"In fact, what is important is that you can get the drama, and satisfy the requirements of the plot, being neither 'fiery' nor 'tepid,'" says Shanghai's Tien Shih-lin.
「其實過猶不及，能不能入戲，合不合情節需要，作到不慍不火，才是重點」，出身山東省立劇院，「中國戲劇的理解與鑑賞」一書作者田士林說。