**"An illustration of an intoxicatingly beautiful archer, blindfolded, with a bow carrying an arrow whose tip is a human eye, blinking and alert. The archer, despite being blind, has a gaze that evokes wild strength, channeled through the precision of her shot. Her figure, evocative of the heroines of the pulp magazines of the 70s and 80s, stands out powerfully under dramatic lighting reminiscent of the cinematography of "Apocalypse Now", with well-defined shadows and a volume so round that it seems traced by the hand of Richard Corben. The background is a semi-abstract landscape that evokes the French landscapes of the 19th century, with a color palette reminiscent of the chromatic harmonies of Neo Rauch and Ryan Heshka. The scene presents itself as an impossible combination of a Bouguereau oil painting and the strangeness of pulp magazines, like Vampirella, adding a touch of surrealism to classic beauty. This visual metaphor presents a deep reflection: the guide of the arrow is not in the archer, but in the arrow itself; to hit the target, you do not need to plan, but to visualize; and the final objective resides in the vector, not in the executor."** - Image #3 <@1106597861321355376>
An illustration of an intoxicatingly beautiful archer, blindfolded, with a bow carrying an arrow whose tip is a human eye, blinking and alert. The archer, despite being blind, has a gaze that evokes wild strength, channeled through the precision of her shot. Her figure, evocative of the heroines of the pulp magazines of the 70s and 80s, stands out powerfully under dramatic lighting reminiscent of the cinematography of Apocalypse Now, with welldefined shadows and a volume so round that it seems traced by the hand of Richard Corben. The background is a semiabstract landscape that evokes the French landscapes of the 19th century, with a color palette reminiscent of the chromatic harmonies of Neo Rauch and Ryan Heshka. The scene presents itself as an impossible combination of a Bouguereau oil painting and the strangeness of pulp magazines, like Vampirella, adding a touch of surrealism to classic beauty. This visual metaphor presents a deep reflection the guide of the arrow is not in the archer, but in the arrow itself to hit the target, you do not need to plan, but to visualize and the final objective resides in the vector, not in the executor.