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L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)
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Vincent van Gogh: Vase with Carnations    Artist artist QS:P170,Q5582 Title Vase with Carnations. Object type painting  Genre floral painting  Date Summer 1886 date QS:P571,+1886-00-00T00:00:00Z/9,P4241,Q40720564 Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions height: 40 cm (15.7 in); width: 32.5 cm (12.7 in) dimensions QS:P2048,40U174728 dimensions QS:P2049,32.5U174728 Collection institution QS:P195,Q679527 Accession number VdV 30 Place of creation Paris  Notes F. Bing, Paris 9 June 1927: sale of the collection of F. Bing at Hotel Drouot, Paris, lot no. 74 21 April 1934: sale of the collection of G. & L. Bollag at an unknown auction house, Zürich Unknown date Unknown date : acquired by The Leicester Galleries, London 14 April 1938: purchased by Willem van der Vorm (1873-1957), Rotterdam, from Galerie Internationale, The Hague for NLG 3,050 1956 (?): ownership transferred to Stichting Willem van der Vorm, inv. 30 1972: lent to Museum Boijmans Van Beuningen, Rotterdam, inv. VdV 30, by Stichting Willem van der Vorm (?) References Willem van der Vorm Collection digital catalogue, as Vaas met anjers, 1886. https://www.boijmans.nl/collectie/verdieping/w-van-der-vorm RKDimages, Art-work number 53202, as Bloemstilleven: vaas met anjers, Summer 1886 date QS:P,+1886-00-00T00:00:00Z/9,P4241,Q40720564 F220: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 220 . Source/Photographer Copied from an art book
Museum Boijmans Van Beuningen
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Vincent van Gogh: Still Life: Vase with Five Sunflowers    Artist artist QS:P170,Q5582 Title English: Six Sunflowers Part of Sunflowers  Series title Sunflowers  Object type painting  Genre still life  Date 1888 date QS:P571,+1888-00-00T00:00:00Z/9 Medium oil on canvas mounted on panel, digital reconstruction Dimensions height: 69 cm (27.1 in); width: 98 cm (38.5 in) dimensions QS:P2048,69U174728 dimensions QS:P2049,98U174728 Place of creation Arles  Object history 1889 Theo van Gogh, Paris 1891 Jo Bonger, Bussum and Amsterdam Probably Bernheim jeune Art Gallery, Paris [de la Faille] 1908 Fritz Meyere-Fierz, Zurich (via C.M. van Gogh gallery, Amsterdam) £250 1920 Koyata Yamamoto, Ayisha (via Paul Vallotton gallery, Lausanne) £3,200 1945 Destroyed, Ashiya Exhibition history 1905 Amsterdam, 105 1905 Utrecht, 34 1906 Rotterdam, 32 1921 Tokyo Notes Catalogues raisonnés: F459: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 459 . JH1560 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1560. Letters. Letter 666: To Theo van Gogh. Arles, Tuesday, 21 or Wednesday, 22 August 1888. Vincent van Gogh: The Letters. Van Gogh Museum. "3 flowers, one flower that’s gone to seed and lost its petals and a bud on a royal blue background (no. 25 canvas) [n.3 Van Gogh refers to five flowers; the sixth (below centre) was added when the painting was mounted on wood and enlarged to 98 x 69 cm. ...]" Letter 668: To Theo van Gogh. Arles, Thursday, 23 or Friday, 24 August 1888. Vincent van Gogh: The Letters. Van Gogh Museum. "(One of the decorations of sunflowers on a royal blue background has a ‘halo’, that’s to say, each object is surrounded by a line of the colour complementary to the background against which it stands out) [n.7 Van Gogh may have got the concept of ‘haloing’ from Charles Blanc ...]" Destroyed by fire in 1945 (war bombing: it's thought the heavy wooden frame prevented it from being rescued in time). Image rediscovered by Martin Bailey in 2012 in a portfolio of four prints pubished in Shirakaba, Tokyo 1921, found in the archives of the Mushakoji Saneatsu Memorial Museum. See for example BBC news story. There were other images published before this and these should be retained in Commons, but the Bailey image is the best as of late 2013. References L'Œuvre de Vincent van Gogh: catalogue raisonné, F459  The New Complete Van Gogh: Fully revised and enlarged edition of the Catalogue raisonné, JH1560 http://www.vggallery.com/painting/p_0459.htm  Source/Photographer Photo by Szilas at the Van Gogh, My Dream Exhibition in Budapest, 2013 Permission (Reusing this file) Other versions
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Vincent van Gogh: The Old Tower in the Fields    Artist artist QS:P170,Q5582 Title The old tower in the field  label QS:Lnl,"Oude Toren bij Zonsondergang" label QS:Len,"The old Tower in the Fields" Object type painting  Genre landscape art  Date May 1884 (Van Gogh Museum c.f. letter 446 n.3) Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions height: 35 cm (13.7 in); width: 47 cm (18.5 in) dimensions QS:P2048,35U174728 dimensions QS:P2049,47U174728 Collection Private collection institution QS:P195,Q768717 Place of creation Nuenen  Object history Kunstzalen Oldenzeel, Rotterdam (1903-1905). Jan Smit, Alblasserdam (circa 1905); sale, Mak van Waay, Amsterdam, 10 February 1919, lot 35. M. Rutgers, The Hague; sale, Sotheby & Co., London, 9 July 1958, lot 181. W.J. Holliday, Indianapolis (acquired at the above sale). Arthur Tooth & Sons, Ltd., London. Anon. sale, Sotheby & Co., London, 10 December 1969, lot 34. Brook