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|---|---|---|---|---|---|---|---|---|---|
eg3906 | eg3906-n439-ff.jpg | data/raw/images/egyptian/eg | Pale green hawk standing on base. Suspension loop on back | amulets | Horus Hawk Amulet | 74faience
| null | Egypt |
|
eg3906 | eg3906-n439-ff.jpg | data/raw/images/egyptian/eg | Pale green hawk standing on base. Suspension loop on back | amulets | Horus Hawk Amulet | 74faience
| null | Egypt |
|
eg3906 | eg3906-n439-ff.jpg | data/raw/images/egyptian/eg | Pale green hawk standing on base. Suspension loop on back | amulets | Horus Hawk Amulet | 74faience
| null | Egypt |
|
eg3906 | eg3906-n439-ff.jpg | data/raw/images/egyptian/eg | Pale green hawk standing on base. Suspension loop on back | amulets | Horus Hawk Amulet | 74faience
| null | Egypt |
|
eg3906 | eg3906-n439-ff.jpg | data/raw/images/egyptian/eg | Pale green hawk standing on base. Suspension loop on back | amulets | Horus Hawk Amulet | 74faience
| null | Egypt |
|
durom.2014.133 | 2014.133 ff.jpg | data/raw/images/oriental/2014 | Mask designed for a bird of prey. Made from patches of blue leather and suede with white leather tassels and tightening string. There is a gilt decoration on the tassels on the top of the head and around the beak area on the front of the mask | masks | null | 97leather
| null | Al Ain |
|
durom.2014.133 | 2014.133 ff.jpg | data/raw/images/oriental/2014 | Mask designed for a bird of prey. Made from patches of blue leather and suede with white leather tassels and tightening string. There is a gilt decoration on the tassels on the top of the head and around the beak area on the front of the mask | masks | null | 97leather
| null | Al Ain |
|
durom.2014.133 | 2014.133 ff.jpg | data/raw/images/oriental/2014 | Mask designed for a bird of prey. Made from patches of blue leather and suede with white leather tassels and tightening string. There is a gilt decoration on the tassels on the top of the head and around the beak area on the front of the mask | masks | null | 97leather
| null | Al Ain |
|
durom.2014.133 | 2014.133 ff.jpg | data/raw/images/oriental/2014 | Mask designed for a bird of prey. Made from patches of blue leather and suede with white leather tassels and tightening string. There is a gilt decoration on the tassels on the top of the head and around the beak area on the front of the mask | masks | null | 97leather
| null | Al Ain |
|
durom.2014.133 | 2014.133 ff.jpg | data/raw/images/oriental/2014 | Mask designed for a bird of prey. Made from patches of blue leather and suede with white leather tassels and tightening string. There is a gilt decoration on the tassels on the top of the head and around the beak area on the front of the mask | masks | null | 97leather
| null | Al Ain |
|
durom.1964.96 | 1964.96-h886-d4.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1060(H8-86) Ovoid sandstone object, maximum dimensions 10 by 6.4 by 5 cm. Provenance: From debris of H8. | loom weights | loom weight | 135sandstone
| null | Egypt |
|
durom.1964.96 | 1964.96-h886-d4.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1060(H8-86) Ovoid sandstone object, maximum dimensions 10 by 6.4 by 5 cm. Provenance: From debris of H8. | loom weights | loom weight | 135sandstone
| null | Egypt |
|
durom.1964.96 | 1964.96-h886-d4.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1060(H8-86) Ovoid sandstone object, maximum dimensions 10 by 6.4 by 5 cm. Provenance: From debris of H8. | loom weights | loom weight | 135sandstone
| null | Egypt |
|
durom.1964.96 | 1964.96-h886-d4.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1060(H8-86) Ovoid sandstone object, maximum dimensions 10 by 6.4 by 5 cm. Provenance: From debris of H8. | loom weights | loom weight | 135sandstone
| null | Egypt |
|
durom.1964.96 | 1964.96-h886-d4.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1060(H8-86) Ovoid sandstone object, maximum dimensions 10 by 6.4 by 5 cm. Provenance: From debris of H8. | loom weights | loom weight | 135sandstone
| null | Egypt |
|
