She began to consider the connections between clothes 'structure and the body's rhythms. Gradually, from her confusion--as if emerging from a cocoon--came a design concept that "discarded the fancy for the simple."
她開始思考服裝結構與身體律動的關係，漸漸地，自混亂思緒中破繭而出，轉為「去繁入簡」的設計概念。