Without directly showing his photographic and literary work, starting from 1990, Éric Rondepierre instead aims to point out a few of its aspects, taking into consideration comments, fictions, that have more or less a necessary relationship with his work, and its implications. Seeing the cinema as a landscape after the battle, an excavation site at his disposition, Rondepierre puts emphasis on what that site produces in other medias and, in this regard, discusses what he took from the filmique corpus — archives, edits, narratives, personal mythologies... — for his work.