Passage 1:
Mr. Right (2009 film)
Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. The jointly-made gay-themed film is the debut for both directors.

Synopsis
The film presents life of a number of individuals who live in London's Soho area in their quest for their "Mr. Right". One of the highlights of the film is when all the characters gather for an excruciatingly awkward and hilarious dinner party at which wine and secrets are spilled.
Harry (James Lance) is a TV producer but dreams to get way. He loves Alex (Luke de Woolfson), an aspiring yet insecure actor who also works as a caterer. Meanwhile Alex is struggling to create an identity for himself and decides to live independently through monetary help from his brother despite Harry wanting him back
Tom (David Morris, the co-director of the film) is a successful art dealer who is in a precarious relationship with Lars (Benjamin Hart), a handsome sometime-model. Tom finds excuses for Lars' flings so long as Lars doesn't leave him. Meanwhile Lars has this attraction to Harry and can't get over his feelings
William (Rocky Marshall) a divorced former rugby player finds it difficult very difficult to parent his nine-year-old daughter Georgie while trying to get on a new relationship with Lawrence (Leon Ockenden), a striving soap actor. Their relationship is complicated as Georgie is intent on sabotaging his relationship.
Louise (Georgia Zaris), a fag hag, is dating Paul (Jeremy Edwards), but suspects Paul is gay. Paul is slowly but surely getting drawn into the gay scene, despite visibly and verbally protesting every step of the way.By the end of the film three months later, the characters are still striving to make new paths for themselves. Harry is appealing for Alex, now in a small studio residence to return, but the latter turns him gently down despite having feelings for him. Things are much better between William and Lawrence as Georgie becomes more accepting of their relationship. Things have soured between Lars and William. Devastated Lars catches Harry while the latter has just packed to leave everything behind for his long-planned trip away from his dreaded work. Meanwhile Paul is getting more and more into the gay scene despite putting a brave face that he is still straight.

Cast
MainJames Lance as Harry
Luke de Woolfson as Alex
David Morris as Tom
Benjamin Hart as Lars
Rocky Marshall as William
Leon Ockenden as Lawrence
Georgia Zaris as Louise
Jeremy Edwards as PaulOthersJan Waters as Harry's Mother
Maddie Planer as Georgie, Williams's daughter
Sheila Kidd as William's mother
Andrew Dunn as Alex's Father
Karen Meagher as Alex's Mother
Rick Warden as Alex's Brother
Katy Odey as Presenter
Lucy Jules as Emma
Sarah Carleton as Waitress
Dolly Wells as Fizz
Harry Serjeant as Runner
Ian Tytler as Charlie
Jim Cole as Heath
Archie Kidd as Barnaby
Heather Bleasdale as Barnaby's Mother
Yvonne O'Grady as Business Woman
Max Karie as Marcel
Kate Russell as The Yellow Team
Ian Russell as The Yellow Team
Mark Hayford as The Blue Team
Diane Morgan as The Blue Team
Terry Bird as Red Team
Cheryl Fergison as Red Team
Passage 2:
Mr. and Mrs. Iyer
Mr. and Mrs. Iyer is a 2002 Indian English-language drama film written and directed by Aparna Sen and produced by N. Venkatesan. The film features Sen's daughter Konkona Sen Sharma as Meenakshi Iyer, a Tamil Iyer Brahmin who is a Hindu. Rahul Bose portrays the character of Raja Chowdhury, a Bengali Muslim wildlife photographer. The story revolves around these two lead characters during a fateful bus journey amidst the carnages of a communal strife in India. Zakir Hussain, an Indian tabla maestro, composed the background score and music for the film;  Goutam Ghose, a film director himself, was the cinematographer.
Mr. and Mrs. Iyer premiered at the Locarno International Film Festival in Switzerland and was showcased at other prominent film festivals. The film opened to Indian audiences on 19 July 2002. It was met with critical acclaim upon release, and won several national and international awards, including the Golden Maile award at the Hawaii International Film Festival and the Nargis Dutt Award for Best Feature Film on National Integration in India. The film, which was also released as a DVD, had English as its predominant language with a sporadic use of Hindi, Tamil, and Bengali.

