Given this environment, early works were often consciously or unconsciously focussed on political or social taboos. Indeed, the performance itself was a protest, since it risked arrest or suppression.
如此環境下，早期的作品往往在自覺和不自覺中，大膽地以政治、社會禁忌為主題，甚至表演本身就是一種抗爭，在被逮捕和制裁的邊緣冒險。