Passage 1:
Pal Pal Dil Ke Paas
Pal Pal Dil Ke Paas (transl. Every moment, close to the heart) is a 2019 Indian Hindi-language Romance film written and directed by Sunny Deol and produced by Sunny Sounds Pvt Ltd and Zee Studios. This was Deol's third movie as director after Dillagi and Ghayal Once Again. The film was released on 20 September 2019.Principal photography began on 21 May 2017. Dharmendra's Grandson Karan Deol  and Sahher Bambba were cast for the lead roles. Over 400 girls were auditioned for Sahher's role.With a box office revenue of ₹10 crore against a ₹30 crore budget, the film was commercially unsuccessful.

Plot
Saher Sethi, a vlogger from Delhi, goes to Manali to review a solo trekking trip organized by Camp Ujhi Dhaar, run by Karan Sehgal. She thinks that the costly solo trip is a scam, and she would expose the camp's owner. Although they started on a bitter note, things began to improve between them during their journey, leading to Karan falling for her. He doesn't confess his feelings but tells her that he is afraid of attachment. Saher admits that she wanted to become a singer but couldn't follow her passion as Viren, her boyfriend, made fun of her at an open mic. He takes Saher to his childhood spot, where he sees a snow leopard, and remembers his mother, who died in an avalanche when she tried to capture a snow leopard on her camera. The trip finally comes to an end, Karan drops Saher at the airport, and both bid farewell to each other.
On reaching Delhi, Saher realizes that she has fallen in love with Karan and breaks up with Viren. She informs Karan that she is performing again at an open mic and indirectly asks him to come to Delhi. Karan unexpectedly shows up at the Open Mic, and they both confess their love for each other and share a kiss. The next day, at Saher's house party, Karan is introduced to Saher's family members and meets Viren, who invites Karan to his party the next day. Seeing Saher and Karan close and happy with each other, Viren feels devastated and becomes angry and pledges that he will do anything to be with Saher, whether right or wrong. The next Day, Saher's father talks to Karan in anger, and when Saher asks him, he replies that Viren told him everything. Saher speaks to Viren over the phone about lying to his parents, but he blackmails her about leaking her photos, which he took secretly on the Goa trip. Karan goes to Viren, and when Viren abuses Saher and Karan's mother, he thrashes him. Feeling insulted, Saher posts a video online of being eve-teased by Viren, who gets to know about this, goes to Saher's house and gets involved in a fight with her. The fight leads to Saher falling off the first floor. With Saher now in an unconscious condition, Viren's parents use political power to turn the case against Saher and beat up Karan.
Seeing Saher's condition deteriorate and her family suffering all the disrespect, Karan goes to Viren's house, beats him up, drags him to the hospital, and tells him to apologize to Saher. When he refuses, Karan chokes him, almost killing him, but Viren's mother asks him to leave him, and she apologizes to everyone.
Saher soon recovers from the accident, and in the end credits, Karan and Saher are shown as a happily married couple.

Filming
The film was mostly shot at various locations in the Pir Panjal Mountain Range covering Spiti Valley, Kunzum La, Rohtang La, Tabo, Chandra Taal, Kaza, Lahaul Valley and Manali region in Himachal Pradesh; while a substantial part was shot at locations in New Delhi, including a racing car sequence at Buddh International Circuit in NCR.

Cast
Karan Deol as Karan Sehgal, Saher's husband
Sahher Bambba as Saher Sehgal (Nee' Sethi), Karan's wife & Viren's ex-girlfriend
Simone Singh as Vandana Sethi (Saher's mother)
Sachin Khedekar as Ajay Sethi (Saher's father)
Kallirroi Tziafeta as Karan's mother
Aakash Ahuja as Viren Narang, Saher's ex-boyfriend and the main antagonist
Kamini Khanna as Saher's grandmother
Meghna Malik as Central minister Ratna Narang, Viren's mother
Arsh Wahi as Rohan Verma
Rishi Singh as Saher's uncle
Bhavna Aneja as Anuradha, Saher's aunt
Ravi Dudeja as Natasha's Father
Madhu Khandari as Natasha's Mother
Ritika Thakur as Aditi Thakur (Karan's best friend)
Akash Dhar as MP Sushant Narang, Viren's brother
Nupur Nagpal as Natasha Sabharwal, Saher's childhood friend
Kapil Negi as Vikram Thakur (Karan's mentor and Aditi's father)
Suhani Sethi as Saachi Sethi (Saher's sister)
Vijayant Kohli as Kapil Kumar Gupta
Rahul Singh as Sachin
Mannu Sandhu as Sushant's wife
Pooja Katyal as Pooja, Viren's friend
Diksha Bahl as Vaishali
Reuben Israel as Viren's father

Soundtrack
The music of the film is composed by Sachet–Parampara and Tanishk Bagchi (noted) while lyrics are by Siddharth-Garima.

Reception
The film mostly received mixed to negative reviews.Monika Rawal Kukreja writing for Hindustan Times noted that the film had done justice to its genre and praised Karan Deol and Sahher Bambba for their onscreen freshness. Also praising cinematography and music, she criticised the writing for lacking punch dialogues and effective humour. Concluding she opined, "Pal Pal Dil Ke Paas is definitely one of your run-of-the-mill love stories, but it makes you smile, cry, laugh and brings a sense of freshness."Gaurang Chauhan of Times Now rated it 2.5 stars out of 5, stated that "Pal Pal Dil Ke Paas is a visually stunning film with some good tunes but the movie somehow misses the mark due to its overlong length and a mediocre screenplay. Sahher Bambba impresses".Parina Taneja of India TV gave 2 stars out of 5 and opined, that it was a love story that failed to leave the audience with lingering moments. Agreeing with Chauhan, Taneja
praised the performance of Bambba, direction and cinematography. Criticising screenplay and pace of the film she noted that music though melodious didn't add value to the film. Concluding, she wrote, "Pal Pal Dil Ke Paas is a one time watch only if you really want to enjoy the breathtaking visuals of Himachal Pradesh.Further NDTV rated the movie 1 out of 5 and wrote "Pal Pal Dil Ke Paas lacks the freshness that one would expect from a film with a new romantic pair. The reason is obvious: the plot is as old, but not as sturdy, as the hills."

Box office
The film performed poorly at the box office, collecting ₹10.03 crore against a ₹30 crore budget. Pal Pal Dil Ke Paas collected ₹1.15 crore on the opening day with a total opening weekend collection of ₹ 4.15 crore.
Passage 2:
Coney Island Baby (film)
Coney Island Baby is a 2003 comedy-drama in which film producer Amy Hobby made her directorial debut. Karl Geary wrote the film and Tanya Ryno was the film's producer. The music was composed by Ryan Shore. The film was shot in Sligo, Ireland, which is known locally as "Coney Island".
The film was screened at the Newport International Film Festival. Hobby won the Jury Award for "Best First Time Director".
The film made its premiere television broadcast on the Sundance Channel.

Plot
After spending time in New York City, Billy Hayes returns to his hometown. He wants to get back together with his ex-girlfriend and take her back to America in hopes of opening up a gas station. But everything isn't going Billy's way - the townspeople aren't happy to see him, and his ex-girlfriend is engaged and pregnant. Then, Billy runs into his old friends who are planning a scam.

Cast
Karl Geary - Billy Hayes
Laura Fraser - Bridget
Hugh O'Conor - Satchmo
Andy Nyman - Franko
Patrick Fitzgerald - The Duke
Tom Hickey - Mr. Hayes
Conor McDermottroe - Gerry
David McEvoy - Joe
Thor McVeigh - Magician
Sinead Dolan - Julia

Music
The film's original score was composed by Ryan Shore.

External links
Coney Island Baby (2006) at IMDb
MSN - Movies: Coney Island Baby
Passage 3:
Rakka (film)
Rakka is a 2017 American-Canadian military science fiction short film made by Oats Studios and  directed by Neill Blomkamp. It was released on YouTube and Steam on 14 June 2017.

Plot
Chapter 1: World
In the near future, Earth will be attacked by technologically superior and highly aggressive reptilian aliens called the Klum (pronounced "klume"). Humanity is nearing extinction with millions dead or enslaved. The Klum transform the Earth in favor of their own ideal living conditions. They do this at first by burning forests and destroying cities. Then they build megastructures that alter the atmosphere by pumping out methane. The gas makes it progressively harder for terrestrial life to breathe. And it warms the climate, which leads to flooding of coastal cities.
The story begins in 2020, from the viewpoint of resistance fighters in Texas, a group of US Army soldiers and many others who have banded together. Most human survivors live underground or among ruins. They have barely enough provisions, weapons, and ammunition. The humans fight by using whatever they can against the primary Klum weapon: an omnipresent nanite in their weaponry, and telepathic control over any human that makes direct eye contact with them.
The resistance makes "brain-barriers" that block this
mind control. The Klum know, however, that a scarcity of materials means a scarcity of brain barriers. They hope, therefore, to win a war of attrition against the human survivors.
Some prisoners are living incubators for the Klum's young, which inevitably kills the victims. Others are dissected. Still other humans are converted into human loudspeakers that urge humans to surrender into "conservatories". Very few humans ever escape.
After the Klum destroy a militia convoy with an airstrike, one of the surviving soldiers witnesses an angel-like being materialize from thin air. The narration describes ″them″ as mankind's saviours.

Chapter 2: Amir & Nosh
Nosh is a tech-savvy pyromaniac and bomb-maker, eking out a living in a scrapyard far from the resistance. The resistance despises Nosh for his murderous glee and demands - giving the sick or suicidal over as bait during his many IED ambushes. They must, however, give in to Nosh's demands to
secure the IEDs and the brain-barriers he makes.
The resistance stumble across Amir, a mute who has escaped from the Klum. He has extensive cybernetics across his head and shoulders. Amid opposition from her lieutenants, the resistance leader, Jasper, releases Amir from her custody into the care of a resistance fighter named Sarah.
Sarah, having lost her daughter to the Klum's experiments, takes a liking to him. She gives Amir food and drink while trying to persuade him to help the resistance fight the Klum by using the precognitive abilities he acquired via the aliens' experiments.

