"Even though experimental music tries to create new worlds, it must still move people to have meaning. If it's so strange that nobody can accept it, that's just showing off," Lee says.
「實驗音樂雖不按傳統技譜，另創天地，但仍需以表現對時代的觀念、想法為出發，還要能感動人才有意義，並不是怪到大家都無法接受就是前衛音樂，那只能算耍噱頭」，回想當年，李泰祥自己也覺得當時還年輕，是不成熟的嘗試。