Street Galleries, London (by 1970). Private collection, London. Private collection, circa 1980. Anon. sale, Christie's, New York, 7 May 2014: $1,925,000 Exhibition history Rotterdam, Kunstzalen Oldenzeel, Vincent van Gogh, May 1903. Rotterdam, Kunstzalen Oldenzeel, Vincent van Gogh, 1905. The Dallas Museum for Contemporary Arts, Impressionists and their Forebears from Barbizon, March-April 1961, no. 63. Notes Catalogues raisonnés: F40: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 40 . JH507 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  507. The Old Church Tower at Nuenen is one of Vincent most iconic themes, of which F84 is the most quoted (the spire is missing in F84 as the tower was in the process of being demolished at the time, see letter 506). Letters Letter 446 to To Theo van Gogh. Nuenen, between about Monday, 12 and about Thursday, 15 May 1884. Vincent van Gogh: The Letters. Van Gogh Museum. "By the way, of late I’ve continued working hard on the large Weaver — which I mentioned to you recently — and also started a canvas of the little tower you know." Letter 452 To Theo van Gogh. Nuenen, on or about Sunday, 20 July 1884. Vincent van Gogh: The Letters. Van Gogh Museum. "And have also been working again on the old tower in the fields in the evening; I’ve made a larger study of it than my previous ones — with the wheatfields around it." References ; Naifeh, Steven; Smith, Gregory White (2011) Van Gogh: The Life, Profile Books ISBN: 978-1846680106. Source/Photographer Christie's, LotFinder: entry 5790823 (sale 2846, lot 267, New York, 7 May 2014)
Private collection
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Vincent van Gogh: Plaster Statuette of a Female Torso    Artist artist QS:P170,Q5582 Title French: Statuette de plâtre: Torse de femme, vue de face Plaster Statuette of a Female Torso title QS:P1476,fr:"Statuette de plâtre: Torse de femme, vue de face" label QS:Lfr,"Statuette de plâtre: Torse de femme, vue de face" label QS:Lpl,"Torso kobiece" label QS:Len,"Plaster Statuette of a Female Torso" Object type painting  Genre still life  Date Paris, Winter 1887 - 88 Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions height: 73 cm (28.7 in); width: 54.1 cm (21.2 in) dimensions QS:P2048,73U174728 dimensions QS:P2049,54.1U174728 Collection institution QS:P195,Q1920251 Place of creation Paris  Object history Johanna van Gogh-Bonger, Amsterdam. Galerie Paul Cassirer, Berlin (acquired from the above, June 1910) Dr. Johannes Guthmann, Berlin-Cladow (acquired from the above) Léo Lewin, Breslau Dr. G. Schweitzer, Berlin (by 1929) sale, Galerie Cassirer, Berlin, 20 October 1932, lot 126 Private collection, Paris André Weil, Paris Walter Feilchenfeldt, Zurich (acquired from the above, 1952) Richard Feigen Gallery, New York (acquired from the above, 1954) Harry Spiro, New Orleans (acquired from the above, 1965) Acquired by the last owner, 1998. Notes Catalogues raisonnés: F216: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 216 . JH1348 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1348. References vangoghgallery.com Schlesische Sammlungen Source/Photographer Christie's, LotFinder: entry 5369401 (sale 2352, lot 48, New York, 3 November 2010)
Menard Art Museum
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Vincent van Gogh: On the outskirts of Paris, near Montmartre    Artist artist QS:P170,Q5582 Title German: Am Stadtrand von Paris nahe Montmartre On the outskirts of Paris, near Montmartre title QS:P1476,de:"Am Stadtrand von Paris nahe Montmartre" label QS:Lde,"Am Stadtrand von Paris nahe Montmartre" Object type drawing  Date 1887 date QS:P571,+1887-00-00T00:00:00Z/9 Medium watercolor on paper medium QS:P186,Q22915256;P186,Q11472,P518,Q861259 Dimensions height: 39 cm (15.3 in); width: 54 cm (21.2 in) dimensions QS:P2048,39U174728 dimensions QS:P2049,54U174728 Collection institution QS:P195,Q924335 Accession number A 2236 (Stedelijk Museum Amsterdam)  References L'Œuvre de Vincent van Gogh: catalogue raisonné, F1410  The New Complete Van Gogh: Fully revised and enlarged edition of the Catalogue raisonné, JH1286 https://www.stedelijk.nl/en/collection/3890-vincent-van-gogh-een-buitenwijk-van-parijs-gezicht-vanaf-montmartre  Source/Photographer The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202. Permission (Reusing this file) [1]
Stedelijk Museum Amsterdam
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This is the mysterious so-called "Lausanne" ''Sunflowers''. It was purchased by an unidentified private collector from a New York dealer in 1996 for an undisclosed sum. The last time it was exhibited was in 1948 when the Cleveland had it for a month. Previously it had been exhibited three times for a total of just six weeks in Paris. Since the 1948 exhibition its movements have been shrouded in mystery and few people have seen it in recent years. The painting is said to be in excellent condition. This image, from Martin Bailey's 2013 book, is likely the best image available, Bailey doesn't give a picture credit.
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ru=Жанне Лафюи Трабюк, жене надзирателя из приюта для душевнобольных в Сен-Реми (Прованс), где Ван Гог проходил лечение, было 55 лет, когда она позировала художнику.
