it VPAR61NOMSFPERFPASSIVEPPL tr NUM13DATPXCARD centr N22LOCPN h PRON31ABLSF descriptio N31NOMSF n V21PRESACTIVEIMP2S ampli ADJ11ACCSCCOMP hab V21PRESACTIVEIND3P orchestr N11ACCSF graec N21GENSM et CONJ scaen N11ACCSF recessi ADJ00ACCSCCOMP minor N31LOCSM que CONJ latitudi OTHER n V21PRESACTIVEIMP2S pulpit N22NOMSN qu PRON10NOMSN logeio OTHER n V21PRESACTIVEIMP2S appell V11PRESACTIVEIND3P ideo ADVPOS qu PRON10NOMSN apud PREPACC e PRON41ACCPM tragic ADJ11GENSMPOS et CONJ comic N21GENSM actor N31NOMPM in PREPABL scaen N11NOMSF perag V31PRESACTIVEIND3P reliqu V31PERFACTIVEIND1S autem CONJ artific N31NOMPC su ADJ11ACCPFPOS per PREPACC orchestr N11ACCSF praest V11PRESACTIVEIND3P action N31NOMPF itaque ADVPOS ex PREPABL e V11PRESACTIVEIND1S scaenic N21GENSM et CONJ thymelic N21GENSM graec N21VOCSM separatim ADVPOS nomin V11PRESPASSIVEIND3P
Thus the Greeks have a wider orchestra, drawn from these three centres. The scenery is more recessed. The stage is narrower: this they call logeion (speaking-place), for the reason that the tragic and comic actors deliver their speeches on the stage. The other artists carry on their action in the orchestra. Hence the Greek gives them separate names: stage players and chorus (scaenici et thymelici).
final_alignments\Vitruvius_Architecture_Book_5.json