To Wang, o-pei-la is not just a theatrical style, but inherits the vivifying spirit of folk theater, in turn fusing that spirit with the creative experiments of modern theater. The Golden Bough Theatre's plays thus have a grassroots quality that reflects the life of the Taiwanese people and folk aesthetics, a creative quality that differs from that of Western theater.
對王榮裕而言，胡撇仔戲不只是一種表演形式，更是承襲民間戲曲的養份與精神，再融合他對現代劇場的探索，使得金枝演社的戲碼，以獨特的草根風格，反映出台灣民間的生命力與民俗美學，展現有別於西方劇場的創作特質。