This was the observation of Tsai Hsin-hsin, executive director of the Liao Chiung-chih Taiwanese Opera Foundation. According to Tsai, mainland Chinese actors alternate between falsetto and their natural register. They incorporate various techniques from Peking Opera and Western opera. The mainland Chinese vocal and acting styles are very standardized.
陌生的是兩岸的唱腔、表演風格不同，」廖瓊枝歌仔戲文教基金會執行長蔡欣欣指出，大陸演員的唱腔多以真假嗓交互運用，音域高低錯落，還揉合了京劇、歌劇的演唱技巧，唱腔與表演都十分規範化。