Breezy
The first scene begins with a young couple awakening in bed, after a one-night stand. An older teen, Edith Alice “Breezy” Breezerman (Kay Lenz) hops out of bed, gets dressed, and steps into the daylight. Breezy lost her parents years before in an auto accident, and has taken the lifestyle of a homeless free-spirited hippie in California.
That same morning, Frank Harmon (William Holden) is bidding farewell to his overnight guest, a very beautiful blonde that openly shows interest in him. He is only humoring her as she leaves, and the audience gets the first sense of how detached he is emotionally. Middle-aged, divorced and wealthy from his work in real estate, Frank lacks for nothing material. His beautiful post-modern home is the setting for much of the movie.
After escaping a bad hitchhiked ride with an unstable stranger, Breezy loiters near Frank’s home, and runs to him as he’s leaving for work. She invites herself into his car and happily insists that he give her a ride to her destination. Again, we see the never-smiling Frank who is now annoyed by the insistence of this young and loquacious girl. Carefree and true to her name, Breezy steals the show with both her charm and her lack of self-awareness.
The next scenes develop their friendship, showing Frank’s jaded personality as he becomes slowly more loving toward Breezy. He takes a fatherly approach and gives her room/board, but never acts on sexual opportunities. In a separate side story, he’s conflicted about love lost: a woman named Betty Tobin (Marj Dusay). There is no formal backstory, but it’s clear that they have a history romantically. Betty seems to gently explain she is getting married to a man she very much loves, and Frank pensively accepts this news. There are discussions at their business lunch of how she has made certain life realizations, with an unsaid declaration that Frank is stunted emotionally. As Betty puts it, he’s “lost”. They part as friends, clearly showing that they have mutual respect.
Frank and Breezy’s relationship continues to strengthen platonically, and he protects her from trouble. He introduces her to the finer things in life, while Breezy stays true to her humility and charm. On a side note, Frank’s friend and workout buddy Bob Henderson (Roger C. Carmel) is grappling with his own mid-life crisis. He’s not able to end his devoid marriage, which could be perceived as proof that a constrained life is no life at all. Frank takes this into consideration, while still growing closer to Breezy. They consummate their relationship at his home, which is now the protective fortress that allows them to freely express their relationship.
Some of the conflicts in this plot are that Breezy maintains friendships with her own peers who are starkly opposite of Frank; they are hippies and carefree, “unwashed” as referenced by Frank. Frank’s friends are established and successful, and while they never seem to question his relationship with her, the imploring question of guilt is rampant in Frank’s mind. He cannot abide that he, at approximate age 50, is in a relationship with a teenager.
These conflicts eventually break him, after a sobering discussion with Bob in a sauna. Bob reveals that there is no way he himself could embark on such a relationship, as he might feel like a “child molester”. He has no intention of being insulting, and is in fact admiring Frank, but Frank’s facial expressions convey his own self-loathing. All of his shared joys with Breezy, such as their adopted stray dog and “us against the world” mentality, don’t stop them from parting ways. Frank simply cannot cope with the age issue.
Time goes on, and the final dramatic twist involves a death. It is this experience that brings Frank to an epiphany: life is short, and his own projected insecurities are his true enemies. He finds Breezy at a park, where they reunite and start their new life together.
melodrama