in PREPABL h PRON31DATPX tr NUM13DATPXCARD gener N32LOCPN dissimil ADJ32NOMPCPOS s V51PRESACTIVEIND3P tetrachord N26GENPN disposition N31NOMPF qu PRON10NOMSN harmoni N11NOMSF tetrachord N26GENPN et CONJ ton N21ACCPM et CONJ dihesis N33NOMSF hab V21PRESACTIVEIND3S bin ADJ11ACCPFPOS dihesis N33NOMSF autem CONJ es V73PRESACTIVEIND3S ton N21GENSM pars N33NOMSF quart NUM20NOMSFORD it VPAR61NOMSFPERFPASSIVEPPL in PREPABL hemitoni N22DATSN du NUM12NOMPFCARD dihes N33NOMPF s V51PRESACTIVEIND3P conlocat VPAR11GENSFPERFPASSIVEPPL chromat N37LOCSN du NUM12NOMPMCARD hemitoni N22NOMPN in PREPABL ordin N31LOCSM s V51PRESACTIVEIND3P composit VPAR31NOMSFPERFPASSIVEPPL tertium ADVPOS tr NUM13GENPXCARD hemitoni N22GENPN es V73PRESACTIVEIND3S intervall N22NOMSN diaton N22DATSN ton N21GENSM du NUM12NOMPMCARD s V51PRESACTIVEIND3P continuat VPAR11GENSMPERFPASSIVEPPL tertium ADVPOS hemitoni N22NOMSN fin V41PRESACTIVEIND3S tetrachord N26GENSN magnitudin N31ACCSF
In these three scales, the arrangements of the tetrachords differ. The harmonic scale has two tones in the tetrachord and two quarter-tones. (Now two quarter-tones make a semitone.) The chromatic tetrachord has two consecutive semitones and the third interval is of three semitones. The diatonic tetrachord has two consecutive tones, and the third interval'a semitone'completes the amount of the tetrachord.
final_alignments\Vitruvius_Architecture_Book_5.json