You know, it's true. It's kind of like, you know, when you see somebody, and I think especially being, like, a female in the industry, I think growing up and changing and, like, kind of that there is such a kind of stigma with aging. It's a very kind of scary thing as a female in the industry. And I've thought about it a lot and thought about my voice. I actually had someone when I was doing an interview a couple months ago said, you know, she sounds like she stayed up all night smoking too many darts. And I said, well, I fucking have. And that's just the truth. And if you know, that was anyone else, you know, it's kind of like you're weathered or you're aged or you've been through it, and, you know, we'll talk about it as we go. But over the last year, I noticed a really big change in my voice, kind of a heaviness to it, experienced some heavy things. And so I feel like it is a reflection. It is kind of a scar in a sense, but also just by having the surgery was kind of a gift. Also because I was able to understand my instrument. No one ever explained that to me. You know, I sat in a room with the piano and did scales and shit, but no one taught me about, how do you have longevity? You know, you are in here with athletes all the time, and recovery days are the most important days. I didn't get recovery days. That was not important for someone that was making so much capital for such a big corporation. You know, the off days are days that money's not coming in. And I definitely probably didn't get the training that I needed to say, hey, you know what? I don't want to do this till I'm 15. I want to do this till I'm 80. And that wasn't always considered. Definitely not complaining. It gave me an amazing launch pad for everything I'm doing now, but I hear it.