The Roaring Laughter of Dassoucy alias Diogenes
Wearing a diogenic mask in the autofiction of his Adventures, Dassoucy proceeds to a falsification of social values ​​which contaminates the musical topic. He thus reappropriates the facetious tradition of Renaissance storytellers and of Rabelais to exacerbate its satirical and blasphemous virtualities. These facetious perspectives set up a reading device based on a game of encrypted connivance to deconstruct the topic of the harmonia mundi, even to substitute the Christian symbolism of the bells for the cynical sign of recognition of a laugh with obscene and blasphemous resonances.