Focus on this artwork and analyze the Selected bibliography.
TOMAŠOVIĆ, Joško. "Šejla Kamerić" in: Andre/Others, Sørlandets Kunstmuseum, 2005, pp. 42-45.
HODŽIĆ, Lejla. "Balkan Konsulat. Sarajevo", in: Balkan Konsulat (ed. Makovec, Margarethe and Lederer, Anton), <rotor> and Revolver, Graz-Frankfurt am Main 2006, pp. 96-111.
BLAŽEVIĆ, Dunja. "Šejla Kamerić", in: Vodič kroz izložbu Kontakt Beograd …dela iz kolekcije Erste Bank Grupe, Muzej savremene umetnosti Beograd (20.01.-1.03.2007), (ed. Seidl, Walter and Stellwag-Carion, Cornelia), Kontakt. Umetnička kolekcija Erste Bank Grupe, 2007.
BLOCK, Rene and BABIS, Marius (ed.). Die Balkan-Trilogie/The Balkan Trilogy, Kunsthalle Fridericianum, Kassel 2007.
HELMS, Elissa. “East and West Kiss. Gender, Orientalism, and Balkanism in Muslim-Majority Bosnia-Herzegovina”, in: Slavic Review, vol. 67, no. 1., 2008, pp. 88-119
HUGHS, Jeffrey and TURKOVIC, Dana (ed.). Odavde (from here), Otuda (from there), Webster University, St. Louis 2008
MEREWETHER, Charles. "Unerledigte Angelegenheiten: Dream House and Bosnian Girl/Unifinshed Business: Dream House and Bosnian Girl" in: Portikus 2004-2007. Book of a Sleeping Village, Frankfurt am Main – Cologne 2008, pp. 109-119.
SEIDL, Walter (ed.). Cutting Realities. Gender Strategies in Art. Works from Kontakt. The Art Collection of Erste Bank Group, Vienna 2008.
ĐORĐEVIĆ, Tamara. “Postkolonijalne studije i Balkanizam: Bosnian Girl”, 2009
NEUMAYR, Agnes. “Šejla Kamerić: Die Kunst vermag est, Vorurteile Aufzubrechen un das Bewusstsein der Menschen zu verandern”, in: Politik der Gefühle: Susanne K. Langer und Hannah Arendt, Innsbruck University Press, Innsburck 2009, pp. 354-369.
PEJIĆ, Bojana (ed.). Gender Check: Femininity and Masculinity in the Art of Eastern Europe, Moderne Kunst Stiftung Ludiwg Wien, Vienna 2009
MUKA, Edi. Šejla Kamerić, (ed.) Meral Agish, Galerie Tanja Wagner, Berlin 2011
GRŽINIĆ, Marina. “Europe: Gender, Class, Race.”, in: The Scholar & Feminist Online, 10. 3. 2012
HELMS, Elissa. “Bosnian Girl’: Nationalism and Innocence through Images of Women”, in: Retracting Images: Visual Culture After Yugoslavia (ed. Šuber, Danilo and Karamanić, Slobodan), 2012, pp. 193 – 222
HOŠIĆ, Irfan. Iz/van konteksta. Ogledi i kritike iz umjetnosti, arhitekture i mode, Connectum Sarajevo, 2013
HOYOS, Nathalie and SCHUMAHER Rainald (ed.). "Fragile Sense of Hope", Berlin 2014.
BALIÇ, İlkay (ed.). Šejla Kamerić. When The Heart Goes Bing Bam Boom, ARTER, Istanbul 2015
BLACKWOOD, Jonathan. Introduction to Contemporary Art in BiH, 2010.
ĐELILOVIĆ, Asim. Muzej u Egzilu. Bosna i Hercegovina u modernom dobu (drugo dopunjeno izdajanje), Sarajevo 2015.
MUKA, Edi (text). Šejla Kamerić. 30 Year After, National Gallery of Kosovo, Prishtina 2015.
BUDEN, Boris. "Šejla Kamerić, Bosnian Girl, 2003", in: Kontakt (ed. Eiblmyr, Silvia, Ševčik, Jiří, Schöllhammer, Georg, Stipančić, Branka And Szymczyk, Adam), Vienna 2017, pp. 215-217.
GOSLING, Lucinda, ROBINSON Hilary, TOBIN Amy (ed.). The Art of Feminism: Images that Shaped the Fight for Equality, 1857–2017, Chronicle Books LLC, San Francisco, 2018.
ČVORO, Uroš. Transitional Aesthetics: Contemporary Art at the Edge of Europe, Bloomsbury Academic, 2018
Šejla Kamerić