How does San Francesco al Prato Resurrection elucidate its Description?
The work follows a typical scheme of Perugino's art. The divinity, in this case the resurrected Jesus, is depicted within a mandorla occupying the upper part of the painting, among angels. The lower part shows, above a landscape in the background, the open sarcophagus and several Roman soldiers, three of whom are sleeping and one awakened by the miracle. Another example of the scheme is the contemporary Transfiguration in the Collegio del Cambio in Perugia.
The figure of Christ, holding the flag symbolic of the resurrection, has the typical harmony and softness of Perugino's mature works, with a detailed chest and a bright drapery with deep pleats. The two angels at his sides are symmetrical, and were obtained from the same cartoon (used by the artist and his workshop also in other works, such as the Madonna in Glory with Saints at Bologna). 
The sarcophagus has its cover correctly painted according to geometrical perspective. The soldiers are also painted with attentions and details, such as the fanciful crest of the helmet, also present in the Collegio del Cambio frescoes.
Madonna in Glory with Saints Collegio del Cambio geometrical perspective Bologna Perugia