Although modifications and additions were made with each rebuilding, at the time that Huang took his pictures the temple was still distinguished for its fastidious traditional craftsmanship.
光復後的重建，至少在石材、木雕上，還儘量保留了一九二○年修建時泉州匠師王益順的施工手藝，尤以正殿內的藻井、神龕，及前殿的石柱、壁雕特別出色。在黃則修拍攝的年代中，它還算是座施工嚴謹、精密而考究的寺廟。