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Vincent van Gogh: Peasant of the Camargue / Portrait of Patience Escalier    Artist artist QS:P170,Q5582 Title Peasant of the Camargue label QS:Lde,"Bauer von der Camargue" label QS:Len,"Peasant of the Camargue" label QS:Lfr,"Paysan de la Camargue" label QS:Lnl,"Boer van de Camargue" Object type drawing  Date Arles August 1888 Medium brown India ink over graphite on wove paper Dimensions height: 49.4 cm (19.4 in); width: 38 cm (14.9 in) dimensions QS:P2048,49.4U174728 dimensions QS:P2049,38U174728 Collection institution QS:P195,Q809600 Accession number 1943.515 Object history Mrs. J. van Gogh-Bonger, Amsterdam. Klas Fähraeus, Lindingö-Brevik, 1911. Thorsten Laurin, Stockholm. Grenville L. Winthrop, New York, New York (acquired in Paris through Martin Birnbaum), March 1931,bequest; to the Fogg Art Museum, 1943. Credit line Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Notes Catalogues raisonnés: F1460: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 1460 . JH1549 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1549. References Harvard Art Museums vangoghgallery.com Source/Photographer 1. Bridgeman Art Library: Object 126713 2. Google Art Project
Fogg Art Museum
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European Heritage Awards Archive
The Letters Project (the letters of Vincent van Gogh 1853-1890)
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From 1994 to 2008 the Van Gogh Museum in Amsterdam and the Hugens Institute (part of the Royal Dutch Academy of Science) in The Hague conducted in-depth research on the letters of Vincent Van Gogh (1853-1890). The results of this study will be come publicly available in threefold: 1. A freely accesible website with all the 902 letters from and to Van Gogh, complete annotations and with new English, so people all over Europe and the rest of the world can benefit from it. 2. A complete illustrated and annotated book edition will be published in six volumes and three European languages (Dutch, English and French) 3. The presentation in a special exhibition at the Van Gogh Museum where about 100 letters will be on display Jury Citation: "The jury has highly appreciated the interesting project carried out by the Van Gogh Museum on the Van Gogh letters and in particular the incredible opportunity gave to the entire world of researchers and enthusiasts. Thanks to the digitalization and the free access on internet of the research, it is now possible to read the entire archive of the letters of the painter in their original version and translations. Moreover we really appreciated the possibility to see at the same time the reproduction of the original letter and their iconographic references. The projects on the World scale represents a very good example of diffusion and spreading of the immaterial European cultural heritage, contributing to the safeguard of the original autograph material" Notes: Typology: scientific publication; results of research
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Vincent van Gogh: Head of a Peasant Woman with White Cap    Artist artist QS:P170,Q5582 Title Deutsch: Kopf einer Bäuerin mit weißer Haube English: Head of a Peasant woman with white hood Object type painting  Genre portrait  Date Nuenen, March 1885 Medium Deutsch: Öl auf Holz English: Oil on wood Dimensions 41 x 31,5 cm Collection Deutsch: Kunstmuseum Bern Current location Deutsch: Bern Place of creation Nuenen  References Catalogues raisonnés: F81: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 81 . JH695 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  695. Source/Photographer Copied from an art book Permission (Reusing this file) https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Kunstmuseum Bern
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Vincent van Gogh: Two Women in the Woods    Artist artist QS:P170,Q5582 Title Two women in a wood label QS:Len,"Two women in a wood" Object type painting  Genre portrait  Date The Hague, August 1882 Medium oil on paper mounted on panel Dimensions height: 31 cm (12.2 in); width: 24 cm (9.4 in) dimensions QS:P2048,31U174728 dimensions QS:P2049,24U174728 Collection Private collection institution QS:P195,Q768717 Place of creation The Hague  Object history Dr H.P. Bremmer, The Hague. P. Salavin, Paris (acquired from the above). Ivo Bouwman, The Hague. Frances Aronson Gallery, Atlanta. Acquired from the above in December 1983, and thence by descent to the last owner. Exhibition history Paris, Musée Jacquemart-André, Vincent van Gogh: 1853-1890, February - March 1960, p. 29, no. 3. Atlanta, The High Museum of Art, May - November 1984. Notes Catalogues raisonnés: F1665: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 1665 . JH181 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  181. References vangoghgallery.com Source/Photographer Bonhams New York, 5 Nov 2013, lot 17
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Vincent van Gogh: Fisherman on the Beach    Artist artist QS:P170,Q5582 Title Fisherman on the Beach label QS:Lde,"Fischer am Strand" label QS:Len,"Fisherman on the Beach" label QS:Lit,"Pescatore sulla spiaggia" label QS:Lnl,"Visser" Object type painting  Genre portrait  Date Den Haag, August 1883 Medium English: Oil on paper mounted on panel Dimensions 51,1 x 32,8 cm Collection institution QS:P195,Q1051928 Accession number KM 104.318 (Kröller-Müller Museum)  Place of creation The Hague  References Catalogues raisonnés: F5: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 5 . JH188 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  188. Source/Photographer Copied from an art book Permission (Reusing this file) https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Kröller-Müller Museum
