Calmness in adversity After the retrocession of Taiwan, the Tataocheng neighborhood lost its status as a center of art and culture that it held during the Japanese era. This fact, combined with Yang's sense that he was getting on in years, prompted him to move back to his old family home in Yungho, where he built himself a studio.
台灣光復後，大稻埕已經失去日據時代藝文蒼萃的中心地位，加上有感於年歲漸大，楊三郎於是搬回到永和的故居，並於此加蓋畫室。