"Hunt's work is representative of 19th-century watercolor still lifes," says Yang. "He transcended the limitations of the dazzling classical still life, replacing the heaviness of oils with the lighter, more carefree watercolors, and praised natural beauty like a pastoral poet."
「亨特可說是 19 世紀水彩靜物的代表人物，他超越了古典靜物華麗風格的束縛，以田園詩人的眼光來禮讚自然之美，以水彩靈巧、暢快的特質取代了油畫的厚重。」