"This idea doesn't mean a script has to be a tragedy, but rather that one should see the world for what it is and empathize with humanity's plight.
「『以淚眼看人生』不是指劇本一定是悲劇，而是要以悲天憫人的心看世界，多點同情心，才能寫出有血有淚的劇本，」楊雅喆說。