Contrast this with the relative success of Central Station and Life is Beautiful, for which 90 % of the audience were not art film regulars. "You definitely have to cross over into the mainstream," says Huang, and there has to be a different kind of marketing strategy, geared to the current situation for Taiwan films.
而《中央車站》、《美麗人生》為什麼票房不錯，因為百分之九十來看的人都不是藝術片觀眾，「一定要跨到主流來。」並且應針對國片目前情勢，擬定不一樣的行銷策略。