In these two exhibitions, we see Chinese ink wash paintings--mainly Song landscapes--at the same time as pre-modernist Western classical lands capes. What issues does this juxtaposition raise?
那麼在這次的兩個展覽中，我們同時看到以宋代山水為主的中國水墨畫，和西方現代主義之前的古典風景畫，又可以從中思考些什麼問題嗎？