Liang says, "I was utterly captivated by the sight, and thought I could merge the scenes of nature with human forms, to seek a beauty arising from their harmony."
觀畫人的想像不會受到畫中具象的臉孔及面部表情的侷限，而可因其背影所給的暗示，湧出無限聯想。梁君午說，一張臉畫得再怎麼美，也把話明明白白地說盡了；背影的美則是細水長流、餘味無窮的美。主題具象，背景抽象