In terms of system, directing in Taiwan is still not very widespread, with performers practicing individually and sorting things out when they get on stage. Dramatists also only write when the national opera competition comes around each year, and then usually within a didactic framework of filial piety and loyalty, which means they cannot use all their energy to develop.
從制度上看，導演制度在台灣還不普及，演員往往各演各的戲，上了台再整合；編劇也只在每年國劇競賽時發揮作用，又往往受製於教忠教孝的框架，不能全力施展。