In Triptych of the Temptation of St. Anthony, how is the History discussed?
According to some historians, the work could be one of the three Temptations recorded in the inventory of Philip II of Spain sent to the Escorial in 1574. From the 1950s, it had traditionally been considered more likely that the triptych was that bought by the Portuguese humanist Damião de Góis between 1523 and 1545.  In fact, the painting was documented as part of the collections in the Royal Palace of Lisbon in 1872 March from Spain, and in 1911 King Manuel II donated it to its current museum.Although the painting has usually been attributed to the period 1490–1500, dendochronologic analysis has assigned it to around 1501.Like many of Bosch's paintings, The Temptation of St. Anthony was the subject of a number of copies. A workshop  copy is in  Royal Museums of Fine Arts of Belgium and a later copy is in Gemäldegalerie, Berlin. Reduced copy of two wings is in Prado Museum in Madrid. Another version of the central panel is found in MASP in São Paulo, Brazil, first rehearsal Version. Circle of Jheronimus Bosch, Temptation of Saint Anthony central panel copy, (Barnes Foundation), a work by a follower after Bosch  can be found in the National Gallery of Canada in Ottawa.
Damião de Góis São Paulo Gemäldegalerie, Berlin Philip II of Spain Royal Museums of Fine Arts of Belgium National Gallery of Canada dendochronologic Manuel II Escorial Temptation of St. Anthony triptych Prado Museum MASP Lisbon