Han's Soho studio floor is covered with cut paper from his spray paintings, and the walls are loaded down with tools. But in his new studio in the countryside, there are no spray guns and no collection of colors. There he relies on a brush to do black-and-white paintings which carry a flavor resembling the special Chinese technique of representing irregular surfaces.
而近些年，在紐約鄉下的新畫室卻像蘇荷起居室一般簡潔，既無噴槍亦不見各色顏料，僅存畫紙墨汁﹘ ﹘他開始用筆，作出類似國畫中皴點的趣味，畫面黑白，卻饒富「墨分五色」的層次。