"Fargo" is a 1996 (comedic) thriller (officially) directed by Joel Coen starring Frances McDormand and William H. Macy. I gotta admit that I've already watched it roughly one year ago when I had personal issues and was in a bad mood that resulted in a disability to like films in general and that I heavily disliked this film. Now that the worst of my personal problem is over and I'm able to appreciate everything again, I had the strange feeling that I didn't do this film justice and that I had to give it a rewatch and after finding this nice little Mediabook I knew I had to set things straight. Like I expected, this film is actually pretty good. There's so much to cherish in it and I still cannot believe that, as the opening titles state, all these depicted events are based on a true story. It's just insane. What appears to be another brilliant gathering of thoughts of the Coen brothers really happened in 1987. They took it and made it a brilliant comedic thriller. Yes, I say it's a comedic thriller, because overall it might be a thriller, but there too many scenes that feature crude humour that I couldn't leave that part out. Actually, it's undeniable that in it's cold core it's a black satirical crime flick. First of all, the way how the plot is constructed and links several storylines with weird, but original characters is simply superb. It's full of funny running gags, dialogue and it perfectly combines the right amount of abstruse humour and true earnestness. From the wannabe gangster duo, to a desperate car salesman in the need for cash to a pregnant, but still determined police chief there's not a single character that is boring in any way. This cold-blooded thriller features so many outstanding actors and actresses that made them come to life with such an easiness. Leading lady Frances McDormand (who only has had one hour of screentime to again proof that she's the greatest) delivered an ingenious performance as the protagonist police chief. She's such a sweet lady and she dominates every single scene she's in, also the way she speaks is just lovely. Definitely one of the greatest actresses in the business. But let's not forget to praise Steve Buscemi and Peter Stormare as the quirky and evilly hilarious kidnappers and William H. Macy as the salesman who also knew to entertain with their weird charisma. Set in a scenery of frozen highways and endless widths of cold snow they all manage to create this unique atmosphere. Also, mostly enabled by the breathtaking cinematography of Roger Deakins. I could seriously feel the cold of the film crawling down my spine although I was sitting in my warm room under my even warmer blanket. It's so beautifully shot and moody that I still cannot understand why it took the Academy more than twenty years to award that man. He's a virtuoso with the camera! All in all, this shockingly beautiful and brutally bloody snow satire is an outstanding entry to the independent cinema, with an inimitable atmosphere and tense music and unbelievably real story lead by a magnificent McDormand. It took me another watch to appreciate this classic flick and feel redemption. Better late than never.