Chen, who as a homosexual is in close touch with the marginal and youth subcultures in Taipei, explains the E phenomenon in this way: "In an Ecstasy-enhanced world, dance is no longer just moving your head and shoulders around, but becomes an obstacle-free interaction between the body and the music.
身為同志，對邊緣文化與青少年次文化有著深切了解與同情的陳俊志，對搖頭丸的解讀是：「在搖頭丸的世界裡，讓跳舞更加純粹，不再只是為了搔首搖臀吸引目光；而是追求更純粹身體與音樂的互動。