They feel that in the chemical compound of the glaze and the technique of controlling the flame, the artisan is more important than the art itself.
釉面如畫面，瓷版似畫板，孫超用噴槍把釉料布在素胚上，好比揮灑彩毫，追求藝術之美的心情，和畫家並無二致；只是他在「作畫」時，看不見自己的底稿，必須以火為媒，才能印證原來的設計是否得當。