As the pipa fades out, a violin begins playing a Baroque tune, and the broad movements of the man and women change into the rhythmic movements of marionettes. They seem to be seeking their true inner feelings, lost in the convergence of Eastern and Western music, while comfortably merging with the notes to become a dance concerto of no specific time, place or nation.
當琵琶逐漸幽緩，遠遠地，小提琴拉奏起巴洛克古典西樂，凡人與女人的大舞動轉為懸絲傀儡的律動，之間的對舞似在尋覓情愫，又彷彿迷失在東西交疊的樂音裡，卻又自在地與音符融合成無國度、無時空的協奏舞。