In this way, he realized that the difficult situation of Chinese music, which made it unable to influence present society, was just due to the fact that ordinary people did not understand it, and just did not have a "canon" of recordings that they could depend on every day.
他因此體會，中國音樂的處境維艱，以及未能作用於當代生命，不就因為一般人太不瞭解它，沒有日日可依歸的「經典」錄音嗎？