Debut performances in capital cities of Colombia, Peru, Argentina, Uruguay and Chile.
The London Symphony Orchestra, under its Music Director, Sir Simon Rattle, will tour Colombia, Peru, Argentina, Uruguay and Chile in May 2019, the first time that the orchestra has performed in South America. Cities will include Bogotá, Medellín, Lima, Buenos Aires, Montevideo and Santiago. The LSO will perform Britten’s Sinfonia da Requiem, Mahler’s Symphony No 5, Berlioz’s Symphonie fantastique, and extracts from Dvořák’s Slavonic Dances.
The London Symphony Orchestra is expanding its international touring in the coming years. During the 2018/19 season they will present 60 concerts internationally, visiting 50 cities in 23 countries: Argentina, Austria, Belgium, Chile, China, Colombia, France, Germany, Iceland, Ireland, Japan, Korea, Luxembourg, The Netherlands, Peru, Poland, Slovenia, Spain, Switzerland, Thailand, Uruguay, the US and Vietnam.
The London Symphony Orchestra [LSO] was established in 1904 and has a unique ethos. As a musical collective, it is built on artistic ownership and partnership. With an inimitable signature sound, the LSO’s mission is to bring the greatest music to the greatest number of people. The LSO has been the only Resident Orchestra at the Barbican Centre in the City of London since it opened in 1982, giving 70 symphonic concerts there every year. The Orchestra works with a family of artists that includes some of the world’s greatest conductors – Sir Simon Rattle as Music Director, Principal Guest Conductors Gianandrea Noseda and François-Xavier Roth, and Michael Tilson Thomas as Conductor Laureate. Through LSO Discovery, it is a pioneer of music education, offering musical experiences to 60,000 people every year at its music education centre LSO St Luke’s on Old Street, across East London and further afield. The LSO strives to embrace new digital technologies in order to broaden its reach, and with the formation of its own record label LSO Live in 1999 it pioneered a revolution in recording live orchestral music. With a discography spanning many genres and including some of the most iconic recordings ever made the LSO is now the most recorded and listened to orchestra in the world, regularly reaching over 3,500,000 people worldwide each month on Spotify and beyond. The Orchestra continues to innovate through partnerships with market-leading tech companies, as well as initiatives such as LSO Play and a programme of livestreamed concerts made available for free via the LSO YouTube channel. The LSO is a highly successful creative enterprise, with 80% of all funding self-generated.