Dona Flor and Her Two Husbands
Vadinho (José Wilker), Flor's irresponsible husband, drops dead while dancing in a street carnival party. Only Flor (Sônia Braga) expresses remorse after his death. Flor's friends and family see Vadinho's death as a chance for Flor to find happiness after the misery brought upon her by Vadinho's spendthrift ways and near-total lack of respectability. Roughly the first half of "Dona Flor" recounts Flor's marriage with Vadinho in an extended flashback. What is made clear is that Vadinho was a great lover who admired his wife's respectability, but enjoyed protracted foreplay until she begged him to continue. Not only was he generally an inattentive husband who would rather go to the casinos and whore houses, but he beat Flor and stole the savings she made from her cooking school. Despite this, he changed a formerly inhibited girl into a wife who experienced carnal joy regularly. The second half of "Dona Flor" involves Flor's meeting the respectable but extraordinarily dull pharmacist Teodoro (Mauro Mendonça), his courtship of her, and her marriage to him. Flor's friends consider Teodoro the exact opposite of Vadinho. Teodoro belongs in superior circles within Bahia's society, dresses elegantly, and treats Flor like a lady. What Flor's friends do not know is that Teodoro is also the opposite of Vadinho in one more respect: in bed, Teodoro is as lacking as Vadinho was accomplished. Flor finds herself unfulfilled, and wishes for her late husband to return. On the anniversary of Vadinho's death, Vadinho reappears to Flor in the nude and explains that she called him to "share her bed" with him. Only Flor can see and hear the nude spirit of Vadinho, but he still manages to create chaos through his spiritual presence at casinos. She protests because she is now remarried and has pledged to be faithful to Teodoro, but after Vadinho laughs during Teodoro's pathetic attempts at love-making that night, Flor gives in and lives happily with both husbands. The last two shots depict Flor in her new marital bliss. A shot toward the end of the film shows Teodoro lying in bed next to Flor, who kisses him on the cheek. The camera then pans to the left to show Vadinho on Flor's other side and she kisses him on the cheek too. Then (presumably the next day) as a large crowd exits Sunday Mass, we see Flor linking arms with both Teodoro and Vadinho, the latter of whom is completely in the nude without shame. Flor is seen to be very content. Director Bruno Barreto said that in the sex scenes José Wilker was really uncomfortable meanwhile Sonia Braga was very at ease. "Actually as soon as I said 'cut,' an A.D. would cover her with a robe, and she would say, 'No, no, no, if you don't mind I want to stay naked, so I get used to it.' So she was very casual about it, very relaxed about it," Barreto said. The film was the most popular Brazilian film of all-time with 10.73 million admissions and was not surpassed until "Elite Squad: The Enemy Within" in 2010. It was the second most popular film in Brazil after "Jaws", which had 13 million admissions. By 1998, it became the third most successful film, with only "Jaws" and "Titanic", with 16 million admissions, ahead of it. In the United States, it was the highest-grossing Brazilian film with a gross of $3 million until the 1998 release of "Central Station" which grossed $6 million. BAFTA Film Awards
Golden Globe Awards
Gramado Film Festival
Reception
When initially released, "Dona Flor" became the most successful film in Brazilian history. Its success was only bettered 35 years later by the 2010 film "Elite Squad: The Enemy Within".