(ESSENCE)  -- As the administrator of the Environmental Protection Agency, Lisa Jackson wears many hats: environmentalist, upholder of anti-pollution policy and toxic chemical regulator, to name a few.

Lisa Jackson wears many hats as the administrator for the Environmental Protection Agency.

But when she reflects on her role as the first African-American to head the agency, her aim is to make people see the connection between the environment and their lives.

Jackson spoke to ESSENCE.com about school safety, asthma, environmental racism -- and what she's doing to battle all three. The following is an edited version of that interview:

ESSENCE.COM: You've said that your overarching goal is to return the EPA to its roots, to serve the American people and show that your work involves issues that they care about. Can you give us some examples on how you plan to achieve that?   Watch powerful women and grieving mothers »

Lisa Jackson: The example that probably best epitomizes it is what we're doing on air toxin's in schools.

USA Today did a front-page story saying they'd done some risk assessments, and think schools across the country have high level of toxins in the air around them. The American people are rightfully worried, thinking, 'So now you're telling me that when I put my child on a school bus, I have to worry about them once they're there?'

We're in the middle of a 60-site monitoring effort with states to get air toxins information from the schools that are among the worst -- schools near highways with cars, buses and trucks, or schools that might be near factories. We want to try to get a handle on this, not to comfort people, but to get them answers. ESSENCE: Lisa Jackson brings change to EPA

ESSENCE.COM: You've also spoken about elevated asthma rates in communities of color. What can the EPA do to improve air quality when minority neighborhoods are already so congested?

Jackson: You have to think about the big actions that we do. We know that one of the main triggers is high ozone levels. You can't attack that in one area; that's a global problem.

What the EPA has to do is ratchet down on emissions from cars, trucks, factories and manufacturing processes that produce ozone. That's regulatory work -- setting permit levels low enough and making sure there's enforcement so that people abide by those levels.

EPA has also proposed a monitoring network near major transportation arteries to better understand the pollution that's happening in the communities that are located next to them. ESSENCE: Will the new green jobs go to black people?

ESSENCE.COM: Understanding that the EPA doesn't necessarily focus on the location of every bus depot or landfill in the country, it's still a big problem. The decisions to locate polluting sites in minority neighborhoods are usually made by people who don't live in them. Since their voices are so often not at the table, how can EPA regulate how those decisions are made, to break the cycle?

Jackson: That's what the environmental justice movement has been saying for a long time, that there ought to be some screen that you can use in permitting decisions to say, "Are we talking about a place that's already disproportionately impacted? And, if so, don't add to that pollution."

I think that is the policy challenge of our time. It's all about public participation to me. As you said, the decision is made not by the people who have to suffer the consequences of it. ESSENCE: Give back like your favorite celebs

People should be able to advocate and say, "Okay, you can put that here, but we want to make sure that the level of contamination coming from the stack is something that's acceptable, and that we believe is safe for our community." That's a big difference.

ESSENCE.COM: So, how do you educate them about this? What does EPA outreach to minority communities look like?

Jackson: I think it looks like the kind of outreach we

Question: who is the  first African-American to head Environmental Protection Agency

Question: what does the epa need to do

Question: Who is Lisa Jackson?

Question: what did Jackson sayabout her goal

Question: what does jackson want to do

Question: what is lisa jackson

Question: what did Jackson say about EPA

Answer: Lisa Jackson

Answer: ratchet down on emissions from cars, trucks, factories and manufacturing processes that produce ozone.

Answer: the administrator of the Environmental Protection Agency,

Answer: return the EPA to its roots, to serve the American people and show that your work involves issues that they care about.

Answer: her aim is to make people see the connection between the environment and their lives.

Answer: administrator of the Environmental Protection Agency,

Answer: the big actions that we do. We know that one of the main triggers is high ozone levels. You can't attack that in one area; that's a global problem.

Summary:
Lisa Jackson is first African-American to head Environmental Protection Agency .
Jackson says her overarching goal is to return EPA to its roots .
"What the EPA has to do is ratchet down on emissions," Jackson says .
Jackson says EPA feels they are still not accessible enough to the people .


(ESSENCE) -- Two weeks ago, 3-year-old Jaquan Reed was fatally shot on Chicago, Illinois', West Side. Men participate in the Million Father March to support children going to school. While the case shook the city, such shootings involving children are no longer rare in the Windy City. Within the current academic year, 36 Chicago-area students were killed. Essence.com spoke to Phillip Jackson, a well-known political activist in the city and also founder of Black Star Project, a Chicago-based community outreach group, about what is being done to end the senseless shootings involving children. The following is an edited version of that interview: ESSENCE: There have been so many shootings and deaths. Please tell us what's happening in Chicago? ESSENCE: Xerox names Ursula Burns CEO Phillip Jackson: This is a national catastrophe that is happening while we as a country do nothing. We're asking for national attention. This is a pandemic. We will not be able to solve this problem in Chicago unless they can solve this same problem in Houston [Texas] and other cities.  Watch our panelists talk about the growing violence in Chicago » ESSENCE: The nation's first black president is from Chicago. And you still do not feel like there is enough attention placed on this problem? Jackson: Newspapers from all over the world have come to our offices this past week to say, "What is happening in President Barack Obama's backyard?" And 75 percent of the children murdered here in Chicago happened within eight miles of President Obama's former house. So if he doesn't respond as president, and we are hoping he does, he needs to respond as a resident. ESSENCE: What has been the police response? Jackson: They've put together a 400-unit gang SWAT team. They're trying to match guns with the gangs. But with all of that they can't stop one murder because they're approaching it from the wrong way. ESSENCE: Obama's time in office ESSENCE: What is the right way to approach it? Jackson: Instill strong families and strong communities. Build strong parenting groups. Do you know what has been the best mentoring organization in the United States of America? Street gangs. ESSENCE: In other cities, where there is a lot of gang violence, like Baltimore [Maryland], there are regular people in the community coming together and trying to fix it. What are regular people doing about this in Chicago? Jackson: First of all, they're raising their voices. Number two, they're rallying, they're marching, and they're organizing. That's what this effort is going to take. Number three, they're engaging in recreational programs. ESSENCE: Toledo cops say teen provoked them So there is more happening at the grassroots level than at the federal level. But those people cannot succeed without support. And that's why we're asking President Obama to bring his resources. ESSENCE: What is the mind-set of Chicago youth with all of these horrendous acts of violence occurring? Jackson: Hopelessness, desperation, anger. They live in America. They see how America takes care of the whole world but won't take care of them in the communities in which they live.

Question: Who did Essence speak to?

Question: Who did Essense speak to?

Question: what do children see

Question: How many children were killed?

Question: How many Chicago students were killed in an academic school year?

Question: What did the activist say?

Question: How many of the children were killed within 8 miles of Obama's former house?

Question: who spoke to the activist

Question: What percentage was killed within 8 miles of obama's former house

Answer: Phillip Jackson, a well-known political activist

Answer: Phillip Jackson,

Answer: They

Answer: 36

Answer: 36

Answer: This is a national catastrophe

Answer: 75 percent

Answer: Essence.com

Answer: 75 percent

Summary:
Essence speaks to political activist in Chicago about children's deaths .
36 Chicago-area students killed in current academic school year .
75 percent of children killed within 8 miles of President Obama's former house .
Children see how America takes care of the world but not them, activist says .


(ESSENCE.com) -- While the country celebrates the first black president, African-Americans are facing critical challenges from high unemployment, home foreclosures and a record number of black men in prison. Marc Morial is president and CEO of the National Urban League. Despite these disparities and the fact that African-Americans have been hit hardest by the current economic meltdown, a recent New York Times/CBS News poll found that 59 percent of African-Americans believe the country has made real progress in race relations, a 30 percent jump from last year. The National Urban League, in its report "The State of Black America 2009," acknowledges the feeling of hope the Obama administration brings, but demands the president examine the sobering issues facing African-Americans. ESSENCE.com asked president and CEO of the Urban League Marc H. Morial whether or not the sentiments reflected in the poll mirror the national Black perspective. ESSENCE: With all of these factors that are challenging the African-American community today, do you really believe most of us feel like race relations between blacks and whites have improved?  See how a few Americans feel about race relations » Marc H. Morial: I know that a poll is a snapshot of time, and while it's important to keep the proper context, this is a positive thing. Yes, people are beginning to have a healthier view of race relations. But we must keep in mind the underlying conditions that people are currently living in. There are still very significant disparities between blacks and whites in America. The unemployment rate in the current recession is but one example. ESSENCE: Do you believe the election of the first African-American president had anything to do with the change in black attitude toward the future of the U.S.? Morial: This is clearly a visible example of the effect of President Obama's election. It has created hope, optimism and a better way of thinking about the issue of race. I just hope that it's sustainable. If it's sustainable, it means we can work towards addressing and alleviating some of those underlying conditions. We should hope that it maintains and translates into positive action to try to close some of the difficult challenges like the economic gap and the housing problem. ESSENCE: Does it surprise you that white people had an equally positive outlook on race relations? Morial: Not in light of Obama. He got more white votes than Kerry or Gore. He also got a higher black turnout than at any other time in American history. So he has demonstrated this unique important ability at the national level to appeal to a broad cross-section of people. People place a considerable amount of trust and optimism in his leadership.  Watch an Essence editor talk about her interview with Michelle Obama » ESSENCE: How have organizations like the National Urban League reinforced this new attitude about race? Morial: I really believe a great deal has to do with President Obama. To have that kind of effect and impact means that people are willing to move forward and they believe and hope that things are getting better. Our mission at the National Urban League is to help children and adults, young and old, achieve economic parity, through programs and public policy. Those that have worked in the trenches for many years to improve relations and conditions deserve some credit, but the issue for us is about sustainability and transferability.  Have race relations improved? Watch to find out » We want to see this epidemic of high school dropouts improve. We want to see this disparity that exists in economics reduced. These issues are so critical and important. My hope is that this new change in attitude will ultimately lead to that.

Question: What has Obama done?

Question: what kind of challenges do African-Americans still face

Question: What is one of the critical challenges that African American face?

Question: What has made progress?

Question: what does the National Urban League CEO talk about

Question: What group have challenges?

Question: Who has created hope, optimism, and a better way of thinking?

Question: what did the CEO say

Answer: created hope, optimism and a better way of thinking about the issue of race.

Answer: high unemployment, home foreclosures and a record number of black men in prison.

Answer: high unemployment,

Answer: the country

Answer: Marc H. Morial: I know that a poll is a snapshot of time, and while it's important to keep the proper context, this is a positive thing. Yes, people are beginning to have a healthier view of race relations. But we must keep in mind the underlying conditions that people are currently living in.

Answer: African-Americans

Answer: President Obama's

Answer: This is clearly a visible example of the effect of President Obama's election. It has created hope, optimism and a better way of thinking about the issue of race.

