This movie has a very grandiose ambition of touching upon the hurt and disenchantment caused to people of a certain colour, who are mostly American by nationality. It also touches upon the self-alienation brought upon many by the events of September 9/11.

At the core of the movie is a story and a script with deep and universal symbolism with characters that represent innocence, mistrust and hope.

Caked over that promising central basis of the film is unfortunately a lot of bad direction, loose screenplay and a wholeheartedly bad, unnecessary and wretched use of music and emotional drama. What could have been a resoundingly powerful journey of poignant cinema, instead comes across as a commercial hijacking of sensitive issues.

At its heart, it is still a film with a positive message from the production company, but in terms of execution it shows all the limitations of the cast and crew behind it.

It is nevertheless a bold venture in it's scope of spelling out a genuine emphasis on the morals of unity and hope by weaving the different issues and obstacles depicted in the story into one cohesive whole that might take audiences a long time to be endeared to, on the same level as the previous films from Karan Johar.

The movie is in many ways similar to the main character, who can apparently learn to fix anything. He is a jack-of-all-trades, master of none. And as such, is the movie. There is too much scope on covering all the different issues, and not enough emphasis on a coherent narrative with steady characters.

There is none of the fun factor of the 90's Dharma movies. The music here is dry and dull, possibly to infer a sense of the austerity of the faith of the main character.

Overall, a movie not to be missed because the story here makes it unmissable. And that's a line which is too cheesy even for this movie.