"Although I've devoted a lot of my energy to the form and structure of plays, Taiwan audiences tend not to give these much attention. Whereas mainland audiences, by contrast, are really sensitive to and excited by it. Taking for example the end of Millennium Teahouse, while Taiwan audiences react with cool sophistication, mainland audiences jump to their feet in applause, sometimes even interrupting the play."
「我花很多時間在經營戲的形式和結構，但是台灣觀眾比較不重視，反倒是大陸觀眾對此很是注意和興奮，以《千禧夜》最後一段『結尾學』為例，台灣觀眾看得很有體會，大陸觀眾看得是起立鼓掌，甚至因此打斷戲劇的演出。」