Thereafter she began to incorporate history with painting, taking inspiration from the various forms of Chinese poetry, as well as Chinese fiction, and she also abandoned splash-ink techniques, and began once again to use gongbi water-and-ink painting, adopting an attitude of spiritual cultivation.
於是她開始將歷史與繪畫結合，以中國的詩詞歌賦、小說典故為創作素材，並捨棄潑墨，而以修行的心態重拾工筆重彩。