I don't know what it is about this movie that people get so carried away with. I guess being under 20 helps, although I talked to some younger friends who thought the movie to be just as insipid, lame and boring as I did.

I read that people find this movie's complexity to be one of its strong points. This is quite sad since it's about as complex as the basis of your average video game. I guess that same thing has set the standard to determine what is complex today in films and what is not. Complexity in my book has something to do with multiple layers, each with its own intrinsic appreciation, and is recognized rather easily. The effect namely being that when you miss a significant part of the story, like when watching a good detective, you no longer understand what is going on. I must have at least dozed off 3 times during Inception but wasn't even remotely challenged to work something out that wasn't already all too clear about 15 or 20 minutes in.

The characters were unlikable and uninteresting across the board and the same rather goes for the whole of what the movie considers to be its plot. A James Bond type of story arc which doesn't really make the viewer care for it's outcome since such is already pretty clear because Nolan uses the same frigging formula. We got the secret agent, a pretty damsel, a world threat and a plethora of nameless villains with guns, some even on skimobiles! At any given point during ThaT particular scene, I expected a venerable Roger Moore to rush out from behind a snow covered spruce, cunningly herding his chasers into a trap of what appears to be 007's stretchable tie conjoined to and in between two trees.

Inception is nothing more than the next action/chase time-waster laced with the compulsory CGI and endless fake-explanatory dialog as if it was breaking down a match between two chess masters. I found it all way too silly and turned it off 15 minutes before the credits rolled. Another cell phone company commercial stretched into feature film length with some big names attached for a complementary audience who can't tell, and couldn't care less to be able to tell, shït from Shinola.

5/10 for the otherwise competent direction, editing and sublime sound editing.