Yao feels that Taiwanese artists often seem much more advanced than installation artists in neighboring countries with similar societies such as South Korea or Japan, for whom historical criticism appears sufficient in and of itself.
比之鄰近社會條件類似的韓國、日本裝置藝術家單有歷史批評，主體性的討論不足，台灣藝術家顯得前進許多。