From the assistant director to leading and supporting characters, and even down to bit-part players and choir members, they had first to demonstrate their solid mastery of the singing and movements of Chinese opera, but then had to break free from this mold, and interpret the work together.
從副導演到主角、配角，甚至一個小小龍套、或是擔任合唱者，都得先拿出多年的唱腔、身段等紮實真功夫，再打破這副窠臼，共同詮釋創作。