un NUM11NOMSFCARD neque ADVPOS mult N22GENPN ann N21GENPM spati N24DATSN divis VPAR31NOMSFPERFPASSIVEPPL aetas N31NOMSF per PREPACC divin N21GENSM spirit N41NOMSM vir N23ACCPM Aeschylum OTHER sophocl N33LOCSM n V21PRESACTIVEIMP2S Euripide OTHER n V21PRESACTIVEIMP2S inlustrav V11PERFACTIVEIND3S tragoedi N11ACCSF un NUM11NOMSFCARD prisc ADJ11ACCSFPOS ill PRON61ACCSF et CONJ veter V11PRESACTIVESUB1S sub PREPABL cratin ADJ11DATSMPOS Aristophane OTHER que CONJ et CONJ Eupolide OTHER comoedi N11ACCSF ac CONJ nov ADJ11ACCSFPOS comic ADJ11ACCSFPOS Menander OTHER aequal ADJ32NOMPCPOS que CONJ e PRON41GENSX aetat N31GENSF mag N21LOCPM qu PRON10ACCSF oper N11LOCPF Philemo OTHER ac CONJ Diphilus OTHER et CONJ inven V41PERFACTIVEIND3P intr V11PRESACTIVEIMP2S paucissi ADJ11ACCPMSUPER ann N21ACCPM neque ADVPOS imit VPAR11ACCSFFUTPASSIVEPPL reliqu V31PERFACTIVEIND3P
A single epoch, and that only of a few years duration, gave lustre to tragedy through three men of divine inspiration, Aeschylus, Sophocles, and Euripides. So, with Comedy, a single age brought to perfection that early form, the Old Comedy, through the agency of Cratinus, Aristophanes, and Eupolis; while Menander, and Philemon and Diphilus, his equals in age rather than in performance, within the space of a very few years invented the New Comedy and left it to defy imitation.
final_alignments\Velleius_Paterculus_Compendium.json