Summary:
African-Americans still face critical challenges such as high unemployment .
Majority of blacks believe U.S. has made progress in race relations .
National Urban League CEO talks about "The State of Black America 2009"
CEO: Obama "has created hope, optimism and a better way of thinking"


(EW.com) -- "Harry Potter and the Deathly Hallows" features one of the more soul-destroying death orgies in Fantasy-lit history, with a whole cavalcade of Potter supporting players winding up as casualties in the climactic wizard battle.

The series never shrank from death -- Books 4 through 6 each end with a major character dying, and the whole saga begins with Harry as a newly orphaned baby. But in a new special feature on the "Deathly Hallows 2" DVD, author J. K. Rowling notes that she'd planned one fatality that would have probably scarred a generation of young readers.

As reported by the Guardian, Rowling says, "I did seriously consider killing Ron." Apparently, she briefly thought about killing off Harry's red-headed sidekick around the middle of the series, when she "wasn't in a very happy place."

It's an interesting piece of what-might-have-been trivia. In some ways, it reminds me a little bit of the mythic notion that Han Solo was supposed to die in Return of the Jedi -- an idea which was supported by original Star Wars producer Gary Kurtz and Harrison Ford. Kurtz told the Hollywood Reporter that Solo lived because George Lucas didn't want to kill off any of his main characters. It's hard to accuse Rowling of any such anxiety, given the "Deathly Hallows" bloodbath.

Still, it's fun to speculate on how such a major change would have altered the book series. Rowling doesn't specify in what context she was picturing Ron's death, but it's easy to imagine that he might have bit the dust relatively early. Lots of people were shocked when Rowling killed off Cedric Diggory in "Goblet of Fire," but Diggory was a minor character who, in hindsight, was always kind of a handsome readymade corpse -- think of how much freakier the latter Potters would have felt without good ol' Ron around to relieve the tension.

Conversely, imagine if Ron had sacrificed himself in Deathly Hallows' climax. It certainly would have changed the tone of the ending, which was a pretty upbeat Happily Ever After, all considering.

See the full article at EW.com.

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Question:
Who considered killing Ron?
what is easy to imagine?
what did he consider?
Who could have bitten the dust earlier?

Answer: Rowling

Answer: he might have bit the dust relatively early.

Answer: killing Ron."

Answer: Ron's

Summary:
"I did seriously consider killing Ron," Rowling said .
It's easy to imagine that he might have bit the dust relatively early .
How much freakier the latter Potters would have felt without good ol' Ron around .


(EW.com) -- "Joyful Noise," a squeaky-clean pop-gospel fairy tale featuring Dolly Parton and Queen Latifah in canned catfights, reflects the inspiration of "Glee" and God, in that order.

The "Glee" side, at least in my book, doesn't exactly amount to a recommendation, but it does mean that the movie's musical numbers are catchy and rollicking and, in their bright sunshiny way, rather soulful. In the small town of Pacashau, Georgia, times are hard -- every other storefront is empty -- but the Divinity Church choir has lifted local spirits by rising to become a semifinalist in the National Joyful Noise Competition. Can these spunky vocalists go the distance?

Not until they learn to work together in harmony. Which means that Vi Rose Hill (Latifah), the choir's new director, has to stop feuding with G.G. Sparrow (Parton), widow of the former choir leader, over the direction of the group's music. Vi Rose, feisty and smart-mouthed, favors tradition, while G.G., whose grandson Randy (Jeremy Jordan) is the new songbird on the block, is out to shake things up.

Parton now looks like a "Spitting Image" puppet (the film makes plastic-surgery jokes about her so that we don't have to), but she still has a way with lines like ''I'd call you stubborn, but that'd be an insult to mules!''

"Joyful Noise" also finds room for a teenager with Asperger's syndrome (Dexter Darden) who loves one-hit-wonder songs (but can he learn to love himself?), as well as a romance between Randy and Vi Rose's daughter Olivia (Keke Palmer). These two are pretty -- and as bland as balsa wood.

But each time the innocuousness starts to get to you, you're woken up by Randy and Olivia's swooning ''Maybe I'm Amazed'' duet, or a kid-choir rendition of Billy Preston's ''That's the Way God Planned It,'' or the final ''I Want to Take You Higher'' blowout. These numbers create a deep river of feeling, even when stuck in the shallow banks of a movie like this one. B-

See the full article at EW.com.

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Question: Who has a romance

Question: Who's numbers are catchy

Question: What is the musical called?

Question: Who has lifted local spirits by becoming a semifinalist in a competition?

Question: What are "Joyful Noise's" musical numbers?

Question: What is the name of the choir?

Question: Who lifted local spirits

Question: What does "Joyful Noise" also find room for?

Answer: Randy and Vi Rose's daughter Olivia

Answer: "Joyful Noise,"

Answer: "Joyful Noise,"

Answer: Divinity Church choir

Answer: catchy and rollicking and, in their bright sunshiny way, rather soulful.

Answer: Divinity Church

Answer: Divinity Church choir

Answer: a teenager with Asperger's syndrome

Summary:
"Joyful Noise's" musical numbers are catchy and rollicking and rather soulful .
The Divinity Church choir has lifted local spirits by becoming a semifinalist in a competition .
"Joyful Noise" also finds room for a romance between Randy and Olivia .


(EW.com) -- "Real Steel" showed what it was made of, as the robot-boxing action drama won the weekend with an estimated $27.3 million. That's the strongest opening ever for a boxing-themed picture, beating "Rocky IV"'s $20 million debut in 1985 (when not adjusting for inflation).

DreamWorks' $110 million film, which was released by Disney's Touchstone Pictures, scored a superb "A" rating from CinemaScore graders. That bodes well for the movie's box-office stamina, especially since there are no other major family films hitting theaters until "Puss in Boots" pounces on October 28.

Unsurprisingly for a movie about mechanical fighters beating up one another, "Real Steel" skewed male -- 66 percent of the audience according to Disney. It also attracted a younger crowd, with 44 percent under the age of 25. The PG-13 movie's respectable opening must also come as a relief to star Hugh Jackman, who hasn't had a non-X-Men film open to more than $20 million since 2004â€²s "Van Helsing."

In second with $10.4 million was the political thriller "The Ides of March." The R-rated film -- which George Clooney directed, co-wrote, and co-stars in along with Ryan Gosling, Philip Seymour Hoffman, Paul Giamatti, Evan Rachel Wood, and Marisa Tomei -- particularly appealed to older women. According to Sony, 58 percent of the audience was female and 60 percent was over the age of 35. The $12.5 million movie earned a "B" grade from CinemaScore participants, which is a bit lower than expected considering its awards buzz and positive reviews. "The Ides of March" will need to hold up well the next few weeks if it wants to keep its Oscar hopes alive.

The rest of the top five consisted of prior releases that all dropped around (a very commendable) 35 percent from last week. In third place, the family film "Dolphin Tale" slipped 34 percent for $9.2 million, pushing the film's cumulative tally to $49.1 million. The Brad Pitt baseball drama "Moneyball," a critical darling, grossed $7.5 million for a 38 percent decline. And the well-reviewed cancer comedy "50/50," starring Joseph Gordon-Levitt and Seth Rogen, fell 36 percent for $5.5 million.

In limited release, the why-does-this-movie-exist horror sequel "The Human Centipede 2: Full Sequence" stitched together a decent $54,000 from 18 theaters, with most locations only offering late-night showings.

1. Real Steel -- $27.3 mil

2. The Ides of March -- $10.4 mil

3. Dolphin Tale -- $9.2 mil

4. Moneyball -- $7.5 mil

5. 50/50 -- $5.5 mil

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Question: What won the weekend with an estimated $27.3 million?

Question: How many percent did"Dolphin Tale" slipped?

Question: How much did the political thriller "The Ides of March" cost?

Question: How much did real steel make over the weekend?

Question: What percent did dolphin tale fall by?

Question: Which film took $10.4million?

Answer: "Real Steel"

Answer: 34

Answer: $12.5 million

Answer: $27.3 million.

Answer: 34

Answer: "The Ides of March."

Summary:
"Real Steel" won the weekend with an estimated $27.3 million .
With $10.4 million was the political thriller "The Ides of March"
"Dolphin Tale" slipped 34 percent for $9.2 million .


(EW.com) -- A remake, a prequel, and one woefully misguided bird-watching comedy couldn't take down Hugh Jackman and the robots of "Real Steel" at the box office this weekend.

"Steel" punched up an estimated $16.3 million this weekend, marking a healthy 40 percent drop from its $27.3 million debut. As evidenced by the film's impressive 64 percent boost on Saturday, it appears that "Real Steel" is playing as an outright family affair, and that sort of appeal will help it achieve small drops in the coming weeks. Still, the $110 million Dreamworks film, which is being distributed by Disney's Touchstone Pictures, has a very long way to go before it's in the black. So far, "Real Steel" has earned $51.7 million in ten days.

Paramount's $24 million remake "Footloose" managed to open in second place with $16.1 million, a rather lackluster result. Instead of playing like a hyped-up event movie, "Footloose" played much more like a typical dance flick. It attracted fewer dance fans than movies like "Save the Last Dance" (2001, $23.4 million opening) and "Step Up" (2006, $20.7 million opening), but it performed on the same level as "Step Up 3D" (2010, $15.8 million opening) and "You Got Served" (2004, $16.1 million). The film played best with women, who made up 75 percent of the audience, and older moviegoers, who composed 61 percent of the opening weekend crowd. "Footloose" earned a solid "A" CinemaScore grade, and strong word-of-mouth could help it dance its way out of financial trouble, but it will not be able to match the $80 million total that the original "Footloose" achieved back in 1984.

In third, Universal's horror prequel "The Thing" didn't scare up many ticket sales this weekend, opening with $8.7 million. The film, which totes a reported $35 million budget, performed below Universal's expectations, becoming the latest 2011 horror film to not connect with audiences. Movies like "Scream 4" ($38.2 million total), "The Rite" ($33 million), and "Priest" ($29.1 million) have all struggled at the box office this year. Even "Thing" star Mary Elizabeth Winstead's former franchise film, "Final Destination 5," performed unremarkably, earning only $42.1 million. The best comparison for "The Thing" is probably "Don't Be Afraid of the Dark," which opened with a similar $8.5 million and finished with $23.2 million. Considering "The Thing" earned a weak "B-" CinemaScore grade and a sad $2,990 per theater average, that total is about the best it can hope for.

George Clooney's political thriller "The Ides of March" held very well in its sophomore weekend, dipping only 28 percent to $7.5 million in fourth place. That decline is far less severe than Clooney's other recent political flicks, "The American" and "The Men Who Stare At Goats," which dropped by 57 and 54 percent in their second weekends, respectively. Perhaps Clooney has made a political movie that's a bit more palatable for general audiences -- or perhaps it's just the Ryan Gosling effect. Either way, after ten days, "Ides," which cost Sony $12.5 million to produce, has earned $22.2 million. If it keeps up the soft declines, it could become a serious Oscar contender.

