The Marvel Cinematic Universe (MCU) has grown to encompass twelve films and four TV series the lions share of which have been enthusiastically accepted and celebrated by audiences and critics. That's close to a decade now where a cultural phenomenon, based on superhero spectacle, larger-than-life characters and interesting stories, has surpassed every other tent-pole to become the largest franchise ever. Captain America: Civil War (or Avengers 2.5 as it is dubbed) is lucky number thirteen. With a slate full of interconnected movies still set to 2019, it can be reasonably assumed at least one of these things has to be a dud, a catastrophe, a Batman & Robin (1997) level misfire. Will Civil War, with it's bloated cast, be the straw that breaks the camel's back? Have we finally reached a point were the massive MCU begins to crumble? Can Civil War meet expectations or will choke haphazardly on its own opulence?

The answer is not only a resounding no but a loud, thunderous hell no! Civil War is not only one of the most unabashedly entertaining popcorn blockbusters to come out of this year so far, it rivals The Avengers (2012) and Iron Man (2008) as one of the strongest Marvel films to exist since the inception of the studio's grand design. Manufactured with the determined ardor of its titular hero and forged with the surprisingly ductile malleability of the ever expanding MCU, Civil War is a rollicking ride, completely self-assured in its ability to please. Never have I seen a blockbuster so sure of itself; flexing its well toned, well hardened muscles to the amazement and guffaws of the film's target audience (which might as well be everyone at this point).

The film simultaneously continues the long-hanging character threads of Captain America: The Winter Soldier (2014) and that of Avengers: Age of Ultron (2015) and wraps them into a nice little bow while leaving a little something more to keep us hungry for more. Captain Steve Rogers (Evans) and his fellow Avengers botch a mission in Lagos, Nigeria leading to the collateral deaths of Wakandan aid workers. Secretary of State Ross (Hurt) sees the growing death toll directly and indirectly caused by the Avengers as cause for alarm, and asks them to sign a treaty relinquishing their private status. After the damage cause by Ultron, Iron Man (Downey Jr.) becomes the treaty's strongest advocate and obliges Black Widow (Johansson), War Machine (Cheadle) and Vision (Bettany) to sign. Captain America and Falcon (Mackie) however refuse. Things become much more complicated when a bombing during the signing of the treaty is blamed on Cap's old friend, the mind-controlled super soldier Bucky aka Winter Soldier (Stan). What's worse, the bombing killed the Wakandan King whose son T'Challa (Boseman) vows revenge. T'Challa uses the resources of his country to construct a Vibranium suit he uses to battle foes as Black Panther. Meanwhile Cap and Falcon race to find the Winter Soldier before authorities do, and try to get to the bottom of who's behind the bombing.

Other plot points involve Ant-Man (Rudd), Scarlet Witch (Olsen), Hawkeye (Renner) and (drum-roll) Spider-Man (Holland); gingerly added on to the espionage thriller antics and burgeoning rivalry that dominates the film. Seeing all the plot elements on paper would make anyone assume the film resembles a house of cards, poised to topple at the first slight breeze. Well folks, not only does the movie stand on its own, it juggles the various side-plots in such a way that it would make even the smallest theater audience erupt in applause. I honestly don't know whether I should be amazed, impressed, waiting gleefully in anticipation for further installments of the MCU or feel bad for DC whose own expanded universe is struggling to get past the starting line. Not to bring up a sour point but Captain America: Civil War sidesteps the problems that plagued Batman V Superman (2016) in such a way as to resemble a guy on the best day of his life skipping past a dirty puddle.

Civil War is so sure of itself as a movie that its central conflict is relatively minor when compared to the world shattering exploits of Guardians of the Galaxy (2014) and the Thor series (2011-2017). Our main villain Zemo (Bruhl), for all his malevolent posturing, fades into the background with intentions so intimate as to be both inconsequential and surprisingly melancholic all at once. His master plan proves simple when compared to the lofty goals of Loki, Ultron or even Ivan Vanko, yet the results he gets prove emotionally loaded. It's just as well since the infighting between the Avengers proves electrifying with everyone (yes even Hawkeye) having a chance to shine. Particular praise should be bestowed upon the minor appearances of Spider-Man and Ant-Man who despite small screen times leave big impressions in more way than one.

The MCU has officially reached critical mass. Even if the upcoming Doctor Strange (2016), Thor: Ragnarok (2017) or Black Panther (2018) are all total busts, they can do nothing to damage Disney and Marvel's endgame which as far as narrative goes is an ultimate, mind-blowing showdown in The Infinity Wars (2018-2019). What started as a risky little idea has turned into the dominant force in an entire popular movie genre and by extension the childhood and young adulthood of an entire generation. Civil War is but one of the tightest bolts in the machine that promises at least three more years of comic-book superhero bliss. Like the Death, taxes and Donald Trump, the MCU is now an unassailable reality. Here's to hoping it does us well.