Chapter 3: Siege
Amir recovers physically and mentally. Then, because of his implant, he has a premonition involving a wounded Klum on the run from militia forces.
Sarah pleads with Amir to help the militia officers to stop the genocide. The more she talks to him, the more his eyes change, seeing the premonition of the impending attack more clearly. Amir, still mute, foresees the militia successfully shooting down an alien aircraft, and the pilot is the alien on the run.
Sarah asks Amir if they will be able to learn how to hunt the Klum and teach them how to fear. Unable to answer, he foresees the Klum telekinetically bashing one of the militia soldiers, disconnecting his brain barrier and causing him to be mind-controlled, turning on his comrades, who are forced to kill him.
Sarah tells Amir that he now has the abilities the aliens have and that he is to use them for humanity. Back in the vision, the militia surround the Klum; Jasper orders the militia to cut off its head. The film ends with Sarah urging Amir to use his abilities because he is humanity's last hope.

Cast
Sigourney Weaver as Jasper
Eugene Khumbanyiwa as Amir
Robert Hobbs as Carl
Carly Pope as Sarah
Brandon Auret as Nosh
Mike Huff as Policeman
Owen McCrae as Klum
Connor Page as Child
Jay Anstey as A suicide bomber
Justin Shaw as Man in medical device
Carla Marais as eight-year-old girl
Ryan Angilley as Martinez
Alec Gillis as Militia officer 1
Ruan Coetzee as Militia officer 2
Paul Davies as Militia officer 3
Pieter Jacobz as Militia officer 4
Passage 4:
Royal Tramp II
Royal Tramp II is a 1992 Hong Kong film based on Louis Cha's novel The Deer and the Cauldron. The film is a sequel to Royal Tramp, which was released earlier in the same year.

Plot
Having been revealed as the false Empress Dowager, Lung-er returns to the Dragon Sect camp. There, the sect leader reminds her of their mission to support Ng Sam-kwai's, a military general, campaign for the throne before abdicating her title to Lung-er.
Siu-bo lounges at the brothel where he once worked but is then attacked by disciples of the One Arm Nun, an anti-Qing revolutionary figure, before being quickly subdued. When Siu-bo tries to take advantage of them, Ng Ying-hung, Ng Sam-kwai's son, exposes his lies. Scorned and unaware of the stranger's title, Siu-bo sends his men after Ying-Hung, but Lung-er, now disguised as Ying-hung's male bodyguard, easily fends them off.
At the palace, The Emperor, wary of Ng Sam-kwai's intentions, marries off the Princess to Ying-hung and assigns Siu-bo to be the Imperial Inspector General of the wedding march, so that he can keep his eyes on the general's activities. This complicates Siu-bo's relationship with Princess when she tells Siu-bo she's pregnant with his child.
The One Arm Nun and her disciple, Ah Ko, later ambushes the procession. Fighting to a standstill with Lung-er, the assailants escape with Ying-hung and Siu-bo. However, Siu-bo garners some respect from her when he reveals his dual identity as a Heaven and Earth Society commander. Lung-er finally catches up to them with reinforcements at an inn but only manages to rescue Siu-bo. Having been saved by Ying-hung before, Ah Ko elopes with him amid the confusion.
At the Dragon Sect camp, Ying-hung and Fung Sek-fan secretly poisons Lung-er and turn the followers against her. She escapes with Siu-bo but must have sex with a man before dawn, otherwise she will die. However, this will transfer 4/5th of her martial arts' power to whomever she sleeps with. Despite Siu-bo's lecherous personality, Lung-er accepts his blunt honesty as a sign of virtue and chooses to sacrifice her virginity to Siu-bo and becomes his third wife.
When Siu-bo gets back to the Princess, they execute a plan to castrate Ying-hung. With her betrothed no longer able to produce heirs, the Princess is taken by Siu-bo as his fourth wife. Enraged by the end of his family line, Ng Ying-hung prematurely gathers his troops and sets out to wage war with the Emperor. He tasks Fung Sek-fan with killing the Princess and Siu-bo. Though Chan Kan-nam manages to intervene and lets his disciple escape.
Later, the One Arm Nun captures the elopers, Ying-hung and Ah Ko, and offers them to Siu-bo. Siu-bo pardons them and even takes Ah Ko as his fifth wife. Afterward, Fung Sek-fan is promoted when he surrenders Ng Sam-kwai's battle plans and Chan Kan-nam to the Emperor. Given Siu-bo's muddied history with the Heaven and Earth Society, the Emperor tasks him with Chan's execution. Siu-bo's newfound power is difficult for him to control, and Chan helps him master it in time for him to use it against Fung. Siu-bo also uncovers the secret of the 42 Chapters books after burning them in frustration, revealing hidden stones that are left unburned, revealing map coordinates to the location of the treasure all major parties have been attempting to locate.
In order to save his master, Siu-bo defeats Fung with his newly acquired martial arts power after both falling into a hidden cave wherein the treasure is found, and swaps Feng's body with Chan's before the execution to save his master. And just as he was about to escape with his wives and Chan, the Emperor arrives with his troops, having been sold out by Siu-bo's opportunistic friend To-lung who is now involved romantically with Siu-bo's sister. But seeing that they are friends, his sister is in love with Siu-bo, and with Siu-bo bluffing that he's strong enough to demolish the Emperor and his entire army if he wanted, the Emperor lets them go, declaring that Siu-bo has died and no longer exists as far as he's concerned. Siu-bo laughs afterward that the Emperor fell for his bluff.

Cast
Stephen Chow as Wai Siu-bo
Brigitte Lin as Lung-er
Chingmy Yau as Princess Kin-ning
Michelle Reis as Ah Ko/Li Ming-ko
Natalis Chan as To-lung
Damian Lau as Chan Kan-nam
Deric Wan as Hong-hei Emperor
Kent Tong as Ng Ying-hung, Sam-kwai's son
Paul Chun as Ng Sam-kwai
Sandra Ng as Wai Chun-fa
Fennie Yuen as Seung-yee twin
Vivian Chan as Seung-yee twin
Yen Shi-kwan as Fung Sek-fan
Helen Ma as Kau-nan/one-armed Divine nun
Sharla Cheung as Mo Tung-chu / Empress Dowager
Law Lan as founder of Divine Dragon Sect
Tam Suk-moi as Ah Nong
Hoh Choi-chow as Palace guard Wen Shan Lun
Yeung Jing-jing
Wan Seung-lam
Lee Fai
Cheng Ka-sang
Ho Wing-cheung
Kwan Yung
To Wai-wo
Passage 5:
Pal Pal Dil Ke Ssaat
Pal Pal Dil Ke Ssaat is a 2009 Hindi-language film directed by V.K.Kumar, starring Ajay Jadeja, Vinod Kambli, Mahi Gill, Satish Shah and Sushma Seth.

Cast
Ajay Jadeja as Ajay Kapoor
Mahie Gill as Dolly
Vinod Kambli as Himself
Satish Shah as John Abraham
Sushma Seth as Mrs. Kapoor
Vivek Mishra as Paniker
Anshul Nagar as Vinit Khanna
Tanvir Azmi as Makhan Singh
Passage 6:
Pyar Ki Jeet (1948 film)
Pyar Ki Jeet   (Love's Victory) is a 1948 Indian Bollywood film. It was the third highest grossing Indian film of 1948.The film was directed by O. P. Dutta for Famous Pictures. It had music composed by Husnlal Bhagatram. The film starred Suraiya, Rehman, Gope, Raj Mehra, Manorama, Leela Mishra, Yashodhara Katju and Niranjan Sharma. Iss Dil ke Tukde Hazar hue, sung by Mohammed Rafi is still popular.

Cast
Suraiyaas the lead actress
Rehman as Hero
Gope as Comedian
Raj Mehra as Supporting actor
Manorama
Gyani
Leela Misra
Yashodhara Katju
Niranjan Sharma as Supporting actor
Manmohan as Supporting actor

Soundtrack
The music was composed by Husnlal Bhagatram and the film song lyricists were Qamar Jalalabadi and Rajinder Krishan.
Passage 7:
Another Earth
Another Earth is a 2011 American science fiction drama film directed by Mike Cahill and starring Brit Marling, William Mapother, and Robin Lord Taylor. It premiered at the 2011 Sundance Film Festival in January, and was given a limited theatrical release on July 22, 2011, by Fox Searchlight Pictures. The film earned two nominations at the 38th Saturn Awards for Marling's performance and for Cahill and Marling's writing. The critical consensus on Rotten Tomatoes calls it slow paced but soulful.

