Since the publication of Le Verfügbar aux Enfers by La Martinière in 2005, Germaine Tillion’s text has given rise to a number of short studies as well as to several music and theatrical productions. The first and most famous of these was at Paris’ Théâtre du Châtelet in June 2007. Based on an analysis of recent productions and scholarly articles on Tillion’s opérette-revue, this paper discusses the various interpretations of Le Verfügbar aux Enfers that have been suggested by researchers, directors and adapters of Tillion’s text. It appears that the approach used by the Théâtre du Châtelet, one characterized both by the production of a musical score and a pedagogical and memorial concern, has been frequently reused in subsequent productions. This article also considers some theatrical productions that focus more closely on the form and meaning of the text.