One of the first Renaissance artworks to place heathen gods equally equally equally equally equally equally equally equally equally; with Christian figures, this complicated Neoplatonic masterpiece comments on the love of Giuliano de Medici for Simonetta Vespucchi and gives to illustrate the contemporary belief that love end in marriage.
One of the first Renaissance artworks to place heathen gods on equal footing with Christian figures, this complicated Neoplatonic masterpiece comments on the love of Giuliano de Medici for Simonetta Vespucchi and illustrates the contemporary belief that love ends in marriage.