The film starts with a medium long shot. After that, we have some energetic sequences. In this film, Spielberg tells the story in such a way that we really and truly feel that we are dealing with a romantic biography with a lot of concentration, and when we realize that its concentration is not that high, it bursts our bubble. When Mitzi leaves the first house with the baby, why should we have a medium long shot? We have such a sequence in Serious Man 2009, where the director takes a long shot correctly and it is a successful sequence. In all the sequences related to the piano, we still have this ridiculous medium long shot. Maybe Spielberg wanted to show off the objective side of things with these mediums,(even more) , or maybe wanted to stay in a special point.but they only cause inconsistency. We have these mediums for all the scenes related to playing the piano and even the second school filming project... Overall, the movie needed more softness. Of course, Sam's love affair is properly executed. Why is Sam's father willing to help him to such an extent when he knows that his job is entertainment? This movie needed a stronger emotional soul (at least for a few seconds) or maybe more darkness, not in the conclusion, but in the praise of the emotions. But again, it works very well as a tough romantic drama in the face of crossing over the defined realities as much as possible (not in all cases) and while it may not be possible to live it, there are always people who know that perfect.4/75/5.