Plot
Rhoda Williams (Brit Marling), a brilliant 17-year-old girl who has spent her young life fascinated by astronomy, is delighted to learn that she has been accepted into MIT. She celebrates, drinking with friends, and in a reckless moment, drives home intoxicated. Listening to a story on the radio about a recently discovered Earth-like planet, she gazes out her car window at the stars and inadvertently hits a stopped car at an intersection, putting John Burroughs (William Mapother) in a coma and killing his pregnant wife and young son. After serving her four-year prison sentence, Rhoda becomes a janitor at her former high school and struggles with guilt and regret.
Hearing more news stories about the mirror Earth, Rhoda enters an essay contest sponsored by a millionaire entrepreneur who is offering a civilian space flight to the mirror Earth.
One day Rhoda sees John laying a toy at the accident site. She visits his house, intending to apologize. He answers the door and she loses her nerve. Instead, she pretends to be a maid offering a free day of cleaning as a marketing tool for a cleaning service. John, who has dropped out of his Yale music faculty position, has been letting his home and himself go, and accepts Rhoda's offer. He has no idea who she is, and when she finishes asks her to come back the next week. In time, a caring relationship develops and they have sex.
Rhoda wins the essay contest and is chosen to be one of the first to travel to the other Earth. John asks her not to go, believing they might have a future together. She finally decides to tell him the truth about who she is. He is upset and throws her out of the house.
Rhoda hears an astrophysicist talking on television, describing a "broken mirror" hypothesis which states that upon the sighting of the twin-Earth the synchronicity of events happening in both the Earths was broken. Rhoda rushes back to John's house, but he refuses to let her in. She breaks into his house, and he begins to strangle her. He stops, and when she recovers she tells him about the theory and that there might be a possibility for his family to still be alive on the other Earth. She leaves him the ticket. In time, she learns that John accepted the gift and becomes one of the first civilian space travelers to the other Earth.
Four months later, on a foggy day, Rhoda approaches her house, discovering her other self from Earth 2 standing in front of her.

Cast
Brit Marling as Rhoda Williams
William Mapother as John Burroughs
Jordan Baker as Kim Williams
Robin Lord Taylor as Jeff Williams
Flint Beverage as Robert Williams
Kumar Pallana as Purdeep
Diane Ciesla as Dr. Joan Tallis
Rupert Reid as Keith Harding
Richard Berendzen as himself (narrator)

Production
The idea behind Another Earth first developed out of director Mike Cahill and actress Brit Marling speculating as to what it would be like were one to encounter one's own self. In order to explore the possibility on a large scale, they devised the concept of a duplicate Earth. The visual representation of the duplicate planet was deliberately made to evoke the Moon, as Cahill was deeply inspired by the 1969 Apollo 11 lunar landing. This movie shares some of its plot details with the 1969 British sci-fi movie Doppelganger.

Another Earth was filmed in and around New Haven, Connecticut, Mike Cahill's hometown – with some scenes taking place along the West Haven shoreline and at West Haven High School and Union Station – so that he could avail himself of the services of local friends and family and thus reduce expenses. His childhood home was used as Rhoda's home and his bedroom as Rhoda's room. The scene of the car collision was made possible through the help of a local police officer with whom Cahill was acquainted, who cordoned off part of a highway late one night. The scene in which Rhoda leaves the prison facility was filmed by having Marling walk into an actual prison posing as a yoga instructor and then exiting.
According to Brit Marling, she approached William Mapother for the role of John after "being haunted" by his performance in In the Bedroom (2001). Mapother consented to work on Another Earth for $100 a day. When asked why he agreed to join the cast, considering the "notoriously hit or miss" nature of independent films, Mapother replied that he was drawn by the film's subject and by the names involved in the project. At Mapother's insistence, he and the production team worked extensively on the scenes of John and Rhoda in order to develop John's character in the film.The film ignores the physical consequences of having a similar-sized planet and moon appear nearby (e.g. effect on tides, gravity and atmosphere) other than depicting night time as brighter due to the reflection of the Sun's light off the other planet. The DVD / Blu-ray deleted scenes feature reveals that the film makers did intend to illustrate some of the consequences by filming a scene in which Rhoda encounters flowers floating in mid-air, but the scene was cut from the final film.

Music
The musical score was composed by Fall on Your Sword, with the exception of the song played in the musical saw scene, composed by Scott Munson and performed by Natalia Paruz. Mike Cahill came upon Paruz, known also as the "Saw Lady", while riding the subway in New York. Mesmerized by her playing, he obtained her contact information and arranged for her to coach William Mapother on how to hold and act as if playing the saw for the scene in the film.

Release
Another Earth had its world premiere at the 27th Sundance Film Festival in January 2011. It was released in dramatic competition. Variety reported: "[It] has been deemed one of the more highly praised pics of the fest as it received a standing ovation after the screening and strong word of mouth from buyers and festgoers." The distributor Fox Searchlight Pictures won distribution rights to the film in a deal worth $1.5 million to $2 million, beating out other distributors including Focus Features and the Weinstein Company.Fox Searchlight is the distributor of Another Earth in the United States, Canada, and other English-speaking territories. The film had a limited release in the United States and Canada on July 22, 2011, expanding to a wide release in ensuing months.In its first week in theaters, it grossed $112,266. Eventually, the film grossed $1.9 million worldwide.

Reception
Rotten Tomatoes gives Another Earth a rating of 65% based on 136 reviews and an average score of 6.2/10.  The critical consensus reads: "Another Earth is often weighed down by placid pacing and ponderousness, but this soulful sci-fi nevertheless offers plenty of profound concepts to ponder."Film critic Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four. Ebert commented that, "Another Earth is as thought-provoking, in a less profound way, as Tarkovsky's Solaris, another film about a sort of parallel Earth".

Awards
Another Earth won the Alfred P. Sloan Prize at the 2011 Sundance Film Festival, for "focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character." It went on to earn the Audience Award in the category of Narrative Feature at the 2011 Maui Film Festival.Another Earth was named one of the top 10 independent films of the year at the 2011 National Board of Review Awards and was nominated for a Georgia Film Critics Association Award for Best Picture.

See also
Journey to the Far Side of the Sun - A 1969 science fiction film that was the first to deal with the premise of a double Earth. It was initially titled Doppelgänger.
The Quiet Earth - The scene in which Zac Hobson discovers a planet (similar to Saturn) rising out of the Ocean.
Passage 8:
The Wonderful World of Captain Kuhio
The Wonderful World of Captain Kuhio (クヒオ大佐, Kuhio Taisa, lit. "Captain Kuhio") is a 2009 Japanese comedy-crime film, directed by Daihachi Yoshida, based on Kazumasa Yoshida's 2006 biographical novel, Kekkon Sagishi Kuhio Taisa (lit. "Marriage swindler Captain Kuhio"), that focuses on a real-life marriage swindler, who conned over 100 million yen (US$1.2 million) from a number of women between the 1970s and the 1990s.The film was released in Japan on 10 October 2009.

Cast
Masato Sakai - Captain Kuhio
Yasuko Matsuyuki - Shinobu Nagano
Hikari Mitsushima - Haru Yasuoka
Yuko Nakamura - Michiko Sudo
Hirofumi Arai - Tatsuya Nagano
Kazuya Kojima - Koichi Takahashi
Sakura Ando - Rika Kinoshita
Masaaki Uchino - Chief Fujiwara
Kanji Furutachi - Shigeru Kuroda
Reila Aphrodite
Sei Ando

Awards
At the 31st Yokohama Film Festival
Best Actor – Masato Sakai
Best Supporting Actress – Sakura Ando
Passage 9:
Dil Ke Jharoke Main
Dil Ke Jharoke Main (transl. In The Reflection Of My Heart) is a 1997 Bollywood musical romance film directed by Ashim Bhattacharya.

Plot
Suman and Vijay Rai are two virtually inseparable school-going children. Both are heart-broken when Suman's dad decides to move out to a new location, both have tattooed a heart on their arms and hope to remember each other for the rest of their lives. Years later, they unknowingly meet each other, and this time Suman is married to Vijay's brother, Prakash (Mamik Singh), while Vijay is married to a rich and wealthy U.S. returned woman named Rita. Unfortunately, Prakash and Suman meet with an accident shortly after their marriage, but both recover. But Vijay's marriage with Rita is on the rocks due to incompatibility, with Rita moving out of Vijay's life. It is then Advocate Suresh, Suman's brother, comes across evidence that leads him to conclude that the couple was swapped by unknown person(s).

Cast
Vikas Bhalla as Vijay Munna Rai
Manisha Koirala as Munni / Suman (Twins)
Mamik Singh as Prakash Rai
Satish Kaushik as Mac / Mohan Pahariya
Kiran Kumar as Heera Pratap
Kulbhushan Kharbanda as Mahendrapratap Rai
Aparajita
Chandrashekhar as Doctor
Poonam Dasgupta
Parvin Dastur Rita Pas Rakash / Rita Rai
Baby Gazala as Munni
Satyendra Kapoor as Satya Pratap
Ram Mohan as College Principal
Anjana Mumtaz as Mrs. Mahendrapratap Rai
Amita Nangia as Julie (Mac's wife)
Sudhir Pandey as Surendra Prakash (Rita's dad)
Shashi Puri as Advocate Suresh
Sanjivini
Shivraj as Kashi (Surendra's butler)

Music
The music is composed by Bappi Lahiri, while the songs are written by Majrooh Sultanpuri.
Passage 10:
Invasion of the Neptune Men
Invasion of the Neptune Men (宇宙快速船, Uchū Kaisokusen) is a 1961 superhero film produced by Toei Company Ltd. The film stars Sonny Chiba as Iron Sharp (called Space Chief in the U.S. version).The film was released in 1961 in Japan and was later released in 1964 direct to television in the United States. In 1998, the film was featured on an episode of Mystery Science Theater 3000.

Plot
Astronomer Shinichi Tachibana has a secret identity as superhero "Iron Sharp" and has many children as friends. When they are attacked by a group of metallic aliens ("Neptune Men" in English), Iron Sharp drives the aliens away. The resourceful Tachibana helps develop an electric barrier to block the aliens from coming to the Earth.  After several losses by the aliens, they announce that they will invade the Earth, throwing the world into a state of panic. The aliens destroy entire cities with their mothership and smaller fighters. After Iron Sharp destroys multiple enemy ships, Japan fires nuclear missiles at the mothership, destroying it.

