In contrast, Taiwanese cinema has faltered even as society has gotten more wealthy, as shown in the article this month on the Taiwan director Li Hsing, whose career peaked at the same as time as the commercial popularity of Taiwan-made films back in the 1970s. In the last three years, Taiwan has produced less than 30 films. It can neither halt nor copy the Hollywood juggernaut.
相對的，我們曾經風光一時的電影工業（見本期「鐵漢柔情：李行為了電影愛一生」）卻在社會越來越繁榮時逐漸沒落，三年來國片年產量連三十部都不到，好萊塢的魅力我們無法抵擋，好萊塢的機制我們也無力學習，那麼台灣電影該怎麼辦呢？