The dense composition possesses a tense pressure, enriched by the two old men in front flanking the sleeping boy and the man in back with his hand on his chin.
顏臉密集的構圖孕育一種凝重的張力與壓抑，前景的兩位老人中有一個反向熟睡的孩童，之後有一個托臉的手示，使影像構成變得較豐富，而情感的凝聚也深刻許多。「市集」（一九六九年）中顯示了陳彥堂大方穩重的取景能力。