Taking the joy and levity of the Mattel dynasty that is Barbie, and throwing the perfect figure into real world social issues creates an excellent fish-out-of-water plot. Addressing gender issues in a bright and (mostly) light-hearted manner gives the film an excellent moral without becoming preachy. Anyone vehemently against messages transmitted in the film must have strong opinions on whether these issues are a reality, as there is nothing controversial here, just a doll tackling common sense.

Success comes from the film's perfect casting. Robbie could not be bettered, with a positive and bubbly attitude wonderfully transitioning through something as dark as an existential crisis. Even issues around her character supposedly losing her beauty are brilliantly maneuvered through some excellent fourth-wall breaking.

Gosling leans into the camp brainlessness of his Ken to create a persona both lovable and problematic, but most importantly hilarious. The wider cast is star-studded, the roster of Barbies and Kens including the likes of McKinnon, Liu and Cera, with real-world characters from Ferrera and Ferrell. All this added to with ridiculous cameos throughout.

Brilliantly funny, the dialogue and comedy can range from deadpan to daft depending on the scenario. Easter eggs are thrown in throughout and even those without an interest in the doll growing up can at least appreciate the references on show.

Fantastic costuming and props, the brightness of Barbieland is joyous to see and so perfectly contrasted with in the real world. A real directorial masterclass from Gerwig, somehow offering a fun perspective on gender inequalities.