Losing confidence in himself, Kuo began to "installation-ify" his two-dimensional paintings, surrounding works with comics, film, betel-nut stands, and other elements of contemporary mass culture, as well as using media like flashing lights or glitter.
在缺乏自信下，郭維國大量將平面畫作「裝置化」，在畫面周圍加上漫畫、電影、檳榔攤等各種流行文化元素，和各種亮片燈管等閃亮的媒材。