This paper aims at providing a comparative philosophical analysis of Bergman’s Persona and Tarkovski’s The Miror centered on the notions of space and time. This analysis of both movies proposes to better grasp visual meaning throught philosophical concepts, using this occasion to think anew our presence to the world now (time) and here (space). On the one hand, we demonstrate how Tarkovski’s work supersede a linear and chronological perception of time with a layered one, where past, present and future are intertwined ; on the other hand, we argue that Bergman’s Persona suggests the existence of a multileveled and overlappind reality of space, different from a conception of a space made out of separated blocks. This radically transformed perception of time and space introduces a fundamental change in the viewer’s subjectivity.