The style made its initial appearance in Peking and Nanking in the 1940s, and early on earned the description, "Matching a Western suit with a skullcap." Examples abound in Taipei, and the young architect believes he and his colleagues should be using both the traditional spirit and form in trying to create an architecture fit for the modern age.
他表示，有心的建築師早就企圖尋找一種真正在形式上、精神上，都能兼具傳統特質與時代創意的「現代中國建築」。