membr N22NOMPN omn ADJ32NOMPNPOS qu PRON10NOMPF supra ADVPOS capitul N22NOMPN column N11GENPF s V51PRESACTIVEIND3P futur ADJ11NOMSFPOS i PRON41NOMSN es V73PRESACTIVEIND3S epistyli N22NOMPN zophora OTHER coron N11GENSF tympan N22NOMPN fastigi N24NOMPN acroteri N22NOMPN inclin VPAR11NOMPNFUTPASSIVEPPL sunt V51PRESACTIVEIND3P in PREPABL front N33GENSC su ADJ11GENSFPOS cu PRON10GENSX altitudin N31GENSF part VPAR31VOCSMPERFPASSIVEPPL xii NUM20XXXCARD ideo ADVPOS qu PRON10NOMSN cum ADVPOS stet V11PERFACTIVESUB1P contra ADVPOS front N33NOMPC ab PREPABL ocul N21DATSM line N11GENSF du NUM12NOMPFCARD si CONJ extens VPAR31NOMPFPERFPASSIVEPPL fuerint V51PRESACTIVEIND3P et CONJ un NUM11NOMSFCARD tetig V31PERFACTIVESUB3S i ADJ00ACCSFSUPER oper N11LOCPF part N33ACCSF alter ADJ14NOMSFPOS sum ADJ00ACCSFSUPER qu PRON10NOMPF sum ADJ00ACCSFSUPER tetig V31PERFACTIVESUB3S longi ADJ11NOMSCCOMP fi V33FUTACTIVEIND3S
All the features which are to be above the capitals of the columns, that is to say, architraves, friezes, cornices, tympana, pediments, acroteria, are to be inclined towards their fronts by a twelfth part of their height; because when we stand against the fronts, if two lines are drawn from the eye, and one touches the lowest part of the work, and the other the highest, that which touches the highest, will be the longer.
final_alignments\Vitruvius_Architecture_Book_3.json