Huang's most dynamic period in photography must be considered the years between 1957, when he began turning out a stream of articles on photography as editor of Photography News, up to 1961, the year of his individual exhibition "Lung-shan Temple," and 1962, that of his two person exhibition "Yehliu."
不過，他在台北的攝影圈裡最活躍的期間，要算是民國四十六年左右，接掌「攝影新聞」的編輯之後，他不斷發表攝影文字，一直到民國五十年的「龍山寺」個展，五十一年的「野柳」雙人展，在當時頗為貧瘠的「寫實」攝影創作與討論上，留下不少汗馬功績。