Now You See Me could have been a good movie if only the writers team, or should we say the lame duck team, took the trouble to do their job correctly.

The story is just a big, little clear catch-all, riddled, from end to end, with quite flagrant incoherences, and punctuated by, probably, one of the worst twists ever. Indeed, this twist is ridiculous because totally unbelievable, it doesn't produce any effect on the viewer, but most seriously it instantly annihilates the credibility of the film as a whole ! And it seems like a dream when, just before, Morgan Freeman serves us up with a totally absurd and unrealistic demonstration... having to explain an outcome, above all in such a didactic and unsubtle way proves well that the script doesn't hold water.

This quite incredible failure of the story inevitably cripples the movie, which anyway only possesses two assets that are its dynamism and its cast, except the unbearable Mélanie Laurent who makes one grammatical mistake every three sentences and seems to be reciting her lines more than anything else, and Jesse Eisenberg who seems stuck in his Zuckerberg role, mumbling all the time. As for the cinematography, it isn't fundamentally bad but very cliché — as the soundtrack — with, for example, a lot of circus shots, a technique Leterrier used and abused of, apparently as little inspired as his writers.