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Archive for the ‘Live Music’ Category

The bands I have seen as of late


 
Arkells – The Next Great Canadian Export?!?

Posted by xneverwherex on April 18, 2017

Bottom of the Hill

On a cold night in San Francisco, the inside of Bottom of the Hill looked anything but. People were clearly already preparing for Coachella with short shorts and high boots. The lines were long to get in and it was a packed club. Little did I know, the crowd was not there for headliner Blossoms but showed up in droves for Canadians Arkells, who clearly stole the show.

Blossoms, from Stockport, Greater Manchester, brought back the baggy Madchester scene. Unabashed ’60s pop songs mixed in with psychedelic undertones and in some cases a bit of Abba-esque ’70s sounds. The band played most of the songs off their debut self-titled album. While the band has a lot of hype and is being touted as the next Arctic Monkeys, unfortunately, lead singer Tom Ogden appeared wanting to be anywhere but there. Songs sounded lackluster and there was no energy. But, he did at times sound reminiscent of Alex Turner and even had his same hip gyrations down. Myles Kellock brought some recognizable dance riffs on his keyboards to the catchy “Honey Sweet“. It sounded like they came out of a New Order song. Towards the end of the set, Tom performed an acoustic number that just didn’t work. As the band stood onstage not doing a thing, it just felt awkward. Thankfully, it was only one song and then they would play the guitar driven “Cut Me And I’ll Bleed“. A simple hook that is destined to get stuck in your head. It stood out.

Blossoms ended the set with the utmost of pop songs, single, “Charlemagne“. The song which is pure catchy, sunshine pop, woke up the crowd which gladly danced along. And with that, the band was gone as quickly as they seemed to come to the stage.

The openers stole the show from the onset. It was going to be a daunting task for anyone to come after Arkells. The boys from Hamilton, ONT. clearly should have been the headliners. The band, who has been playing for 10 years, had just played here a few months before and they did not disappoint.

From the moment Max Kerman, lead singer and guitarist, hit the stage you knew what you were in for. He had a frenetic energy that was contagious. As he said the moment he walked onto the stage, he wanted everyone singing and dancing. He jumped into the crowd during the first song, “A Little Rain (A Song For Pete)“, and immediately got the crowd jumping and dancing and as promised he even called out the lyrics for the crowd to sing along. Arkells – Max Kerman

The band played a really great set with plenty of songs off their new album, Morning Report. Each song told a story and the band just pulled you in. While it would be near impossible to put a label on them, aside from calling them alternative rock, their sound was never static. On “Savannah” the band had some really tight melodies and even had Anthony Carone, keyboards, break out a trumpet. “And Then Some” proved to be a perfect love song with gorgeous guitar riffs coming from the multiple guitars. It was really impressive to hear how all these guitars could melt into the background. Their newest song which was just released a couple of weeks ago, “Knocking At The Door“, was powerful. With a gritty bluesy sound, and Max singing out to “rise up”, it felt like something changed in the crowd. There was a pulse and an energy to the crowd.

While everyone always mentions the UK when it comes to the next newest, hottest band, we really can’t forget about our friends up North. Arkells clearly stole the show tonight. Perhaps touring with Canada’s greatest band The Tragically Hip taught them a thing or two.

LA band by way of Texas and Oklahoma, Wilderado, was the first opener. You could hear their music while waiting outside and they brought some energetic rock-n-roll to the club. The band had a catchy Americana/twangy sound filled with lots of guitars. They were able to uniquely blend how the South meets California sunshine/psychedelia. The band is definitely one to watch.

Posted in Adventures in the Big City, Live Music, Random Ramblings, San Francisco | Tagged: Arctic Monkeys, Arkells, Blossoms, Bottom of the Hill, Canada, concert, Hamilton, LA, live, madchester, Manchester, music, San Francisco, SF, Tragically Hip, Wilderado | Leave a Comment »

 




You know that moment, that you walk upstairs into a club, and you barely hear a sound… and you walk through the door and realize you are one of the only people there… now, imagine that you are the band.

Austin trio, Moving Panoramas, could tell you all about that kind of night.

