"Performer" and "Highwire Artist" focus on traveling entertainers. The worn-out costume and abstracted gaze of the player dressed as "Granddad Carries Grandma" reveal the hardships and vicissitudes of life on the road.
「戲子」（一九六八年）與「藝閣」（一九六一年）則將焦點放在遊行藝人身上，男扮女裝的「公背婆」，在這兒清楚地呈現了人物的個性，遠超過民情俗藝的說明，他（她）垂老的妝飾面容與迷惘的眼神，提示了行走江湖的奔波滄桑。