Two people's "Vu Shon" "It was a solo piece, so staging it didn't involve a lot of worry," she recalls. "I was always relaxed and happy." But when she and Ko returned to Taiwan in 1994, she was astonished to find that many local companies spent the bulk of their energy on networking and the endless paperwork involved with grant applications.
1994 年兩人回到台灣後，樊潔兮驚愕地發覺，很多國內舞團都把精力放在人脈的建立、或為了申請補助而永遠做不完的紙上作業，讓她更懷念在紐約演出的單純時光。