They included sections in singing styles such as "slow ehrhuang" which had not been used for nearly thirty years, and in the newly created "baby ehrhuang" style. The piece was a highly challenging, first-rate work, and provided a perfect opportunity for Yu Wanzeng to demonstrate the mastery he had gained in five years of hard study.
其中還包括一些像是二黃慢板這樣近卅年沒人唱過的曲調，以及新創的二黃娃娃調，是一齣極度考驗演員的大戲，正好一展于萬增五年苦學的實力。