"Country Fair," with its rows of lanterns and pennants set off against the figures beneath, creates an interesting multifocal composition. In his recent pictures, Ts'ai often looks at old scenes in a fresh way.
「市集」（一九八二年）一圖中，屋簷、燈籠陣、三角旗組成的幾何趣味，與下端人物交疊混現的排列，構成一組複雜而有機的多焦點移位，人物的視線與表情，互異其趣，令人想起電影術語「場面調度」的運用。以「新視點」去觀察老景觀，近期的蔡高明偶而會用到。