Explaining why so many of her works lack color, and stress pastel tones, she says: "I believe that clay has a hidden power and life of its own.
觀察她的作品，所用的釉色非常少，且多半是一些冷寞的色調。她說：「我認為泥土是孕育萬物之母，它本身即具有無限的潛力和生命的熱情，陶藝不過使它們以一種形式出現而已。