"Playwrights had always been the 'soul' of these works," he says. "It wasn't until the 1960s with the theory of the 'auteur' that directors and actors became more prominent."
「劇作家一直都是『靈魂』，導演或演員的位置大於編劇，是一九六○年代作者論出現以後的事」，黃建業說。