Cast
Sonny Chiba as scientist Shinichi Tachibana / Iron Sharp
Kappei Matsumoto as Dr. Tanigawa
Ryuko Minakami as Yōko (Tanigawa's daughter)
Shinjirō Ehara as scientist Yanagida
Mitsue Komiya as scientist Saitō

Style
Invasion of the Neptune Men is part of Japan's tokusatsu genre, which involves science fiction and/or superhero films that feature heavy use of special effects.

Production
Invasion of the Neptune Men was an early film for Sonny Chiba. Chiba started working in Japanese television where he starred in superhero television series in 1960. Chiba continued working back and forth between television and film until the late 1960s when he became a more popular star.

Release
Uchū Kaisokusen was released in Japan on 19 July 1961. The film was not released theatrically in the United States, but it was released directly to American television by Walter Manley on March 20, 1964, dubbed in English and retitled Invasion of the Neptune Men.The film was also released as Space Chief, Space Greyhound and Invasion from a Planet.

Reception and legacy
In later reviews of the film, Bruce Eder gave the film a one-star rating out of five, stating that the film was "the kind of movie that gave Japanese science fiction films a bad name. The low-quality special effects, the non-existent acting, the bad dubbing, and the chaotic plotting and pacing were all of a piece with what critics had been saying, erroneously, about the Godzilla movies for years." The review referred to the film's "cheesy special effects and ridiculous dialogue taking on a sort of so-bad-they're-good charm", and described the film as a "thoroughly memorable (if not necessarily enjoyable, outside of the MST3K continuum) specimen of bad cinema."On October 11, 1997 the film was shown on the movie-mocking television show Mystery Science Theater 3000. In his review of the film, Bruce Eder of AllMovie described the episode as a memorable one, specifically the cast watching the repetitive aerial dogfights between spaceships, and one of the hosts remarking that "Independence Day seems a richly nuanced movie". Criticism of the film included excessive use of WWII stock footage in the action scenes (especially the obviously noticeable shot featuring a picture of Adolf Hitler in one building).In his book Japanese Science Fiction, Fantasy and Horror Films, Stuart Galbraith IV stated that the film "had a few surprises" despite a "woefully familiar script". Galbraith noted that the film was not as over-the-top as Prince of Space and that the opticals in the film were as strong as anything Toho had produced at the time. Galbraith suggested the effects may have been lifted from Toei's The Final War (aka World War III Breaks Out) from 1961.

See also
List of Japanese films of 1961
List of Mystery Science Theater 3000 episodes
List of science fiction films of the 1960s

Notes


Passage 1:
Narathihapate
Narathihapate (Burmese: နရသီဟပတေ့, pronounced [nəɹa̰ θìha̰pətḛ]; also Sithu IV of Pagan; 23 April 1238 – 1 July 1287) was the last king of the Pagan Empire who reigned from 1256 to 1287. The king is known in Burmese history as the "Taruk-Pyay Min" ("the King who fled from the Taruks") for his flight from Pagan (Bagan) to Lower Burma in 1285 during the first Mongol invasion (1277–87) of the kingdom. He eventually submitted to Kublai Khan, founder of the Yuan dynasty in January 1287 in exchange for a Mongol withdrawal from northern Burma. But when the king was assassinated six months later by his son Thihathu, the Viceroy of Prome, the 250-year-old Pagan Empire broke apart into multiple petty states. The political fragmentation of the Irrawaddy valley and its periphery would last for another 250 years until the mid-16th century.
The king is unkindly remembered in the royal chronicles, which in addition to calling a cowardly king who fled from the invaders, also call him "an ogre" and "glutton" who was "great in wrath, haughtiness and envy, exceeding covetous and ambitious." According to scholarship, he was certainly an ineffective ruler but unfairly scapegoated by the chronicles for the fall of the empire, whose decline predated his reign, and in fact had been "more prolonged and agonized".

Early life
The future king was born to Crown Prince Uzana and a commoner concubine from Myittha on 23 April 1238. For much of his early years, he was known at the palace as Min Khwe-Chi (lit. "Prince Dog's Dung") as a harmless royal. Even when his father became king in 1251, Khwe-Chi was not in line for the throne; the position belonged to his half-brother Thihathu, the eldest son of the chief queen Thonlula.

Reign
Rise to power
But fate came calling. In early May 1256, Uzana died from a hunting accident, and Thihathu claimed the throne. The court led by the powerful chief minister Yazathingyan did not accept a head-strong Thihathu, and placed their preferred candidate, Khwe Chi, whom they believed they could control, on the throne on 6 May 1256. Thihathu was arrested and executed. Narathihapate held the coronation ceremony in November 1256. He assumed the regnal name "Śrī Tribhuvanādityapavara Dhammarāja" (ၐြီတြိဘုဝနာဒိတျပဝရဓမ္မရာဇ).

Governing style
The young king turned out be quick-tempered, arrogant, and ruthless. Soon after his accession, he sent Yazathingyan, the man who put him on the throne, into exile. But he soon had to recall Yazathingyan to quell the rebellions in Martaban (Mottama) (1258–1259) and Arakan (1258–1260). Yazathingyan put down the rebellions but died on the return journey. With the old minister's death removed the only person that could have controlled the ruthless, inexperienced king.Narathihapate was incompetent in both domestic and foreign affairs. Like his father and grandfather before him, he too failed to fix the depleted royal treasury, which had been deteriorating for years because the continued growth of tax-free religious landholdings. But unlike his grandfather Kyaswa, who would rather build a small temple than to resort to forced labor, Narathihapate built a lavish temple, the Mingalazedi Pagoda with forced labor. The people, sinking under his rule, whispered: "When the pagoda is finished, the king shall die".

Mongol invasions
Border war (1277–78)
The existential threat to the Burmese kingdom came from the north. The Mongols, who conquered the Dali Kingdom (later renamed as Yunnan in 1274) in 1253–57, first demanded tribute from Pagan in 1271–72. When the Burmese king refused, Emperor Kublai Khan himself sent a mission in 1273 to demand tribute once again. The king refused again. The Mongol army of the Yuan dynasty in 1275–76 consolidated the Pagan–Yunnan borderlands as part of their drive to close off escape routes of the Song refugees, and in the process went on to occupy a Burmese vassal state in present-day Dehong Prefecture). Narathihapate sent the army to reclaim the region but the army was driven back in April 1277 at the battle of Ngasaunggyan (modern Yingjiang). The Mongol troops reached as far south as Kaungsin, which guarded the Bhamo Pass, the gateway into the Irrawaddy, before retreating in 1278 due to excessive heat. Later in 1278, the army reestablished its forts at Kaungsin and Ngasaunggyan.

Invasion (1283–85)
Narathihapate's troubles were not over. In 1281, the Mongol emperor again demanded tribute. When the king refused, the emperor ordered an invasion of northern Burma. In September 1283, the Mongol forces again attacked the Burmese fort at Ngasaunggyan, which fell on 3 December 1283. Kaungsin fell six days later, and the Mongols took Tagaung on 5 February 1284. But the Mongols found the heat excessive and retreated from Tagaung. The Burmese forces retook Tagaung on 10 May 1284. The Mongol resumed their drive southward in the following dry season (1284–85), and reached as far south as Hanlin by February 1285. Although the Mongols did not have the order to attack Pagan, the king nonetheless fled south to Lower Burma.

Exile in Lower Burma (1285–87)
At Lower Burma, Narathihapate found himself isolated. Although his three sons controlled three key ports (Bassein (Pathein), Dala and Prome (Pyay)) there, he could not gain their support. He did not trust them in any case, and settled at Hlegya, west of Prome, at the border between Central Burma and Lower Burma. The presence of the king and his small army impressed no one. Pegu (Bago) revolted soon after, and drove back the king's small army twice. With Martaban (Mottama) also in rebellion, the breakaway of Pegu meant the entire eastern half of Lower Burma was now in revolt. His three sons remained in control of the western half of Lower Burma but he could not count on them for their support. At Hlegya, the king was literally at the periphery of Lower Burma.

Mongol vassal (1287)
He decided to return to central Burma even if it meant making peace with the Mongols. In December 1285, he sent the chief minister and general Ananda Pyissi and Gen. Maha Bo to negotiate a ceasefire. The Mongol commanders at Hanlin, who had organized northern Burma as a protectorate named Zhengmian (Chinese: 征緬; Wade–Giles: Cheng-Mien) agreed to a ceasefire but insisted on a full submission. They repeated their 1281 demand that the Burmese king send a formal delegation to the emperor. A tentative agreement was reached among the negotiators on 3 March 1286; Central Burma would now be organized as a sub-province of Mianzhong (Chinese: 緬中; Wade–Giles: Mien-Chung), and the Burmese king would send a formal embassy to the emperor. After a long deliberation, in June 1286, the Burmese king decided to agree to the terms, and sent an embassy led by Shin Ditha Pamauk, the chief primate, to the emperor's court.In January 1287, the embassy arrived at Beijing, and was received by the emperor. The Burmese delegation formally acknowledged Mongol suzerainty of their kingdom, and agreed to pay annual tribute tied to the agricultural output of the country. Northern Burma would continue to be organized as Zhengmian (Cheng-Mien) while central Burma would be organized as Mianzhong (Mien-Chung). In exchange, the emperor agreed to withdraw his troops. The Burmese embassy arrived back at Hlegya in May 1287, and reported the terms to the king.

Death
About a month later, the king and his small retinue left Hlegya for Pagan. But he was captured en route by his son Thihathu, the Viceroy of Prome. On 1 July 1287, the king was forced to take poison. To refuse would have meant death by the sword, and with a prayer on his lips that in all his future existences "may no male-child be ever born to him again", the king swallowed the poison and died.

