During the height of the "Great Cultural Revolution", cartoonists supporting the Gang of Four managed to picture 'the Chinese' as an angry, wild-eyed fanatical Proletariat with rolled-up sleeves, stamping out imperialists, revisionists, reactionaries, and rightists. The theme was carried on in all of Peking's international propaganda as well as their internal campaigns.
在「文化大革命」的高潮時期，支持四人幫的漫畫家將「中國人」畫成眼睛噴火、卷著袖、憤怒、狂熱的無產階級，亟於消滅帝國、修正、反動及保守主義者，這種形象也出現在北京所有的國際宣傳和內部鬥爭上。