In the late 18th century, when the popularity of Chinoiserie had already waned, why was English willow pattern ware, with motifs closer to Chinese originals, able to burst onto the scene and win lasting popularity?
在中國情調大勢已去的十八世紀末，英國的青花柳葉盤，為什麼能以更接近中國原型的圖樣，異軍突起，且歷久不衰？