durom.1991.92 | 1991.92-d2.jpg | data/raw/images/oriental/1991 | Large dark bamboo brush with white hair. White lettering on bamboo handle. | artists' brushes | null | 41bamboo
| null | Korean peninsula |
|
durom.1991.92 | 1991.92-d2.jpg | data/raw/images/oriental/1991 | Large dark bamboo brush with white hair. White lettering on bamboo handle. | artists' brushes | null | 41bamboo
| null | Korean peninsula |
|
durom.1991.92 | 1991.92-d2.jpg | data/raw/images/oriental/1991 | Large dark bamboo brush with white hair. White lettering on bamboo handle. | artists' brushes | null | 41bamboo
| null | Korean peninsula |
|
durom.1991.92 | 1991.92-d2.jpg | data/raw/images/oriental/1991 | Large dark bamboo brush with white hair. White lettering on bamboo handle. | artists' brushes | null | 41bamboo
| null | Korean peninsula |
|
durom.1991.92 | 1991.92-d2.jpg | data/raw/images/oriental/1991 | Large dark bamboo brush with white hair. White lettering on bamboo handle. | artists' brushes | null | 41bamboo
| null | Korean peninsula |
|
durom.2012.86 | durom.2012.86.jpg | data/raw/images/oriental/2012 | Print depicting figures in a landscape under a big sky with a rainbow. At the very bottom of the image in the centre are the silhouetted outlines of a woman carrying an umbrella and leading a dog with a curled tail. Behind her is a flat landscape with trees shilouetted against the sky. The majority of the image depicts the sky filled with clouds, clearing to blue in the top right corner where the arch of a rainbow is visible. In the centre of the clouds is the small image of a castle with towers and onion domes. | posters | null | 52cards
| Heisei Period | Japan (country) |
|
durom.2012.86 | durom.2012.86.jpg | data/raw/images/oriental/2012 | Print depicting figures in a landscape under a big sky with a rainbow. At the very bottom of the image in the centre are the silhouetted outlines of a woman carrying an umbrella and leading a dog with a curled tail. Behind her is a flat landscape with trees shilouetted against the sky. The majority of the image depicts the sky filled with clouds, clearing to blue in the top right corner where the arch of a rainbow is visible. In the centre of the clouds is the small image of a castle with towers and onion domes. | posters | null | 52cards
| Heisei Period | Japan (country) |
|
durom.2012.86 | durom.2012.86.jpg | data/raw/images/oriental/2012 | Print depicting figures in a landscape under a big sky with a rainbow. At the very bottom of the image in the centre are the silhouetted outlines of a woman carrying an umbrella and leading a dog with a curled tail. Behind her is a flat landscape with trees shilouetted against the sky. The majority of the image depicts the sky filled with clouds, clearing to blue in the top right corner where the arch of a rainbow is visible. In the centre of the clouds is the small image of a castle with towers and onion domes. | posters | null | 52cards
| Heisei Period | Japan (country) |
|
durom.2012.86 | durom.2012.86.jpg | data/raw/images/oriental/2012 | Print depicting figures in a landscape under a big sky with a rainbow. At the very bottom of the image in the centre are the silhouetted outlines of a woman carrying an umbrella and leading a dog with a curled tail. Behind her is a flat landscape with trees shilouetted against the sky. The majority of the image depicts the sky filled with clouds, clearing to blue in the top right corner where the arch of a rainbow is visible. In the centre of the clouds is the small image of a castle with towers and onion domes. | posters | null | 52cards
| Heisei Period | Japan (country) |
|
durom.2012.86 | durom.2012.86.jpg | data/raw/images/oriental/2012 | Print depicting figures in a landscape under a big sky with a rainbow. At the very bottom of the image in the centre are the silhouetted outlines of a woman carrying an umbrella and leading a dog with a curled tail. Behind her is a flat landscape with trees shilouetted against the sky. The majority of the image depicts the sky filled with clouds, clearing to blue in the top right corner where the arch of a rainbow is visible. In the centre of the clouds is the small image of a castle with towers and onion domes. | posters | null | 52cards
