I called it "Serious Nonsense" because on the serious side, I use a technique of painstaking realism of editorial illustration from when I was a kid. I copied it and I never unlearned it -- it's the only style I know. And it's very kind of staid and formal.
我叫它“严肃的胡说”，因为从严肃的一面来说， 我用一种细致的现实主义手法进行社论式地描绘 是我还小的时候学的，我反复使用它，从没放弃过。 这是我知道的唯一一种画风。它是很保守很正统的。