In reality, they failed to see that there are many types of beauty in art. These folk crafts represent a simple, practical beauty that is an enduring symbol of the cultural aspirations of the people who made and used them.
如果說適當的「距離」，乃是產生美感的要素之一，早年古民藝品不為人注意的原因，恐怕就是它們與日常生活關係太密切，以致習焉不察，任其損毀流失。