Focus on this artwork and discuss the Description.
Johnson began working on his paintings shortly after the incident, and completed three versions at some point during 1862.  The locations of only two are known today:  one is owned by the Brooklyn Museum and the second by the Virginia Museum of Fine Arts.  Both are in oil on board, and neither appears to have been exhibited during Johnson's lifetime.The version in the Brooklyn Museum measures 55.8 cm × 66.4 cm (22.0 in × 26.1 in) and is signed "E.J." to the lower right.  The reverse side of the board bears Johnson's oil sketch of a scythe sharpening scene, also c.1862.  The work was acquired by the gallery after it held an Eastman Johnson exhibition in 1940, along with Johnson's Not at Home, as gifts from the artist's granddaughter Olga Louise Gwendolyn Conkling: her father Alfred R. Conkling had married Eastman Johnson's daughter Ethel.  The version in the Virginia Museum of Fine Arts is in its Paul Mellon Collection.  It is a similar size, measuring 54.61 cm × 66.04 cm (21.50 in × 26.00 in), and is signed " E. Johnson".  A manuscript label on the back of the painting signed by the artist recounts: "A veritable incident/in the Civil War seen by/myself at Centerville/on this morning of/McClellan's advance towards Manassas March 2, 1862/Eastman Johnson."The paintings depict a family of four African-American slaves on horseback in the murky early morning light.  In front, a child sits in the lap of his father, with his mother riding on the back of the horse holding an infant.  The horse appears in motion, galloping away from the source of their enslavement and towards Union Army lines.  The man is looking ahead, the child down at the horse, and the woman back in case they are being pursued. In the Brooklyn version, some vertical glints ahead of the horse indicate the bayonets and sabers of soldiers about to fight in the distance, but this detail becomes horizontal streaks of morning light in the Virginia version.
Union Army Eastman Johnson Virginia Museum of Fine Arts Alfred R. Conkling Paul Mellon Brooklyn Museum