Su Shiyong, who was recruited from the mainland to teach at the Koc Hong Cultural Association, says: "Things have really gone downhill in the last ten years." When she arrived in early 1987, there were still ten performing musicians in the association, "but now there are only two left: one is me and the other is a Chinese-Filipino dongxiao player."
「這十年來衰退的更厲害」，自大陸應聘前來國風社任教的蘇詩詠表示，她在八七年初到菲律賓時，社團內還有十多個腳，「現在就剩兩個腳，一個是我，一個是中菲混血的洞簫手。」