Wang Hsiu-kung, who got his start in a ceramics factory, devoted most of his time to researching glazing techniques. After he finished his research, he did not proceed to merely cover each bottle or vase with a certain hue; instead, he used the glaze as a kind of colored ink to produce Chinese landscape images.
出身陶瓷廠的王修功，窮盡大半時間在釉藥上鑽研，然而他研究釉藥之後，並不是就把這個顏色套在每一隻瓶罐上，而是以釉藥為彩墨，做出中國山水的意境。