Focus on Salome (Titian, Madrid) and explore the History.
The picture was painted about 1550. It was possibly once in the collection of Charles I of England, and later entered the collection of Charles II of Spain. Crowe and Cavalcaselle called it "evidently [the] work of an imitator". Charles Ricketts ascribed to the later 1560s supposed retouches by Titian upon the Salome of the Prado, which he considered "otherwise a poor studio variant" of the Lavinia with the Charger, painted in the 1550s. Walter Gronau, with others, have thought it an original work by Titian.
Lavinia with the Charger Salome Titian Crowe Cavalcaselle Charles I of England Charles II of Spain Charles Ricketts