At the end of the day, as the wife lingers in the museum or studio, it almost seems as if the husband has returned to work in his studio, and the paintings in the museum seem to bear marks of overnight revisions.
終日徘徊在美術館與畫室的楊夫人經常覺得，楊三郎在夜裡又回到畫室工作，而美術館裡的畫作，也似乎有被人加以修改的痕跡。