"Dolphin Tale" spent one last weekend in the Top 5, sliding 31 percent to $6.3 million. After four weekend's Warner Brothers' surprise 3-D hit has accrued a nice $58.7 million total. Along with "Moneyball" ($57.7 million after four weeks) and "The Lion King 3D" ($90.5 million after five), "Dolphin Tale" is one of the few box office bright spots since "The Help."

The weekend's other new wide release, "

Question: Did The Thing connect with audiences?

Question: Name the 2011 horror film

Question: what film  is playing as an outright family affair

Question: The Thing was released in what year?

Question: What  2011 horror film did not connect with audiences

Question: Footloose was what kind of typical flick?

Question: What is playing as an outright family affair>?

Answer: not

Answer: "The Thing"

Answer: "Real Steel"

Answer: 2011

Answer: "The Thing"

Answer: dance

Answer: "Real Steel"

Summary:
"Real Steel" is playing as an outright family affair .
"Footloose" played much more like a typical dance flick .
"The Thing" is the latest 2011 horror film to not connect with audiences .


(EW.com) -- After ABC changed a new show's mildly profane title during development, upcoming comedy "Apartment 23" has now more-or-less reverted to its original head-turning name.

The official new title of the show is "Don't Trust The B----- in Apartment 23," dashing out the letters of the curse in an attempt to soften its impact (not entirely unlike how CBS solved buying short-lived "S**t My Dad Says" last season, substituting the non-word "$#*!").

The Disney-owned network has two upcoming shows that previously used the word "b**ch" in their title -- "Don't Trust the B**ch in Apartment 23" and drama "Good Christian B**ches." The former was shorted to "Apartment 23" right before the network's broadcast upfront presentation in May. The latter was change to "Good Christian Belles," and was then changed again to "GCB." ("Good Christian B**ches," in particular, was singled out by some culture critics who were ready to pounce on the show should it hit the air with its original title).

'Dancing with the Stars': Cher was there! (Not that Chaz Bono noticed)

In the case of "Apartment 23," the new title was rather anonymous; it didn't tell you anything about the show. The new version more clearly suggests the show's premise -- about a naive midwesterner (Dreama Walker) who moves in with a hardcore party girl (Krysten Ritter). And given that CBS' "2 Broke Girls" and Fox's "New Girl" have successfully launched girl-with-new-roommate(s)-in-the-big-city premises this fall, the cleverly written "Apartment 23" might likewise pop for viewers. The show does not yet have a premiere date, but is expected to debut sometime this season.

Although networks are wary about the swear word in a show's title, on-air use is fair game. According to a story in the New York Times a couple years ago, the use of the word "b**ch" in primetime tripled in the last decade, growing to 1,277 uses on 685 shows in 2007 from 431 uses on 103 prime-time episodes in 1998.

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Question: what was the good christian b**ches was changed to

Question: What was the title shortened to in  May?

Question: What was the sitcom called?

Question: what is the new title

Question: When does the show air?

Question: What is the official title of the show?

Question: what was the sitcom's title shortened too.

Question: Whats the different names of the show?

Question: What was "Good Christian Belles" shortened to?

Answer: Belles,"

Answer: "Apartment 23"

Answer: "Don't Trust The B----- in Apartment 23,"

Answer: "Don't Trust The B----- in Apartment 23,"

Answer: sometime this season.

Answer: "Don't Trust The B----- in Apartment 23,"

Answer: "Apartment 23"

Answer: "Don't Trust The B----- in Apartment 23,"

Answer: "GCB."

Summary:
The sitcom's title was shorted to "Apartment 23" before the upfronts in May .
The official new title of the show is "Don't Trust The B----- in Apartment 23"
"Good Christian B**ches" was changed to "Good Christian Belles" and then to "GCB"


(EW.com) -- After months of speculation about who would play the villain in the next James Bond installment, we finally have an answer, friendo: Javier Bardem.

During an interview with Christiane Amanpour on Nightline, in which the Spanish actor talked about his involvement with a charity to help west Saharan refugees, Bardem confirmed that he would be playing the bad guy in "Bond 23."

"I am very excited. My parents took me to watch the movies and I saw all of them. So to play that is going to be fun," Bardem said about his joining the 00-franchise. "They chose me to play this man, but I cannot give you many details."

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Question:
Where is the actor from?
What did they say?
How much detail can be given?
What did Bardem say?
What did the actor say?
What nationality is the actor?
WHat was said about the role?
Does he like the role?

Answer: Spanish

Answer: "I am very excited. My parents took me to watch the movies and I saw all of them. So to play that is going to be fun,"

Answer: I cannot give you many details."

Answer: "I am very excited. My parents took me to watch the movies and I saw all of them. So to play that is going to be fun,"

Answer: "I am very excited. My parents took me to watch the movies and I saw all of them. So to play that is going to be fun,"

Answer: Spanish

Answer: So to play that is going to be fun," Bardem

Answer: "I am very excited.

Summary:
The Spanish actor said he's excited about the role .
"So to play that is going to be fun," Bardem said .
"I cannot give you many details," he said .


(EW.com) -- After two weekends atop the box office, "Puss in Boots" was thwarted by a pair of newcomers, "Immortals" and "Jack and Jill," both of which opened to solid numbers.

"J. Edgar" wasn't quite as fortunate, but overall, the box office exhibited life like it hasn't for the past few months, and the top ten ticked up 18 percent over the same weekend last year -- a good sign headed into Thanksgiving. Check out all the details below:

Relativity's "Immortals" became the new box office titan, fending off competition and scoring a strong $32 million opening. While that number pales in comparison to the openings of 300 ($70.8 million) and "Clash of the Titans" ($61.2 mil), it puts "Immortals" ahead of other swords-and-sandals debuts like "Prince of Persia" ($30.1 mil) and "Alexander" (13.7 mil). The Tarsem Singh-directed visual feast, which stars Henry Cavill and Freida Pinto, also revives the ancient epic genre's viability in 2011 after flop openings from "The Eagle" ($8.7 mil) and "Conan the Barbarian" ($10 mil).

For Relativity, a $32 million debut (66 percent of which came from 3-D screens) is a major win. The studio spent a surprisingly small $75 million on the film, and a rep told me on Friday that they were hoping for a $25-26 million start. Now, Relativity is hoping that broad appeal will continue to drive attendance.

The studio's exit polling reveals that "Immortals'" audience was 60/40 percent male/female and ethnically diverse as well -- 35 percent Hispanic, 30 percent Caucasian, 13 percent Asian, and 12 percent African-American.

According to Kyle Davies, Relativity's President of Worldwide Theatrical Distribution, "A lot of people are enjoying the picture, and when you look down the road going into the holidays, there's just nothing for the action fans, so I think that's good for us." But will the film actually continue to perform well into the Thanksgiving holiday?

That could be difficult.

"Immortals" looks like it may already be suffering from the fanboy effect, which occurs when eager sci-fi fans rush out to the theater en masse on opening night, thereby inflating numbers on the front end of a film's box office run. This can often lead precipitous drops in the days/weeks that follow. Just look at "Immortals'" weekend trajectory: the flick earned $15 million on Friday, followed by a 32 percent drop to $10.2 million on Saturday (while the rest of the Top 10 increased by an average of 8 percent), followed by a more-standard 33 percent decline to $6.8 million on Sunday.

Davies attributes the large Friday-to-Saturday drop to the fact that Veterans Day fell on a Friday. He claims that with kids out of school all day, Fridays numbers were boosted substantially. We'll have to wait and see how "Immortals," which earned an alright "B" CinemaScore grade, does in the weeks to come.

In second place (for now) was Adam Sandler's latest comedy, "Jack and Jill," which scored a $26 million debut out of 3,438 theaters -- good for a $7,563 per theater average. Sony's $80 million picture performed within expectations, but when compared to the rest of Sandler's bawdy mainstream comedy wheelhouse, this is one of his poorer results, and his worst live-action comedic opening (not including 2009â€²s death-themed dramedy "Funny People") since "Little Nicky"'s $16.1 million bow in 2000.

"Jack and Jill" received atrocious reviews, and while those have never stopped Sandler's films from succeeding in the past, there is a sense that the summation of so many truly awful critical reactions back-to-back-to-back -- when not balanced by winking affection for lovably dumb films like "Big Daddy" and "

Question: What movie had a strong opening?

Question: Which movie was in second place?

Question: which movie had a $32 million opening?

Question: what movie was in second?

Question: what did Immortals become upon  scoring a strong $32 million opening

Question: who scored a $26 million debut

Question: which movie came in third?

Answer: "Immortals"

Answer: "Jack and Jill,"

Answer: "Immortals"

Answer: "Jack and Jill,"

Answer: new box office titan,

Answer: "Jack and Jill,"

Answer: "Puss in Boots"

Summary:
"Immortals" became the new box office titan, scoring a strong $32 million opening .
"Jack and Jill" scored a $26 million debut .
"Puss in Boots" settled for third with an estimated $25.5 million .


(EW.com) -- Although it didn't set a franchise record, "The Twilight Saga: Breaking Dawn -- Part 1" had one of the best openings in box-office history by debuting to $139.5 million, according to studio estimates.

That's the fifth-best opening weekend ever, behind "Harry Potter and the Deathly Hallows -- Part 2," "The Dark Knight," "Spider-Man 3," and "The Twilight Saga: New Moon," which held on to the franchise record.

"New Moon" debuted to a slightly better $142.8 million on the same November weekend two years ago. What's interesting is how closely "Breaking Dawn" followed "New Moon's" trajectory. "New Moon" grossed $72.7 million its first day, and then dropped 42 percent on Saturday and 34 percent on Sunday. By comparison, "Breaking Dawn" earned $72 million on Friday (the third-best opening day ever), and then fell 44 percent on Saturday and a projected 34 percent today.

"New Moon" ultimately finished its domestic run with $296.6 million, and it's too early to tell whether "Breaking Dawn" will wind up a bit short of that final figure. Even if it does, Summit Entertainment won't be complaining about grossing nearly $300 million from the fourth movie of its franchise. And, of course, the domestic box office is only a part of the equation here. "Breaking Dawn" took in $144 million from 54 foreign territories this week, pushing its worldwide debut to a staggering $283.5 million.

Summit reports that "Breaking Dawn" attracted a crowd that was, unsurprisingly, 80 percent female. What is surprising is that the PG-13 movie's audience wasn't as young as you'd think, with 60 percent over the age of 21. According to CinemaScore, 30 percent of the film's audience was under 18, but an even larger 42 percent was between the ages of 18 and 34. The popular conception is that The "Twilight Saga" is merely a teenage phenomenon, but these figures seem to prove otherwise. The $110 million movie received a good-but-not-great B+ rating from CinemaScore graders.

