qu PRON10ACCPF omn ADJ32NOMPCPOS description N31NOMPF vir N23NOMSM ill PRON61NOMSM praeiudicatissi ADJ00NOMSMSUPER non ADV distich N28GENPN aut CONJ  string V31PRESACTIVEIND3S angusti N11LOCPF sed CONJ poti ADJ00NOMSNCOMP ut CONJ lyric ADJ11NOMSMPOS flacc N21NOMSM in PREPABL art N33GENSF poetic N11GENSF volumi OTHER n V21PRESACTIVEIMP2S praecip V31PRESACTIVEIND3S mult N11LOCPF  que CONJ purpure ADJ11DATPXPOS loc N21GENPM commun ADJ32GENPXPOS pann N21LOCPM semel NUM11XXXADVERB inchoat VPAR11ACCPFPERFPASSIVEPPL materi N11ACCPF decenter ADVPOS extend V31PRESACTIVEIND3S
for that man of most assured reputation does not cramp any of these descriptions within the narrow limits of two-lined or four-lined poems, but rather does what the lyric poet Horace enjoins in the Art of Poetry: once he has introduced his subject, he appropriately enlarges it by the repeated use of stock purple patches.
final_alignments\Sidonius_Poems.json