Grid Figure of Cinema: Mobile Cut(s) in order to Illustrate Dynamics of the Contemporary Urban
To represent the contemporary urban, we need to formalize rhythms while trying not to disregard the dynamic aspect of urban. Focusing on the concept (in a French meaning) of network, this article aims to discuss conceptual and methodological stakes of the representation of the temporality and dynamics. Express graphically the network in its complexity invites to move from motionless cuts to mobile cuts. The argument advanced here is that cinema, with its graphic imagination can participate to this exercise, particulary with two graphics : the grid and the trajectory, both elements of urban analyzis.