Although currently Kuo-kuang is fully subsidized (and consequently widely envied), how will it walk into society and compete with the ever-growing wave of Taiwanization, as well as the spectacular new media and the mainland troupes which frequently come visiting? How will it win the recognition of theatergoers?
目前她雖然享有令人豔羨的全額補助，但要如何走入社會，與日益浩大的本土化風潮、五花八門的新興媒體，以及頻頻「叩關」的大陸團體一起競爭，贏得觀眾的口碑？