Passage 1:
Peter Burroughs
Peter Burroughs (born 27 January 1947) is a British television and film actor and the director of Willow Management. He is the father-in-law of actor and TV presenter Warwick Davis.

Early career
Burroughs initially ran a shop in his village at Yaxley, Cambridgeshire.
His first dramatic role was that of the character "Branic" in the 1979 television series The Legend of King Arthur. He also acted in the television shows Dick Turpin, The Goodies, Doctor Who in the serial The King's Demons and One Foot in the Grave.

Film career
Burroughs played roles in Hollywood movies such as Flash Gordon, George Lucas' Star Wars: Episode VI – Return of the Jedi (a swinging ewok), Willow, The Dark Crystal, Labyrinth and The Hitchhiker's Guide to the Galaxy. In 1995, Burroughs set up Willow Management, an agency for short actors, along with co-actor Warwick Davis. He portrayed a bank goblin in the Harry Potter series (Harry Potter and the Philosopher's Stone and Harry Potter and the Deathly Hallows – Part 2).

Personal life
His daughter Samantha (born 1971), is married to Star Wars: Episode VI – Return of the Jedi and Willow film star Warwick Davis. He has another daughter, Hayley Burroughs, who is also an actress. His granddaughter is Annabelle Davis.

Filmography
Passage 2:
Ogawa Mataji
Viscount Ogawa Mataji (小川又次, 22 August 1848 – 20 October 1909) was a general in the early Imperial Japanese Army. He was also the father-in-law of Field Marshal Gen Sugiyama.

Life and military career
Ogawa was born to a samurai family; his father was a retainer to the daimyō of Kokura Domain, in what is now Kitakyushu, Fukuoka. He studied rangaku under Egawa Hidetatsu and fought as a Kokura samurai against the forces of Chōshū Domain during the Bakumatsu period.
After the Meiji Restoration, Ogawa attended the Imperial Japanese Army Academy and was commissioned as a second lieutenant in January 1871 and promoted to lieutenant in February 1874. He participated in the Taiwan Expedition of April 1874. Afterwards, he served with the IJA 1st Infantry Regiment under the Tokyo Garrison, and as a battalion commander with the IJA 13th Infantry Regiment from April 1876. From February 1877, he fought in the Satsuma Rebellion, but was wounded in combat in April and promoted to major the same month.
In March 1878, Ogawa was Deputy Chief-of-Staff to the Kumamoto Garrison. He was sent as a military attaché to Beijing from April to July 1880. In February 1881, he was promoted to lieutenant-colonel and chief of staff of the Osaka Garrison. In March 1882, he was chief of staff of the Hiroshima Garrison. Promoted to colonel in October 1884, he was assigned the IJA 8th Infantry Regiment. In May 1885, he joined the Imperial Japanese Army General Staff Office. German General Jakob Meckel, hired by the Japanese government as a foreign advisor and instructor in the Imperial Japanese Army Academy highly praised Ogawa and fellow colonel Kodama Gentarō as the two most outstanding officers in the Imperial Japanese Army. Ogawa was especially noted for his abilities as a military strategist and planner, and earned the sobriquet “the modern Kenshin") from General Kawakami Soroku.

First Sino-Japanese War
Ogawa was promoted to major general in June 1890, and given command of the IJA 4th Infantry Brigade, followed by command of the 1st Guards Brigade. At the start of the First Sino-Japanese War in August 1894, he was chief of staff of the Japanese First Army. In August 1895, he was elevated to the kazoku peerage with the title of danshaku (baron). He commanded the 2nd Guards Brigade from January 1896 and was subsequently promoted to lieutenant general in April 1897, assuming command of the IJA 4th Infantry Division. In May 1903, he was awarded the Order of the Sacred Treasures, first class.

Russo-Japanese War
During the Russo-Japanese War of 1904-1905, Ogawa retained command of the IJA 4th Division under the Japanese Second Army of General Oku Yasukata.  The division was in combat at the Battle of Nanshan, Battle of Telissu and Battle of Liaoyang. At the Battle of Liaoyang, Ogawa was injured in combat, and forced to relinquish his command and return to Tokyo. In January 1905, he was promoted to general, but took a medical leave from December 1905. He was awarded the Order of the Golden Kite, 2nd class in 1906.  In September 1907 he was elevated to viscount (shishaku) He officially retired in November.
Ogawa died on 20 October 1909 due to peritonitis after being hospitalized for dysentery. His grave is located at Aoyama Cemetery in Tokyo, and he also has a grave in his hometown of Kokura.

Decorations
1885 –  Order of the Rising Sun, 3rd class
1895 –  Order of the Sacred Treasure, 2nd class
1895 –  Order of the Rising Sun, 2nd class
1895 –  Order of the Golden Kite, 3rd class
1903 –  Grand Cordon of the Order of the Sacred Treasure
1906 –  Grand Cordon of the Order of the Rising Sun
1906 –  Order of the Golden Kite, 2nd class
Passage 3:
Prince Rupert of the Rhine
Prince Rupert of the Rhine, Duke of Cumberland,  (17 December 1619 (O.S.) [27 December 1619 (N.S.)] – 29 November 1682 (O.S.) [9 December 1682 (N.S)]) was an English army officer, admiral, scientist, and colonial governor. He first came to prominence as a Royalist cavalry commander during the English Civil War. Rupert was the third son of the German Prince Frederick V of the Palatinate and Elizabeth, eldest daughter of King James VI and I of Scotland and England.

Prince Rupert had a varied career. He was a soldier as a child, fighting alongside Dutch forces against Habsburg Spain during the Eighty Years' War (1568–1648), and against the Holy Roman Emperor in Germany during the Thirty Years' War (1618–1648). Aged 23, he was appointed commander of the Royalist cavalry during the English Civil War, becoming the archetypal "Cavalier" of the war and ultimately the senior Royalist general. He surrendered after the fall of Bristol and was banished from England. He served under King Louis XIV of France against Spain, and then as a Royalist privateer in the Caribbean Sea. Following the Restoration, Rupert returned to England, becoming a senior English naval commander during the Second Anglo-Dutch War and Third Anglo-Dutch War, and serving as the first governor of the Hudson's Bay Company. He died in England in 1682, aged 62.
Rupert is considered to have been a quick-thinking and energetic cavalry general, but ultimately undermined by his youthful impatience in dealing with his peers during the Civil War. In the Interregnum, Rupert continued the conflict against Parliament by sea from the Mediterranean to the Caribbean, showing considerable persistence in the face of adversity. As the head of the Royal Navy in his later years, he showed greater maturity and made impressive and long-lasting contributions to the Royal Navy's doctrine and development. As a colonial governor, Rupert shaped the political geography of modern Canada: Rupert's Land was named in his honour, and he was a founder of the Hudson's Bay Company.  Rupert's varied and numerous scientific and administrative interests, combined with his considerable artistic skills, made him one of the more colourful public figures in England of the Restoration period.

Parents and ancestry
Rupert's father was Frederick V of the Palatinate, of the Palatinate-Simmern branch of the House of Wittelsbach. As Elector Palatine, Frederick was one of the most important princes of the Holy Roman Empire. He was also head of the Protestant Union, a coalition of Protestant German states. The Palatinate was a wealthy state, and Frederick lived in great luxury.Frederick's mother, Countess Louise Juliana of Nassau, was daughter of William the Silent and half-sister of Maurice, Prince of Orange, who as stadtholders of Holland and other provinces were the leaders of the Dutch Republic.Rupert's mother was Elizabeth Stuart, daughter of King James VI of Scotland and I of England. Thus Rupert was nephew of King Charles I of England and Scotland, and first cousin of King Charles II of England and Scotland, who made him Duke of Cumberland and Earl of Holderness. His sister Electress Sophia was the mother of George I of Great Britain.Rupert was named in honour of Rupert, King of Germany, a famous Wittelsbach ancestor.

Early life and exile
Rupert was born in Prague, Bohemia, in 1619, and was declared a prince by the principality of Lusatia. His father had just been elected king by the largely Protestant estates of Bohemia. This was perceived as an act of rebellion by the Catholic House of Habsburg, who had been kings of Bohemia since 1526, and initiated the Thirty Years' War. Frederick was not supported by the Protestant Union, and in 1620 was defeated by Emperor Ferdinand II in the Battle of White Mountain. Rupert's parents were thus mockingly termed the "Winter King and Queen". Rupert was almost left behind in the court's rush to escape Ferdinand's advance on Prague, until courtier Kryštof z Donína (Christopher Dhona) tossed the prince into a carriage at the last moment.Rupert accompanied his parents to The Hague, where he spent his early years at the Hof te Wassenaer (the Wassenaer Court). Rupert's mother paid her children little attention even by the standards of the day, apparently preferring her pet monkeys and dogs. Instead, Frederick employed a French couple, Monsieur and Madame de Plessen, as governors to his children. They were raised with a positive attitude towards the Bohemians and the English, and as strict Calvinists. The result was a strict school routine including logic, mathematics, writing, drawing, singing, and playing instruments.As a child, Rupert was at times badly behaved, "fiery, mischievous, and passionate" and earned himself the nickname Robert le Diable, or "Rupert The Devil". Nonetheless, Rupert proved to be an able student. By the age of three he could speak some English, Czech, and French, and mastered German while still young, but had little interest in Latin and Greek. He excelled in art, being taught by Gerard van Honthorst, and found mathematics and science easy. By the time he was 18 he stood about 6 ft 4 in (1.93 m) tall.Rupert's family continued their attempts to regain the Palatinate during their time in The Hague. Money was short, with the family relying upon a relatively small pension from The Hague, the proceeds from family investments in Dutch raids on Spanish shipping, and revenue from pawned family jewellery. Frederick set about convincing an alliance of nations—including England, France and Sweden — to support his attempts to regain the Palatinate and Bohemia. By the early 1630s Frederick had built a close relationship with King Gustavus of Sweden, the dominant Protestant leader in Germany. In 1632, however, the two men disagreed over Gustavus' insistence that Frederick provide equal rights to his Lutheran and Calvinist subjects after regaining his lands; Frederick refused and set off to return to The Hague. He died of a fever along the way and was buried in an unmarked grave.Rupert had lost his father at the age of 13, and Gustavus' death at the Battle of Lützen in the same month deprived the family of a critical Protestant ally. With Frederick gone, King Charles proposed that the family move to England; Rupert's mother declined, but asked that Charles extend his protection to her remaining children instead.

