**We are in an run-down area in Manchster. A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with hi-top fade haircut. She is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress combined with steetware. They are in a slum on the outskirts of a British city carrying plastic bags in their hands. Teenagers on box bikes hang out in the background. Picture layout like photographer Harry Gruyaert. The image looks like it was taken from a steet-fashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with soft top light and red back light. The style corresponds to modern high-fashion photography as photographed on old faded Fujifilm emulsions with slight off-color. The aperture is 1.2 which gives a shallow depth of field. Realistic. We see film grain. --q 2** - Image #4 <@1104125809091944538>
We are in an rundown area in Manchster. A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with hitop fade haircut. She is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress combined with steetware. They are in a slum on the outskirts of a British city carrying plastic bags in their hands. Teenagers on box bikes hang out in the background. Picture layout like photographer Harry Gruyaert. The image looks like it was taken from a steetfashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with soft top light and red back light. The style corresponds to modern highfashion photography as photographed on old faded Fujifilm emulsions with slight offcolor. The aperture is 1.2 which gives a shallow depth of field. Realistic. We see film grain.