Amid an information explosion, in an environment where commercial power is dominant, most domestic festivals aren't Hollywood oriented. By turning to festivals, the domestic film industry is pursuing a new distribution channel and thus attempting to save itself. Even more importantly, these festivals are testimony to Taiwan's inexhaustible creativity.
處於資訊爆炸、商業力量主導的電影環境下，國內的電影節大多「不隨好萊塢起舞」；而國片靠著影展包裝，另闢發聲管道，只能說是自力救濟，改搭影展列車更重要的意義還在宣示台灣源源不斷的創作力。