These days, the festival is attracting high-quality foreign programs. But he argues that domestic companies shouldn ’ t be reviving older pieces unless they plan to do something revolutionary with them.
他強調，現階段看來，台北藝術節對於國外節目的引介已具一定水準，而國內的舊戲重製除非具有「革命性」意義，否則應儘量避免。