In "Stealing a Wink" and "Harvest Time," the composition may seem rather contrived to us now, but the method was commonly favored by photographers at the time.
在「忙裡偷閒」（一九六九年）與「收割時」（一九六九年）這樣的農作景觀裡，周鑫泉用稻草人、牛車做為前景配置，顯得較為「刻意」，但這正是當時的攝影家普遍喜好的構圖。