For the last century Taiwanese artists have been plagued by the problem of "Eastern learning and Western application" and even today it remains a specter that a younger generation of artists still cannot avoid. However, in Installation Art in Taiwan, the author has not allowed this thorny issue to lead him astray in his discourse.
百年來困擾台灣藝術家的「西學中用」問題，時至今日仍是青年創作者揮之不去的幽靈。然而四十六萬言的《台灣裝置藝術》並沒有讓幽靈領迷了路。