This system broadly involved pasting the original painting on to another two pieces of rice paper and then masking the result with a frame of dyed silk. After the passage of centuries, however, even this method began to falter, and the old paintings started to shrivel and crack.
如今座落在臺北近郊外雙溪半山上的國立故宮博物院，收藏古字古畫達一萬五千件左右，這些字畫作品，經過了歲月、戰亂的洗禮，不少已經呈破損剝蝕之象，而不再能掛出來供人觀賞了… … …