There was nothing artificial about Norm, you know, that that was who he was. His brilliance was his essence. That was who he was, you know, but it's in terms of, like, the greats, the godfather of it all is Lenny Bruce. I mean, I have a bunch of Lenny Bruce concert posters at my house and photos that I have framed. And Whitney Cummings actually gave me this brilliant photo of him when he got arrested for one of the times when he got arrested for saying obscene jokes. He was the most important figure in the early days of comedy because he essentially gave birth to the modern art form of stand up comedy. Before that, it was a bunch of guys that were, like, hosting shows, and they would tell jokes. They would just, like, you know, two guys walking to a bar, that kind of stuff. And he would talk about social issues, you know, he would talk about life. He would talk about language. He would talk about laws. And it was just. He was the very first guy who did modern stand up. And what's fascinating is if you go and you try to watch it, if you try to watch Lenny Bruce today, it doesn't work, because society has evolved. Like, in many ways, art is a window, especially, like, pop culture, art or modernization at the time. Culture. Art that discusses culture is a window into that time period. It's a little bit of a time machine. So you get to, like. You have to put yourself, like, what was it like to be in 1963? Like, what was he saying in 1963? What was this like to hear him say this? And the civilization that existed in 1963, although, looked pretty similar. They're all driving cars and they're all wearing suits, and they're all. Seems normal. It's a different world. And the things that he was saying that are so taboo are so normal today that they're not shocking. And it's not. Not that good. It's not that funny.