"Hurrying Along" clearly shows signs of influence from the early school of pictorial photography. A girl carrying her little brother walks along a road at noon, the lonely shadows and out-of-focus scenery in the distance forming a poetic backdrop to the familial feelings at the center of focus.
「趕路」（一九六八年）則明顯地有著早期「畫意寫實」派的影響痕跡，孤單的姊弟行走在午間的公路上，路面的孤影與失焦的遠景，營造了一種惘然的詩意，而成為焦點的相疊背影，象徵地表達了勤儉相護的親情愛意。