Well, what I'm trying to do now is because I really. I used to write just every. It was just separate jokes. Joke, joke, joke, joke here. And every time I would bring up a new subject, it was like the audience is starting from scratch again to try to catch up, and it's exhausting to try to understand. So if I try to put it in a story or, like, a theme to my set, at least they kind of know what's happening before. You know, so they know, oh, this is. You know, you tend to do these type of things, and then you talk about something like that, but they go with you. It's like you're not starting a. You know, it's easy to. What is it? Push a moving car momentum. Exactly. And that's been working better for me because, you know, I saw everything was like, just isolated bits of jokes that I would put, you know, and I'd go, I just put them in anywhere. Put a lazy connective tissue to it, you know, and it would be like. It would work. You get to laugh, but it's like there's no, you know, building.