In searching for Eastern subject material, he soon realized that his training was thoroughly grounded in European technique and thought processes-tearing himself away from it would require revising his entire aesthetic framework and perception.
最後他決定堅持自己的藝術追求，但要尋找屬於東方的題材時，又發現以前所學的技法都深植於西方的藝術土壤中，難以抽離運用，連美學思維都面臨了全盤重整的考驗。