In this brief sociolinguistic portrait of hip-hop culture in Montreal, Quebec, Mela Sarkar and her research team at McGill University contrast the idea of “Québéquicité” (being white and speaking French with the appropriate local accent) with the multilingual practices that characterize the Montreal hip-hop community. We assert that hip-hop-identified youth in Quebec are inventing a new, mixed and hybrid language, born of the amalgam of languages and cultures from many origins that immigration and language policies have brought into French schools in urban Quebec. The claim is made that multilingual practices created by young Quebec rappers, schooled in French in multiethnic Montreal, have become identity creation strategies for a whole generation.