Paul Sharits, Experimental Film, Avant Garde Film, Gertrude Stein, Structural Film.
images of the man in the film — poet David Franks — rhythmically, hypnotically alternate in color, polarity, and between three main poses. In one, he stares directly at the camera. In another, a disembodied arm (with long, feminine nails) deeply scratches Franks’ face. The third depicts Franks