This article focuses on how Stravinsky circulates in the digital age, specifically in the dissemination of his work on YouTube. The case of The Rite of Spring is at the heart of the study through its use and morphing as a mashup. With this in mind, the study focuses on the way in which Stravinsky’s work is valorized in the context of digital transformation, which is reflected in three mashups that are analyzed in greater detail. These mashups highlight the ways in which pre-existing content from two sources is amalgamated in the form of hybridization (the very idea of a mashup), for example in the crossing between Stravinsky and Beyoncé or Steely Dan or Smash Mouth, all unlikely encounters that show an interest in the flagship ballet of the musical avant-garde and the search for stylistic fusion. The originality of the gesture lies in the choice of the Rite of Spring and the ensuing process of desacralization, which is emphasized in the research conclusions.