| Heisei Period | Japan (country) |
|
durma.2006.1.31 | 2006.1.31-uu.jpg | data/raw/images/fulling_mill/2006 | Rim sherd of blue and white ceramic from a plate. The sherd is of the rim. It is decorated along the edge with hatched lines.The surface appears to be unusually matte, as opposed to the popular glazed surface. When the sherds are put together, it shows a landscape scene including a bridge and a boat on water. Small bridges and flowing water together is a popular motif for the Chinese as a representation of serenity and harmony, an appealing ideal state. Bamboo is also depicted in the scene. However, an interesting point is that the house in the scene appears to be western in style, with an open gable roof and a chimney. This object might have been produced specifically to the demand of western consumers._x000D__x000D_
_x000D__x000D_
This sherd shows none of the landscape scene. Only parts of the rim design can be seen._x000D__x000D_
_x000D__x000D_
This is found in the Claypath excavations of 1999 in preparation for the construction of the Millenium Place. The Chinese porcelain tablewares from a clearing out of a 18th century inn are among the most important artefacts from the site. These suggest that mid range to high end consumption was present, and that Europe’s rise in trade with East Asia had found its way to the North East. It also shows that 18th century chinoiserie, Europe’s fascination and fanciful interpretation of East Asian culture and art, had reached Durham. Blue and white porcelain is arguably the most recognised and popular type of Chinese ceramics for Western consumers at the time. Some of the better preserved porcelain wares are now kept and displayed at the Oriental Museum. | sherds | null | 127pottery
| Unknown | null |
|
durma.2006.1.31 | 2006.1.31-uu.jpg | data/raw/images/fulling_mill/2006 | Rim sherd of blue and white ceramic from a plate. The sherd is of the rim. It is decorated along the edge with hatched lines.The surface appears to be unusually matte, as opposed to the popular glazed surface. When the sherds are put together, it shows a landscape scene including a bridge and a boat on water. Small bridges and flowing water together is a popular motif for the Chinese as a representation of serenity and harmony, an appealing ideal state. Bamboo is also depicted in the scene. However, an interesting point is that the house in the scene appears to be western in style, with an open gable roof and a chimney. This object might have been produced specifically to the demand of western consumers._x000D__x000D_
_x000D__x000D_
This sherd shows none of the landscape scene. Only parts of the rim design can be seen._x000D__x000D_
_x000D__x000D_
This is found in the Claypath excavations of 1999 in preparation for the construction of the Millenium Place. The Chinese porcelain tablewares from a clearing out of a 18th century inn are among the most important artefacts from the site. These suggest that mid range to high end consumption was present, and that Europe’s rise in trade with East Asia had found its way to the North East. It also shows that 18th century chinoiserie, Europe’s fascination and fanciful interpretation of East Asian culture and art, had reached Durham. Blue and white porcelain is arguably the most recognised and popular type of Chinese ceramics for Western consumers at the time. Some of the better preserved porcelain wares are now kept and displayed at the Oriental Museum. | sherds | null | 127pottery
| Unknown | null |
|
durma.2006.1.31 | 2006.1.31-uu.jpg | data/raw/images/fulling_mill/2006 | Rim sherd of blue and white ceramic from a plate. The sherd is of the rim. It is decorated along the edge with hatched lines.The surface appears to be unusually matte, as opposed to the popular glazed surface. When the sherds are put together, it shows a landscape scene including a bridge and a boat on water. Small bridges and flowing water together is a popular motif for the Chinese as a representation of serenity and harmony, an appealing ideal state. Bamboo is also depicted in the scene. However, an interesting point is that the house in the scene appears to be western in style, with an open gable roof and a chimney. This object might have been produced specifically to the demand of western consumers._x000D__x000D_
