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The summer movie season is winding to a close, Halloween decorations have just begun hitting the shelves in your local big box store, and your "Beer/Queso" levels are running perilously low. It can only mean one thing: it's about goddamn time for another Fantastic Fest.

Today, the Festival - entering its 14th year, and with a newly-expanded advisory board - has announced its first wave of 2018 programming, and the news is good: Gareth Evans' Apostle, Julius Avery's Overlord, William Lustig's Maniac remastered in glorious 4K, the allegedly terrifying Terrified, Quentin Dupieux's latest, and so much more are included in this announcement, which, come to think of it, I should probably just shut up about and let you read already.

So, here it is. Here's the announcement:

AUSTIN, TX — Tuesday, July 31, 2018 — Entering its 14th year of celebrating offbeat and brilliant cinema, this installment sees Fantastic Fest bring the very best in mind-melting mayhem and madness from all corners of the globe, which also includes a cinematic trip back in time to South Korea, highlighting a period of filmmaking that was mad, bad and dangerous to know!

Fantastic Fest is thrilled to present the World Premiere of the bone-chilling World War II horror-thriller OVERLORD, produced by J.J. Abrams’ Bad Robot, with director Julius Avery and stars Jovan Adepo, Wyatt Russell, Pilou Asbaek, John Magaro and Mathilde Ollivier in attendance. This exhilarating, nerve-shredding ride tells the story of American paratroopers dropped into occupied France on the eve of D-Day who discover a secret Nazi lab carrying out terrifying and bizarre supernatural experiments.

Fantastic Fest alumni return to the festival in a dual threat that promises to shock, awe and conquer audiences. First up APOSTLE sees Gareth Evans’ (THE RAID) take on the folk horror genre with Dan Stevens as a mysterious man infiltrating a sinister cult headed by Michael Sheen to rescue his sister with eye-gouging results. Then, Timo Tjahjanto pits Joe Taslim against Iko Uwais (THE RAID) in THE NIGHT COMES FOR US, an action thriller where the body count breaks new records in bone-crunching fights, venomous violence and dynamic destruction!

Fantastic Fest’s mission to bring the best of genre continues to flourish with a worldwide group of films headed to Austin for a celebration unlike any other. Leading the pack is returning comedic genius Quentin Dupieux (RUBBER) with his unexpected tale of a police interrogation during a murder investigation over the course of one night in the North American Premiere of KEEP AN EYE OUT. Director Alejandro Fadel’s cerebral Cannes shocker MURDER ME, MONSTER will also have its North American Premiere at the festival. Sensational shot-on-16mm psychotropic horror LUZ will be in Austin for its U.S. Premiere, and the thrilling Swedish independent blockbuster THE UNTHINKABLE will blast the audience with its European take on a nation-under-siege big-budget spectacle at its World Premiere.

Other Fantastic Fest highlights include a focus on global female genre filmmakers who are blasting through the silver screen with distinctive and brilliant features. From Ukraine, Marysia Nikitiuk explores the clash between old world values and young love in a visually charged fusion of genres in WHEN THE TREES FALL. Spain’s Sonia Escolano turns up the tension in her mesmerising treatise on religion, faith and belief in HOUSE OF SWEAT AND TEARS. Isabella Eklof brings her Sundance critical hit HOLIDAY to the fest all the way from Denmark. And finally, alumna Amanda Kramer makes an unforgettable mark with her distinctive debut LADYWORLD, a post-apocalyptic, daring probe into the darkest reaches of the teenage female mind.

Fantastic Fest turns its eye to South Korea and explores the Korean Quota Quickies, a period in the 1970s which saw filmmaking flourish despite stifling ideological censorship thanks to a quota system which required a strict number of local productions be made for each of the foreign films imported. Although most of these were rushed productions, clever directors used the system to their advantage to sneak strange and daring content past producers, directors and censors. Fantastic Fest is going to present two very rarely seen films from the period: BANGREUMYEON from director Kim Ki-Young, one of Park Chan-Wook’s directing idols, and QUIT YOUR LIFE from director Park Nou-Sik, who provided the literal roadmap for all Korean revenge movies to come.“To be able to highlight a period of Korean cinema that is largely unknown in North America is a brilliant opportunity to not only re-discover what shaped the modern Korean cinema we all know and love, but also a great way to tap into the sheer electric creative force running through the films as shaped by the strict authoritarian environment they were created in,” says FF Creative Director Evrim Ersoy. The festival will also bring the best of modern Korean cinema to the festival including Lee Chang-dong’s critical Cannes hit BURNING.

AGFA (the American Genre Film Archive) triumphantly returns to the festival with a trio of restorations all receiving the World Premiere treatment. ‘80s shot-on-video epic BLOOD LAKE is restored from the 1” master tapes and arrives alongside a double bill of I WAS A TEENAGE SERIAL KILLER and MARY JANE’S NOT A VIRGIN ANYMORE, celebrating the punk riot grrrl feminist cinema of Sarah Jacobson, both in brand new 2K preservations. Plus the highly-anticipated World Premiere of MANIAC, restored lovingly from the once-thought-lost 16mm negatives into 4K; with director William Lusting in attendance!

