maxi ADJ11VOCSMSUPER autem CONJ i PRON41NOMSN animadvert V31PRESACTIVEINF0X poss V52PRESACTIVEIND1P ab PREPABL antiqu N21LOCPM statuari N11LOCPF et CONJ pictor N31LOCPM qu PRON10NOMSN ex PREPABL h PRON31DATPX qu PRON10NOMPM dignitat N31NOMPF not VPAR31ACCPFPERFPASSIVEPPL et CONJ commendation N31GENSF grati N11ACCSF habu V21PERFACTIVEIND3P aetern V11PRESACTIVEIMP2S memor ADJ31NOMPNPOS ad ADVPOS posteritat N31ACCSF s V51PRESACTIVEIND3P perman VPAR21NOMPCPRESACTIVEPPL ut V31PRESINF0X Myro OTHER n V21PRESACTIVEIMP2S Polycletus OTHER Phidias OTHER Lysippus OTHER ceter ADJ11GENSMPOS que CONJ qu PRON10NOMPM nobilitat N31ACCSF ex PREPABL art N33LOCSF s V51PRESACTIVEIND3P consecut VPAR31GENSMPERFPPL
Now we can best observe this in the case of ancient statuaries and painters; for of these, those who have a recognised dignity and the influence based on commendation abide to after times in an everlasting remembrance: Myron, Polyclitus, Phidias, Lysippus and others who from their art have attained renown.
final_alignments\Vitruvius_Architecture_Book_3.json