But it was "the high point of my young life." In the company he mingled with the less reputable side of society in Taiwan: prostitutes, fallen young girls, bodyguards, cops, and gangsters. These all became grist for his song-writing mill later on.
歌舞團裡他接觸到台灣底層社會的形形色色，角頭兄弟、風塵女郎，天真女孩與保鏢、警察與流氓，日後全成了他的創作來源。