How does this artwork elucidate its Analysis?
Girl in Mirror uses Ben-Day dots like many of his other works, but it was inspired by the hard reflective finish of signs in the New York City Subway system and, in turn, they inspired his subsequent ceramic head works. Enamel facilitated a more mechanical appearance than even his paintings while remaining in two dimensions. After 1963, Lichtenstein's comics-based women "... look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup."  This particular example is one of several that is cropped so closely that the hair flows beyond the edges of the canvas.
New York City Subway Ben-Day dots comics