I often think that in post-modern Taiwan everyone is very weak emotionally. Scared of expending feeling, people are 'shallow inside and shallow outside' and they carry light burdens. The April of Humanity reminds everyone that there are other possibilities. "
「我常想在後現代的台灣，大家的感情都十分稀薄，人們害怕付出感情，喜歡『淺進淺出』、『一泡可吃』，希望沒有負擔，《人》劇提醒大家還有另一種可能」，她說。