He set out to make not only the plaza in front of the museum and the walls and windows of the place into spaces for the creation and promotion of art, but also to make the underground mall connected to Zhongshan Metro Station into a kind of supplementary gallery.
成了石瑞仁接手後的頭號目標，除了門外廣場和館牆上的 67 扇窗格被延伸為藝術發聲／發生的空間外，鄰近的捷運中山站地下街也成了當代館意圖攻佔的據點之一。