Cultural critic Ho Tung-hung notes that in the past, the only factor anyone in the Taiwanese music market paid attention to was record sales, but since 2000 and the rise of live performances, more and more people are seeing the importance of live houses, music festivals, music stores, practice rooms, and studios.
文化評論人何東洪認為，台灣過去對於音樂市場的想像，常只侷限在專輯銷售量的單一指標上；2000 年前後，現場演唱文化興起，才讓人們正視 live house、音樂祭、樂器行、練團室、錄音室的重要性。