context: 1. e2e4  1... c7c5  2. g1f3  2... d7d6  3. f1b5 The Moscow line is very popular nowadays. 3... b8d7 This move leads to a complex battle. 4. e1g1  4... a7a6  5. b5d3 The main variation. 5... g8f6  6. f1e1  6... e7e6  7. d3f1 This move scores better than 7.c3 at the moment. White intends to open the center as soon as possible. 7... b7b5 A common idea in the Sicilian, Black tries to develop first the queenside as comfortably as he can and only then proceeds with the completion of the kingside development. Still, keeping the king in the center for long is a risky strategy. 8. a2a4 White has a better chance to make use of the open files. 8... c8b7  9. d2d4  9... c5d4  10. a4b5  10... a6b5  11. a1a8  11... b7a8 All of this has been seen before, and this is a novelty, which will hardly attract followers. 12. f1b5  12... a8e4 More or less forced, but now Kasioumis is too far behind in the development. 13. f3d4  13... f8e7  14. c1g5 The pins prevent Black from castling. 14... d8a8  15. b1c3 The most obvious, developing move, which might have been based on an oversight. 15... e4g6 Once the bishop leaves the long diagonal, it is all over. 16. d4c6 Now the black king remains in the center, aimed at by all the white pieces. 16... e8f8  17. c6e7  17... f8e7  18. c3d5  18... e7f8  19. d5c7  19... a8d8  20. d1d6 It is essentially over. 20... d8e7  21. d6c6  21... f8g8  22. c7d5 Aesthetic and strong $1 22... e7f8  23. c6d7 Once more an artistic move $1 23... f6d5  24. c2c4  24... d5f6  25. d7d4 Antipov converts with ease. 25... f8e7  26. c4c5  26... h7h6  27. g5f4  27... g8h7  28. b5c4  28... h8c8  29. b2b4  29... e7a7  30. h2h3  30... a7a3  31. f4d2  31... a3a8  32. d2c3  32... c8d8  33. d4h4  33... d8d7  34. b4b5 There is no counterplay; the pawns are quickly marching toward the finish line. 34... a8c8  35. c5c6  35... d7d6  36. c3f6  36... g7f6  37. h4f6  37... c8g8  38. f6e5  38... d6d2  39. c6c7  39... d2c2  40. c4f1  40... g8c8 