This symbolic coloration was retained even in the new tastes of high society, as for example in the cameo-decorated Wedgwood stoneware, which eschewed Chinoiserie in favor of Greek classicism. The best-known British interior designer of the same period, Robert Adam, left behind designs of the same color scheme in countless luxury residences.
即使是時尚轉換的上層階級新品味，像是捨中國情調就古典希臘的威氏作坊，浮雕玉石器也仍然保留了藍白兩色的象徵；同時期英國最知名的建築師羅勃．亞當，也在無數華宅巨邸，留下了同樣色系的設計。