ideo ADVPOS que CONJ et CONJ a ADV numer N21DATSM nomin N32NOMPN cep V31PERFACTIVEIND3P qu PRON10NOMSN cum ADVPOS vox N31NOMSF constit V31PERFACTIVESUB3S in PREPABL un NUM11NOMSFCARD son N21GENPM finitio N31NOMSF n V21PRESACTIVEIMP2S ab PREPABL e V11PRESACTIVEIMP2S que CONJ s PRON54ABLXC flect VPAR31NOMSXPRESACTIVEPPL mutav V11PERFACTIVESUB3S et CONJ perven V41PERFACTIVESUB3S in PREPABL quart NUM20ACCSFORD termination N31ACCSF appell V11PRESPASSIVEIND3S diatessar N28DATSN n V21PRESACTIVEIMP2S in PREPABL quint NUM20ACCSFORD diapente N98XXN in PREPABL sext NUM20ACCSFORD diapas N28DATSN n V21PRESACTIVEIMP2S in PREPABL octav NUM20ACCSFORD et CONJ dimidi N11ACCSF diapas N28DATSN n V21PRESACTIVEIMP2S et CONJ diatessar N28DATSN n V21PRESACTIVEIMP2S in PREPABL non N11ACCSF et CONJ dimidi N11ACCSF diapas N28DATSN n V21PRESACTIVEIMP2S diapente N98XXN in PREPABL xii NUM20XXXCARD disdiapas N28DATSN n V21PRESACTIVEIMP2S
These have taken their names from numbers. For when the voice has rested in one fixed sound, and then modulates and changes from itself, and comes to the fourth sound it is called diatessaron; when it comes to the fifth, it is called diapente; [to the eighth, diapason; to the eleventh, diapason with diatessaron; to the twelfth, diapason with diapente to the fifteenth disdiapason],
final_alignments\Vitruvius_Architecture_Book_5.json