Indigenous Dramaturgy Analysis: A New Sociological Object
If sociology can make its object of every social phenomenon, it cannot ignore apprehension, perception and representation changes that intervene between relevant actors. Yet, indigenous dramaturgy necessitate a visual shift to appreciate an aesthetic model that, if it fits well in the genre occidental schemata, propose an aesthetic anchored in cultural knowledge that escape its principles and values. As such, the dramaturgy study lies at the confluence of various disciplines it mobilizes such as sociological, anthropological, political, theatrical, post-cultural or theological studies. By challenging the knowledge legitimacy, it requires new methodological tools to account for the contemporary realities of diversity and its impact on life in society.