'The Social Network': reviewed by Lawrence Lessig
I just got home from watching the movie, fired up HN and was pleased to see this review. But now I'm wondering if Lessig and I watched the same movie. I don't think it portrays the Zuckerberg character as evil or the others as victims.The Winkelvii, as the movie hilariously calls them, seem indignant not so much that their idea was "stolen" as that the geek refused to know his place, which presumably was to code things up for them in exchange for token equity. They're not bad guys, but they're angry that their skewed view of the world, with them naturally at the top, turns out wrong. The movie does not make it seem like the Zuckerberg character owes these dudes shit or that they could ever in 65 million years have created Facebook. They thought of an exclusive friends website merely because they were steeped in exclusivity to begin with. Only the Zuckerberg character grasps its real power. That's the meaning of the lightbulb moment where a friend asks him about a girl and he suddenly sees "relationship status" as a way for Facebook to address this need.The Saverin character (marvelously acted, by the way - who is that guy? - his emotional vibrancy is remarkable) is sympathetic but clueless, doggedly trying to turn Facebook into a small business that ekes out a bit of ad revenue. His dream for Facebook is that it be allowed to join the business club the way he personally craves admission into a prestigious student club. His happiest moment is when he gets an executive title; his main frustration that more mid-level ad execs don't throw him a few bones. The movie makes it clear that despite being "the business guy" he has no understanding of the business, whereas the Zuckerberg character grasps it instinctively, spends half the movie trying to explain it to him and finally gives up. On this point I think the movie gets startups right. I was rather astonished by that. The other point on which it gets startups -- and Facebook's significance as a startup -- right is in its emphasis on the founder as CEO. The contrast between Parker as the dot-com era founder who got deposed and Zuckerberg as a new generation of founder who retains control is pretty impressive historical precision on the part of filmmakers who presumably don't know much about startups.(Incidentally, it also gets technical details right: the references to wget and Emacs in the opening scene made my jaw drop for a moment.)As for Saverin, the movie consistently implies that he could never have remained part of Facebook, not because Zuckerberg is evil but because the abyss between the two of them is huge. Indeed, the tragic inevitability of their split is the core plot of the movie. (The Winkelvoss twins are mostly comic relief, and boy did those actors nail that.) It does, however, portray Saverin getting screwed out of his Facebook stock and Zuckerberg not doing anything about it; that was perhaps the one evil moment.Even the Sean Parker character is only half-bad. He's a bad boy, but that's a dramatic device: the movie badly needs some shaking-up by the time Timberlake appears and his character comes with the trickster energy to do it. Beyond that, though, the Sean Parker character is the only one who gets what Zuckerberg is doing, the only one who gives consistently good advice, and the one who acts as a midwife to Facebook's birth as a real startup.As for the Zuckerberg character, he's portrayed as an intense Asperger type who cares more about his vision than he does other people, but also more than money. The movie flirts with but eventually abandons the idea that he's motivated by petty revenge. His obsession is with making Facebook as big as it can get. I've never seen Zuckerberg as an Aspie type (and thought the actor overdid that aspect, going out of his way to hold the same furrowed expression the entire movie), but the obsession with making something great and refusal to let anything stand in its way are classic entrepreneurial qualities that the movie grants to Zuckerberg fully.I think Lessig is wrong about the trite moral he thinks the movie is imposing on the story. The movie doesn't advance that interpretation, it vividly portrays some of the characters advancing it. That's totally different. The movie per se isn't concerned with individual characters. Everyone is granted his/her perspective but no one has any absolute status. What it's about is The Social Network, not the online one, the real one.I went to this movie grudgingly and left surprised by how bad I didn't find it. Guess I shouldn't be, since David Fincher is my favorite working director (or would be if I could forget the execrable Benjamin Button); as Bob Mondello said on NPR the other night, I'd pay to watch him direct the phone book. Beyond that, the acting is unusually good all the way down to the cameos (except the Zuckerberg actor is too monotone). Where I really disagree with Lessig is about the writing, which he loved and which to me was ok-with-awful-bits: it's smart the way that "smartass" is smart and has way too many TV zingers. (Even those, though, were toned down from the script that was leaked. That horribly contrived line everyone was quoting a few months ago where a girl tells Zuckerberg that girls will always hate him because he's an asshole, I'm happy to report, never made it into the film. [<-- edit: oops! wrong!] Fincher has taste.)