At the era of the new ontophanic revolution, according to the words of Stephane Vial, after more than twenty years of appropriation and immersion in the new technologies by daily use of digital interfaces, we woke up from our slumber, understanding the virtual as unreal. Far from considering the real and the virtual as outdated concepts, we argue their relevance in artistic practice of intensity. By emphasizing the presence as an active listening of the spatiality these practice process “immersion as a reenchantement of the world” relying upon a close connection to the real.