For artists from the mainland, "Taiwan is the last place left where Peking Opera is viable. The audiences are of high quality, there is not much illiteracy, and people have a good understanding of the actors." Yu Wanzeng likes playing in Taiwan very much.
對大陸演員而言，「台灣是京劇最後一塊可以經營的地方，這裡觀眾的素質高、文盲少，對演員很理解」，于萬增很喜歡在台灣登台。