The Unsaid
"A seemingly-untroubled adolescent carries disturbing secrets that compel a psychiatrist to unearth the patient's gruesome past."
Psychiatrist Michael Hunter (Andy García) and his wife are watching their daughter Shelly's school play. Their son Kyle, who is suffering from depression, stays at home, because he can not stand being among people as he says. While the parents are applauding Shelly, Kyle commits suicide in family's garage.
Several years later the family has fallen apart because of their loss. Michael retreats, writes books, holds speeches for University students, but he no longer treats patients. When his former student Barbara Wagner approaches him asking for help with a case he initially refuses, but then gives in to taking over the case of 17-year-old Thomas "Tommy" Caffey (Vincent Kartheiser), who had had to watch his father murder his mother. It is Michael's job to decide if the teenager can leave the psychiatric facility when he turns 18. But while working with Tommy, Michael realizes how much the boy reminds him of his own son Kyle and feelings of guilt arise in the psychologist.
In flashbacks and conversations, the viewer receives background information of Kyle's suicide. Michael had his son see a therapist -- an old university friend named Harry Quinlan -- instead of taking medication. In his son's suicide letter, Michael finds out that Kyle was sexually abused by Quinlan. When Michael tries to confront Quinlan, the therapist won't unlock the front door. Michael goes to the glass back door, through which he sees Quinlan pull a gun out of a drawer. As Quinlan places the barrel in his mouth, Michael angrily yells at him to shoot himself, which the therapist does.
Tommy kills a girl at a party because she wanted to have sex with him. At the same party, Tommy befriends Shelly and they become closer. Shelly tells Tommy about Kyle. From then on, Tommy uses the information in therapy sessions and manipulates Michael, who more and more sees his own son in him.
When Michael visits Tommy's father in prison he finds out that Tommy's mother misused the boy as a lover and slept with him regularly. This is the reason why the father, who came home early one day, bludgeoned the mother to death.
In the last part of the movie, Tommy tries to make Barbara release him to an independent life. When she refuses, he pushes her through a glass window. After she crawls to a telephone and attempts to call police, Tommy beats her with the handset. He flees in a stolen car and, armed with a weapon, picks up Shelly from her mother's house and speeds away. Michael finds the severely wounded Barbara in her apartment. As she is being treated, Barbara warns Michael about Tommy's plan. Michael races to his ex-wife's house, narrowly missing the boy, whom he chases. The boy's flight comes to an end near train tracks, where he holds Shelly at gunpoint. Michael confronts Tommy with what his mother did and Tommy surrenders the girl and the gun. When a train approaches, Tommy tears loose from Michael's embrace and runs onto the tracks. At the last second, Tommy stops on the tracks, throws up his arms, and awaits impact. Michael grabs Tommy and they fall away from the locomotive.
In the closing scene, Michael and Tommy light-heartedly play handball at the institution.
revenge, murder, flashback