They neither made dull and painstaking objective facsimiles of the natural world, nor showered their work with their own subjective feelings. Cun and dian brushwork, which were born out of naturalism, would--after Fan Kuan's day--be employed in works that were more and more subjective and abstract.
在范寬的時代，人與自然不即不離，既非客觀呆板地刻畫物質世界，也不是主觀感性的投射。