in PREPABL graec N21GENPM theatr N22LOCPN non ADV omn ADJ32NOMPNPOS i PRON42DATPXuncommon ration N31LOCPF s V51PRESACTIVEIND3P faci VPAR31NOMSFFUTPASSIVEPPL qu PRON10NOMSN prim N21ACCSM in PREPABL i ADJ00NOMSFSUPER circinatio N31NOMSF n V21PRESACTIVEIMP2S ut CONJ in PREPABL latin ADJ11DATSMPOS trigon N21GENPM iiii NUM20XXXCARD in PREPABL e V11PRESACTIVEIND1S quadrat VPAR11GENPMPERFPASSIVEPPL tr NUM13GENPXCARD angul N21GENSM circination N31GENSF lin V21PRESACTIVESUB1S tang V31PRESACTIVEIND3P et CONJ cui ADJ11NOMSMPOS quadrat VPAR11GENSMPERFPASSIVEPPL lat VPAR32NOMSMPERFPASSIVEPPL est V51PRESACTIVEIND3P proxi ADJ00NOMSNSUPER scaen N11GENSF praecid V31PRESACTIVEIND3S que CONJ curvat VPAR11ACCSFFUTACTIVEPPL circination N31GENSF e V11PRESACTIVEIMP2S region N31LOCSF design V11PRESPASSIVEIND3S finitio N31NOMSF proscaeni N24GENSN
In the Greek theatres some things are done differently. Firstly, in the orchestra, the angles of three squares touch the circumference, whereas in the Roman theatre we have the angles of four triangles. In the Greek the line of the proscenium (or stage) is drawn along the side of the square which is nearest to the scenery, where it cuts the circumference.
final_alignments\Vitruvius_Architecture_Book_5.json