And Chiharu, like Tomás Saraceno, fills these rooms with this dense network, this dense web of elastic ropes and black wool and thread, sometimes including objects, as you can see here, sometimes even including people, in many of her installations.
セラチーノ同様 彼女も部屋を ゴムロープや黒い毛糸や糸の 緻密なネットワークで埋め尽くし 作品の多くで ご覧のように 時には物体を取り込み 時には 人間さえ取り込みます