 Cinema as Images and Manufacturer of Identities 
The work of image and sound is revealing in terms of relation, connection and cultural transmission by and beyond the identities. The stages of archiving and documentation offer not only a rich potential for research, but also a perceptive and sensitive base, essential for achieving a more articulated and committed visual expression. The training in video and cinema does not rely on a recipe or a simple question of technical processes, it is above all a relational space. Filming engages the whole community and is a tool of transmission of knowledge and memory, as say the Indigenous filmmakers. The training becomes therefore an in-between-space that captures cultural views of participants and opens through creativity a visual thinking specific to the individuals and their communities. This creativity comes from both instructors and participants in a continual process of participation, collaboration, and consultation – a process that we describe as action-research through creation.