Even though most submissions aren't any good, he believes that reading these works is worthwhile because the material these writers choose "can clearly point to the abilities and future trends of Chinese-language film and the creative consciousness of the entire group."
雖然有一半劇本不符合「好」的標準，但他認為，這樣的閱讀工作仍然非常值得，因為從創作者關心的題材，「可以清楚告訴我們華語電影的表現能力、未來趨勢，以及整個族群的創作意識。」