Cellist Li Tze-yun, who is now in France for further training, recalls that he would arrive early for rehearsals and arrange the chairs and stands for the musicians, like a doting father for his children.
此刻正在法國深造的大提琴手李子韻記得每次排練，梅哲都會提早到達，還親自為團員排椅子、立譜架，如同爺爺般寵這些孩子；更常見他張開雙臂一臉開心地擁抱來到的樂手，沒有半點架子。