Feng Yi-kang recalls, "One time, I was on the stage with Li Li-chun performing 'That Night, We Laughed' and all of a sudden I had a moment of enlightenment. I realized that it wasn't important to worry whether comic dialogues live or die. So, I shed off my old mentality, and the space for performance was unintentionally widened.
「有一次我和李立群在台上表演『那一夜』，猛一下我突然開竅，覺得去追究相聲是活著還是死著並不重要，就把心情放下，表演空間反而大開。