In The Gypsy Madonna, how is the Appreciation discussed?
The "Gypsy Madonna" is a 19th-century name for the painting, because of the Virgin's supposed "dusky complexion  and her dark hair and eyes".  She seems young even by the standards of Madonnas, and the hands of the Child are unusually engaged, respectively with his mother's fingers and her dress (this is a difference to the Bellini).
According to S. J. Freedberg, the effect of sensuous existence Titian makes by his command of optical device is of an extreme virtuosity.  No picture before this attains a comparable sense of presences existing palpably within an atmosphere, reflecting coloured light but also absorbing it to saturation point, so that each pore of flesh or drapery makes texture.  Despite the debts to Bellini and Giorgione, the painting shows Titian, who was then around twenty-one, developing his own independent character and style.
S. J. Freedberg Titian Giorgione