The "Foolish Old Man of Dance" Although the "baby oil series" has presented audiences with an entirely new visual experience, viewing several works in the series reveals a high level of repetition in the vocabulary of movement. While this is a given in the establishment of a style, is it giving audiences a successive feeling of deja vu from work to work?
嬰兒油系列雖然讓人耳目一新，然而幾次創作下來，肢體詞彙的重複性頗高，這雖然是建立風格的要素，但是否也使作品變得「似曾相識」？