cui ADJ11NOMSMPOS coniug V11PRESACTIVESUB1S Praxiteles OTHER in PREPABL marmor N32LOCSN quasi ADVPOS spir VPAR11ACCSCPRESACTIVEPPL in PREPABL templ N22DATSN Cnidiorum OTHER collocav V11PERFACTIVEIND3S propter PREPACC pulchritudin N31ACCSF oper N11LOCPF a ADV libidinos ADJ11DATSMPOS cu PRON10GENSX complex SUPINE31ABLSN par N31GENPC tut VPAR21ACCSFPERFPPL qu PRON10ABLSM excusabili ADJ00NOMSCCOMP es V73PRESACTIVEIND3S err V11PRESPASSIVEIND1S equ N21GENSM qu PRON10NOMPM vis VPAR21NOMSFPERFPASSIVEPPL pictur N11NOMSF equ N11GENSF hinnit VPAR34NOMSNPERFPASSIVEPPL ed V31PRESACTIVEINF0X coact VPAR31NOMSMPERFPASSIVEPPL est V51PRESACTIVEIND3P et CONJ can N21ACCSM latrat VPAR11NOMSMPERFPASSIVEPPL aspect N41ABLSM pict ADJ11GENSMPOS can N21LOCPM incitat VPAR11NOMSMPERFPASSIVEPPL taur N21NOMSM que CONJ ad ADVPOS amor N31ACCSM et CONJ concubit VPAR21NOMSNPERFPASSIVEPPL aene ADJ11GENSFPOS vacc N11GENSF syracus N17LOCPF nimi ADJ11GENSFPOS similitudin N31GENSF irritament N22DATSN compuls VPAR31NOMSMPERFPASSIVEPPL
Praxiteles set up Vulcans consort breathing as it were in marble in the temple at Cnidos. The beauty of the work is such that it was hardly safe from a libidinous embrace, so providing some excuse for the mistake of a stallion which on seeing the picture of a mare could not help neighing, or of the dogs which the sight of a dog in a painting caused to bark, or of the bull in Syracuse that was driven to erotic intercourse with a bronze cow by the stimulus of too close a likeness.
final_alignments\Valerius_Memorable_Book8.json