Wang An-chi cites the ghost scene in The Prince's Revenge as a prime example: "This should be where traditional skills can shine, since Peking opera has a well-developed repertoire of steps and gestures for ghost dramas.
王安祈舉「王子復仇記」中王魂現身的那場鬼戲為例：「照理說，那應該是展露傳統絕活的好時機，因為國劇鬼戲向來極講究台步和身段。