Saddled in the performing arts as we are, by antiquated union agreements that inhibit and often prohibit mechanical reproduction and streaming, locked into large facilities that were designed to ossify between artist and audience most appropriate to the 19th century and locked into a business model dependent on high ticket revenues, where we charge exorbitant prices.
我们背负着表演艺术，通过陈旧的联盟协议 这协议阻止，常常禁止 机械性的复制和传播， 我们被困在庞大的设施之中， 这些设施旨在 使艺术家和观众间 的理想关系变得僵化 这在十九世纪有最佳的体现 把我们困在了依赖于高票房收入的商业模式中， 在这种模式中我们收取了过高的票价，