In addition to benefiting from a clarity of conception, the exhibition was two years in the making, during which time Yang made close to ten return visits to Taiwan and was in contact with dozens of artists, meanwhile whittling the number down until she had settled on four that were best suited to her theme.
除了有一個清楚的理念，她的醞釀策展時間長達兩年，為的是近十次回台灣與數十位藝術家面談，鎖定幾位藝術家之後，又頻繁地傳真往返討論創作理念，最後才由其中篩選出貼切於這次主題的四位藝術家。