Yeh and Li marketed the film overseas as a story about keeping a child-ghost, which piqued distributors 'curiosity and enabled them to sell the film's foreign rights even before it was completed. Producer as driving force
而以「養小鬼」作為海外行銷宣傳點，更讓國外片商好奇不已，影片在尚未完成前便已陸續賣出海外版權。