postea ADVPOS ingress VPAR31NOMPMPERFPPL sunt V51PRESACTIVEIND3P ut CONJ etiam CONJ aedifici N24GENPN figur N11ACCPF column N11GENPF et CONJ fastigi N24GENPN emin VPAR21NOMPCPRESACTIVEPPL proiect VPAR31ACCPFFUTACTIVEPPL imit V11IMPFPASSIVESUB3P pat VPAR21DATPXPRESACTIVEPPL autem CONJ loc N21LOCPM ut V31PRESINF0X exhedr N11LOCPF propter PREPACC amplitudin N31NOMPF pariet N31GENPM scaen N11GENPF front N33NOMPC tragic ADJ11DATSMPOS mor N21VOCSF aut CONJ comic N21DATSM seu CONJ  design V11IMPFACTIVESUB3P ambulation N31LOCPF ver N21DATSM propter PREPACC spati N24NOMPN longitudin N31GENSF varietat N31LOCPF topiorum OTHER orn V11IMPFACTIVESUB3P a ADV cert N22LOCPN loc N21GENPM proprietat N31LOCPF imagin N31NOMPF exprim VPAR31NOMPCPRESACTIVEPPL ping V31PRESPASSIVEIND3P enim CONJ port N41NOMSM promunturi N24NOMPN litor N32NOMPN flumin N32NOMPN font N33NOMPM eurip N21GENSM fan N22NOMPN luc N21GENSM mont N33NOMPM pecor N32NOMPN pastor N31NOMPM
Then they proceeded to imitate the contours of buildings, the outstanding projections of columns and gables; in open spaces, like exedrae, they designed scenery on a large scale in tragic, comic, or satyric style; in covered promenades, because of the length of the walls, they used for ornament the varieties of landscape gardening, finding subjects in the characteristics of particular places; for they paint harbours, headlands, shores, rivers, springs, straits, temples, groves, hills, cattle, shepherds.
final_alignments\Vitruvius_Architecture_Book_7.json