Although a realist photographer, he avoids letting the realist elements become intrusive and disorderly, and strives for clean geometrical lines and juxtaposed layers of light and tone. Within the simple structures he creates, he attempts to manifest fully the mood of the subject.
避開紛亂的現實干擾，於觀景窗的方框內，他力求幾何線條與光影層次的巧妙並列，並希望能在單純平衡的架構中，呈現出人物、景觀的情緒走向。