How do I even begin to review a film that has been in my personal Top Three of all time since the second I left the theater back in 1996? I guess that has always been one reason that I've avoided watching this film in the past year and a half that I have been reviewing every film that I see. The best thing to do, as I did with my other two favorites in my personal cinematic trinity, is describe why this movie is, in my opinion, incredible.

'Fargo' is, like many Coen brothers films, the story of a stupid crime gone horribly wrong. In this case, Jerry Lundegaard (William H. Macy) is in deep debt after committing some major fraud at his father-in-law's car dealership, so he comes up with a scheme to have his wife kidnapped in order for his wealthy father-in-law to pay the ransom. Unfortunately, the men he hires (Peter Stormare and Steve Buscemi) are not only completely unstable, scary and share a half a brain among them, and what was supposed to be a simple kidnapping culminates in the murder of three innocent bystanders. Enter Marge Gunderson (Frances McDormand) a small-town sheriff, who also happens to be seven months pregnant, who steps in to try to solve the case.

'Fargo' has so many things going for it: Phenomenal acting (McDormand won a well-deserved Oscar for her role) by all players, supporting and lead and a brilliant script that is part mystery, part thriller and part drama, and all layered in a thin veneer of some of the darkest comedy seen in recent years, are just two of the outstanding elements. The cinematography of 'Fargo' however is absolutely beautiful. The snow-white landscape is so stark and vast; yet suddenly you realize that you are watching a tiny figure in the distance, trudging through the snow; and it's one of the main characters. One shot in particular is so unbelievably framed, that for a good ten seconds, the viewer isn't entirely sure what they are looking at, until it becomes obvious that it is a deserted parking lot with one car parked in the middle of it. Scenes like these are literally breath-taking, and harkens back to some of the beautiful cinematography in one of their earlier films, 'Millers Crossing'.

One of the funniest things I remember about this film was actually an unfavorable review my parents, who are both movie lovers themselves, gave it before I saw it for myself. It was, verbatim, 'We saw 'Fargo' and it was REALLY dark. We hated it. You will LOVE it.' And indeed I did. I walked out of the theater eight years ago on a cold, snowy night and literally thought to myself, 'THAT is how films should be made.'

That really sums it all up in simple, non-flashy terms. And because of my very true adoration for their work, I have described how choosing my favorite Coen Brothers film is like a mother choosing her favorite child. It takes a film that is a step above 'phenomenal' in order for it to shine above all of the other fantastic films they have made. In my opinion, 'Fargo' is and always will be that caliber of film for me. Every other film of theirs have varying degrees of 'great-ness', because I truly love and admire all of their work, but because of its standout performances, intelligent and compelling script, and it's beautiful presentation, 'Fargo' is a four star film, and will always remain on my personal 'favorites' list.

--Shelly