By then the simple majesty of David's The Dead Marat and the surging passion of Delacroix's Liberty Leading the People had replaced the dreamy, light-hearted elegance of Watteau's and Boucher's paintings.
這時候，大衛「馬哈遇刺」的莊嚴簡潔、德拉誇「自由女神領導人民」的激越凜然，取代了瓦都、布雪筆下夢幻般的優柔歡樂；與洛可可末世風格結合的中國情調，顯然已經不合時宜了。