h PRON31GENPM autem CONJ ornat VPAR11NOMSMPERFPASSIVEPPL s V51PRESACTIVEIND3P inter PREPACC s PRON54ABLXC dissimil ADJ32DATSXPOS dispar ADJ31DATSXPOS que CONJ ration N31LOCSF qu PRON10NOMSN tragic ADJ11GENSFPOS deform V11PRESPASSIVEIND3P column N11LOCPF et CONJ fastigi N24LOCPN et CONJ sign N22LOCPN reliqu N22LOCPN que CONJ regal ADJ32DATPXPOS r N51DATPF comic ADJ11GENSFPOS autem CONJ aedifici N24GENPN privat VPAR11GENPMPERFPASSIVEPPL et CONJ maenian N22GENPN hab V21PRESACTIVEIND3P speci N51ACCSF profect N41NOMSM que CONJ fenestr N11LOCPF disposit VPAR31ACCPMPERFPASSIVEPPL imitatio N31NOMSF n V21PRESACTIVEIMP2S commun ADJ32GENPXPOS aedifici N24GENPN ration N31LOCPF satyric ADJ11GENSFPOS ver N21DATSM orn V11PRESPASSIVEIND3P arbor N31LOCPF spelunc N11LOCPF mont N33LOCPM reliqu N22LOCPN que CONJ agrest ADJ32DATPXPOS r N51DATPF in PREPABL topeodi OTHER speci N51ACCSF deformat VPAR11GENSMPERFPASSIVEPPL
Now the subjects of these differ severally one from another. The tragic are designed with columns, pediments and statues and other royal surroundings; the comic have the appearance of private buildings and balconies and projections with windows made to imitate reality, after the fashion of ordinary buildings; the satyric settings are painted with trees, caves, mountains and other country features, designed to imitate landscape.
final_alignments\Vitruvius_Architecture_Book_5.json