During early rehearsals for Ch'i-Tsai Creek, the actors, especially those with longer experience at Unique, had trouble shaking off habits of avant-garde physical expression that were not right for a work that ended up more in the mold of traditional realism.
以「七」劇為例，排戲之初，大家，尤其是早期進團的演員，仍舊不能忘情前衛的肢體表演，直到後來才調整成現在比較傳統寫實的「版本」。