For example, in the movie Rebels of the Neon God, the runaway's father always leaves a door unlocked for when his child returns, while in Vive L'Amour, when Yang Kuei-mei sobs her heart out at the end of the movie it is as if she is pouring out all the frustration and helplessness of life in Taipei. It also shows that Yang is confronting herself, and still has hope.
像是「青少年哪吒」中，對於離家出走的孩子，做父親的始終都留著一扇沒鎖的門；而「愛情萬歲」劇終楊貴媚的哭泣雖然排山倒海般地渲洩出台北人的委屈與無耐，卻也說明著她在面對自己，她還有希望。