qu PRON10NOMSN ill PRON61NOMSM alt V11PRESPASSIVESUB1S aequ ADJ11VOCSMPOS nobil ADJ32NOMSCPOS pictor N31NOMSM luctuos ADJ11NOMSNPOS immolat VPAR11GENSFPERFPASSIVEPPL Iphigeniae OTHER sacrifici N24NOMSN refer VPAR32NOMSXPRESACTIVEPPL cum ADVPOS Calchantem OTHER trist ADJ32ACCSCPOS maest ADJ11NOMSNPOS ulix N33LOCSM n V21PRESACTIVEIMP2S clam VPAR11ACCSCPRESACTIVEPPL Aiacem OTHER lament VPAR11ACCSCPRESACTIVEPPL Menelaum OTHER circ V11PRESACTIVEIMP2S ar N11ACCSF statu V31PLUPACTIVESUB3S caput N32NOMSN Agamemnonis OTHER involv VPAR31DATSMFUTPASSIVEPPL nonne ADVPOS sum ADJ00GENSMSUPER maeror N31GENSM acerbitat N31ACCSF art N33LOCSF non ADV poss V52PRESACTIVEINF0X exprim V31PRESPASSIVEINF0X confess VPAR21NOMSMPERFPPL est V51PRESACTIVEIND3P itaque ADVPOS pictur N11NOMSF e PRON41GENSX haruspic N31GENSM et CONJ amic N21GENSM et CONJ fratr N31GENSM lacrim N11LOCPF mad V21PRESACTIVEIND3S patr N31GENSM flet VPAR21NOMSNPERFPASSIVEPPL spect VPAR11GENSXPRESACTIVEPPL adfect N41ABLSM aestim VPAR11NOMSNFUTPASSIVEPPL reliqu V31PERFACTIVEIND3S
Consider too that other no less famous painter who portrayed the grievous sacrifice of immolated Iphigenia, placing a sad Calchas, a mournful Ulysses, and a lamenting Menelaus around the altar. Did he not confess by veiling Agamemnons head that the bitterness of deepest grief cannot be expressed in art? So his painting is wet with the tears of the soothsayer and the friend and the brother, but left the fathers weeping to be judged by the emotion of the spectator.
final_alignments\Valerius_Memorable_Book8.json