herbert, Robert. Georges Seurat, 1859–1891, New York: Metropolitan Museum of Art, 1991. ISBN 9780870996184.
Herbert, Robert, Neo-Impressionism, The Solomon R. Guggenheim Foundation, New York, 1968, Library of Congress Card Catalogue Number: 68-16803
Herbert, Robert. Georges Seurat, 1859-1891, New York: Metropolitan Museum of Art, 1991. ISBN 9780870996184.
Hutton, John G. (2004). Neo-Impressionism and the Search for Solid Ground: Art, Science, and Anarchism in Fin-de-siecle France. Baton Rouge, Louisiana: Louisiana State University Press. ISBN 0-8071-1823-0.
Ward, Martha (1996). Pissarro, Neo-impressionism and the Spaces of the Avant-Garde Chicago, Illinois: Chicago University Press. ISBN 0-226-87324-2.
Haslett, Carrie (2002). Neo-Impressionism: Artists on the Edge. Portland, Oregon: Portland Museum of Art. ISBN 0-916857-30-1.*Blanc, Charles. The Grammar of Painting and Engraving.  Chicago: S.C. Griggs and Company, 1891. [1].
Block, Jane. "Neo-Impressionism." Grove Art Online. Oxford Art Online.   [2].
Block, Jane. "Pointillism." Grove Art Online. Oxford Art Online.   [3].
Broude, Norma, ed. Seurat in Perspective.  Englewood Cliffs, NJ: Prentice-Hall, 1978. ISBN 0-13-807115-2.
Cachin, Françoise. Paul Signac.  Greenwich, CT: New York Graphic Society, 1971. ISBN 0-8212-0482-3.
Clement, Russell T., and Annick Houzé. Neo-impressionist painters: a sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Théo van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet.  Westport, CT: Greenwood P, 1999. ISBN 0-313-30382-7.
Chevreul, Michel Eugène. The Principles of Harmony and Contrast of Colors.  London: Henry G. Bohn, York Street, Covent Garden, 1860
Dorra, Henri. Symbolist Art Theories: A Critical Anthology. Berkeley: U of California, 1994.
Gage, John. "The Technique of Seurat: A Reappraisal." The Art Bulletin 69 (Sep. 1987): 448-54. JSTOR. [4].
Hutton, John G. Neo-impressionism and the search for solid ground: art, science, and anarchism in fin-de-siècle France.  Baton Rouge, LA: Louisiana State UP, 1994. ISBN 0-8071-1823-0.
Puppo, Dario del. "Il Quarto Stato." Science and Society, Vol. 58, No. 2, pp. 13, 1994.
Meighan, Judith. "In Praise of Motherhood: The Promise and Failure of Painting for Social Reform in Late-Nineteenth-Century Italy." Nineteenth-Century Art Worldwide, Vol. 1, No. 1, 2002.
"Radical Light: Italy's Divisionist Painters." History Today, August 2008.
Rewald, John. Georges Seurat. New York: Wittenborn & Co., 1946.
Roslak, Robyn. Neo-Impressionism and Anarchism in Fin-de-Siecle France: Painting, Politics and Landscape. N.p., 2007.
Roslak, Robyn S. (1991). "The Politics of Aesthetic Harmony: Neo-Impressionism, Science, and Anarchism". The Art Bulletin. JSTOR. 73 (3): 381–390. doi:10.2307/3045811. ISSN 0004-3079. JSTOR 3045811.
Signac, Paul. D’Eugène Delacroix au Neo-Impressionnisme.  1899. [5].
Winkfield, Trevor. "The Signac Syndrome." Modern Painters Autumn 2001: 66-70.
Tim Parks on divisionist movement of painters in Italy
Georges Seurat Paul Signac France Signac Baton Rouge, Louisiana Louisiana State University Press Camille Chicago Il Quarto Stato Anarchism Impressionism Pointillism anarchism Camille Pissarro Symbolist Broude, Norma Albert Dubois-Pillet Pissarro Théo van Rysselberghe Divisionist Maximilien Luce Charles Angrand Eugène Delacroix Cachin, Françoise