There are also those who question why it is that the studios should want to rely on impetus provided by a public organization like the CMPC, as they did for the first wave of new cinema.
更有人提出根本的質疑：「上一波新電影靠中影主導，下一波又期待中影帶動，為什麼台灣的電影事業單單靠一個官方機構推動？