Observe the movements of the users in the construction of the local scenes
What are the geographical limits of a local scene ? How these actors act as « performative agents « in the perception of territorial space recomposed by music ? It is thus a question of demonstrating the interest to bring out of a vision in isolation local scenes, to be interested in the travels of those who practise them (musicians, public), in the way Guy Di Méo (1996) proposes a sociocultural geography of the « territories of the everyday life « . The demonstration bases on the observation of the travels of the amateurs of heavy metal music stemming from three French regions, worth knowing Lorraine, Nord-Pas-de-Calais and the neighborhood of Rennes and Nantes. The study leans on an empirical material compound of quantitative and qualitative data.