It's more about redefining Peking opera and readjusting the guidelines for national cultural development, "says National Institute of the Arts teacher Wen Chiu-chu, who just completed research on" Taiwanese Peking opera. "The three military opera troupes used to be cultural products forcibly cultivated by the government. They used up quite a lot of national resources, and under excessive protection they lost their ability to be innovative and different.
「這不只是有關兩百人生計、歸屬的接管問題，更是京劇定位，國家文化發展方針的重新調整」，剛完成《台灣平劇發展之研究》一書的國立藝術學院老師溫秋菊表示，軍中劇隊原是政府強制培植的文化產物，動用不少國家資源，卻也在過度保護中喪失求新求變的能力。