All of the elements of the painting are, one could say, retuned to a quarter tone off of normal pitch, creating a unique tonal combination that is nonetheless harmonious, and bringing out, as Ni Tsai-chin puts it, "all the potential of Taiwan's hybrid culture."
所有的繪畫元素都被調成了混音的音符，奏出特殊的情調，形成「一股台灣混雜文化的魅力，」倪再沁指出。