Congolese writers were not, until recently, interested in the violent colonial history of the Democratic Republic of Congo. Thomas Mpoyi-Buatu’s La Re-production (The Re-production) is among the recent books which have narrated the traumatic Congolese history. It calls for the establishment of a new moral society, which will break the cycle of violence and pain. This new society is possible solely through the rejection of mimesis and conformity. The novel rejects all forms of conformity, which hinder individual autonomy. This transmutation is achievable solely through traversal movements that allow for the creation of a new autonomous space and the liberation of the individual from the subjective territory shaping individual subjectivities in accordance with the interests of the dominant power. These transversal movements are effected through the crossing of genres, styles, literary traditions, time, and sexual transgressions.