**A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba or a very androgynous man. She is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress combined with steetware. In the background we see Berlin Plattenbau or French outskirts. Teenagers on box bikes hang out in the background. Picture layout like photographer Harry Gruyaert. The image looks like it was taken from a steet-fashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with soft top light and red back light. Red light on the skin. The style is like modern high fashion photography. The air is hazy, foggy. It is night. The mild cool light of the last dusk dominates the scenery. In a wide shot we see a lonely guy a womans dress out ob transparent plastic bags, It is located in the outskirts of a large American city on a neglected and littered, undeveloped, overgrown demolition site, an old construction gap. The light shines from the monitor of an old ATM into the darkness. The ATM stands among very tall wild reeds and grass. The light shines from the broken and smeared monitor of the ATM into the darkness. The grass and the reed which is half o itself like the ATM is illuminated by the pale greenish neon light from the ATM. The ATM is dirty and smeared with some graffiti. In the background we see lights of the big city of some distant skyscrapers in the fog. The image is cinematic and hyperrealistic and mystical. The style is reminiscent of Gregory Crewdson photography and films by David Ficher like "Fightclub" or "Seven" Like the film works of Roger Deakins. --q 2 --s 750 --style raw** - Image #3 <@1104125809091944538>
A mysterious, strong woman like Grace Jones and like Sanele Junior Xaba or a very androgynous man. She is an albino with strong freckles. An African Payetten mask over half of her face is decorated with fine ornaments. She wears a stylish but eccentric dress combined with steetware. In the background we see Berlin Plattenbau or French outskirts. Teenagers on box bikes hang out in the background. Picture layout like photographer Harry Gruyaert. The image looks like it was taken from a steetfashion series for Vogue or another fashion magazine, photographed in the style of Renell Medrano or Vitali Gleich. The face was photographed from behind with a 25mm lens with soft top light and red back light. Red light on the skin. The style is like modern high fashion photography. The air is hazy, foggy. It is night. The mild cool light of the last dusk dominates the scenery. In a wide shot we see a lonely guy a womans dress out ob transparent plastic bags, It is located in the outskirts of a large American city on a neglected and littered, undeveloped, overgrown demolition site, an old construction gap. The light shines from the monitor of an old ATM into the darkness. The ATM stands among very tall wild reeds and grass. The light shines from the broken and smeared monitor of the ATM into the darkness. The grass and the reed which is half o itself like the ATM is illuminated by the pale greenish neon light from the ATM. The ATM is dirty and smeared with some graffiti. In the background we see lights of the big city of some distant skyscrapers in the fog. The image is cinematic and hyperrealistic and mystical. The style is reminiscent of Gregory Crewdson photography and films by David Ficher like Fightclub or Seven Like the film works of Roger Deakins.