The one question I repeatedly get asked (and wonder why people feel inclined to ask) is “did the band play” and “did they play like there was a full crowd”. First off, if a band has people at a show – I have never seen a band just walk off because there weren’t enough people at the show and secondly, I have been the only person at a show (which was awkward) and the band still played like they would play for a full house. Naturally, it means I also make even more noise than usual. So yes, they a) played and b) it was seriously kick-ass. 
The trio of women were remarkably cool and funny about the show. The band addressed it early on and the crowd for the most part kind of sucked. The band said hello – and no one said a thing – I said ‘hi’ back and they joked that ‘well at least one person is here to see us’. But pretty much they just played all their songs and were so into it that they barely said much to us. Sure there were jokes about how we should all get to know each other as well as at the next show it would be so packed we’d have to push our way to the front but could totally say ‘i was there when …’. So yeah – the band was pretty f’ing awesome!

Singer/guitarist Leslie Sisson has this really beautiful dreamy voice that blends so well into their shoegaze-dreampop sound. And they have one of the most fitting names for a band. Their music has this feel of beautiful, moving landscapes that you can just lose yourself to. The guitar and bass just meld into one full sound. Add the harmonies from drummer, Karen Skloss and it just completes the band’s sound. And while the club was empty, their music filled that emptiness. It filled all the voids with its simplisticness.

Their album, One, is just a perfect blend of indie-guitar-dreampop/rock. With just enough guitars, bassist Rozie Castoe, adds a bit of the fuzziness of the shoegaze sound but still manage to keep it more on the dreamy side of things. Songs like “Magic” and “Tonight” get you lost in their sound. It’s the perfect music to just close your eyes to – hop in your car – and drive for awhile and get lost in this perfect ambient sound. I feel like the best part of their songs is the emptiness within. They were really smart with their songs in that not every moment has to be filled with vocals and it leaves a lot for the listener to fill in.

It was pretty amusing in that when Leslie wanted to dedicate a song to the newly married couple, that she noted that all their songs were way too dark. I think in the end, they chose “One” and said to kind of change the lyrics around or think of it in a different way. Sure their songs are dark and sad, but if you read Leslie’s stories between kidnappings and friends killed, etc. in some ways it makes perfect sense. Regardless, their band is one not to miss – even if you find yourself in a club with just 13 others.

Sometimes it’s about those awkwardly intimate performances where you both know that it’s just you and them. But if you’re lucky enough, the band will put on such a show, you will forget that it was just the 14 of you. Plus, by the end, you will all become friends and even get to talk to the band. 
The other huge bonus to the show was the opener, Rabbit Quinn. A local woman who joked about wearing fairy wings and sneaking into the DNA when she was younger. From the moment she stepped behind the piano, and started her first song, I knew it would be good. She was the reincarnation? of Tori Amos. She was sorta like a cornflake girl, with great stories that were hauntingly beautiful.

Her vocals just filled the room and managed to hush the room with the few people who were talking. She commands attention with both her piano playing as well as her vocals. Her debut album, Lost Children, is dark and eerie and seems to be a story of fables. While it could be mistaken for a long, lost Tori album – she definitely is putting her own spin on it. She has some quite catchy songs that have you singing along. And it’s always great when a singer asks what you want to hear and then plays a song showing that she’s fully in control of the music and the set. She knew how to play to the audience as small as it was and knew how to have fun. One hell of a talented woman. Oddly enough, you can also see Rabbit, performing the national anthem at the A’s games these days. She’s really one to check out if you notice her name at any of the local venues.

Posted in Adventures in the Big City, Live Music, Random Ramblings, San Francisco | Tagged: 5/18/2016, Austin, concerts, cornflake girl, DNA Lounge, dreamgaze, dreampop, live, Moving Panoramas, music, Rabbit Quinn, San Francisco, shoegaze, SOMA, Texas, Tori Amos, trio, Upstairs at DNA Lounge | Leave a Comment »

The Music Revolution Has Begun… Again

Posted by xneverwherex on April 21, 2016

The Last Shadow Puppets
Alexandra Savior
The Fillmore/The Catalyst
4/17, 18/2016

It was only 8 years ago that I had last seen The Last Shadow Puppets. At the time, I was raving about how brilliant their album was. It was also a show that had stayed with me. I remembered seeing them upstairs in the Hammerstein Ballroom. Even then, I knew it had to be too small for them. So, I am still a bit dumbfounded that The Last Shadow Puppets aren’t huge and can still play venues like The Fillmore. It’s not a bad thing, at least as a fan. But they came back stronger than ever with their second album, Everything You’ve Come To Expect. TLSP – Alex Turner

