I too can appreciate Kaufman's originality but there has to be more than "wow,that's really clever". I thought there were some nearly romantic moments in this film - moments that hinted at some emotional truth - but those evaporated just like the car. The problem here is that everything is so destabilized that what might pass for truth is undermined by the sense that this too will be a trick - and it usually is. Kaufman's films have a million inventive bits that stretch the medium but all this hey-look-at-me stuff pales next to one human moment. Just to make the 10 line minimum - the baby scene was really painful and serves as an example of a writer, director, and actor so caught up and giddy with their own schtick that the film goes off the tracks for 10 minutes.