Taking landscapes as the traditional subject matter for impressionistic painting did have its downside, however.
因此一幅畫中除了偶爾點綴的、簡單的花青、褚石（微紅），藤黃外，幾乎全是參差墨色的變化。不過，中國繪畫如此唯心主觀地寄情山水，日久也有不足：「宇宙萬物、人間百態，哪一樣不是觀察記錄的好題材？