How do I correctly use an ACES workflow with CinemaDNG footage in Davinci Resolve? I'm just now discovering ACES with Resolve version 11. I can get Sony S-Log2 footage to look good, but I'm having trouble with CinemaDNG from my 2.5kBMCC. I've seen this tutorial on how to do it, but when I get to the step where you select an IDT, CinemaDNG is not available. Any thoughts on why this might be so? Is there something different I have to do in version 11 than what this guy's doing in 9.x? Here's the IDTs from which I have to choose, in case I'm just crazy.
You should use BMD Film (Black Magic Design) This is the colorspace used by the Black Magic Cameras.