Curator Yang Wen-I sees in Tsong Pu's work a conversation of materials and elegantly expressive musically poetic rhythm. In the late 1980s Yang says that Tsong began to meditate on and judge the problems of society, nature and human civilization.
策展人羊文漪認為莊普作品遊走於材質對話、飄逸詩意與抒情音樂旋律間，並在八○年代末，介入世俗問題，開始輪番對社會自然人文問題從事冥思、凝想與批判。