He once picked up some clay and simply broke it apart and tore at it rather than kneading and shaping it deliberately. After being fired in the kiln, the piece displayed a fascinating range of textures, consistencies and thicknesses.
有一回，他順手拿起陶土，不是刻意地堆疊、拍打和擠壓，甚至折斷撕裂，不經意的經營，在火煉之後卻將土的柔軟、厚重、粗糙、細緻等不同感受完全呈現了出來，他有「無心插柳柳成蔭」的喜悅，並名之為「甩陶」。