And so he would often be down on the floor himself, acting out the various postures, poses, and fighting moves of Fire Ball and Monkey King, helping the keyframe artists, with their top-grade work and rich experience, see exactly what kind of spirit he was looking for.
他因此常在討論現場中，不厭其煩地親自「演出」各種紅孩兒與孫悟空的武打姿勢，好讓這些畫工一流、經驗豐富的原畫師們知道，他想要的「神韻」究竟是什麼。