Against the actual reality of the dictatorship, Haitian novelists have increasingly replaced Jacques Roumain’s and Jacques Stephen Alexis’ constructions of Indigenism and social realism with a narrative structure that is closely connected to writing about the occult and strongly bound to the schizophrenia that strikes the literary Haitian subject. Consequently, the Bakhtine’s concept of “polyphony” has often been applied to novels whose structure interweaves several narratives in the first person. The question of point of view arises with regards to both perception and argumentation. In fact, dialogism also refers to the inscription of the other’s speech within one’s own speech. Within the intertextuality of quotations and indigenist topoi, the figures of zombie and of marassa twins allow to set up a truly subversive polyphony that dialogises the rules of mimesis, against a pretext of polyphony, easily reducible to a univocal discourse.