Given the many restrictions that cultural undertakings on the mainland are still officially subject to, what sort of adjustments have had to be made to slip Taiwanese culture in past the censors?
在還未開放的文化事業裡深耕，得要如何變形化身？而台灣文化人進入大陸，仗著哪些優勢，又有著什麼樣的人文情懷與關照？