"On the Way Home," taken from behind and above, adopts a viewpoint that is cool, calm, and observant. The two spots of light shining on the pavement, which look like strange beacons pointing the way, add an eerie, imaginative touch.
「歸途」（一九七四年）則顯現了冷靜觀測的視點。攝影者的俯攝跟拍，產生一種謎意，逆光產生的兩點光暈彷彿是引導歸途的異形標記，增加了想像的奇趣。