_x000D__x000D_
This sherd shows none of the landscape scene. Only parts of the rim design can be seen._x000D__x000D_
_x000D__x000D_
This is found in the Claypath excavations of 1999 in preparation for the construction of the Millenium Place. The Chinese porcelain tablewares from a clearing out of a 18th century inn are among the most important artefacts from the site. These suggest that mid range to high end consumption was present, and that Europe’s rise in trade with East Asia had found its way to the North East. It also shows that 18th century chinoiserie, Europe’s fascination and fanciful interpretation of East Asian culture and art, had reached Durham. Blue and white porcelain is arguably the most recognised and popular type of Chinese ceramics for Western consumers at the time. Some of the better preserved porcelain wares are now kept and displayed at the Oriental Museum. | sherds | null | 127pottery
| Unknown | null |
|
durma.2006.1.31 | 2006.1.31-uu.jpg | data/raw/images/fulling_mill/2006 | Rim sherd of blue and white ceramic from a plate. The sherd is of the rim. It is decorated along the edge with hatched lines.The surface appears to be unusually matte, as opposed to the popular glazed surface. When the sherds are put together, it shows a landscape scene including a bridge and a boat on water. Small bridges and flowing water together is a popular motif for the Chinese as a representation of serenity and harmony, an appealing ideal state. Bamboo is also depicted in the scene. However, an interesting point is that the house in the scene appears to be western in style, with an open gable roof and a chimney. This object might have been produced specifically to the demand of western consumers._x000D__x000D_
_x000D__x000D_
This sherd shows none of the landscape scene. Only parts of the rim design can be seen._x000D__x000D_
_x000D__x000D_
This is found in the Claypath excavations of 1999 in preparation for the construction of the Millenium Place. The Chinese porcelain tablewares from a clearing out of a 18th century inn are among the most important artefacts from the site. These suggest that mid range to high end consumption was present, and that Europe’s rise in trade with East Asia had found its way to the North East. It also shows that 18th century chinoiserie, Europe’s fascination and fanciful interpretation of East Asian culture and art, had reached Durham. Blue and white porcelain is arguably the most recognised and popular type of Chinese ceramics for Western consumers at the time. Some of the better preserved porcelain wares are now kept and displayed at the Oriental Museum. | sherds | null | 127pottery
| Unknown | null |
|
durma.2006.1.31 | 2006.1.31-uu.jpg | data/raw/images/fulling_mill/2006 | Rim sherd of blue and white ceramic from a plate. The sherd is of the rim. It is decorated along the edge with hatched lines.The surface appears to be unusually matte, as opposed to the popular glazed surface. When the sherds are put together, it shows a landscape scene including a bridge and a boat on water. Small bridges and flowing water together is a popular motif for the Chinese as a representation of serenity and harmony, an appealing ideal state. Bamboo is also depicted in the scene. However, an interesting point is that the house in the scene appears to be western in style, with an open gable roof and a chimney. This object might have been produced specifically to the demand of western consumers._x000D__x000D_
_x000D__x000D_
This sherd shows none of the landscape scene. Only parts of the rim design can be seen._x000D__x000D_
_x000D__x000D_
