In his new works he uses a lot of popular Hakka and Fukien songs, Taichi movements, popular processions and so on. All kinds of native themes are transformed in his hands into a new kind of movement that has changed the attitude of the public to contemporary dance.
他復出的作品中，大量採用了客家、閩南流行歌曲及歌謠，乃至太極拳動作、民間藝陣、南胡拉奏等，各色鄉土的素材抓在他手中，剎時幻化成一齣齣新型的現代舞蹈，大眾對現代舞的看法因此全然改觀。