Plot
Meenakshi Iyer and her infant son, Santhanam, embark on a bus journey to return home, after visiting her parents. At the bus station, Meenakshi is introduced to Raja Chowdhury by a common friend. Raja, a wildlife photographer, is requested by Meenakshi's parents to look after their daughter and grandson during the journey. The passengers of the bus include a boisterous group of youngsters, two Sikh men, an elderly Muslim couple, a young couple high on romance, a mentally challenged boy and his mother, and some card-playing men. The bus faces a roadblock and the bus driver attempts a detour, but  is stopped by traffic jam caused by sectarian violence between Hindus and Muslims in nearby areas.
Raja reveals his Muslim identity to Meenakshi. As someone who comes from a high caste and conservative Hindu Brahmin family, Meenakshi shudders at the very fact that during their travel she drank water offered by Raja, a Muslim. She is shocked and asks Raja to not touch her. Raja contemplates leaving the bus, but is forced to stay inside by the patrolling police, who declare a curfew due to the riot. After the police leaves to scout other areas, a rioting Hindu mob arrives and forcibly enters the bus. They begin interrogating passengers about their religious identities and when in doubt, they even resort to check if the person is circumcised.In order to protect himself from them, one of the passengers, who is Jewish and hence circumcised, points to the old Muslim couple to divert the  mob's attention. The mob's leader drags the old couple out of the bus. One of the teenagers resists this, but she is assaulted by the mob. As Raja attempts to rise in revolt, Meenakshi plants Santhanam on his lap, ordering him to hold the baby with an intent to shield Raja's Muslim identity. The mob asks about their identities, and Meenaksi tells the leader that she is Mrs. Iyer and Raja is her husband. After this chilling encounter, the passengers spend the night in the bus.
In the morning, the passengers trek to a nearby village to seek accommodation. Raja and Meenakshi, identifying themselves as Mr. and Mrs. Iyer, fail to find any accommodation. However, the police officer, who was patrolling the earlier evening, bails them out by providing shelter at an abandoned forest bungalow. They are provided with the single usable bedroom available in the bungalow. Meenakshi refuses to share the room with Raja, and curses herself for coming along with a stranger. Raja confronts her on her outdated prejudices about caste and religion. After a brief quarrel, Raja allows her the comfort of the bedroom and prefers to sleep outside. The next morning when Meenakshi does not find Raja, she gets worried and angry as to why he left Santhanam and her in such a place. Soon, she feels relieved to find Raja sleeping outside. After they reach a restaurant in the nearby village, they meet the teenagers from the bus. The girls are excited and curious to know about Meenaakshi and Raja's love story. To keep their farce alive, both of them cook up an impromptu story right from how they met till where they went for their honeymoon. During their stay at the bungalow, they discover each other's beliefs and understanding of religion. That night, as they witness a horrific murder by one of the mobs, a shocked Meenakshi is comforted by Raja.
The next day, they reach a railway station with the army's help. There, they board the train towards their destination. At their destination station, Kolkata, Meenakshi's husband, Mr. Iyer arrives to receive her and Santhanam. Meenakshi introduces Raja to her husband as Jehangir Chowdhury, a Muslim man who helped her (a Hindu woman) during the curfew. Raja hands over a camera roll to Meenakshi, containing the photos of their journey; they bid an emotional farewell to each other.

