In 1992, he put out his second album, Spring Breeze Young Brother. It was as successful as the first, selling 500,000 copies. But the marks of the record company's chiseling of his image were even more obvious-it refused to include three of his own compositions, which were outside the mainstream of the time, as well as some of his collaborations with Bobby Chen. Lim was both disappointed and disheartened.
1992 年，他推出第二張作品《春風少年兄》，專輯依舊大賣了 50 萬張，然而唱片公司斧鑿運作的痕跡卻更加明顯，他的 3 首非主流創作和陳昇的部分作品都被唱片公司擱置，使他備感失望和厭倦。