Since Kang Youwei [the leading light of the ill-fated reform movement of 1898], have any new ideas appeared on the theme of what to adopt and what to discard in Eastern and Western art, or should I say of the filial child versus the wanderer?
康有為以來，東西繪畫的取捨，或說孝子與浪子的議題，出現了新意嗎？