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Vincent van Gogh: The Parsonage Garden at Nuenen    Artist artist QS:P170,Q5582 Title Deutsch: Der Pfarrgarten in Nuenen mit weiblicher Figur English: The Parsonage Garden at Nuenen Object type painting  Genre landscape art  Date 1884 date QS:P571,+1884-00-00T00:00:00Z/9 Medium Deutsch: Öl auf Papier auf Holz English: Oil on paper on wood Dimensions 25 x 57 cm Collection Deutsch: Groninger Museum voor Stad en Lande Current location Deutsch: Groningen Accession number 1962.0200 (Groninger Museum)  Place of creation Nuenen  Object history 30 March 2020: stolen  September 2023: unknown event: recovery  References Catalogues raisonnés: F185: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 185 . JH484 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  484. Source/Photographer https://www.cnn.com/style/article/van-gogh-stolen-covid-19-intl-scli/index.html
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Vincent van Gogh: Peasant Woman, Seated with White Cap    Artist artist QS:P170,Q5582 Title Deutsch: Bäuerin, sitzend, mit weißer Haube English: Peasant woman sitting, with a white hood Object type painting  Genre portrait  Date Nuenen, March 1885 Medium Deutsch: Öl auf Papier auf Holz English: Oil on paper on wood Dimensions 36 x 27 cm Collection Deutsch: Noordbrabants Museum Current location Deutsch: Herzogenbusch Accession number NK2371 (Cultural Heritage Agency of the Netherlands Art Collection)  NK2371 (Instituut Collectie Nederland) NK2371 (Rijksdienst Beeldende Kunst) NK2371 (Dienst Verspreide Rijkscollecties) NK2371 (Stichting Nederlands Kunstbezit) 11357 (Noordbrabants Museum) Place of creation Nuenen  References Catalogues raisonnés: F144a: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 144a . JH704 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  704. Source/Photographer Copied from an art book Permission (Reusing this file) https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse Other versions image  image 
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Vincent van Gogh: Kneeling Ecorché    Artist artist QS:P170,Q5582 Title Nederlands: Geknielde spierman Deutsch: Gehäutet kniend English: Skinned kneeling Français : Écorché agenouillé Object type painting  Genre still life  Date Paris, Spring 1886 Medium Deutsch: Öl auf Karton auf Multiplex English: Oil on cardboard on Multiplex Dimensions 35 x 27 cm Collection institution QS:P195,Q224124 Current location Amsterdam Accession number F_216f JH_1076 Place of creation Paris  Notes Français : Étude d'après l'Écorché dit « de Michel-Ange » en plâtre. References L'Œuvre de Vincent van Gogh: catalogue raisonné, F216f  The New Complete Van Gogh: Fully revised and enlarged edition of the Catalogue raisonné, JH1076 http://www.vangoghmuseum.nl/nl/collectie/s0102V1962  http://www.vggallery.com/painting/p_0216f.htm https://vangoghworldwide.org/artwork/F216f RKDimages ID: 53196  Source/Photographer Copied from an art book Permission (Reusing this file) https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Van Gogh Museum
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Vincent van Gogh: Landscape with Windblown Trees    Artist artist QS:P170,Q5582 Title Landscape with Leaning Trees  label QS:Len,"Landscape with Windswept Trees / Landscape with Windblown Trees" Object type painting  Genre landscape art  Date Nuenen, September 1883 Medium oil on paper mounted on panel Dimensions height: 33 cm (12.9 in); width: 51 cm (20 in) dimensions QS:P2048,33U174728 dimensions QS:P2049,51U174728 Collection Private collection institution QS:P195,Q768717 Place of creation Nuenen  Object history C. Mouwen Jr., Breda Oldenzeel Gallery, Rotterdam Eduard van Biema, The Haague Feliz Hirschel, Amsterdam P. Verschure, Rotterdam Daimaru, Japan Private Collection, Japan (acquired from the above in the 1960s) Thence by descent Exhibition history Rotterdam, Oldenzeel Gallery, Van Gogh, 1903, no. 33 Notes Catalogues raisonnés: F196: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 196 . JH957 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  957. References vangoghgallery.com Source/Photographer 1. repro from art book 2. Sotheby's, New York, (6 November 2015), N09416, lot 168
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Vincent van Gogh: Houses seen from the back window of sien's Mother's house    Artist artist QS:P170,Q5582 Title Sien's Mother's House / Houses seen from the back window of sien's Mother's house Object type drawing  Date May 1882 date QS:P571,+1882-05-00T00:00:00Z/10 Medium pencil, pen and ink heightened with white on paper laid down on thin card Dimensions height: 29 cm (11.4 in); width: 45.5 cm (17.9 in) dimensions QS:P2048,29U174728 dimensions QS:P2049,45.5U174728 Place of creation The Hague Object history C. M. van Gogh Art Gallery (the artist's uncle), Amsterdam; - Kunsthandel W. Walrecht, The Hague; - H.P. Bremmer, The Hague, thence by descent; - Mrs Bremmer-Hollman (sale: Christie's, Amsterdam, 12th December 1990, lot 255); - Purchased at the above sale by the present owner Inscriptions Signature bottom left: Vincent Notes Catalogues raisonnés: F941: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 941 . JH146 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  146. References vangoghgallery.com Source/Photographer Sotheby's London (20 June 2013), L13008, lot 176
