quippe ADVPOS in PREPABL omn ADJ32DATPXPOS man N41ABLSF faci VPAR31DATPXFUTPASSIVEPPL imagin N31LOCPF oper N11NOMSF diutin ADJ11NOMSFPOS sum V31PRESPASSIVEIND3S neque ADVPOS tamen ADVPOS similitudo N31NOMSF aequ ADJ11VOCSMPOS ut CONJ in PREPABL specul N11LOCPF compar V11PRESACTIVESUB3S de V51PRESACTIVEIND3S enim CONJ et CONJ lut VPAR31DATSMPERFPASSIVEPPL vigor N31NOMSM et CONJ sax N22DATSN col V11PRESPASSIVEIND1S et CONJ pictur N11GENSF rig V11PRESPASSIVEIND1S et CONJ mot N41NOMSM omn ADJ32DATPXPOS qu PRON10NOMPM praecipu ADJ11NOMSFPOS fid N51GENSF similitudin N31ACCSF repraesent V11PRESACTIVEIND3S cum ADVPOS in PREPABL e V11PRESACTIVEIND1S vis V31PRESPASSIVEIND3S imago N31NOMSF mir ADJ11VOCSMPOS relat VPAR32NOMSFPERFPASSIVEPPL ut CONJ simil N11LOCPF it VPAR61NOMSFPERFPASSIVEPPL mobil ADJ32NOMSCPOS et CONJ ad ADVPOS omn ADJ32ACCSCPOS nut VPAR31NOMSNPERFPASSIVEPPL homin N31GENSM su N21GENSM moriger ADJ11NOMSFPOS
For all representations that have to be handmade require lengthy effort, and even so the resemblance does not appear as it does as in a mirror. For clay lacks liveliness, stone color, painting relief, all lack motion, and motion reproduces likeness with especial fidelity, since it is through motion that we see an image wonderfully rendered, as mobile as it is precise, and obedient to the movers every gesture.
final_alignments\Apuleius_Apologia.json