For example, The Night We Became Xiangsheng Comedians was conceived to be performable anywhere, at any type of venue. And all of the stage sets for Secret Love for the Peach Blossom Spring are handled by the performers themselves, obviating the need to take a stage crew with them everywhere they go in the world.
《那一夜，我們說相聲》，無論到哪裡、任何場地都可以演出；《暗戀桃花源》，所有道具都是演員自己搬的… …，到世界巡迴不需要帶很多工作人員，這些都是在台灣劇場環境的限制下，想出來的變通方法和創意。