**full of hell, Dwiky KA art, redesign nasum album artwork, echoing Pushead's style, features a monstrous, mechanical beast, half skeletal, half binary, symbolizing the fusion of chaos and algorithm. The backdrop of a decaying, circuit-like cityscape and foreground of humanoid figures transforming into mechanical beasts convey a sense of mechanical anarchy. The color palette mixes monochrome with electric blues and metallic silvers, highlighting the binary aspects. Intricate details like frayed wires, decaying bones, and binary fragments add complexity and depth, creating a cohesive visual representation of the grindcore, crust, d-beat black and white album's themes. --c 50** - Image #2 <@1112866379176104088>
full of hell, Dwiky KA art, redesign nasum album artwork, echoing Pusheads style, features a monstrous, mechanical beast, half skeletal, half binary, symbolizing the fusion of chaos and algorithm. The backdrop of a decaying, circuitlike cityscape and foreground of humanoid figures transforming into mechanical beasts convey a sense of mechanical anarchy. The color palette mixes monochrome with electric blues and metallic silvers, highlighting the binary aspects. Intricate details like frayed wires, decaying bones, and binary fragments add complexity and depth, creating a cohesive visual representation of the grindcore, crust, dbeat black and white albums themes.