Surely, in psychology there is a term describing today's addiction to TV shows. Unfortunately, I don't know about him yet, so I'm just childishly happy about the 'addiction' that has arisen.'. And yet, I dare say, 'Sherlock' is some kind of new cultural and social phenomenon that has engulfed the entire planet. I can't remember any other films, especially TV series, that would be so eagerly awaited. The blogosphere is bursting with reviews and guesses: who, when, how, why and, most importantly, whether Mr. Missed-Me is alive.

But the appointed hour X comes, and all disputes fall silent, and the most desperate fans of the series are holding their breath watching the intricacies of the famously thought-out plot. How did they do it? No, I'm not just talking about the work of a great cast, but also the entire group of creators from the author of the idea Mark Gatiss (Mycroft) to the set designer Joel Rambelow. Every episode of 'Sherlock' was shot at such a pace that you don't have time to pay attention to every detail. That's why it's so interesting to review it again and, smiling, mentally say to yourself: 'So that's it...'

I can't answer the question in any way: where does the feeling of belonging and acute empathy for what is happening come from, that at some point you perceive the characters as old acquaintances. Funny, of course, but damn exciting! And you understand that a little more, and perhaps the movie will end without continuation.

But for now we still have a whole series to follow and miss, admire and wonder, analyze and make mistakes, then exclaim: 'That's it?!Of course, we will all feel slightly cheated no matter how the movie ends. And then we will look at the surrounding reality through the prism of deduction for a long time, dig into our own 'halls of reason', trying to achieve the abilities of our beloved highly functional sociopath.