In second place was Warner Bros.' 3-D animated sequel "Happy Feet Two," which fell far short of expectations by dancing to only $22 million. The 2006 original, an Oscar winner for best animated feature, opened to $41.5 million -- and that was without the benefit of 3-D surcharges.

"Happy Feet Two" was saddled with mediocre reviews, which might have discouraged some parents. Furthermore, five years could have been too long of a wait, especially for a sequel that appeared very similar to its predecessor. The original "Happy Feet" was released a year after March of the Penguins, when the Antarctic birds were having a moment in the cultural zeitgeist. That moment has clearly passed. The $135 million sequel earned a B+ rating from CinemaScore moviegoers, and 3-D theaters accounted for 50 percent of its weekend tally.

The rest of the top five consisted of holdovers. The 3-D action flick "Immortals" dropped a harsh 62 percent for $12.3 million -- a second-weekend decline that was larger than both "300" (54 percent) and "Clash of the Titans" (57 percent). "Jack and Jill" witnessed a typical Adam Sandler fall of 52 percent for $12 million. And even though "Happy Feet Two" underperformed, "Puss in Boots" lost much of its family audience. The animated adventure dropped 57 percent for $10.7 million in its fourth weekend.

In limited release, Alexander Payne's "The Descendants," starring George Clooney, debuted to $1.2 million from 29 theaters -- enough for a tenth-place finish. The Oscar hopeful raked in an impressive $42,150 per location. Only "Midnight in Paris," "The Tree of Life," and "Jane Eyre" opened to stronger per-theater averages this year, and those movies started out on far fewer screens than "The Descendants."

Question: What movie fell far short of expectations?

Question: What was the box office for Immortals?

Question: How much did the movie make?

Question: What type of movie is Immortals

Question: What type of feet are mentioned

Question: What movie had the third-best opening day ever?

Question: How much did Breaking Dawn earn on Friday

Question: What movie dropped a harsh 62 percent?

Answer: "Happy Feet Two,"

Answer: $12.3 million

Answer: $139.5 million,

Answer: 3-D action flick

Answer: "Happy

Answer: "Spider-Man 3,"

Answer: $139.5 million,

Answer: "Immortals"

Summary:
"Breaking Dawn" earned $72 million on Friday (the third-best opening day ever)
"Happy Feet Two," fell far short of expectations by dancing to only $22 million .
The 3-D action flick "Immortals" dropped a harsh 62 percent for $12.3 million .


(EW.com) -- Although the tower in question in the gimcrack action comedy "Tower Heist" is fictional, many New York tourists will recognize the aggressive nouveau-riche opulence of the building's exterior as that of an actual Manhattan hotel condominium owned by aggressive nouveau-riche Donald Trump.

The aesthetic pairing of The Donald and director Brett Ratner is a natural. This brassy production, an imitation "Ocean's 13Â½," features the name-brand talents of Ben Stiller (as an honorable Tower manager named Josh) and Eddie Murphy (as a con man called Slide) leading rookie thieves in an elaborate Robin Hood-style heist. Their target? The oversize penthouse of one Arthur Shaw (Alan Alda), a shady billionaire who keeps a rare 1963 Ferrari in his living room.

In other words, "Tower Heist" is the cinematic version of a Trump property: overblinged, eye-catching, and essentially tacky. For a movie that claims its heart is with the masses -- the 99 percent! -- there's an awful lot of production-design admiration lavished on the trappings of the effin-rich 1 percent. (Ratner had specific ideas about which pedigreed modern-art reproductions he wanted on the walls.) Shaw is a fictional variation on Bernie Madoff: Entrusted with the retirement savings of the multicultural low-wage employees who keep the Tower running, he takes their money and ruins their lives.

And so, rallied by egalitarian friend-to-all Josh -- the guy takes the subway to work from Queens, so you know he's a mensch -- and hastily educated in criminal technique by Josh's less honorable Queens neighbor Slide, these blue-collar little people rise up in triumph to steal their money back. By the moral standards of Occupy Hollywood, the crime earns an ethical thumbs-up.

You may think I am picking too much on what's built to be a fun, diverting, New York-state-of-mind caper comedy -- a joke-filled cavalcade that marks 50-year-old Eddie Murphy's welcome return to the edgier stuff that made him famous. Alrighty, let's talk about Murphy: He's nowhere to be found in the first half of the movie! And he's only there to illuminate selected scenes in the second: He's like the spot lighting supplied by a big-a** chandelier in an ostentatious Trump lobby. That's too bad, because when Murphy is on screen, his comedic vigor -- reminiscent of Chris Tucker's jive-talk mania in Ratner's "Rush Hour" movies but with a blast of Murphy-specific danger -- gooses the movie's energy level. I've missed that guy.

But whenever Murphy wanders off, the movie's pulse rate drops. Tower Heist is in effect two movies: One belongs to Murphy, the other to the rest of the cast. Josh's drippy in-house recruits include Matthew Broderick as a broke ex--Wall Streeter and Tower resident (and the kind of fretful nebbish he perfected on Broadway in The Producers); Michael PeÃ±a as an uncouth rookie bellhop; and "Ocean"'s alumnus Casey Affleck as an unreliable concierge who happens to be Josh's stressed-out brother-in-law. (The band of gentlemen credited with the story and screenplay includes Ted Griffin, who worked on Steven Soderbergh's 2001 "Ocean's Eleven.")

Two female characters also join the increasingly frantic male-driven mayhem. (Here's where I mention with an eye roll that, in what I hope is a quickly passing trend in male- as well as female-driven comedies, vaginas are briefly discussed, this time by Affleck.) TÃ©a Leoni, who worked with the director 11 years ago in "The Family Man," gamely plays a no-nonsense FBI agent with cute rough edges. And Gabourey Sidibe, the striking plus-size Oscar-nominated star of "Precious," makes her Hollywood leap as a feisty Jamaican chambermaid who gets in on the heist action. (The girl's got mad safecracking skills.)

I don't know why Ratner and cinematographer

Question: What is the name of a movie about a Trump highrise?

Question: What part does Sidibe play?

Question: Is Murphy in the first half?

Question: What is the cinematic version of trump property?

Question: what is the cinematic version of a Trump property?

Question: Who was no where to be found in first half?

Answer: "Tower Heist"

Answer: feisty Jamaican chambermaid

Answer: He's nowhere to be found in the

Answer: "Tower Heist"

Answer: "Tower Heist"

Answer: Murphy:

Summary:
"Tower Heist" is the cinematic version of a Trump property .
Murphy's nowhere to be found in the first half .
Sidibe's self-possessed working girl is something new .


(EW.com) -- Brendan Conlon (Joel Edgerton), a high school physics teacher, has a house the bank is about to foreclose on and a daughter with an (expensive) heart defect. He's also a former mixed-martial-arts champion, and so -- strictly for the money -- he decides to get back in the ring, even if the clawing, kicking, anything-goes bouts threaten to kill him.

Tommy Conlon (Tom Hardy), an Iraq-war veteran who left the battlefield under mysterious circumstances, is also an MMA fighter, and he too wants back in the ring. The two men are brothers, and were once close. But the only thing that unites them now, apart from their ruthless hand-to-hand prowess, is how much they hate their father, Paddy (Nick Nolte), a recovering alcoholic whose drinking tore the family apart.

'Rescue Me' series finale: Were you satisfied?

"Warrior," a two-track drama of fighting and redemption, tells the parallel stories of Brendan and Tommy, and the movie, with its grim, deliberate rhythms and grainy '70s-style look, comes on as if it were no mere sports fable. It's about demon-haunted Irish Catholic men testing and punishing themselves. It's about broken families coming together. It's about economic desperation and about America getting off the ropes and recovering its fighting spirit.

If "Rocky" was sweet and inspiring, and "The Fighter" was touching and fascinating, "Warrior" is at times almost gravely self-important. The gifted director Gavin O'Connor ("Miracle") brings the film an affecting, ripped-from-the-guts spirit, even if he can't really hide how many old-movie tropes are floating around in it.

PTC slams 'Toddlers & Tiaras' for 'Pretty Woman' hooker costume

Mostly, "Warrior" is a showcase for its up-and-coming stars. Edgerton, from last year's "Animal Kingdom," and Hardy, who stole scenes as the identity forger in "Inception," both have a tense, tough presence, though in a slightly colorless way. You buy them as brothers, and as gnarly brawlers hungry to win, but Mark Wahlberg and Christian Bale they are not.

In this film, they're closer to the second coming of Tom Berenger and Michael ParÃ©. B

See full article at EW.com.

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Question: what is a "Warrior" ?

Question: What is gravely self-important?

Question: what is  at times almost gravely self-important?

Question: What is Warrior?

Answer: movie,

Answer: "Warrior"

Answer: "Warrior"

Answer: a two-track drama of fighting and redemption,

Summary:
"Warrior" is a two-track drama of fighting and redemption .
It tells the parallel stories of Brendan and Tommy, and has a grainy '70s-style look .
"Warrior" is at times almost gravely self-important .


(EW.com) -- Disappointing news for fans of "All My Children," which was supposed to earn a second lease on life next year when it was supposed to resurface via The Online Network in January.

The company that bought it from ABC may hold off premiering it for at least a few months and focus on getting "One Life to Live" back to fans, instead, according to Variety.

Prospect Park, a media and production company founded in 2009 by Jeffrey Kwatinetz and former Disney Studios head Rich Frank, bought "AMC" and "OLTL" last July after ABC canceled them. ("AMC" ended in September; "OLTL" goes away in January).

The hope was to bow new installments of "AMC" online starting in January, but that was before Prospect started having a tough time securing stars from the longtime serial (here's looking at you, Susan Lucci!).

So far, only Cameron Mathison (Ryan Lavery) and Lindsay Hartley (Dr. Cara Castillo Martin) have agreed to continue with "AMC" once it goes online.

In contrast, "OLTL"'s Erika Slezak (Victoria Lord), along with Ted King (Tomas Delgado), Michael Easton (John McBain) and Kassie DePaiva (Blair Cramer), among others, will stay in the fictitious town of Llanview for Prospect's new venture.

Along with the soaps, The Online Network is supposed to feature entertainment and lifestyle shows.

See the full article at EW.com.

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Question:
Which company bought from ABC?
who buy all my children
What programs has the network?
What will the Online Network feature?
what is the focus
what is supposed to feature
What bought the company?
What show was bought?
What will have fans?

Answer: Prospect Park,

Answer: Prospect Park,

Answer: "All My Children,"

Answer: entertainment and lifestyle shows.

Answer: getting "One Life to Live" back to fans,

Answer: entertainment and lifestyle shows.

