Saw (2004 film)
Photographer Adam Stanheight awakens in a dilapidated bathtub, with his ankle chained to a pipe. Across the room is oncologist Dr. Lawrence Gordon, also chained, and between them is the corpse of an apparent suicide victim holding a revolver and a microcassette recorder. Both men find a tape in their pockets, and Adam retrieves the recorder. Adam's tape urges him to survive, while Gordon's tells him to kill Adam by six o'clock or his wife Alison and daughter Diana will be killed. Adam finds a bag containing two hacksaws inside the toilet which they try to use to cut through their chains, but Adam's saw breaks. Gordon realizes the saws are meant for their feet, and identifies their captor as the Jigsaw Killer—a serial killer testing his victims' will to survive through murderous contraptions referred to as "games", whom Gordon knows of because he was once a suspect. Five months prior, Gordon, while discussing the terminal brain cancer of patient John Kramer, was interrogated by Detectives David Tapp and Steven Sing, who found his penlight at the scene of one of Jigsaw's games. Gordon's alibi cleared him, but he agreed to view the testimony of heroin addict Amanda Young, the only known survivor of one of Jigsaw's traps. After Gordon's release, Tapp and Sing found Jigsaw's warehouse using the videotape from Amanda's game. There, they apprehended Jigsaw and saved a man from a trap, but Jigsaw escaped after Sing triggered a shotgun trap in the hallway that killed him. In the present, Alison and Diana are held captive at their apartment as their captor watches Adam and Gordon through a hidden camera. The house is simultaneously watched by Tapp who, after being discharged from the police following Sing's death, has become obsessed with the Jigsaw case, and is convinced that Gordon is the killer. Meanwhile, Gordon finds a box containing two cigarettes, a lighter, and a one-way cellphone. He recounts his abduction in a parking garage by a pig-masked figure. Adam recalls his own abduction when he returned home to find a puppet in his darkroom, where he stored photos of Gordon.
Alison, held at gunpoint, calls her husband and warns him not to believe Adam. Adam admits to Gordon that he was paid by Tapp to spy on him, and reveals his knowledge of Gordon's affair with one of his medical students whom he had visited the night he was abducted; Gordon deduces the affair is the reason he is being tested. Adam finds a photo of Alison and Diana's captor whom Gordon identifies as Zep Hindle, an orderly at his hospital. Once the clock strikes six, Zep, seeing that Gordon has still not managed to kill Adam, moves to murder Alison and Diana, but the former frees herself and fights him. The struggle attracts Tapp's attention, and he saves Alison and Diana before chasing Zep to the sewers, where he is shot in the chest after a brief fight. Gordon, only aware of the gunshots and screaming, is shocked and loses reach of the cellphone. In desperation, he saws off his foot and shoots Adam with the corpse's revolver. Zep enters the bathroom to kill Gordon but Adam, having survived the gunshot, bludgeons him to death with a toilet tank lid. Gordon crawls out of the bathroom to find help while Adam searches Zep's body for a key. He finds another tape, revealing that Zep was just another victim of Jigsaw following rules to obtain an antidote for a slow-acting poison he was given. As the tape ends, the corpse in the room rises and is revealed to be John Kramer, the real Jigsaw Killer. He tells Adam that the key to his ankle chain was in the bathtub and went down the drain when Adam had first awoken. Horrified, Adam attempts to shoot John with Zep's gun, but John electrically shocks him through his chain and exits the bathroom before sealing the door, leaving a screaming and helpless Adam to die. Additionally, producer Oren Koules appears as Donnie Greco in an uncredited role. After finishing film school, Australian director James Wan and Australian writer Leigh Whannell wanted to write and fund a film. The inspiration that they needed came after watching the low-budget independent film "The Blair Witch Project". Another film that inspired them to finance the film themselves was Darren Aronofsky's "Pi". The two thought the cheapest script to shoot would involve two actors in one room. Whannell said, "So I actually think the restrictions we had on our bank accounts at the time, the fact that we wanted to keep the film contained, helped us come up with the ideas in the film." One idea was to have the entire film set with two actors stuck in an elevator and being shot in the point of view of security cameras. Wan pitched the idea to Whannell of two men chained to opposite sides of a bathroom with a dead body in the middle of the floor and they are trying to figure out why and how they are there. By the end of the film they realize the person lying on