In these works, the painter-as-model is inserted into surrealist fantasized settings, showing vastly different facial expressions and bodily postures, the eyes ranging from somber to sarcastic. In one the figure is seated, almost completely nude, on a wooden horse, in another hidden in a riot of vines. Yet another consists of a torn "photograph" of the painter's face leaning against a withered tree.
「暴喜圖」裡一張張以自己為模特兒的自畫像，置身於一個個超現實的虛幻情境中，表情、姿勢迥異，眼神或嚴肅或嘲笑，有時是近乎全裸地倚在木馬上或隱身雜亂的藤蔓間；有時則是將臉部撕碎的相片掛在枯枝上。