text: The working of memorial brasses is generally considered to have originated in north-western Germany, at least one centre being Cologne, where were manufactured the latten or Cullen plates for local use and for exportation. But it is certain that from medieval times there was an equal production in the towns of Belgium, when brass was the favoured metal for other purposes. Continental brasses were of rectangular sheets of metal on which the figure of the deceased was represented, up to life-size, by deeply incised lines, frequently filled with mastic or enamel-like substance; the background of the figures was covered with an architectural setting, or with ornament of foliage and figures, and an inscription. In England, possibly because the metal was less plentiful, the figures are usually accessories, being cut out of the metal and inserted in the matrices of stone or marble slabs which form part of the tomb; architectural canopies, inscriptions and shields of arms are affixed in the same way. Thus the stone or marble background takes the place of the decorated brass background of the Continental example. The early method of filling in the incisions has suggested some connection with the methods of the Limoges enamellers of the 13th century. The art was introduced into England from the Low Countries, and speedily attained a high degree of excellence. For many centuries it remained very popular, and a large number of brasses still remain to witness to a very beautiful department of artistic working.
  The earliest existing brass is that of Bishop Ysowilpe at Verden, in Germany, which dates from 1231 and is on the model of an incised stone, as if by an artist accustomed to work in that material. In England the oldest example is at Stoke DAbernon church, in Surrey, to the memory of Sir John DAbernon, who died in 1277. Numerous brasses are to be found in Belgium, and some in France and the Netherlands. Apart from their artistic attractiveness, these ornamental brasses are of the utmost value in faithfully depicting the costumes of the period, ecclesiastical, civil or military; they furnish also appropriate inscriptions in beautiful lettering (cf. Brass Gallery).