If you ask why the students aren't well taught, there's probably just one explanation: the training's not strict enough. Chiang recalls that when he studied opera, if he turned a somersault a little too slowly, out came the master's cane.
因此，儘管許多人認為，民間戲曲要根植鄉土才會活潑，但林鋒雄卻指出：「歌仔戲只有回歸內台（商業劇場），才可能有生機、有進步。」