Teenage years
Rupert spent the beginning of his teenage years in England between the courts of The Hague and his uncle King Charles I, before being captured and imprisoned in Linz during the middle stages of the Thirty Years' War. Rupert had become a soldier early; at the age of 14 he attended the Dutch pas d'armes with the Protestant Frederick Henry, Prince of Orange. Later that year he fought alongside him and the Duke of Brunswick at the Anglo-German siege of Rheinberg, and by 1635 he was acting as a military lifeguard to Prince Frederick. Rupert went on to fight against imperial Spain in the successful campaign around Breda in 1637 during the Eighty Years' War in the Netherlands. By the end of this period, Rupert had acquired a reputation for fearlessness in battle, high spirits and considerable industry.In between these campaigns Rupert had visited his uncle's court in England. The Palatinate cause was a popular Protestant issue in England, and in 1637 a general public subscription helped fund an expedition under Charles Louis to try to regain the electorate as part of a joint French campaign. Rupert was placed in command of a Palatinate cavalry regiment, and his later friend Lord Craven, an admirer of Rupert's mother, assisted in raising funds and accompanied the army on the campaign. The campaign ended badly at the Battle of Vlotho (17 October 1638) during the invasion of Westphalia; Rupert escaped death, but was captured by the forces of the Imperial General Melchior von Hatzfeldt towards the end of the battle.After a failed attempt to bribe his way free of his guards, Rupert was imprisoned in Linz. Lord Craven, also taken in the battle, attempted to persuade his captors to allow him to remain with Rupert, but was refused. Rupert's imprisonment was surrounded by religious overtones. His mother was deeply concerned that he might be converted from Calvinism to Catholicism; his captors, encouraged by Emperor Ferdinand III, deployed Jesuit priests in an attempt to convert him. The emperor went further, proffering the option of freedom, a position as an Imperial general and a small principality if Rupert would convert. Rupert refused.Rupert's imprisonment became more relaxed on the advice of the Archduke Leopold, Ferdinand's younger brother, who met and grew to like Rupert. Rupert practised etching, played tennis, practised shooting, read military textbooks and was taken on accompanied hunting trips. He also entered into a romantic affair with Susan Kuffstein, the daughter of Count von Kuffstein, his gaoler. He received a present of a rare white poodle that Rupert called Boy or sometimes Pudel, and which remained with him into the English Civil War. Despite attempts by a Franco-Swedish army to seize Linz and free Rupert, his release was ultimately negotiated through Leopold and the Empress Maria Anna; in exchange for a commitment never again to take up arms against the emperor, Rupert would be released. Rupert formally kissed the emperor's hand at the end of 1641, turned down a final offer of an imperial command and left Germany for England.

Career during the First English Civil War
Rupert is probably best remembered today for his role as a Royalist commander during the English Civil War. He had considerable success during the initial years of the war, his drive, determination and experience of European techniques bringing him early victories. As the war progressed, Rupert's youth and lack of maturity in managing his relationships with other Royalist commanders ultimately resulted in his removal from his post and ultimate retirement from the war. Throughout the conflict, however, Rupert also enjoyed a powerful symbolic position: he was an iconic Royalist Cavalier and as such was frequently the subject of both Parliamentarian and Royalist propaganda, an image which has endured over the years.

Early phases, 1642–1643
Rupert arrived in England following his period of imprisonment and final release from captivity in Germany. In August 1642, Rupert, along with his brother Prince Maurice and a number of professional soldiers, ran the gauntlet across the sea from the United Provinces, and after one initial failure, evaded the pro-Parliamentary navy and landed in Newcastle. Riding across country, he found the King with a tiny army at Leicester Abbey, and was promptly appointed General of Horse, a coveted appointment at the time in European warfare. Rupert set about recruiting and training: with great effort he had put together a partially trained mounted force of 3,000 cavalry by the end of September. Rupert's reputation continued to rise and, leading a sudden, courageous charge, he routed a Parliamentarian force at Powick Bridge, the first military engagement of the war. Although a small engagement, this had a propaganda value far exceeding the importance of the battle itself, and Rupert became an heroic figure for many young men in the Royalist camp.Rupert joined the King in the advance on London, playing a key role in the resulting Battle of Edgehill in October. Once again, Rupert was at his best with swift battlefield movements; the night before, he had undertaken a forced march and seized the summit of Edgehill, giving the Royalists a superior position. When he quarrelled with his fellow infantry commander, Robert Bertie, however, some of the weaknesses of Rupert's character began to display themselves. Rupert vigorously interjected—probably correctly, but certainly tactlessly—that Lindsey should deploy his men in the modern Swedish fashion that Rupert was used to in Europe, which would have maximised their available firepower. The result was an argument in front of the troops and Lindsey's resignation and replacement by Sir Jacob Astley. In the subsequent battle Rupert's men made a dramatic cavalry charge, but despite his best efforts a subsequent scattering and loss of discipline turned a potential victory into a stalemate.
After Edgehill, Rupert asked Charles for a swift cavalry attack on London before the Earl of Essex's army could return. The King's senior counsellors, however, urged him to advance slowly on the capital with the whole army. By the time they arrived, the city had organised defences against them. Some argue that, in delaying, the Royalists had perhaps lost their best chance of winning the war, although others have argued that Rupert's proposed attack would have had trouble penetrating a hostile London. Instead, early in 1643, Rupert began to clear the South-West, taking Cirencester in February before moving further against Bristol, a key port. Rupert took Bristol in July with his brother Maurice using Cornish forces and was appointed governor of the city. By mid-1643, Rupert had become so well known that he was an issue in any potential peace accommodation—Parliament was seeking to see him punished as part of any negotiated solution, and the presence of Rupert at the court, close to the King during the negotiations, was perceived as a bellicose statement in itself.

Later stages, 1644–1646
During the second half of the war, political opposition within the Royalist senior leadership against Prince Rupert continued to grow. His personality during the war had made him both friends and enemies. He enjoyed a "frank and generous disposition", showed a "quickness of... intellect", was prepared to face grave dangers, and could be thorough and patient when necessary. However, Prince Rupert lacked the social gifts of a courtier, and his humour could turn into a "sardonic wit and a contemptuous manner": with a hasty temper, he was too quick to say whom he respected and whom he disliked. The result was that, while he could inspire great loyalty in some, especially with his men, he also made many enemies at the Royal court. When Prince Rupert took Bristol, he also slighted the Marquess of Hertford, the lethargic but politically significant Royalist leader of the South-West. Most critically, he fell out with George Digby, a favourite of both the King and the Queen. Digby was a classic courtier and Rupert fell to arguing with him repeatedly in meetings. The result was that towards the end of the war Prince Rupert's position at court was increasingly undermined by his enemies.
Rupert continued to impress militarily. By 1644, now the Duke of Cumberland and Earl of Holderness, he led the relief of Newark and York and its castle. Having marched north, taking Bolton and Liverpool along the way in two bloody assaults, Rupert then intervened in Yorkshire in two highly effective manoeuvres, in the first outwitting the enemy forces at Newark with speed; in the second, striking across country and approaching York from the north. Rupert then commanded much of the royalist army at its defeat at Marston Moor, with much of the blame falling on the poor working relationship between Rupert and the Marquess of Newcastle, and orders from the King that wrongly conveyed a desperate need for a speedy success in the north.In November 1644, Rupert was appointed general of the entire Royalist army, which increased already marked tensions between him and a number of the King's councillors. By May 1645, and now desperately short of supplies, Rupert captured Leicester, but suffered a severe reversal at the Battle of Naseby a month later. Although Rupert had counselled the King against accepting battle at Naseby, the opinions of Digby had won the day in council: nonetheless, Rupert's defeat damaged him, rather than Digby, politically. After Naseby, Rupert regarded the Royalist cause as lost, and urged Charles to conclude a peace with Parliament. Charles, still supported by an optimistic Digby, believed he could win the war. By late summer, Prince Rupert had become trapped in Bristol by Parliamentary forces. Faced with an impossible military situation on the ground, Rupert surrendered Bristol in September 1645, and Charles dismissed him from his service and command.Rupert responded by making his way across Parliamentary held territory to the King at Newark with Prince Maurice and around a hundred men, fighting their way through smaller enemy units and evading larger ones. King Charles attempted to order Rupert to desist, fearing an armed coup, but Rupert arrived at the royal court anyway. After a difficult meeting, Rupert convinced the King to hold a court-martial over his conduct at Bristol, which exonerated him and Maurice. After a final argument over the fate of his friend Richard Willis, the governor of Newark, who had let Rupert into the royal court to begin with, Rupert resigned and left the service of King Charles, along with most of his best cavalry officers. Earlier interpretations of this event focused on Rupert's concern for his honour in the face of his initial dismissal by the King; later works have highlighted the practical importance of the courts martial to Rupert's future employability as a mercenary in Europe, given that Rupert knew that the war by this point was effectively lost. Rupert and Maurice spent the winter of 1645 in Woodstock, examining options for employment under the Republic of Venice, before returning to Oxford and the King in 1646. Rupert and the King were reconciled, the Prince remaining to defend Oxford when the King left for the north. After the ensuing siege and surrender of Oxford in 1646, Parliament banished both Rupert and his brother from England.

Reputation
Rupert's contemporaries believed him to have been involved in some of the bloodier events of the war, although later histories have largely exonerated him. Rupert had grown up surrounded by the relatively savage customs of the Thirty Years' War in Europe. Shortly after his arrival in England he caused consternation by following similar practices; one of his early acts was to demand two thousand pounds from the people of Leicester for the King as the price of not sacking Leicester. Although in keeping with European practices, this was not considered appropriate behaviour in England and Rupert was reprimanded by the King.Rupert's reputation never truly recovered, and in subsequent sieges and attacks he was frequently accused of acting without restraint. Birmingham, a key arms producing town, was taken in April 1643, and Rupert faced allegations—probably untrue—of wilfully burning the town to the ground (see the Battle of Camp Hill). Shortly afterwards Rupert attempted to take the town of Lichfield, whose garrison had executed Royalist prisoners, angrily promising to kill all the soldiers inside. Only the urgent call for assistance from the King prevented him from doing so, forcing him to agree to more lenient terms in exchange for a prompt surrender. Towards the end of the war, practices were changing for the worse across all sides; a rebellious Leicester was retaken by the Prince in May 1645, and no attempt was made to limit the subsequent killing and plunder.Rupert was accordingly a prominent figure in Parliamentary propaganda. He faced numerous accusations of witchcraft, either personally or by proxy through his pet dog, Boy, sometimes called Pudel, a large white hunting poodle which accompanied Rupert everywhere from 1642 up until the dog's death at Marston Moor and which was suspected of being a witch's familiar. There were numerous accounts of Boy's abilities; some suggested that he was the Devil in disguise, come to help Rupert. Pro-Royalist publications ultimately produced parodies of these, including one which listed Rupert's dog as being a "Lapland Lady" transformed into a white dog; Boy was able, apparently, to find hidden treasure, possessed invulnerability to attack, could catch bullets fired at Rupert in his mouth, and could prophesy as well as the 16th-century soothsayer, Mother Shipton. Similar stories from the period relate to Rupert's pet monkey. Like his dog, the monkey was featured in newsprint of the day and was also reputed to have shapeshifting powers, being able to disguise itself behind enemy lines.

