in PREPABL ven V11PRESSUB2S tabul N11NOMSF sum ADJ00ACCSFSUPER s PRON54DATXC posc V31PRESACTIVEIND3S apell V31FUTACTIVEIND2S Parrhasius OTHER parv ADJ11NOMSFPOS vindic V11PRESACTIVEIND3S art N33LOCSF loc N21ACCSM argument N22NOMPN mag N21LOCPM s V51PRESACTIVEIND3P  addit VPAR31NOMSFPERFPASSIVEPPL form N11GENSF at CONJ Myos OTHER exigu ADJ11NOMSNPOS flect V31PRESACTIVEIND3S acanth N21NOMSM iter N32NOMSN Phidiacus OTHER sign N22DATSN s PRON54ABLXC iuppiter N31NOMSM orn V11PRESACTIVEIND3S eburn ADJ11DATSMPOS Praxitele OTHER n V21PRESACTIVEIMP2S propri ADJ11NOMSFPOS vend V31PRESACTIVEIND3S ab PREPABL urb N33LOCSF lapis N33NOMSF
Apelles asserts his pre-eminence by his painting of Venus; Parrhasius claims his place by his miniature art; scenes of story largely cover the designs of Mentor, while with Mys it is the acanthus which winds its slender path; the Jupiter of Phidias plumes himself in an ivory statue; marble from his native city commends the art of Praxiteles.
final_alignments\Propertius_Elegies_Book3.json