Pietro was suspicious of formal art training, art history training, because he feared that it filled people up with jargon, and then they just classified things rather than looking at them, and he wanted to remind us that all art was once contemporary, and he wanted us to use our eyes, and he was especially evangelical about this message, because he was losing his sight.
彼得罗质疑这些正儿八经的艺术培训和 艺术史教学，因为他担心 这种教育让学生限于教条，最后他们只学会了 如何去鉴别，而不是鉴赏， 他想提醒我们，所有艺术都曾是“当代艺术”， 他希望我们用双眼去直接感受， 他尤其热衷于传播这一理念， 因为他的视力正在衰退。