Compared to Taiwanese ko-tzai-hsi troupes, which still rely for their development on private effort, after the Cultural Revolution, the mainland authorities went all out to revive traditional drama. Relevant measures, such as building opera schools, preserving rare dramatic forms, and creating new scripts, have long been the envy of people in Taiwan's ko-tzai-hsi scene.
相較於台灣歌仔戲園地仍賴民間人士努力拓荒，文革之後，大陸當局對傳統戲曲的全力救亡，相關的措施，如興建戲曲學校、保存稀有劇種、創新劇本等，都為我們戲曲界人士一再引喻稱道。