Cast
Konkona Sen Sharma as Meenakshi S. Iyer – A traditional Tamil Iyer Brahmin traveling with her   son, Santhanam, in the bus on her way to meet her husband. She meets a fellow-traveler, Raja Chowdhury, and gets drawn to him due to the surrounding circumstances.
Rahul Bose as Jehangir "Raja" Chowdhury – A liberal Muslim by faith, he is a wildlife photographer by profession. With the imminent danger from the rioters, Meenakshi contrives a protective identity for him as her husband.
Bhisham Sahni as Iqbal Ahmed Khan – An elderly conservative Muslim traveling along with his wife, Najma. He ends up as one of the victims of the sectarian violence.
Surekha Sikri as Najma Ahmed Khan – The dutiful and loving wife of Iqbal, Najma perishes in the riots when she comes in defence of her husband.
Anjan Dutt as Cohen – He is responsible for diverting the attention of the Hindu mob, in self-defence, towards the old Muslim couple. Thereafter, he is petrified thinking that he may also have been killed by the mob who could wrongly identify him as a Muslim, since he is circumcised.
Bharat Kaul as  Rajesh Arora – The police officer responsible for controlling and maintaining the law and order in the riot-stricken area. He gets acquainted with the bus passengers and helps the Iyer 'couple' find a place to stay during the curfew.
Niharika Seth, Riddhi Basu, Richa Vyas, Eden Das, Jishnu Sengupta  as Khushbu, Mala, Sonali, Amrita, Akash – An enthusiastic young group of friends riding the bus.

Production
Development
Aparna Sen, a noted actress and director of Bengali cinema, made her debut as a director with the English film 36 Chowringhee Lane (1981). Mr. and Mrs. Iyer was her second film in English. She hoped to write a simple romantic story, but it shaped out to be a relationship drama in the backdrop of sectarian violence. Sen came up with the background of the story in the aftermath of 9/11 and the 2002 Gujarat riots. In an interview, Sen stated that the omnipresent, circumstantial violence in the film was only to serve as a strain in the script which aimed to show how the relationship evolves between two people who are forced to be together under trying times. She stated that the time frame of the film was set after the attacks on the Parliament of India on 13 December 2001.
In an interview at the screening at the Locarno Film Festival, Sen revealed that Konkona was involved in the pre-production research, and she suggested the title. About the cinematographer Gautam Ghose, Aparna Sen said that they had a good rapport and that Ghose, himself an acclaimed director, was one of the best cinematographers she knew. Ghose, in reply, said that he hoped to give his best for the film and thus contribute to their friendship.

Casting
Rahul Bose's work in English, August (1994) and Split Wide Open (1999) made Aparna Sen feel that he was a good, controlled and intelligent actor. After a costume and a makeup test, he was chosen for the character of Raja Chawdhury. Sen admitted that Bose's work was up to the mark, and working with him was a wonderful experience. She told in an interview that Konkona Sen Sharma's abilities as a sensitive actress fetched her the role of Meenakshi Iyer. Konkona said that she chose this film as she was interested in Indian films made in English, and was reluctant to do regular commercial films. Sen had penned the elderly Muslim woman's character bearing Surekha Sikri in mind. Eventually Sikri and the author and playwright Bhisham Sahni were cast to play the roles of the Muslim couple in the film. Santhanam, the infant son of Meenakshi Iyer in the film is Sen's grand niece.Aparna Sen chose English as the film's narrative since the characters are linguistically diverse. She had to make sure that the characters spoke in English with their regional accent. Konkona admitted in an interview that playing the role of a Tamil Brahmin did not come easy. The director forced her to visit Chennai (where the major language is Tamil) for two weeks to research her character. She also said that she had learned many characteristics, nuances and mannerisms native to Tamilian housewives. She took a close look at Iyer lifestyles and customs in and around Mylapore, a cultural hub in Chennai. She attempted listening to recorded  conversations in Iyer households to get a suitable Tamil accent.

Filming
The production commenced in December 2001. Sen chose to keep the geographical setting unstated because she felt that it was a journey that could take place anywhere. The film was shot in the Himalayan foothills of northern West Bengal. The producers provided a state-of-the-art camera from Chennai's Prasad Studios to ensure that the shooting crew was technically better equipped. Rupali Mehta, from Triplecom Productions, the co-producer oversaw the crew of over 100 complete the production schedule in 50 days. The production team resorted to certain cost-cutting measures to ensure they committed fewer mistakes. For example, they had organised a workshop for the actors to avoid mistakes while filming.While filming in Jalpaiguri, Sen got embroiled in a controversy for damages caused to the forest bungalow, a heritage property, where a portion of filming was done. She admitted that, to give the bungalow a haunted look, they "... sprayed slush on the walls and plastered cobwebs all over the place." However, she claimed that the place was cleaned up after the completion of their shoot.

