As part of a collaborative research project carried out at the Nice Academy with a group of 10 French teachers, we aim to describe the various aspects and specificities of the teaching of digital works in high school classes. Following experiments carried out at universities (Saemmer, 2010) and in highschools (Bouchardon, 2014) with teaching material that was not specifically literary (Lebrun & Lacelle, 2012; Lacelle & Lebrun, 2014), our goal is to better document the study of digital work in the classroom, to study the process of didactic transposition at work, in this particular case where the object taught appears neither in the teachers’ regular practices nor – explicitly – in the official curricula in France. By relying on the teachers’ practices, we seek to better understand which evolutions and permanence led to “the construction of the object taught” (Schneuwly & Dolz, 2009) and we particularly analyze the integration of the study of the digital work on the macro scale of the sequence, then on the micro scale of the devices and objects taught in the session, both in reading and writing.