After three years 'work, Kung came to the realization that some kind of "escape route" needs to be left in any mold, so that once the melon has fully grown into the mold, it can carry on growing out through that hole, leaving both artist and nature satisfied. Breaking new ground Kung's decorative carving technique is the result of years of research into various complementary forms.
經過三年的研究，龔一舫發現必須為生命留一個「出口」，模型內長滿後，要讓剩餘的瓜體從缺口長出來，才能達到自然與藝術「雙贏」。