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Word Games

Restoring Harmony

Six Things to Know About Coastal Habitat Restoration

By the way, I heard the first Spring Peepers yesterday!

In ancient times, (or when I was in grade school) the planets were  very smooth, like billiard balls. We had no detailed images, only descriptions of what they might be. Images of the galaxies and nebulas were quaintly fuzzy.

Over the past 40 years we humans have sharpened our focus. The Hubble Space Telescope and numerous planetary explorations have yielded not only amazing data but astonishingly detailed images as well.

Dramatic view of the Pluto system as NASA’s New Horizons spacecraft flew in for close-up on July 14; then passed behind Pluto to see the atmosphere glow before watching the sun passes behind Pluto’s largest moon, Charon.

Credit: NASA/Johns Hopkins University Applied Physics Laboratory/Southwest Research Institute/Stuart Robbins

Watch this a few times and enjoy the ride: how you find the bright dot in all that darkness, spiral in, and then glory in the uniquely Plutonian landscape. This, the orb that had it’s planetary status revoked!

(You may find it odd that I am adamantly pro science and still hark to astrology, but consider hearing me out. The following gives a cultural perspective on the ninth rock from the sun.)

Astrologically Pluto has a profound gravitas, the inescapable resonance of the everpresent but unseen, representing our own soul.

Prominant Astrologers had some interesting things to say about Pluto’s change in status.

from Rob Brezhny of Free Will Astrology:

Scientists no doubt had sound, rational reasons to exile Pluto from the traditional solar system and transfer its realm to the Kuiper Belt with the other dwarf worlds, but they were also under the influence of deeply unconscious forces too. The expulsion of Pluto marked a symbolic turning point in the triumph of scientism, a mode of thinking that values only what’s visible, measurable, and categorizable. But Pluto is more than the rocky planetoid representing it: Pluto is an essential phase of human consciousness.

The overall downgrading of Pluto is a milestone in the modern attempt to depreciate the soul’s mode of awareness and make it subsidiary to the deductive mind. To banish Pluto is to deny that living in the soul has any value to us.

Visionary Activist Caroline Casey offers this:

The god of the Underworld, was amused by being called “Dead as a planet.” “Of course I’m dead, I’m the god of the dead.”

And used to being dissed, exiled, albeit at tremendous cost to cultures that do so. Of course human dementors would like to stick their fingers in their ears, and say, “no, no, no, we deny the invisible. We deny the dead, the invisible, the principle of power, the abuse of power known as plutocracy, now rampant.” Death is cheap, not valued, marketed wholesale, so that even the god of death is appalled. Last year I wrote for Blogging for Mental Health 2014, and other themes emerged, capturing my interest. For 2015 I’m declaring a more specific intention: to honor my title: Art•Spirit•Nature more specifically, in the following ways:

ART: I really want to feature profiles of the amazing creative people I know. And, show you the creative work I’m doing. So that I do it! And talk about art, that speaks about spirit, and nature. SPIRIT: My wish is to share the life of the spirit with everyone, to cross the lines that labels draw around us. Pan-religious, I love rituals and prayers and teachings of many faiths, perhaps for their intent: to draw us closer to God and each other. This category will also deal with mental health and social issues.

NATURE: My primary theme here is the everyday miracles around us and the science behind them. Ignorance of science is an issue that frightens me more than anything, for the amazing capabilities of human beings without the wisdom of knowledge and awareness is a profoundly dangerous thing. So stay tuned – I may rhapsodize, but I also may rant!

TELL ME: What would you like to see on this blog?


Lately I’ve heard a number of interviews with Natalie Batahla, planetary astronomer and poet. She works with NASA’s Kepler Mission,  a search for earthlike planets. Natalie has a beautiful optimism about the ability of science  to reveal mysteries and nourish the human mind. “I have a great reverence for the mysteries of the cosmos… Carl Sagan said that understanding is a form of ecstasy.”

It’s wonderful to hear a scientist speak about her work, the discovery of knowledge and joy, so much the way artists explain why they do the work that they do.

“No matter how extreme the environment here on earth there seems to be life. nature seems to be creative, and robust, and my thought is that if it’s creative here it’s likely to be true in the whole universe as well. “

Natalie describes Dark Energy as Love:

“Ninety-five percent of the mass of the universe being something we can’t even see, and yet it moves us. It draws us. It creates galaxies. We’re like moving on a current of this gravitational field created by mostly stuff that we can’t see. And the analogy with love just struck me, you know, that it’s like this thing that we can’t see, that we don’t understand yet. It’s everywhere and it moves us.

“I am the universe, and I am taking a look at myself, using my senses.”

Then she quotes her (and my) hero, Carl Sagan:

“for small creatures such as we, the vastness is only bearable through love.”

I owe you all a post or three from my recent travels in the Golden State. So here’s just one of the many highlights.

Josephine, my dear friend and east-to-west migrant got tickets for a planetarium show, and I thought, “Cool! I haven’t been to a Planetarium for decades!” I had no idea just how cool this would get. This show wasn’t JUST a planetarium show, it was The Kepler Story, written by Nina Wise and produced in incredible dome-surround audio-visual amazing magic at the California Academy of Sciences Planetarium. And if you are in or near the Bay Area, run don’t walk to get a ticket, it’s an awe-inducing experience.

The show consists of actor Norbert Weisser playing Kepler as he copes with the waves of change in his amazing life, against the backdrop of the universe, projected on the dome, plus an inspiring original score. It’s the first collaboration of planetarium in-the-round projection and live theater, and it’s intense, emotional and uplifting. The performance aspect is beautiful minimal stagecraft and a powerful solo performance, set against astonishing visuals that range from interiors of great architecture to Kepler’s mathematical imagination to the universe itself.

Kepler’s personal story is fascinating and pivotal. He lived in the time of Galileo, defied the Roman church, a significant patron of math and science funding at the time and suffered the consequences. His mother was accused of witchcraft in retaliation for Kepler’s intellectual intransigence. He was working with the emerging yet still heretical idea of orbiting the sun, and his lasting legacy is the discovery that orbits are not circular but elliptical — a building block in the theories of gravity and relativity.

Kepler pursued his work with passion, intelligence and faith: not, perhaps the sort that his employers wished, but clearly a great faith in the beauty and harmony of the universe, as well as the god-given power of the human mind to comprehend it.

Coming Soon: Part 2: Opening the Gates of Awareness


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