tunc ADVPOS Callimachus OTHER qu PRON10NOMPM propter PREPACC eleganti N11ACCSF et CONJ subtilitat N31ACCSF art N33GENSF marmore ADJ11GENSFPOS ab PREPABL atheniens ADJ32DATPXPOS catatechnos OTHER fu V51PLUPACTIVEIND3S nominat VPAR11NOMSMPERFPASSIVEPPL praeteri VPAR61NOMSXPRESACTIVEPPL h PRON31NOMSN monument N22NOMSN animadvert V31PRESACTIVEIND3S e PRON41ACCSM calath N21ACCSM et CONJ circ V11PRESACTIVEIMP2S foli N24GENPN nasc VPAR31ACCSCPRESPPL teneritat N31ACCSF delectat VPAR11NOMSMPERFPASSIVEPPL que CONJ gen V31PRESACTIVEINF0X et CONJ form N11GENSF novitat N31LOCSF ad ADVPOS i PRON41NOMSN exemplar N34NOMSN column N11ACCPF apud PREPACC corinthi N21ACCPM fec V31PERFACTIVEIND3S symmetri N11ACCPF que CONJ constitu V31PRESACTIVEIND3S ex PREPABL e V11PRESACTIVEIND1S in PREPABL oper N11LOCPF perfection N31LOCPF corinthi N21GENSM gen V31PRESPASSIVEIND2S distribu V31PRESACTIVEIND3S ration N31NOMPF
Then Callimachus, who for the elegance and refinement of his marble carving was nick-named catatechnos by the Athenians, was passing the monument, perceived the basket and the young leaves growing up Pleased with the style and novelty of the grouping, he made columns for the Corinthians on this model and fixed the proportions. Thence he distributed the details of the Corinthian order throughout the work.
final_alignments\Vitruvius_Architecture_Book_4.json