For Lee, the film represented a meeting of his personal dreams and his research career. Every aspect-composition, lighting, and so on-of every inch of the film was subject to Lee's aesthetic demands, and even slight dissatisfaction meant numerous re-takes.
對李淳陽來說，昆蟲影片是他研究生涯與夢想的交會點，每一吋影片的構圖、光線，都要符合美感要求，稍不滿意就反覆重拍。