Release and reception
Following objections from the local police, two scenes were removed by producers from the version of the film screened in the city of Mumbai. One scene showed a Hindu man saying—using profanity—that Muslims should be sent back to Pakistan; the other featured a policeman using obscenities with a communal undertone. The police felt both scenes were too "provocative" for a "communally sensitive" city. However, for the rest of India, the film was screened in its entirety.The film had only modest box office success; domestically, it made 7.3 million rupees in its first release. However, thanks to its low budget and the spread of multiplexes in India, it brought in some revenue. Furthermore, the contemporary trend in the Indian television channels is to showcase films within months of their release. This trend helped modest box-office successes such as Mr. and Mrs. Iyer to get additional thrust to their financial returns. Indeed, Mr. and Mrs. Iyer was one of the first films that led to reworking of the business models for small films in India. In addition, Triplecom Productions sold the dubbed version in Italy for $20,000. A trade analysis by Rediff.com suggested that small-budget films such as Mr. and Mrs. Iyer did not compromise on marketing budgets, instead they put efforts in marketing themselves more innovatively.

Special screenings and awards
In 2002, Mr. and Mrs. Iyer was chosen as India's official entry at the Locarno International Film Festival. It ran for 3 minutes longer than its runtime of 120 minutes at Locarno. Though it missed out on the Golden Leopard Award at Locarno, it won the Netpac Jury Prize along with two other films. The film won the Golden Maile award at the 22nd Hawaii International Film Festival, the Audience Award for the Best Feature Film at the Philadelphia Film Festival, and the best screenplay award at the 2003 Cinemanila International Film Festival.In 2003, the Indian Film Festival of Los Angeles chose to open with Mr. and Mrs. Iyer, while New Zealand's first Asian film festival in 2004 chose to close its 10-day fest with it. The India International Women's Film Festival had a special retrospective to Aparna Sen for Mr. and Mrs. Iyer. The film was also showcased at the Pusan International Film Festival, Regus London Film Festival, Mill Valley Film Festival, International Film Festival of India, Braunschweig International Film Festival, and High Falls Film Festival. At the International Film Festival of Las Palmas in the Canary Islands, it won the Gold prize, awarded to the best film screened that year. Rahul Bose said that when the film was showcased at the Geneva festival, it was seen and liked by Kofi Annan, the United Nations Secretary-General.Back home in India, Mr. and Mrs. Iyer won the Golden Lotus Award for best direction, the Silver Lotus Awards for best actress, the best screenplay, and the Nargis Dutt Award for Best Feature Film on National Integration at the 2003 National Film Awards ceremony.Govind Nihalani, an Indian film director wondered if Mr. and Mrs. Iyer could have been sent to the Oscars instead of the regular song-and-dance entries. Eventually, Film Federation of India, the apex organisation that sends the nation's official entries to the Oscars, did not find any film worth sending for the 76th Academy Awards.

