When confronted with a work like this, in which Wu Tien-chang uses tricks not to be found in the photographic rule-books, audiences long used to appreciating reportage-style photographs, and even experienced photographers, are not sure what to make of this "new baby."
吳天章這樣不按攝影章法出招的作品，對長期觀賞報導攝影的觀眾，甚至資深的攝影者，都會不知如何去看待這類新生兒。