Flight of the Conchords
The series centres on the day-to-day lives and loves of two shepherds-turned-musicians, Jemaine Clemaine and Bret McClegnie (Jemaine Clement and Bret McKenzie, playing fictionalized versions of themselves), who have uprooted themselves from their native New Zealand to try to make it big as a folk duo in New York City. The two have frequent appointments with their officious and ineffectual band manager, Murray Hewitt (Rhys Darby), a Deputy Cultural Attaché at the New Zealand Consulate. Jemaine and Bret constantly fend off the amorous attentions of Mel (Kristen Schaal), a married woman who is their sole fan and stalker. Their friend Dave Mohumbhai (Arj Barker) works at a pawn shop and gives them advice on dealing with American women and culture. Other recurring characters include their landlord, Eugene (Eugene Mirman), Bret's short-term girlfriend Coco (Sutton Foster), Jemaine and Bret's ex-girlfriend Sally (Rachel Blanchard), Mel's husband Doug (David Costabile), and Murray's put-upon assistant Greg (Frank Wood).
Most episodes centre on the five main cast members. The antagonists outside of this small group are usually either Doug (Mel's husband), their girlfriends, or Australians (see "Bret Gives Up the Dream", "Sally Returns").
Jemaine or Bret break into song in each episode. The songs are built into the narrative structure of the show in several different ways. Some songs form part of the plot of the show. In these instances, Bret or Jemaine sing to another character. Other songs serve as the internal monologue of one of the two. Typically, at least once per show, a song is shot in the form of a music video. Some songs use a combination of the styles. For example, in the first episode, "Sally", the song "Most Beautiful Girl in the Room" is a mix of Jemaine's thoughts and his spoken invitations to Sally to get a kebab and to go back to his place. The music video for "Business Time" (from "Sally Returns") depicts a daydream that Jemaine is having. As the series evolved, other main characters also had their own musical interludes, depicted in a similar manner to Jemaine and Bret's own songs.
The enthusiastic manner in which the characters express themselves through song contrasts with the otherwise low-key tone of the show. Thus, when the characters cannot speak about their feelings, the songs serve as inner monologues.
absurd, humor, satire