What one sees is what is left after the violence, circles of shards amid the silence. With Tsong Pu's exquisite and mature installation technique, the small and large pottery shards arranged in their disordered way create a rhythm between strong and weak and rising and falling that is similar to what is found in poetry.
能見到的只是暴力過後，悄然無聲、規律網狀輻射排列的碎片殘留。在莊普一向精熟的裝置手法處理下，大大小小的花盆碎片不規則地產生強弱起伏、詩文般的節奏。