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Vincent van Gogh: Vase with Cornflowers and Poppies    Artist artist QS:P170,Q5582 Title Vase with Cornflowers and Poppies title QS:P1476,en:"Vase with Cornflowers and Poppies" label QS:Len,"Vase with Cornflowers and Poppies" label QS:Lde,"Vase mit Kornblumen und Klatschmohn" Object type painting  Genre still life  Date June 1890 date QS:P571,+1890-06-00T00:00:00Z/10 Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions height: 66 cm (25.9 in); width: 51 cm (20 in) dimensions QS:P2048,66U174728 dimensions QS:P2049,51U174728 Collection Private collection institution QS:P195,Q768717 Place of creation Auvers-sur-Oise  Object history (probably) Dr. Paul Gachet, Auvers-sur-Oise [per Sotheby's sale catalogue and following] Gaston Alexandre Camentron, Paris Paul Cassirer, Berlin (acquired from the above in November 1911) Antoine Albert, Wiesbaden (acquired in 1914) Mrs. A. Albert, Munich (widow of the above; acquired in 1918) Georg Caspari, Munich M. Knoedler & Co., Inc., London (acquired on April 24, 1926) James Carstairs, Philadelphia (acquired in December 1926) M. Knoedler & Co., Inc., New York (acquired in October 1928) Anson Conger Goodyear, Long Island, New York (acquired in October 1928) George F. Goodyear, Buffalo, New York (acquired by decent from the above in December 1941) Albright Knox Art Gallery, Buffalo, New York (acquired in part from the above) Acquired from the Goodyear family in 1991 Sale Sotheby's, New York, 4 November 2014: Price realized $61,765,000 includes Hammer Price and Buyer's Premium Exhibition history Berlin, Paul Cassirer, Vincent van Gogh, 1914, lot 27a [per Sotheby's sale catalogue and following] New York, The Museum of Modern Art, First Loan Exhibition: Cézanne-Gauguin-Seurat-van Gogh, 1929, illustrated pl. 92 Buffalo, Albright Art Gallery, Catalogue of Exhibition Commemorating the Twenty Fifth Anniversary: An International Group of Paintings of Flowers, 1930, no. 67 (titled Flowers-Still Life) New York, The Museum of Modern Art, Modern Works of Art: Fifth Anniversary Exhibition, 1934-35, no. 15 (titled Poppies) New York, The Museum of Modern Art ; Philadelphia, Pennsylvania Museum of Art; Boston, Museum of Fine Arts; Cleveland, Museum of Art; San Francisco, Palace of the Legion of Honor; Kansas City, The William Rochill Nelson Gallery of Art; Minneapolis, The Institute of Arts; Chicago, The Art Institute; Detroit, Institute of Arts; New York, The Museum of Modern Art, Vincent van Gogh, 1936-37, no. 14 (titled Poppies) Washington, D.C., The Washington Gallery of The Museum of Modern Art, Flowers and Fruits, 1938, no. 22 (titled Poppies) Buffalo, Albright-Knox Art Gallery, Paintings, Sculpture, Drawings, Prints Collected by A. Conger Goodyear, 1966, no. 16 (titled Flowers of the Fields) Washington, D.C., National Gallery of Art, Paintings from the Albright-Knox Art Gallery, Buffalo, New York, 1968, illustrated in the catalogue Buffalo, Albright-Knox Art Gallery, on long-term exhibition, 1962-90 Notes Catalogues raisonnés: F280: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 280 . JH2032 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  2032. There are no mentions of this painting in Vincent's letters. De La Faille assigned the painting to his Paris era, but later editors to his last year at Auvers because of its stylistic resemblance to Vase with Field Flowers and Thistles (F763), which can be dated to around 17 June 1890 from the letters (Hulsker (1977) p. 466). The painting realized $61,765,000 at a Sotheby's sale 4 November 2014, New York, reportedly purchased by Wang Zhongjun, one of the Huayi brothers. This was a record price for a van Gogh still-life. References Naifeh, Steven and Smith, Gregory White. Van Gogh: the Life, New York: Random House, 2011. ISBN 978-0-375-50748-9 Julius Meier-Graefe, Vincent van Gogh, Munich, 1918, illustrated p. 11 (titled Blumenstrauss) [per Sotheby's sale catalogue and following] Jacob-Baart de la Faille, L’Oeuvre de Vincent van Gogh, Paris and Brussels, 1928, vol. I no. 280, catalogued p. 82; vol. II, illustrated pl. 77 (dated incorrectly Epoque de Paris) “Fruits & Flowers: Spring in the Capital,” The Art News, New York, April 2, 1938, illustrated p. 11 (titled Poppies) Jacob-Baart de la Faille, The Works of Vincent van Gogh: His Painting and Drawings, Amsterdam, 1970, no. 280 , pp 309 and 622 illustrated, p. 308 (titled Still life Vase with Daises and Poppies) Paul Aletrino, Tout van Gogh, 1888-1890, La Peinture, Paris, 1982, no. 67, illustrated p. 80 (titled Fleurs de Champs) Alain Mothe, Vincent van Gogh à Auvers-sur-Oise, Paris, 1987, illustrated in color p. 81 Walter Feilchenfeldt, Vincent van Gogh and Paul Cassirer, Berlin, The Reception of van Gogh in Germany from 1902-1913, Amsterdam, 1988, illustrated p. 86 (titled Still life: Vase with Daises and Poppies) Ingo Walter & Rainer Metzger, Vincent van Gogh, The Complete Paintings, Cologne, 1990, illustrated p. 661 Jan Hulsker, The Complete van Gogh, Paintings, Drawings, Sketches, New York, 1996, no. 2032, illustrated p. 466 The Real Van Gogh, The Artist and his Letters (exhibition catalogue), Royal Academy of Arts, London, 2010, discussed p. 272 Walter Feilchenfeldt, Vincent van Gogh, The Years in France, Complete Paintings 1886-1890, London, 2013, illustrated in color p. 250 Source/Photographer Sotheby's Impressionist and Modern Art evening sale, 4 November 2014, New York, lot 17 Permission (Reusing this file) Other versions Repro from art book
Private collection
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Vincent van Gogh: Self-Portrait with Straw Hat    Artist artist QS:P170,Q5582 Title Dutch: Zelfportret met strohoed Self-portrait with Straw Hat title QS:P1476,nl:"Zelfportret met strohoed" label QS:Lnl,"Zelfportret met strohoed" label QS:Lru,"Автопортрет с соломенной шляпе" label QS:Lde,"Selbstporträt mit Strohhut" label QS:Len,"Self-portrait with Straw Hat" Object type painting  Genre self-portrait  Depicted people Vincent van Gogh  Date Paris, Summer 1887 date QS:P571,+1887-00-00T00:00:00Z/9,P4241,Q40720564 Medium oil on cardboard mounted on panel Dimensions height: 34.9 cm (13.7 in); width: 26.7 cm (10.5 in) dimensions QS:P2048,34.9U174728 dimensions QS:P2049,26.7U174728 Collection institution QS:P195,Q1201549 Accession number 22.13 Place of creation Paris  Object history (?) Paris, Collection Émile Bernard Paris, Amboise Vollard (dealer) (1910) Berlin, Paul Cassirer (dealer) (1910-1912) Paris, Collection Bernard Goudchaux; Paris/New York, Collection Dikran Khan Kélékian (by 1920); New York, auction Kélékian (American Art Association) Jan. 30, 1922, lot 100 (bought by the Reinhardt Galleries for the DIA) Credit line City of Detroit Purchase Notes Catalogues raisonnés: F526: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 526 . JH1309 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1309. References vangoghgallery.com Source/Photographer 1. vggallery.com 2. The Detroit Institute of Arts 3. Google Art Project works from the Detroit Institute of Arts
