By the time he delivered the completed reproduction, bamboo had become his career. Chang excels at accentuating the contrast between the empty-yet-solid handles and the solid-yet-empty body of the basket itself, and likes to use curlicues and coiled decorations to impart a sense of relief to his works. This method produces a sculpted effect, and brings his basketry alive.
在竹編手藝上，張憲平最擅長的是，處理空而實存的提耳與密實中空的器身產生對比，在接合的部份以棒捲、盤結，精心的編結，使表面處理具有雕刻般的效果，增加空間深度的靈動，使作品蘊藏無限生命力。