With no one willing to put up money, filmmakers have had to rely on government grants, and their work has tended toward the excessively artistic and self-indulgent.
片商投資意願低落、依賴國片輔導金硬撐、導演過度沈溺於自我意念及藝術呈現等原因，都透露出台灣電影走入死胡同的訊息。