Aftermath
Narathihapate's death was promptly followed by the breakup of the kingdom. Nearly 250 years of Pagan's rule over the Irrawaddy basin and its periphery was over. In Lower Burma, the Hanthawaddy Kingdom of the Mons emerged in 1287. In the west, Arakan was now de jure independent. In the north, the Shans who came down with the Mongols came to dominate Kachin hills and Shan hills, and went on dominate much of western and central mainland Southeast Asia.
The Mongols deemed the treaty void and invaded south toward Pagan. But the invaders suffered heavy casualties, and retreated back to Tagaung. It would be nearly two years until 30 May 1289 when one of his sons Kyawswa emerged as the king of Pagan. By then, the Pagan Empire had ceased to exist. The Mongols had occupied down to Tagaung, and the occupation would last until April 1303. Even in central Burma, Kyawswa controlled only around the capital. The real power now rested with the three brothers from Myinsaing who would later found the Myinsaing Kingdom in 1297, replacing over four centuries of Pagan Kingdom.

Legacy
The king is unkindly remembered in Burmese history as the "Taruk-Pyay Min" ("the King who Fled from the Taruk [Chinese]") for his flight to the south, instead of defending the country. The royal chronicles paint an especially harsh description of the king, portraying him as "an ogre" and "glutton" who was "great in wrath, haughtiness and envy, exceeding covetous and ambitious." According to scholarship, he was certainly an ineffective ruler but unfairly scapegoated by the chronicles for the fall of the empire, whose descent predated his reign and in fact had been "more prolonged and agonized."

Historiography
Various royal chronicles report different dates about his life.

Notes
Passage 2:
Anacyndaraxes
Anacyndaraxes (Greek: Ἀνακυνδαράξης) was the father of Sardanapalus, king of Assyria.

Notes

 This article incorporates text from a publication now in the public domain: Smith, William, ed. (1870). "Anacyndaraxes". Dictionary of Greek and Roman Biography and Mythology. Vol. 1. p. 157-158.
Passage 3:
Arthur Beauchamp
Arthur Beauchamp (1827 – 28 April 1910) was a Member of Parliament from New Zealand. He is remembered as the father of Harold Beauchamp, who rose to fame as chairman of the Bank of New Zealand and was the father of writer Katherine Mansfield.

Biography
Beauchamp came to Nelson from Australia on the Lalla Rookh, arriving on 23 February 1861.He lived much of his life in a number of locations around the top of the South Island, also Whanganui when Harold was 11 for seven years and then to the capital (Wellington). Then south to Christchurch and finally Picton and the Sounds. He had business failures and was bankrupted twice, in 1879 and 1884. He married Mary Stanley on the Victorian goldfields in 1854; Arthur and Mary lived in 18 locations over half a century, and are buried in Picton. Six of their ten children born between 1855 and 1893 died, including the first two sons born before Harold.Beauchamp represented the Picton electorate from 1866 to 1867, when he resigned.  He had the energy and sociability required for politics, but not the private income then required to be a parliamentarian. He supported the working man and the subdivision of big estates, opposed the confiscation of Māori land and was later recognised as a founding Liberal, the party that Harold supported and was a "fixer" for. Yska calls their life an extended chronicle of rootlessness, business failure and almost ceaseless family tragedy and Harold called his father a rolling stone by instinct. Arthur also served on the council of Marlborough Province and is best-remembered for a 10-hour speech to that body when an attempt was made to relocate the capital from Picton to Blenheim.In 1866 he attempted to sue the Speaker of the House, David Monro. At the time the extent of privilege held by Members of Parliament was unclear; a select committee ruled that the case could proceed, but with a stay until after the parliamentary session.

See also
Yska, Redmer (2017). A Strange Beautiful Excitement: Katherine Mansfield's Wellington 1888-1903. Dunedin: Otago University Press. pp. 91–99. ISBN 978-0-947522-54-4.
Passage 4:
Obata Toramori
Obata Toramori (小畠虎盛, 1491 – July 14, 1561) was Japanese samurai warrior of the Sengoku Period. He is known as one of the "Twenty-Four Generals of Takeda Shingen"
He also recorded as having been wounded 41 times in 36 encounters.
He was the father of Obata Masamori.

See also
Isao Obata
Passage 5:
A. R. Rawlinson
Lieutenant-Colonel Arthur Richard Rawlinson, OBE (9 August 1894 – 20 April 1984) was a British Army officer who served on the Western Front, and then in military intelligence in both World Wars. He served as head of MI.9a, and of MI.19. In peacetime, he developed a very successful career as a screenwriter and also produced several films.

Early life
Rawlinson was born in London, England, on 9 August 1894, the son of barrister Thomas Arthur Rawlinson and Gertrude Hamilton, daughter of barrister William Melmoth Walters. The Rawlinsons were Hampshire landed gentry, Thomas Arthur Rawlinson being nephew of the judge Sir Christopher Rawlinson.He was educated at Windlesham House School, Rugby School and Pembroke College, Cambridge.

War service
Already a cadet in the Officer Training Corps, Rawlinson was commissioned on 1 September 1914 as a temporary second lieutenant in the war-raised 6th (Service) Battalion of The Queen's (Royal West Surrey Regiment). He was promoted to temporary lieutenant on 29 December 1914. After a year's service he obtained a regular commission with the York and Lancaster Regiment, serving again as a second lieutenant. On 26 June 1916, he was seconded to the newly formed Machine Gun Corps and promoted back to lieutenant on 21 December 1916. After he was wounded in action he began a career in Military Intelligence, 'employed at the War Office' in MI.1(a) as an acting major. He was awarded an MBE for his war service and resigned his commission on 27 February 1919.On 14 April 1939, he transferred from the Reserve of Officers of the York and Lancaster Regiment to the Queen's Royal Regiment (West Surrey) and returned to active service. During World War II he served with the rank of major as the head of MI.9(a), a department of MI.9 responsible for vetting enemy prisoners of war. The department was later reconstituted as MI.19 in its own right. He retired from the service with the honorary rank of lieutenant colonel on 5 January 1946.

Honours and decorations
In the 1945 New Year Honours, the then Major (temporary Lieutenant-Colonel) Rawlinson was appointed an Officer of the Order of the British Empire (OBE), an advance on the recognition he had received after the previous war. On 23 May 1947, he was appointed Officer of the Legion of Merit "in recognition of distinguished services in the cause of the Allies".

Personal life
Rawlinson married Alisa Margaret Harrington Grayson on 20 December 1916. She was the daughter of Sir Henry Grayson, Bt., the Conservative Member of Parliament for Birkenhead from 1918 to 1922. They had two sons: Michael Grayson Rawlinson (born 27 March 1918, died 1941 KIA), and Peter Anthony Grayson Rawlinson (born 26 June 1919, died 28 June 2006), who became the life-peer Lord Rawlinson of Ewell.Rawlinson had a strong bond with the Grayson family. He was at Pembroke with Dennys Grayson, who served with the Irish Guards in Great War along with his brother, Rupert Grayson, and John Kipling, son of Rudyard Kipling. The shell that wounded Rupert Grayson in 1915 was the one that killed John Kipling. Dennys Grayson gave his son the distinctive name of Rudyard - as opposed to the unremarkable John - when the child was born the following year. Rawlinson married the sister of the Grayson brothers, Alisa, and the friends became family. Rudyard Kipling was keen to maintain contact with the young people who knew his beloved son, especially Rupert. It was through Rupert that Rawlinson was introduced to Kipling and was commissioned to write the screenplays to some of his works.Rawlinson died 20 April 1984 in West Sussex, England.

Partial filmography
Leap Year (1932)
The Blarney Stone (1933)
A Cuckoo in the Nest (1933)
Aunt Sally (1933)
Menace (1934)
The Man Who Knew Too Much (1934)
Man of the Moment (1935)
Lancashire Luck (1937)
The Last Curtain (1937)
Missing, Believed Married (1937)
King Solomon's Mines (1937)
Strange Boarders (1938)
John Halifax (1938)
Crackerjack (1938)
The Face at the Window (1939)
The Chinese Bungalow (1940)
This England (1941)
The White Unicorn (1947)
Calling Paul Temple (1948)
The Story of Shirley Yorke (1948)
Meet Simon Cherry (1949)
Celia (1949)
Dark Secret (1949)
There Was a Young Lady (1953)
Gaolbreak (1962)
Passage 6:
Hardy Saw
Saw Hardy (born 1916) was a Burmese boxer. He competed in the men's bantamweight event at the 1948 Summer Olympics.
Passage 7:
John Templeton (botanist)
John Templeton (1766–1825) was a pioneering Irish naturalist, sometimes referred to as the "Father of Irish Botany". He was a leading figure in Belfast's late eighteenth century enlightenment, initially supported the  United Irishmen, and figured prominently in the town's scientific and literary societies.

Family
Templeton was born in Belfast in 1766, the son of James Templeton, a prosperous wholesale merchant, and his wife Mary Eleanor, daughter of Benjamin Legg, a sugar refiner. The family resided in a 17th century country house to the south of the town, which been named Orange Grove in honour of William of Orange who had stopped at the house en route to his victory over James II at the Battle of the Boyne in 1690.Until the age of 16 Templeton attended a progressive, co-educational, school favoured by the town's liberal, largely Presbyterian, merchant class. Schoolmaster David Manson sought to exclude "drudgery and fear" by combining classroom instruction with play and experiential learning. Templeton counted among his schoolfellows brother and sister Henry Joy and Mary Ann McCracken, and maintained a warm friendship with them throughout his life.In 1799, Templeton married Katherine Johnson of Seymour Hill. Her family had been touched by the United Irish rebellion the previous year: her brother-in-law, Henry Munro, commander of the United army at the Battle of Ballynahinch, had been hanged. The couple had five children: Ellen, born on 30 September 1800, Robert, born on 12 December 1802, Catherine, born on 19 July 1806, Mary, born on 9 December 1809 and Matilda on 2 November 1813.
The union between the two already prosperous merchant families provided more than ample means enabling Templeton to devote himself passionately to the study of natural history.

