Explore the History of this artwork.
The painting was commissioned by Bartolomeo Panciatichi (the Elder) for a private altar in the French church of Notre-Dame-de-Confort, in Lyon; however, when finished, it remained in Italy. It was subsequently acquired by Bartolomeo Panciatichi the Younger, the man later portrayed by Agnolo Bronzino. In 1526 Andrea del Sarto used the same composition in the Passerini Assumption, now housed in the same museum. Later, Bartolomeo gifted the work to Jacopo Salviati, who moved it to his villa del Poggio Imperiale. After all Salviati's possessions were confiscated by Duke Cosimo I de' Medici, the villa and all its content went to Paolo Giordano Orsini, husband of the duke's daughter Isabella d'Este.
After several changes of property, including a period under the Odescalchi, the villa returned to the Medici family in 1602. In 1687 it was decided to the move the Assumption to Pitti Palace, as part of the collection of prince Ferdinando de' Medici. The panel was enlarged in that occasion, in order to mount the same frame of the Passerini Assumption, also taken to the palace.
Passerini Assumption Ferdinando de' Medici villa del Poggio Imperiale Cosimo I de' Medici Jacopo Salviati Italy Isabella d'Este Medici family Bartolomeo Panciatichi Notre-Dame-de-Confort Pitti Palace Andrea del Sarto Lyon Bronzino Odescalchi Agnolo Bronzino Paolo Giordano Orsini