**quirky, big beehive bouffant hairstyles, ’50s and ’60s, combined with elements of futurism: lots of reflective materials, and sky-high hairstyles that resemble satellite towers, iconic imagery, celebrating an exaggerated version of femininity with drag, Science Fiction B-movies, nihilistic punk, experiment with different textures, patterns, and shapes. Wigs, Crayola-yellow background, with Pierson in a white blouse with mountainous, billowing ruffles, and Wilson wearing a brassy brown helmet of a wig and a Teddy Boy chic getup, thrift store fashion, playful, bohemian, Inspired by the lavishness and absurdity of filmmaker Federico Fellini’s work in the 1960s, Pierson and Wilson mimick the fantasy of films like Juliet of the Spirits. “There were big hats and giant sunglasses--this incredible fashion taken to an absurd degree, Fellini was the epitome of Italian style taken to the max. --v 5 --q 2** - Image #3 <@787453008354476063>
quirky, big beehive bouffant hairstyles, 50s and 60s, combined with elements of futurism lots of reflective materials, and skyhigh hairstyles that resemble satellite towers, iconic imagery, celebrating an exaggerated version of femininity with drag, Science Fiction Bmovies, nihilistic punk, experiment with different textures, patterns, and shapes. Wigs, Crayolayellow background, with Pierson in a white blouse with mountainous, billowing ruffles, and Wilson wearing a brassy brown helmet of a wig and a Teddy Boy chic getup, thrift store fashion, playful, bohemian, Inspired by the lavishness and absurdity of filmmaker Federico Fellinis work in the 1960s, Pierson and Wilson mimick the fantasy of films like Juliet of the Spirits. There were big hats and giant sunglasses