"During this period his running script was no longer as lean as it had been," says Ho Chuan-hsing. "It began slanting rightwards and spreading out a little. Overall, his characters became more free and unconstrained, with swooping spaces where the brush was running dry of ink. He had well and truly shaken off the earlier fixation with exquisite perfection."
「這時期他的行書不再那麼修長，反而有些右傾扁闊，書寫自由奔放，筆中飛白，顯然已經脫去早期那種華麗完美的拘謹了，」何傳馨表示。