Too bad we can't find any Marvel superheroes to save this trainwreck. Scorsese's latest film, "The Irishman," claims to be a masterpiece, but unfortunately, it falls disappointingly short of expectations. Despite the star-studded cast and the celebrated director at the helm, the film feels trite and dated, offering little more than a rehashing of familiar mobster tropes and tired storytelling.

One of the most glaring issues with "The Irishman" is its excessive runtime. Clocking in at a staggering three and a half hours, the film suffers from a severe lack of editing and pacing. While Scorsese has previously shown his mastery in crafting compelling narratives within long runtimes, this film fails to justify its bloated length. Scenes that could have been trimmed or removed entirely drag on, making it a tedious viewing experience that tests the patience of even the most dedicated cinephiles.

Despite the considerable talent of the cast, which includes heavyweights such as Robert De Niro, Al Pacino, and Joe Pesci, their performances fail to elevate the material. De Niro, in particular, seems to be sleepwalking through his role as Frank Sheeran, lacking the energy and intensity he brought to similar characters in his earlier collaborations with Scorsese. Pacino's portrayal of union leader Jimmy Hoffa feels exaggerated and over-the-top, bordering on caricature, and Pesci's performance as mob boss Russell Bufalino lacks the menace and presence that made him so memorable in his past roles.

Furthermore, the narrative itself feels like a rehash of Scorsese's previous mobster films. While it is clear that the director is revisiting familiar territory, "The Irishman" adds nothing new to the genre. The themes of loyalty, betrayal, and the consequences of a life of crime have been explored extensively in Scorsese's previous works, and this film feels like a tired retread. The plot meanders aimlessly, lacking the tension and excitement that characterized Scorsese's earlier mob films like "Goodfellas" or "Casino."

The de-aging technology employed in the film is another element that fails to live up to the hype. While it is an ambitious endeavor, the CGI used to make the elderly actors appear younger is distracting and often unnatural. The characters' movements and facial expressions appear stiff and artificial, reminding the audience constantly that they are watching a visual effect rather than a believable performance.

In conclusion, "The Irishman" falls flat as a trite and dated addition to Martin Scorsese's illustrious filmography. With its excessive runtime, lackluster performances, and recycled themes, the film fails to live up to the director's previous masterpieces. While some may appreciate the nostalgia and the star-studded cast, it ultimately feels like a missed opportunity to deliver something fresh and innovative.