His 1944 painting On the Way Home shows an old water buffalo, drawn with such precision that you can see its individual hairs. Leading it home is an old farming woman, who is carrying a bundle of sugar cane and wearing leggings and a broad rimmed hat with a covering scarf knotted under her chin. The simple and rustic scene does a good job of conveying Taiwan's slow pace of life in those days.
一九四四年所作的《歸途》，牛毛可見的憨樸老牛，荷著成捆的甘蔗葉，跟著包頭巾、戴斗笠，腳上綁著護腳的農家女，緩步踏向歸途。