simul ADVPOS et CONJ si CONJ mor N11LOCPF es V73PRESACTIVEIND3S regul N11GENPF ut CONJ ex PREPABL materi N11NOMSF omn ADJ32DATSXPOS usurp V11PRESPASSIVESUB3P princip ADJ31NOMPNPOS dic VPAR31GENSMFUTPASSIVEPPL cur ADVPOS h PRON31NOMSM qu PRON10ABLSM qu PRON10NOMSN m PRON51DATSC sermocinat VPAR11DATSMFUTPPL materi N11NOMSF longi ADJ11NOMSNCOMP quaer V31PRESPASSIVESUB3S expet V31PRESPASSIVESUB3S que CONJ nisi CONJ ut CONJ sermon N31LOCSM nostr N23DATSM s V51PRESACTIVESUB3S ips PRON62NOMSM pro PREPABL caus N11NOMSF cu PRON10DATSX esse V51FUTACTIVEIND3S noster N23NOMSM sermo N31NOMSM pro PREPABL sarcin N11NOMSF
Besides, if the established rules allow a composition to start from any sort of material, why in the preparation of a casual screed should I go out of my way in seeking and searching for material instead of making the subject of my screed Amantius himself, whose luggage will be this screed of mine?
final_alignments\Sidonius_Letters_Book7.json