According to our observation, the voices and movements of the older people are more firm and powerful, those of the younger more hesitant and confused. The pakarogay, the youngest of all, even drag their feet and don't start throwing themselves into it until mama no kapah inspecting the performance makes as if to hit them.
然而據觀察，老一輩的歌聲和動作都比較紮實有力，越年輕就越有打混的嫌疑，尾端的「巴格隆愛」甚至拖著腳步，等到巡查的「馬馬諾卡巴」作勢要打人，才一齊扭腰擺臀。