Whether in pseudo-existentialist moral plays or unbelievable science fiction rhapsodies, satire of great clan drama or chilling black comedy, Kuo Cheng cynically voices his insecurity and discontent with the world.
不論是偽存在主義式的道德劇，或是不可思議的科幻狂想曲；家族演義的嘲仿，聳人聽聞的黑色笑謔，郭箏都焦慮地傳達他對世事的不安與不滿。