Detroit Institute of Arts
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Vincent van Gogh: English: The Yellow House at Arles in letter VGM 691   (  ) Artist artist QS:P170,Q5582 Title English: The Yellow House at Arles in letter VGM 691 Date 1888 date QS:P571,+1888-00-00T00:00:00Z/9 Medium pen and ink Dimensions height: 13 cm (5.1 in); width: 20.5 cm (8 in) dimensions QS:P2048,13U174728 dimensions QS:P2049,20.5U174728 Object history Tanner Art Gallery, Zurich Brienz, Switzerland, N. Dreher [acquired 1918] Private collection, Europe (by descent from the above); sale, Christie's, London, 24 June 2003, lot 52 Present owner; sale, Christies's, New York, 5 November 2013, lot 16, $5,485,000 Exhibition history Kunsthaus Zürich, Vincent van Gogh, July-August 1924, p. 36, no. 99. Amsterdam, Van Gogh Museum and New York, The Metropolitan Museum of Art, Vincent van Gogh: The Drawings, July-December 2005, p. 286, no. 97 (recto illustrated in color, p. 287). London, Royal Academy of Fine Arts, The Real Van Gogh: The Artist and His Letters, January-April 2010, p. 180, no. 99 (recto illustrated in color, p. 181). Notes Catalogues raisonnés: F1453: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 1453 . JH1590 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1590. Letters 691 To Theo van Gogh. Arles, on or about Saturday, 29 September 1888. Vincent van Gogh: The Letters. Van Gogh Museum. "Likewise croquis of a square no. 30 canvas showing the house and its surroundings under a sulphur sun, under a pure cobalt sky. That’s a really difficult subject! But I want to conquer it for that very reason. Because it’s tremendous, these yellow houses in the sunlight and then the incomparable freshness of the blue. All the ground’s yellow, too. I’ll send you another, better drawing of it than this croquis from memory; the house to the left is pink, with green shutters; the one that’s shaded by a tree, that’s the restaurant where I go to eat supper every day. My friend the postman lives at the bottom of the street on the left, between the two railway bridges. The night café that I painted isn’t in the painting; it’s to the left of the restaurant. Milliet finds it horrible ..." Source/Photographer Christie's, LotFinder: entry 5737639 (sale 2788, lot 16) Permission (Reusing this file)
Christie's
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after the black-and-white picture in the Le Monde ''L'homme est en mer'' by: Virginie Demont-Breton
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Musée d'Orsay
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Vincent van Gogh: The Spinner    Artist artist QS:P170,Q5582 Title Deutsch: Die Spinnerin (nach Millet) Français : La fileuse (d'après Millet) English: The Spinner (after Millet) Object type painting  Genre genre art  Date Saint-Rémy, September 1889 Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions height: 40 cm (15.7 in); width: 25.5 cm (10 in) dimensions QS:P2048,40U174728 dimensions QS:P2049,25.5U174728 Collection Deutsch: Sammlung Moshe Mayer Current location Deutsch: Genf Place of creation Saint-Rémy-de-Provence  References Catalogues raisonnés: F696: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 696 . JH1786 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1786. Source/Photographer repro from artbook Permission (Reusing this file) https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Wikimedia Commons
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Vincent van Gogh: Two Peasants Digging    Artist artist QS:P170,Q5582 Title Dutch: Les bêcheurs  Two farmers digging over (after Millet) label QS:Lde,"Zwei Bauern beim Umgraben (nach Millet)" label QS:Len,"Two farmers digging over (after Millet)" Object type painting object_type QS:P31,Q3305213 Genre landscape art  Date Saint-Rémy, October 1889 Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions height: 72 cm (28.3 in); width: 92 cm (36.2 in) dimensions QS:P2048,72U174728 dimensions QS:P2049,92U174728 Collection institution QS:P195,Q924335 Accession number A 411 (Stedelijk Museum Amsterdam)  Place of creation Saint-Rémy-de-Provence  References Catalogues raisonnés: F648: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 648 . JH1833 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1833. Source/Photographer Copied from an art book
Stedelijk Museum Amsterdam
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Vincent van Gogh: Head of a Man    Artist artist QS:P170,Q5582 Title English: Head of a Man Object type drawing  Date Antwerp, 1885 Medium drawing Dimensions height: 16.5 cm (6.4 in); width: 9.2 cm (3.6 in) dimensions QS:P2048,16.5U174728 dimensions QS:P2049,9.2U174728 Collection Van Gogh Museum Accession number d0040V1971 Notes Catalogues raisonnés: F1358: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 1358 . JH0980 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  0980. References L'Œuvre de Vincent van Gogh: catalogue raisonné, F1358  The New Complete Van Gogh: Fully revised and enlarged edition of the Catalogue raisonné, JH980 http://www.vangoghmuseum.com/en/collection/d0040V1971  Source/Photographer http://www.vangoghmuseum.com/en/collection/d0040V1971
Van Gogh Museum
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Old Man Carrying a Bucket
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Peasant Women digging up Potatoes
Kröller-Müller Museum
