**Monumental Fantasies - Impermanence, by SEHER SHAH, digital print on Hahnemuhle paper with Rotring white ink, convergence of Islamic iconography with Western styles, portrait busts of unknown figures and architectural monuments, Stark geometrical polygonal constellations, The subtlety and intricacy of the linear patterns directly confronts the overwhelming emptiness of the black voids and stands in distinct contrast to the scale of the work, the starkness of the white lines against the background, combined with the large format of the work, creates a sense of theatricality and spectacle, an urban skyline dotted with structures superimposed with silhouettes of people that look like sculptural portrait busts, National and cultural symbols such as flags, mosque-like domes and images of angels merge fluidly into the lattice patterns, hinting at the evocative sociopolitical imagery --ar 60:27 --v 5 --q 2** - Image #3 <@1007072319035953214>
Monumental Fantasies  Impermanence, by SEHER SHAH, digital print on Hahnemuhle paper with Rotring white ink, convergence of Islamic iconography with Western styles, portrait busts of unknown figures and architectural monuments, Stark geometrical polygonal constellations, The subtlety and intricacy of the linear patterns directly confronts the overwhelming emptiness of the black voids and stands in distinct contrast to the scale of the work, the starkness of the white lines against the background, combined with the large format of the work, creates a sense of theatricality and spectacle, an urban skyline dotted with structures superimposed with silhouettes of people that look like sculptural portrait busts, National and cultural symbols such as flags, mosquelike domes and images of angels merge fluidly into the lattice patterns, hinting at the evocative sociopolitical imagery