In Taipei in the 1990s, there is a worker in ethnomusicology who cherishes the ambition of searching out canonical audio recordings of the flights of imagination and magnificent sounds of 5000 years over a vast expanse of territory. He has made every effort to explicate the aesthetic qualities of Chinese music. He can be called the "one who knows the music," "a modern connoisseur of Chinese classical music."
九○年代台北，有一位民族音樂工作者，他企圖以「上下五千年、縱橫十萬裡」的胸襟與氣度，找到傳統音樂的經典錄音，為闡述中國音樂的美學特質盡一份心力，堪稱為「中國古典音樂的現代知音」。