And does it properly express light and dark as well as physical properties? Aside from this, the inscriptions and seals, unique to Chinese painting, are very important--is the placement of the inscription correct? Does it help balance the power of the work?
有了這個構想，李轂摩以拓碑的效果作畫，碑文是王羲之的「蘭亭集序」，碑前則是三隻引頸看著碑文的鵝，落款處題上「蘭」文的最後一句：「亦將有感於斯文」。