Vargtimmen
During the opening credits, Bergman can be overheard giving instructions to and discussing with his staff while preparing a shot.
The film is framed through the account of Alma (Ullmann), who addresses the audience directly. She tells of her husband's disappearance, which is explored in a flashback constructed of his diaries and her words.
Painter Johan Borg (von Sydow) and his young wife Alma live on the small island of Baltrum, where he seeks rest after a crisis which is not detailed. He is regularly approached by odd and suspicious people. He confides to Alma that he believes them to be demons, and begins to give names to them, including the Bird-Man, the Insects, the Meat-Eaters, the Schoolmaster (with pointers in his trousers) and The Lady With a Hat. Also, his insomnia grows worse. On the nights when Johan cannot sleep, Alma stays awake by his side.
One day, an old lady stops by the house and tells Alma to read Johan's diary, which he hides under his bed. Alma discovers that Johan is not only haunted by the real or imaginary strangers, but also by images of his former lover, Veronica Vogler (Ingrid Thulin).
The couple are approached by a Baron von Merkens (Erland Josephson), who lives in a nearby castle. The painter and his wife visit them and their surreal household. After dinner, the baron's wife (Gertrud Fridh) shows the couple into her bedroom, where on display is a portrait of Veronica by Borg. The painting appears to be so beautiful, the baron's wife proclaims, "It has become like a part of my solitary life. I love her." After Johan and Alma leave the castle, she confesses to him her fear of losing him to the demons, but also her will not to give up easily.
A superimposed title "Hour of the Wolf" marks the end of part one and the beginning of the second part. Again, Alma stays awake with Johan who cannot sleep. He tells her of the "vargtimmen" ("Hour of the Wolf"), during which, he says, most births and deaths occur. He also recounts his desperate love affair with Veronica and his childhood trauma of being locked into a cupboard where, as his parents said, a small man lived who fed on children's toes. Then he recalls a confrontation with a small boy which occurred some time ago and culminated in his killing of the boy. Whether this encounter actually took place or is imaginary is never revealed. Alma is shocked by Johan's confessions.
One of von Merken's guests shows up at the couple's house to invite them to another party at the castle, pointing out that Veronica Volger is among the invited guests. He places a pistol on the table, to protect them against "small animals", and leaves. Johan and Alma get into a fight over his obsession with Veronica. Johan finally picks up the pistol, shoots Alma and runs to the castle.
Johan attends the party. The baron's guests, all of whom previously attended, are revealed to be the demons that Johan described to Alma. As he rushes through the castle searching for Veronica, he meets the prophesied "Bird-Man", who applies cosmetics to his pale face and dresses him in a silk robe. He then leads Johan to her. Johan is humiliated as he finds the reunion a jest, with Veronica and the baron's guests laughing at his sincere, passionate display of love. Incredulous, he declares, "I thank you, the limit has finally been transgressed. The mirror has been shattered. But what do the splinters reflect?" Johan is physically attacked by the demons and flees into underbrush.
In the last act, Alma searches the forest for her husband. She witnesses the attacks on him, before he finally disappears, leaving her alone in the woods.
In the final scene, Alma addresses the camera, "Is it true that a woman who lives a long time with a man eventually winds up being like that man? I mean, she loves him, and tries to think like him, and see like him? They say it can change a person. I mean to say, if I had loved him much less, and not bothered so of everything about him, could I have protected him better?"
gothic, murder, violence, atmospheric, flashback, insanity, psychedelic