As a result, suggests Hsiao, both the animal, plant, and insect glass handicrafts made in Hsinchu as well as the "Chinese glass" made by Newworkshop and Grand Crystal both are part of the gratifying development of glass subject matter in Taiwan, and both "have the opportunity" to become works of art.
因此，在蕭瓊瑞眼中，無論是新竹以臨摹動植物、昆蟲為主的玻璃工藝或琉璃工房、琉園以中國風格為素材的中國玻璃，都代表台灣玻璃素材一種可喜的「出發」，也都有「機會」成為藝術品。