This article offers an analysis of Mark Beyer’s post-underground comics series Amy + Jordan (an anthology of which was published by Pantheon in 2004). This series, which is both the portrait of a generation and a formal and narrative experiment hovering between figuration and abstraction, does not strike immediately as being utterly self-reflexive. However, the work constitutes a highly original contribution to the field of self-reflexivity in as much as the latter involves the reader’s reading time, foregrounding not only the process of interpretation but also how the latter flows temporally.