"In these paintings we tend to find that whereas things of nature such as flowers and trees are painted accurately, a false chord is struck as soon as the painter turns to anything cultural or tries to portray things that form part of the Chinese way of life," notes Wang Chien-chu, hitting the nail on the head.
「從這些畫中我們可以發現一個原則：凡是自然界的東西，像花啦、樹啦，他們模仿得還滿像；凡是與文化、生活有關的，就很荒腔走調」，王健柱教授一針見血地指出。