Long story short, Alex Turner and Miles Kane, should be that huge with this band. It’s a departure from the Arctic Monkeys, but this is by far the better band. The two of them are the ultimate crooners. The way they sing to you, as if you’re the only person in the crowd, is pretty amazing. With their suits and dapper look, I was instantly reminded of some of the best – an homage to the Rat Pack – straight with Alex Turner combing his hair back as he takes a rest while Miles Kane sings. Throw in a bit of the cool swagger of Tom Jones and the emotion of Morrissey and you get Alex Turner. He has charisma and charm in a way that only Morrissey exudes. I don’t think I had been to a show in that long of a time in which the girls were screaming like this was The Beatles. The girls were going crazy for Alex – including throwing things on the stage (please say it was a bra or panties). Their high pitched screams and giggles if Alex looked their way, was amusing. Sure, he’s attractive (he knows it), but my god – when he sings – he becomes even more attractive. And Miles, is the much louder, brasher of the two commanding attention. But the two of them together work perfectly. And when the two sing together – arms around each other – it really shows their fondness of one another.

I was telling a co-worker about last night’s show and his comment was “from the sounds of your description – they sound amazing and someone not to be missed”. And that is what I walked away with. I wasn’t even supposed to be at the show on Sunday night at The Fillmore (Lush had to cancel) and it worked out that I was there, and honestly, having 2 shows back-to-back made me fully appreciate the band even more.

Onto the music – TLSP added a strings section to their show. It was needed to add another element to the band. They begin the show with just the strings, violins and cellos which sounded so beautiful. Just a small group of performers really added to the show. The moment TLSP got on the stage, the whole floor of The Fillmore just lit up in billows of smoke. Im sure the band was stoned by the end of the show if they weren’t already. The band also seemed beyond excited to be playing in San Francisco. Miles and Alex must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight and I felt their set in some ways was a bit better. The mix/order of the songs felt a bit more succinct at the Fillmore. TLSP – Miles Kane

Most of the songs were the same, save for “Used to Be My Girl” – which is pure sexy, sultriness. The melodies from Miles and Alex in that song are just perfect. Their voices blend together so beautifully; it’s a song they should always play. “She Does The Woods” (with the intro from Arctic Monkeys “Joining the Dots” was also missing). Alex sounds so great on that song with Mile’s breathy vocals joining him.

Really, the one thing missing was the talkativeness of the band. They must have mentioned/asked ‘How you doing SF’ almost after every song and were just saying how excited they were. In retrospect, the Santa Cruz crowd was insane and way more into it. People were beyond excited for this show with a line wrapped around the block and down the street (this was over an hour prior to showtime). The crowds were polar opposites with the Santa Cruz show filled with a ton of college students and younger. Perhaps, SF has become the ‘cool scene’ where people just don’t show emotions. Regardless, both shows were incredible.

Some of the stand-outs from the evening were easily off the first album The Age of the Understatement with the ever catchy ‘My Mistakes Were Made For You‘ showing just how awesome of a vocalist Alex Turner really is; ‘Standing Next To Me‘ (easily one of my favorite songs) and having some of the best harmonies ever especially as they go into the chorus; ‘The Age of the Understatement‘ which was my first foray into the band – and has the best build-up of any song – always making me think of a bull fight as it just gets more and more intense – it’s pure brilliance; and possibly my favorite TLSP song ever ‘Meeting Place‘. With the strings opening the song and played throughout it just adds to the emotion of the song – coupled with Miles Kane softer vocals to Alex, who really works the song with all of his moves and hip shaking. The lyrics are just heartbreaking, but so beautiful. 
It’s also pretty awesome that they still play pretty much everything off each of their 2 albums. They could have cut their shows short, but they really put on quite the show including a Beatles cover that is quite impressive ‘I Want You (She’s So Heavy)‘. ‘Dracula Teeth‘, which is Alex singing with Miles playing the hell out of the guitar is quite the pretty song. And the single ‘Bad Habits‘ is the ultimate in catchiness and has Miles doing one hell of a scream while Alex does more of his slides and dance moves as he plays the guitar. Just brilliant.

Alexandra Savior opened the set. She collaborated with Alex Turner on her album and he co-wrote most of the songs with her. I noticed at the Santa Cruz show, he stood by the side and watched her perform and seemed quite pleased. While she does have good vocals, she seemed a bit too precious/twee for me. She was almost too cute, but at times she did have a sultriness/sexiness to her and that made her quite appealing. If she toned down the preciousness and upped the sensuality, I think she’d made for one hell of a performer. Regardless, she still put on really captivating show and is definitely one to watch.

If you haven’t yet had a chance to see The Last Shadow Puppets, or can see them at one of the festivals this year, you really shouldn’t miss them.

