**The camera starts with a close-up shot of Liebermann's face, his expression anxious and wary as he enters the living room. The camera then slowly zooms out to reveal the empty living room, with modern furniture and elegant decor. The tension in the air is palpable, and the camera angle adds to the unease. Liebermann takes a deep breath and walks a few steps into the room, his eyes scanning the surroundings for any signs of danger. Suddenly, his attention is drawn to the oil painting of the crooked man on the wall. It's slightly askew, and Liebermann can't help but correct it. However, as soon as he steps back, he realizes that the crooked man in the painting is crooked again. The camera focuses on the painting, and we see the crooked man's eerie smile. The shot then cuts back to Liebermann's face, his expression now one of confusion and fear. He starts to walk towards the painting, his steps hesitant and uncertain. As he approaches the painting, we hear a faint whisper, almost like a voice from beyond. The camera then zooms out to show the entire living room, with Liebermann standing in front of the crooked painting. The tension in the air has now reached a boiling point, and the audience is left wondering what will happen next. The scene is shot in 16:9 format on an Arri Amira. The lighting is dim and moody, adding to the ominous atmosphere of the scene. --v 5 --q 2** - Image #4 <@799766741261484053>
The camera starts with a closeup shot of Liebermanns face, his expression anxious and wary as he enters the living room. The camera then slowly zooms out to reveal the empty living room, with modern furniture and elegant decor. The tension in the air is palpable, and the camera angle adds to the unease. Liebermann takes a deep breath and walks a few steps into the room, his eyes scanning the surroundings for any signs of danger. Suddenly, his attention is drawn to the oil painting of the crooked man on the wall. Its slightly askew, and Liebermann cant help but correct it. However, as soon as he steps back, he realizes that the crooked man in the painting is crooked again. The camera focuses on the painting, and we see the crooked mans eerie smile. The shot then cuts back to Liebermanns face, his expression now one of confusion and fear. He starts to walk towards the painting, his steps hesitant and uncertain. As he approaches the painting, we hear a faint whisper, almost like a voice from beyond. The camera then zooms out to show the entire living room, with Liebermann standing in front of the crooked painting. The tension in the air has now reached a boiling point, and the audience is left wondering what will happen next. The scene is shot in 169 format on an Arri Amira. The lighting is dim and moody, adding to the ominous atmosphere of the scene.