With rapid, sweeping strokes of the brush he creates fluid, free-floating figures, without faces or personalities, performing their allotted roles in the midst of a coldly linear realm. The resulting images reflect the alienation of modern life, conveying a sense of illusion and impermanence. It has been suggested that Hsia Yang himself, the lifelong drifter, is the prototype for these blurry beings.
夏陽以短促顫動的飄動線條形成一個動感又飄忽的人形，這些沒有面容、性格的毛毛人，藉著乾淨俐落的粗硬線條所描繪出的場域，冰冷無情地界定出他們的角色，反照出現代生活的冷峻疏離，及一種時空交替的虛幻感。