Remember that young idealist Michael Corleone from the opening wedding scene in The Godfather? That Michael Corleone doesn't exist anymore. His descent began in the original film as he took over the family business. In Part II the now ruthlessly evil Michael bottoms out. He has money, he has power. But at what cost? It is hard to comprehend what he has become, so sad to see him cost himself everything he really holds dear. And, in a stroke of genius, as we watch Michael fall director Francis Ford Coppola at the same time flashes back and allows us to see Michael's father rise. The rise of Vito Corleone, the fall of Michael. Either story on its own would be epic. Interwoven together the two stories combine to make The Godfather: Part II one of the most audacious and most brilliant films ever made.

After a brief introduction to the Vito storyline Part II thrusts us right back into that familiar Godfather world which we left at the end of the first film. It is now 1958 and Michael has moved family operations to Nevada. We open at the family compound in Lake Tahoe with an elaborate party celebrating Michael's son's First Communion. Yes, the parallels with the first film's wedding scene are obvious. Rather than Vito it is now Michael who everyone waits to see. Even his sister Connie will have to get in line and wait her turn for an audience with Michael. The real business of the day, involving a proposed Corleone takeover of another casino to add to their empire, is conducted between Michael and Nevada Senator Pat Geary. We see that Michael is so powerful, and so sure of himself, that he thinks nothing of being totally dismissive and insulting towards a United States Senator. Safe to say this is not the most cordial of business meetings. Nothing seems to be decided and Geary, a true sleaze in his own right, leaves but you know we'll see him again. Michael moves on to his next meeting with Frank Pentangeli, who is now running the old Corleone New York territory. This meeting is bitter and hostile as can be. It's been a long day for Michael Corleone. And it's about to get much, much worse. An attempt is made on Michael's life. Bullets come flying into his bedroom. He and his family emerge unscathed and you know the film is now going to kick into high gear. This is going to get really, really good. And then the film immediately transports you back to 1917 and the story of Vito Corleone.

So is Coppola pulling the rug out from under you by leaving Michael's story just when you can't wait to see what happens next? Not at all. Vito's story will prove to be just as compelling as Michael's. And throughout the film Coppola chooses the absolutely perfect times to jump from one story to the other, at emotional high points, places where the connections between the two stories are the most poignant. It's brave, brilliant film making. The audience is treated to two fabulous stories which fit together absolutely perfectly. As the film plays out we see Vito begin to acquire power and Michael consumed by power. We see the great love Vito has for his family as we watch Michael's family fall apart around him. We know Vito is capable of some evil things but he still has some heart to him. Michael has clearly lost his heart somewhere along the way. Just telling Michael's story would have been enough to make this a great film. Weaving young Vito's story in so seamlessly is what makes the film something truly special.

As with the first film Coppola is helped here by universally brilliant performances from his cast. And as with the first film it is Al Pacino who makes the biggest impression. His performance as Michael is as powerful and captivating as anything you've ever seen. Michael is such a complex character and his journey from the beginning of the first film to the end of this one is something that has to be seen to be believed. And over both films Pacino is spot-on perfect every step of the way. In the parallel story it is Robert De Niro who gets the critical role of young Vito and he does ever so well in giving life to the man who would one day be Brando. We of course have the familiar faces from the first film. Robert Duvall as lawyer Tom Hagen, Diane Keaton as Michael's long-suffering wife Kay. There's Talia Shire and Morgana King. And most memorably of all John Cazale as hapless, hopeless Fredo. Part II also gives us great new characters, making room for new performers to make their mark on The Godfather saga. Lee Strasberg, Michael V. Gazzo, G. D. Spradlin, Gastone Moschin, Dominic Chianese...the list could go on and on. Such a huge cast and yet every performer seems to fit their role perfectly. The film tells two great stories and the acting is absolutely wonderful throughout. Some two hour movies seem to drag endlessly. This nearly three and a half hour movie absolutely flies by. A monumental achievement for Coppola, one of the best films of all time.