It's important that we don't edit the timeline, and it's also important that what we make Slow TV about is something that we all can relate to, that the viewer can relate to, and that somehow has a root in our culture.
C'est important de ne pas faire de montage. Et c'est important aussi que les thèmes de Slow TV soient des choses dont nous pouvons tous nous sentir proches, qui aient des racines culturelles.