ergo ADVPOS si CONJ in PREPABL singul ADJ11DATPXPOS doctrin N11LOCPF singul ADJ11GENSMPOS artific N31NOMPC neque ADVPOS omn ADJ32NOMPCPOS sed CONJ pauc N21GENSM aev N21DATSM perpetu ADJ11DATSMPOS nobilitat N31ACCSF vix ADVPOS s V51PRESACTIVEIND3P consecut VPAR31GENSMPERFPPL quemadmodum ADVPOS pot V52PRESACTIVEIND3S architect N21NOMSM qu PRON10NOMPM plur N32LOCPN art N33LOCPF deb V21PRESACTIVEIND3S ess VPAR31VOCSMPERFPASSIVEPPL perit VPAR61NOMSMPERFPASSIVEPPL non ADV i PRON41NOMSN ips PRON62NOMSN mir ADJ11NOMSNPOS et CONJ magn ADJ11NOMSNPOS fac V31PRESACTIVEINF0X n V21PRESACTIVEIMP2S qu PRON10NOMSN ex PREPABL h PRON31DATPX indig V21PRESACTIVESUB3S sed CONJ etiam CONJ ut CONJ omn ADJ32NOMPCPOS artific N31NOMPC super V11PRESACTIVESUB3S qu PRON10NOMPM singul ADJ11DATPXPOS doctrin N11LOCPF adsiduitat N31ACCSF cum ADVPOS industri N11NOMSF sum ADJ00NOMSFSUPER praestit V11PERFACTIVEIND3P
Therefore, since in each art, single craftsmen, not all, but few throughout the ages have scarcely attained renown, why should not an architect, who has to be skilled in several arts, count it a fine achievement if he is not deficient in anything belonging to them? How can he hope for so great and remarkable a thing as to surpass craftsmen who have assiduously and with the greatest industry applied themselves to single employments?
final_alignments\Vitruvius_Architecture_Book_1.json