the floor is not dead and he is the reason they are locked in the room. Whannell initially did not give Wan the reaction he was looking for. He said, "I'll never forget that day. I remember hanging up the phone and started just going over it in my head, and without any sort of long period of pondering, I opened my diary that I had at the time and wrote the word 'Saw'." Before instantaneously writing the word "Saw" in a blood-red, dripping font, the two had not come up with a title. "It was one of those moments that made me aware that some things just really are meant to be. Some things are just waiting there to be discovered", Whannell said. The character of Jigsaw did not come until months later, when Whannell was working at a job he was unhappy with and began having migraines. Convinced it was a brain tumor, he went to a neurologist to have an MRI and while sitting nervously in the waiting room he thought, "What if you were given the news that you had a tumor and you were going to die soon? How would you react to that?" He imagined the character Jigsaw having been given one or two years to live and combined that with the idea of Jigsaw putting others in a literal version of the situation, but only giving them a few minutes to choose their fate. Wan did not intend to make a "torture porn" film as the script only had one short segment of torture. He said the film "played out like a mystery thriller". It was not until the sequels that the plot focused more on torture scenes. Whannell and Wan initially had $30,000 to spend on the film, but as the script developed it was clear that more funds would be needed. The script was optioned by a producer in Sydney for a year but the deal eventually fell through. After other failed attempts to get the script produced in Australia from 2001 to 2002, literary agent Ken Greenblat read the script and suggested they travel to Los Angeles, where their chances of finding an interested studio were greater. Wan and Whannell initially refused, due to lack of traveling funds but the pair's agent, Stacey Testro, convinced them to go. In order to help studios take interest in the script, Whannell provided A$5,000 (US$5,000) to make a seven-minute short film based on the script's jaw trap scene, which they thought would prove most effective. Whannell played David, the man wearing the reverse bear trap. Working at the Australian Broadcasting Corporation, Whannell and Wan knew cameramen who were willing to provide technical assistance for the short. Wan shot the short with a 16mm camera in over two days and transferred the footage to DVDs to ship along with the script. Whannell wanted to play the lead character in the feature film. The short helped show that Wan and Whannell were a "director-actor team" rather than just wanting to sell the script. Wan said, "Leigh and I just loved the project so much and we wanted a career in filmmaking so we stuck to our guns and said, 'Look, guys, if you want this project, we're coming on board — Leigh has to act in it and I have to direct it. "
In early 2003, while in Los Angeles and before they met with producer Gregg Hoffman, Hoffman's friend pulled him into his office and showed him the short. Hoffman said, "About two or three minutes into it, my jaw hit the floor." He quickly showed the short and script to his partners Mark Burg and Oren Koules of Evolution Entertainment. They later formed Twisted Pictures as a horror genre production label. The producers read the screenplay that night and two days later offered Wan and Whannell creative control and 25% of the net profits. Even though Wan and Whannell received "better offers" from studios like DreamWorks and Gold Circle Films, they were not willing to chance Wan's directing and Whannell acting in the lead role. In order to finance the film, Hoffman, Burg, and Koules put up a second mortgage on their Highland Avenue headquarters. "Saw" was given a production budget of between $1 million and $1.2 million. Cary Elwes was sent the short film on DVD and immediately became interested in playing Dr. Lawrence Gordon in the film. He read the script in one sitting and was drawn in by the "uniqueness and originality" of the story. Koules was Elwes' manager at the time. To prepare for his role as an oncologist, he met with a doctor at UCLA's Department of Neurosurgery. Shawnee Smith, who is not a horror fan, initially refused the role of Amanda Young, describing the script as "horrific". However, after watching the short, she agreed to the role, which was the part that Whannell portrayed in the short. Wan offhandly suggested Smith when his casting director asked who he wanted to play Amanda, as he had had a crush on Smith since his teenage years, and was surprised when his casting director secured her on the role. Similarly to Smith, Danny Glover was impressed by the short and felt attracted at the prospect of playing David Tapp.
