He realized that primitive Chinese architecture is the soul of the people, and it is neither opposed nor enslaved by nature. It is harmony and order in itself.
他說：「那神采飛揚的屋宇，威武不屈的氣勢，強勁有力的曲線，樸厚的體積，溫暖的色彩，人性的空間… …，就像一個中國人的塑像，存在於天與地之間，既不對抗自然，也不被自然奴役，為的是取得和諧。」