Sadly, as Kuo says today, "The works in the 1996 show with the greatest visual impact were in fact just sound and fury, signifying nothing. They did nothing to express my genuine inner world, and merely revealed my own emptiness and inadequacy.
「展場上那些視覺感官強烈的圖像、材質，其實是一種虛張聲勢，無法真誠地表現內在的心靈意涵，反倒透露出自己的空泛與貧乏。