"Look at Muscle And Horse. The horse takes up well over half the picture but its outline is barely traced. The strong man is small but very clear. It's like the focus was on the man but then the horse crowded too close to the lens, making for a blurry kind of effect."
畫家邱錫勳，甚至由其中找到了電影的手法：「『力士與馬』中，僅以線條勾勒出的馬身，佔了過半篇幅，位居馬後的力士雖小卻清楚；好像把焦點定在力士身上，馬兒靠近鏡頭，反而白茫茫一片，模糊掉了。」