Modern vernacular poetry--xinshi--is coming face--to--face with a novel, constantly changing environment. It is attempting to adopt an interactive relationship with kinetic modern people, and to draw readers back. At this juncture, might not we stop for a moment ourselves and reconsider how we might enter into a dialogue with this muse?
當新詩在面對嶄新蛻變的時空環境，大幅調整和繁忙現代人的互動關係，試圖再把讀者找回來時，人們是否也可以停下腳步，重新思索如何和她對話呢？