Looking at Wedgwood's "exotic" ware, we are hard pressed to find any connection between it and white, translucent porcelain, nor do we find any trace of Chineseness about it. To connect its blue-and-white coloration with the soul of Ming dynasty blue-and-white ware would be far-fetched in the extreme.
面對充滿「異國情調」的威氏浮雕玉石器皿，我們很難將她與瑩潔的「瓷器」聯想在一起，更找不到一絲「中國」的影子；如果非要從藍白兩色中追緬明代青花的芳魂，也相當牽強了。