"Lots of people simplistically say that whenever someone uses long shots with a fixed camera it's Hou Hsiao-hsien's style." Little Yeh stresses that most of A Borrowed Life was shot in the mountains, where it was necessary to make the most of scarce light. If they were constantly changing the camera angles, they might never have finished shooting.
「很多人把長鏡頭，或者鏡頭不動，簡單地歸類為侯孝賢風格」，小野表示，《多桑》大部分景在山上，必須搶陽光，多換鏡頭可能就拍不完，這是向現實妥協的拍法。