Consequently, those for hems, hats, shoes, stomachers, and pockets are rather flat and static, while those for the body as a whole have more movement and three-dimensionality, allowing the viewer to have the satisfaction of appreciating a complete form.
但就人物整體的服飾而言，通常配合人體的立體姿勢、動作，而形成獨自完整的畫面，所以觀者從服飾的某一部分，仍能有欣賞某一完整造形的滿足。