Using a 120-centimeter piece of Taiwanese phoebe, Huang Kuosu made the base into a hilly, sandy desert landscape, where the dried bones of animals imply the desert's mercilessness. Xuan Zang and his horse stand in the middle of a sandstorm, pressing ahead against the wind, and the carving brilliantly uses outer appearances to display the inner spiritual world of both the figures and their creator.
在一 120 公分長的台灣楠木上，黃國書巧妙地將底座化為漠地沙丘，動物枯骨意味沙漠險境的無情，玄奘與馬匹頂著沙暴，逆風而行，創作者巧妙地以外象呈顯木雕人物的內在精神世界。