United Irishman
Like many of his liberal Presbyterian peers in Belfast, Templeton was sympathetic to the programme and aims of the Society United Irishmen:  Catholic Emancipation and democratic reform of the Irish Parliament. But it was several years before he was persuaded to take the United Irish "test" or pledge. In March 1797 his friend, Mary Ann McCracken, wrote to her brother: [A] certain Botanical friend of ours whose steady and inflexible mind is invulnerable to any other weapon but reason, and only to be moved by conviction has at last turned his attention from the vegetable kingdom to the human species and after pondering the matter for some months, is at last determined to become what he ought to have been months ago.
She hoped his sisters would "soon follow him." Having committed himself to the patriotic union of Catholic, Protestant and Dissenter, Templeton changed the name of the family home from loyalist Orange Grove to Irish "Cranmore" (crann mór, 'big tree').
Templeton was disenchanted by the Rebellion of 1798, and mindful of events in France , repelled by the violence. He nonetheless withdrew from the Belfast Literary Society, of which he had been a founding member in 1801, rather than accept the continued presence of Dr. James MacDonnell. MacDonnell's offence had been to subscribe forty guineas in 1803 for the capture (leading to execution) of the unreformed rebel Thomas Russell who had been their mutual friend. (While unable to "forget the amiable Russell", time, he conceded,  "softened a little my feelings": in 1825, Templeton and MacDonnell met and shook hands).

Garden
The garden at Cranmore spread over 13-acre garden was planted with exotic and native species acquired on botanical excursions, from fellow botanists, nurseries, botanical gardens and abroad: "Received yesterday a large chest of East Indian plants which I examined today." "Box from Mr. Taylor".Other plants arrived, often as seeds from North America, Australia, India, China and other parts of the British Empire  Cranmore also served as a small animal farm.for experimental animal husbandry and a kitchen garden.

Botanist
John Templeton's interest in botany began with this experimental garden laid out according to a suggestion in Rousseau's 'Nouvelle Heloise' and following Rousseau's 'Letters on the Elements of Botany Here he cultivated many tender exotics out of doors (a list provided by Nelson and began botanical studies which lasted throughout his life and corresponded with the most eminent botanists in England Sir William Hooker, William Turner, James Sowerby and, especially Sir Joseph Banks, who had travelled on Captain James Cook's voyages, and in charge of Kew Gardens. Banks tried (unsuccessfully) to tempt him to New Holland (Australia) as a botanist on the Flinders's Expedition with the offer of a large tract of land and a substantial salary. An associate of the Linnean Society, Templeton visited London and saw the botanical work being achieved there. This led to his promotion of the Belfast Botanic Gardens as early as 1809, and to work on a Catalogue of Native Irish Plants, in manuscript form and now in the Royal Irish Academy, which was used as an accurate foundation for later work by succeeding Irish botanists. He also assembled text and executed many beautiful watercolour drawings for a Flora Hibernica, sadly never finished, and kept a detailed journal during the years 1806–1825 (both now in the Ulster Museum, Belfast).[1] Of the 12000 algal specimens in the Ulster Museum Herbarium about 148 are in the Templeton collection and were mostly collected by him, some were collected by others and passed to Templeton. The specimens in the Templeton collection in the Ulster Museum (BEL) have been catalogued. Those noted in 1967 were numbered: F1 – F48. Others were in The Queen's University Belfast. All of Templeton's specimens have now been numbered in the Ulster Museum as follows: F190 – F264; F290 – F314 and F333 – F334.
Templeton was the first finder of Rosa hibernicaThis rose, although collected by Templeton in 1795, remained undescribed until 1803 when he published a short diagnosis in the Transactions of the Dublin Society.

Early additions to the flora of Ireland include Sisymbrium Ligusticum seoticum (1793), Adoxa moschatellina (1820), Orobanche rubra and many other plants. His work on lichens was the basis of this secton of Flora Hiberica by James Townsend Mackay who wrote of him The foregoing account of the Lichens of Ireland would have been still more incomplete, but for the extensive collection of my lamented friend, the late Mr. John Templeton, of Cranmore, near Belfast, which his relict, Mrs. Templeton, most liberally placed at my disposal. I believe that thirty years ago his acquirements in the Natural History of organised beings rivalled that of any individual in Europe : these were by no means limited to diagnostic marks, but extended to all the laws and modifications of the living force. The frequent quotation of his authority in every preceding department of this Flora, is but a brief testimony of his diversified knowledge

Botanical Manuscripts
The MSS. left by Templeton consist of seven volumes. One of these is a small 8vo. half bound ; it is in the Library of the Royal Irish Academy, and contains 280 pp. of lists of Cryptogams, chiefly mosses, with their localities. In this book is inserted a letter from Miss F. M. More, sister of Alexander Goodman More, to Dr. Edward Perceval Wright, Secretary, Royal Irish Academy, dated March, 1897, in which she says—‘*‘ The Manuscript which accompanies this letter was drawn up between 1794 and 1810, by the eminent naturalist, John Templeton, in Belfast. It was lent by his son, Dr. R. Templeton, to my brother, Alex. G. More, when he was preparing the second edition of the ‘ Cybele Hibernica,’ on condition that it should be placed in the Library of the Royal Irish Academy afterwards." The other six volumes are quarto size, and contain 1,090 folios, with descriptions of many of the plants, and careful drawings in pen and pencil and colours of many species. They are now lent to the Belfast Museum. About ten years ago I [Lett]spent a week in examining these volumes, and as their contents have hitherto never been fully described, I would like to give an epitome of my investigation of them.

Vol. 1.—Phanerogams, 186 folios, with 15 coloured figures, and 6 small drawings in the text.
Vol. Il.—Fresh-water Algae, 246 folios, 71 of which are coloured.
Vol.IIl.—Marine Algae, 212 folios, of which 79 are coloured figures. At the end of this volume are 3 folios of Mosses, the pagination of which runs with the rest of this volume, but it is evident they had at some time been misplaced.
Vol. IV Fungi, 112 folios.
Vol. V.—Mosses, 117 folios, of which 20 are coloured, and also 73 small drawings in the text. *Vol. VI.—Mosses and Hepatics. 117 folios are Hepatics, 40 of which are in colours ; 96 folios are Mosses, of which 39 are full-page coloured figures; and in addition there are 3 small coloured drawings in the text.All these drawings were executed by Templeton himself, they are every one most accurately and beautifully drawn; and the colouring is true to nature and artistically finished; those of the mosses and hepatics being particularly good. Templeton is not mentioned in Tate’s ‘‘ Flora Belfastiensis,’ published in 1863, at Belfast. The earliest published reference to his MSS. is in the "* Flora of Ulster," by Dickie, published in 1864, where there is this indefinite allusion—‘* To the friends of the late Mr. Templeton I am indebted for permission to take notes of species recorded in his manuscript." The MS. was most likely the small volume now in the Royal Irish Academy Library. In the introduction to the "*‘ Flora of the North-east of Ireland"’ (1888), there is a brief biographical sketch of Templeton, but no mention of any MS. However, in a ‘‘ Supplement" to the Flora (1894), there is this note— ‘* Templeton, John, four volumes of his ‘ Flora Hibernica’ at present deposited with the Belfast Natural History and Philosophical Society, contain much original matter, which could not be worked out in time for the present paper." This fixes the approximate date of the MSS. being loaned to the Belfast Museum. They were not known to the authors of the ‘‘ Cybele Hibernica’"’ in 1866, while in the second edition (1898) the small volume of the MSS. in R.1.A. Library is described in the Index of Authors under its full title—Catalogue of the Native Plants of Ireland, by John Templeton, A.L.S.

Notable plant finds
Antrim:Northern beech fern Glenaan River, Cushendall 1809: intermediate wintergreen Sixmilewater 1794: heath pearlwort :Muck Island Islandmagee  1804: dwarf willow Slievenanee Mountain 1809: thin-leaf brookweed beside River Lagan in its tidal reaches – gone now 1797: Dovedale moss Cave Hill 1797: Arctic root Slemish Mountain pre 1825: Cornish moneywort  formerly cultivated at Cranmore, Malone Road, Belfast1 pre-1825 J. persisted to 1947: rock whitebeam  basalt cliffs of the Little Deerpark, Glenarm 15 July 1808: yellow meadow rue Portmore Lough 1800:  Moschatel Mountcollyer Deerpark 2 May 1820 , Bearberry  Fair Head pre 1825, Sea Bindweed Bushfoot dunes pre 1825,  Flixweed , 'Among the ruins of Carrickfergus I found Sisymbrium Sophia in plenty' 2 Sept. 1812 – Journal of J. Templeton J4187, Needle Spike-rush Broadwater pre 1825, Dwarf Spurge Lambeg gravel pit 1804, Large-flowered Hemp-nettle, Glenarm  pre 1825
Down:
Field Gentian Slieve Donard 1796: Lesser Twayblade Newtonards Park pre 1825:  Rough poppy 15 July 1797: Six-stamened Waterwort Castlewellan Lake 1808: Great Sundew going to the mountains from Kilkeel 19 August 1808: Hairy Rock-cress Dundrum Castle 1797: Intermediate Wintergree Moneygreer Bog 1797 Cowslip Holywood Warren pre 1825 long gone since: Water-violet Crossgar 7th July 1810 Scots Lovage Bangor Bay 1809, Mountain Everlasting  Newtownards 1793, Frogbit boghole near Portaferry, Parsley fern, Slieve Binnian, Mourne Mountains  19 August 1808, Bog-rosemary Wolf Island Bog 1794,  Marsh Pea Lough Neagh
Fermanagh: Marsh Helleborine

Natural History of Ireland
John Templeton had wide-ranging scientific interests including chemistry as it applied to agriculture and horticulture, meteorology and phenology following Robert Marsham. He published very little aside from monthly reports on natural history and meteorology in the 'Belfast Magazine' commenced in 1808. John Templeton studied birds extensively, collected shells, marine organisms (especially "Zoophytes") and insects, notably garden pest species. He planned a 'Hibernian Fauna' to accompany 'Hibernian Flora'. This was not published, even in part, but A catalogue of the species annulose animals and of rayed ones found in Ireland as selected from the papers of the late J Templeton Esq. of Cranmore with localities, descriptions, and illustrations Mag. Nat. Hist. 9: 233- 240; 301 305; 417–421; 466 -472[2], 1836.  Catalogue of Irish Crustacea, Myriapoda and Arachnoida, selected from the papers of the late John Templeton Esq. Mag. Nat. Hist. 9: 9–14 [3].and 1837 Irish Vertebrate animals selected from the papers of the late. John Templeton Esq Mag. Nat. Hist . 1: (n. s.): 403–413 403 -413 were (collated and edited By Robert Templeton). Much of his work was used by later authors, especially by William Thompson whose 'The Natural History of Ireland' is its essential continuation.