Second English Civil War and Interregnum
After the end of the First English Civil War Rupert was employed by the young King Louis XIV of France to fight the Spanish during the final years of the Thirty Years' War. Rupert's military employment was complicated by his promises to the Holy Roman Emperor that had led to his release from captivity in 1642, and his ongoing commitment to the English Royalist faction in exile. He also became a Knight of the Garter in 1642. Throughout the period Rupert was inconvenienced by his lack of secure income, and his ongoing feuds with other leading members of the Royalist circle.

Service in the French army
Rupert first travelled to the Royal court in exile at St Germain but found it still dominated by the Queen and her favourite, Rupert's enemy Digby. Instead, Rupert moved on, accepting a well paid commission from Anne of Austria to serve Louis XIV as a mareschal de camp, subject to Rupert being free to leave French service to fight for King Charles, should he be called upon to do so. In 1647, Rupert fought under Marshal Jean de Gassion against the Spanish. After a three-week siege, Rupert took the powerful fortress of La Bassée through quiet negotiations with the enemy commander—an impressive accomplishment, and one that won him favour in French court circles. Gassion and Rupert were ambushed shortly afterwards by a Spanish party; during the resulting fight, Rupert was shot in the head and seriously injured. Afterwards, Gassion noted: "Monsieur, I am most annoyed that you are wounded." "And me also," Rupert is recorded as replying. Gassion was himself killed shortly afterwards, and Rupert returned to St Germain to recuperate.

Service in the Royalist navy
In 1648, the relatively brief Second English Civil War broke out, and Rupert informed the French King that he would be returning to King Charles's service. The Parliamentary navy mutinied in favour of the King and sailed for Holland, providing the Royalists with a major fleet for the first time since the start of the civil conflict; Rupert joined the fleet under the command of the Duke of York, who assumed the rank of Lord High Admiral.Rupert argued that the fleet should be used to rescue the King, then being held prisoner on the Isle of Wight, while others advised sailing in support of the fighting in the north. The fleet itself rapidly lost discipline, with many vessels' crews focussing on seizing local ships and cargoes. This underlined a major problem for the Royalists—the cost of maintaining the new fleet was well beyond their means. Discipline continued to deteriorate and Rupert had to intervene personally several times, including defusing one group of mutinous sailors by suddenly dangling the ringleader over the side of his vessel and threatening to drop him into the sea. Most of the fleet finally switched sides once more, returning to England in late 1648.Then, following a degree of reconciliation with Charles, Rupert obtained command of the Royalist fleet himself. The intention was to restore Royalist finances by using the remaining vessels of the fleet to conduct a campaign of organised piracy against English shipping across the region. One of the obstacles that this plan faced was the growing strength of the Parliamentary fleet and the presence of Robert Blake, one of the finest admirals of the period, as Rupert's opponent during the campaign.
Rupert's naval campaign formed two phases. The first involved the Royalist fleet sailing from Kinsale in Ireland to Lisbon in Portugal. He took three large ships, HMS Constant Reformation, the Convertine and the Swallow, accompanied by four smaller vessels. Rupert sailed to Lisbon taking several prizes en route, where he received a warm welcome from King John IV, the ruler of recently independent Portugal, who was a supporter of Charles II. Blake arrived shortly afterwards with a Parliamentary fleet, and an armed stand-off ensued. Tensions rose, skirmishes began to break out and King John became increasingly keen for his Royalist guests to leave. In October 1650, Rupert's fleet, now comprising six vessels, broke out and headed into the Mediterranean. Still pursued by Blake, the Royalist fleet manoeuvred up the Spanish coast, steadily losing vessels to their pursuers.The second phase of the campaign then began. Rupert crossed back into the Atlantic and, during 1651, cut west to the Azores, capturing vessels as he went. He intended to continue on to the West Indies, where there would be many rich targets. Instead he encountered a late summer storm, leading to the sinking of the Constant Reformation with the loss of 333 lives—almost including Rupert's brother, Prince Maurice, who only just escaped — and a great deal of captured treasure. Turning back to regroup, repair and re-equip in early 1652, Rupert's reduced force moored at Cape Blanc, an island near what is now Mauritania. Rupert took the opportunity to explore and acquired a Moorish servant boy, who remained in his service for many years. Rupert also explored 150 miles up the Gambia River, taking two Spanish vessels as prizes and contracting malaria in the process.Rupert then finally made a successful crossing into the Caribbean, landing first at Saint Lucia, before continuing up the chain of the Antilles to the Virgin Islands. There the fleet was hit by a hurricane, which scattered the ships and sank the Defiance, this time with Prince Maurice on board. It was a while before Maurice's death became certain, which came as a terrible blow to Rupert. He was forced to return to Europe, arriving in France in March 1653 with a fleet of five ships. It became clear, as the profits and losses of the piracy campaign were calculated, that the venture had not been as profitable as hoped. This complicated tensions in the Royalist court, and Charles II and Rupert eventually split the spoils, after which Rupert, tired and a little bitter, returned to France to recuperate from the long campaign.In 1654, Rupert appears to have been involved in a plot to assassinate Oliver Cromwell, an event that would then have been followed by a coup, the landing of a small army in Sussex, and the restoration of Charles II. Charles himself is understood to have rejected the assassination proposal, but three conspirators—who implicated Rupert in the plan—were arrested and confessed in London.Rupert's presence at the royal court continued to be problematic; as in 1643, he was regarded by Edward Hyde (later Earl of Clarendon) and others as a bellicose figure and an obstacle to peace negotiations; in 1655 Rupert left for Germany.

Service in Germany
After his quarrel with the Royalist court in exile, Rupert travelled to Heidelberg to visit his brother Charles Louis, now partially restored as Elector Palatine, where the two had an ambivalent reunion. Charles Louis and Rupert had not been friendly as children and had almost ended up on opposite sides during the Civil War. To make matters worse, Charles Louis had been deprived of half the old Palatinate under the Peace of Westphalia, leaving him badly short of money, although he still remained responsible under the Imperial laws of apanage for providing for his younger brother and had offered the sum of £375 per annum, which Rupert had accepted. Rupert travelled on to Vienna, where he attempted to claim the £15,000 compensation allocated to him under the Peace of Westphalia from the Emperor. Ferdinand III warmly welcomed him, but was unable to pay such a sum immediately—instead, he would have to pay in installments, to the disadvantage of Rupert.Over the next twelve months, Rupert was asked by the Duke of Modena in Northern Italy to raise an army against the Papal States—having done so, and with the army stationed in the Palatinate, the enterprise collapsed, with the Duke requesting that Rupert invade Spanish held Milan instead. Rupert moved on, having placed his brother Charles Louis in some diplomatic difficulties with Spain. Rupert travelled onwards, continuing to attempt to convince Ferdinand to back Charles II's efforts to regain his throne.In 1656, relations between Rupert and Charles Louis deteriorated badly. Rupert had fallen in love with Louise von Degenfeld, one of his sister-in-law's maids of honour. One of Rupert's notes proffering his affections accidentally fell into the possession of Charles Louis' wife Charlotte, who believed it was written to her. Charlotte was keen to engage in an affair with Rupert and became unhappy when she was declined and the mistake explained. Degenfeld was uninterested in Rupert, but was engaged in an affair with Charles Louis; this was discovered in due course, leading to the annulment of the marriage. Rupert, for his part, was unhappy that Charles Louis could not endow him with a suitable estate, and the two parted on bad terms in 1657, Rupert refusing ever to return to the Palatinate again and taking up employment under Ferdinand III in his Kingdom of Hungary.

Interest in art
During this period Rupert became closely involved in the development of mezzotint, a "negative" or intaglio printmaking process which eventually superseded the older woodcut process. Rupert appears to have told a range of associates that he had conceived of the mezzotint process through having watched a soldier scrape the rust from the barrel of his musket during a military campaign. John Evelyn credited Rupert as the inventor of the technique in 1662, and Rupert's story was further popularised by Horace Walpole during the 18th century.
Considerable academic debate surrounds the issue, but the modern consensus is that mezzotint was instead invented in 1642 by Ludwig von Siegen, a German lieutenant-colonel who was also an amateur artist. Siegen may or may not have met Rupert: Siegen had worked as chamberlain, and probably part-tutor, to Rupert's young cousin William VI, Landgrave of Hesse-Kassel, with whom Rupert discussed the technique in letters from 1654. Rupert did, however, become a noted artist in mezzotint in his own right. He produced a few stylish prints in the technique, mostly interpretations of existing paintings, and introduced the form to England after the Restoration, though it was Wallerant Vaillant, Rupert's artistic assistant or tutor, who first popularised the process and exploited it commercially. Rupert's most famous and largest art work, The Great Executioner, produced in 1658, is still regarded by critics such as Arthur Hind and Antony Griffiths as full of "brilliance and energy", "superb" and "one of the greatest mezzotints" ever produced; other important works by Rupert include the Head of Titian and The Standard Bearer.

Career following the Restoration
Following the Restoration of the monarchy under Charles II in 1660, Rupert returned to England, where Charles had already largely completed the process of balancing the different factions across the country in a new administration. Since most of the better government posts were already taken, Rupert's employment was limited, although Charles rewarded him with the second highest pension he had granted, £4,000 a year. Rupert's close family ties to King Charles were critical to his warm reception; following the deaths of the Duke of Gloucester and Princess Mary, Rupert was the King's closest adult relation in England after his brother, the Duke of York, and so a key member of the new regime. Rupert, as the Duke of Cumberland, resumed his seat in the House of Lords. For the first time in his life, Rupert's financial position was relatively secure, and he had matured. Near-contemporaries described how "his temper was less explosive than formerly and his judgement sounder". Rupert continued to serve as an admiral in the Royal Navy throughout the period, ultimately rising to the rank of "General at Sea and Land".

