BURNING HATRED plays old school death metal.
They combine the best elements from the Swedish and Dutch Death Metal scene from the 90?s era. The music is heavy, rhythmic and has a rancid sound with a thick dark nasty edge.
Formed in the fall of 2002 in the east of The Netherlands. Tormented by line-up changes throughout their history, the band nowadays consists of members who are also active in Phlebotomized, Anarchos, LD?50, Abrupt Demise and Condolence. Throughout their history the released 2 demos and a EP ?Unleashed? released through HRI Records in 2011. It was praised by the underground press for being heavy, filthy and appealing.
Cobra is a Speed Metal band originating in the city of Bogota D.C, considered at present as a referent of the metal in Colombia. Their sound is characterized by powerful harmonious and accelerated riffs, explosive batteries, detonator bass and heartbreaking voices that forge a fight message against the oppression that today tries to rule in their country. Cobra was founded in the month of June of the year 2002 (15 years of musical trajectory).
Corpsehammer is a swedish/chilean death metal band based in Dalarna, Sweden. The band was formed in the winter of MMXVI. The concept behind this unholy union is to glorify the old and evil days of the metal scene such as South American & Australian madness.
Earlier this year the band released their debut EP called "Sacrilegio" and now they´re back with their second strike "Posesión".
Formed in 2006 in Chile influenced by the old and classic thrash metal bands.
Limited to 500 unites. Released by Morbid Skull Records from El Salvador.
Hate, War, Destruction ... terribly banal themes on the well-tridden path of the Extreme Metal world ? Perhaps, but not with Necrowretch. No, here, more time goes on and deeper we are sucked into debauchery, decadence and musical violence, as if each new album was a step more towards annihilation.
And yet, all began as a (nice) misunderstanding. The very first French band (they've been jockeying at the gates since) to leap headlong into the murky Death Metal pool at the time when a whole new generation of bands, mainly from Scandinavia, (re)discovered the joys of tape demos with black and white covers, 100% analogue recordings, totally wiping out anything approaching the merest concession.