Stanley wollte damit in Barry Lyndon die berühmten Kerzenlicht-Szenen drehen. was die sehr geringe Tiefenschärfe zur Folge hatte. ###>It's an FO.7 which is two stops faster than lenses that are available even today. Of course, Stanley's intention for these lenses was to shoot the famous candlelit scenes in Barry Lyndon. That being the case, he shot with the lenses wide open, FO.7.