Little did they know that it would be impossible to return. Duma's new style of gezai xi proved very popular in Taiwan, and people began referring to Shao Jianghai's zasui style as the duma style. It became one of the two main types of Taiwanese Opera, along with the original qizi style.
台灣觀眾非常喜愛都馬班的改良調，於是將邵江海創作的雜碎調稱為「都馬調」，與原本的七字調一同成為歌仔戲的兩大曲調，盛行於台灣。