ego PRON51NOMSC ver N21DATSM omn ADJ32ACCSCPOS eloquenti N11ACCSF omn ADJ32NOMPCPOS que CONJ e PRON41GENSX part N33NOMPF sacr ADJ12ACCPFPOS et CONJ venerabil ADJ32NOMPCPOS put ADJ11DATSMPOS nec ADVPOS sol N22NOMSN cothurn N21ACCSM vestr PRON53GENPC aut CONJ heroic ADJ11GENSMPOS carmin N32GENSN son N21ACCSM sed CONJ lyric ADJ11GENPMPOS qu PRON10ABLSM iucunditat N31ACCSF et CONJ eleg N21GENPM lascivi V41PRESACTIVESUB2S et CONJ iamb N21GENPM amaritudin N31ACCSF et CONJ epigrammat N32GENPN lus VPAR31NOMSMPERFPASSIVEPPL et CONJ qu PRON10ACCSF ali ADJ15ACCSFPOS speci N51ACCSF eloqu VPAR31NOMPNPRESPPL hab V21PRESACTIVESUB3S antepon VPAR31ACCSFFUTPASSIVEPPL ceter ADJ11DATPXPOS ali ADJ15GENPFPOS art N33GENPF studi N24LOCPN cred V31PRESACTIVEIND1S
My belief is that there is something sacred and august about every form and every department of literary expression: I am of the opinion that it is not only your tragic buskin or the sonorous epic that we ought to exalt above the pursuit of non-literary accomplishments, but the charm of lyric poetry as well, and the wanton elegy, the biting iambic, the playful epigram, and in fact all the other forms in which eloquence finds utterance.
final_alignments\Tacitus_Dialogus.json