And as in the works "Piety" (1961), "Selling Rain Hats" (1955), and "The Happy Life on the Farm" (1957), Hsu subtly handles the relationship between people and the environment, and his careful and harmonious blending of his own personal style of art with real life; they also reveal his fondness for the local land and people.
而如「虔誠」（一九六一年）、「賣斗笠」（一九五五年）、「農家樂」（一九五七年）這樣的作品，巧妙而生動地處理了人與環境的關係，將個人的攝影美學和諧地融入現實生活中，既表達了他對鄉土與庶民的感懷，又提昇了「觀察」的層次，皆為難得一見的攝影佳作。