Michelangelo soon found that thanks to the printing press, complaints about the nudity spread all over the place, and soon his masterpiece of human drama was labeled pornography, at which point he added two more portraits, one of the man who criticized him, a papal courtier, and the other one of himself as a dried up husk, no athlete, in the hands of a long-suffering martyr.
米开朗基罗马上发现 因为印刷技术的出现 关于裸体的投诉日嚣尘上 他关于人类戏剧的伟大作品 被打上了色情的标签。 也是这个时候他决定加上 两个画像， 一个是抨击他的教皇助手 另一个则是他自己 一点都不强壮却干得像个皮囊 被一位 饱经辛酸的殉道者握在手里。