The writer of the tenth, who goes by the name of mimi, recalls becoming addicted to Cheng's work because it contained "no overarching message, only moving stories."
排在第 10 位的讀者 mimi，則因為鄭華娟的書裡「沒有大道理，只有動人的故事」，讓她不自覺地「上癮了」。