The decline of the local film industry has driven other artists of his generation into other fields far removed from film. Where does Yang, who has been involved with Taiwanese film for nearly 20 years, find the strength to keep going?
當同時出道的創作者，因電影低迷而紛紛遠離創作行列時，在台灣影壇近二十年的楊德昌，靠著什麼力量堅持下去？