On taking the role of Jigsaw, Tobin Bell said, "I did "Saw" because I thought it was a fascinating location for a film to be made. These guys locked in a room, to me, was fresh. I did not anticipate the ending when I read the script, so I was quite caught by surprise and it was clear to me that if the filmmakers shot the scene well, the audience would be caught by surprise as well. The film was worth doing for that moment alone". Wan primarily cast Bell because of his voice. Mike Butters was originally offered the role of Jigsaw, but declined as he felt that that role didn't have enough exciting scenes. Butters, a friend of one of the producers whom he used to play hockey with, ended up cast as Paul Leahy, the Jigsaw victim who perishes in the razor wire maze trap. With a shooting budget of $700,000, "Saw" began principal photography on at Lacy Street Production Facility in Los Angeles for 18 days. The bathroom was the only set that had to be built. There were no chairs on the set. Other sets like the police station were shot in locations where other productions had built similar sets. The bathtub scene was filmed the first day of filming, and it was once then that Whannell realized that they didn't have money left in the budget to hire a stuntman to shoot the scene, forcing him to perform the scene himself. It took six days to shoot all the scenes in the bathroom, and these were filmed chronologically to avoid continuity jumps and help the actors stay in character. To film the scenes of the two protagonists, Wan made sure most of Dr. Gordon's shots were very steady and controlled while Adam's shots were shaky and handheld to match the characters' personalities. Instead of using a camera dolly or a tripod, cinematographer David A. Armstrong shot the entire film with the camera over his shoulder. There was not time for Elwes and Whannell to rehearse their scenes together to not conflict with the schedules of Danny Glover and Michael Emerson, who were only available for a certain number of days. Glover completed his scenes in two days. According to Elwes, his dialogue averaged 12 to 16 pages a day, which he considered a great challenge. Due to the tight shooting schedule, Wan could not afford to shoot more than a couple of takes per actor. "It was a really tough struggle for me. Every day, it was me fighting to get the shots I did not get. I had high aspirations, but there's only so much you can do. I wanted to make it in a very Hitchcockian style of filmmaking, but that style of filmmaking takes time to set up and so on", Wan said about the very short shooting schedule. He said the style instead ended up being "more gritty and rough around the edges due to the lack of time and money that we had to shoot the movie with" and it ultimately became the aesthetic of the film. $400 were spent on reshoots Wan and Whannell did on their own. For the reshoots, Whannell served as a stand-in to Smith and Ken Leung in the scenes of Amanda searching for her key and of Steven Sing entering into Jigsaw's lair. In post-production, Wan found he did not have enough shots or takes to work with as he was basically shooting rehearsals. Having a lot of missing gaps in the final product, he and editor Kevin Greutert created shots to mend together during editing; such as making a shot look like a surveillance camera feed and using still photographs. "We did a lot of things to fill in gaps throughout the film. Whatever we cut to newspaper clippings and stuff like that, or we cut to surveillance cameras, or we cut to still photography within the film, which now people say, 'Wow, that's such a cool experimental style of filmmaking', we really did that out of necessity to fill in gaps we did not get during the filming", he explained. The soundtrack was mainly composed by Charlie Clouser, and took six weeks to complete. Other songs were performed by Front Line Assembly, Fear Factory, Enemy, Pitbull Daycare and Psychopomps. Megadeth's song "Die Dead Enough" was originally set to be featured in the film, but was not used for undisclosed reasons. The soundtrack was released on by Koch Records. Johnny Loftus of AllMusic gave it three out of five stars. He said that Clouser "really nails it with his creaky, clammy score" and that he "understands that "Saw" horror only works with a heady amount of camp, and he draws from industrial music in the same way". He particularly liked, "Cigarette"; "Hello, Adam"; and "F Lions Gate Films picked up "Saw" worldwide distribution rights at the Sundance Film Festival days before the film premiered on . There it played to