Nevertheless, the impermanent nature of the drama company--with the performers all on different paths--reveals the key weakness of Taiwanese opera today: a lack of skilled people and the difficulty of maintaining "refinement." Another Taiwanese opera troupe, Ming Hua Yuan, has chosen to go the way of elaborate mechanized staging and an emphasis on comedy. Ho Lo, in contrast, devotes great attention to movement and singing.
然而，這樣平日你演電視，我唱野台，非固定劇團的形式，卻也說明著歌仔戲的窘狀：人才困乏與精緻存活的不易。