Focus on this artwork and analyze the Background.
In his childhood, Simberg was heavily involved in rural life. This exposure to rural life early, allowed him to be able to create art based on the simplest themes of life such as life and death. In The Garden of Death particularly, Simberg chose to avoid the normal conventions of symbolism in an effort to display his rendition of "child-like naivety". In Finland, it was not unusual to address the theme of death. For Simberg, in particular, due to his rural life upbringing, he would typically explore the destructive forces of nature in his works. In these works, he would commonly personify nature while also objectifying humanity.Simberg began his artistic journey at the Finnish Fine Arts Association in Helsinki. During his time as a student, he was taught under the instruction of symbolist artist Akseli Gallen-Kallela. After nearly two years of instruction from Gallen-Kallela, Simberg's artwork began to be heavily influenced by Gallen-Kallela's fusion of both symbolism and the National Romantic style. In Simberg's earliest paintings such as Frost and Autumn, the usage of watercolors is applied to demonstrate Simberg's flair of symbolism showing “off fairy-like motifs”. During Simberg's entire career he took many trips away from his homeland, Finland. In the earliest parts of his career, Simberg would avoid the decadent areas of well-known cities listening to the instruction from Gallen-Kallela. While he typically stayed in the rural lands, he also traveled within some cities. Throughout his time in these different cities, he would find influences from the different art styles offered such as photography, theater, and sculptures.
Death Finland Finnish Helsinki