Actors, on the other hand, try to recall their deepest and most painful memories to give their acting more life and dramatic power. The aim of these two methods is identical, to allow the performer to do his or her best.
但在劇場中，卻有一種完全相反的方法，要求演員想像自己最深沉、最痛苦、最不愉快的經驗，從這兒去面對自己、打開心結，藉此使演員的表現更活；編導者也由此找到創作題材。