Taiwan's "new cinema," which has earned international recognition over the past five years, has never been a planned movement with a conscious aesthetic program.
「新電影」在近五年來蔚為風潮，對國片造成不小的衝擊。就電影創作者或電影工業者而言，它並不是一個有意識、有規劃、有一套預設美學觀的運動。