Dublin
Templeton was a regular visitor to the elegant Georgian city of Dublin (by 1816 the journey was completed in one day in a wellington coach with 4 passengers) and he was a Member of the Royal Dublin Society.By his death in 1825 the Society had established a Botanic at Glasnevin "with the following sections:
1 The Linnaean garden, which contains two divisions, - Herbaceous plants, and shrub-fruit; and forest-tree plants.
2. Garden arranged on the system of Jussieu. 3. Garden of Indigenous plants (to Ireland), disposed according to the system of Linnaeus. 4. Kitchen Garden, where six apprentices are constantly employed, who receive a complete knowledge of systematic botany. 5. Medicinal plants. 6. Plants eaten, or rejected, by cattle. 7. Plants used in rural economy. 8. Plants used in dyeing. 9. Rock plants. 10. Aquatic and marsh plants. - For which an artificial marsh has been formed. 11. Cryptogamics. 12. Flower garden, besides extensive hot-houses, and a conservatory for exotics".
Other associations were with Leinster House housing the RDS Museum and Library.
"Second Room. Here the animal kingdom is displayed, arranged in six classes. 1. Mammalia. 2. Aves. 3. Amphibia. 4. Pisces. 5. Insectae. 6. Vermes. Here is a great variety of shells, butterflies and beetles, and of the most beautiful species" and the Leske collection.
The library at Leinster House held 12,000 books and was particularly rich in  works on botany; "amongst which is a very valuable work in four large folio volumes, "Gramitia Austriaca" [Austriacorum Icones et descriptions graminum]; by Nicholas Thomas Host".Templeton was also associated with theFarming Society funded 1800, the
Kirwanian Society  founded 1812, Marsh's Library, Trinity College Botanic Garden. Four acres supplied with both exotic and indigenous plants,the Trinity Library (80,000 volumes) and Trinity Museum.Also the Museum of the College of Surgeons.

Death and legacy
Never of strong constitution, he was not expected to survive, he was in failing health from 1815 and died in 1825 aged only 60, "leaving a sorrowing wife, youthful family and many friends and townsmen who greatly mourned his death". The Australian leguminous genus Templetonia is named for him.
In 1810 Templeton had supported the veteran United Irishman, William Drennan, in the foundation of the Belfast Academical Institution. With the staff and scholars of the Institution's early Collegiate Department, he then helped form the Belfast Natural History and Philosophical Society (the origin of both the Botanical Gardens and what is now the Ulster Museum).
Although always ready to communicate his own findings, Templeton did not publish much. Robert Lloyd Praeger (1865-1953), editor of the Irish Naturalist and President of the Royal Irish Academy, described him nonetheless as "the most eminent naturalist Ireland has produced".Templeton's son, Robert Templeton (1802-1892), educated at the Belfast Academical Institution (which was eventually to acquire Cranmore House), became an entomologist renowned for his work on Sri Lankan arthropods. Robert's fellow pupil James Emerson Tennent went on to write Ceylon, Physical, Historical and Topographical

Contacts
Thomas Martyn From 1794 supplied Martyn with many remarks on cultivation for Martyn's edition of Miller's Gardener's Dictionary.
George Shaw
James Edward Smith Contributions to English Botany and Flora Britannica
James Lee
Samuel Goodenough
Aylmer Bourke Lambert
James Sowerby
William Curtis
Joseph Banks
Robert Brown.
Lewis Weston Dillwyn's Contributions to British Confervæ (1802–07)
Dawson Turner Contributions to British Fuci (1802), and Muscologia Hibernica (1804).
John Walker
Francis Rawdon-Hastings, 1st Marquess of Hastings
John Foster, 1st Baron Oriel
Jonathan Stokes
Walter Wade

Other
John Templeton maintained a natural history cabinet containing specimens from Calobar, New Holland and The Carolinas as well as is Ireland cabinets. His library included Rees's Cyclopædia and works by Carl Linnaeus, Edward Donovan and William Swainson s:Zoological Illustrationsand he used a John Dollond microscope and lenses. He made a tour of Scotland with Henry MacKinnon. His diaries record the Comet of 1807 and the Great Comet of 1811.

Gallery
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See also
Late Enlightenment
James Townsend Mackay
Passage 8:
Mi Saw U
Mi Saw U (Burmese: မိစောဦး, pronounced [mḭ sɔ́ ʔú]; also known as Min Saw U) was a Pagan princess, who was queen of two kings, Kyawswa of Pagan and Thihathu of Pinya, and mother of two kings, Uzana I of Pinya and Kyawswa I of Pinya. Saw U was a daughter of Narathihapate, the last sovereign king of Pagan. Married to her half-brother Kyawswa, Saw U was pregnant with Kyawswa's child (Uzana) in December 1297 when she was seized by Thihathu who had just overthrown Kyawswa. Thihathu raised Uzana as his own child and later selected him as heir apparent. Saw U also gave birth to Thihathu's child, also named Kyawswa. Both Uzana and Kyawswa went on to become kings of Pinya. Her youngest son Nawrahta defected to the Sagaing Kingdom c. 1349 after a disagreement with his brother Kyawswa.
Passage 9:
Cleomenes II
Cleomenes II (Greek: Κλεομένης; died 309 BC) was king of Sparta from 370 to 309 BC. He was the second son of Cleombrotus I, and grandfather of Areus I, who succeeded him. Although he reigned for more than 60 years, his life is completely unknown, apart from a victory at the Pythian Games in 336 BC. Several theories have been suggested by modern historians to explain such inactivity, but none has gained consensus.

Life and reign
Cleomenes was the second son of king Cleombrotus I (r. 380–371), who belonged to the Agiad dynasty, one of the two royal families of Sparta (the other being the Eurypontids). Cleombrotus died fighting Thebes at the famous Battle of Leuctra in 371. His eldest son Agesipolis II succeeded him, but he died soon after in 370. Cleomenes' reign was instead exceptionally long, lasting 60 years and 10 months according to Diodorus of Sicily, a historian of the 1st century BC. In a second statement, Diodorus nevertheless tells that Cleomenes II reigned 34 years, but he confused him with his namesake Cleomenes I (r. 524–490).

Despite the outstanding length of his reign, very little can be said about Cleomenes. He has been described by modern historians as a "nonentity". Perhaps that the apparent weakness of Cleomenes inspired the negative opinion of the hereditary kingship at Sparta expressed by Aristotle in his Politics (written between 336 and 322). However, Cleomenes may have focused on internal politics within Sparta, because military duties were apparently given to the Eurypontid Agesilaus II (r. 400–c.360), Archidamus III (r. 360–338), and Agis III (r. 338–331). As the Spartans notably kept their policies secret from foreign eyes, it would explain the silence of ancient sources on Cleomenes. Another explanation is that his duties were assumed by his elder son Acrotatus, described as a military leader by Diodorus, who mentions him in the aftermath of the Battle of Megalopolis in 331, and again in 315.Cleomenes' only known deed was his chariot race victory at the Pythian Games in Delphi in 336. In the following autumn, he gave the small sum of 510 drachmas for the reconstruction of the Temple of Apollo at Delphi, which had been destroyed by an earthquake in 373. Cleomenes might have made this gift as a pretext to go to Delphi and engage in informal diplomacy with other Greek states, possibly to discuss the consequences of the recent assassination of the Macedonian king Philip II.One short witticism of Cleomenes regarding cockfighting is preserved in the Moralia, written by the philosopher Plutarch in the early 2nd century AD:
Somebody promised to give to Cleomenes cocks that would die fighting, but he retorted, "No, don't, but give me those that kill fighting."
As Acrotatus died before Cleomenes, the latter's grandson Areus I succeeded him while still very young, so Cleomenes' second son Cleonymus acted as regent until Areus' majority. Some modern scholars also give Cleomenes a daughter named Archidamia, who played an important role during Pyrrhus' invasion of the Peloponnese, but the age difference makes it unlikely.
Passage 10:
Kyee Myint Saw
Kyee Myint Saw (Burmese: ကြီးမြင့်စော; born 1939) is a painter from Myanmar. His paintings invoke the various hues of typical Myanmar colours under the tropical sun.

Early life
Myint Saw was born in 1939 in Yangon, Myanmar. He graduated with B.Sc. (Maths)  in 1966 and M.Sc. (Maths) in 1990 at Yangon University .


Passage 1:
Rolf Olsen (actor)
Rolf Olsen (26 December 1919 – 3 April 1998) was an Austrian actor, screenwriter and film director. He appeared in 60 films between 1949 and 1990. He also wrote for 51 films and directed a further 33 between 1947 and 1990. He was born in Vienna, Austria and died in Munich, Germany.

