**We are in a run-down neighbourhood in Manchster. A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with a high-top fade haircut. He stands a little further from hit on the right side of the picture. She is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress, combined with steetware. They are in a slum on the outskirts of a British city, carrying plastic bags in their hands. In the background, teenagers hang out on box bicycles. Picture composition like photographer Harry Gruyaert. The image looks like it was taken from a steet fashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with a soft overhead light and red backlight. The style corresponds to modern high-fashion photography as photographed on old, faded Fujifilm emulsions with slight off-colour. The aperture is 1.2, giving a shallow depth of field. Realistic. We see film grain. --q 2** - Image #4 <@1104125809091944538>
We are in a rundown neighbourhood in Manchster. A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with a hightop fade haircut. He stands a little further from hit on the right side of the picture. She is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress, combined with steetware. They are in a slum on the outskirts of a British city, carrying plastic bags in their hands. In the background, teenagers hang out on box bicycles. Picture composition like photographer Harry Gruyaert. The image looks like it was taken from a steet fashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with a soft overhead light and red backlight. The style corresponds to modern highfashion photography as photographed on old, faded Fujifilm emulsions with slight offcolour. The aperture is 1.2, giving a shallow depth of field. Realistic. We see film grain.