Giulini was capable of wringing the last drop out of a piece and moving the listener to tears. As for Mazer himself, the music critic Wu Mu has described his conducting style as "meticulously crafted." Under his baton, pieces like Barber adagios and the nocturnes of Mozart and Tchaikovsky exude a sweet, soft, and tender loveliness that can properly be called the "Mazer style."
至於梅哲自己，樂評家伍牧以「精雕細琢」形容他的指揮風格，認為梅哲棒下的巴伯弦樂慢板、莫札特及柴考夫斯基的小夜曲，都展現出吹彈即破的細膩輕柔，弦樂之間的和弦音色極為甜美，可以稱之為「梅哲之風」。