« Boundary Artworks » of Digital Art
Initiating a more collective and interdisciplinary artistic work, the digital technologies transform the social career of the artworks. Typical figures of an « economy of quality » where organizations prevail by projects and markets prototypes, the digital artworks constitute henceforth the vector of new technological developments. With the help of unpublished devices of public support in favour of the innovation, the digital arts indeed aim towards a valuable creation which does not emerge exclusively from the world of arts any more. The article questions the logics of conception and regulation of the work which follows from it, logics directed to a plurality of issues : artistic and scientific expositions, technological invention and economic innovation. It emphasizes competences and tensions of such collaborations and enlightens the dynamics of attribution and valuation of products of digital art.