igitur CONJ intervall N22DATSN ton N21GENPM et CONJ hemitoni N22GENPN et CONJ tetrachord N26GENPN in PREPABL voc N31LOCSF divis V31PERFACTIVEIND3S nat VPAR31NOMSFFUTPPL fin V41PRESACTIVEIND3S que CONJ termination N31NOMPF e PRON41GENPM mensur N11LOCPF intervall N22GENPN quantitat N31LOCSF mod N21LOCPM que CONJ cert N22LOCPN dist VPAR11DATPXPRESACTIVEPPL constitu V31PRESACTIVEIND3S qualitat N31NOMPF qu PRON10DATPX etiam CONJ artific N31NOMPC qu PRON10NOMPM organ N22NOMPN fabric V11PRESACTIVEIND3P ex PREPABL nat VPAR31NOMSFFUTPPL constitut VPAR31DATPXPERFPASSIVEPPL ut VPAR31DATSMFUTPPL compar V11PRESACTIVEIND3P ad ADVPOS concent N41NOMSM conveni VPAR34NOMPCPRESACTIVEPPL e PRON41GENPM perfection N31NOMPF
Therefore by the intervals of tones, semitones, and tetrachords, nature has divided and defined their limits for the voice, measuring them by the quantity of the intervals; and has fixed their quality in certain distinct modes. Craftsmen who make instruments use these proportions which nature has fixed, and make perfect their instruments with a view to suitable concords.
final_alignments\Vitruvius_Architecture_Book_5.json