[null, {"document_url": "https://soundminddesigns.com/drc/", "unformatted_src": "https://static1.squarespace.com/static/58209ab33e00be92418c5904/t/5840d038e6f2e15e95c6f394/1480642619453/web-21.jpg", "src": "https://static1.squarespace.com/static/58209ab33e00be92418c5904/t/5840d038e6f2e15e95c6f394/1480642619453/web-21.jpg", "formatted_filename": "web", "alt_text": "web-21.jpg"}, {"document_url": "https://soundminddesigns.com/drc/", "unformatted_src": "https://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png", "src": "https://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png", "alt_text": "Creative Commons License"}, null]
An exploration into the study of acting, DR.C was a dense piece by Theater Mitu which layered the physicality of the silent film, The Cabinet of Dr. Caligari, against original music by Ellen Reid, with the words of eight different theater practitioners from Ancient Greece to the modern day.  Below are two cues from the show, an amalgam of the preshow ambience bed and the sound that accompanied the first section of the show, which covered the writings of Aristotle.

The section on Brecht was another sound-intensive section, utilizing a system of microphones hanging from the ceiling, in a presentational "musical-esque" scene.