And indeed, while we've tended to polarize the amateur from the professional, the single most exciting development in the last five to 10 years has been the rise of the professional hybrid artist, the professional artist who works, not primarily in the concert hall or on the stage; but most frequently around women's rights, or human rights, or on global warming issues or AIDS relief for more -- not out of economic necessity,
而事实上，在我们倾向于把 业余者从专业人员中分离出来时， 近五年到十年来 最令人激动的 进展就是 专业的复合型艺术家的兴起， 这些专业艺术家， 主要不是在音乐厅或是舞台上表演 而常常为 女权、人权、 全球变暖问题或AIDS救助等表演， 他们并不是出于经济上的需求，