Tarantino's revisions of history seen in inglorious b*stards bored are replicated here with increasing ludicrous results. The female characters in OUTIH are all one dimensional child like creatures whilst the male characters were given complex depth and history. There were some brilliant scenes with incredible acting, but all together the plot was a non-story followed by a bizarre ending that was essentially a slapstick comedy. The writing was lazy and self indulgent and the amount of foot close ups (women's feet only of course) added another more intentional chapter to the Tarantino foot fetish discourse. Tarantino has unfortunately lost it.