non ADV usquam ADVPOS clari ADJ11NOMSCCOMP ill PRON61ABLSM glori N11NOMSF pictur N11GENSF saecl N22DATSN non ADV aer N11NOMSF iuv V11IMPFACTIVEIND3S asc V41PRESACTIVEINF0X ex PREPABL Ephyre OTHER fulv ADJ11DATSMPOS certav V11PERFACTIVESUB3S aur N22DATSN vest N11LOCPF spir VPAR11NOMPCPRESACTIVEPPL refer VPAR32NOMSXPRESACTIVEPPL subtemin N32LOCSN vult N41NOMSM qu PRON10NOMPF radi N24DATSM cael V11PRESACTIVEIND3S Babylo OTHER n V21PRESACTIVEIMP2S vel ADVPOS muric N31LOCSM pict ADJ11DATSMPOS laet V11PRESACTIVEIMP2S tyr N21ACCPF qu PRON10NOMPF ic SUFFIX variat VPAR11NOMSFPERFPASSIVEPPL per PREPACC art N33ACCSF aulae N11LOCPF scrib V31PRESPASSIVEIND3P ac N41ABLSF aut CONJ Memphitide OTHER tel N11NOMSF
Nowhere in that age was the art of the painter more splendid; Syracuse had no desire to import bronzes from Corinthd; and her tapestry, wrought with ruddy gold and reproducing in the woof living likenesses of men, might rival the fabrics wrought by the shuttles of Babylon or by Tyre that prides herself on her embroidered purple; it might match the intricate patterns worked by the needle on the hangings of Attaluse or the woven stuffs of Egypt.
final_alignments\Silius_Italicus_Punica_Book14.json