Restoration statesman
Rupert was appointed to the King's Privy Council in 1662, taking roles on the Foreign Affairs Committee, the Admiralty Committee and the Tangier Committee. Accounts vary of Rupert's role in all these committees of government. Samuel Pepys, no friend of Rupert's, sat on the Tangier Committee with him and later declared that all Rupert did was to laugh and swear occasionally: other records, such as those of the Foreign Affairs Committee, show him taking a full and active role in proceedings.In 1668, the King appointed Rupert to be the Constable of Windsor Castle. Rupert was already one of the Knights of the Garter, who had their headquarters at the castle, and was a close companion of the King, who would wish to be suitably entertained at the castle. Rupert immediately began to reorder the castle's defences, sorting out the garrison's accommodation, repairing the Devil's Tower, reconstructing the real tennis court and improving the castle's hunting estate. Rupert acquired his own apartments in the castle, which were recorded as being "very singular" with some decorated with an "extraordinary" number of "pikes, muskets, pistols, bandoliers, holsters, drums, back, breast, and head pieces", and his inner chambers "hung with tapisserie, curious and effeminate pictures". King Charles II and Rupert spent much time together over the years hunting and playing tennis together at Windsor, and Rupert was also a close companion of James, the Duke of York. Rupert was considered by Pepys to be among the four best tennis players in England.Rupert became romantically engaged to Frances Bard (1646–1708), the daughter of the English explorer and Civil War veteran Henry Bard. Frances claimed to have secretly married Rupert in 1664, although this was denied by him and no firm proof exists to support the claim. Rupert acknowledged the son he had with Frances, Dudley Bard (1666–86), often called "Dudley Rupert", who was schooled at Eton College. In 1673, Rupert was urged by Charles Louis to return home, marry and father an heir to the Palatinate, as it appeared likely that Charles Louis's own son would not survive childhood. Rupert refused, and remained in England.

Career in the Restoration navy
For much of the 17th century, England was embroiled in conflict with commercial rival Holland through the Anglo-Dutch Wars. Rupert became closely involved in these as a senior admiral to King Charles II, rising to command the Royal Navy by the end of his career. Although several famous admirals of the day had previously been army commanders, including Blake and Monck, they had commanded relatively small land forces and Rupert was still relatively unusual for the period in having both practical experience of commanding large land armies and having extensive naval experience from his campaigns in the 1650s.At the start of the Second Anglo-Dutch War (1665–1667), Rupert was appointed as one of the three squadron commanders of the English fleet, under the overall command of the Duke of York, taking HMS Royal James as his flagship. As the commander of the White Squadron, Rupert fought at the Battle of Lowestoft in 1665, breaking through the enemy defences at a critical moment; Rupert's leg was injured in the battle, an injury that caused him ongoing pain. Recalled to accompany the King during the plague that was sweeping London, Rupert continued to argue in favour of the fleet's seeking a set-piece engagement with the Dutch that would force the Dutch back to the negotiating table. The following year, Rupert was made joint commander of the fleet with Monck and given the opportunity to put this plan into practice. In June 1666, they fought the Dutch at the Four Days' Battle, one of the longest naval battles in history; the battle saw the new aggressive tactics of Rupert and Monck applied, resulting in "a sight unique till then in sailing-ship warfare, the English beating upwind and breaking the enemy's line from leeward." However, the Four Days' Battle was considered a victory for the Dutch, but the St. James's Day Battle the following month allowed Rupert and Monck to use the same tactics to inflict heavy damage on the Dutch and the battle resulted in a significant English victory. The Dutch however would see a favourable end to the war with the decisive Raid on the Medway.Rupert also played a prominent role in the Third Anglo-Dutch War (1672–74). This time Louis XIV of France was a key English ally against Holland, and it was decided that the French would form a squadron in a combined fleet. The English fleet had been much expanded, and Rupert had three ships, HMS Royal Charles, HMS Royal James and HMS Royal Oak, equipped with a high-specification, annealed and lathe-produced gun of his own design, the Rupertinoe. The cost of the weapon—three times that of a normal gun—prevented its wider deployment in the fleet. The French role in the conflict proved a problem when Charles turned to the appointment of an admiral. Rupert's objection to the French alliance was well known, and accordingly the King appointed the Duke of York to the role instead. Rupert was instead instructed to take over the Duke's work at the Admiralty, which he did with gusto. The Allied naval plans were stalled after the Duke's inconclusive battle with the Dutch at Solebay.
The English plan for 1673 centred on first achieving naval dominance, followed by landing an army in Zeeland. The King appointed the Duke as supreme commander, with Rupert as his deputy, combining the ranks of general and vice admiral of England. During the winter of 1672, however, Charles—still (legitimately) childless—decided that the risk to the Duke, his heir, was too great and made Rupert supreme Allied commander in his place. Rupert began the 1673 campaign against the Dutch knowing the logistical support for his fleet remained uncertain, with many ships undermanned. The result was the Battle of Schooneveld in June and the Battle of Texel in August, a controversial sequence of engagements in which, at a minimum, poor communications between the French and English commanders assisted the marginal Dutch victory. Many English commentators were harsher, blaming the French for failing to fully engage in the battles and Rupert—having cautioned against the alliance in the first place—was popularly hailed as a hero. Rupert finally retired from active seagoing command later that year.Rupert had a characteristic style as an admiral; he relied upon "energetic personal leadership backed by close contact with his officers"; having decided how to proceed in a naval campaign, however, it could be difficult for his staff to change his mind. Recent work on Rupert's role as a commander has also highlighted the progress the prince made in formulating the way that orders were given to the British fleet. Fleet communications were limited during the period, and the traditional orders from admirals before a battle were accordingly quite rigid, limiting a captain's independence in the battle. Rupert played a key part in the conferences held by the Duke of York in 1665 to review tactics and operational methods from the First Anglo-Dutch War, and put these into practice before the St James Day battle. These instructions and supplementary instructions to ships' captains, which attempted to balance an adherence to standing orders with the need to exploit emerging opportunities in a battle, proved heavily influential over the next hundred years and shaped the idea that an aggressive fighting spirit should be at the core of British naval doctrine.After 1673, Rupert remained a senior member of the Royal Navy and Charles's administration. Rupert allied himself with Lord Shaftesbury on matters of foreign policy, but remained loyal to King Charles II on other issues, and was passionate about protecting the royal prerogative. As a consequence, he opposed Parliament's plan in 1677 to appoint him to Lord High Admiral—on the basis that only the King should be allowed to propose such appointments—but noted that he was willing to become Admiral if the King wished him to do so. The King's solution was to establish a small, empowered Admiralty Commission, of which Rupert became the first commissioner. As a result, from 1673 to 1679 Rupert was able to focus on ensuring a closer regulation of manning, gunning and the selection of officers. He was also involved in setting priorities between the different theatres of operations that the Royal Navy was now involved in around the world. Rupert was also appointed to the supreme position of "General at Sea and Land", effectively assuming the wartime powers of the Lord High Admiral.

Later life
After the end of his seagoing naval career Rupert continued to be actively involved in both government and science, although he was increasingly removed from current politics. To the younger members of the court the prince appeared increasingly distant—almost from a different era. The Count de Gramont described Rupert as "brave and courageous even to rashness, but cross-grained and incorrigibly obstinate... he was polite, even to excess, unseasonably; but haughty, and even brutal, when he ought to have been gentle and courteous... his manners were ungracious: he had a dry hard-favoured visage, and a stern look, even when he wished to please; but, when he was out of humour, he was the true picture of reproof". Rupert's health during this period was also less robust; his head wound from his employment in France required a painful trepanning treatment, his leg wound continued to hurt and he still suffered from the malaria he had caught while in the Gambia.

Colonial administration
Rupert had demonstrated an interest in colonial issues for many years. On arriving in England in 1663, he had encouraged the government to continue his own exploration of the Gambia in an attempt to find gold, leading to Robert Holmes's expedition the following year. Rupert was an active shareholder in the Company of Royal Adventurers Trading into Africa that was established as a result in 1662. The company continued operations for the next eight years, with backers including the King, the Duke of York and the Royal Society, with operations including engaging in the West African slave trade until it folded in 1670. The company's operations merged with those of the Gambia Merchants' Company into the new Royal African Company, with a royal charter to right to set up forts and factories, maintain troops, and exercise martial law in West Africa, in pursuit of trade in gold, silver, and slaves; Rupert was the third named member of the company's board.By then, however, Rupert's attention had turned to North America. The French explorers Pierre-Esprit Radisson and Médard des Groseilliers had come to England after conducting a joint exploration of the Hudson's Bay region in 1659; there their account attracted the attention of the King and Rupert. Rupert put an initial investment of £270 of his own money into a proposal for a fresh expedition and set about raising more; despite setbacks, including the Great Fire of London, by 1667 he had formed a private syndicate and leased the Eaglet from the King for the expedition. The Eaglet failed, but her sister vessel, the Nonsuch, made a successful expedition, returning in 1669 with furs worth £1,400. In 1670, the King approved the charter for "The Governor and Company of Adventurers of England trading into Hudson's Bay" that would form the Hudson's Bay Company, which was granted a trading monopoly in the whole Hudson Bay watershed area, an immense territory named Rupert's Land, with Rupert appointed the first Governor. Rupert's first company secretary was Sir James Hayes and Radisson named the Hayes River, in present-day Manitoba, in his honour. The company continued to prosper, forming the basis for much of the commercial activity of colonial Canada. Rupert's role in colonial commerce was marked by his being asked to lay the cornerstone of the new Royal Exchange in 1670, and being made one of its first councillors.

