In Flower Season, he attempted to convey the wonder and mystery of "musical composition": "The music of poetry refers to the rhythm and sounds of verse, the logic to the rising and falling flow, and the appropriate volume and speed. These all ultimately rely on the author's control over a poem's main theme."
在《花季》中他試著表現「樂章」的美妙和深奧。「詩的音樂性，指的是一篇作品裡節奏和聲韻的協調，合乎邏輯的流動升降，適度的音量和快慢，而這些都端賴作品的主題趨旨來控制。」