The correspondence of man and scene in "Chiuchu Lane in the Sunset," the childlike appeal of "Curious," the gentle humor of "Scrutinizing the Bride," and the friendly good cheer of "Copping a Light" give each picture an emotional center of gravity that saves them from generality and superficiality.
「夕陽中的九曲巷」裡，人景呼應的暮色餘暉，「好奇」中的童稚之趣，「細看新娘」的幽默與感慨，「借個火」中的愉悅與情誼，都使這些寫人寫景的照片，有一個情感的重心，不致落入空泛與淺白的俗套。