Science and the Royal Society
After Rupert's retirement from active seafaring in around 1674, he was able to spend more time engaged in scientific research and became credited with many inventions and discoveries, although some subsequently turned out to be the innovative introduction of European inventions into England. Rupert converted some of the apartments at Windsor Castle to a luxury laboratory, complete with forges, instruments, and raw materials, from where he conducted a range of experiments.Rupert had already become the third founding member of the scientific Royal Society, being referred to by contemporaries as a "philosophic warrior", and guided the Society as a Councillor during its early years. Very early on in the Society's history, Rupert demonstrated Prince Rupert's drops to King Charles II and the Society, glass teardrops which explode when the tail is cracked; although credited with their invention at the time, later interpretations suggest that he was instead responsible for the introduction of an existing European discovery into England. He demonstrated a new device for lifting water at the Royal Society, and received attention for his process for "painting colours on marble, which, when polished, became permanent". During this time, Rupert also formulated a mathematical question concerning the paradox that a cube can pass through a slightly smaller cube; Rupert questioned how large a cube had to be in order to fit. The question of Prince Rupert's cube was first solved by the Dutch mathematician Pieter Nieuwland. Rupert was also known for his success in breaking cypher codes.Many of Rupert's inventions were military. After designing the Rupertinoe naval gun, Rupert erected a watermill on Hackney Marshes for a revolutionary method of boring guns, however his secret died with him, and the enterprise failed. Rupert enjoyed other military problems, and took to manufacturing gun locks; he devised both a gun that fired multiple rounds at high speed, and a "handgun with rotating barrels". He is credited with the invention of a form of gunpowder, which when demonstrated to the Royal Society in 1663, had a force of over ten times that of regular powder; a better method for using gunpowder in mining; and a torpedo. He also developed a form of grapeshot for use by artillery. Rupert also focussed on naval inventions: he devised a balancing mechanism to allow improved quadrant measurements at sea, and produced a diving engine for retrieving objects on the ocean floor. While recovering from his trepanning treatment Rupert set about inventing new surgical equipment to improve future operations.Other parts of Rupert's scientific work lay in the field of metallurgy. Rupert invented a new brass alloy, slightly darker in hue than regular brass involving three parts of copper to one part of zinc, combined with charcoal; this became known as "Prince's metal" in his honour—sometimes also referred to as "Bristol Brass". Rupert invented the alloy in order to improve naval artillery, but it also became used as a replacement for gold in decorations. Rupert was also credited with having devised an exceptional method for tempering kirby fish hooks, and for casting objects into an appearance of perspective. He also invented an improved method for manufacturing shot of varying sizes in 1663, that was later refined by the scientist Robert Hooke, one of Rupert's Royal Society friends during the period.

Family
Margaret Hughes
Towards the end of his life Rupert fell in love with an attractive Drury Lane actress named Margaret "Peg" Hughes. Rupert became involved with her during the late 1660s, leaving his previous mistress, Frances Bard, although Hughes appears to have held out from reciprocating his attentions with the aim of negotiating a suitable settlement. Hughes rapidly received advancement through his patronage; she became a member of the King's Company by 1669, giving her status and immunity from arrest for debt, and was painted four times by Sir Peter Lely, the foremost court artist of the day.Despite being encouraged to do so, Rupert did not marry Hughes, but acknowledged their daughter, Ruperta (born in 1673 and who later became Mrs Emanuel Howe). Hughes lived an expensive lifestyle during the 1670s, enjoying gambling and jewels; Rupert gave her at least £20,000 worth of jewellery during their relationship, including several items from the Palatinate royal collection. Hughes continued to act even after Ruperta's birth, returning to the stage in 1676 with the prestigious Duke's Company at the Dorset Garden Theatre, near the Strand in London. The next year Rupert established Hughes with a "grand building" worth £25,000 that he bought in Hammersmith from Sir Nicholas Crispe. Rupert seems rather to have enjoyed the family lifestyle, commenting that his young daughter "already rules the whole house and sometimes argues with her mother, which makes us all laugh."

Death
Rupert died at his house at Spring Gardens, Westminster, on 29 November 1682 after a bout of pleurisy, and was buried in the crypt of Westminster Abbey on 6 December in a state funeral. Rupert left most of his estate, worth some £12,000, equally to Hughes and Ruperta. Hughes had an "uncomfortable widowhood" without Rupert's support, allegedly not helped by her unproductive gambling.Presents from Rupert such as his mother's earrings were sold to the Duchess of Marlborough, while a pearl necklace given by Elector Frederick to Electress Elizabeth was sold to fellow actress Nell Gwynn. Hughes sold the house in Hammersmith to two London merchants: Timothy Lannoy and George Treadwell—it was then purchased by the Margrave of Brandenburg-Ansbach and became known as Brandenburg (or Brandenburgh) House.Ruperta later married Emanuel Scrope Howe, future MP and English general, and had five children, Sophia, William, Emanuel, James and Henrietta. Through William's daughter, Mary, Rupert is an ancestor of the Bromley baronets.
Rupert's son, Dudley Bard, became a military officer, frequently known as "Captain Rupert", and died fighting at the siege of Buda while in his late teens.

Legacy
According to Ian Gentles:

Charles I's nephew. Prince Rupert of the Rhine, was a famed warrior who won hardly any battles on land or sea. Beloved by his men for his death-defying courage and his high sense of military honour, he was nonetheless a bad tempered and arrogant leader. His defects of character became more accentuated with age. Yet he remains one of the most romantic figures in English history, admired for his reckless cavalry charges, and his equally reckless naval charges against the much stronger Parliamentary, and later Dutch, fleets....The prince alienated many because he was frequently irascible, tactless, impatient, and—most seriously—a poor judge of character.Prince Rupert's memory is well attested in the geography of Canada. The lands of the Hudson's Bay Company, being all the land drained by rivers flowing into Hudson Bay, were known as Rupert's Land from 1670 until 1870. The Anglican Diocese of Rupert's Land, based in Winnipeg, Manitoba, is the relic of this period, as are Prince Rupert Avenue, Rupert Avenue, and Rupertsland Avenue in Winnipeg.Elsewhere in Canada, the city of Prince Rupert, British Columbia, the community of Prince Rupert in the city of Edmonton, Alberta and the Rupert River in Quebec are all named after the Prince. Rupert's Bay on St Helena may also be named after him. In Bristol, there was also a street, Rupert Street, and formerly a public house, The Prince Rupert in Rupert Street, named to commemorate Prince Rupert.

Genealogical table
In fiction
Prince Rupert is the protagonist of Poul Anderson's alternative history/fantasy book A Midsummer Tempest, where the Prince, with the help of various Shakespearean characters who are actual persons in this timeline, eventually defeats Cromwell and wins the English Civil War.
Prince Rupert is the key character in the King Crimson song Lizard from their 1970 album of the same name. The 23-minute suite includes several sections, one named Prince Rupert Awakes and another The Battle of Glass Tears (an artistic reference to the battle of Naseby) in turn including a sub-section called Prince Rupert's Lament.
Prince Rupert appears in The Oak Apple and The Black Pearl, volumes 4 and 5 of The Morland Dynasty, a series of historical novels by author Cynthia Harrod-Eagles. He is assisted during the Civil War by the staunchly Royalist fictional Morland family, and is father to the illegitimate Annunciata Morland, with whom he has a complicated relationship.
Prince Rupert and his sister Elisabeth are minor characters in Eric Flint's 1632 series books Grantville Gazette IV and Grantville Gazette VI
Prince Rupert is the protagonist of Margaret Irwin's novel The Stranger Prince and appears in her later novel The Bride. Both novels deal with the Civil War period.
Prince Rupert is the subject of Samuel Edwards's biographical novel The White Plume, published by William Morrow and Company Ltd. in 1961, a semi-fictional account of his life from his late teens until his marriage to Peg (Margaret Hughes).
Prince Rupert's Tower is the name given to a Georgian lock-up in the Everton area of Liverpool. Rupert stayed in the area during the siege of Liverpool.

Film and television
Rupert was portrayed by Nigel Bruce in the 1940 film Hudson's Bay
Rupert was portrayed by Timothy Dalton in the 1970 film Cromwell.
Harry Lloyd played Rupert in the 2008 TV drama The Devil's Whore.
Rupert was portrayed by Will Bowden in the 2015 Dutch film Michiel de Ruyter.

See also
Canadian locations named after Rupert

Notes
Passage 4:
Margaret Hughes
Margaret Hughes (29 May 1630 – 1 October 1719), also Peg Hughes or Margaret Hewes, was an English actress who is often credited as the first professional actress on the English stage, as a result of her appearance on 8 December 1660. Hughes was the mistress of the English Civil War general Prince Rupert of the Rhine.

Women in Restoration drama
Hughes became an actress during a period of great change in English drama which had suffered greatly during the English Civil War and the Interregnum, being banned by the Puritan Long Parliament in 1642. This ban was finally lifted upon the Restoration of King Charles II. Charles was a keen theatre-goer, and promptly gave two royal patents to Sir Thomas Killigrew and Sir William Davenant. During the Renaissance women did not appear as actresses on the stage; instead, male actors played female roles. There were also concerns over this practice encouraging "unnatural vice", i.e. homosexuality, which reinforced Charles in his decision in 1662 to issue a royal warrant declaring that all female roles should be played only by actresses. Killigrew and Davenant began casting women almost immediately following the Restoration and, once women began appearing professionally on the stage in the early 1660s, they won quick acceptance. Killigrew staged an all-female-cast production of his own play The Parson's Wedding in 1664 and again in 1672.

At the age of 30, Hughes made theatre history by becoming the first woman known to perform on an English stage, when on 8 December 1660, she played the role of Desdemona in William Shakespeare's play Othello, in a production by Thomas Killigrew's new King's Company at their Vere Street theatre. Some historians identify Anne Marshall as the first actress to step onto the English stage. However, there has been much analysis of the early recollections of John Downes, whose memories of the 1660s form a key part of Hughes' claim in this regard.

Personal life
Hughes was famous for her charms as an actress; diarist Samuel Pepys considered her "a mighty pretty woman", and she was said to be "a great beauty, with dark ringletted hair, a fine figure, and particularly good legs". Pepys suggested that she was a lover of Sir Charles Sedley, a noted dramatist and "famous fop", in the 1660s; she was reportedly also involved with Charles II himself, if only briefly. It is believed that Hughes had an illegitimate son named Arthur, but there is no conclusive evidence of this.
Most famously, however, Hughes became associated with Prince Rupert (sometimes known as "Rupert of the Rhine"), as his lover. Rupert fell in love with her in the late 1660s, although Hughes appears to have held out reciprocating his attentions with the aim of negotiating a suitable settlement. Prince Rupert was one of the most senior members of the royal family at court, and Hughes rapidly received advancement through his patronage; she became a member of the King's Company by 1669, giving her status and immunity from arrest for debt, and was painted four times by Sir Peter Lely, the foremost court artist of the day.Despite being encouraged to do so, Rupert did not formally marry Hughes, but acknowledged their daughter, Ruperta (later Howe), born in 1673. Hughes lived an expensive lifestyle during the 1670s, enjoying gambling and jewels; Rupert gave her at least £20,000 worth of jewellery during their relationship, including several items from the Palatinate royal collection. The two appear to have been close – Prince Rupert's older brother, Charles Louis, Elector Palatine, once sounded out Rupert as to his willingness to return to the Rhineland and marry appropriately, but his suggestion was rejected. Hughes continued to act even after Ruperta's birth, returning to the stage in 1676 with the prestigious Duke's Company at the Dorset Garden Theatre, near the Strand in London. The next year Rupert established Hughes in a "grand building" on the Fulham Road in Hammersmith worth £25,000 that he bought from Sir Nicholas Crispe.Prince Rupert died in 1682, leaving most of his estate, worth some £12,000, equally to Hughes and Ruperta. Hughes had an "uncomfortable widowhood" without Rupert's support, allegedly not helped by her continued gambling. Presents from Rupert such as Elizabeth of Bohemia's earrings were sold to the Duchess of Marlborough, whilst a pearl necklace given by Rupert's father to Hughes was sold to fellow actress Nell Gwyn. Hughes sold the house in Hammersmith to two London merchants, Timothy Lannoy and George Treadwell; ultimately it was purchased by the Margrave of Brandenburg-Anspach and became known as Brandenburg (or Brandenburgh) House. Hughes' daughter, Ruperta, ultimately married Emanuel Scrope Howe, future MP and English general.Hughes died in 1719.

