The 1990s were a decade of great political, social, and economic change in Taiwan. Against this backdrop contemporary Taiwanese artists were active participants in the global fashion for installation art, integrating an essentially Western conceptual skeleton with an indigenous or local skin.
一九九○年代是台灣政治、社會、經濟等各個面向皆蓬勃躍進的時期，如此氛圍下，台灣當代藝術家搭上了全球化的浪潮，以西方概念為骨，本土體驗為肉，在裝置藝術類型上大鳴大放。