Thereafter he again returned to the Peking Opera Academy to write scripts and train voices, but the once world conquering Li Shao-chun had become very restrained and polite, so that others would see him as a modest old man.
後來他再回京劇院編劇、練唱腔，但總被再三退改，不斷參加檢討會。原本傲視闊步的李少春，成了無時不拱著手，只為了讓人感到謙虛的老頭兒。