But he believes that filmmakers ought to give more thought to themes with “ universal appeal. ” Take Goodbye Dragon Inn, which represented Taiwan at the Oscars in 2003. At first the camera shows an empty theater, and after about two minutes, that theater begins to screen another martial arts film.
但他認為，台灣創作者應該思考如何讓電影主題更具「世界普遍性」，以 2003 年代表台灣參加奧斯卡提名的電影《不散》為例，一開始鏡頭就定格在一個沒有觀眾的戲院座椅上，長達 2 分鐘，戲院螢幕上則放映另一部武俠片，兩相對映。