This is found in the Claypath excavations of 1999 in preparation for the construction of the Millenium Place. The Chinese porcelain tablewares from a clearing out of a 18th century inn are among the most important artefacts from the site. These suggest that mid range to high end consumption was present, and that Europe’s rise in trade with East Asia had found its way to the North East. It also shows that 18th century chinoiserie, Europe’s fascination and fanciful interpretation of East Asian culture and art, had reached Durham. Blue and white porcelain is arguably the most recognised and popular type of Chinese ceramics for Western consumers at the time. Some of the better preserved porcelain wares are now kept and displayed at the Oriental Museum. | sherds | null | 127pottery
| Unknown | null |
|
durom.1975.8 | 1975.8.n.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | talismans | null | 114paper
| null | Korean peninsula |
|
durom.1975.8 | 1975.8.n.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | talismans | null | 114paper
| null | Korean peninsula |
|
durom.1975.8 | 1975.8.n.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | talismans | null | 114paper
| null | Korean peninsula |
|
durom.1975.8 | 1975.8.n.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | talismans | null | 114paper
| null | Korean peninsula |
|
durom.1975.8 | 1975.8.n.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | talismans | null | 114paper
| null | Korean peninsula |
|
durom.1973.22b.5 | 1973.22b.5.jpg | data/raw/images/oriental/1973 | Colour woodblock print, from an album entitled Shin bijin (True Beauties), depicting **: by Hashimoto Chikanobu, Japan, 1897 (Signed~: yoshu Chikanobu) | Woodblock Print | nishikie | 16Japanese paper
| Meiji Period | Tokyo |
|
durom.1973.22b.5 | 1973.22b.5.jpg | data/raw/images/oriental/1973 | Colour woodblock print, from an album entitled Shin bijin (True Beauties), depicting **: by Hashimoto Chikanobu, Japan, 1897 (Signed~: yoshu Chikanobu) | Woodblock Print | nishikie | 16Japanese paper
| Meiji Period | Tokyo |
|
durom.1973.22b.5 | 1973.22b.5.jpg | data/raw/images/oriental/1973 | Colour woodblock print, from an album entitled Shin bijin (True Beauties), depicting **: by Hashimoto Chikanobu, Japan, 1897 (Signed~: yoshu Chikanobu) | Woodblock Print | nishikie | 16Japanese paper
| Meiji Period | Tokyo |
|
durom.1973.22b.5 | 1973.22b.5.jpg | data/raw/images/oriental/1973 | Colour woodblock print, from an album entitled Shin bijin (True Beauties), depicting **: by Hashimoto Chikanobu, Japan, 1897 (Signed~: yoshu Chikanobu) | Woodblock Print | nishikie | 16Japanese paper
| Meiji Period | Tokyo |
|
durom.1973.22b.5 | 1973.22b.5.jpg | data/raw/images/oriental/1973 | Colour woodblock print, from an album entitled Shin bijin (True Beauties), depicting **: by Hashimoto Chikanobu, Japan, 1897 (Signed~: yoshu Chikanobu) | Woodblock Print | nishikie | 16Japanese paper
| Meiji Period | Tokyo |
|
durom.1969.702 | 1969.702.cu1.jpg | data/raw/images/oriental/1969 | Light cream coloured square shawl, embroidered with a dense framing border of floral motifs set into a scrolling framework. The colours used are pink, red, shades of blue, white, light green, yellow, and grey. | shawls | null | 169wool
| null | Jammu and Kashmir State |
|
durom.1969.702 | 1969.702.cu1.jpg | data/raw/images/oriental/1969 | Light cream coloured square shawl, embroidered with a dense framing border of floral motifs set into a scrolling framework. The colours used are pink, red, shades of blue, white, light green, yellow, and grey. | shawls | null | 169wool
| null | Jammu and Kashmir State |
|
durom.1969.702 | 1969.702.cu1.jpg | data/raw/images/oriental/1969 | Light cream coloured square shawl, embroidered with a dense framing border of floral motifs set into a scrolling framework. The colours used are pink, red, shades of blue, white, light green, yellow, and grey. | shawls | null | 169wool
| null | Jammu and Kashmir State |
|
durom.1969.702 | 1969.702.cu1.jpg | data/raw/images/oriental/1969 | Light cream coloured square shawl, embroidered with a dense framing border of floral motifs set into a scrolling framework. The colours used are pink, red, shades of blue, white, light green, yellow, and grey. | shawls | null | 169wool
