The Sensei
A Woman Warrior returns home. A Boy struggles to become a Man. Two destinies entertwine. The Master will give the final lesson. And the entire town will be changed by...The Sensei."You have a right to defend yourself against hatred"The story centers around McClain, a homosexual teenager who recently lost his lover to a lynch mob in a small, rural town in Colorado. Afraid for his life, he frequently tries to enlist in martial arts classes at a local dojo, only to have his applications mysteriously (read: deliberately) vanish. To further matters, the local minister turns the sermon at an Easter mass from the passion and resurrection of Christ to matters of Sodom and Gomorrah at the very sight of McClain and his mother entering the church to join in the ceremony. In the dojo's defense, they turn young McClain away not directly because of his sexual orientation, but because they fear losing their students over the matter. In fact, the family that runs the dojo has had some acceptance issues of their own to deal with, not just because of being Asian, but actually because of being multi-ethnic, with Irish, Asian, and even Filipino members and relatives. They're also of mixed faiths, with the grandparents devout Buddhists and one of their sons a Christian actively involved with the local church. The family has a very proud tradition of teaching the martial arts throughout the generations, a tradition that sadly is not open to the women of the family, as we learn when we are introduced to Karen O'Neil (played by the film's director D. Lee Inosanto), a black sheep of the family who returns to town to settle a small matter which is revealed later on in the film. McClain is cornered in the locker room after gym class and savagely beaten by the school bully, recently suspended from the football team (a move that lost him his scholarship, and the respect of his ex-convict brother). Desperate, McClain's mother approaches Karen and asks him to teach her son some fighting moves, in the hope he might have a fighting chance at defending himself. Karen is reluctant at first, but agrees to private lessons (emphasis on private, as Karen was denied her black belt thanks to the family's proud traditions), wherein she forms a strong and lasting bond with McClain. The lessons are put to the test when a fight breaks out in the school cafeteria, instigated by the bully (out on bail and awaiting a court hearing). McClain is able to subdue the attack, only to earn the scorn of the bully's older brother, who blames McClain for his brother's now-repeated incarceration. Things go south for Karen when her family finds out she's been teaching McClain, with her older brother the most (and, it turns out, only) disapproving, and she considers leaving town. McClain is devastated by her decision, and his attempts to outrun the pain sets him in the sights of the bully's intoxicated brother and his motley crew of hicks and hillbillies. Karen manages to come to the rescue in time, and the two just barely manage to hold their own against the brutes. As a result, everyone is hospitalized, but a small misunderstanding about bleeding wounds drives a wedge between McClain and Karen, leading him to think she's just as homophobic as everyone else. Karen's family arrives (even her disapproving older brother, now mellowed a bit) and Karen reveals the reason she came back has to do with her husband's death. She tells McClain that her husband, a boxer she'd previously said died of cancer, in reality had AIDS and passed it on to her (hence her concern over getting too close to McClain after she's severely wounded in the fight). What follows is how all these revelations are reconciled by the families, friends, and community at large.
good versus evil