At the same time, his style underwent transformation as well, moving away from realistic portrayals of figures and landscapes towards semi-abstraction. His newer works made use of primitive-like shapes, as well as dreamlike and ambiguous shading, evincing a kind of poeticism and an air of mystery.
他的畫風也由過去寫實的風景人物畫，醞釀出一種造型古拙，色彩朦朧幻化，散發著詩意與神秘氣氛的半抽象畫。