Take for example the concert "Striking Out a Taiwan Style" performed by the Taipei Municipal Classical Chinese Orchestra. Not only did the percussion section spend half a year learning Beiguan from William Chiu, they commissioned a composer to create new works based on Hakka music and on traditional luantan. Percussion first chair Li Hui herself also composed new works using the large Buddhist drums and aboriginal percussion music.
例如台北市立國樂團推出的「打出台灣風」，打擊小組除了以半年時間向邱火榮學習北管鑼鼓，也委託作曲家從客家八音、傳統亂彈創作新的曲目，打擊樂首席李慧自己也從佛教大鼓與原住民的打擊樂編出新的作品。