The figures that appear in "A Man and a Net," "Seen on a Mountain Road," and "Leisurely Chat," set off against the grainy atmosphere of pictures taken into the light, all exude a discrete individual existence.
「網中人」（一九六八年）、「山路所見」（一九六七年），「閒談」（一九六五年）中出現的人，主掌了畫面的人氣與韻律感，他們在逆光的粗粒氛圍襯托下，與環境時空緊緊相扣，又散發著個體存在的精神樣貌。