a packed theater for three nights to a very positive reaction. It was the closing film at the Toronto International Film Festival on . Lions Gate initially planned to release the film direct-to-video, but due to the positive reaction at Sundance, they chose to release it theatrically by Halloween. It was released on in the United Kingdom, in the United States and in Australia. The film was originally rated NC-17 (No children under 17 permitted) by the Motion Picture Association of America for strong graphic violence, though after being re-edited, it was released with an R rating. Lions Gate held the inaugural "Give Til It Hurts" blood drive for the Red Cross and collected 4,249 pints of blood. On October 31, 2014, in honor of the film's 10th anniversary, "Saw" was re-released to select theaters for one week. The release earned only $650,051 in its opening weekend, and is the third lowest-grossing wide opening. At the end of its run, the release had grossed $815,324, bringing the film's overall domestic gross to $56,000,369. The theatrical version of the film was released on VHS and DVD on in the United States. After its first week, it made in DVD rentals and in VHS rentals, making it the top rental of the week. For the second week it remained as the number one DVD rental with , for a two-week total. It dropped to third place in VHS rentals with , for a two-week total. The film went on to sell more than $70 million worth of video and DVDs. A two-disc "Uncut Edition" was released on to tie in with the release of "Saw II". The short film, also entitled "Saw", was included on the DVD. The film was subsequently included in a boxed set with all six sequels entitled "Saw: The Complete Movie Collection", which was released in September 2014 for the film's tenth anniversary. The set contained the unrated editions of all seven films, though it lacked any of the special features from previous releases. "Full Disclosure Report" is a 2005 mockumentary, pseudo-documentary set in the "Saw" franchise, taking place between the events of "Saw" and "Saw II", around one year after the beginning of the Jigsaw murders, following television host Rich Skidmore as he commentates on the murders and the police work in the yet-unresolved case. Donnie Wahlberg appears as Detective Eric Matthews, prior to his appearance in "Saw II". "Saw" opened at #3 on Halloween weekend 2004 in 2,315 theaters and grossed , behind "Ray" ($20 million) and "The Grudge" ($21.8 million). According to Lions Gate's exit poll, 60% of the mostly male audience was under 25 years of age. "Saw" had also become Lions Gate's second best opening, after "Fahrenheit 9/11" (2004). On its second weekend, an additional 152 theaters were added, bringing the theater count to 2,467. It dropped to number four, making $11 million, a 39% drop from the opening weekend. "Saw" opened in the United Kingdom to in 301 theaters, grossing a total in seven weeks. In Australia, it opened in 161 theaters with and totaled out to in six weeks. In Italy, the film opened on in 267 theaters to and grossed in six weeks. "Saw" opened to 187 theaters in France on and made by the end of its four-week run. "Saw" came to gross in the United States and Canada and in other markets for a worldwide total of . At the time, it became the most profitable horror film after "Scream" (1996). On review aggregator Rotten Tomatoes, the film has an approval rating of 51% based on 188 reviews, with an average rating of 5.6/10. The site's critics consensus reads, ""Saw" ensnares audiences with a deceptively clever plot and a myriad of memorable, nasty set pieces, but its lofty ambitions are undercut by a nihilistic streak that feels more mean than profound." Metacritic gave the film a weighted average score of 46 out of 100, based on 32 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale. Dennis Harvey of "Variety" gave the film a negative review after its Sundance premiere. He called it a "crude concoction sewn together from the severed parts of prior horror/serial killer pics". He called the screenplay "convoluted", criticizing the use of "flashbacks within flashbacks" and red herrings. He described the film as being "too hyperbolic to be genuinely disturbing". Carla Meyer of the "San Francisco Chronicle" gave the film a positive review, saying the film "combined B-movie acting with a twisted mind-set and visual tricks designed to camouflage cheap effects" and that it was "terrifying at some moments and insinuatingly creepy at many others." She called the killing scenes "amazingly evocative for such a low-budget movie".
