For those of us who study this beautiful art called cinema, Steven Spielberg is part of our lives, it is part of our studies and it is part of our greatest filmography when it comes to talking about movies.

And now that I've had the chance to be a part of the director's most personal work, I can't help but feel the excitement of seeing a masterpiece of sheer mastery. What Spielberg does with Tony Kushner is transport us to the director's most personal memories and create a wonderful film of forgiveness and gratitude for a very personal moment for the director, which is his relationship with his parents and the beginning of his love for the world. Cinema.

The fictional childhood journey he creates for Sammy is also a story of a man destined to pass his talents on to others. A fresh story full of wonderful moments, sequences that are pure cinema and performances that only transmit emotions.

A varied tour of emotions that summarize what life is in simplicity. Moods and situations that are marking our life and what we are and will be in the future.

It is a mature film that does not indulge in cheap nostalgia, in fact, on the contrary, it is a controlled drama impregnated with a pure sadness that assures us that we have the director's most moving and mature film before our eyes.

Michelle Williams delivers one of the most forceful interpretations of her career, she is our thermometer of emotions and sensations generated by the story that Spielberg proposes to us, together with her an ignored by the academy Paul Dano who also shines with her interpretation and a more than deserved Judd Hirsch back to the nominations with his small, but forceful participation that must be one of the most amazing moments that the film offers us.

Possibly, it will not be in the top 3 of the films that the director has to his credit, but without a doubt it is perhaps the film that makes us understand the genius behind the cameras, he is a genius giving thanks to art, his family and his dreams who today have him as one of the best directors in the history of cinema.

A journey towards cinema and magic and as the great David Lynch says, impersonating John Ford: "When the horizon is in the background it is interesting. When the horizon is up it is interesting. When the horizon is in between it is boring and bland."

"Movies are dreams that you never forget."