In Drunken Dance, from 1989, an even simpler structure is employed. Works of this period no longer depict the whole body, but emphasize the lower parts, ignoring the head, hands and chest. The human figure is represented simply and lightly, but with a dynamistic force.
隔年的《醉舞》，造型更明顯簡化，主題也不再以全形來塑造，而是以人體下半身軀幹為主，頭、手甚至胸部都完全省略，型塑出簡練、輕盈、動勢的個人風格。