During the 1970s, under the influence of the Liming photo exhibition and his fellow members in the Pingtung photography club, he gradually began selecting scenic fragments that express a state of consciousness as subjects.
七○年代之後，他因受「屏東單鏡頭俱樂部」及「黎明影展」的會員同好影響，攝影取材逐漸選取「意識」表現的風景斷片。