This article examines the representation of history in Maryse Condé's radical protest theater. While official discourse uses history and memory to glorify republican values and the Revolution that produced them, Condé seeks to deconstruct this positivist history by offering a Creocentric perspective resolutely turned towards the future of Caribbean peoples. Thus, we analyze the way in which An tan revolisyon mobilizes the past to address the present world while developing an ambiguous discourse vis-à-vis Antillean nationalisms.