Theater worker Wang Mo-lin voices this complaint, remarking that Screen tends to perform in a situation comedy mode, tailored for middle class consumption, where modern social satire ends up as little more than "urban fairy tale."
戲劇工作者王墨林認為，「屏風」雖然冠以小劇場之名，形式上也有某種程度的叛逆性格，但表演形態卻維持著最受中產階級歡迎的「情境喜劇」，原本對一個社會現象加以諷刺討論的，卻被處理成脫離時空的「都市人童話」。喜劇主流下的異質風格