Paul Sharits, Experimental Film, Avant Garde Film, Gertrude Stein, Structural Film.
flickering images in this film. But this castration anxiety does not take the misogynistic form of feminine lack that the Freudian account offers. In her excellent book on American avant-garde cinema in the 1960s and 70s — Flesh Cinema — Ara Osterweil writes: “Sharits suggests how the limitations