Rachel, Rachel
Rachel Cameron (Joanne Woodward) is a shy, 35-year-old spinster schoolteacher living with her widowed mother in an apartment above the funeral home once owned by her father in a small town in Connecticut. School is out for summer vacation and Rachel figures it will just be another lonely and boring summer for her. (It's implied that she may even hate summer as her job provided somewhat of an escape from her domineering mother who's always trying to compare her to her sister who married a successful man). Fellow unmarried teacher and best friend Calla Mackie (Estelle Parsons) persuades her to attend a revival meeting, where a visiting preacher encourages Rachel to express her need for the love of Jesus Christ. Rachel is overwhelmed by God's grace, baring so much pent-up emotion, that she is humbled after the service; comforting her, Calla suddenly begins to kiss Rachel passionately. Is Calla a lesbian, bisexual, or did she merely react to the emotion of the moment? The film does not answer this question, but Rachel's reaction is to withdraw from the friendship for the time being.
Into the void steps Rachel's high-school classmate Nick Kazlik (James Olson), a fellow teacher who teaches at an inner city school in The Bronx who's in town to visit his parents for a couple weeks. Upon first seeing her in town, Nick had made a crude pass that Rachel rebuffed, but after the episode with Calla, she succumbs to his charms and has her first sexual experience. Mistaking lust for love, she begins to plan a future with Nick, who rejects her once he realizes she views their relationship as more than a casual and temporary affair. He rejects her softly by using a fake photo of a woman and a young child claiming that they are his wife and son back in New York. She later discovers through his mother that he isn't really married.
Believing that she is pregnant, Rachel plans to leave town and raise the child. With Calla's assistance, she finds another teaching job in Oregon, but before the summer ends, she learns that her symptoms actually are due to a benign cyst. She is bitterly disappointed. After undergoing surgery to have the cyst removed, she tells her mother, in the hospital, that she has decided to relocate, and that her mother may accompany her or not, as she wishes. Her mother quickly agrees to go, in a way that suggests she realizes her dependence on Rachel and perhaps even will take her less for granted from now on. Rachel sets out with hope for the future, having learned that she has choices, that she is able to give and receive sexual pleasure, that it is possible for her to take on life actively, rather than wait for it to find her.
The film is punctuated by brief flashbacks to Rachel's lonely childhood with a forbidding undertaker father and rather neglectful mother. Brief daydreaming sequences of the adult Rachel also appear, including those showing her imagining seizing a stolen moment with the school's possibly sexual-harassing principal; taking an underloved boy in her classroom home with her; and rocking the expected baby in a park while children play nearby.
tragedy, psychedelic, flashback