Prologomena to the Analytical Representation of Electroacoustic Music
Based on the practice of transcription in the analysis of electroacoustic music, this article lays the foundation for a new form of musical representation. Starting at the very heart of musical analysis methodology, analytical representation allows us to construct a symbolic system within complex visualizations that represent a work’s acoustic and musical properties. The system’s modular and open character makes it a very flexible tool, both for analysis of existing works and for composition.