Professional career
Hughes certainly played Desdemona in the performance of Othello seen by Samuel Pepys on 6 February 1669. She also played:

St Catherine in John Dryden's Tyrannick Love
Panura in John Fletcher's The Island Princess.She probably played:

Theodocia in Dryden's An Evening's Love
Angellina in James Shirley's The Sisters.Hughes left the stage for Prince Rupert in 1669 or 1670. In 1676 she emerged from retirement for one busy year with the Duke's Company. For that company, she played:

Octavia in Edward Ravenscroft's The Wrangling Lovers
Gerana in Elkanah Settle's Pastor Fido
Mirva in Elkanah Settle's Ibrahim
Mrs Moneylove in Thomas Rawlins's Tom Essence
Charmion in Sir Charles Sedley's Antony and Cleopatra
Valeria in Aphra Behn's The Rover
Leonora in Thomas Porter's The French Conjuror
Cordelia in Thomas d'Urfey's A Fond Husband

In popular culture
A one-act play about Margaret Hughes, entitled The First Actress, was performed in 1911, at the Kingsway Theatre in London, by a group of suffragette actresses who called themselves the Pioneer Players. Ellen Terry played Nell Gwyn in this production.Jeffrey Hatcher wrote a play about Edward Kynaston entitled Compleat Female Stage Beauty (2000), and later adapted his play for the 2004 film Stage Beauty, directed by Richard Eyre and starring Claire Danes as Hughes. Hughes's first stage appearance is also discussed in the 2015 play Nell Gwynn, but she remains an offstage character. Hughes is the main character of Diana Norman's historical novel The Vizard Mask (1994). She is depicted as a stuttering American Puritan, Penitence Hurd, who becomes a successful Restoration actress.

Notes and references
Bibliography
Gilder, Rosamond. Enter the Actress: The First Women in the Theatre. Boston, Houghton Mifflin, 1931.
Halliday, F. E., A Shakespeare Companion 1564–1964. Baltimore, Penguin, 1964.
Highfill, Philip H., Kalman A. Burnim and Edward A. Langhans. Volume 8 of A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660–1800. Southern Illinois University Press, 1982.
Howe, Elizabeth. The First English Actresses: Women and Drama, 1660–1700. Cambridge, Cambridge University Press, 1992.
Rennert, Hugo Albert. The Spanish Stage in the Time of Lope de Vega. Hispanic Society of America, 1909.
Spencer, Charles.  Prince Rupert: The Last Cavalier. London: Phoenix, 2007. ISBN 978-0-7538-2401-6.
Thomson, Peter, et al., eds. The Cambridge History of British Drama. 3 Volumes, Cambridge, Cambridge University Press, 2004.
Wilson, John Harold. All the King's Ladies: Actress of the Restoration. Chicago, University of Chicago Press, 1958
Macqueen-Pope, W. Ladies First; the Story of Woman's Conquest of the British Stage. London: Allen, 1952
Passage 5:
Ludwig von Westphalen
Johann Ludwig von Westphalen (11 July 1770 – 3 March 1842) was a liberal Prussian civil servant and the father-in-law of Karl Marx.

Biography
Early life
Johann Ludwig von Westphalen was born on 11 July 1770 in Bornum am Elm. He was the youngest son of Philipp von Westphalen (1724–92), who himself was the son of a Blankenburg postmaster. Philipp von Westphalen had been ennobled in 1764 with the predicate Edler von Westphalen by Duke Ferdinand of Brunswick for his military services. He had served as the duke's de facto "chief of staff" during the Seven Years' War. Through his mother, Jane Wishart of Pittarrow, he was the descendant of many Scottish and European noble families.He received extensive education and spoke German and English, and read Latin, Greek, Italian, French and Spanish. He studied at the Collegium Carolinum, the forerunner of today's Braunschweig University of Technology, and at Göttingen.

Career
In 1794, he entered government's service in Brunswick. In 1797 he married Elisabeth von Veltheim, who bore him four children. In 1804 he entered the government service of the Duchy of Brunswick and Lunenburg (Wolfenbüttel).
With the establishment of the Napoleonic state in Westphalia (the Kingdom of Westphalia) in 1807, he entered its service. He was likely motivated in this by a desire to see reforms carried out. He did, however, oppose the French dominance of the local government, and other policies, and for his critique he was eventually arrested by orders from Louis-Nicolas Davout and imprisoned in the fortress of Gifhorn. In the same year, he lost his first wife. In the summer of 1809 Louis was appointed sub-prefect of Salzwedel, where three years later in 1812 he married Karoline Heubel; they had three children. After Salzwedel was again under Prussian administration, in 1816 Ludwig von Westphalen was transferred to the newly established regional government in Trier.

Personal life
It was in Trier that he met and befriended Heinrich Marx, the father of Karl Marx. The children of the respective families, in particular Jenny and Edgar von Westphalen, and Sophie and Karl Marx, became close friends as well. In 1836, Jenny von Westphalen and Karl Marx became engaged; at first secretly but Ludwig approved the marriage in 1837, even though some saw Marx, who was both middle class and younger than her, as well as of Jewish descent, as an inappropriate partner for the noble daughter. In fact, Ludwig was seen as the mentor and role model of Karl Marx, who referred to him as a "dear fatherly friend". Ludwig filled Marx with enthusiasm for the romantic school and read him Homer and Shakespeare, who remained Marx's favorite authors all his life. Marx also read Voltaire and Racine with Ludwig. Ludwig devoted much of his time to the young Marx and the two went for intellectual walks through "the hills and woods" of the neighbourhood. It was Ludwig who first introduced Marx to the personality and socialist teachings of Saint-Simon. Marx dedicated his doctoral thesis "The Difference Between the Democritean and Epicurean Philosophy of Nature" written in 1841 to Ludwig in a most effusive manner in which Marx wrote "You, my fatherly friend, have always been for me the living proof that idealism is no illusion, but the true reality" In 1842, Marx was present at the deathbed of Ludwig von Westphalen. Jenny and Karl became married in 1843, a year after Ludwig's death.
He was the father of Ferdinand von Westphalen, a conservative and reactionary Prussian Minister of the Interior.

Death
He died on 3 March 1842 in Trier.
Passage 6:
Bill Dundee
William Cruickshanks (born 24 October 1943) is a retired Scottish-born Australian professional wrestler and author better known by his stage name Bill Dundee. Cruickshanks is the father of Jamie Dundee and was the father-in-law of wrestler Bobby Eaton.

Career
Dundee was born in Angus, Scotland, and raised in Melbourne. At 16, he joined the circus as a trapeze artist. He started wrestling in Australia in 1962 and finally arrived in the United States as "Superstar" Bill Dundee in 1974 with his tag team partner George Barnes.
Dundee made a name for himself in the Memphis Territory, where he regularly teamed and feuded with Jerry Lawler and Jimmy Valiant for years. Dundee and Lawler ventured to the American Wrestling Association in 1987 and captured the AWA World Tag Team Championship twice.
As a singles wrestler, he held the Southern Heavyweight Championship belt several times from 1975 to 1985. Also, he had a successful team with "Nature Boy" Buddy Landel that wreaked havoc in Tennessee.
Dundee had a brief run in the NWA's Jim Crockett Promotions, Central States Wrestling and Florida Championship Wrestling in 1986, where he teamed with Jimmy Garvin and feuded with Sam Houston for the NWA Central States Heavyweight Championship. He also briefly managed The Barbarian and The MOD Squad while in those territories.
He also had a run in World Championship Wrestling in the early 1990s as Sir William, the manager for Lord Steven Regal.
Dundee worked as a booker for Memphis, Louisiana and Georgia.
Dundee is still active as of 2019 in Memphis Wrestling, where he has been a heel and a baby face. He frequently appears on Jackson, Tennessee, talk radio station WNWS 101.5 with Dan Reeves and on a talk show on Public-access television cable TV channels in West Tennessee. He still promotes indy cards across Tennessee and in Southaven, Mississippi. He currently runs a podcast on Anchor named If You Don't Want the Answer, Don't Ask the Question.
On 20 July 2019, Dundee, at 75 years old, defeated Tony Deppen to win the unofficial WOMBAT Television Championship for Game Changer Wrestling in Tullahoma, Tennessee.

Books
If You Don't Want The Answer, Don't Ask The Question: Bill Dundee's Life Story

Personal life
Dundee's son Jamie Dundee, also became a wrestler, whereas his daughter Donna, married wrestler Bobby Eaton. His grandson, Dylan Eaton, wrestles as well.
In the early 1990s he partnered with Doug Hurt, brother of Jerry Lawler's manager, in the opening of a furniture store in Evansville, Indiana called "Superstar Dundee Furniture". The store collapsed about a year after opening.
On 26 June 2021, his daughter Donna died at the age of 57 from breast cancer. Just over a month later, his son-in-law Bobby Eaton died on 4 August 2021 at the age of 62, just two weeks after suffering a fall at his home.

