ergo ADVPOS it VPAR61NOMSFPERFPASSIVEPPL nov V31PERFACTIVEIND1S mor N31NOMPM coeg V31PERFACTIVEIND3P ut V31PRESINF0X inerti N11GENSF mal N21GENSM iudic N31NOMPM convinc V31IMPFACTIVESUB3P art N33GENPF virtut N31NOMPF quemadmodum ADVPOS enim CONJ pot V52PRESACTIVEIND3S cal V11PRESACTIVEIND1P ver N21VOCSM sustin V21PRESACTIVEINF0X tect N22NOMSN aut CONJ candelabr N23ACCSM ornament N22NOMPN fastigi N24GENSN seu CONJ colicul N21NOMSM tam ADVPOS tenu ADJ32NOMSCPOS et CONJ moll ADJ32NOMSCPOS sustin V21PRESACTIVEINF0X sed VPAR21NOMSXPRESACTIVEPPL sigill N22NOMSN aut CONJ de PREPABL radic N31LOCPF et CONJ colicul N21LOCPM ex PREPABL part VPAR31VOCSMPERFPASSIVEPPL flor V21PRESACTIVEIND2S dimidiat VPAR11NOMSFPERFPASSIVEPPL que CONJ sigill N22NOMPN procre V11PRESPASSIVEINF0X at CONJ h PRON31NOMSF fals VPAR31NOMSFPERFPASSIVEPPL vid VPAR21NOMPCPRESACTIVEPPL homin N31NOMPM non ADV reprehend V31PRESACTIVEIND3P sed CONJ delect V11PRESPASSIVEIND3P neque ADVPOS animadvert V31PRESACTIVEIND3P si CONJ qu PRON10NOMSN e PRON41GENPM f V33PRESACTIVEINF0X pot V52PRESACTIVEIND3S necne CONJ
On these lines the new fashions compel bad judges to condemn good craftsmanship for dullness. For how can a reed actually sustain a roof, or a candelabrum the ornaments of a gable? or a soft and slender stalk, a seated statue? or how can flowers and half-statues rise alternately from roots and stalks? Yet when people view these falsehoods, they approve rather than condemn, failing to consider whether any of them can really occur or not.
final_alignments\Vitruvius_Architecture_Book_7.json