**A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with short cut or not so straight hair are sitting on an old wall. She/He is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. Masks designed like Magnhild Kennedy or damselfrau. We see her whole body. There is some garbage on the ground, we see puddles. People from the neighborhood in the background. She wears a stylish but eccentric dress in combination with steetware. In the background we see the sea in Jamaica. Palm trees, dilapidated buildings, the sea. In the background we can see teenagers on BMX bikes. The image composition is like photographer Harry Gruyaert. Street photography meets fashion. Documentary and stylish. The observational perspective is reminiscent of Saul Leiter. The image looks like it's from a steet fashion series for Vogue or another fashion magazine, shot in the style of Renell Medrano or Vitali Gelwich. The subjects were photographed with a 25mm lens with a soft, diffuse top light.... The style corresponds to modern high-fashion photography as photographed on old Fujifolm emulsions. The aperture is 1.2, which gives a shallow depth of field. --q 2** - Image #2 <@1104125809091944538>
A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with short cut or not so straight hair are sitting on an old wall. SheHe is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. Masks designed like Magnhild Kennedy or damselfrau. We see her whole body. There is some garbage on the ground, we see puddles. People from the neighborhood in the background. She wears a stylish but eccentric dress in combination with steetware. In the background we see the sea in Jamaica. Palm trees, dilapidated buildings, the sea. In the background we can see teenagers on BMX bikes. The image composition is like photographer Harry Gruyaert. Street photography meets fashion. Documentary and stylish. The observational perspective is reminiscent of Saul Leiter. The image looks like its from a steet fashion series for Vogue or another fashion magazine, shot in the style of Renell Medrano or Vitali Gelwich. The subjects were photographed with a 25mm lens with a soft, diffuse top light.... The style corresponds to modern highfashion photography as photographed on old Fujifolm emulsions. The aperture is 1.2, which gives a shallow depth of field.