Talking of this script, Chen Sheng-kuo says with a gleam in his eye: "Society is complex, and folk opera can't forever be telling people to be good and featuring nothing but paragons of virtue and scholarly love affairs; we can be ironic, use understatement--there's a lot more to human nature."
一談起劇本，陳勝國就眼神發出神彩，「社會複雜了，歌仔戲也不能老在教人做好人，一味只有忠孝節義、才子佳人；我們可以反諷、可以暗示，人性還有更多可以表現的。」