**Wide shot. We see a room in semi-darkness from an rundown Trackhouse. Dirty windows in background, soft light coming into the room. It's reminiscent of a scene from a dark film. mysterious, strong woman like Uma Thurman mixed with Grace Jones mixd with Sanele Junior Xaba. She/He is an albino with strong freckles. Flowing viscous transparent luminous shapes as clothes envelop the bodies. Half of her face is decorated with fine ornaments like diodes and circuits of microchips. She is wearing a self-luminous stylish and eccentric, futuristic dress combined with steetware. She wears an open helmet. Style is like the art from Kouhei Nakama. The living room in the semi-darkness of a rundown suburban house, wide camera shot. Dark dusty room. Dirty, smudged windows in the background, through which soft phases light enters the room. On the walls old dark green fabric wallpaper, an overturned armchair. The mood is dystopian, dark, cinematic and realistic. It is reminiscent of fantasy films. The dramatic lighting mood like Roger Deakins' camerawork in films like Blade Runner 2049 or films by David Fincher like Seven. Mood like photos by Todd Hido and Gregory Crewdson. The image is whimsical and epic at the same time. The focal length is 1.4, which gives a shallow depth of field. The lens is 32 mm. The image looks like it was taken from a steet fashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. Soft backlight, --ar 4:3 --q 2 --s 750 --style raw** - Image #4 <@1104125809091944538>
Wide shot. We see a room in semidarkness from an rundown Trackhouse. Dirty windows in background, soft light coming into the room. Its reminiscent of a scene from a dark film. mysterious, strong woman like Uma Thurman mixed with Grace Jones mixd with Sanele Junior Xaba. SheHe is an albino with strong freckles. Flowing viscous transparent luminous shapes as clothes envelop the bodies. Half of her face is decorated with fine ornaments like diodes and circuits of microchips. She is wearing a selfluminous stylish and eccentric, futuristic dress combined with steetware. She wears an open helmet. Style is like the art from Kouhei Nakama. The living room in the semidarkness of a rundown suburban house, wide camera shot. Dark dusty room. Dirty, smudged windows in the background, through which soft phases light enters the room. On the walls old dark green fabric wallpaper, an overturned armchair. The mood is dystopian, dark, cinematic and realistic. It is reminiscent of fantasy films. The dramatic lighting mood like Roger Deakins camerawork in films like Blade Runner 2049 or films by David Fincher like Seven. Mood like photos by Todd Hido and Gregory Crewdson. The image is whimsical and epic at the same time. The focal length is 1.4, which gives a shallow depth of field. The lens is 32 mm. The image looks like it was taken from a steet fashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. Soft backlight,