Less is more From finding a "mother structure" of artistic technique close to his own personal tendencies, to overcoming the staid or bewildered aspects of his art and nurturing a "child structure" opposite to his own basic character, Chou's own perspective on life has changed, so that he has become smoother in the way he deals with people.
有處恰是無，無處恰是有從尋找與自己心性相近的學習「母體」，到為破解呆板、迷思，轉而尋求性情完全相反的「子體」滋養，隨藝術的綜合、轉換，周澄坦言，自己的心性與人生觀也隨之改變，待人處世更為婉轉、圓融。