'Le Mans '66 (2019)', known simply as 'Ford V Ferrari' in America, is a sports biopic that aims to tell the story of the two men who forged Ford's first racing car. While it initially seems as though it's going to get lost in the corporate politics of car manufacturing, it soon becomes clear that it's far more concerned with its two leads and their strained-but-loving dynamic. By doing this, it skirts the usual biopic issue of cramming a hundred-and-one life events into a two-hour run-time whether they're really relevant or not. Basically, it crafts a compelling narrative from its 'real life' story, adapting things in a very satisfying way. The lead performances are up there with the best of the year, a chalk-and-cheese duo who light up the screen whenever they're on it. Bale, especially, is fantastic, sporting an accent and a slimmer frame in his typical chameleon way. Another star is director Mangold, whose assured direction makes for an engaging experience both on and off the race-track. The racing scenes are the thing's highlight, though; they're fast, suspenseful and technically sound. The piece manages to get you invested in the inner workings of such driving, and such cars, even if you've never given it a thought before. This allows everyone to be on the same page for the stunning finale, which is certainly an edge-or-your-seat sequence. The affair makes a point to take a step back now and again, slowing down for often overlooked character moments and rumination on the hidden beauty of racing. Indeed, it feels like a car fan's dream, dipping into the intricacies of bespoke car manufacturing while featuring a bevy of sleek vehicles, to boot. It isn't exclusively for this crowd, however. The story is resonant and the characters are well-rounded. It is a bit straight white male centric, having only one female character and relegating any people of colour to background roles. It feels old-fashioned in that sense, like a film from the period in which it's set. While better representation would be appreciated, its absence doesn't feel like a product of malice so much as an attempt to convey some sort of 'period realism'. Its plot does feel rather 'us v them', primarily because it associates Ford with America and Ferrari with Italy. Ford, the man, even seems to have a racial motivation, although this could be an unintended result of an early xenophobic comment. Really, though, the decision to position a massive corporation as an underdog is simply to fuel better drama. Still, these are pretty much the picture's only major flaws. It's a good movie that fans of its focal sport should get even more out of than I do. 7/10