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Vincent van Gogh: English: The Fisherman: Facing Right   (  ) Artist artist QS:P170,Q5582 Title English: The Fisherman: Facing Right Date November 1882 (De La Faille) 1883 (Christie's) Medium pencil, pen and brown ink on paper Dimensions height: 48.5 cm (19 in); width: 22.8 cm (8.9 in) dimensions QS:P2048,48.5U174728 dimensions QS:P2049,22.8U174728 Collection Private collection institution QS:P195,Q768717 Object history Dr H.P. Bremmer, The Hague. F. Bremmer, The Hague. E.J. van Wisselingh & Co., Amsterdam. F.A.C. Guépin, London, and thence by descent to the present owner in 1966. Exhibition history Memphis, Dixon Gallery and Gardens, The Genius of Van Gogh, May - June 1982, no. 6 (illustrated p. 23). Inscriptions False signature in lower right: Vincent (De La Faille) Notes Catalogues raisonnés: F1049: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 1049 . JH312 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  312. Vincent drew obsessively from models at this period (Naifeh and Smith pp. 270-7), spending a great deal of his allowance on them and even purchasing clothes for them as he did in this case with the sou'wester he provided. This study is typical of many at the time, but the head has been especially finely modelled. Christie's lot notes observe "The figure’s withdrawn stare, however, betrays Van Gogh’s sensitive eye, turning the image into a compassionate homage to the harsh life of the fisherman, possibly even carrying some religious undertones, resonating with the Biblical symbolism of the subject." Letters (sou'wester) Letter 163 to Theodorus van Gogh and Anna van Gogh-Carbentus. Brussels, on or about Wednesday, 16 February 1881. Vincent van Gogh: The Letters. Van Gogh Museum. "As regards that other suit, I have another objective apart from wearing it myself for as long as possible, for the fact is that when it’s a bit older it will serve me in another way. You see, I’ll gradually need a small collection of work-clothes with which to dress the models for my drawings. The blue smock of Brabant, for example, the grey linen suit that the miners wear and their leather hat, also a straw hat and clogs, a fisherman’s costume of brown fustian and a sou’wester. And most definitely the clothing made of that kind of black or brown velvet that’s very picturesque and characteristic — furthermore, a red doublet or vest. Likewise a couple of women’s costumes, such as that of Kempen and the area of Antwerp with the Brabantian cap and that of Blankenberge, for example, or Scheveningen or Katwijk." References ; Naifeh, Steven; Smith, Gregory White (2011) Van Gogh: The Life, Profile Books ISBN: 978-1846680106. Source/Photographer Christie's, LotFinder: entry 5766398 (sale 1505, lot 46) Permission (Reusing this file)
Private collection
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Vincent van Gogh: The Sower:Facing Right    Artist artist QS:P170,Q5582 Title English: The Sower:Facing Right Object type drawing  Date 1881 (autumn) Medium charcoal, chalk and wash on paper Dimensions height: 58 cm (22.8 in); width: 31 cm (12.2 in) dimensions QS:P2048,58U174728 dimensions QS:P2049,31U174728 Collection Private collection institution QS:P195,Q768717 Object history Dr H.P. Bremmer, The Hague. F. Bremmer, The Hague. E.J. van Wisselingh & Co., Amsterdam. F.A.C. Guépin, London 2014 Sale (Christies) 4 February 2014: £722,500 Exhibition history Memphis, Dixon Gallery and Gardens, The Genius of Van Gogh, May - June 1982, no. 1 (illustrated p. 13). Inscriptions Signed in lower right: Vincent Notes Catalogues raisonnés: F858: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 858 . JH17 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  17. The model here may well have been Piet Kaufmann, a labourer whom Vincent called his gardener in his letters (c.f. F851). Vincent made several rather awkward studies from life of sowers at this time, as well as copies after Millet such as F830. Anthon Van Rappard evidently criticised one of these as a study of a man posing as a sower rather than a man who is a sower, a criticism Vincent acknowledged in letter 176. Hulsker observes that Vincent did nevertheless sometimes succeed in making astonishingly successful works at this time, such as Peasant Sitting by the Fireplace (F863) mentioned in letter 172 (Hulsker p. 20). Letter 172 to Theo van Gogh. Etten, mid-September 1881. Vincent van Gogh: The Letters. Van Gogh Museum. "The careful study, the constant and repeated drawing of Bargue’s Exercices au fusain has given me more insight into figure drawing. I’ve learned to measure and to see and to attempt the broad outlines &c. So that what used to seem to me to be desperately impossible is now gradually becoming possible, thank God. I’ve drawn a peasant with a spade no fewer than 5 times, ‘a digger’ in fact, in all kinds of poses, twice a sower, twice a girl with a broom. Also a woman with a white cap who’s peeling potatoes, and a shepherd leaning on his crook, and finally an old, sick peasant sitting on a chair by the fireplace with his head in his hands and his elbows on his knees [F863]. And it won’t stop there, of course, once a couple of sheep have crossed the bridge the whole flock follows. Diggers, sowers, ploughers, men and women I must now draw constantly. Examine and draw everything that’s part of a peasant’s life. Just as many others have done and are doing. I’m no longer so powerless in the face of nature as I used to be." Letter 176 to Anthon van Rappard. Etten, Saturday, 15 October 1881. Vincent van Gogh: The Letters. Van Gogh Museum. "Your comment on that figure of the sower — of which you said, it’s not a man sowing but a man posing as a sower — is very true. I consider my current studies, however, to be studies from a model, they have no pretension of being anything else. Only in a year or two will I get down to making a sower who is sowing, I agree with you there." References ; Naifeh, Steven; Smith, Gregory White (2011) Van Gogh: The Life, Profile Books ISBN: 978-1846680106. Source/Photographer Christie's, LotFinder: entry 5766355 (sale 1505, lot 3) Permission (Reusing this file)
Private collection
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Jennie Matthews 97