Answer: Prospect Park,

Answer: "All My Children,"

Answer: "One Life to Live"

Summary:
The company that bought "All My Children" from ABC may hold off premiering it .
It will focus on getting "One Life to Live" back to fans .
The Online Network is supposed to feature entertainment and lifestyle shows .


(EW.com) -- Henry Winkler is often called the Nicest Man in Hollywood, but now he's also known as an Honorary Officer of the Most Excellent Order of the British Empire (OBE).

He was awarded the honor from the Queen this week in recognition of his services to children with dyslexia and special educational needs.

According to the British Embassy in Washington, he's spent much of the last two years touring the U.K. to educate about dyslexia and other learning difficulties. Winkler, who was diagnosed with dyslexia as an adult, is also the author of 17 children's books centered on Hank Zipzer, a boy with dyslexia who overcomes his struggles at school and with bullies.

There are two things I love about the press release: One, that "Happy Days" the show is never actually mentioned, although Sheinwald sneaks in a reference ("Henry Winkler is living proof that difficulties can be overcome and that for those suffering disability and self-doubt, happy days can nevertheless lie ahead").

And two, the sense of formality that insures you will also not see the words "the Fonz" or "Fonzie" ("Mr. Winkler's portrayal of Arthur Fonzarelli garnered him two Golden Globes and three Primetime Emmy nominations"). What I love about this in general is that it's just another wonderful, unexpected line on Winkler's rÃ©sumÃ©.

It's kinda like the first time you read that he was an executive producer on "MacGyver" or heard that he saw the short film that "Better Off Dead"... writer/director Savage Steve Holland had made about having suicidal thoughts after his high school girlfriend dumped him for the captain of the ski team and gave him an office so he could write it as a feature.

It's easy to just think of Winkler as "The Fonz" instead of as a man who's also done multiple Adam Sandler movies, "Arrested Development," and "Childrens Hospital" among other things (like wear orange shirts on "Royal Pains"). Every now and then we like to stop and remember.

See the full story at EW.com.

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Question: Henry Winkler was awarded the

Question: What was he diagnosed with as an adult?

Question: that was diagnosed Winkler?

Question: that honor was awarded Henry Winkler?

Question: What did he spend much of the last two years doing?

Question: What was Henry Wrinkler awarded?

Answer: Honorary Officer of the Most Excellent Order of the British Empire (OBE).

Answer: dyslexia

Answer: dyslexia

Answer: Honorary Officer of the Most Excellent Order of the British Empire

Answer: touring the U.K. to educate about dyslexia and other learning difficulties.

Answer: Honorary Officer of the Most Excellent Order of the British Empire (OBE).

Summary:
Henry Winkler was awarded the honor from the Queen this week .
He's spent much of the last two years touring the U.K. to educate about dyslexia .
Winkler was diagnosed with dyslexia as an adult .


(EW.com) -- How did the makers of "I Don't Know How She Does It" not know that there are two insurmountable problems with their bogus chick flick about the amusing travails of a working mother?

The first is that the movie is based on a 2002 novel by British journalist Allison Pearson, and we live in 2011. True, Kate Reddy (Sarah Jessica Parker) is now an "investment manager" in Boston rather than a British hedge-fund shark.

Otherwise, Kate.2011 has the same accessories as Kate.2002, including a cute architect husband (Greg Kinnear), two kids who push Mommy's guilt buttons, and various male associates oblivious to commonplace 2011 workforce realities.

Into this time warp screenwriter Aline Brosh McKenna ("Morning Glory," "27 Dresses") adds gratuitously bitchy stay-at-home gym-rat mothers and a boss (Kelsey Grammer) who blanches at the word mammogram. Pierce Brosnan plays a fairy-tale New York businessman as princely as he is single.

The second insurmountable problem is the difference between Parker's performance as a fortysomething banker, wife, and mother musing (in voice-over) at her computer and her previous performance as a single, thirtysomething girl-about-town in "Sex and the City": There is none. I don't know why she does it.

EW.com rating: D+

See the full story at EW.com.

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Question: Who plays a fairy-tale New York businessman?

Question: The movie is based on a 2002 novel by whom?

Question: who is allison pearson

Question: What is the movie based on?

Question: who is pierce brosnan

Question: name of british journalist

Question: What is the name of the British journalist?

Question: What is the year of the novel?

Question: Who plays a fairy-tale?

Answer: Pierce Brosnan

Answer: Allison Pearson,

Answer: British journalist

Answer: 2002 novel by British journalist Allison Pearson,

Answer: a fairy-tale New York businessman

Answer: Allison Pearson,

Answer: Allison Pearson,

Answer: 2002

Answer: Pierce Brosnan

Summary:
The movie is based on a 2002 novel by British journalist Allison Pearson .
Kate.2011 has the same accessories as Kate.2002, including a cute husband .
Pierce Brosnan plays a fairy-tale New York businessman as princely as he is single .


(EW.com) -- Huge news for "American Chopper" fans: Jesse James is returning to the network that made him famous to compete head-to-head against the Teutuls on "American Chopper."

Marking his first appearance on Discovery Chanel in five years, the former "Monster Garage" star will guest star on "Chopper" across two nights in December. Not only that, but "American Chopper" is going live for the first time -- pitting James, Paul Teutul, Senior and Paul Teutul Jr. in a bike-building battle at the Hard Rock Hotel in Las Vegas.

The face-off airs December 5 and 6 at 9 p.m. both nights. The first night is the regularly scheduled "American Chopper." You'll see Senior, Junior and James building the bikes, and viewers will vote for their favorite. The second night is a live show from Las Vegas where the winning bike will be revealed.

For "Chopper" fans, this is the stuff of online message-board wish fulfillment. Jesse James' documentary "Motorcycle Mania" helped launch the whole cable reality motorcycle craze back in 2000, whereas relative later-comer "American Chopper" helped bring the genre to a greater level in popularity. James then left Discovery and went on to other ventures, including his short-lived Spike TV series "Jesse James is a Dead Man" (and drawing international headlines for his divorce from Sandra Bullock).

Though James and the Teutuls respective motorcycle garage shows overlapped during James' years at Discovery ("Monster Garage" ran from 2002-06; "Chopper" has aired since 2003), this event marks the first time the combustible personalities have gone head-to-head on one of the programs.

See the full article at EW.com.

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Question: What show will the former Monster Garage star appear in?

Question: Who's at the battle of construction of bicycles?

Question: What is going live for the first time?

Question: Who will guest star on Chopper?

Question: Who will be in a bike-building battle?

Question: Who is the "Chopper" guest star?

Question: What is live for the first time?

Answer: "Chopper"

Answer: James, Paul Teutul, Senior and Paul Teutul Jr.

Answer: "American Chopper"

Answer: Jesse James

Answer: James, Paul Teutul, Senior and Paul Teutul Jr.

Answer: Jesse James

Answer: "American Chopper"

Summary:
The former "Monster Garage" star will guest star on "Chopper"
"American Chopper" is going live for the first time .
James, Paul Teutul, Senior and Paul Teutul Jr. will be in a bike-building battle .


(EW.com) -- In response to Netflix's recently released list of the "Top 10 Movie Rentals of All Time," BitTorrent has release its own -- albeit utterly illegal -- list of the "Top 10 Most Pirated Movies" of all time.

The usual suspects were there, with "Avatar" (21 million downloads) taking top (dis?)honors, and "The Dark Knight" tying for second place with "Transformers" at 19 million downloads apiece. And, yes, of course there's a "Pirates of the Caribbean" installment on there. It's only right.

Still, there is surprisingly little overlap between the lists (only "Inception" and "The Departed"). Apparently Netflix users favor Oscar bait while Internet thieves go for tentpole popcorn movies, with the Venn Diagram overlap between those two strangely being Leonardo DiCaprio. So what other movies made the list, and which were the most head scratch-inducing? See the full list after the jump.

1. Avatar (2009)

2. The Dark Knight (2008)

3. Transformers (2007)

4. Inception (2010)

5. The Hangover (2009)

6. Star Trek (2008)

7. Kick-Ass (2010)

8. The Departed (2006)

9. The Incredible Hulk (2008)

10. Pirates of the Caribbean: At World's End (2007)

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Question: where is surprisingly little overlap?

Question: What is Avatar winning?

Question: Who is in second place?

Question: How many downloads did Transformers get?

Question: How many downloads did The Dark Knight get?

Question: What is surprising?

Answer: between the lists

Answer: "Top 10 Most Pirated Movies"

Answer: "The Dark Knight"

Answer: 19 million

Answer: 19 million

Answer: little overlap between the lists

Summary:
"Avatar" (21 million downloads) taking top (dis?)honors .
"The Dark Knight" tying for second place with "Transformers"
Still, there is surprisingly little overlap between the lists .


(EW.com) -- It's been an interesting year for Charlie Sheen. From getting fired from his gig on "Two and a Half Men" to flooding Twitter with non-sensical ramblings (#winning anyone?), and most recently, appearing on the Emmys to wish his old co-stars good luck, he's had his share of ups and downs. And tonight, he got called out for them.

Comedians Seth MacFarlane, Jon Lovitz, Jeffrey Ross and Mike Tyson (?), among others, were all on-hand for Sheen's sometimes brutal Comedy Central roast, which aired shortly after his character's mock funeral on Two and a Half Men (poetic timing much?).

The comedians took a no-holds barred approach, taking aim at Sheen's history of employing prostitutes and using drugs (read eight of the meanest jokes here). Even Sheen's kids weren't off-limits.

"If you're winning, this must not be a child custody hearing, said Ross. "The only time your kids get to see you is in reruns -- don't you want to live to see their first 12 steps?" Sheen laughed and applauded. The comedian also singled out Sheen's ex-wife Brooke Mueller (who was in the audience), in an especially touchy bit alluding to the actor's previous domestic violence charges.

"[Brooke Mueller] is not very bright unless Charlie throws a lamp at her," Ross said. He later added, while addressing Tyson, "There's no denying the fact that Mike Tyson had the hardest hitting right hook in history -- your opponents spent more time bleeding in the corner than Charlie's ex-wives."

For his part, Sheen seemed to take it all in stride and even fired back with some zingers of his own ("I'm done with 'the winning' because I've already won"). Although, it's hard to imagine he didn't feel a single singe while sitting in that hot seat.

But how about you? Did the heat from Sheen's roast make you uncomfortable? Or were you enjoying the skewering? Do you think the jokes went too far? Or was it all fair game? Weigh in with your take in the comments below.

See the full article at EW.com.

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Question:
What was Sheen reaction?
Who's career had ups and downs?
what did sheen do
What approach comedians took?
what did the comedians do

Answer: laughed

Answer: Charlie Sheen.