A bizarre trio of animation from across the world arrives at the festival to showcase the most daring, dangerous and unique styles. From Japan and the demented mind of Ujicha comes VIOLENCE VOYAGER, a stop-motion cornucopia of mesmerising madness. From Chile, directing duo Cristóbal León and Joaquín Cociña’s breathtaking WOLF HOUSE, featuring perhaps the most inherently sinister and chilling story in any film this year. And finally, from Czech Republic and building on the great Czech puppet animation tradition arrives Aurel Klimt’s delightfully untrue but entertaining story of the first dog in space, LAIKA.

Fantastic Fest also sees expansion within its advisory board with the addition of new member Curran Nault. Nault, who is the Founder and the Artistic Director of the queer transmedia arts festival OUTsider, says, ‘"It's an honor to join the Fantastic Fest Board at this pivotal moment in its evolution. I'm beyond ecstatic to lend my voice to the extraordinary creative fray already underway this year." He’s the sixth member of the FF advisory board, which also includes Kier-La Janisse, Suki Rose-Simakis, Elijah Wood, Peter Kuplowsky and Kristen Bell.

Finally, building up on last year’s successful launch, Fantastic Fest Satellite Markets are back! They’ll be showing best of the festival titles including CAM, THE GUILTY, this season’s scariest film TERRIFIED and many more to come in Denver, San Francisco and New York. Details for the Satellite Markets can be found on the satellite landing page, here! Aaaand here's the full first-wave lineup!


United Kingdom, 2018

World Premiere, 129 min

Director - Gareth Evans


South Korea, 1981

Regional Premiere, 90 min

Director - Kim Ki-young

From Park Chan-wook’s idol comes a twisted tale of lecherous lords and murderous mistresses. Presented outside of Korea for only the second time, Kim Ki-young’s masterpiece BAN GEUM-RYEON is a lush smorgasbord from Korea’s most demented cinematic mind.


USA, 1987

World Premiere of New Preservation, 82 min

Director - Tim Boggs

The finest vacation from hell ever captured on VHS, rescued from the original 1” master tapes!


South Korea, 2018

Texas Premiere, 148 min

Director - Lee Chang-dong


USA, 2018

US Premiere, 94 min

Director - Daniel Goldhaber

In Attendance - Writer/Producer Isa Mazzei


France, 2017

US Premiere, 87 min

Director - Samuel Benchetrit

A dark fable about loneliness, perfectly illustrated by Jacques Blanchot’s loss of humanity and slow transformation into a dog. Director Samuel Benchetrit shares a subtle commentary on our current world, and its social, interpersonal, and political issues.



Texas Premiere, 108 min

Director - Jim Hosking

Fantastic Fest alumni director Jim Hosking (THE GREASY STRANGLER; RENEGADES) is back with a second feature as absurd, crazy, and funny as his first. Follow Lulu Danger’s very own revolution in a Lynch-meets-Waters run-down version of America.


Denmark, 2018

Austin Premiere, 85 min

Director - Gustav Möller

A horrific crime; an emergency responder struggling to stay off the edge; a kidnapping victim calling in for help. This is all we’re going to tell you about first-time feature filmmaker Gustav Möller’s unmissable and gripping debut thriller.


Denmark, The Netherlands, Sweden, Turkey, 2018

Texas Premiere, 93 min

Director - Isabella Eklöf

The sun-drenched dream of the eponymous summer vacation has its dark side revealed in Isabella Eklöf’s powerful debut feature HOLIDAY, an unforgettable exploration of the fraught, brutal experience of young womanhood.


Spain, 2018

World Premiere, 104 min

Director - Sonia Escolano

In Attendance - Director Sonia Escolano

“She,” the leader of a violent cult, rules her flock with an iron fist to ensure they never stray from the path. But a series of events and a mysterious outsider threaten the pattern of their reality in this electrifying exploration of faith and belief.


USA, 1993

World Premiere of New Restoration, 27 min

Director - Sarah Jacobson

Sarah Jacobson's punk-spirited DIY films combine B-movie aesthetics and riot grrrl feminism in brand new 2K preservations.


France, 2018

North American Premiere, 73 min

Director - Quentin Dupieux

An absurd all-night interrogation set in a camp ‘70s police station, Quentin Dupieux’s latest opus, KEEP AN EYE OUT, is a celebration of his own brand of quirky, offbeat humor, performed by France’s most refreshing comedic talents.



US Premiere, 93 min

Director - Amanda Kramer

In Attendance - Director Amanda Kramer and Actor/Co-Editor/Production Designer Noel David Taylor

In Amanda Kramer’s daring low-budget debut LADYWORLD, a birthday party quickly devolves into chaos when a mysterious earthquake traps eight teenage girls alone in a house, challenging their friendships, identities, and eventually their grip on reality.


Czech Republic, 2017

Regional Premiere, 88 min

Director - Aurel Klimt

In Attendance - Director Aurel Klimt

This is the story of Laïka the space dog who, unlike in real life, did not die aboard Sputnik 2 in 1957. In this bizarre and charming stop-motion musical, Laïka crashes on a peculiar planet where she meets new friends.


