You know, I love Dan Godfrey. He used to run the brea improv, and now he, like, oversees, I think, all the improvs. Yeah. And one time I was in brea, and I was, I think, man, I want to say I was middling. This is like, probably like zero six or something, but I was middling. And the MC was like, I'll do. Turn to him. I'll do 20 and then him. And then Dan goes, you'll do ten. You won't do a minute? More like just straight up. Cause the guy was like, announcing how much time he was gonna do from the MC scan. Yeah. He's like, I'll do 20, and then how much do you do? He's like, you'll do ten and not a second. More like telling him, like, don't even fucking dream about doing that. Yeah. And people get Madden this inevitably, oh, I'll get an angry tweet or an angry Facebook message, and people will get mad thinking that, you know, like, you just don't appreciate people that are trying to make it when you were trying to make it listen. I'm telling you, all the people that are out there listening that have that mindset, no one does that. No one who's any good does that. This is not what you do. You don't ever ask for guest spots. If you get to know someone and you start working with someone and you work with them on a regular basis and you want to work with them somewhere, you know, that's one thing. Like, say if. You know, like, say if you were gonna be in town doing a wedding or something like that. Like you were a friend was getting married, something like that. You're like, dude, you're working that night. And I'd be like, hey, you want to do a set? You'd be like, fuck, yeah. And then we would work around it. Sure, figure it out. But it's only because we've worked together so many times. We know each other so well. Like, to have someone who you don't even know want to interject. Like, your. Your show is like, like a complete package. Like, you've put it together, right? You know who your opening acts are, you know what kind of material they do. Totally. And you're thinking about how this whole thing is going to play out together. And you want to make sure that that audience who gets that babysitter and goes out, you want to make sure that they get the best set possible. And I'm old school, I guess, in the sense that I am 100% of the idea that everything at any show is absolutely all about the headliner desires and wants. It's their show. Like, whenever I open for you, and, like, somebody would say, like, hey, do you? I'd be like, I don't know. Ask him, man. It's his fucking show. Like, we're all here. It's called support for a reason. Like, we're supporting the headlining act. And I fucking hate when they try to involve anybody else in decision making or how do you want to go. It's all about whoever's name is on the market. Whatever they dictate is the way that show goes. And you should respect that. You should respect what it took for them to get to that point, and you should respect their desires at the show. If you want to talk about lighting or music or how much time all. It's all that person's decision. So everybody else can go fuck themselves. Yeah. You know what I also find to be a problem that I don't. I don't do. I don't take guys in the road that do crowd work.