It was this feeling that enabled his works to escape the contrived planning, imitative construction, and formalistic cliches of the salon schools and find fruition in a faithfulness to life itself.
這樣的情感，至少使他的作品脫離刻意設計、模擬的沙龍構圖或形式主義的框框，而較落實在生命本位的感觸上。