This does not mean that she just casually employed a few token Bunun symbols, but rather that she created dynamism and meaning that placed people at the center. She deftly employed the spatial memories of traditional Bunun homes and structures for tribal gatherings, using modern methods and materials to express these memories.
她並沒有輕率地取用布農族的圖騰，而是以人在其中的動態與意義為基準，巧妙地將傳統布農家屋與聚會所的空間記憶，用現代化且與環境搭配的手法、材質一一呈現出來。