Reviews
Lawrence van Gelder commented in his review in The New York Times that "The well-acted romance, as the two principal characters are thrown together by unanticipated events, is hard to resist, even though the answer to the crucial question it raises is all too conveniently deferred time and again." However, he added that Mr. and Mrs. Iyer "... is not a subtle film ..." The Chicago Reader also said, "Sen is anything but subtle in populating the bus with a cross section of class and ethnic types ... but the friendship that blossoms between the leads is tenderly depicted and hints at a solution to sectarian strife" TIME magazine praised Aparna sen for her "... attention to detail ..." that "... skillfully captures the characters' idiosyncrasies." The Village Voice said, "The actors appear game, yet director Aparna Sen, who conceived the film in the wake of September 11, resorts often to hokey pseudo-lyricism and prefers sound-bite ballyhoo to sociological depth." Metacritic, a website with a medley of reviews by American critics, gives the film a score of 50/100, meaning mixed or average reviews.In his review, Derek Elley of Variety remarked that the film had "... the awkward, issue-driven dialogue and wavering direction, showing influences from both the arty and commercial. [The] two leads just about scrape through." Although The Hindu review praised the director for "... handling (these) scenes in an understated, muted fashion ..." giving "... them the power to disturb and haunt you." it questioned certain aspects of the film, stating, "Though the flutters of the heart have been treated with finesse—sometimes a little too prudishly, pandering, perhaps, to middle class morality—we are never entirely convinced that love could blossom between Meenakshi Iyer and Raja Chowdhary." Indeed, Sen was criticised for contriving cinematic situation not quite fitting to the real world, "Can a married woman with a baby in arms fall in love with a total stranger that she meets on a very short bus journey, however extraordinary the situation may have been? Having decided to drive them to each other's arms, Sen thinks up situations, which are terribly contrived ... Sen's story and script are found wanting elsewhere too. The police officer, who plays the good Samaritan, appears so unreal in the world of rancour that Sen creates ... [She], probably in her over enthusiasm, lets her own emotions derail her."Konkona Sen Sharma, who had not been widely seen outside Bengal before the release of the film, received particular praise for her performance, "... the movie clearly belongs to Konkona Sen Sharma ... who as Meenakshi [Iyer] gets so beautifully into the psyche of a Tamil Brahmin ... she emotes just splendidly: when her eyes well up at the thought of parting with Raja [Chowdhary], when she gently rests her head on his shoulders in the train, and when her expressions suggest the faintest hint of love, we know that here is a great actress." A Rediff.com review said, "... Konkana, a youngster, bowls you over with her silently sledge-hammering portrayal of Meenakshi Iyer, a conservative Tamilian Brahmin housewife ... [Her] eyes tell a thousand untold stories." An Australian critic said that the film, with "wonderfully nuanced performances by Sensharma and Rahul Bose, whose love affair is as innocent as the lyrical, lingering soundtrack. Mr and Mrs Iyer is a gentle film, whose simple and haunting love story will appeal to the romantic traveller."The "... attractive lensing by Gautam Ghose (a director in his own right) and atmospheric scoring by Ustad Zakir Hussain ..." were well received. "Looking through the eyes of Gautam Ghose's illuminating lens, Aparna Sen builds a miniature, but epic, world of tremendous inner strength. In her first seriously politically committed film, Sen takes on the issue of communal conflict with the surging humanism of Gabriel García Márquez, painting words on celluloid ... If [Zakir] Hussain creates sounds within the seesaw of silences and screams, cinematographer Gautam Ghose creates a lucid contrast between the silently majestic Himalayan hinterland and the fundamentalists."

Home media
DVD
The DVD, which released on 2 June 2004, has subtitle options in English, Hindi, Punjabi, Tamil and Urdu. It is available in 16:9 Anamorphic widescreen, Dolby Digital 5.1 Surround, progressive 24 FPS, widescreen and NTSC format.

Soundtrack
Ustad Zakir Hussain composed music for the film. For the first time in mainstream cinema, he sang for one part of a song. He said this in an interview and added that it was only after the track was recorded, the producers decided to go for Hussain's voice. Rahul Bose, who introduced Hussain to Aparna and Konkona, was instrumental in influencing Hussain to compose the background score for the film.The soundtrack consists of 5 songs:
Passage 3:
Mr. and Mrs. Gambler
Mr. and Mrs. Gambler is a 2012 Hong Kong romantic comedy film written, produced and directed by Wong Jing and starring Chapman To and Fiona Sit.

Plot
Manfred and Flora are compulsive gamblers who can gamble on anything 24 hours a day, seven days a week. They meet at a casino in Macau, where they both suffer heavy losses and are held hostage by loan sharks. During their hostage ordeal, they start to have passion for each other. When they meet in Hong Kong again, they finally fall in love and decide to get married. After they marry, their luck turns, and they make great progress in both their career and relationship. They soon give birth to their daughter. With the assistance of a charming producer, Michelle, Manfred gets the chance to take a leading role in a new movie. The Casino Boss, Sam, invites Flora to work for him to chase away the con men. In fact, Michelle and Sam are ex-lovers. Both of them are now attracted by Manfred and Flora’s unique characters and go for them in full strength. Manfred and Flora cannot resist the temptation and decide to get divorced. However, both of them would like to obtain their daughter’s custody rights.

