**A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with hi-top bland haircut. She is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress combined with steetware. They are in a poor neighborhood on the outskirts of a big city in front of an old abandoned, run-down movie theater. Garbage on the street. Teenagers on box bikes hang out in the background. Picture layout like photographer Harry Gruyaert. The image looks like it was taken from a steet-fashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with soft top light and red back light. The style corresponds to modern high-fashion photography as photographed on old faded Fujifilm emulsions with slight off-color. The aperture is 1.2 which gives a shallow depth of field. Realistic. We see film grain. --q 2** - Image #4 <@1104125809091944538>
A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with hitop bland haircut. She is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress combined with steetware. They are in a poor neighborhood on the outskirts of a big city in front of an old abandoned, rundown movie theater. Garbage on the street. Teenagers on box bikes hang out in the background. Picture layout like photographer Harry Gruyaert. The image looks like it was taken from a steetfashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with soft top light and red back light. The style corresponds to modern highfashion photography as photographed on old faded Fujifilm emulsions with slight offcolor. The aperture is 1.2 which gives a shallow depth of field. Realistic. We see film grain.