Vincent van Gogh: Marsh with Water Lilies    Artist artist QS:P170,Q5582 Title Marsh with Water Lilies label QS:Len,"Marsh with Water Lilies" Object type drawing object_type QS:P31,Q93184 Date June 1881 date QS:P571,+1881-06-00T00:00:00Z/10 Medium pencil, pen and reed pen Dimensions height: 23.5 cm (9.2 in); width: 31 cm (12.2 in) dimensions QS:P2048,23.5U174728 dimensions QS:P2049,31U174728 Collection Private collection institution QS:P195,Q768717 Place of creation Etten-Leur Object history Miss W. van Gogh, Dieren, Netherlands J.P, Scholte, Barchem, Nethrland Lochem, Netherlands, Mrs. A.T. Scholte-van Houten Scholte-van Houten collection [R 1970] Exhibition history 1947 Basle, 112 1956 Munich, 6 1957 Essen, 128 1960 Paris, 73 1962 Warsaw, 89 1963, Tel Aviv, Haifa, 7 Notes Catalogues raisonnés: F845: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 845 . JH7 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  7. The drawing was in the holdings of Vincent's sister Wil who left Etten in June 1881 to take up a position as a governess in Amsterdam. At the same time there is a mention in Letter 168 of Vincent making a pen drawing in the Passievaart marshes of lilies during an excursion with Anthon van Rappard, who was visiting. It is reasonable to suppose he gave this drawing as a leaving gift to Wil, thus dating the drawing as around 13 June 1881 from van Rappard's own date for his Passievaart drawing (Hulsker, p. 13) Letters Letter 168 to Theo van Gogh. Etten, end of June 1881. Vincent van Gogh: The Letters. Van Gogh Museum. "I must tell you that Rappard was here for 12 days or so, and has now left. Naturally he sends you his regards. We went on a fair number of excursions together, several times to the heath at Seppe, among other places, and the so-called Passievaart, a huge marsh. There Rappard painted a large study (1 metre x 50 cm), much of which was good. Incidentally, he made around 10 small sepias, also in the Liesbos. While he was painting I made a pen drawing of another spot in the marsh where many water lilies grow. (Near Roosendaalseweg.)" Letter 600 to Theo van Gogh. Arles, on or about Friday, 20 April 1888. Vincent van Gogh: The Letters. Van Gogh Museum. "These drawings are done with a reed cut the same way as you’d cut a goose quill. I plan to do a series like that. And I hope to do better than the first two. It’s a process I already tried in Holland in the past, but I didn’t have as good reeds there as here." References Naifeh, Steven and Smith, Gregory White. Van Gogh: the Life, New York: Random House, 2011. ISBN 978-0-375-50748-9, pp. 234-5. Source/Photographer wikipaintings.org Info pic
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Vincent van Gogh: Back yards with two figures   (  ) Artist artist QS:P170,Q5582 Title Back yards with two figures label QS:Len,"Back yards with two figures" Date The Hague, March 1882 Medium charcoal on paper medium QS:P186,Q1424515;P186,Q11472,P518,Q861259 Dimensions height: 23.9 cm (9.4 in); width: 35.2 cm (13.8 in) dimensions QS:P2048,23.9U174728 dimensions QS:P2049,35.2U174728 Object history C.M. Van Gogh Art Gallery, The Hague J.H. de Bois Art Gallery, Haarlem Mrs L. Jaray-Bondi, Vienna & London (acquired in 1938) Private Collection, New York Galerie St. Etienne (Otto Kallir), New York (acquired in 1953) Sale: Sotheby's, New York, 10th May 1989, lot 120 Purchased at the above sale by the late owner Exhibition history Haarlem, J.H. de Bois Art Gallery, 1936, no. 15 New York, Galerie St. Etienne, Masters of the Nineteenth Century, 1955 New York, Wildenstein & Co., Van Gogh, Loan Exhibition, 1955, no. 82 New York, Galerie St. Etienne, European and American Landscapes, 1985 Berlin, Kupferstichkabinett, Staatliche Museen zu Berlin & Preussischer Kulturbesitz, Linie, Licht und Schatten. Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski, 1999, no. 106 Paris, Musée Jacquemart-André, La passion du dessin. Collection Jan et Marie-Anne Krugier-Poniatowski, 2002, no. 132 Vienna, Albertina Museum, Goya bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski, 2005, no. 46 Notes Catalogues raisonnés: F939a: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 939a . JH120 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  120. References vangoghgallery.com Source/Photographer Sotheby's London, 06 Februar 2014, lot 125
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Vincent van Gogh: Wheatfield with Cypresses    Artist artist QS:P170,Q5582 Title Deutsch: Weizenfeld mit Zypressen English: Wheatfield with Cypresses Object type drawing  Date Saint-Rémy, June 1889 Medium Deutsch: Schwarze Kreide und Feder English: Black chalk and pen Dimensions height: 47 cm (18.5 in); width: 62 cm (24.4 in) dimensions QS:P2048,47U174728 dimensions QS:P2049,62U174728 Collection Van Gogh Museum Current location Amsterdam References Catalogues raisonnés: F1538: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 1538 . JH1757 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no.  1757. Source/Photographer repro from artbook Permission (Reusing this file) https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse Other versions See Category:Wheat Field with Cypresses by Vincent van Gogh
Van Gogh Museum
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Etten, april 1876
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<br><br><big>'''Identificatie'''</big><br>'''Titel(s): '''Landschap bij de abdij van Montmajour te Arles<br>'''Objecttype:''' tekening <br>'''Objectnummer:''' RP-T-1962-65<br><br><big>'''Vervaardiging'''</big><br>'''Vervaardiger:''' tekenaar: Vincent van Gogh<br>'''Datering:''' 1888<br>'''Fysieke kenmerken:''' potlood, rietpen en verenpen in inkt, op velijnpapier; zwart krijt<br>'''Materiaal:''' papier krijt inkt potlood <br>'''Techniek:''' pen<br>'''Afmetingen:''' h 483 mm × b 598 mm<br><br><big>'''Onderwerp'''</big><br>'''Wat: '''plainabbey, monastery, convent ~ Roman Catholic church<br>'''Waar:''' klooster Montmajour<br><br><big>'''Verwerving en rechten'''</big><br>'''Credit line:''' Aankoop met steun van de Vereniging Rembrandt en het Prins Bernhard Fonds<br>'''Verwerving:''' aankoop 1962<br>'''Copyright:''' Publiek domein
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