Cast
Theme song
Compulsive Gambling God (爛賭神君)

Composer: Wu Man Sam
Lyricist: Wan Kwong
Singer: Wan Kwong, Chapman To

Sequel
Due to the film's commercial success, director Wong Jing decided to make a sequel, titled Mr. and Mrs Player (爛滾夫鬥爛滾妻) starring Chapman To and Chrissie Chau. The film was released on 12 September 2013.
Passage 4:
Rahul Bose
Rahul Bose (born 27 July 1967) is an Indian actor, director, screenwriter, social activist, and athlete. Bose is the President of Indian Rugby Football Union.
He has appeared in Bengali films such as Mr. and Mrs. Iyer, Kalpurush, Anuranan, Antaheen, Laptop and The Japanese Wife. He has also appeared in Hindi films such as Pyaar Ke Side Effects, Maan Gaye Mughal-e-Azam, Jhankaar Beats, Kucch Luv Jaisaa,  Dil Dhadakne Do,  Chameli and Shaurya. He also played the antagonist in the Tamil thriller Vishwaroopam (2013) and its sequel. Time magazine named him "the superstar of Indian arthouse cinema" while Maxim named him "the Sean Penn of Oriental cinema" for his work in parallel cinema films like English, August and Mr. and Mrs. Iyer. He is also notable for his social activism: he participated in the relief efforts that followed the 2004 Boxing Day tsunami and is also the founder of the anti-discrimination NGO, The Foundation.

Early life
Rahul Bose was born to father Rupen and mother Kumud Bose on 27 July 1967.Bose's first acting role was at the age of six when he played the lead character in a school play, Tom, the Piper's Son. As a child he took an interest in sports after his mother introduced him to boxing and rugby union. He also played cricket and was coached by former India cricket captain Mansoor Ali Khan Pataudi.He is an alumnus of the Cathedral and John Connon School in Mumbai. After being rejected by a number of American universities, Bose attended Sydenham College. While at the college he played on the school's rugby team and competed in the Western India Championships, winning a silver medal in boxing. After his mother's death in 1987, Bose began working as a copywriter at Rediffusion and was later promoted to advertising creative director. Bose left the job to become a full-time actor after the release of his first film, English, August.

Stage and film career
Early career: 1993–2003
Bose started his acting career on the Mumbai stage in Rahul D'Cunha's Topsy Turvey and Are There Tigers in the Congo?. D'Cunha's aunt was the casting director for director Dev Benegal's film English, August and suggested that Bose should play the lead role. After filming a screen test, Benegal decided to cast him as civil servant Agastya Sen. Based on the novel of the same name by Upamanyu Chatterjee, English, August was one of the first Hinglish films and gained Bose international recognition when it became the first Indian film to be purchased by 20th Century Fox and won several awards at international film festivals.After English, August Bose found work in television; he was offered a role in India's first English-language television serial, A Mouthful of Sky and also co-hosted BBC World's Style! with Laila Rouass. In 1998 he appeared in Kaizad Gustad's Bombay Boys with Naseeruddin Shah and starred in Dev Benegal's second film, Split Wide Open. To prepare for his role as a roving water vendor, Bose lived in Mumbai's slums and observed a drug dealer for two weeks. He later cited this time—along with the 2002 Gujarat riots—as the beginning of the awakening of his social conscience. Although Split Wide Open was controversial in India because of its depictions of sexual abuse, Bose received the Silver Screen Award for Best Asian Actor at the 2000 Singapore International Film Festival for his performance. He also performed abroad in the Leicester Haymarket in England where he starred in the English version of Tim Murari's play, The Square Circle.In 1997, Bose was cast to play the role of Saleem Sinai in the BBC adaptation of Salman Rushdie's novel Midnight's Children. The project was eventually canceled after the Indian and Sri Lankan governments refused to allow filming.
After seeing Bose in English, August, director Govind Nihalani cast him in the villain role opposite Ajay Devgan in the mainstream film Thakshak. The film was not a financial success, although Bose received positive reviews.Bose also appeared as "Vikal" a villain in the 1998 Science fiction TV series Captain Vyom
In 2001, Bose made his directorial debut with Everybody Says I'm Fine!. Starring Rehaan Engineer and Koel Purie and featuring Bose in a supporting role, Everybody received mixed reviews from critics, but won Bose the runner-up John Schlesinger Award for best directorial debut at the 2003 Palm Springs International Film Festival. In 2002, Bose starred opposite Konkona Sen Sharma in Aparna Sen's art film Mr. and Mrs. Iyer. The film, a critique of communal violence, was a critical success and won several awards at international film festivals as well as three National Film Awards.

