**A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba or a very androgynous man leaning against an old motorcycle from the 90s. She/He is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. Masks Designed like Magnhild Kennedy or damselfrau. We see her whole body. There is some garbage on the floor, we see puddles. People from the neighborhood in the background. She wears a stylish but eccentric dress in combination with steetware. In the background we see Berlin Plattenbau outer district residential area or French outer districts. Teenagers on BMX bikes can be seen in the background. Image layout is like the photographer Harry Gruyaert. Street photography meets fashion. Documentary and stylish. The observational perspective is reminiscent of Saul Leiter. The image looks like it was taken from a steet-fashion series for Vogue or another fashion magazine, shot in the style of Renell Medrano or Vitali Gelwich. The subjects were photographed with a 25mm lens with soft, hazy overhead light.... The style is like modern high fashion photography as photographed on old Fujifolm emulsions. The aperture is 1.2 which gives a shallow depth of field. --q 2** - Image #4 <@1104125809091944538>
A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba or a very androgynous man leaning against an old motorcycle from the 90s. SheHe is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. Masks Designed like Magnhild Kennedy or damselfrau. We see her whole body. There is some garbage on the floor, we see puddles. People from the neighborhood in the background. She wears a stylish but eccentric dress in combination with steetware. In the background we see Berlin Plattenbau outer district residential area or French outer districts. Teenagers on BMX bikes can be seen in the background. Image layout is like the photographer Harry Gruyaert. Street photography meets fashion. Documentary and stylish. The observational perspective is reminiscent of Saul Leiter. The image looks like it was taken from a steetfashion series for Vogue or another fashion magazine, shot in the style of Renell Medrano or Vitali Gelwich. The subjects were photographed with a 25mm lens with soft, hazy overhead light.... The style is like modern high fashion photography as photographed on old Fujifolm emulsions. The aperture is 1.2 which gives a shallow depth of field.