"The fact that no one is interested in doing criticism indicates that the literary criticism market thinks that these works don't mean much to modern Taiwan," Ng says pessimistically.
「無人做論意味著文學言論市場並不以為他們的作品對今日的台灣有多大的意義，了不起只是作為一種文化上的點綴」，他悲觀地說。