As someone had once described some of the first Chinese artists in Soho, "the studios seemed like junkyards, and nobody could tell tools from materials from finished works.
好像那兒都能坐，也那兒都不能坐。驀地想起另一位藝術家形容早年蘇荷中國人串門子的情形﹘ ﹘「… … 畫室像破爛的舊貨攤，誰也辨不清那些是工具、那些是材料、那些是完成的作品。