Wilson's roots are in the anti-realist school of Western theater; he eschews the artifices that realist theater emphasizes most, such as language, dialogue, and story line.
威爾森導演從現代西方劇場「反寫實」脈絡出發，寫實劇場裡著重的語言、對白、情節故事，都不是他著重的主題。