In the 60's some Taiwan photographers were good at salon photography while others were good at documentary realism. Between the two, there were some young workers who were not satisfied with the constraints of traditional models and habitual techniques, and therefore planned to seek another kind of personal style in composition and image to express an even freer, fresher, and livelier sense of sight and force.
六○年代的台灣攝影家，在沙龍與紀錄寫實之間各取所好，而介於其中的某些年輕工作者，不安於傳統模式與慣性技法的束縛，企圖在構圖、意象上追求另一種個人風貌，以表現更自由、鮮活的視覺動力。