There are too many distractions, and the shows are often put on "for the gods" rather than for the audience. As Lin Feng-hsiung says, "Taiwan opera has to return indoors, to commercial theaters, in order to have a chance to survive and progress."
更重要的，新和興似乎從以往只求生意興隆、觀眾叫好的鄉土格局中突顯出來，忽然認清了自己擁有的獨特價值，也找到了一個新的定位、新的努力方向。展現韌性，力求蛻變