This seems to have left an empty page in the history of Chinese ceramic art, and is something that Wang Hsiu-kung, who graduated in Chinese painting from art school in Hangzhou, considers a matter of real regret.
然而儘管宋代的瓷器無論在製作及創意上都已臻化境，卻由於創作技巧的難度，使得寫意的水墨風格沒有融入陶瓷繪畫中。這不僅是我國陶瓷藝術的一方空白，也是畢業於杭州藝專國畫科，多年從事陶藝創作的王修功最感遺憾的一件事。