Two years, ago Sam Raimi brought Spiderman to the screen in spectacular fashion. Of all the come book super heroes romping around on the big screen since then, some have managed to be good, a few have struggled to be just okay, and some have reeked of super doo doo. Absolutely none of these wannabes such as The Hulk, Hellboy, or Daredevil, have come close to matching the success of Raimi's Spiderman. For all their razzle dazzle CGI special effects, none of the writers and directors of those films seemed to be able to grasp the fact that when all is said and done, it's still the story, the characters, and the human drama that counts. Peter Parker could be the guy next door, your best friend down the street, your cousin, your nephew or even me. He is just an ordinary guy, who has been blessed with powers that he didn't ask for, and much of the time would just as soon not be burdened with the responsibilities and anguish that comes as part of the deal. So after almost two years and two full months since we last saw Spiderman, the question remains as to whether or not Raimi can recapture the magic. The answer is that he not only recaptures it, he harvests it, weaves it, and packages it in a film that surpasses the original in every way imaginable. This film surpasses the first one in so many aspects that I almost feel compelled to go back and lower the A grade I bestowed upon that one. That was then, however, and this is now, and this is as good as it gets.

From the time the opening credits hit the screen you know there's something special in store. Raimi does a recap by using comic book paintings to recapture important details of the original film. I can't remember any film where I wanted it to start over again just so I could soak in the opening sequence. The artwork is done by an artist named Alex Ross, and this is the first time I felt it necessary to give acclaim to someone about film credits, but he deserves it.

As for Peter Parker things aren't going too well. He still carries a torch for Mary Jane who has a new boyfriend, his best friend Harry Osborn is obsessed with avenging his father's death, his late night hours fighting crime as Spiderman are causing him to flunk his college courses, he's always late for work delivering pizzas, and his mother is in such bad financial straits that the bank may foreclose on her home. It's enough to make a guy want to give up the ghost, or failing that his Spiderman costume. Worst of all, as his personal life begins to weigh heavily on Peter Parker, his Spiderman powers seem to be diminishing, sometimes failing him altogether at the worst possible moment.

In order to keep from failing one of his classes, Peter is doing a paper on Dr. Otto Octavious whom is experimenting with fusion as a viable energy source. Eventually Harry, who is financing the Dr.'s experiments, takes Peter to meet him and shortly thereafter with scientists and the press in attendance, Dr. Octavius begins his experiment. In order to handle the material needed to carry out the experiment, Dr. Octavious has huge tentacles connected to his body. When the experiment goes awry, the tentacles permanently fuse to his body and develop a will of their own, while controlling his mind and turning him into Doc Ock.

Just as in the first Spiderman, we have another villain that is in some ways a lot like Peter Parker. Like Spiderman, Norman Osborne was changed into the Green Goblin, not because he wanted to be but because of an overzealousness in perfecting scientific experiments. Norman may not have been the best person on Earth, but he was far from being evil. The same can be said of Dr. Octavius. He is a good scientist working to better things for mankind, but just as Norman Osborne found out, you better make sure you know exactly what you're doing. Both of these are perfect examples of what makes a good villain. In a way, we can almost sympathize with their misfortune much in the same we sympathize with the dilemma of everyday life wearing on Peter Parker. Why other films such as Hellboy find it necessary to give us villains who come from incomprehensible mumble jumbo hooey phooey is something I'll never understand. Spiderman doesn't require us to take a notepad and pencil along with us so we can map a convoluted plot that we have to spend so much time figuring out that by the time we do we've lost interest in the film the characters and everything else.

There was a time when Tobey Maguire was almost replaced by Jake Gyllenhaal for the sequel. I don't know how Gyllenhaal would have done and frankly, I'm glad we didn't have the chance to find out. Maguire is able to portray the burdens he faces as Peter Parker without falling into the trap of overplaying the role with so much angst that we lose our identity with him.

As he worships Mary Jane from afar, we feel the love, we feel the pain, but not too much that the film becomes weighed down by it. To not have Toby as Spiderman, they should just as well put George Clooney in the role.

Both James Franco as Harry and Kirsten Dunst as Mary Jane manage to bring even more depth to their characters. Harry is still tortured by the fact that he never seemed able to live up to his father's expectations. The experiments of Dr. Octavius are crucial for him to be able to lift that burden because if successful, he will have surpassed anything his father had accomplished. When the experiment fails, the only driving force left in his soul is his desire for revenge against Spiderman whom he mistakenly holds responsible for his father's death. Mary Jane has become a model and an actress. She is now independent and self-assured, and despite the fact that she may love Peter, she is determined to move on with her life.

Let's not forget Rosemary Harris as Aunt May. Unlike the first film, she is given much more to do here. She has some great scenes, some funny moments, and some very touching ones. Whereas the first film explored in depth the relationship between Peter and his Uncle Ben, we get more in depth story between Peter and his Aunt here. She is not in this film just to bake cakes and pat Peter on the head.

As for the special effects, what can I say except that in every way they surpass anything you've seen before. The arms of Dr. Octavius wave around as if they have a mind of their own. When Spiderman goes to battle with him, it makes the confrontations between Spidey and The Green Goblin pale by comparison. There is an amazing battle in a bank, and an even more fantastic one aboard an Elevated train. Not to mention that we find out what it's like to be Spiderman and try to deliver pizzas as a superhero. Some found the special effects in the first film flawed. I was not one of them but just the same, they are done with such precision and expertise here, flowing seamlessly between CGI and live action. You won't know the difference.

You'll also be happy to know that Raimi does an excellent job in wrapping up this episode, yet is able to already begin setting up Spiderman 3 in the process. It's a perfect example how to just wet your appetite for the next one, yet leave you completely satisfied with the conclusion at hand.

For all the special effects, all the battles, and all the scenes of Spiderman flying around the Manhattan skyscrapers, without the human elements the film would be just another special effects extravaganza we would forget about as soon we walk out of the theater. Raimi understands this better than anybody else. So does Maguire and the rest of the cast. It's the burdens, the conflicts, and the passion that Spiderman carries inside himself that lift him so far above any of the other Super heroes. That's what has made these films truly something special. It has been years since I felt compelled to pay money to see a film twice in a theater. The last time I did was probably for one of the original Star Wars films. I think I'll be seeing Spiderman in a theater for a second time, and that's the highest recommendation I can think of. And if I'm going to the theater for a second time you can damn well bet I have no choice but to give Spiderman 2 an unqualified, resounding, A+.