Explore the Impact of this artwork.
May Night romanticized the condition of the property, which at the time suffered from peeling paint and uncut shrubbery. It also acknowledged the centrality of Florence Griswold to the creative community.  According to Arthur Heming, whom Metcalf invited to view the painting soon after it was completed, the figure walking toward the house was intended to be Florence Griswold. As he admired the painting in Metcalf's studio, Miss Florence entered. Metcalf attempted to give her the painting in return for room and board, and she refused, saying "It's the best thing you've ever done. When you show it in New York, they'll snap it up at once, and everything will be lovely."The painting soon had a profound impact on Metcalf's career, and on the Old Lyme colony. It was exhibited in November at the St. Botolph Club in Boston, and in January 1907 at the Corcoran Gallery's inaugural exhibition of contemporary art. There it was awarded the Clark Gold Medal and $1,000, and was bought by the Corcoran for $3,000, thus becoming the gallery's first purchase of a contemporary American painting. As a result of the publicity from the exhibitions and sale of May Night, Metcalf's reputation, already well established, benefited both financially and critically: "From this time he was an acclaimed master of the Impressionist landscape." After seeing the painting in Boston in November 1906, artist and critic Philip Leslie Hale wrote "One could hardly get a stronger sense of the beauty and mystery of night and springtime ... all changed to something new and strange by the magic of dim reflected light of the moon." A critic in the Art Annual wrote "It is a little weird, and like a dream, but immensely interesting."The effect of Metcalf's new-found prosperity on the Old Lyme colony was chronicled the following year, when Lillian Baynes Griffin, wife of painter Walter Griffin, wrote in the Hartford Daily Courant, "The art colony has steadily grown since the first few painters chose it as a sketching ground, but never before has there been such a sudden demand for every inch of available space as there is this year ... Lyme cows are so busy posing for the Art classes that they have hardly time to be milked ... One explanation of the remarkable jump Lyme has taken is that Willard Metcalf sold in three days $3,000 worth of Lyme landscapes in the St. Botolph Club last winter. This made Lyme landscapes sound like Standard Oil, and with no less enthusiasm than the gold hunters of '49, the picture makers have chosen Lyme as a place in which to swarm." The influence of May Night was particularly strong: "Suddenly everyone wanted to paint his own May Night." Among the artists painting versions of the theme in 1907 were Will Howe Foote and Metcalf's former student Robert Nisbet, who eloped with Metcalf's wife Marguerite in July of that year.May Night was the centerpiece of a 2005 exhibition of Metcalf's works at the Florence Griswold Museum. Concurrently, an eponymously titled song was featured in a musical inspired by Florence Griswold.
St. Botolph Club Florence Griswold Florence Griswold Museum Philip Leslie Hale Old Lyme Walter Griffin Lillian Baynes Griffin Arthur Heming Will Howe Foote Willard Metcalf