"Empire" Kim Newman gave the film four out of five stars. He said "Saw" is styled like early David Fincher films and "boasts an intricate structure — complex flashbacks-within-flashbacks explain how the characters have come to this crisis — and a satisfying mystery to go with its ghastly claustrophobia." He ended his review saying, "As good an all-out, non-camp horror movie as we've had lately." Owen Gleiberman of "Entertainment Weekly" gave the film a B minus, calling it "derivative and messy and too nonsensical for its own good." He described Jigsaw's intent as "to show you the serial killer lurking inside yourself". Gleiberman criticized Elwes' performance by saying, "[Elwes] ought to be featured in a seminar on the perils of overacting." Daniel M. Kimmel of the "Telegram & Gazette" called it "one of the most loathsome films this critic has seen in more than 20 years on the job". "The New York Times" Stephen Holden gave a mixed review, saying the film "does a better-than-average job of conveying the panic and helplessness of men terrorized by a sadist in a degrading environment, but it is still not especially scary. What sets its demon apart from run-of-the-mill movie serial killers is his impulse to humiliate and torture his victims and justify it with some twisted morality." He said the film is "seriously undermined by the half-baked, formulaic detective story in which the horror is framed." Carina Chocano of the "Los Angeles Times" also gave the film a mixed review, saying, ""Saw" is so full of twists it ends up getting snarled. For all of his flashy engineering and inventive torture scenarios, the Jigsaw Killer comes across as an amateur. Hannibal Lecter would have him for lunch." She said the film "carelessly underscores its own shaky narrative at every turn with its mid-budget hokiness". She also noted that Elwes and Whannell had trouble keeping an American accent. Another mixed review came from Roger Ebert, who gave the film 2 out of 4 stars and lamented the gimmicks and plot contrivances but nonetheless described "Saw" as "well made and acted, and does what it does about as well as it could be expected to".
"Entertainment Weekly" Owen Gleiberman compared the plot to "Seven" saying, "In a blatant imitation of "Seven", "Saw" features a lunatic sadist whose ghoulish crimes are meant, in each case, to mirror the sins of his victims. The twist here is that the psycho doesn't do the killing." Richard J. Leskosky of Champaign-Urbana's "The News-Gazette" said ""Saw" wants to be taken as another "Seven". Though it features perverse gross-out scenes and a villain with a superficially pedantic motive behind his crimes (his victims, if they survive, have learned to appreciate life more), it lacks the finesse and polish of the David Fincher film." When asked if the 1995 thriller film "Seven" was an inspiration to "Saw", Whannell said "For me as the writer, definitely. I mean, "Seven" is just a very well constructed film, and if you're writing a thriller, it can't hurt to study it. In terms of the story though, James and I never really felt "Seven" was that close to our film. I guess if you stand back, you have two detectives chasing a psychopath, who uses vile methods to teach people lessons, and those points echo "Seven". What we always liked about "Saw", though, was the fact that the story is told from the point of view of two of the psychopath's victims, instead of the police chasing after him, as you so often see. " Bloody Disgusting ranked the film tenth in its list of the Top 20 Horror Films of the Decade, with the article calling "Saw" "perhaps the most influential horror film of the decade, which kick-started a franchise. ... In light of its measly $1.2 million price tag the film's quality relative to bigger-budget horror films is striking. It also takes itself seriously, which came as a breath of fresh air following the trend of wimpy tongue-in-cheek horror that had dominated the multiplexes post-"Scream". More than anything, this twisted morality tale is a film made by horror fans, for horror fans; it's gory, it's depraved, and best of all it introduced a new horror icon in Jigsaw." "The Daily Telegraph" listed the film number 14 on their Top 100 list that defined the 2000s.
Release ; Home media
The first sequel, titled "Saw II", was released in 2005.