In 2002, he continued with his theme of historical punishments with his work Lingchi-Echoes of a Historical Photograph, developing it into short film of silent cruelty.
2002 年《凌遲考：一張歷史照片的迴音》，延續他之前歷史刑罰的意象，發展成猶如充滿無聲暴力的殘酷劇場的影片。