With distant postures and faraway expressions, people in photographs from the 1950s seem to be watching and waiting: watching over family and home, over beliefs, over harvests and results, and waiting for an uncertain growth and an unknowable future.
在台中「民聲日報」、「中央日報」擔任了近廿年的攝影記者經驗，使得他能以較自然和客觀的角度去觀察世事；在「畫意」與「寫實」中取得一種和諧，在「物性」與「人性」中相應成一種平衡。