Restoration
The film concerns a small furniture-restoration business in downtown Tel Aviv, Malamud & Fidelman. As the film begins, one of the partners (Malamud, played by Rami Danon) has died, and bequeathed his share in the business not to his longtime partner Yaakov Fidelman (Sasson Gabai), but to Yaakov's son Noah Fidelman (Nevo Kimhi).
The aging Yaakov is a skilled craftsman, who loves his work and keeps exacting standards. However, he has little sense for financial issues, which had always been taken care of by his dead partner. The business is going down, demand for Yaakov's services is falling off and banks refuse to give him loans. Noah, who had refused to follow in his father's footsteps and became a successful lawyer, is pressing Yaakov to retire and sell off the workshop – which could bring a lucrative profit as the area is undergoing a real-estate boom.
Yaakov is on the verge of reluctantly giving in when a mysterious young man named Anton (Henry David) gets a job in the workshop, and becomes Yaakov's apprentice, exhibiting considerable aptitude for and skill in the work. Little is revealed of Anton's antecedents; he had broken off relations with his family, for unknown reasons, and hides when his brother comes by seeking him. Anton comes up with a way of saving the failing business, or at least giving it a breathing spell: a broken down 19th Century German Steinway piano, which Anton discovered among old junk in the workshop, can be repaired and sold for a considerable sum.
Anton – who is also a gifted pianist – throws himself into the repair job, so determined to succeed that he resorts to stealing people's wallets in the street to gain money needed to buy materials. In effect, he stakes a claim to being Yaakov Fidelman's true son and heir, the one who continues the old man's lifework which his biological son had cast aside. As work on the piano progresses, the frustrated Noah steals into the workshop, but cannot bring himself to smash the piano.
The stakes in this rivalry are raised higher when Anton starts an affair with Noah's wife, Hava (Sarah Adler) – a sensitive and artistic young woman who is neglected by her busy husband, and who is heavily pregnant with Noah's child, Yaakov's grandchild.
Eventually, it is Yaakov Fidelman who must make the crucial choice between Anton's piano project and Noah's real-estate deal – and in effect, which of them does he recognize as his true son.
historical