To portray a scene of verdant, mist-shrouded mountains in ceramic painting, it is necessary to use underglaze painting in combination with certain fluid, translucent glazes of brown and green. When fired, these glazes can produce a hazy effect which even ink and paper cannot match.
陶瓷作品要有山色蔥籠、水氣朦朧的效果，不僅必須以釉下彩方式繪畫，還與釉藥的使用有關。像是棕色、綠色等具透明性、流動性的釉藥，經過火的鍛燒之後，畫面就會變得更加氤氳，使作品產生優於紙上的水墨趣味來。