The group's latest production, Blood in the Throne Room, follows a new script from the mainland, with a taut, well-constructed plot. This time they have lowered the pitch of the singing and inserted several Taiwanese songs, and as Sim says, they have adopted "the simple elegance of the make-up used in Taiwan-style ko-tzai-hsi, so that all the characters, good and bad, appear more human."
新戲《血染金鑾殿》採用的依舊是大陸的新編劇本，故事有張力、不拖泥帶水，唱腔上，折衷的降低高度，並加入一些台灣小調，裝扮上則採用「台灣的歌仔戲化妝清雅，好人壞人裝扮都一樣，比較人性」，沈秋月表示。