"We react directly to every note of the score, even the tempo markings, almost without being reminded." In Liao Chih-hui's view this has a lot to do with rigorous training in childhood.
「樂譜上每個音的表現，到任何加快、減慢等記號，對我們來說幾乎是直接反應的」，廖智慧分析，這多虧了兒時的嚴格訓練。