The focus of the present article is on the French-language translations and adaptations of Our Bodies, Ourselves (OBOS), a classic of feminist literature published in the United States in 1971. We explore the diversity implicit in the “we” and “us” that inform expressions like “we women” or “us women” by examining three translations and adaptations of OBOS produced in historically and geopolitically different francophone environments. These translations, we will argue, demonstrate an attempt to represent this diversity through research and writing methods informed by reflexivity and intersectionality, both of which invite women translators to reflect on their own position vis-à-vis the other women they are writing about, and to acknowledge the unequal power relationships that may exist between them. In the first part of the article, we discuss the origins of OBOS and then the French-language versions published in France and in Senegal. In the second part, we focus on intersectionality, its development within the women’s movement in Quebec, and its key role in the adaptation process undertaken by a group of feminist activists currently working on the new translation of OBOS. By engaging with reflexivity and intersectionality, the translators demonstrate a willingness to take into consideration unequal power relations between women who are differently positioned vis-à-vis “we women.” Further, the case of OBOS offers a translation approach where “faithfulness” lies not in the literal retransmission of the source text, but rather in upholding the message of a political project aimed at helping women regain power over their lives.