Championships and accomplishments
American Wrestling Federation
AWF Heavyweight Championship (1 time)
Central States Wrestling
NWA Central States Heavyweight Championship (1 time)
Memphis Wrestling Hall of Fame
Class of 2017
Mid-South Wrestling Association
Mid-South Television Championship (1 time)
NWA Mid-America / Continental Wrestling Association / Championship Wrestling Association
AWA Southern Heavyweight Championship (9 times)
AWA Southern Tag Team Championship (14 times) – with Norvell Austin (1), Robert Gibson (1), Jerry Lawler (4), Robert Fuller (1), Tommy Rich (2), Dream Machine (2), Steve Keirn (2) and Dutch Mantel (1)
AWA World Tag Team Championship (2 times) – with Jerry Lawler1
CWA International Heavyweight Championship (4 times)
CWA International Tag Team Championship (1 time) – with Rocky Johnson
CWA Southwestern Heavyweight Championship (1 time)
CWA World Heavyweight Championship (1 time)
CWA World Tag Team Championship (1 time) – with Tommy Rich
NWA Mid-America Heavyweight Championship (1 time)
NWA Mid-America Tag Team Championship (1 time) – with Ricky Gibson
NWA Southern Heavyweight Championship (Memphis version) (1 time)
NWA Southern Tag Team Championship (Mid-America version) (3 times) – with Big Bad John (2) and Tommy Rich (1)
NWA United States Junior Heavyweight Championship (2 times)
Ohio Valley Wrestling
OVW Heavyweight Championship (1 time)
Power Pro Wrestling
PPW Tag Team Championship (1 time) – with Jerry Lawler
Pro Wrestling Illustrated
Ranked No. 56 of the 100 top tag teams of the "PWI Years" with Jerry Lawler in 2003
Pro Wrestling This Week
Wrestler of the Week (21–27 June 1987)
Southeastern Championship Wrestling
NWA Southeastern Tag Team Championship (1 time) – with Tommy Rich
NWA United States Junior Heavyweight Championship (Southeastern version) (1 time)
Supreme Wrestling
Supreme Mid-America Tag Team Championship (1 time) – with Rob Royale
United States Wrestling Association
USWA Unified World Heavyweight Championship (1 time)
USWA Junior Heavyweight Championship (2 times)
USWA Southern Heavyweight Championship (3 times)
USWA Texas Heavyweight Championship (3 times)
USWA World Tag Team Championship (3 times) – with Jerry Lawler (2) and Jamie Dundee (1)
WOMBAT Wrestling
WOMBAT Television Championship (1 time, current)
World Class Wrestling Association
CWA Southwestern Heavyweight Championship (2 times)21Dundee's and Lawler's reigns with the AWA World Tag Team Championship began on cards hosted by the CWA through the interpromotional relationship between the AWA and CWA that also allowed the defense of the AWA Southern Heavyweight and Southern Tag Team Championships primarily within the CWA.2The CWA Southwestern Heavyweight Championship was promoted in both the CWA and WCWA while the promotions had a working relationship in 1989 and 1990.


Passage 1:
One Does Not Play with Love
One Does Not Play with Love (German: Man spielt nicht mit der Liebe) is a 1926 silent German drama film directed by G. W. Pabst. The film is an adaptation of the 1834 play by Alfred de Musset, On ne badine pas avec l'amour. The film is considered to be a lost film.

Cast
Werner Krauss as Fürst Colalto (Prince Colalto)
Lili Damita as Calixta
Erna Morena as Florence, ehemalige Opernsängerin (alumna opera singer)
Egon von Jordan as Eugen Lewis
Artur Retzbach as Nepallek, Hofmobiliardirektor (Director of the furniture of the court) (as Artur Retzbach-Erasiny)
Oreste Bilancia as Der Freund (the friend)
Gustav Czimeg
Tala Birell as Bit Role (as Thala Birell)
Karl Etlinger
Maria Paudler
Mathilde Sussin

See also
List of lost films
Passage 2:
Gustav Czimeg
Gustav Czimeg (December 20, 1877 – August 21, 1939) was a German actor of the silent period. He appeared in films such as Madame DuBarry (1919),  in which he played Duke Aiguillon, Die Rache des Titanen (1919), Glasprinzessin (1921), and One Does Not Play with Love (1926).
Passage 3:
The Flesh Is Weak
The Flesh Is Weak is a 1957 British film directed by Don Chaffey. It stars John Derek and Milly Vitale. Distributors Corporation of America released the film in the USA as a double feature with Blonde in Bondage.

Plot
Tony Giani is a Soho pimp who preys on young provincial women who come to London seeking work. Marissa Cooper, one such girl, has just arrived in London. Giani spots her and offers her a job in the Golden Bucket, a nightclub. In her innocence, she does not realize the club is a front for prostitution. When she tries to escape from the pimp's control, she is set up by Giani and his brother Angelo and arrested by the police. Investigative journalist Lloyd Buxton persuades her to give evidence against the brothers leading to their imprisonment and her freedom.

Cast
John Derek as Tony Giani
Milly Vitale as Marissa Cooper
William Franklyn as Lloyd Buxton
Martin Benson as Angelo Giani
Freda Jackson as Trixie
Norman Wooland as Inspector Kingcombe
Harold Lang as Henry
Patricia Jessel as Millie
John Paul as Sergeant Franks
Denis Shaw as Saradine
Joe Robinson as Lofty
Roger Snowden as Benny
Patricia Plunkett as Doris Newman
Shirley Anne Field as SusanSource: BFI

Production
The film was based on the Messina vice gang who operated in the West End of London. Its original title was Women of Night then Not for Love before being changed to The Flesh is Weak.

Reception
The film was a box office success - according to Variety it was the fourth highest grossing film in England. The movie is not listed in Kinematograph Weekly as one of the most popular British films of 1957 but that magazine did say the movie was "enjoying a triumphant West End run".The reception to the film enabled the producer and director to raise finance for another movie, A Question of Adultery.
Passage 4:
Blonde in Bondage
Blonde in Bondage (Swedish: Blondin i fara) is a 1957 Swedish drama crime film directed by Robert Brandt, who also wrote lyrics to the film's two songs.  Distributors Corporation of America released the film in the US as a double feature with The Flesh Is Weak. It was shot at the Metronome Studios in Stockholm.

Plot
New York City reporter Larry Brand is sent to Stockholm to do a story on Swedish morals.  A traffic accident leads him into rescuing a strip tease artiste from drug addiction and pits him against a ruthless criminal gang.

Cast
Mark Miller as Larry Brand
Anita Thallaug as Mona Mace
Lars Ekborg as Max
Ruth Johansson as Laila
Birgitta Ander as Birgitta
Eva Laräng as Ingrid
Anita Strindberg as Telephone operator (credited as Anita Edberg)
Erik Strandmark as Olle
Stig Järrel as Kreuger
Börje Mellvig as Chief Inspector
Dangy Helander as a Prostitute
Norma Sjöholm as a second Prostitute
Sangrid Nerf as a taxi driver
Alexander von Baumgarten as Kuger's valet
John Starck ...  Chief of guards

Soundtrack
The Blues Music by Ulf CarlénLyrics by Robert Brandt
Shock Around the ClockMusic by Ulf Carlén Lyrics by Robert Brandt

External links
Blonde in Bondage at IMDb
Passage 5:
But the Flesh Is Weak
But the Flesh Is Weak is a 1932 American pre-Code comedy film directed by Jack Conway and written by Ivor Novello based on his 1928 play The Truth Game. The film stars Robert Montgomery, Nora Gregor, Heather Thatcher, Edward Everett Horton, C. Aubrey Smith and Nils Asther. The film was released on April 9, 1932, by Metro-Goldwyn-Mayer.  But the Flesh Is Weak was remade in 1941 as Free and Easy.

Plot
Max Clement and his father Florian, short of money, take advantage of wealthy British women by romancing them. Max's problem is that he is far more attracted to more attractive women, ones without the means to support him.
While seeing a pleasant but plain Lady Joan Culver socially, Max is introduced to Austrian widow Rosine Brown, quickly falling in love with her. Max is persistent in his romantic advances, but Rosine reveals that she is penniless and, much like Max, counting on a richer but less exciting man, Sir George Kelvin, to marry and take care of her.
Florian's gambling losses in the casino leave him heavily in debt. The only way Max knows how to aid his father is by marrying Lady Joan, who can afford to solve his financial difficulties. Max's guilty conscience and true love lead him back to Rosine, and the sudden engagement of Florian to a wealthy woman helps bring everyone together.

Cast
Robert Montgomery as Max Clement
Nora Gregor as Mrs. Rosine Brown
Heather Thatcher as Lady Joan Culver
Edward Everett Horton as Sir George Kelvin
C. Aubrey Smith as Florian Clement
Nils Asther as Prince Paul
Frederick Kerr as Duke of Hampshire
Eva Moore as Lady Florence Ridgway
Forrester Harvey as Gooch
Desmond Roberts as Findley
Passage 6:
The Flesh
The Flesh (Italian: La carne) is a 1991 Italian drama film directed by Marco Ferreri. It was entered into the 1991 Cannes Film Festival.

Plot
Paolo is a municipal employee, who in his spare time works at the piano bar of a club, is divorced and has two children who live with his ex-wife. Paolo often recalls his mother and his First Communion, with which he seems to live a totalizing experience in the divine.
In his friend Nicola's nightclub, Paolo meets the young Francesca, back from a relationship with an Indian guru, who has just had an abortion and is alone. Intimacy develops between the two: according to Paolo, this is the victory of the ultra sex and of the fusion that completes and exalts everything, a fusion that Francesca assures him thanks to a special oriental technique, which allows the partner a state of permanent efficiency.
They shut themselves up in his beach house south of Rome where, after filling the fridge, they spend their time eating and making love, interrupted only by a quick incursion of Paolo's two sons visiting him and a small group of friends. But Francesca at a given moment thinks of leaving for other shores, while Paolo understands that in order to "communicate" there is really only one alternative: either to love each other totally, or to tear apart that voluptuous female body, put it in the fridge and eat it by the sea in front of the sun. Thus, after having made animalistic love in the kennel of the beloved dog Giovanni, Paolo's insane anxiety is satisfied: he kills Francesca, cuts her up and keeps her in the refrigerator, eating her piece by piece.

Cast
Sergio Castellitto - Paolo
Francesca Dellera - Francesca
Philippe Léotard
Farid Chopel
Petra Reinhardt
Gudrun Gundelach
Nicoletta Boris
Clelia Piscitelli
Elena Wiedermann
Sonia Topazio
Fulvio Falzarano
Pino Tosca
Eleonora Cecere
Matteo Ripaldi
Daniele Fralassi
Salvatore Esposito
Passage 7:
Don Chaffey
Donald Chaffey (5 August 1917 – 13 November 1990) was a British film director, writer, producer, and art director.
Chaffey's film career began as an art director in 1947, and his directorial debut was in 1953.  He remained active in the industry until his death in 1990 from heart failure. His film Charley One-Eye (1973) was entered into the 24th Berlin International Film Festival.He is chiefly remembered for his fantasy films, which include Jason and the Argonauts (1963), The Three Lives of Thomasina (1963), One Million Years B.C. (1966), The Viking Queen (1967), Creatures the World Forgot (1971), Pete's Dragon (1977), and C.H.O.M.P.S. (1979), his final feature film.
Concurrent with his theatrically released films, Chaffey directed episodes of numerous British television series, including multiple installments of Danger Man, The Prisoner, and The Avengers.  From the 1980s until his death, all of his work was in American made-for-TV movies, and in such TV series as Fantasy Island, Stingray, MacGyver, Vega$, T. J. Hooker, Matt Houston, and Charlie's Angels.

