This paper is concerned with the kernel issue of the intercultural challenges that run under tide through the literary African text. It questions the space of the text, its socio cultural influences and the reflexion and creative work done by both the writer and the critic about it. It is indeed, that cross influence dynamics and that mixture happening in the core of the text turning it into a place where forms and codes everlastingly evolve and confer to the text a structure and a status, definitely modern , readable in Tierno Monenembo’s novel Peuls, that has inspired the present study.