Chung finds that the typical Taiwanese listener buys such recordings only as audiophile oddities suitable for judging stereo sound quality, or for a superficial and fleeting connection with something "exotic."
鍾適芳觀察本地的廠商與音樂消費者，不是習慣把民族音樂當成測試音響的發燒片，就是把來自異文化的多樣聲音，簡化成膚淺的異國情調來消費。