This article analyses a collective action discourse (an excerpt from the journal L’Anarchie) and its collage into Aragon’s novel Les Cloches de Bâle. This pasted section takes new enunciative, interactional, and pragmatic values related to the characteristics of novel writing. These changes open many interpretative possibilities when the different enunciative levels (narrator/narratee, characters, and double enunciation), the enunciative scenes and the communication situations are connected.