Out of the four so-called “elders” of his generation (the others being Alain Grandbois, Anne Hébert and Rina Lasnier), Quebec poet Hector de Saint-Denys Garneau is by far the most translated into Spanish. The first versions come out in Latin America as early as in the 1990s. In the 2000s, two bilingual poetry books are published, both of them translated by Luis Vicente de Aguinaga. Among all those Spanish versions, two poems were translated four times: “Accompagnement” and “Cage d’oiseau”. We are interested in the way the author’s free verse was reproduced. We study how the translators treated those poems’ form in order to establish, if need be, the frequency of certain combinations of translation strategies. This analysis will show in what way Saint-Denys Garneau’s free verse was presented to the Hispanic American readership, and to what extent these versions correspond to the poet’s style in the original French.