I must criticize the lack of excellence by Tom Cruise. This is a high speed movie for which high frame rate is not only appropriate but DEMANDED in the 2020's. The scenes were shot on the Sony Cine Alta Venice 2 camera with 6K sensor -- that has the capacity for 59.94p at all aspect ratios.

Basically, Tom Cruise put everybody through rigorous training camp, just to distribute and project 90 year old technology of 24 frams per second (FPS), for supersonic subject matter. Well guess what... for distribution at 24FPS, the editors must cut countless hours of excellent rapid motion material that was too fast for 24 FPS.

When Tom Cruise says that the movie is best viewed in IMAX -- he is fraudulently lying to your face (or ears).

And actually Tom Cruise is referring to "LIE-MAX" since true IMAX film is 18K resolution, or 130 cycles/mm at 30% response (Kodak D96 developer, ANSI Standard PH2.39-1977 (R1990) -- EASTMAN 2366 datasheet.

LIE-MAX is like 64kb/s audio on an iPod. Few people actually care about REAL quality, and are bamboozled by marketing hype.

A movie like this, shot at 6K resolution, looks only slightly better from an IMAX 4K Laser video projector, as it does from a standard Christie 4K projector.

My advice: Wait for the High Frame Rate UHD release, and watch it at home.