In formulating commentary on events in South Africa, for example, it is necessary to understand the development of race relations there over many years. "It is not possible to pick up a pen and draw after looking at just one sudden event," he says. So a great deal of lead-up work is behind each and every cartoon.
例如畫南非事件，他必須對多年來南非種族歧視，黑白人之間的抗爭有所瞭解，「不能，也無法單看突發事件就下筆」，他說，每一幅畫背後都要下番功夫。