Grandma and Her Ghosts (1997) was an even bolder effort at innovation, and Wang Shau-di posed a great challenge to herself by using animation to create a conversation with the audience.
一九九七年的《魔法阿媽》則是更大膽的嘗試，但王小棣也給自己出了個大難題，企圖透過動畫跟廣大的觀眾對話。