"Glass Onion" attempts to replicate the sharp wit and intricate plotting that made "Knives Out" a standout, but it loses some edge in the process. Where "Knives Out" deftly combined the cozy trappings of a classic whodunit with timely social commentary, "Glass Onion" veers towards the fantastical, stretching the bounds of plausibility.

In "Knives Out," the Thrombey family felt like a believable, if dysfunctional, unit, each member with motives that were relatable. The film's setting, a stately mansion filled with secrets, provided a perfect backdrop for the detective work of Benoit Blanc, played with charismatic flair by Daniel Craig. His performance was one of the keystones of the film, alongside a tightly woven plot that delivered satisfying twists and a poignant social message.

On the other hand, "Glass Onion" trades this groundedness for a more flamboyant and far-fetched tale. Set on a private Greek island, the film's eccentric billionaire Miles Bron invites a group for a murder mystery party that becomes all too real. The stakes feel artificially inflated, and the characters lack the depth of the first film's ensemble. For example, the murder mystery party setup feels contrived and the 'onion' layers of the story, while ambitious, often come off as convoluted rather than clever.

The charm of "Knives Out" lay in its ability to surprise us within the confines of reality, whereas "Glass Onion" sometimes feels like it's trying too hard to outdo its predecessor's inventiveness. The twists seem more for shock value rather than serving the story.

Despite these criticisms, "Glass Onion" is not without its merits. The production design is stunning, and the ensemble cast brings a vibrant energy to the screen. However, I found myself yearning for the more understated and shrewd storytelling of "Knives Out."

As we anticipate "Knives Out 3," my hope is for a return to the roots of what made the original so engaging: a clever, tightly plotted mystery that feels as sharp as a blade and as cozy as a worn leather armchair. A return to form would be a welcome sight, indeed.