Hou Hsiao-hsien ’ s film Flowers of Shanghai, for example, which has a dim, almost gloomy atmosphere, has special requirements for light and shadow which must be carefully considered when 3D techniques are being employed. This is a major challenge for cinematographers who are used to traditional methods.
只是這種對光影的特殊需求，當面對像侯孝賢《海上花》之類幽微昏暗氛圍的電影時，或許就會少了那麼一點「味道」，對於攝影師的傳統慣性也是一種挑戰。