True, Fan Kuan's work was remounted in 1986, and the museum considered the condition of Gou Xi's work just good enough to be allowed abroad, but there is considerable force pulling on large scroll paintings, and thus it is best to reduce the number of days they are hung. Hence, at the public's request to protect these works, they should not be allowed to leave the country.
雖然范寬的畫在民國七十五年曾裝裱一新，郭熙也勉強過關，但巨軸直掛，拉墜張力甚大，應儘量減少展掛機會，且應護寶民眾的要求，限制出國。