qu PRON10DATPX enim CONJ ignor V11PRESACTIVESUB3S cunct N11LOCPF aut CONJ artific N31LOCPC aut CONJ art N33LOCPF maxi ADJ11NOMSNSUPER decus N32NOMSN us N41ABLSM veni V61PRESACTIVEINF0X cumque ADVPOS studi N24NOMPN consuet VPAR21NOMSFPERFPASSIVEPPL non ADV frequent V11PRESPASSIVEIND3P brachi N24NOMPN in PREPABL corpor N32LOCPN ingeni N22NOMPN pigresc V31PRESACTIVEINF0X in PREPABL art N33LOCPF unde ADVPOS es V73PRESACTIVEIND3S et CONJ ill PRON61NOMSN qu PRON10NOMSN ser N22DATSN corrept VPAR31NOMSMPERFPASSIVEPPL aut CONJ rar ADJ11DATSMPOS plus ADVCOMP arc N41NOMSM man N41DATSF iug N22DATSN bos N31NOMSC equ N21NOMSM fren N21DATSM rebell V11PRESACTIVEIND3S
Who could fail to know that to all arts and artists the highest distinction accrues by practice and that, when the accustomed exercise is not frequently repeated, the arms in our bodies and our talents in the arts lose their aptitude? Hence it is that a bow when used late or infrequently is less responsive to the hand, and similarly an ox to the yoke and a horse to the bridle.
final_alignments\Sidonius_Letters_Book9.json