In this artwork, how is the Similar works and symbolism discussed?
It shows similarities to his 1505 Madonna del Prato (London) and his 1510 Madonna and Child (Milan); all three have a Giorgione-influenced landscape background (here with a shepherd or villager), separated from the figures by a green curtain and with hazy blue mountains in the far background obeying the rules of aerial perspective. The landscape or meadow in the background symbolises the medieval symbol of Mary's virginity, the hortus conclusus. In her left hand Mary holds a book, a symbol of her fulfilment of Old Testament prophecies; on its front cover are the date and the artist's signature.
aerial perspective Madonna del Prato Giorgione Madonna and Child Old Testament hortus conclusus