And the play's leaping about in time and space, with its nonchalant yet affectionate attachment to Chinese culture, was "profound and mysterious" to Singaporeans, who "have no cultural or ancestral baggage and only care about living in the here and now."
而劇中虛虛實實的時空跳接，瀟灑又纏綿的文化情思，對於自比「沒有地窖，也沒有祖父，只管老老實實地長期生活在現在和這裡」的新加坡人來說，是「異常之玄」，帶來相當大的衝擊。