With his debut in 2011 with the brilliant dramatization of the early beginnings of the GFC in the Oscar nominated Margin Call, his follow up with the brave and well liked All is Lost and now with the critically acclaimed and somewhat forgotten about third feature A Most Violent Year, filmmaker J.C. Chandor is very quickly becoming one of the industry's brightest young talents and a model of consistency.

Quite possibly the least gangster gangster film ever made, A Most Violent Year sees Chandor enhance his directional abilities to all new levels and where Margin Call saw him master the art of the script and his actors and All is Lost the art of storytelling almost entirely through visuals, A Most Violent Year sees a combination of highly impressive elements combine to create one of the year's most fully formed and competent films.

A Most Violent Year is one of the those films that's so finely constructed, you'd be hard pressed to find a single weak component, right down to the way in which violence doesn't drive the film as the title may suggest, merely plays out in its background as a master puppeteer, as heard frequently in the radio chatter our characters listen to. Chandor's direction and screen writing is the work of someone assured of their material and displays a finesse not normally seen in a filmmaker so young into his career which combines perfectly with the behind the camera work of increasingly impressive D.O.P Bradford Young (going along with fine work on Ain't Them Body Saints and Selma) and the moody musical score from Edward Sharpe front man Alex Ebert suggests that he and Chandor could just become perfect artistic collaborators after this and All is Lost.

With all this artistic merit on display, at the heart of Chandor's tale lies an incredibly intriguing and undoubtedly slow burning story of people trying to "take the most right option" in their quest to achieve their goals. Front and centre to this journey is Oscar Isaac's driven business owner Abel Morales, one of the most layered characters of recent memories that allows Isaac to deliver another hugely energetic turn in what's quickly becoming one of the most interesting acting journeys in the last few years. Isaac's interplay with all involved here is incredible and with Jessica Chastain's feisty turn as Abel's not easy to read wife Anna, A Most Violent Year will keep those viewers that are willing to enjoy the slowly rising tensions on offer, glued to their seats with anticipation.

There are some very slight narrative missteps that stop A Most Violent Year from becoming a near perfect example of both a morality tale, a tale of ambition and a dramatic thriller of the highest calibre but as it stands Chandor's film is one of the year's most impressive all round productions that plays out against the backdrop of an intriguing, violence infested, true to life time in the history of New York City, where men and women like Abel and Anna battled daily for their survival both metaphorically and figuratively.

4 and a half unhelpful dogs out of 5