Traditional Chinese opera, she feels, is purely an "art of performance." The scripts are neither good or bad in themselves; everything depends on the actors 'ability to "bring the play out."
她認為，中國傳統戲劇純粹是「表演藝術」，戲本身無所謂好壞，全靠好演員把戲「做出來」；若是訓練不出好演員，再好的結構編排都只是沒了血肉的骨架子。