Without an explanation from a museum docent or Chi Kuo-chang himself, it would be hard to imagine that the colors and waves we see in his Symbol of Color series are actually taken with a high-powered telephoto lens. In fact, they are color images taken from very small segments of moving water, photographed at various places near bodies of water in France and other countries in Western Europe.
如果沒有導覽員或紀國章的親自解說，很難想像在《色彩符號》系列作品裡所看到的絢爛波紋，居然是他用極大倍數的望遠鏡頭，守在法國及西歐各國的各大海岸或河邊，對準波濤中的一個小折射點，所反映構成的影像圖騰。