I am a Sculpture who likes to create with my mind and hands
Cubist sculpture
Cubist sculpture developed in parallel with Cubist painting, beginning in Paris around 1909 with its proto-Cubist phase, and evolving through the early 1920s. Just as Cubist painting, Cubist sculpture is rooted in Paul Cézanne's reduction of painted objects into component planes and geometric solids; cubes, spheres, cylinders, and cones. Presenting fragments and facets of objects that could be visually interpreted in different ways had the effect of 'revealing the structure' of the object. Cubist sculpture essentially is the dynamic rendering of three
) as they worked with choreographer Rafael Bonachela.
Barton describes her work:
My subject is always humanity: sometimes a specific human, sometimes human relationships, sometimes human society. The forms may be heads, parts of figures, whole figures or figures within figures. Heads and hands particularly fascinate me. As I work I feel that I am directly linked with those who have tried to fashion the human form from the earliest times. My greatest achievement would be to create a timeless image.� Glenys Barton 2011