An Ergonomic Approach to Microtonal Languages On the Cello: A Performer-Composer’s Perspective, Examples from the Repertoire and Analysis
This article addresses the question of ergonomics in the microtonal repertoires for cello through the lens of the author’s experience as both a cellist and a composer. Several ways of approaching this ergonomic aspect are proposed, considering a variety of perceptive standpoints, linking sound to the physicality of the instrumentalist.