Die funeris laudationem eius princeps exorsus est, dum antiquitatem generis, consulatus ac triumphos maiorum enumerabat, intentus ipse et ceteri; liberalium quoque artium commemoratio et nihil regente eo triste rei publicae ab externis accidisse pronis animis audita: postquam ad providentiam sapientiamque flexit, nemo risui temperare, quamquam oratio a Seneca composita multum cultus praeferret, ut fuit illi viro ingenium amoenum et temporis eius auribus adcommodatum.
On the day of the obsequies, the prince opened his panegyric of Claudius. So long as he rehearsed the antiquity of his family, the consulates and the  triumphs of his ancestors, he was taken seriously by himself and by others. Allusions, also, to his literary attainments and to the freedom of his reign from reverses abroad had a favourable hearing. But when the orator addressed himself to his foresight and sagacity, no one could repress a smile; though the speech, as the composition of Seneca, exhibited the degree of polish to be expected from that famous man, whose pleasing talent was so well suited to a contemporary audience.
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