non ADV enim CONJ inter PREPACC du NUM12NOMPMCARD intervall N22NOMPN cum ADVPOS chord N11GENPF sonit VPAR31NOMSMPERFPASSIVEPPL aut CONJ voc N31GENSF cant VPAR31NOMSMPERFPASSIVEPPL fact VPAR31NOMSMPERFPASSIVEPPL fuerit V51PRESACTIVEIND3P nec ADVPOS in PREPABL terti V11PRESACTIVEIMP2S aut CONJ sext NUM20NOMSFORD aut CONJ vii NUM20XXXCARD poss V52PRESACTIVEIND3P consonanti N11GENSF f V33PRESACTIVEINF0X sed CONJ ut V31PRESINF0X supra ADVPOS script VPAR31NOMSNPERFPASSIVEPPL est V51PRESACTIVEIND3P diatessar N28DATSN n V21PRESACTIVEIMP2S et CONJ diapente N98XXN et CONJ ex PREPABL ordin N31LOCSM disdiapas N28DATSN n V21PRESACTIVEIMP2S convenienti N11GENSF ex PREPABL nat VPAR31NOMSFFUTPPL voc N31GENSF congru VPAR31GENSXPRESACTIVEPPL hab V21PRESACTIVEIND3P finition N31NOMPF
For concords cannot arise between two intervals, when the sound of strings or the song of the voice is uttered, nor between three or six or seven; but, as we wrote above, the diatessaron and diapente up to the disdiapason are concords which have limits arising from the nature of the voice.
final_alignments\Vitruvius_Architecture_Book_5.json