Make It On My Own
Larry Flick from "Billboard" wrote, "After a healthy run on import, British lass is poised to duplicate the success of her now-classic hit "Where Love Lives". String-lined remixes give the R&B/house tune a light and airy vibe. And how 'bout those vocals! They evoke images of a young Dionne Warwick. Brilliant." Pan-European magazine "Music & Media" noted, "The recipe for good '70s soul used by the likes of Gloria Gaynor and Sister Sledge proves to work as well in our time, the main differences being more beats per minute and less bass." Andy Beevers from "Music Week" stated that Limerick "returns to what she does best. This is an extremely catchy soulful song with dancefloor friendly mixes courtesy of Steve Anderson and Tony Humphries." James Hamilton from the magazine's "RM" Dance Update deemed it "incredibly catchy attractive yet forceful". Upon the release of the 1996 Dancing Divaz remix, a reviewer from "Music Week" rated it four out of five, commenting, "Despite her breathtaking voice, soul diva status has eluded Limerick, but the reworked anthem sounds fresh and should succeed." Also Daisy & Havoc from the magazine's "RM" Dance Update gave the new remix four out of five. A music video was produced to promote the single, featuring Limerick performing with musicians in a dance restaurant after closing time. It was later published on YouTube in December 2012. The 1996 Dancing Divaz version was published in November 2012. "Make It On My Own" was covered by Yōko Oginome as her 37th single and first maxi-single, released on 21 August 1997 by Victor Entertainment. Produced by Shinichi Osawa of Mondo Grosso, the single and album extended mix were recorded in Japanese while the English version was recorded as the "Original Mix" and other remixes. All songs are composed by Steve Anderson, Junior Giscombe, Alan Glass, Alison Limerick, and Robbie Taylor, except where indicated; all music is arranged by Shinichi Osawa.
Critical reception
In 1996, the song was remixed by house music producers Dancing Divaz and this version peaked at number 30 in the UK.