Chang Hsiao-hung uses the example of current popular songs to note that when male singers perform love songs or reinterpret love songs associated with female singers, they show a demureness and emotional depth normally associated exclusively with women which overthrows established sexual identity.
然而，張小虹也以時下流行歌曲為例指出，男歌手在演唱情歌或重新詮釋女歌手的情歌時，往往流露出女性特有的婉約和深情；這種演唱方式打破傳統的性別認同。