Ninety percent of the footage in Peony Pavilion was filmed with hand-held cameras. "He uses himself as a tripod. What I want is for the picture to be stable, yet a little erratic, to have a feel that's a little frightening," says Chen Kuo-fu.
《我的美麗與哀愁》片中百分之九十的畫面都是手持攝影拍出來的，「他把自己當作腳架，我要的就是畫面在穩定中，又有不安定、有點恐怖的感覺」，陳國富說。