For Hong Kong movie-makers, a prerequisite for moving to work in the US is that they are invited there by a production company. But what prompts top directors to abandon their home turf and start afresh in a distant land, where the audience barely knows them?
香港電影人到美國發展的前提是，有電影公司請他們來拍戲；但原在香港擁有一片天的閃閃紅星和大牌導演們，為什麼願意拋下在香港打出的地盤，到一個觀眾並不太認識他們的國度，千里迢迢另起爐灶？