This article defends the thesis that André Dhôtel’s 1964 novel, Le Mont Damion, contains – from a pheno-generative perspective – a spatial/directional schema. The latter consists in an overall elementary structure leading to a complex axiology of fictive spaces manifesting itself in a series of elaborate spatial/directional configurations based on the semantic category of the [road]. This post-Greimassian study of semiotic space was carried out from the textual semantics of François Rastier as applied to Dhôtel’s novel. The key semiotic phenomenon emphasized here is that “spaciosis of meaning” (“spaciose du sens”) or spatial semiosis, to borrow the terms used by Jacques Fontanille.