From this point on he deeply identified with the remark by Kant "art is an inner satisfaction that has relevance to none, and no concern for anything else" and also with the primitive motive for creativity expressed in Chinese philosophy as inner clarity and by Zhuangzi as the Taoist philosophy of acting "without deliberate purpose." Finally he could work as he wished without obstacles and achieve his later breakthroughs.
他自此深深認同康德所說的「藝術是無關心的滿足，」以及中國哲學「清明在躬」、老莊強調的「坐我」、「忘我」的創作原始動機，終至隨心所欲無所罣礙，而有了之後的突破。