Law says that from a young age all Hong Kongers learned that they were living in a borrowed place on borrowed time. Her childhood friends would all go abroad to study. Yet Hong Kong movies weren't acknowledging this problem. Since movies were regarded merely as entertainment, studio bosses weren't willing to invest in films on these sort of topics, for they didn't think that audiences would come to see them.
在英國留學的三年，才體驗自己既不是中國人，也不是英國人，」羅卓瑤說，香港人從小就知道這裡是借來的時間、借來的地方，身旁人長大都要去國外留學，但香港電影卻不願面對這個問題，因為電影就是娛樂，老闆也不太願意投資這種題材，認為觀眾不會來。