Answer: getting fired from his gig on "Two

Answer: no-holds barred

Answer: took a no-holds barred approach,

Summary:
Charlie Sheen has had his share of ups and downs .
The comedians took a no-holds barred approach .
Sheen fired back with his own zingers .


(EW.com) -- On "A Very She & Him Christmas," professionally adorkable "New Girl" star Zooey Deschanel reunites with Portland folkie M. Ward, this time wrapped in holly and (mostly) good cheer.

While some covers feel dreary -- ''Silver Bells'' is less tinkly than dirgelike -- Deschanel's unfussy voice puts a charming spin on yuletide chestnuts ''Blue Christmas'' and ''Rockin' Around the Christmas Tree.''

The self-penned ''Christmas Day,'' with its gingerbread-spicy surf licks, is sweet enough to cure an eggnog hangover. B

See full article at EW.com.

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Question: What show is she on?

Question: What TV programme is metioned

Question: What is the name of the folkie?

Question: What show was the actor a star in?

Question: Where is M. Ward from

Question: What is the name of the actress?

Question: Who was reunited with M Ward?

Question: What is the name of the self penned song

Question: Whats the show called?

Answer: "New Girl"

Answer: "New Girl"

Answer: M. Ward,

Answer: "New Girl"

Answer: Portland

Answer: Zooey Deschanel

Answer: Zooey Deschanel

Answer: ''Christmas Day,''

Answer: "New Girl"

Summary:
Zooey Deschanel reunites with Portland folkie M. Ward for "A Very She & Him Christmas"
The "New Girl" star's unfussy voice puts a charming spin on the classics .
The self-penned ''Christmas Day,'' with its gingerbread-spicy surf licks, is sweet .


(EW.com) -- Oof. The Miami and Dallas audition rounds of "The X Factor" brought us a few solid acts -- and one stunning one -- and an utterly ridiculous amount of screentime dedicated to losers and fools.

Have I been suckered into recapping "America's Got Talent?"

Thankfully, Simon and company redeemed themselves by sticking a grey-sweatered dagger into that festering zit of a human being Xander Alexander (stage name) at the very end of the show. If you look up "the worst" in a dictionary, you will find this tattered seafoam creature, standing all alone with only his terrible attitude and a trash-basket Pepsi to keep him company. FOR THE REST OF HIS LIFE. Books are timeless.

I'd love to have seen more footage of promising "yeses" like Jeremiah Pagan (one of "only like seven" male sopranos in the world -- as if), or blink-and-you'd-miss-her Ma'at Bingham Shango. 31-year-old blonde-banged Hannah Jackson, I know you've just become able to fly out of your birdcage, but come back to me! Hog farmer Kyle Corr, sing to me some more! I almost always feel like a pig, so I promise it won't be weird. Stick with me, people!

No dice. In lieu of more quality time spent with promising acts like girl group 2Squar'd, country singer/teacher Kendra Williams, and music instructor Brandon O'Hara, we got entire segments devoted to the likes of a defective Justin Bieber doll (if Justin Bieber dolls had been around in the '80s) and motormouth yawns like Ashley Nothing At All Like Pink and Ashley Ghost Hunter. (The ensuing inter-judge antics re: ghosts was pretty much the dumbest thing I've ever seen, and I've been watching "Dancing With the Stars" for 13 seasons.)

The airtime devoted to yellow-bloused high school junior Caitlynne Curtis was a little easier to swallow, because it's been a while since we've seen Pauler put on her thinking cap and concoct a delicious scheme to trot up and hug someone. That poor girl's life would have been a lot worse from that moment forward if Paula hadn't done that. And she was sweet, you know? I would have hugged her myself. I cannot say the same about Dreamcatcher Crotch. But Nicole might.

Despite an inspirational visit from local hero Gloria Estefan and a giant rainbow-colored beach ball, the talent in Miami was dreadful. "Honest to God, nothing," complained Simon. "I hope this is the worst session. I'm beginning to wonder why we came here." Way to inspire people to keep watching, boss. And.... cue music!

Meet Vanilla Ice Nick Voss, 21, who got fired from a job at the airport because all he wanted to do was dance. Silly airport. Those planes don't need to know where they're going! What Nick lacks in vocal talent and fully-grown-in eyebrows, he makes up for with fancy footwork and enthusiastic family members. Stevecrest Jones even did an overhead clap during Nick's rendition of Elvis Presley's "Trouble." A beaten-down L.A. Reid immediately gave in, "because this is really the entertainment business." Wise Paula suggested Nick lose the Michael Jackson choreography and focus on his vocals, and Simon declared "Nick, I absolutely love you." He had to. The episode was getting that bad.

But Melanie Amaro, 18, redeemed it completely. FINALLY! We heard her entire amazing performance of Beyonce's "Listen" -- cutting her off would have seemed illegal. I got total Whitney Houston/Leona Lewis vibes from Melanie's voice alone. The fact that she has such a real, unassuming personality on top of the voice makes me want to go buy her entire album right now. It was so refreshing to see such a good-natured reaction to the crowd's overwhelming reception. There's nothing worse than an 18-year-old who knows she's the s---. The judges were nearly passing

Question: what people heard the entire performance

Question: What song Melanie Amaro was performing?

Question: What did Paula suggest

Question: what woman said nick should lose the choreography

Answer: Melanie Amaro,

Answer: "Listen"

Answer: Nick lose the Michael Jackson choreography and focus on his vocals,

Answer: Paula

Summary:
We heard Melanie Amaro's entire amazing performance of Beyonce's "Listen"
Dexter Haygood broke out a rote James Brown tribute act with "Sexy Machine"
Paula suggested Nick lose the Michael Jackson choreography and focus on his vocals .


(EW.com) -- Spidey will cast his net across millions of TV screens during Macy's Thanksgiving Day Parade, but that's not where Thursday's televisual treats end.

Whether you're a certified dude, a lady with a taste for the finer things, a procedural junkie, a spy fan, or someone who understands "There's always money in the banana stand," we present a list of the all that's worth watching this Turkey Day.

Fun for the Whole Family

While you're slaving over your bird bright and early, give the kids a taste of what could await them if they don't toe the line with the Style Network's "Supernanny" marathon (6 a.m.-6 p.m.) Kids will also love back-to-back "Tom & Jerry" episodes on Cartoon Network (9 a.m.-7 p.m.), and teens will be occupied by MTV's double header of "Friendzone" (9 a.m.-1 p.m.) and "Ridiculousness" (3-7 p.m.).

Dudesgiving

There's a plethora of guy-friendly fare on all day. Early risers can flip between A&E's "The First 48" marathon (8 a.m.-4 a.m. Friday) and History's 12-hour block of "Ice Road Truckers: Deadliest Roads" (8 a.m.-8 p.m.). Outdoorsy types can catch up with "Hillbilly Handfishin'" on Animal Planet (9 a.m.-5 p.m.), and weapons buffs have a choice between Discovery's two-series gun spectacular ("American Guns" from 9 a.m.-1 p.m. and "Sons of Guns" from 1 p.m.-6:30 p.m.) or G4â€²s "Bomb Patrol" (1-11 p.m.). For those with a truly unquenchable blood lust, Spike TV is kicking off the day at 10 a.m. with a "Steven Seagal marathon" spearheaded by the martial arts master's 1994 eco-actioner "On Deadly Ground."

Ladies' Choice

Where better to go to appreciate your own dysfunctional family than WE tv? The lady net is airing episodes of "Braxton Family Values" from 10 a.m.-1 a.m. Friday. Past noon, the time will be right to bust our your diamonds (and perhaps even your claws) with Bravo's "Real Housewives of Beverly Hills" (noon-6 p.m.), not to mention pop open the champagne with Patsy and Edina of "Absolutely Fabulous" on LOGO (1-7 p.m.). Come nightfall, BET is catching you up with its newest original offering, "Reed Between the Lines" starting at 6 p.m.

Get Your Procedural On

For those who can't get enough of procedurals, TNT is airing "Bones" all day starting at 10 a.m., followed by a "CSI: NY" marathon at 8 p.m. USA has "NCIS" fans covered (10 a.m.-8 p.m.) and Oxygen is taking the night shift with a "Law & Order: Criminal Intent" block from 7 p.m.-midnight.

Eating With Your Eyes

We have no idea how you could possibly be hungry, but in case you are, choose between TLC's "Cake Boss" and "Cake Boss: Next Great Baker" (6 a.m.-8:30 p.m.), Nadia G's "Bitchin' Kitchen" on the Cooking Channel (2-8 p.m.), and OWN's "Welcome To Sweetie Pie's" (5-11 p.m.)

The Geek Tube

Whether you geek out over music, space (the final frontier), or Buster Bluth, there's a choice for you. VH1 i showing "Pop Up Video" back-to-back from 12:30-2:30 p.m., and Fuse is airing its MC series "Beef" from 6 a.m.-5 p.m. Over on BBC America, spend the day with Captain Picard on "Star Trek: The Next Generation" (8 a.m.-5 a.m. Friday). Perhaps most thankful of all, fans can eagerly anticipate the 2013 return of "Arrested Development" with 12 hours of the show on IFC (6 a.m.-6:30 p.m.).

Just Like Old Times

The end of the year always lends itself to a bit of nostalgia, so why not embrace the remembrance of things past with some old classics? Syfy presents its annual "James Bond Marathon" (8

Question: What can outdoorsy types catch up withq

Question: Reed Between the Lines is on what network?

Question: What time does the Bones marathon start?

Question: Hillbilly Handfishin is on what network?

Question: When is Bones airing

Question: What is the original offering of

Answer: "Hillbilly Handfishin'"

Answer: BET

Answer: 10 a.m.,

Answer: Animal Planet

Answer: all day starting at 10 a.m.,

Answer: "Reed Between the Lines"

Summary:
Outdoorsy types can catch up with "Hillbilly Handfishin'" on Animal Planet .
BET is catching you up with its newest original offering, "Reed Between the Lines"
TNT is airing "Bones" all day starting at 10 a.m., followed by a "CSI: NY" marathon .
Fans can enjoy 12 hours of "Arrested Development" reruns over on IFC .


(EW.com) -- The 2012 box office got off to a fine start this weekend, as Paramount's "found footage" (riiiight...) horror movie "The Devil Inside," which the studio acquired for just under $1 million, earned a tremendous $34.5 million in its first three days, becoming the first breakout box office star since "The Lion King 3D."

In fact, the strong debut marks the third-best January opening of all time behind "Cloverfield" ($40.1 million) and a re-release of "Star Wars" ($35.9 million). Is this a sign of things to come in 2012?

