Dramatic script writers have always been relatively scarce in Taiwan. In recent years a number of new scripts have appeared in mainland China and met with critical and popular acclaim on both sides of the strait. Nevertheless, to perpetually rely upon mainland scripts is ultimately not in the longterm interest of developing Peking opera on Taiwan.
編劇人才在台灣一直比較缺乏，近年來幾齣大陸新編劇本在兩岸都叫好又叫座，然而一直仰賴大陸劇本，對於台灣京劇的發展終究不是長久之計。