In the context of this artwork, discuss the Video of the Work.
The scene is shown on a split screen from four angles, with a timestamp in each corner, beginning 02:10 and ending 02:18. Lawson said the security-camera perspective "removes the wall between the viewer and the action." The video begins with Sulkowicz and the actor, whose face is blurred, entering the room, undressing each other, then kissing and engaging in oral and vaginal sex, the latter with a condom. Three minutes into the video, the actor hits Sulkowicz several times, then removes the condom, pushes his hands and her legs against her neck or throat, and penetrates her anally. She screams, tells him to stop, and puts her hand over her face. After a short time, the actor stops abruptly and leaves the room with his clothes in his hands. Sulkowicz is left curled on the bed in the fetal position, with her back to the camera. After wrapping herself in a towel, she briefly leaves the room, returns and makes the bed, then appears to fall asleep.Lawson told the Columbia Spectator that Sulkowicz and the actor had captured the shift from the consensual to non-consensual: "I think the video expresses the possibility that you don't forfeit that [consensuality] ever."
vaginal sex fetal position oral timestamp