In time, however, he found such methods did not satisfy his creative spirit. Once again he left Taipei for Taichung to ponder the essence of photography, and a drastic change in direction resulted.
他在海邊拍裸裎的女體，玩弄各種花招，大大地滿足了個人的創作欲，可是他很快就厭倦了這種新奇、刺激的玩意，有一度甚至對自己失望地回到台中，重新思考攝影的本質，以及對他的意義。不久便是一百八十度的大轉變。