| null | Jammu and Kashmir State |
|
durom.1969.702 | 1969.702.cu1.jpg | data/raw/images/oriental/1969 | Light cream coloured square shawl, embroidered with a dense framing border of floral motifs set into a scrolling framework. The colours used are pink, red, shades of blue, white, light green, yellow, and grey. | shawls | null | 169wool
| null | Jammu and Kashmir State |
|
durom.1950.42 | 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | 127pottery
| Meiji Period | Asakusa Temple |
|
durom.1950.42 | 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | 127pottery
| Meiji Period | Asakusa Temple |
|
durom.1950.42 | 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | 127pottery
| Meiji Period | Asakusa Temple |
|
durom.1950.42 | 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | 127pottery
| Meiji Period | Asakusa Temple |
|
durom.1950.42 | 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | 127pottery
| Meiji Period | Asakusa Temple |
|
durma.2020.1.26 | durma.2020.1.26.bb.jpg | data/raw/images/fulling_mill/2020 | A base, handle fragment and sherd from a Reduced Greenware 3\4 type jug. It is thought to be from a Baluster jug, made from a very fine light grey/brown fabric. From the 14th to early 15th century. | pottery | null | 127pottery
| Medieval and post-medieval | null |
|
durma.2020.1.26 | durma.2020.1.26.bb.jpg | data/raw/images/fulling_mill/2020 | A base, handle fragment and sherd from a Reduced Greenware 3\4 type jug. It is thought to be from a Baluster jug, made from a very fine light grey/brown fabric. From the 14th to early 15th century. | pottery | null | 127pottery
| Medieval and post-medieval | null |
|
durma.2020.1.26 | durma.2020.1.26.bb.jpg | data/raw/images/fulling_mill/2020 | A base, handle fragment and sherd from a Reduced Greenware 3\4 type jug. It is thought to be from a Baluster jug, made from a very fine light grey/brown fabric. From the 14th to early 15th century. | pottery | null | 127pottery
| Medieval and post-medieval | null |
|
durma.2020.1.26 | durma.2020.1.26.bb.jpg | data/raw/images/fulling_mill/2020 | A base, handle fragment and sherd from a Reduced Greenware 3\4 type jug. It is thought to be from a Baluster jug, made from a very fine light grey/brown fabric. From the 14th to early 15th century. | pottery | null | 127pottery
| Medieval and post-medieval | null |
|
durma.2020.1.26 | durma.2020.1.26.bb.jpg | data/raw/images/fulling_mill/2020 | A base, handle fragment and sherd from a Reduced Greenware 3\4 type jug. It is thought to be from a Baluster jug, made from a very fine light grey/brown fabric. From the 14th to early 15th century. | pottery | null | 127pottery
| Medieval and post-medieval | null |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | figures | 玉狻猊 | 28Smaragdite
| null | China |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | figures | 玉狻猊 | 28Smaragdite
| null | China |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | figures | 玉狻猊 | 28Smaragdite
| null | China |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | figures | 玉狻猊 | 28Smaragdite
| null | China |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | figures | 玉狻猊 | 28Smaragdite
| null | China |
|
durom.2000.18 | 2000.18-ff.jpg | data/raw/images/oriental/2000 | Fully embroidered Green Tara thangka. Purple silk cover still attached as are the two wooden poles | Thangka | thangka | 142silk
| Qing | China |
|
durom.2000.18 | 2000.18-ff.jpg | data/raw/images/oriental/2000 | Fully embroidered Green Tara thangka. Purple silk cover still attached as are the two wooden poles | Thangka | thangka | 142silk
| Qing | China |
|
durom.2000.18 | 2000.18-ff.jpg | data/raw/images/oriental/2000 | Fully embroidered Green Tara thangka. Purple silk cover still attached as are the two wooden poles | Thangka | thangka | 142silk
| Qing | China |
|
durom.2000.18 | 2000.18-ff.jpg | data/raw/images/oriental/2000 | Fully embroidered Green Tara thangka. Purple silk cover still attached as are the two wooden poles | Thangka | thangka | 142silk
