“Invisible in History” proposes a multidisciplinary reflection on the representation of Acadian women in archives and historical objects. Under the impetus of the Groupe de recherche sur les archives et les femmes en Acadie (GRAFA), the Centre d’ études acadiennes Anselme-Chiasson (CEAAC) and the Musée acadien de l’Université de Moncton (MAUM) have noted the poor representation of women in their collections. The authors share their thoughts and challenges on documenting, describing, and interpreting archives and historical objects from this new perspective. They also question the role of the archivist and curator in this process of valuing women as well as the gender dichotomy in the collections. The initiatives undertaken by CEAAC and MAUM to address the invisibility of Acadian women in their holdings mark the beginning of a new era of inclusion and diversity in archival and curatorial practice. In order to better capture individual women’s narratives, it is important, first and foremost, to ensure their representation in curatorial institutions.