The poetic word, while serving as a showcase for the manifestation of public speaking in the traditional environment, transcends, from cultural attributes, writing to the mixture of literary genres called N’zassa writing, a source of metatextual practice. A style of writing that involves in the written statement, proverbs, myth, storytelling, singing, dancing, drummed sounds, aesthetic sediments normally reserved for artistic production in a traditional environment. This literature requires the reader to know the values of the writer’s terroir. How does N’zassa poetry participate in metatextuality? It is a question of revealing, within the framework of this study, oral poetry as being an essence of orality; to analyze the metatextual processes in hybrid writing before identifying the underlying issues. Thanks to the methodological tools of sociocriticism, and the psych criticism, it emerges that poetic speech proceeds from orality; metatextuality is present in the N’zassa utterance to varying degrees; the fictional practice develops a double challenge of constructing a writing that conforms to traditional Negro-African values and the quest for cultural dignity.