Unlike the stark contrast between good and evil characters in traditional Peking Opera, Wei gives a subtly nuanced interpretation of Lady Aoshu as a person with many different facets.
有別於傳統京劇典型人物的忠奸不二、善惡分明絕對化，魏海敏詮釋敖叔征夫人時，採用多面的描寫人物法。