Focus on Flight into Egypt (Titian) and discuss the The Painting.
Flight into Egypt is painted on a relatively large canvas, measured at around 11 feet by 7.5 feet. The painting itself is defined by its diverse use of color, albeit muted tones. Green in particular dominates the canvas, helping to set the stage for the painting's classification as a pastoral landscape. Although landscapes were not particularly popular subjects for artists during the Renaissance, especially in Italian painting, Titian uses the setting of the Holy Family's flight to illustrate an idealized landscape. In addition to the depiction of the donkey being ridden by Mary and the baby Jesus, other animals are depicted in the landscape, including deer and an ox. Also in the background is the depiction of a shepherd tending to his flock, serving to solidify Flight into Egypt partially as a pastoral painting, while also possibly functioning symbolically as a reference to the traditional view of Jesus in Christianity as the "good shepherd".Generally speaking, however, Flight into Egypt is primarily a religious history painting, depicting one of the earliest events in the life of Jesus described in the Gospels. Continuing during the time of the Renaissance, religious paintings depicting Christian imagery and biblical events remained the most prestigious genre of painting in Europe, contributing to the process of active faith among members of the Catholic Church. Flight into Egypt embraces the religious painting genre by utilizing the thematic trope of the Madonna and Christ Child, one of the most popular subjects of the genre, especially during the Renaissance. Although the members of Holy Family, the main subjects of the painting, are not directly centered in the canvas, their representation is framed around this central image of Mary and Jesus, with Mary, regarded as the greatest saint within Catholicism, caring for the infant Jesus on the family's journey to safety in Egypt.
Jesus Mary Titian Flight into Egypt Holy Family