"That was just at the time that the Yunghua Company was at its weakest, and the two major studios that would later come to dominate Hong Kong films had not yet prospered. Hsinhua took advantage of this vacuum period and, employing clever promotional techniques, became one of the main forces in Chinese film in the middle 1950s," relates Tsai Kuo-jung, a specialist in modern Chinese artistic films.
「當時適逢永華公司式微，日後掌握香港影業霸權的電懋與邵氏兩大公司，又尚未勃興，新華便趁此一空檔時期，仗著敏銳的商業手法，又躋身為民國四十年代中期香港影壇的主力之一」，研究中國近代文藝電影的蔡國榮指出。