Sarusuberi: Miss Hokusai
The manga story consists of episodes which are not necessarily connected to each other. They feature Ō-Ei and her life in Edo, as she works in the studio of her father. The younger sister appears in one of the episodes.
The anime story begins in Edo in 1814, during the Edo period. Ō-Ei is one of the four daughters of the painter Tetsuzo, who later became known as Hokusai. The film takes place at the moment when Ō-Ei reaches adulthood, while her father, aged about fifty, is already a recognized artist in his country. The studio in which they both work is completely cluttered, she goes to her mother's place to eat but spends the night in the studio. Tetsuzo is known for his famous painting skills, such as painting the Great Daruma or two sparrows on a grain of rice. Ō-Ei has the talent and obstinacy from her father. She paints often at her desk, without signing her work, in order to complete the orders. She does not get any recognition for her talent.
The film alternates episodes of the life of Ō-Ei and her father and the painters that visit, especially Zenjirō Ikeda (Keisai Eisen), who later became known for his bijin-ga, and Kuninao Utagawa. Several scenes feature Japanese mythology and Buddhism. After accidentally damaging a Japanese dragon painting that her father had to deliver the next day, Ō-Ei had to repaint the dragon herself. During the night, a heavy storm breaks out and the dragon descends from the clouds. This could be the story from the Tang period, according to which there is a technique for capturing a dragon in a painting. The topic of ikiryō is also depicted, such as when Tetsuzo's astral hands fly, or when they investigate rumours about a famous oiran in the Yoshiwara district, whose astral head tries to leave her body during the night. The Amitābha Pure Land Buddha is also a theme, such as when the wife of a patron is losing her mind because of a painting of jigoku (Buddhist hell) by Ō-Ei. Tetsuzo realizes that Ō-Ei did "not finish" the painting and he completes it by adding the image of the Amitābha, which finally gives the wife peace. The Buddha makes another appearance with two Bodhisattvas in a dream sequence.
The film also evokes the relationship between Ō-Ei, Tetsuzo and the half-sister of Ō-Ei, from her father's first marriage. She is a blind little girl by birth, but Tetsuzo, who is afraid of death and disease and hates the sick, does not visit her. It is Ō-Ei who takes care of her by taking her to Ryōgoku Bridge, describing the landscapes and making her touch, listen and feel the world. At the same time, Ō-Ei remains single and is not interested in romantic relationships. But her father entrusts her with orders for erotic shunga prints, and customers reproach Ō-Ei's drawings for being too coldly executed. She is intrigued by seduction, but ultimately is not interested.
When Ō-Ei's younger sister falls ill, she convinces her father to finally visit, and he even paints a picture of a protective deity. But the little girl does not recover and passes away. She enters the studio in the form a strong gust of wind, leaving behind on the floor a single tsubaki flower her older sister once gave her.
The film ends by indicating with a text displayed on the screen the fates of the main characters. Tetsuzo, who became Hokusai, died at the age of 90. Ō-Ei survived him for nine years and seems to have traveled all over, but no one knows where she died.
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