| Qing | China |
|
durom.2000.18 | 2000.18-ff.jpg | data/raw/images/oriental/2000 | Fully embroidered Green Tara thangka. Purple silk cover still attached as are the two wooden poles | Thangka | thangka | 142silk
| Qing | China |
|
durom.2011.17 | 2011.17-ff.jpg | data/raw/images/oriental/2011 | Envelope "Hongbao" for Chinese new year lucky money. The front is gilt with a 4-character lucky saying "Zhao cai jin bao" (招财进宝, meaning "great fortune and treasures are to come"). There is a rabbit among peach blossoms in Chinese painting style, as 2011 is the year of Rabbit. Above there is the mark and logo of BNP Paribas. Business organisations distribute Red Envelopes with their logo as an advertisement. | envelopes | 红包 | 114paper
| Modern | Guangdong Province |
|
durom.2011.17 | 2011.17-ff.jpg | data/raw/images/oriental/2011 | Envelope "Hongbao" for Chinese new year lucky money. The front is gilt with a 4-character lucky saying "Zhao cai jin bao" (招财进宝, meaning "great fortune and treasures are to come"). There is a rabbit among peach blossoms in Chinese painting style, as 2011 is the year of Rabbit. Above there is the mark and logo of BNP Paribas. Business organisations distribute Red Envelopes with their logo as an advertisement. | envelopes | 红包 | 114paper
| Modern | Guangdong Province |
|
durom.2011.17 | 2011.17-ff.jpg | data/raw/images/oriental/2011 | Envelope "Hongbao" for Chinese new year lucky money. The front is gilt with a 4-character lucky saying "Zhao cai jin bao" (招财进宝, meaning "great fortune and treasures are to come"). There is a rabbit among peach blossoms in Chinese painting style, as 2011 is the year of Rabbit. Above there is the mark and logo of BNP Paribas. Business organisations distribute Red Envelopes with their logo as an advertisement. | envelopes | 红包 | 114paper
| Modern | Guangdong Province |
|
durom.2011.17 | 2011.17-ff.jpg | data/raw/images/oriental/2011 | Envelope "Hongbao" for Chinese new year lucky money. The front is gilt with a 4-character lucky saying "Zhao cai jin bao" (招财进宝, meaning "great fortune and treasures are to come"). There is a rabbit among peach blossoms in Chinese painting style, as 2011 is the year of Rabbit. Above there is the mark and logo of BNP Paribas. Business organisations distribute Red Envelopes with their logo as an advertisement. | envelopes | 红包 | 114paper
| Modern | Guangdong Province |
|
durom.2011.17 | 2011.17-ff.jpg | data/raw/images/oriental/2011 | Envelope "Hongbao" for Chinese new year lucky money. The front is gilt with a 4-character lucky saying "Zhao cai jin bao" (招财进宝, meaning "great fortune and treasures are to come"). There is a rabbit among peach blossoms in Chinese painting style, as 2011 is the year of Rabbit. Above there is the mark and logo of BNP Paribas. Business organisations distribute Red Envelopes with their logo as an advertisement. | envelopes | 红包 | 114paper
| Modern | Guangdong Province |
|
eg4387 | eg4387-uu.jpg | data/raw/images/egyptian/eg | ear stud in dark blue and pale blue glass with twisted glass thread design | Ear Stud | ear stud | 79glass
| New Kingdom | Egypt |
|
eg4387 | eg4387-uu.jpg | data/raw/images/egyptian/eg | ear stud in dark blue and pale blue glass with twisted glass thread design | Ear Stud | ear stud | 79glass
| New Kingdom | Egypt |
|
eg4387 | eg4387-uu.jpg | data/raw/images/egyptian/eg | ear stud in dark blue and pale blue glass with twisted glass thread design | Ear Stud | ear stud | 79glass
| New Kingdom | Egypt |
|
eg4387 | eg4387-uu.jpg | data/raw/images/egyptian/eg | ear stud in dark blue and pale blue glass with twisted glass thread design | Ear Stud | ear stud | 79glass
| New Kingdom | Egypt |
|
eg4387 | eg4387-uu.jpg | data/raw/images/egyptian/eg | ear stud in dark blue and pale blue glass with twisted glass thread design | Ear Stud | ear stud | 79glass
| New Kingdom | Egypt |
|
eg5242 | eg5242-ll.jpg | data/raw/images/egyptian/eg | pale blue faience openwork block throne | amulets | throne amulet | 74faience
| null | Egypt |
|
