Up Pompeii
The series is set in ancient Pompeii (pre-eruption). Howerd played a slave, Lurcio (pronounced Lurk-io); the other main characters were Lurcio's bumbling old master, Senator Ludicrus Sextus (initially Max Adrian and then Wallas Eaton), the senator's promiscuous wife Ammonia (Elizabeth Larner), his daughter Erotica (Georgina Moon) and his eternally virginal son Nausius (Kerry Gardner), along with the Cassandra-esque Senna the Soothsayer (Jeanne Mockford) and, in series one, Plautus (Willie Rushton). Guest stars included several actresses from the Carry On film series, including Barbara Windsor, Wendy Richard and Valerie Leon.
The format was little more than a backdrop for an endless series of double entendres and risqué gags. Howerd was central to most of the gags and he started each episode with a prologue — a "to camera" piece that was seldom concluded and rarely had anything to do with the episode's plot.
Thirteen 30-minute episodes were made, in two series (March – May and September – October 1970). In addition there was a pilot episode (1969) and two special episodes entitled Further Up Pompeii, one in 1975 and the other, written by Brian Leveson and Paul Minett, in 1991. The latter sparked speculation that there could be a new series, but Howerd's death in 1992 put an end to any such prospect.
Apart from the change to the actor playing Ludicrus Sextus, there are some differences between the two series of Up Pompeii, the second series using noticeably fewer sets than the previous. This may have been due to the second series being commissioned, filmed and broadcast within four months from the end of the first.
The series was recorded in front of a live studio audience, with whom Howerd interacted, breaking the fourth wall. Also, Howerd made anachronistic comments like "I don't use that glycerine rubbish" or "The BBC told me..." when such things didn't exist in ancient times. Howerd addressed the audience using asides that the other characters couldn't hear (a device that harks back to classical theatre), often commenting on the script, sometimes complaining that everyone else got the good lines.
historical fiction