It's all rather confusing. "After making Autumn Moon and Temptation of a Monk, two highly stylized works, Law went back to the theme of emigration at which she excels, getting a grant from the Australian government to film Floating Life. The result, both in terms of its visual and narrative techniques, was much more accessible.
在經歷《秋月》、《誘僧》兩部影像風格強烈的作品後，羅卓瑤回到她最擅長的移民題材，得到澳洲政府的資助完成《浮生》，在情節的敘事手法和影像上顯得通俗許多。