eg5242 | eg5242-ll.jpg | data/raw/images/egyptian/eg | pale blue faience openwork block throne | amulets | throne amulet | 74faience
| null | Egypt |
|
eg5242 | eg5242-ll.jpg | data/raw/images/egyptian/eg | pale blue faience openwork block throne | amulets | throne amulet | 74faience
| null | Egypt |
|
eg5242 | eg5242-ll.jpg | data/raw/images/egyptian/eg | pale blue faience openwork block throne | amulets | throne amulet | 74faience
| null | Egypt |
|
eg5242 | eg5242-ll.jpg | data/raw/images/egyptian/eg | pale blue faience openwork block throne | amulets | throne amulet | 74faience
| null | Egypt |
|
durom.1977.105.116 | 1977.105.116.jpg | data/raw/images/oriental/1977 | Lantern slide showing wealthy men sitting on the travelling chairs in Hakone. | Slide | null | 79glass
| Meiji Period | Japan (country) |
|
durom.1977.105.116 | 1977.105.116.jpg | data/raw/images/oriental/1977 | Lantern slide showing wealthy men sitting on the travelling chairs in Hakone. | Slide | null | 79glass
| Meiji Period | Japan (country) |
|
durom.1977.105.116 | 1977.105.116.jpg | data/raw/images/oriental/1977 | Lantern slide showing wealthy men sitting on the travelling chairs in Hakone. | Slide | null | 79glass
| Meiji Period | Japan (country) |
|
durom.1977.105.116 | 1977.105.116.jpg | data/raw/images/oriental/1977 | Lantern slide showing wealthy men sitting on the travelling chairs in Hakone. | Slide | null | 79glass
| Meiji Period | Japan (country) |
|
durom.1977.105.116 | 1977.105.116.jpg | data/raw/images/oriental/1977 | Lantern slide showing wealthy men sitting on the travelling chairs in Hakone. | Slide | null | 79glass
| Meiji Period | Japan (country) |
|
durom.2017.92 | 2017.92.1d1.jpg | data/raw/images/castle/2017 | Brown libation cup, carved as an open lotus._x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | cups | 角雕酒杯 | 84horn
| null | China |
|
durom.2017.92 | 2017.92.1d1.jpg | data/raw/images/castle/2017 | Brown libation cup, carved as an open lotus._x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | cups | 角雕酒杯 | 84horn
| null | China |
|
durom.2017.92 | 2017.92.1d1.jpg | data/raw/images/castle/2017 | Brown libation cup, carved as an open lotus._x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | cups | 角雕酒杯 | 84horn
| null | China |
|
durom.2017.92 | 2017.92.1d1.jpg | data/raw/images/castle/2017 | Brown libation cup, carved as an open lotus._x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | cups | 角雕酒杯 | 84horn
| null | China |
|
durom.2017.92 | 2017.92.1d1.jpg | data/raw/images/castle/2017 | Brown libation cup, carved as an open lotus._x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | cups | 角雕酒杯 | 84horn
| null | China |
|
durom.1966.14 | 1966.14-ff.jpg | data/raw/images/oriental/1966 | netsuke of Daruma. | netsukes | netsuke | 43bone
| null | Japan (country) |
|
durom.1966.14 | 1966.14-ff.jpg | data/raw/images/oriental/1966 | netsuke of Daruma. | netsukes | netsuke | 43bone
| null | Japan (country) |
|
durom.1966.14 | 1966.14-ff.jpg | data/raw/images/oriental/1966 | netsuke of Daruma. | netsukes | netsuke | 43bone
| null | Japan (country) |
|
durom.1966.14 | 1966.14-ff.jpg | data/raw/images/oriental/1966 | netsuke of Daruma. | netsukes | netsuke | 43bone
| null | Japan (country) |
|
durom.1966.14 | 1966.14-ff.jpg | data/raw/images/oriental/1966 | netsuke of Daruma. | netsukes | netsuke | 43bone
| null | Japan (country) |
|
eg5083 | eg5083-eg2785-ff-pc1.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 48bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-ff-pc1.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 48bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-ff-pc1.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 48bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-ff-pc1.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 48bronze
| null | Egypt |
|
eg5083 | eg5083-eg2785-ff-pc1.jpg | data/raw/images/egyptian/eg | flattened mirror disc in copper alloy, split at one edge. | mirrors | mirror disc | 48bronze
| null | Egypt |
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