Perhaps. But it's more likely a sign of the recent popularity of possession movies. Demonic tales have made a mini-comeback in the last few years -- starting with the success of 2005′s "The Exorcism of Emily Rose," which earned $75.1 million domestically. Since then, similar titles like 2009′s "The Haunting in Connecticut" ($55.4 million), 2010′s "The Last Exorcism" ($41 million), and 2011′s "Insidious" ($54 million) have all proven lucrative thanks to their tiny budgets. "Insidious," for example, cost just $1.5 million to make. Of course, the "Paranormal Activity" movies (the fourth of which was just announced this week) are the biggest success stories of this whole trend. A total of $8 million has been spent making the three "found footage" movies, yet they have earned $296.7 million domestically.

Paramount marketed "The Devil Inside" in much the same way the studio markets the "Paranormal" films. Commercials included ample shots of audiences screaming at the screen, and viewers were encouraged to use social media to chat up the film with the "Tweet Your Scream" campaign. Indeed, all the promotional costs -- certainly a much higher number than the budget -- helped "The Devil Inside" achieve a stellar debut, but where does it go from here? Well, it falls. Fast.

Due to their overwhelmingly young audiences, who love to rush out to the theater on opening weekend, horror movies almost always open big and fall precipitously at the box office, but "The Devil Inside," with its utterly terrible "F" CinemaScore grade (some issue has been raised as to whether the grade is actually an "F" or closer to the "C" range), will likely plummet even more quickly. Not that it really matters, though -- the horror pic is already in the black, and it may finish with as much as $70 million.

In second place, "Mission: Impossible - Ghost Protocol," another Paramount film, continued its comeback performance with $20.5 million in its fourth weekend. The action blockbuster, which became the biggest hit of the holidays, has now earned $170.2 million, and it should finish well above $200 million.

"Sherlock Holmes: A Game of Shadows" held onto third place with a $14.1 million weekend. The sequel, which initially appeared a major disappointment when compared to the original "Sherlock Holmes," has redeemed itself handily in the last few weeks. After two weekends, "Shadows" was trailing "Sherlock Holmes" by $59.7 million, but over the past two weeks, the sequel has narrowed that gap to $22.7 million, and it now has a running total of $157.4 million -- still disappointing, but not nearly the disaster it first appeared.

"The Girl With The Dragon Tattoo" finished the frame in fourth place with $11.3 million, dipping only 24 percent, the smallest drop in the Top 10. Could the edgy adaptation finally be finding its adult audience now that the warm n' fuzzy holiday season is over? After 19 days, "Dragon Tattoo" has grossed $76.8 million, and if it maintains strong holds like this, it should pass $100 million.

"Alvin and the Chipmunks: Chipwrecked" rounds out the Top 5. The kiddie threequel, which has majorly underperformed compared to expectations, dropped 42 percent to $

Question: who held onto third place with a $14.1 million weekend?

Question: What were the earnings of The Devil Inside in its first three days?

Question: What place did Sherlock Holmes: A Game of Shadows get in the weekend sales?

Question: How much did Mission: Impossible - Ghost Protocol earn?

Question: who earned a tremendous $34.5 million in its first three days?

Answer: "Sherlock Holmes: A Game of Shadows"

Answer: $34.5 million

Answer: third

Answer: $170.2 million,

Answer: horror movie "The Devil Inside,"

Summary:
"The Devil Inside" earned a tremendous $34.5 million in its first three days .
"Mission: Impossible - Ghost Protocol," continued its comeback performance with $20.5 million .
"Sherlock Holmes: A Game of Shadows" held onto third place with a $14.1 million weekend .


(EW.com) -- The box office had to contend with the World Series, a very early snowstorm in the Northeast, and Halloween festivities across the country this weekend, but audiences still managed to make it to the movies!

That being said, grosses for new releases "Puss in Boots," "In Time," and "The Rum Diary," weren't all that strong. Check out how they performed below:

Dreamworks Animation's "Puss in Boots" was the top cat this weekend, clawing its way to a $34 million debut, 51 percent of which came from 3-D screens, and 7 percent of which was from IMAX theaters. On paper, that number sounds good -- and, to be clear, it is by no means a disaster -- but the result comes with a "Real Steel"-ish caveat. "Puss in Boots" cost $130 million to produce, and it earned Dreamworks' third-worst debut for a computer animated film, beating only "Flushed Away" and "Antz," which started with $18.8 million and $17.2 million, respectively. The 3-D "Shrek"-spinoff, cost as much as Dreamworks' "Megamind," which opened in early November 2010, but that film began with $46 million, and it played well through the Thanksgiving season on its way to a $148.4 million total.

"Puss in Boots" entered theaters a week earlier, but it will need to endure even better than "Megamind" to earn back its budget. The "A-" CinemaScore grade it earned from audiences should at least make that achievement possible, but considering people are already familiar with the "Puss in Boots" character, it's doubtful that the film will attract many uninitiated viewers. We won't officially know where "Puss in Boots" is headed until next weekend, when we see how much the snowstorm, the World Series, and Halloween really affected the box office this frame. (My guess is not much -- and I'm not just being catty.)

Second place belonged to "Paranormal Activity 3," which fell by 65 percent to $18.5 million in its second weekend. The found footage horror sequel has scared up $81.3 million after ten days in theaters, and considering the huge business the film will likely do on Halloween, "PA3" is only a day away from passing Paranormal Activity 2's $84.8 million cume. Not too shabby for a film that cost Paramount only $5 million to make!

Fall Movies: Get the latest news, photos, and more

Fox's $40 million Justin Timberlake/Amanda Seyfried thriller "In Time" underwhelmed with just $12 million in its opening weekend. That debut is less than Timberlake's last film, "Friends with Benefits," which began with $18.6 million on its way to $55.8 million, as well as Seyfried's recent "Red Riding Hood," which debuted with $14 million on its way to $37.6 million.

Ads for "In Time" failed to effectively communicate the convoluted time-shifting story, and negative reviews likely kept older moviegoers away. Timberlake's leading man status may not have helped matters too much, either -- audiences seem to find him more appealing as part of an ensemble, like in "The Social Network" and "Bad Teacher." Moviegoers issued "In Time" an unenthusiastic "B-" CinemaScore grade, which may prevent the film from finding the same kind of legs that time-jumping thriller "Source Code" ($14.8 million opening, $54.7 million total) enjoyed earlier this year.

In its third weekend, dancing remake "Footloose" fell to fourth place, dropping 48 percent to $5.4 million. The $24 million production has now earned $38.5 million after 17 days in theaters, and it will pass the total of Julianne Hough's first feature film, "Burlesque" ($39.4 million), sometime this week.

Johnny Depp's latest, "The Rum Diary," stumbled out of the gate with just $5 million. "Pirates of the Caribbean" this was not. The disappointing opening

Question: what did  earn Dreamworks' third-worst debut for a computer animated film?

Question: Which film fell by 65 percent in its second weekend?

Question: How much did Puss in Boots earn on debut?

Question: what did has a $34 million debut?

Question: Which company produced Puss in Boots?

Answer: "Puss in Boots"

Answer: "Paranormal Activity 3,"

Answer: $34 million

Answer: "Puss in Boots"

Answer: Dreamworks Animation's

Summary:
"Puss in Boots" had a $34 million debut .
"Puss in Boots" earned Dreamworks' third-worst debut for a computer animated film .
"Paranormal Activity 3" fell by 65 percent to $18.5 million in its second weekend .


(EW.com) -- The last time we saw him on our TV sets, T. R. Knight was playing "Grey's Anatomy"'s beloved Dr. George O'Malley before he met an untimely end in 2009.

In his first television role since (he's been continuing a successful stage career), Knight plays somewhat against type: George O'Malley was the bumbling, baby-faced surgeon with a nervous smile and horrible luck with women; his latest character, Gabriel Thomas from last night's "Law & Order: Special Victims Unit," is an alleged (SPOILER ALERT!) "power-reassurance serial rapist" with a neck tattoo -- sure, the tat is of a yin-yang symbol -- but still, a neck tattoo pretty much never screams "nice guy." Gabriel sure looks like George, but that's where the similarities end. Like George, Gabriel's into blonds, but only of the submissive variety -- that would certainly exclude Izzie Stevens.

It's rather inspired to cast an actor so associated with a recognizably benevolent character in such a disturbing role (sort of the effect Elijah Wood had as the expressionless, evil Kevin in "Sin City"). Seeing Knight go from a bright-eyed family man one moment to a sinister predator who snarls, "Tell me you love me, Mommy" to the women he's assaulting (ick) in the next is appropriately chilling. And, as it turns out, the dichotomy makes even more sense as, in a twist typical of this long-in-the-tooth series, Knight is pulling a Sarah Michelle Gellar and playing estranged identical twins, one of whom has a seemingly charmed life whereas the other's is in serious shambles.

It may be a long shot, but for fans, his appearance on "Law & Order" might be a sign of more T. R. to come. In the enduring spirit of cross-promotion, NBC seems to use "SVU" as a testing ground for future series leads.

Beautiful relationships between NBC and stars often begin in that famous interrogation room. Just look at Hayden Panettiere's two roles ramping up to Heroes, and Maria Bello's significant role last season en route to Prime Suspect (which really is getting better -- save that show!). Even though Knight's return to TV was welcome in my eyes, I found his performance weirdly unsatisfying. He didn't get to sink his teeth into his role(s) as much as I'd hoped because a lot of the episode was devoted to initiating new detectives Nick Amaro (Danny Pino) and Amanda Rollins (Kelli Giddish); plus, his characters' Southern accent sounded a bit inconsistent -- anyone else notice that?

See the full article at EW.com.

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© 2011 Entertainment Weekly and Time Inc. All rights reserved.

Question: What is his character into?

Question: Who plays somewhat against type?

Question: who is into blonds

Question: What is Knight's first television role since "Grey's"?

Question: who didn't get to sink

Question: What role didn't he get to sink his teeth into?

Answer: blonds,

Answer: Knight

Answer: Gabriel's

Answer: Gabriel Thomas from

Answer: T. R. Knight

Answer: "Law & Order"

Summary:
In his first television role since 'Grey's,' Knight plays somewhat against type .
His character is into blonds, but only of the submissive variety .
He didn't get to sink his teeth into his role .


(EW.com) -- There are two ways for pop stars to make a Survivor Album: either power-sing through your problems like Christina Aguilera, or make like Rihanna and dance till you forget what you're supposed to be getting over.

On her first release since checking out of rehab, Demi Lovato wants to have it both ways. She's front-loaded "Unbroken" with leave-no-synth-effect-behind R&B (''You're My Only Shorty,'' featuring Iyaz), shy love-in-this-club tracks (''Who's That Boy''), and Timbaland bangers (''All Night Long,'' with Missy Elliott). So it's a little unnerving when she gets to the album's second half -- the part where, as she told Ryan Seacrest, ''I'm singing about some issues that I've never even spoken about before.''

Having struggled with cutting since she was a preteen, Lovato admits, ''I ended up with wounds to bind ... and I just ran out of Band-Aids'' on the hugely affecting ballad ''Fix a Heart.''

