The appearance of installation art originally was imbued with the anti-institutional, anti-commercial character of people on the margins of society. "I am very much content with my status as an outsider, for being outside gives me great vitality," says Huang Wen-hao, who has been making installations for nearly ten years now.
裝置的出現原本有反機構、反商業的邊緣人性格，「我很認份，對於這種創作野台戲的身分，野台有野台的生命力嘛」，近十年以裝置為創作手法的黃文浩表示。