This article sets out to show that the French language, which was initially used as a tool of conquest, has created in the speaker a separation in the sense that the center of reference was elsewhere. But there has been “reappropriation”, and creativity that has generated heterolinguism, “interlanguage” or “ethnotext”. This creativity thus abolishes the center versus periphery dynamics and connects the worlds via a postcolonial scenography, a poetics of the uncertain and the diverse that no longer prioritize cultures, but instead multiply the connections in a new projective and de-ideologized space.