From Beethoven to the Beatles, Taipei to Soho, and abstracts to photo-realism --enormous changes, yet quite natural for Han, who has had little trouble adapting.
從「五月」到蘇荷、貝多芬到披頭四，正像由抽象畫到照相寫實，對韓湘寧而言，其間轉變極其自然，沒有太多適應上的問題。