Strictly speaking, his best work was not maintained for very long, but its impression on us for that is all the deeper, a situation not uncommon in Taiwan photography.
嚴格地說，他的產量不豐，「好作品」的定義有時只停留在一段特定的時空，而不太能延續持久，但依然令人感觸良深、歷久難忘，這也是國內攝影家們的作品，較常遇見的困境。