**A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with hi-top bland haircut are in a small run-down store or small supermarket. She/He is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. She is wearing a stylish but eccentric and futuristic dress combined with steetware. We are in a settlement on the outskirts of the city under a bridge. Teenagers on BMX bikes can be seen in the background. The image composition is like photographer Harry Gruyaert. Street photography meets fashion photography. Documentary and stylish. The observational perspective is reminiscent of Saul Leiter. Documentary , shot in the style of Renell Medrano or Vitali Gelwich. Realistic style. The subjects were photographed with a 21mm lens with a soft, diffuse top, and dirty greenish neon light.... The style corresponds to modern realistic photography as photographed on old faded Fujifilm emulsions with film grain. The aperture is 1.2 which gives a shallow depth of field. --q 2** - Image #4 <@1104125809091944538>
A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with hitop bland haircut are in a small rundown store or small supermarket. SheHe is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. She is wearing a stylish but eccentric and futuristic dress combined with steetware. We are in a settlement on the outskirts of the city under a bridge. Teenagers on BMX bikes can be seen in the background. The image composition is like photographer Harry Gruyaert. Street photography meets fashion photography. Documentary and stylish. The observational perspective is reminiscent of Saul Leiter. Documentary , shot in the style of Renell Medrano or Vitali Gelwich. Realistic style. The subjects were photographed with a 21mm lens with a soft, diffuse top, and dirty greenish neon light.... The style corresponds to modern realistic photography as photographed on old faded Fujifilm emulsions with film grain. The aperture is 1.2 which gives a shallow depth of field.