Career
Chaffey began his career in the art department of Gainsborough Productions where he worked as a draftsman on Madonna of the Seven Moons (1945), The Rake's Progress (1945), and Caravan (1946). He was art director of The Adventures of Dusty Bates (1947) and The Little Ballerina (1948). He directed the documentary shorts Thames Tideway (1948) and Cape Cargoes (1948).Chaffey directed the short features The Mysterious Poacher (1950) and The Case of the Missing Scene (1950). He returned to the art department for King of the Underworld (1950), The Stolen Plans (1952), Murder at the Grange (1952), Murder at Scotland Yard (1952), and Black 13 (1953).

Director
Chaffey resumed his directing career with the family film Skid Kids (1953). He made the short Watch Out (1953), then did Strange Stories (1953), Bouncer Breaks Up (1953, a short), The Mask (1952), and A Good Pull Up (1953).
Chaffey directed Time Is My Enemy (1954). After the short Dead on Time (1955) he made The Secret Tent (1956), The Flesh Is Weak (1957) and The Girl in the Picture (1957). He also directed "The Man Upstairs" (1958) starring Richard Attenborough.
He directed episodes of TV series like Theatre Royal, The Adventures of the Big Man, Chevron Hall of Stars, The Errol Flynn Theatre, Assignment Foreign Legion, The Adventures of Robin Hood, Dial 999, and The New Adventures of Charlie Chan. He interspersed these with features like A Question of Adultery (1958), The Man Upstairs (1958), Danger Within (1959), Dentist in the Chair (1960), Lies My Father Told Me (1960), and Nearly a Nasty Accident (1961).

Disney and Fantasy
He did Greyfriars Bobby: The True Story of a Dog (1961) then A Matter of WHO (1961), a version of The Prince and the Pauper (1962) for Disney, and The Webster Boy (1962).He had a big hit with Jason and the Argonauts (1963) with Ray Harryhausen. Then it was back to Disney for The Three Lives of Thomasina (1963).Chaffey directed They All Died Laughing (1964), The Crooked Road (1965), and One Million Years B.C. (1966) for Hammer. He returned to television to do episodes of Danger Man, The Baron, The Prisoner, Man in a Suitcase, Journey to the Unknown, The Avengers, The Pathfinders, and The Protectors.
Chaffey did The Viking Queen (1967) for Hammer, A Twist of Sand (1968), Creatures the World Forgot (1971) for Hammer, Clinic Exclusive (1973), Charley-One-Eye (1973), and Persecution (1974).

Australia and US TV
Chaffey went to Australia where he directed Ben Hall (1975), Ride a Wild Pony (1975), The Fourth Wish (1976), and Shimmering Light (1978).He worked in America too making CHiPs, Pete's Dragon (1977) for Disney, The Magic of Lassie (1978), Lassie: A New Beginning (1978), The Gift of Love (1978), C.H.O.M.P.S. (1979), and Casino (1980).He eventually focused almost exclusively on episodic TV: Vega$, Charlie's Angels, Strike Force, Fantasy Island, Gavilan, The Renegade, Lottery!, Hotel, Matt Houston, Finder of Lost Loves, International Airport (1985, a pilot), Spenser: For Hire, Hollywood Beat, Airwolf, Hunter, Outlaws, MacGyver, Stingray and Mission: Impossible.

Personal life
Chaffey married American actress Paula Kelly in 1985 and they had one child together. Chaffey died of a heart attack in 1990.

Filmography
Film
Television
Passage 8:
Promise of the Flesh
Promise of the Flesh (Korean: 육체의 약속; RR: Yukche-ui yaksok) is a 1975 South Korean film directed by Kim Ki-young.

Plot
A melodrama about a female prisoner who meets a man while on leave to visit her mother's grave. Not knowing that the man is a thief, she promises to meet him at a park two years later, after she is released from prison.

Cast
Kim Ji-mee
Lee Jung-gil
Park Jung-ja
Park Am
Jo Jae-seong
Han Se-hun
Yu Chun-su
Yeo Han-dong
Kim Chung-chul
Lee Yong-ho

Awards
Grand Bell Awards (1975)Best Actress (Kim Ji-mee)
Best Supporting Actress (Park Jung-ja)

Notes
Bibliography
Berry, Chris. "Promise of the Flesh". The House of Kim Ki-young. Archived from the original on 2004-05-05. Retrieved 2008-01-21.
Berry, Chris. "Whose Story Is It? Gender, Narrative and Narration in Promise of the Flesh". The House of Kim Ki-young. Archived from the original on 2004-05-05. Retrieved 2008-01-21.
"Kim, Ki-young Master of Madness (From the 41st San Francisco International Film Festival)". www.cinekorea.com. Archived from the original on 2008-02-12. Retrieved 2008-01-19.

External links
Promise of the Flesh at IMDb
Passage 9:
G. W. Pabst
Georg Wilhelm Pabst (25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic.

Early years
Pabst was born in Raudnitz, Bohemia, Austria-Hungary (today's Roudnice nad Labem, Czech Republic), the son of a railroad official. While growing up in Vienna, he studied drama at the Academy of Decorative Arts and initially began his career as a stage actor in Switzerland, Austria and Germany. In 1910, Pabst traveled to the United States, where he worked as an actor and director at the German Theater in New York City.In 1914, he decided to become a director, and he returned to recruit actors in Europe. Pabst was in France when World War I began, he was arrested and held as an enemy alien and interned in a prisoner-of-war camp near Brest. While imprisoned, Pabst organised a theatre group at the camp and directed French-language plays. Upon his release in 1919, he returned to Vienna, where he became director of the Neue Wiener Bühne, an avant-garde theatre.

Career
Pabst began his career as a film director at the behest of Carl Froelich who hired Pabst as an assistant director. He directed his first film, The Treasure, in 1923. He developed a talent for "discovering" and developing the talents of actresses, including Greta Garbo, Asta Nielsen, Louise Brooks, and Leni Riefenstahl.Pabst's best known films concern the plight of women, including The Joyless Street (1925) with Greta Garbo and Asta Nielsen, Secrets of a Soul (1926) with Lili Damita, The Loves of Jeanne Ney (1927) with Brigitte Helm, and Pandora's Box (1929) and Diary of a Lost Girl (1929) with American actress Louise Brooks. He also co-directed with Arnold Fanck a mountain film entitled The White Hell of Pitz Palu (1929) starring Leni Riefenstahl.
After the coming of sound, he made a trilogy of films that secured his reputation: Westfront 1918 (1930), The Threepenny Opera (1931) with Lotte Lenya (based on the Bertolt Brecht and Kurt Weill musical), and Kameradschaft (1931). Pabst also filmed three versions of Pierre Benoit's novel L'Atlantide in 1932, in German, English, and French, titled Die Herrin von Atlantis, The Mistress of Atlantis, and L'Atlantide, respectively. In 1933, Pabst directed Don Quixote, once again in German, English, and French versions.
After making A Modern Hero (1934) in the USA and Street of Shadows (1937) in France, Pabst (who was planning to emigrate to the United States) was caught in France in 1939, when war was declared, whilst visiting his mother, and was forced to return to Nazi Germany. Under the auspices of propaganda minister, Josef Goebbels, Pabst made two films in Germany during this period: The Comedians (1941) and Paracelsus (1943).
Pabst directed four opera productions in Italy in 1953: La forza del destino for the Maggio Musicale Fiorentino in Florence (conducted by Dimitri Mitropoulos, the cast included Renata Tebaldi, Fedora Barbieri, Mario del Monaco, Aldo Protti, Cesare Siepi), and a few weeks later, for the Arena di Verona Festival, a spectacular Aïda, with Maria Callas in the title role (conducted by Tullio Serafin, with del Monaco), Il trovatore and again La forza del destino.He directed The Last Ten Days (1955), the first post-war German feature film to feature Adolf Hitler as a character.

Death
On 29 May 1967, Pabst died in Vienna at the age of 81. He was interred at the Zentralfriedhof in Vienna.

Awards
1941, Venice Film Festival: Gold Medal of the Biennale for Best Director for his film The Comedians

Filmography
See also
Max Deutsch, composer
Passage 10:
Devil in the Flesh 2
Devil in the Flesh 2 (also known as Teacher's Pet) is a 2000 erotic thriller film directed by Marcus Spiegel. It is a sequel to Devil in the Flesh (1998), which stars Rose McGowan.

Plot
Debbie Strand a beautiful psychopath, escapes from the mental institution she was sent off to in the first installment of the series. After a teenage girl who took Debbie in her car dies when retreating from Debbie and accidentally impaling herself, Debbie steals both the girl's identity and her car, and heads off to the college the dead girl was supposed to attend as a freshman.
There, Debbie instantly develops a psychotic crush on her dashing writing professor, Dr. Sam Deckner after being impressed by their shared interests as well as his personality on their first interaction. Debbie assumed the role of a wealthy man's daughter while going by the deceased girl's name "Tracy Carlay" as her new identity. She is checked into same room with Laney, a naive girl who she soon influences. Further interactions with Sam renders Debbie further psychotic and in order to strengthen their love she soon begins killing anyone who she believes served as a threat to their perceived relationship.
Laney, her computer-literate roommate discovers the truth about Debbie's past, and instantly panics then falls to her death after being agitated by Debbie's presence. Debbie described this as a suicide to the cops and soon begins to stalk Sam, unable to move on from their earlier intimate encounter. She repeatedly threatens Carla, Sam's girlfriend, especially after Carla revealed to Sam she was pregnant by him. Debbie, out of jealousy,  throws a stone at the glass window while the couple were getting intimate and prompted a police inquiry.
Debbie becomes more unhinged and at night, goes over to Carla's house, finds a knife and lurked around, intent on murdering Carla but is hindered by the presence of two cops both of whom she wounded before inadvertently stabbing herself in a scuffle with Sam.
The film ends with a stabbed Debbie being picked off the road by the father of the real Tracy Carlay, the teenage girl who had picked up Debbie in the film's opening. Tracy's father comments on Debbie's striking resemblance with his daughter and made mention of his daughter's troubles at school.

Cast
Jodi Lyn O'Keefe as Debbie Strand /Tracy Carlay
Jsu Garcia as Sam Deckner
Sarah Lancaster as Tracy Carlay
Katherine Kendall as Carla Briggs
Jeanette Brox as Laney
Christiana Frank as Sydney Hollings
Todd Robert Anderson as Deputy Toby Taylor
Bill Gratton as Sheriff Bill Taylor