The long wait for Bollywood to shake off the shackles of mindless masti is officially over. Long have fans waited in earnest for a movie that would captivate their minds and take them on a journey of love in a way only bollywood knows how. Love Aaj Kal is more than a refreshing foray into long unvisited areas, its a return to the classic principles of a modest and true love.

Many films have struggled to portray such stories amidst the backdrop of a modern society and understandably so. Much has changed since the day 'raj' introduced himself to 'simran' on a moving train carriage (DDLJ). But Love Aaj Kal does this to near perfection. The realities of a modern day relationship are brought to intense scrutiny under the principles of old age chivalry and modesty. The result is an enthralling plot where the reconciliation of both unfolds in a most untypical manner. Believe me when I tell you that this story is not typical, nor are the many directions it takes.

Locations such as England, the US and India are effectively utilised without resorting to a plethora of scenic shots in an attempt to add to the films credibility. The flashbacks themselves are tastefully created, giving the audience a breath of fresh air whilst carrying the story to its much appreciated climax. The story, the dialogue and the camera work combine brilliantly and give the film a sense of professionalism and artistic sense, both of which appear to be lacking in most of the movies being churned out by the industry.

The acting is brilliant. Saif manages to find a middle ground between the charismatic 'nickhil' (salam namaste) and the intensity of 'Ishwar' (Om Kara), thus demanding empathy and guaranteeing laughs. Deepika proves her credentials as an actress in this film, her beauty already a forgone conclusion. Rishi Kapoor is an ever-reliable foil to the young protagonist (Saif) and guides the movie well. Lastly, the actress playing 'Harleen' also deserves recognition. Much pressure must have been placed on the young girl who had to shoulder the responsibility of a story parallelling that of stars such as Saif and Deepika. But this she handled with aplomb. She was more than believable as 'Harleen' and perfect for the plot's intentions of a modest romance. A slight qualm of mine is the western actress chosen to play 'Jo', whose acting was the usual unconvincing performance that is becoming commonplace in Indian movies with westerners (Lagaan the exception). A better character and actress could no doubt have been sought.

I recommend this film to all who wish to see what emotions a bollywood love story is capable of invoking. The 90's brought with it the melodious love of DDLJ, yet it is in 2009 that bollywood brings a practical love story equally capable of capturing our imaginations.