ex PREPABL e V11PRESACTIVEIND1S monit VPAR21GENSMPERFPASSIVEPPL Democritus OTHER et CONJ Anaxagoras OTHER de PREPABL eadem PRON42NOMSF r N51GENSF scrips V31PERFACTIVEIND3P quemadmodum ADVPOS oport V21PRESACTIVESUB3S ad ADVPOS aci N51ACCSF ocul N21GENPM radi N24GENPM que CONJ extention N31ACCSF cert N22DATSN loc N21DATSM centr N22DATSN constitut VPAR31DATSMPERFPASSIVEPPL ad ADVPOS lin V21PRESACTIVESUB2S ration N31LOCSF natural ADJ32DATSXPOS respond V21PRESACTIVEINF0X ut V31PRESINF0X de PREPABL incert ADJ11NOMSFPOS r N51GENSF incert ADJ11GENSFPOS imagin N31NOMPF aedifici N24GENPN in PREPABL scaen N11GENPF pictur N11LOCPF redd V31IMPFACTIVESUB3P speci N51ACCSF et CONJ qu PRON10NOMPF in PREPABL direct N21LOCPM plan N22LOCPN que CONJ front N33LOCPC s V51PRESACTIVESUB3P figurat VPAR11NOMSFPERFPASSIVEPPL ali N24NOMPN absced VPAR31NOMPNPRESACTIVEPPL ali N24NOMPN promin VPAR21NOMPNPRESACTIVEPPL ess VPAR31VOCSMPERFPASSIVEPPL vid V21PRESPASSIVESUB3P
Following his suggestions, Democritus and Anaxagoras wrote upon the same topic, in order to show how, if a fixed centre is taken for the outward glance of the eyes and the projection of the radii, we must follow these lines in accordance with a natural law, such that from an uncertain object, uncertain images may give the appearance of buildings in the scenery of the stage, and how what is figured upon vertical and plane surfaces can seem to recede in one part and project in another.
final_alignments\Vitruvius_Architecture_Book_7.json