attacked Taiwanese society's infatuation with the West. Other writers, meanwhile, picked up themes which had once been considered marginal and brought them into the mainstream. Examples include Yang Ching-chu's workers 'fiction and Wang Tuo's immigrant literature. The Nativist fervor even gave rise to new Nativist trends in film and music.
再見》批判崇洋媚外的社會風氣、楊青矗的工人文學、王拓的移民文學等，過去被視為邊緣的主題紛紛成為主流，鄉土文學的風潮更進一步帶動電影、音樂等藝術的本土化趨勢。