Object-oriented composition
An artistic practice provides a framework upon which an artist builds up a process of sonic creation, anchored by relationships to the material world: to sound object, material object, sounding body, and human body, leading to the invention of new musical instruments. Rooted in a thicket of heterogeneous references, bonds grow between notated music and live electroacoustic music, giving rise to the possibility of a dialogue between compositional processes often thought to be diametrically opposed.