Tseng Ya-liang notes that Dong's cinematic style has been greatly influenced by prevailing trends in the Taiwanese movie industry during the 1990s, when he was developing as a filmmaker. Dong uses a lot of empty scenes, for example, in which no people appear. His work is also characterized by slow pacing and a subdued atmosphere.
曾亞蘭指出，董振良的影像深受民國八十年代他崛起時的台灣電影風格影響，大量使用空鏡頭，調子緩慢、沉穩。