How does Statue of Abraham Lincoln (Lincoln Memorial) elucidate its History?
Daniel Chester French was selected in 1914 by the Lincoln Memorial Committee to create a Lincoln statue as part of the memorial to be designed by architect Henry Bacon (1866–1924). French was already famous for his 1874 The Minute Man statue in Concord, Massachusetts, and other works such as his 1884 John Harvard statue. He was also the personal choice of Bacon, who had already been collaborating with him for nearly 25 years. French resigned his chairmanship of the Fine Arts Commission in Washington, D.C. — a group closely affiliated with the memorial's design and creation — and commenced work in December.French had already created (1909–1912) a major memorial statue of Lincoln—this one standing—for the Nebraska State Capitol (Abraham Lincoln, 1912) in Lincoln, Nebraska. His previous studies of Lincoln—which included biographies, photographs, and a life mask of Lincoln by Leonard Volk done in 1860—had prepared him for the challenging task of the larger statue. He and Bacon decided that a large seated figure would be most appropriate for the national memorial. French started with a small clay study and subsequently created several plaster models, making subtle changes in the figure's pose or setting. He placed Lincoln not in an ordinary 19th-century seat but in a classical chair, including fasces, a Roman symbol of authority, to convey that the subject was an eminence for all the ages.Three plaster models of the Lincoln statue are at French's Chesterwood Studio, a National Trust Historic Site in Stockbridge, Massachusetts, including a  plaster sketch (1915) and a six-foot plaster model (1916). The second of French's plasters, created at Chesterwood in the summer of 1916 (inscribed October 31), became the basis of the final work, which was initially envisioned as a 12-foot (3.7 m) bronze. In deciding the size of the final statue, French and Bacon took photographic enlargements of the model to the memorial under construction. Eventually, French's longtime collaborators, the firm of Piccirilli Brothers, were commissioned to do the carving of a much larger sculpture in marble from a quarry near Tate, Georgia.
French's design took a year to transfer to the massive marble blocks. French provided finishing strokes in the carvers' studio in The Bronx, New York City and after the statue was assembled in the memorial on the National Mall in 1920. Lighting the statue was a particular problem. In creating the work, French had understood that a large skylight would provide direct, natural illumination from overhead, but this was not included in the final plans. The horizontal light from the east flattened Lincoln's facial features—making him appear to stare blankly rather than wear a dignified expression—and highlighted his shins. French considered this a disaster. In the end, an arrangement of electric lights was devised to correct this situation. The work was unveiled at the memorial's formal dedication on May 30, 1922.
Henry Bacon John Harvard Concord, Massachusetts Piccirilli Brothers ton Georgia Leonard Volk Washington, D.C. National Mall The Minute Man skylight marble The Bronx, New York City fasces The Bronx Tate, Georgia Stockbridge, Massachusetts Daniel Chester French Fine Arts Commission Lincoln, Nebraska Abraham Lincoln Lincoln Memorial National Trust Historic Site life mask Nebraska State Capitol Chesterwood Studio