Set List The Fillmore:
Everything You’ve Come to Expect (Extended string intro)
Sweet Dreams, TN
Meeting Place
Miracle Aligner
Dracula Teeth
Calm Like You
Used to Be My Girl
She Does the Woods (Arctic Monkeys’ “Joining the Dots” intro)
Only The Truth
The Age Of The Understatement
My Mistakes Were Made For You

Standing Next To Me
The Dream Synopsis
I Want You (She’s So Heavy) (The Beatles cover)

Set List The Catalyst Club:
Black Plant (Live string intro)
Separate And Ever Deadly
The Chamber
Everything You’ve Come to Expect


Posted in Adventures in the Big City, Live Music, Random Ramblings, San Francisco | Tagged: Alex Turner, alt-rock, concert, crooners, indie-rock, live, London, Miles Kane, music, rock, San Francisco, Santa Cruz, strings, The Catalyst, The Fillmore, The Last Shadow Puppets, TLSP, UK | Leave a Comment »

Moving, Just Keep Moving w/ Gaz Coombes

Posted by xneverwherex on April 10, 2016

Gaz Coombes
Piney Gir

One of my favorite bands was finally in town again. Well, it wasn’t exactly the same as Supergrass is no more, but Gaz Coombes is going strong as a solo artist. He was nominated for the prestigious Mercury Prize (sadly, did not win it) for his album Matador. He was back in SF after at least 5 years, if not longer. And it was great to have him back.

Sure, he looked a bit older, but he still had the same muttonchops and looked quite the same. His voice sounded as strong as it ever had. Plus, he had his signature row of guitars all lined up across the stage. And they were as beautiful as ever and looked to have seen (played) a show or 2 – like the most loved guitars ever. 
Gaz opened the set with “Oscillate“, psychedelic trippiness and the perfect opener off the album Matador. That led into “Buffalo” – which sounds like a forgotten Supergrass track – a lot of angst and emotion as the song progresses. “One of These Days” is a beautiful track which takes him away from the guitars and is just him and a keyboard. It’s dreamy and airy and with the lyrics of countryside and graveyard, it evokes the feelings of being there. The album doesn’t seem to stay in any one direction but is a bit all over the place. But, it works.

It seemed like everyone was just waiting/hoping to hear some Supergrass songs and Gaz did not disappoint. While a lot of people were yelling out for certain songs, Gaz mentioned he had certain songs that he would be playing and this wasn’t request hour. He then went into one of the most gorgeous covers of “Moving” which had never sounded better. The crowd sang along happily and Gaz seemed to be overjoyed.

He was able to reminisce about spending some of his formative years in the Bay Area (Palo Alto – he mentions) stating it’s not quite San Francisco. An interview had just been published about him growing up here and his father working in the Valley as a tester of sorts. He seemed to have fond memories of living here – especially weather – even though it had been so long ago, but always loved coming back to San Francisco. A feeling of a second home.

Gaz played some songs off his first solo-album, Here Come the Bombs, and the songs had never sounded better. “White Noise” just pulls you in with lyrics that just evoke emotion. You could feel them come through as he sang his heart out. The set, which felt all too short, ended on the biggest high note. Gaz told a story of being 15 and getting “caught by the fuzz” for possession of marijuana which of course meant the debut single of Supergrass “Caught by the Fuzz“. The crowd yelled out the lyrics with Gaz as he strummed along at a quick pace singing along with us. If he wasn’t sure about a Supergrass reunion, hopefully seeing everyone so happy singing along should have been an indication.

Piney Gir, a Kansas musician – but based out of London, opened the set. She was quirky and fun. Plus, she had stories for all of her songs. They were catchy and fun and songs like “Gold Rules” had me tapping along and bobbing my head. She had a great voice and had names for all of her instruments. If anything, she made herself memorable not from her music exactly, but from the quirky things she did. I guess these days, however people remember you, it doesnt really matter. She is definitely someone I would see again and is worth catching. Strangely enough, the two acts together worked out really great.

Hot Fruit
One of These Days
Needle’s Eye
Sleeping Giant
Moving (Supergrass)
Seven Walls
The Girl Who Fell To Earth

Caught by the Fuzz (Supergrass)

Posted in Adventures in the Big City, Live Music, Random Ramblings, San Francisco | Tagged: 4/1/16, britpop, britrock, concert, Gaz Coombes, live, music, Oxford, San Francisco, Slims, Supergrass, UK | Leave a Comment »


