Hence the goal of Chinese art is not sensory stimulation for its own sake, but rather to use the minimum possible sensory stimulation to induce a more sublime state of mind and uplift the spirit. "The white space is not nothingness, but greater potential," says Chiang.
因此，在中國藝術中，感官本身的刺激並非藝術追求的目標，而是通過最少的感官刺激，通向心境的昇華與飛揚，「空白不是沒有，是更大的可能。」