The world Jones made
The World Jones Made is a 1956 science fiction novel by American writer Philip K. Dick, examining notions of precognition, humanity, and politics. It was first published by Ace Books as one half of Ace Double D-150, bound dos-à-dos with Agent of the Unknown by Margaret St. Clair. 

The World Jones Made is set in the year 2002 AD. On a then-future post-apocalyptic Earth, there was a devastating conflict that involved the use of atomic weapons. Many American cities were targeted, and the People's Republic of China (and Soviet Union) also collapsed, leading to the imposition of a Federal World Government (Fedgov).

In this particular dystopia, Relativism (a political theory having little to do with Einstein) emerged as the governing political orthodoxy. Relativism is said to be a moral and ethical philosophy that states everyone is free to believe what they wish, as long as they don't make anyone else try to follow that principle. Relativism has become established law after the destructiveness of the war unleashed by clashing ideologies. (However, dissidents from that orthodoxy do end up in forced labor camps). This sacrosanct principle is challenged by a man named Floyd Jones, whose assertions about the future prove correct.

Relativism enables legal consumption of drugs like heroin and marijuana, as well as watching live sex shows with hermaphrodite human mutants. Due to the mutagenic effects of radiation from wartime nuclear exchanges, mutants earn their living within the entertainment industry, although one group has been subjected to deliberate genetic engineering, which later enables them to settle (an inhabitable) Venus.

The novel addresses questions of Jones's agenda and trustworthiness as well as the decidedly ambiguous benefits of individual precognition.
Fiction, science fiction, general, FICTION / Science Fiction / General, FICTION / Literary, Precognition, Fiction
Philip K. Dick, Christopher Lane
Philip Kindred Dick was an American novelist, short story writer, and essayist whose published work during his lifetime was almost entirely in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states. In his later works, Dick's thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences and addressed the nature of drug abuse, paranoia and schizophrenia, and transcendental experiences in novels such as A Scanner Darkly and VALIS.

Source and more information: [Wikipedia (EN)](http://en.wikipedia.org/wiki/Philip_K._Dick)