L'armata Brancaleone
The movie opens with a small Italian village being stormed by a band of Hungarian pillagers. When the murders and rapes are over, a German knight arrives and bravely kills the bandits. However, as he is healing his wounds he is attacked by two of the surviving villagers and one of the thieves. They throw the wounded knight into a river.
The attackers try to sell the knight's armor and weapons to a miserly Jewish merchant who finds among his belongings a letter of donation by the Holy Roman Emperor, granting the knight the fief of Aurocastro, an Apulian town. The parchment is torn at the lower end, which refers to a condition the knight must fulfill to enjoy the donation.
The Hungarian bandit comes up with the idea to propose a partnership to a cadet nobleman, so the group can take possession of the aforementioned fief and enjoy its riches. The knight they find is the poor and incompetent, yet well-meaning, Brancaleone da Norcia and they tell him that a noble knight handed them the parchment before dying. Brancaleone initially refuses the plan but after a farcical defeat at a jousting tournament that promised the hand of an overlord's daughter and a wealthy fief, he is too eager to take command of this "army" (L'Armata) of underdogs and lead it towards "fortune" and "glory", in what he sees as an epic journey.
As they set up towards the fief, Brancaleone lives several grotesque adventures, inspired by the confused and cosmopolitan world of Italy during Middle Ages; each one of them more hilarious than the last. These include:
a Byzantine knight, Teofilatto dei Leonzi (Gian Maria Volontè), who proposes to fake his capture by the band so they can demand and share a ransom from his father;
a city seemingly abandoned, which they begin to pillage, until they find out that it was depopulated by plague;
a fanatical mad monk, Zenone (Enrico Maria Salerno), who promises that those who join his army of Crusaders will be "healed" from all ills, having the band follow him to a crusade in the Holy Land. When trying to convince his followers to cross a precarious bridge by leaping upon it (crying out loud that the Lord would protect them), the monk falls down into a deep gorge - this releases the band to follow their previous quest;
the saving of a bride named Matelda (Catherine Spaak), who falls in love with Brancaleone, but is rejected by him due to his oath to take her to her groom; to Brancaleone's misfortune, she avenges herself by losing her virginity to the Byzantine knight (by then a member of the gang); later, while the 'army' is relaxing at her nuptial feast her husband finds out about her state and she accuses Brancaleone of deflowering her.
giving in to Teofilatto's plan the army arrives at his father's castle to demand a ransom. His father refuses to pay, revealing that Teofilatto is his illegitimate child; meanwhile Brancaleone has to fend off the sadomasochistically-fueled passion of Teofilatto's aunt, just one example of the cross-bred, decadent Byzantine household.
When finally the band reaches the fief, they discover that the missing part of the parchment mentioned that condition for the granting of the fief was that its new ruler should have provided adequate defences against the "black scourge coming from the sea", frequent raids by Saracen corsairs. Brancaleone designs a cartoonish Rube Goldberesque trap to defeat the Saracens, but instead the band ends up trapped in it. As the band is about to be executed by impalement, it is saved by the knight of the opening scenes, the rightful owner of the fief, thirsty for vengeance against his attackers.
Brancaleone (who did not know about the attack on the knight) and his army are about to be burned alive when the mad monk arrives out of the blue and saves them from the knight, "so they can fulfill their duty to go onto the Holy Land". Being deprived of his dreams of richness, Brancaleone-Gassman and his band agree to go along with the monk and his followers, saving themselves. Albeit sad, when he finds his untrustworthy horse, Brancaleone mounts and regains his confidence, taking the lead from the monk. The story is continued in a follow-on film, Brancaleone alle Crociate (1970).
cult