You can see how firmly the audience was in her grasp, "Pai wrote afterwards in a collection of critical essays about Wandering in the Garden." The lights were off except for a spotlight on her, and she had the audience where she wanted them: under her spell--entranced by her voice and riveted to every movement of her face and hands. "
白先勇事後在「遊園驚夢」的評論集中這麼形容盧燕：「所有的燈都息了，只有一盞孤燈照著她一個人站在那兒，要把觀眾整個抓住，完全聽她的聲音，看她的表情與手勢」。