From the works of the Japanese photographer Domon Ken, Huang learned to face squarely the pressing imperatives of real life, without embellishment or decoration.
從日本攝影家土門拳的作品裡，黃伯驥學得了正視現實角落的迫切之情，捕捉生活本質的原貌，不予刻意的美化或修飾。