Chang feels that the PW's Beijing audience can be broken down into four major categories: Taiwanese businesspeople based in Beijing and Shanghai; reviewers, critics and young theater-goers; university students; and fans of traditional Chinese opera.
主要為在北京與上海從商或定居的「京台族」與「上台族」，大陸年輕的戲劇觀眾與文化工作者，還有大學生和傳統戲曲觀眾。