ceter ADJ11NOMSNPOS si CONJ omiss ADJ11DATSMPOS opti ADJ11DATSMSUPER ill PRON61ABLSM et CONJ perfectissim N21DATSM gen V31PRESACTIVEINF0X eloquenti N11GENSF elig VPAR31NOMSFFUTPASSIVEPPL sit V51PRESACTIVEIND3P form N11NOMSF dic VPAR31GENSMFUTPASSIVEPPL mal V62PRESACTIVESUB1S hercle INTERJ c ADV Gracchi OTHER impet N41ACCSM aut CONJ l ADV crass N21GENSM maturitat N31ACCSF qu PRON10ACCSF calamistr N23ACCPM Maecenatis OTHER aut CONJ tinnit VPAR34NOMSMPERFPASSIVEPPL Gallionis OTHER ade V61PRESACTIVEIND1S melius ADVCOMP es V73PRESACTIVEIND3S oration N31ACCSF vel ADVPOS hirt ADJ11NOMSFPOS tog N11NOMSF indu V31PRESACTIVEINF0X qu PRON10ACCSF fuc V11PRESACTIVEIND2P et CONJ meretrici N22LOCPN vest N33LOCPF insign V41PRESACTIVEINF0X
If, however, one had to choose a style without taking that supreme and perfect form of eloquence into account, I should certainly prefer the fiery spirit of Gaius Gracchus or the mellowness of Lucius Crassus to the coxcombry of a Maecenas or the jingle-jangle of a Gallio;
final_alignments\Tacitus_Dialogus.json