Fargo is an intelligently comedic, violent, emotional, and dark composite that's certainly one of the quirkiest pictures I can ever recall seeing.

Prior to writing up this review, I read the comment that Fargo can never decide what genre it seeks to be. Despite my grievances with this comment, I do believe that at times Fargo's various elements could've been integrated more effectively. However, these elements are all accomplished and the overall picture is a commendably smooth venture.

In regard to Fargo's black humour, to some extent at times I struggled to conclude which material was intended to be humorous, and that which was intended to be serious and impactful, as the borderline between the two felt slightly blurred.

Much like the picture itself, Fargo hosts a plethora of quirky and unique personas, made even more credible by the distinguished efforts of Macy and McDormand.

Fargo's intelligence is reflected in it's subtle lines of dialogue, events or shots that mimic or reference similar material featured earlier in the film is consistently used to phenomenal effect.

It should be noted that the ending sequence is a commendable and reflective accomplishment that demonstrates how self aware the Coen's were of their creation.