For example, when shooting Huang Chung-liang's dance work "Kite" in Tanshui in 1967, he used an optical illusion to make it look as if the dancers--Huang and his wife--in the foreground and background were flying, an effect no choreographer could pull off with such seeming realism on a stage.
就像 1967 年他在淡水拍攝黃忠良的舞作《風箏》，巧妙地利用視覺錯位，讓前、後鏡的黃忠良夫妻，留下猶如風箏高飛的畫面，連編舞者都為舞者在舞台上無法呈現如此寫真的情境而自嘆弗如呢。