He believes that paring down dance to its most basic elements and stripping it of story and message can transform the stage into a purified space, and that transparent and formless baby oil, which becomes one with the dancers, makes possible the pure form of expression which modern dance has been seeking.
他認為當舞台元素剝離到最精簡，不再說故事，也不講大道理，而讓舞台變成純粹的空間，而且透明無形的嬰兒油也幾乎與舞者合為一體，正是現代主義者夢寐以求的純粹可能性。