Focus on this artwork and explore the Reception.
The first two copies were exhibited in the Louvre in June 1801 alongside The Intervention of the Sabine Women, and although there was an outcry in the press over the purchase, the painting quickly became well known as a result of the numerous reproductions that were produced, the image appearing everywhere from posters to postage stamps. It quickly became the most reproduced image of Napoleon.
With this work David took the genre of the equestrian portraiture to its zenith. No other equestrian portrait made under Napoleon gained such celebrity, with perhaps the exception of Théodore Géricault's The Charging Chasseur of 1812.
With Bonaparte's exile in 1815 the portraits fell out of fashion, but by the late 1830s they were once again being hung in the art galleries and museums.
Napoleon The Intervention of the Sabine Women Louvre The Charging Chasseur Théodore Géricault