Germany, 2018

US Premiere, 70 min

Director - Tilman Singer

In Attendance - Director Tilman Singer

Luz enters a police station at night to report an assault. As the interrogation progresses, it becomes clear a demonic entity wants to possess her in this audacious, psychotropic horror film shot on 16mm.


Israel, 2018

International Premiere, 90 min

Director - Guilhad Emilio Schenker

Desperate, aging, Sophie only needs to seduce one more handsome victim — excuse me, date — to become a worry-free Lordess in MADAM YANKELOVA’S FINE LITERATURE CLUB, Israeli director Guilhad Emilio Schenker’s delightfully twisted debut feature.


USA, 1980

World Premiere of New 4K Restoration, 88 min

Director - William Lustig

In Attendance - Director William Lustig

The 4K restoration of grindhouse auteur Bill Lustig’s 1980 slasher landmark features splatter SFX artist Tom Savini’s gnarliest work, as well as one of horror’s finest, sweatiest performances from legendary character actor/co-writer Joe Spinell.


USA, 1997

World Premiere of New Restoration, 98 min



Argentina, France, Chile, 2018

North American Premiere, 109 min

Director - Alejandro Fadel

Visual horror masterpiece MURDER ME, MONSTER lures you into the fascinating and opaque underworld of serial murder, supernatural obsession, metaphysical hallucinations, forbidden love — and one nightmarishly gross monster.


Indonesia, 2018

World Premiere, 121 min

Director - Timo Tjahjanto

A former triad enforcer must protect a young girl while trying to escape his former gang, setting off a violent battle on the streets of Jakarta.


Brazil, 2018

US Premiere, 110 min

Director - Dennison Ramalho

An attendant at a busy morgue who can also converse with the dead puts his loved ones in peril using his forbidden knowledge for vengeance in Dennison Ramalho’s (NINJAS; ABCS OF DEATH 2) twisted and gleefully icky feature debut.


Japan, 2018

Texas Premiere, 96 min

Director - Shinichiro Ueda

A filmmaker sets out to shoot a zombie film in an abandoned factory, but something is lurking on the outside. Is it a zombie apocalypse or just another shoot gone wrong?


USA, Serbia, 2018

North American Premiere, 100 min

Director - Padraig Reynolds

In Attendance - Director Padraig Reynolds



World Premiere, TBD min

Director - Julius Avery

In Attendance - Director Julius Avery and cast including Jovan Adepo, Wyatt Russell, Pilou Asbaek, John Magaro, and Mathilde Ollivier

In the upcoming WWII horror-thriller OVERLORD, a group of American paratroopers drop into Nazi-occupied France on the eve of D-Day. As they struggle to carry out their seemingly



Texas Premiere, 81 min

Director - Nicolas Pesce

From the twisted mind of Nicolas Pesce (THE EYES OF MY MOTHER) comes a provocative two-hander chamberpiece — a tense battle of wits and desire between prostitute and trick, predator and prey.


South Korea, 1971

North American Premiere, 82 min

Director - Park Nou-sik

Presented in English for the first time, actor-director Park Nou-sik balances the scales of justice as he stalks around Korea with his noose of judgment in the relentless revenge drama QUIT YOUR LIFE.



North American Premiere, 103 min

Director - Sébastien Marnier

In this dread-soaked cerebral thriller, a handsome young substitute teacher gets in over his head when taking on a class of gifted students after their former teacher’s dramatic in-class suicide.


Argentina, 2017


Director - Demián Rugna

In Attendance - Director Demián Rugna

Strange things are going on in a Buenos Aires neighborhood. Demián Rugna’s constantly surprising and truly spine-chilling horror film has one goal: to scare the shit out of everyone.


Sweden, 2018


Director - Crazy Pictures

Something unthinkable is happening in Sweden. It starts with a few isolated incidents but suddenly, it’s all over the country. There are some who were prepared and others who weren’t. Ready or not, things will go out with a bang!



Regional Premiere, 83 min

Director - Ujicha

En route to visit a friend in another village, two kids go looking for a fabled shortcut through the mountain. Instead, they stumble upon an amusement park called Violence Voyager, and that’s when everything goes to shit.


Ukraine, Poland, Macedonia, 2018

North American Premiere, 88 min

Director - Marysia Nikitiuk

In Attendance - Director Marysia Nikitiuk

Scar and Larysa are desperately in love and suffocating under the tradition and archaic demands of their Ukrainian village. When the frustrations of each finally detonate, their world and the lives of those surrounding them are tragically shattered.


Chile, 2018


Directors - Cristóbal León & Joaquín Cociña

In Attendance - Director Cristóbal León We're hyped about this first round of titles, and hope to see all of you when Fantastic Fest reconvenes in Austin, TX on September 20th. Who's coming out this year, and what are you most excited to see (pssst - I hear through the grapevine that The Unthinkable is definitely one to look out for)? Sound off in the comments below, and stay tuned for a lot more as we draw ever closer to Fantastic Fest 2018 (which, by the way, you can learn more about via the fest's official website, here). Believe me when I say: it's gonna be an awesome year! 
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Fantastic Fest
