As his career develops, he is able to accept that he does not resemble an "artist," and relies on his intelligence and ability to win over audiences.
他告訴我，唱歌光靠興趣並不夠，一定要培養與歌唱有關的各方面才藝，才能讓觀眾接受。」爾後凌峰到南部演唱一段期間，民國五十八年出國至香港表演。在港期間，凌峰結識了王生善、李曼瑰等劇作家，遂跟著學習編劇，打下了日後能編能寫的基礎。