Selected filmography
Passage 2:
Our Crazy Aunts in the South Seas
Our Crazy Aunts in the South Seas (German: Unsere tollen Tanten in der Südsee) is a 1964 Austrian comedy film directed by Rolf Olsen and starring Gunther Philipp, Gus Backus, and Udo Jürgens. It was the final part in a trilogy of films that also included Our Crazy Aunts and Our Crazy Nieces. Barbara Frey was cast in the role that had been played by Vivi Bach in the two previous films.
The film's sets were designed by the art director Leo Metzenbauer. Location shooting took place in the Canary Islands.

Cast
Passage 3:
Wale Adebanwi
Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow. He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania. Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa.

Education background
Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M.Sc. and Ph.D. in Political Science from the University of Ibadan. He also has an MPhil. and a Ph.D. in Social Anthropology from the University of Cambridge.

Career
Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher. He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA. He became a full professor at UC Davis in 2016.Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies.

Works
His published works include:
Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)
Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)
Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including.

The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)
Writers and Social Thought in Africa (Routledge, 2016)
(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)
(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013).
(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)
(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010).

Awards
Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies.
Passage 4:
Hassan Zee
Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan.

Early life
Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan. as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities. As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children.
At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs.  It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences. He cared for women who were victims of  "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring.  He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive. These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films.In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home

Education
He received his early education from Jinnah Public School, Chakwal. He got his medical doctor degree at Rawalpindi Medical College, Pakistan.

Film career
Doctor Zee's first film titled Night of Henna was released in 2005. The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways..." Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture. Many often landed themselves in trouble when it came to marrying off their children.
His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition." His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil. His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend. While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure.
Passage 5:
Dearest (2014 film)
Dearest is a 2014 Chinese-language film directed by Peter Chan on kidnapping in China, based on a true story, starring Zhao Wei, Huang Bo, Tong Dawei, Hao Lei, Zhang Yi and Zhang Yuqi. It was screened in the Special Presentations section of the 2014 Toronto International Film Festival.

Plot
Following years of unrelenting search, Tian Wenjun (Huang Bo) and ex-wife Lu Xiaojuan (Hao Lei) finally locate their abducted son in a remote village. After the boy is violently taken away from the village, the abductor's widow Li Hongqin (Zhao Wei) — the boy's foster mother — also loses her foster daughter to a state-owned orphanage in Shenzhen. Heartbroken, Li goes on a lone but determined journey to get her daughter back.

Theme songs
"Qin'ai de Xiaohai" (亲爱的小孩; "Dear Child") sung by cast members Huang, Tong, Zhao, Zhang Yi and Hao. It was originally sung by Su Rui as the theme song of the 1985 film The Unwritten Law.
"Mei Yi Ci" (每一次; "Every Time") sung by Huang. It was originally sung by Zhang Hongsheng as an insert song in the 1990 TV series Kewang.
"Yinxing de Chibang" (隐形的翅膀; "Invisible Wings") sung by Huang and parents of missing children. It was originally sung by Angela Chang in her 2006 album Pandora.

Cast
Zhao Wei
Huang Bo
Tong Dawei
Hao Lei
Zhang Yi
Zhang Yuqi
Zhang Guoqiang
Zhu Dongxu
Yi Qing
Wang Zhifei

Production
Principal photography for Dearest took place in Shenzhen, Guangzhou and Chengde. It began from January 2014 and concluded on 18 April 2014.
Portraying a rural mother, Zhao Wei spoke the Lower Yangtze Mandarin dialect (the predominant dialect in her hometown of Wuhu) rather than Standard Mandarin in the film.

Accolades
See also
Lost and Love – another film dealing with child kidnapping in China
Passage 6:
Peter Chan
Peter Ho-sun Chan (born 28 November 1962) is a film director and producer.

Early life
Chan was born in British Hong Kong to Chinese parents. He and his family moved to Thailand when he was 11, where he grew up amongst the international Chinese community in Bangkok. He speaks Thai as fluently as a Thai person.
He later studied in the United States where he attended film school at UCLA, with a minor in accountancy. He returned to Hong Kong in 1983 for a summer internship in the film industry. Chan never returned to UCLA to complete his studies.

Career
He served as second assistant director, translator, and producer on John Woo's Heroes Shed No Tears (1986), which was set in Thailand. He then was a location manager on three Jackie Chan films, Wheels on Meals (1984), The Protector (1985) and Armour of God (1986), all of which were shot overseas.He joined Impact Films as a producer in 1989, guiding projects such as Curry and Pepper (1990) to completion.His directorial debut, Alan and Eric: Between Hello and Goodbye, was crowned best film at the Hong Kong Film Directors' Guild in 1991. It also won best actor at the Hong Kong Film Awards for Eric Tsang, who would become a frequent collaborator with Chan.
Chan was a co-founder of United Filmmakers Organization (UFO) in the early 1990s, which produced a number of box-office and critical hits in Hong Kong, including his own: He Ain't Heavy, He's My Father.  Other critical and commercial successes followed, including Tom, Dick and Hairy, He's a Woman, She's a Man and Comrades, Almost a Love Story.
In the late 1990s, Chan worked in Hollywood, directing The Love Letter, which starred Kate Capshaw, Ellen DeGeneres and Tom Selleck.
In 2000, Chan co-founded Applause Pictures with Teddy Chen and Allan Fung.  The company's focus was on fostering ties with pan-Asian filmmakers, producing such films as Jan Dara by Thailand's Nonzee Nimibutr, One Fine Spring Day South Korea's Hur Jin-ho, Samsara by China's Huang Jianxin, The Eye by Danny and Oxide Pang and cinematographer Christopher Doyle.
Chan's 2005 film, the musical Perhaps Love closed the 2005 Venice Film Festival and was Hong Kong's entry for an Academy Awards nomination in the best foreign film category.  Perhaps Love became one of the year's top-grossing films in China, Hong Kong and Taiwan, and received a record 29 awards. Chan next directed The Warlords (2007) and produced Derek Yee's Protégé (2007). The two films were the two highest grossing Hong Kong-China co-productions of 2007. The Warlords grossed a record RMB220 million in China and over US$40 million across Asia, and garnered 8 Hong Kong Film Awards and 3 Golden Horse Awards, including Best Director and Best Feature Film.
In 2009, Chan produced Teddy Chen's Bodyguards and Assassins, which has garnered RMB300 million in China box office alone, accumulating over US$50 million Asia-wide. It has scored 8 awards in the Hong Kong Film Awards, including Best Film. It also won Best Actor awards for Wang Xueqi in the Asian Film Awards and the HK Film Critics Society Awards, adding up to 146 awards out of 231 nominations for Chan's awards track record.
In a survey conducted by the Hong Kong Trade Development Council during the 2010 Hong Kong Filmart, Chan was voted "the most valuable filmmaker", which was strongly backed by his box-office track records.

Personal life
Chan dated Kathleen Poh for a brief period in 1993 before Poh moved to Singapore permanently. Chan currently has a daughter Jilian Chan (born in 2006) with Hong Kong actress Sandra Ng, although the two have no intention of getting married.

Filmography
As director
As producer
As actor
Duo ming ke (1973)
Millionaires Express (1986) – Firefighter / Security officer
San dui yuan yang yi zhang chuang (1988) – Man betting on fight in lounge
Twin Dragons (1992)
C'est la vie, mon chéri (1993) – Man at Party
Wan 9 zhao 5 (1994) – (final film role)
Passage 7:
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s.

Life and career
Lobban played little cricket in Jamaica. He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF. He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37.Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952. He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9. A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire. In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings. Worcestershire won the game and Lobban finished the season with 23 wickets at 23.69.He took 23 wickets again in 1953, but at a considerably worse average of 34.43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July. On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings. He also made his highest score with the bat, 18, but Sussex won by five wickets.In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells. In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51. He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win. Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets.
He was also a professional boxer and played rugby union for Kidderminster.He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia. He and his wife Celia had a son and two daughters.
Passage 8:
Henry Moore (cricketer)
Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand.

Life and family
Henry Moore was born in Cranbrook, Kent, in 1849. He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch. One of his brothers, Arthur, became an admiral and was knighted. Their great
grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805. One of their sisters was a maid of honour to Queen Victoria.Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch. He married Henrietta Lysaght of Hāwera in November 1879, and they had one son. In May 1884 she died a few days after giving birth to a daughter, who also died.In 1886 Moore became a Justice of the Peace in Geraldine. In 1897 he married Alice Fish of Geraldine. They moved to England four years before his death in 1916.

Cricket career
Moore was a right-handed middle-order batsman. In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively. His 76 came in his first match for Canterbury, against Otago. He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence". Canterbury were all out for 133, but went on to win the match. His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6. The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving." Canterbury won again.Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34.4. Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians. In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team.
Passage 9:
Our Crazy Nieces
Our Crazy Nieces (German: Unsere tollen Nichten) is a 1963 Austrian comedy film directed by Rolf Olsen and starring Gunther Philipp, Vivi Bach, and Paul Hörbiger. It was the second part in a trilogy of films which began with Our Crazy Aunts in 1961 and finished with Our Crazy Aunts in the South Seas.
The film's sets were designed by the art director Wolf Witzemann. It was shot at the Sievering Studios in Vienna.

Cast
Passage 10:
Our Crazy Aunts
Our Crazy Aunts (German: Unsere tollen Tanten) is a 1961 Austrian comedy film directed by Rolf Olsen and starring Gunther Philipp, Gus Backus, and Vivi Bach. It was followed by two sequels Our Crazy Nieces and Our Crazy Aunts in the South Seas.The film's sets were designed by the art director Felix Smetana.

Cast