In the era of film shredding, films such as Christopher Nolan's Interstellar seem to be something out of the ordinary. It seems like fiction, which is a lot on the screens, and the actors are recognizable, and the plot is simplest, but no, Nolan knows how to present the story in such a way that neither fans nor opponents of the director can do without thinking about it. Interstellar frightens with its timing - almost 3 hours. About 40-50 years ago, three-hour films, such as "The Godfather" or "Lawrence of Arabia", were the norm, but in the XXI century the changed pace of life of people affected the fact that it became difficult for viewers to incubate three hours in cinema, so the timing began to be reduced, and moviegoers were already waiting for the release of director's versions. Indeed, after the release of the third part of The Lord of the Rings and Dogville in 2003, 180-minute films disappeared from the screens. But the appearance of the Hobbit trilogy, the Nymphomaniac dilogy, the films Cloud Atlas, Django Liberated, Adele's Life, Hard to Be God, The Wolf of Wall Street and finally Interstellar changed the situation.

The film amazed me primarily with the musical component. Hans Zimmer is a genius. His music gives the paintings additional charm. At Interstellar, she excites, fascinates and does not let go. The acting team is great: Matthew McConaughey, who suddenly turned into a really serious actor after playing Ron Woodroof; Anne Huttaway, also the Oscar winner, looks very organic and emotional in the film; representatives of the older generation of actors Michael Kane, Ellen Burstin and John Lithgow - immediately make you remember their old, well-known roles; wonderful Jessica Chastain, although not on the screen for a short time here, makes a great impression; Matt Damon is not immediately recognized: it's hard to believe that this is no longer the young guy from Will Hunting's Smart.

The most interesting thing is whether Interstellar will repeat the success of Gravity at the Oscars. After all, in this regard, he has much more artistic merits. Definitely, movies should be watched and drawn independently. It is also unambiguous that the film will surely scold what the light is worth, because we live in an era of saturated viewer, who will no longer be surprised or pleased with anything.