If, after watching the trailers, the plot of the second "Venom" seems to you nonsense, so, frankly, it is. To cover all the get-togethers, melodramatic showdowns, gay-bromance conflicts, references to past parts of the universe and a bunch of other details and storylines, most of which do not make the slightest sense, you will have to spend a third of the film (and it, contrary to the trends of modern film comics, goes a stingy hour and a half). In the final scene of "Venom 2", the creators self-ironically compare movie comics (and in particular their film) with soap operas. If it is harder to find echoes of a "Clone" or a "Wild Angel" in complex and much more "correct" from the point of view of academicism in Marvel plots, then a new chapter about the difficulties of relations with the cosmic symbiote itself writes a confession. Some here take revenge after decades (it suddenly turns out that Yelp knows the annoying detective Mulligan and wants to settle scores with him), others, obeying the complex of a wayward son, decide to challenge the pope (for Carnage Venom is a symbolic, paternal figure, if you like), others... Still others do not even hide their gay bromance: the relationship between Brock and the symbiote has finally lost the small-scale heterosexuality of the first part, and even the authors have begun to irony over the feuds of this young couple.