Computer Graphics, Artificial Intelligence, Racial Bias, Art, Creativity.
to do otherwise. You can see ‘shine’ in Wiley’s subjects. Delroy Lindo’s shine in Spike Lee’s film “Clockers” Kehinde Wiley. “Saint John the Baptist in the Wilderness,” 2013 Kim’s point is that when you apply the subsurface scatter algorithm to dark skin you get a less than realistic result. Kim