Its divine and profane natures can thus be separated. Sung Chin-hsiou does not oppose the sha ceremony becoming entertainment but stresses that, "as soon as it is on the stage it becomes false."
中央研究院台灣史田野研究室助理研究員宋錦秀也不反對傀儡出煞化為表演，但她強調，「一旦搬上舞台，不論演出多麼逼真，都不是祭儀了。」