The Death Note manga is a socialist artwork between a painter and a writer. But in fact the person who is credited with elevating this manga to such status is the writer and author (Tsujumi Oba). This person weaved an interwoven plot with strong and pivotal turns at all times, and even made sure that his plot was wrapped in a difficult police character. Unlike all other police work, Death Note is one of those works that took the general concept of policing and transformed it completely to serve a different purpose. These plots are known to be a group of benevolent characters, pursuing a group or another evil person. And in these plots, the matter is not personal or mostly psychological. But in this work of art, the matter took over time personal curves that led to unexpected turns in the plot.

Therefore, when we transfer the axes of the plot from the general axes of all the characters to the private axes of two particular characters, we are really here to make matters completely personal, and the personalization of the situation here led to pushing each of them to exert all possible effort and strength in order to achieve victory, whatever the cost or means. Made for it. In this anime, the writer placed the chase between (person) and (person). And each of them has a very high IQ, and each of them is able to carry out the most heinous crimes without leaving a trace of him, and even turn the tables on their owners at any moment. But one of them chose the path of truth, and the other chose the path of falsehood. Now in this anime, we see literally two people who can be called (god) in relation to cunning and the ability to reach the end by harnessing the capabilities of the mind. Here we witness the struggles of the ancient (Olympian) gods once again on the ground, but with false identities and endless pursuits. And between this and that, we find that events escalate and the plot begins to twist little by little until we find ourselves in front of mind-blowing events and fueling emotions in an unimaginable way.