Even worse, many today treat the theater as a springboard towards other career paths or more theoretical programs of study abroad. None of this helps Taiwanese theater as it seeks to take root and flourish.
更糟的是，大部分年輕人只把劇團當成跳板，來此「過水」後就轉行或是出國攻讀理論，對台灣劇場的扎根與深化幫助不大。