"In those days, I always felt it necessary to describe all the tragic images that had accumulated since childhood, not realizing that this wasn't an escape from sorrow but rather its seed," he says.
「那時總覺得必須將腦海裡自幼累積的悲慘影像傳達出來，誰知道，這竟不是一個解脫，而是一個悲慘的起點。」