"I don't feel I have to wipe everybody out. Just my enemies." So says Michael Corleone (AL PACINO) in THE GODFATHER: PART II.

Pacino plays the part with somber seriousness that becomes a bit one dimensional by the time the film is midway over. Nor is the story as compelling as the first Godfather film. But you have to hand it to director Coppola, he keeps the viewer glued to the screen even when the pauses between dialog is a bit longer than needed. (No wonder the film is so long!!). And with the risk of being politically incorrect, you can almost smell the garlic in every scene, so realistic are the accents and the background flavor of the entire film.

So many plot developments are almost throwaways because the screenplay seems to be deliberately ambiguous about certain plot elements. And yet, the film has a certain holding power and all of the performances are more than competent. Especially poignant--and chilling--is the scene where Fredo's fishing expedition takes place with stormy looking clouds setting the eerie scene to perfection as the expected murder takes place.

With murderous intentions just around the corner in practically every scene, it's a fascinating film to watch, especially since the murders themselves are so deftly handled by the actors involved. DIANE KEATON is especially convincing in the final confrontation with Pacino.

I don't think GODFATHER II compares favorably to the original film with Brando, particularly since it's not always successful in telling two stories--the one involving the young Vito (ROBERT DeNIRO) and the present story--but it still packs a wallop when it gets to the intense moments. The double strand of stories doesn't always mesh well, a weakness of structure that hurts the film. Despite this major flaw, it's a superior piece of film-making.