Leaving behind the closed and self-sufficient military system, and also the special status with the authorities, can Kuo-kuang walk into open society, continue to develop on this soil, unfold benevolent competition with the Fu-Hsing Theater and open up a new road for Peking opera?
離開軍中封閉自足的體系，以及以往執政者的特殊關愛，國光能不能、又要如何，走到社會的檯面上，繼續在這塊土壤上發展？國光要如何避免重蹈三軍的覆轍，並與復興劇團展開良性競爭，為京劇開出一條新路？