The String Quartet: A Social Geometry
In this article, Bozzini Quartet violinist Clemens Merkel discusses the characteristics of the quintessential, unique musical form that has existed for 250 years: the string quartet. It is immutable (always the same four instruments, never more) and democratic, in stark contrast to other traditional ensembles like the symphony orchestra, with its strongly hierarchical, socially outmoded structure. After surveying the symbolism of the number four, Merkel undertakes a brief history, including the grand master of the form, Beethoven, and the great innovators of the 20th century. After the explosive transgressions of Kagel and Crumb, Merkel feels that the form remains strong and healthy, and he concludes with a discussion of the form’s chances of surviving the next 250 years.