More importantly, photographers of the time lacked the conception of social reportage, and their subjects tended to lean toward what they were most familiar with and what was most easily communicable.
當然，更重要的是，當時的攝影思潮與意識，較缺乏一種社會探訪、人性深究的觀念，因此在攝影題材選擇上，容易偏向自己熟悉、溝通容易而較泛論式的片面獵影上，欠缺嚴肅的在一個確定的意念與取材中累積它的厚實力量，這本是中外許多業餘攝影家共有的現象。