In his pictures, the camera's existence goes practically unnoticed; he seems to live quite naturally in the temple and among the people there.
黃則修站在一個平凡而不為人覺察的角度，他的照片，幾乎感覺不到「攝影機」的存在，好像很自然的生活在廟宇與人群中間，與其一起呼吸、膜拜或休憩。