The article explores the French review Sorcières (1975-1982) from a double perspective, both textometric and literary. In the first part, "The thematic architecture of the review Sorcières", we propose to describe the editorial, literary and political project of Sorcières through a computer-assisted analysis of the review's themes: in this method, the proximities between words are observed in order to elaborate vocabulary classes, composed of words with co-occurring profiles, which suggest the main themes of the review. In a second part "Number 1: from alienating food to liberating food" we want to look more closely at number 1 of the collection, which is considered a manifesto for female expression and creation and it is dedicated to food. Through literary and critical analysis of the texts of the contributors, the image of food in this first dossier never appears as an element of constraint for women, but as a means of knowledge and as a link with their bodies.