I went into the cinema to see this film with sky high expectations given the domestic and international reviews of it. Phrases like "modern classic" and "landmark film" made me think that I was in for something truly special in terms of film history along the lines of Citizen Kane and The Godfather.

Turns out I wasn't, well not all the way anyway. I won't bother with the whole plot line, since it's very sprawling and complicated, but suffice it to say that my main disappointment with the film stems from the fact that the thematics of the story simply are too limited and ordinary compared to the potential impact of the film's gimmick: the fact that you can enter somebody's dream to steal information or plant ideas.

The plot revolves mainly around industrial espionage, a theme which simply does nothing for me emotionally. Who cares if one industrial tycoon wants to stop another? The dream concept of the film is truly magical and innovative and is a very compelling feature of the film itself. But why in heaven's name marry it to something as pointless as industrial espionage? What happened to something like the fight for world domination? It would have given the film infinitely more punch if the plot had centered around some political intrigue in stead. Especially given the unstable nature of the world today with wars in Iraq and Afghanistan, huge climate issues, and so forth.

The subplot involving Leonardo DiCaprio and Marion Cotillard's characters to me comes off very flat, their on screen chemistry not being very strong. This is a shame, for the premise of the subplot has great emotional potential.

All in all, somewhat of a disappointment, despite the wallop one inevitably receives from the film's take on the concept of entering someone else's dreams.