With box-office receipts exceeding NT $ 8 million, they achieved big bang for the buck. In 2006 that model was successfully used by the same team with Catch, and by other filmmakers for the ghost flick The Heirloom and the gay film Eternal Summer, which were also released that year.
這種目標清楚的製片行銷模式，又讓她們趁勝追擊，2006 年製作《國士無雙》，加上同年推出的鬼片《宅變》、同志片《盛夏光年》等，都是重視「製片人思維」的成功例子。