Hong Kong director Stanley Kuan observes that in the last several of his films, Doyle has played eclectically with wide-angle lenses, hand-held photography, racking focus, and so on.
和杜可風合作《紅玫瑰白玫瑰》的香港導演關錦鵬認為，不管廣角鏡頭、手持攝影、或者變焦鏡頭等形式組合，杜可風在前幾部電影都玩遍了。