Curiously, the "native soil" appeal of Taiwanese poetry seems to be at odds with the classical form of the 10-line poem. How did Xiang Yang manage to combine these elements?
令人感到好奇的是，台語詩的鄉土訴求與十行詩的格律傳統，看似南轅北轍，向陽如何能同時經營並各自成一格？