In effect, it attempted to use the award format as way of highlighting the absurdity of mutual authentication that exists between art history, awards, commentary and the media.
這件作品，以子之矛，攻子之盾，試圖以獎的操作方式來凸顯藝術史、藝術獎、藝術評論、媒體之間互相認證的荒謬。