In "Girl Selling Eggs," the peeling wall, the bamboo basket, and the eggs on the sheet of clear plastic, together with the tightly knit hands and the sad eyes of the waiting girl, represent the essence of Huang's theory of photography: using a truthful and empathetic vision to express social reality and concern for the life around us.
剝牆、竹籃、透明塑膠布上的雞蛋和毛線織針，加上冷顫的身子、緊握的雙手、憂鬱的眼神、時光的等待… … 對黃季瀛而言，這就是寫實攝影的「本質論」：用真實的眼光、親切的體驗去反映社會上一切的現實，去關懷周遭的生活，以完成一個攝影家的責任。