He likes dramas that are a bit heavy emotionally, and isn't so thrilled about stable, even structures because emotionally twisting dramas "allow you to play out tragedy, stoicism, and so on to their full extent on stage.
他喜歡情感濃、深沉一點的戲，四平八穩的格局不頂愛，因為情緒波動大的戲「可以在舞台上盡情表達悲憤、感慨… …，演起來過癮，好發揮。」