He began employing photographic effects, for example depicting a crowd of passersby on a New York street as a speeding blur. His work now became populated with "floating people" of this kind, although in spirit they were still the fuzzy people of his earlier period.
利用相機慢速快門的技巧原理，夏陽讓熙來攘往的人群模糊，飄倏地穿過極端寫實的紐約市街裡，這樣的「飄飄人」依然還是毛毛人的老靈魂。