He would like to see city and county cultural bureaus shift their focus from license examinations to space planning and site management, and to have performers take turns using busking spots. In addition, he believes that spurring buskers to further develop their skills and improving the quality of street performances in Taiwan will require creating the kind of rules that bring professional performers, domestic or foreign, out onto the streets.
他建議各縣市文化局應從「審核授證」的思維，轉向「空間規劃」與「現場管理」，並以「輪流使用」取代「壟斷劃位」；此外，更要設法吸引專業表演工作者或國外表演工作者加入街頭，才能引導街頭藝人良性發展，提升街頭藝術的品質。