The work of the Huron-Wendat artist Pierre Sioui is little known in Quebec. Prolific in the 1980s and having exhibited throughout Canada and the United States, Sioui then disappeared completely from the contemporary Aboriginal arts community. A re-reading of the work of this creator allows to (re) discover a fascinating artist who was completely involved in the aesthetic and political concerns of his decade. Sioui seems to have used his artistic work to rediscover his identity and his roots. He did so through researches that were both theoretical, cosmological, and aesthetic of Huron values and culture, which led him to focus on the meaning of rituals, death and the cycle of life. All these elders in his artworks, these corpses, bones and skulls, talk about relations between death and rebirth, between colonialism and reappropriation, and seem to be, for Sioui, a real creative frame to be constantly renew.