Other exponents of Pu Tai Hsi have adopted modern music, stories and language and movable stages, not to mention spotlights and microphones. One of the most obvious differences today is in the puppets.
直到現在，他還是堅持要用老彩樓、八吋小型木偶，樂師現場配樂，念著文謅謅的台詞，演些歷史演義的「古輩出」（台語，指老戲）。