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The painting is signed, at lower left, "RH·1626". This early work by Rembrandt, painted in the year he turned twenty, is described by art historian Gary Schwartz as "his first truly accomplished painting".Rembrandt skilfully tells the story, focusing on the most important threads: Anna, still with the goat at hand, has just heard her husband's accusation, which she indignantly denies. Tobit is deep in prayer to God, asking for death. At his feet is a small dog, symbolizing Tobit's fidelity and trust in God's justice. Like most of Rembrandt's first Leyden period, the painting is rich in colour and human emotion. For Michael Kitson, the work is an early and excellent example of Rembrandt's "lifelong fascination with old people". The artist's mother may have posed for the character of Anna.
Michael Kitson Rembrandt Gary Schwartz