Of course, Taiwan's workers in little theater are still in their twenties; they aren't masters of their craft steeped in theory turning out Brechtian masterpieces; and they aren't always adept at making the best use of gestures, props, and surroundings.
當然，國內的小劇場工作者都只是廿來歲的年輕人，他們不是「大師」，沒有嚴密的劇場理論，編寫不出「布萊希特式」引人入勝的情節，也不知如何善用肢體、道具或是環境。