Demi Lovato covers Lil Wayne's 'How to Love' in NYC: Watch it here

The piano confessional ''For the Love of a Daughter'' finds her picturing herself at age 4, begging her dad to ''put the bottle down'' and keep his ''selfish hands'' to himself. And then there's ''Skyscraper,'' an anthem so honest you can hear her voice breaking.

Taylor Swift teams with Hayley Williams in Nashville for 'That's What You Get'

Clearly it's been a tough year for Lovato. But as Rihanna could tell her, sometimes bad years make great songs. B+

See full review at EW.com.

CLICK HERE to Try 2 RISK FREE issues of Entertainment Weekly

© 2011 Entertainment Weekly and Time Inc. All rights reserved.

Question: what "Unbroken" is Demi Lovato's?

Question: what is demi lovato's first release since checking out of rehab?

Question: What is Demi Lovato's first release since rehab?

Question: What does Lovato say about it?

Question: What is "unbroken" loaded with?

Question: what is she singing about?

Question: what did she front-load "unbroken" with?

Answer: her first release since checking out of rehab,

Answer: "Unbroken"

Answer: "Unbroken"

Answer: before.''

Answer: leave-no-synth-effect-behind R&B

Answer: some issues that I've never even spoken

Answer: leave-no-synth-effect-behind R&B

Summary:
"Unbroken" is Demi Lovato's first release since checking out of rehab .
She's front-loaded "Unbroken" with R&B, shy love-in-this-club tracks and Timbaland bangers .
''I'm singing about some issues that I've never even spoken about before," she said .


(Editor's note: Marnie Gustavson is Executive Director of PARSA, a Seattle-based nonprofit working with widows, orphans and the disabled in Afghanistan. She spent her teenage years in Kabul, where she now lives with her family. For more information about PARSA, read here and here Marnie Gustavson says the real Afghanistan is more textured  than could be seen from secure bunkers. KABUL, Afghanistan (CNN) -- In my Afghanistan, the days are compiled images of Afghans living their simple lives. My Afghanistan is a kaleidoscope of real people, from the stick-thin bearded Paghmani man, an imposing 6-foot-5, rhythmically lifting rocks, 12 hours a day, seven days a week for $4 a day, his shalwar kameez billowing in the hot summer breezes; to the grin of the boy in his blue shirt as he labors to cut the alfalfa after school to feed the flock of big-bottomed sheep. To the kiss of the old widow, her family gone, whose feet hurt incessantly; she's forgotten the English she once knew when she worked for the government. And of course, to the communities my organization works with to help them better their lives through direct education and training programs. A Pashtun orphan, about 11, enters my office with a plate of freshly picked summer apricots. He was rescued from a madrassa that trained him how to throw grenades and to be a suicide bomber. He spends time with me when he gets a chance, tidying my desk, pulling my papers out of the copier and stacking them. We can't speak much as I do not know Pashtun and he hasn't yet learned Dari or English, but he tucks his head into the crook of my neck for a couple of minutes watching me type. In these gentle moments, he begins to unwind and I experience the fragile connection that is being created between our worlds. Living and working in Afghanistan for nearly five years now, I do not recognize most of what the international news accounts of this area report as anything remotely close to my experience. A visiting journalist recently observed with some surprise that "parts of Afghanistan are at war and parts are peaceful." Indeed, like Ireland and many other sites of civil unrest in the world, there are pockets of peace and pockets of war. The things that concern me most as I go about my day-to-day activities are not suicide bombers, kidnappings, and the "insurgency." These are all just a backdrop to the much more textured story that is Afghanistan, though it rarely touches the lives of the 2,500 or so foreign aid workers who live and work in Kabul. Yet these stories of violence dominate the news outside and thus color the way the world imagines Afghanistan. Internationals living in the country are constantly bombarded with "threat alerts" and rarely visit the desperately poor Afghan communities their projects are ostensibly attempting to help. This is what concerns me: how my country is spending development dollars here without really being here. The results of the fear that dominates the management of most development projects are an incompletely informed group of international professionals working in Afghanistan who can literally spend years here without seeing the country but through the windows of their armored cars. Living as they do under cloistered, fearful conditions behind razor-wired walls, venturing out only to a select list of "secure" locations, they make often questionable decisions on spending, frequently without the input of Afghan nationals. From this entrenched, isolated position, they are managing hundreds of millions of dollars of international development funds. When news reports talk about Afghanistan's high levels of corruption, they do not lift the veils to see that the development projects themselves are actually enabling it with security conditions that resemble apartheid. While folks at home are hunkering down, Afghanistan projects are concerned with tripling their monthly "burn rates" and managing projects remotely -- projects that almost certainly are less than the books indicate, or worse, have been paid for several times over by different organizations. It is time for those controlling the funding investment in this country to listen to their

Question: What is Afghanistan?

Question: which place is described as having pockets of war and peace?

Question: what does she say will help the young people?

Answer: is a kaleidoscope of real people,

Answer: Afghanistan

Answer: direct education and training programs.

Summary:
Marnie Gustavson: Afghanistan is a complex place with pockets of war and peace .
She says the image of Afghanistan provided in the media isn't complete .
She says some aid organizations hide behind fences and miss the real story .
Gustavson: We must build bridges to the young people of Afghanistan .


(Entertainment Weekly)  -- For the past three weeks in a row, Michael Jackson's "Number Ones" has been the biggest-selling album in the country. For the first time in a month, the No. 1 album on the Billboard 200 is actually the No. 1 selling album. Each time, it's been disqualified from Billboard's flagship Billboard 200 chart, along with all Jackson's other releases, due to its age. That unusual run of asterisked Billboard 200 chart-toppers is now over. Which artist put an end to Jackson's posthumous flummoxing of the Billboard rules, you ask? The answer is Chris Daughtry, whose "Leave This Town" bows atop the chart with a very nice 269,000 copies sold, according to Nielsen SoundScan. That's actually a bit of a drop-off from the 304,000 that the first album from American Idol alum Chris Daughtry's band sold when it hit shelves in 2006, but it's more than anyone else could muster in this sales frame -- yes, even Michael. And so for the first time in a month, the No. 1 album on the Billboard 200 is actually the No. 1 selling album in the U.S., no tricks, no fooling. ("Number Ones," meanwhile, sold another 192,000 this week, landing it handily atop the Top Comprehensive Albums chart, which counts catalog albums alongside new ones. So don't think that MJ's sales have dried up just yet.) Other Billboard 200 debuts this week came from the Dead Weather's "Horehound" at No. 6, demonstrating that at least 51,000 devotees can be counted on to buy any side project Jack White dreams up. R&B singer Joe, shows up at No. 7 after signing over 49,000 units of his "Signature"; Twista fast-talked his way into 45,000 sales and a No. 8 bow; and Christian power-pop teens pureNRG squeak in at No. 20 with 22,000 copies sold. CLICK HERE to Try 2 RISK FREE issues of Entertainment Weekly

Question: What are the names of the other top albums this week?

Question: How many copies sold Daughtry's?

Question: What is the name of Michael Jackson's biggest selling album in the past weeks?

Question: Who has been biggest-selling album?

Question: How many copies of Doughtry's first album sell?

Question: What was the biggest selling album in the last two weeks?

Question: Which year was released first Daughtry's album?

Question: How many copies did Daughtry's chart sell?

Answer: ("Number Ones,"

Answer: 269,000

Answer: "Number Ones"

Answer: Michael Jackson's

Answer: 304,000

Answer: "Number Ones"

Answer: 2006,

Answer: 269,000

Summary:
Daughtry's "Leave This Town" tops chart with 269,000 copies sold .
In past weeks, Michael Jackson's "Number Ones" has been biggest-selling album .
Daughtry's first album sold 304,000 when it was released in 2006 .
Other top albums this week are from Dead Weather, Joe and Twista .


(Entertainment Weekly) -- "The Time Traveler's Wife," adapted from the 2003 best-seller by Audrey Niffenegger, is one of those gooey romantic mind-benders, like "Ghost" (which I adored) or "The Lake House" (not so much), in which a couple must come to grips with some trippy impediment to their relationship, such as life after death or a hole in the space-time continuum. Rachel McAdams and Eric Bana star as a couple trying to connect in "The Time Traveler's Wife." Only instead of being milked for elaborate science-fiction thrills, the problem at hand gets treated as a weepy and grandiose inconvenience. Sort of like the metaphysical version of having a husband who takes too many business trips. Henry (Eric Bana) is deeply, and eternally, in love with Clare (Rachel McAdams), and she with him. The only problem is that he has a "genetic anomaly" that causes him to skip around through time without warning. All of a sudden, he will melt out of the present and pop up ... somewhere else, in the future or in the past, without a stitch of clothing on, so that he must scramble for cover and regain his bearings. Then, just as suddenly, he'll pop back into Clare's life -- sometimes when he's too young a man to have any idea who she is. (A little confused? So was I.) More jarringly, he sometimes appears when he's an adult and she's an adoring young girl standing in a pastoral meadow. That's when she falls in love with him -- which is meant to be innocent, but comes off as a bit unintentionally creepy. I mean, is the movie supposed to look like a contemporary version of "The Lewis Carroll Story"? To muddle matters further, Henry is seen at assorted ages, but except for the moment when he shows up at his wedding with sudden streaks of gray in his hair, Bana looks exactly the same in every scene. "The Time Traveler's Wife" is built as a game that the audience learns to play, and after a while, yes, we do get the hang of it. That is, we accept the film's mixture of the playful and the slightly arbitrary; we become romantic time travelers too. Although the script is by Bruce Joel Rubin, who wrote "Ghost," the film's mood doesn't change very much; it's gentle, wistful, gauzy, and placid. Bana, so fantastic in "Munich," has always had to work overtime to prove that an actor who looks like the Aussie gym-rat version of Rodin's "The Thinker" can play a gentle, unassuming regular guy. But he does nicely here. He and McAdams are sweet together, with matching dimples and starry eyes, and we grow eager to see them remain in the same place. In the end, that's all there is to the movie, really. It's a time-travel fantasy in search of a cozy love seat. EW Grade: B-minus CLICK HERE to Try 2 RISK FREE issues of Entertainment Weekly

Question:
What is the name of the movie?
What is the movie about?
Who stared in the movie?
What is the name of the actress?
Who are the actors?
What is the movie called?

Answer: "The Time Traveler's Wife,"

Answer: a time-travel fantasy in search of a cozy love seat.

Answer: Rachel McAdams and Eric Bana

Answer: Rachel McAdams

Answer: Rachel McAdams and Eric Bana

Answer: "The Time Traveler's Wife,"

Summary:
Chemistry between Eric Bana, Rachel McAdams saves "Time Traveler's Wife"
Movie about man who can travel through time, hurting chances for romance .
A lot is silly, just waiting for the couple to get together at the right time .