The river in the painting meanders, while the woman in the photo fishes at a man-made, geometrically even fish pond. Lush vegetation grows in profusion along the river bank, expressing the dominance of nature, while in contrast, an automatic food sprayer in the pond clearly testifies to man's mechanical manipulation of nature.
五百多年的時空間隔，使得蓑衣老翁、便裝漁婦，曲折的江岸、整齊的塘埂，岸汀蔓草枯石與塘中水車，… … 都相映成趣。