"By making the customer king, the dancedrum part just can't be seen at all anymore; it would be more appropriate to call this 'miscellaneous tricks,'" says T'sai Hsin-hsin, whose master's thesis covered this topic, with a touch of regret for the immoderate changes that artists have undergone.
「如此本末倒置、反客為主的表演，根本看不出是跳鼓，改叫雜耍還來得妥貼一些」，以「台灣區現存雜技考述」為碩士論文題目的中華民俗藝術基金會秘書蔡欣欣相當惋惜藝人的過度改變。