Set alongside the 1948 photograph "Shalun Beach at Tamsui," one catches a sense of the vicissitudes of people and things and the oneness of life and death.
這張好照片與張才在民國卅七年所拍攝的「淡水沙崙海濱」相排並列，更給人一種「生死一線」、「人物滄桑」之嘆。