Focus on The Beggars and analyze the History.
This work is the only painting by Bruegel in the Louvre, received as a gift in 1892.
Attempts have been made to interpret the picture of five cripples and a beggar-woman as an allusion to a historical event: the badger's tails, or foxes' tails, on their clothes might refer to the Gueux, a rebel party formed against the government of Philip II of Spain and Granvelle; but these also occur in Bruegel's The Fight Between Carnival and Lent in Vienna, dated 1559. Still, the beggars are not quite ordinary beggars, as they wear carnival headgear representing various classes of society: a cardboard crown (the king), a paper shako (the soldier), a beret (the bourgeois), a cap (the peasant), and a mitre (the bishop). The work clearly has some satirical meaning, which has so far eluded interpretation. Perhaps physical imperfections are meant to symbolise moral decrepitude, which can affect all men irrespective of class.On the back of the painting are two inscriptions which seem to date from the 16th century. One is in Flemish, and in a very fragmentary state; the other is in Latin and records the admiration some humanist felt for Bruegel, whose art surpasses Nature itself.The painting dates from the end of Bruegel's career, when he showed a keener interest in the natural world. Tiny though it is, the landscape seen through the opening is bathed in a delicate light which simmers like dew on the foliage.
Gueux Granvelle Latin Flemish Philip II of Spain The Fight Between Carnival and Lent Vienna Louvre shako mitre