As one of the main action movies type of scenes, the chase is a peak where cinema-goers sensorial response reaches a climax. In order to consider sonic and musical stimulators of immersion in contemporary Hollywood cinema chasing scenes and to evaluate the rhetoric of this type of scenes, this article proposes an approach at the crossroads of research in spectatorial immersion in cinema (Barker), immersion in video games music (Grimshaw, Calleja), as well as musical creation in Electronic Dance Music (Butler). Recurring and significant musical characteristics are highlighted to chart the sound aesthetic profile of chasing scenes conceived by composers affiliated with Remote Control.