"Everything Everywhere All at Once" (2022) is a film that's been lauded for its high creativity and unconventional storytelling. At its core, it's an ambitious narrative exploring multiple dimensions, centered around a protagonist who acquires diverse skills from her alternate selves. Despite its critical acclaim and originality, the film's duration, extending over two hours, tends to be both unrelenting and wearisome.

The movie's approach, though imaginative, often veers into the realm of pretentiousness. This, coupled with its overrated perception, creates a sense of disconnection. It's as if one is watching the events unfold from another dimension, unable to truly immerse oneself in the story. This detachment is intensified by the film's chaotic narrative, where limitless possibilities negate any real sense of danger or consequence. The characters, thus, feel distant, as there seems to be no substantial reason to invest emotionally in their journeys.

The protagonist's ability to gain skills from other dimensions is a highlight, infusing the story with moments of enjoyment. However, the film falls short in creatively exploiting this concept beyond the realm of visual gags and action sequences. The novelty of elements like hot dog fingers wears thin, failing to add significant depth to the overall plot.

On the technical front, the film shines with its impressive production values. The editing, direction, and post-production work are commendable, enhancing the movie's multidimensional aspect. The acting, however, is average and lacks memorability. Some performances, especially in the beginning, feel unconvincing and forced.

In conclusion, "Everything Everywhere All at Once" stands out for its bold and imaginative concept but struggles in forging a meaningful connection with its audience. Its bombardment of visual excess and melodramatic elements results in a viewing experience that is more exhausting than engaging, leaving the viewer feeling disengaged and uninvested in the chaos unfolding on screen.