Over the past fifteen years, since the publication of the collective collection Aimititau! Parlons-nous! edited by Laure Morali, several literary and artistic projects have emerged based on a dialogue between Indigenous and non-Indigenous subjects. Among these projects are: « Suite d’automne (correspondance) » and Uashtessiu Lumière d’automne by Rita Mestokosho and Jean Désy (2011), Nous sommes tous des sauvages by Joséphine Bacon and José Aquelin (2013), Kuei, je te salue. Conversation sur le racisme by Deni Ellis Béchard and Natasha Kanapé Fontaine (in a new, augmented edition published in 2020), and many other texts such as Shuni by Naomi Fontaine (2019) that, although they do not explicitly feature a dialogue, are based on an exchange with more or less implicit recipients. This article aims to study and compare, in these texts and collective works, the way in which, beyond the expressed intentions, speech is given or attributed to Indigenous subjects, or else ceded or simply... received. By considering the works in relation to each other, and by maneuvering between the questions of elocution and delocution, as well as questions related to plurilingualism and circular thought, and never forgetting that these works are published in whole or in very large part in the colonial language that is French, the article questions the way in which discourse is orchestrated and asks whether these texts participate in a process of decolonization of speech or if, sometimes or partially or unconsciously, they perpetuate the colonial distribution of discourse?