By merely sticking to the differences between cultures, or even attempting some sort of transcendental level, drama cannot probe to the heart, and one is left with little more than form.
如果僅僅執著於文化表象的異同，而沒能探究根源，甚至嘗試超拔到更高的人性層次，則不免掉入形式的陷阱，況且一個民族的特質已經烙印在個人的平日言行中了。