And at the very core of this crisis of mine, I felt somehow the life of music had chosen me, where somehow, perhaps possibly in a very naive sense, I felt what Skid Row really needed was somebody like Paul Farmer and not another classical musician playing on Bunker Hill.
Chiar în mijlocul acestei crize, simţeam cumva că spiritul muzicii m-a ales pe mine atunci când, poate într-un sens naiv, simţeam că Skid Row avea nevoie de cineva ca Paul Farmer, nu de încă un interpret de muzică clasică ce cânta pe Bunker Hill.