The problem with the current pattern of glorification--in which anything labeled "native Taiwanese" can only be bathed in praise and no criticism is allowed--is that this may not be helpful to the healthy growth of Taiwanese opera over-all. In sum, is it perhaps just a brief illusion of vitality, like a year with an especially good harvest? If you can't say something nice.
這樣萬般榮寵全在一身，只要抬出本土就「只見光環、不見批評」，只怕無助於歌仔戲血肉的成長，不過是一時假相的好年冬吧？