Similarly, for Taichung's Stock 20 (converted from railway use), some academics believed that if you had put a bathroom into each of the artist's studios, you would have cut down on the opportunities for interaction, and it also would have been "a waste of money."
相對地，對於台中鐵道倉庫改建的二十號倉庫藝文中心，部分學者就認為，在每一個藝術家工作室裡加蓋衛浴套房，不僅減少藝術家互動的機會，也著實「太浪費了」。