In his works, besides venturing into territory where Eastern culture would rather not set foot, Hu also turns his back on the "in with the good luck, out with the bad" thinking that has underlain jadeite art for hundreds of years.
作品中，他除了挑戰東方社會所不願觸碰的生死議題外，也跳脫翡翠數百年來作為「趨吉避凶」吉祥物的傳統窠臼。