Art critic Ho Huai-shuo reminds us that, however difficult a feat it was for Chen to combine Chinese and foreign styles into a single coherent mode of expression, it is even more impressive that he then rediscovered a naivety and purity that allows him to see the world "in the same way as a new-born child."
這一幅富麗莊嚴的作品，不僅是老畫家得意之作，連國畫大師黃君璧生前也一直想收藏。藝評家何懷碩則指出，能將中外藝術兼容並治，匯為一種表現方式，並不容易，然而陳慧坤的成就更在於在他突破各家派別之後，重新回到「初生小兒看世界」的天真純樸。