The girl and the boy sitting on motorbikes and combing their hair in the rearview mirrors recall what it was like to be a teenager on Taiwan in the sixties, when it seemed as though a motorbike and a comb were enough to get a young person through adolescence.
像「婚禮」（一九七一年）、「有志一同」（一九六八年）兩幅作品，周鑫泉用「偷拍」的方式，眼到心到，當「機」立斷。利用摩托車後視鏡梳髮的這對男女，舉止打扮令我們憶起六○年代台灣的社會青年，似乎一輛機車、一把梳子就可以遊渡幾回逍遙的青春旅程。