However, as the volume of work and plurality of styles expanded, criticism became increasingly vociferous. Artists were accused of "mechanically using concepts from Western art," and suggestions were made that such pieces were "incomprehensible" or "could have been produced by anyone."
然而，隨著作品目不暇給、花樣百出而來的，卻是「拿來主義」（直接套用西方藝壇概念）、「看不懂」、「人人皆可為之」等各種批評之聲接踵而至。