This article analyzes the “settler moves to innocence” deployed to withdraw the main character of Éric Plamondon’s Taqawan, a white Québécois man, from a settler colonial system shown as brutal and unjust. Relying on a reading of Tuck and Yang’s “Decolonization is Not a Metaphor,” the author criticizes the depiction of the protagonist as a good man as well as an ally to First Nations people and causes–with the intended effect of freeing him from his responsibility in the destruction caused by settler colonialism.