ex PREPABL h PRON31DATPX trigon N21LOCPM cui ADJ11NOMSMPOS lat VPAR32NOMSMPERFPASSIVEPPL fuerit V51PRESACTIVEIND3P proxi ADJ00NOMSNSUPER scaen N11GENSF e V11PRESACTIVEIMP2S region N31LOCSF qu PRON10NOMSF praecid V31PRESACTIVEIND3S curvat VPAR11ACCSFFUTACTIVEPPL circination N31GENSF ibi ADVPOS fini V41PRESPASSIVESUB3S scaen N11GENSF frons N33NOMSF et CONJ ab PREPABL e V11PRESACTIVEIND1S loc N21DATSM per PREPACC centr N22NOMSN parallel N21ACCPM line N11NOMSF duc V31PRESPASSIVESUB3S qu PRON10NOMPF disiung V31PRESACTIVESUB3S proscaeni N24GENSN pulpit N22NOMSN et CONJ orchestr N11GENSF region N31ACCSF
Of these triangles the side of that which is nearest the scene, will determine the front of the scene, in the part where it cuts the curve of the circle. Through the centre of the circle a parallel line is drawn which is to divide the platform of the proscenium from the orchestra.
final_alignments\Vitruvius_Architecture_Book_5.json