For Lee Su Yue, to paint on a raw silk canvas stretched tightly on a frame, with either traditional Chinese or oil-painting brushes, is to flow fluidly, as if skiing or skating across the wide landscape in early spring. She most readily loses herself within the energetic interaction between brush and canvas.
對於李蘇羽而言，以毛筆或油畫筆在繃緊的絹布上作畫，就像初春的季節，在大地上滑雪或溜冰那樣流暢；而畫筆和絹布之間有力度的互動，最是令她忘我。