Yu Tien-tsung noted the beautiful way in which Lee has taken opposition and turned it into balance and harmony. Liu Denghan declared himself to be especially moved by Lee's grasp of the language of Oriental tone and special national characteristics, and his increasingly abstract, themeless richness of expression.
尉天聰特別注意他將對立轉為平衡與融合的美，為他化腐朽為神奇的創意所折服；劉登翰則特別感動於李錫奇對東方色彩及民族特徵繪畫語言的掌握，以及他越到後期越抽象、無題的圓融表現。