2003–present
In 2003, Bose entered mainstream Bollywood cinema with Jhankaar Beats in which he played one of two friends, R.D. Burman fans who are obsessed with winning a music competition. Boosted by a successful soundtrack, Jhankaar Beats was a surprise hit in urban multiplexes and went on to win several awards for its music. The same year, Bose appeared in another Bollywood film, Mumbai Matinee which saw a UK release. He starred in Chameli opposite Kareena Kapoor, playing a wealthy chain-smoking Mumbai banker who is stranded in the monsoon rains with a prostitute. The film was not a box office success, but won several Filmfare and IIFA awards.He was the screenwriter of Hero Bhakti Hi Shakti Hai of Hungama TV in 2005.
Bose's second film pairing with Konkona Sen Sharma, 15 Park Avenue released in January 2006. Directed by Aparna Sen and filmed in English, 15 Park Avenue won the 2006 National Film Award for Best Feature Film in English.

With his next effort, the romantic comedy Pyaar Ke Side Effects, Bose moved once more into mainstream Bollywood cinema. The film follows the rocky relationship of Bose's commitment phobic Mumbai DJ Sid and his Punjabi girlfriend, Trisha played by Mallika Sherawat. Critics noted the freshness of Bose's narration style which involves breaking the fourth wall, a device not commonly used in Indian cinema. The film opened well in multiplexes and was a moderate financial success, eventually ranking among the top-grossing films of 2006. Both Bose and Sherawat received positive reviews for their performances. Sherawat and Bose also starred together in another Bollywood comedy, Maan Gaye Mughal-e-Azam (2008), which was a commercial and critical failure.In 2006, Bose starred in the first of a trio of Bengali films, Aniruddha Roy Chowdhury's Anuranan. Anuranan was well received on the festival circuit and ran successfully for three months in Bengal. It was then dubbed into Hindi and released nationally. Kaalpurush, Bose's second Bengali film, was released commercially in April 2008. Kaalpurush details a father-son relationship and earned writer-director Buddhadeb Dasgupta a National Film Award for Best Feature Film. Bose teamed with Chowdhury again in 2009 for Antaheen which tells the story of online relationships. Like Anuranan, Antaheen was released commercially in West Bengal and was screened at various film festivals, including the Mahindra Indo-American Arts Council Film Festival (MIACC) and the International Film Festival of India (IFFI). Antaheen went on to win several National Awards including one for Best Film.Bose continued working in a mix of mainstream and arthouse films in 2008, with the English-language film, Before the Rains. Before the Rains was released in the US and the UK and Bose's performance was praised by many critics, although the film received mixed reviews. Bose also appeared in Shaurya, a military court room drama modelled on the American film A Few Good Men. Bose's performance was well-received; critic Taran Adarsh said his "performance easily ranks as one of his finest works". His appearance in Dil Kabaddi paired him with Konkona Sen Sharma for the third time, this time playing a husband and wife undergoing marital difficulties. The Japanese Wife, with Japanese actress Chigusa Takaku, the third Aparna Sen film in which he has appeared, released on 9 April 2010. He also appeared as a contestant in the reality show Khatron Ke Khiladi where he was eliminated in the 12th round. He hosted the second series of Bloomberg UTV reality show The Pitch. His role as a gay man harassed by the police in I Am was appreciated by critics.He appeared in Deepa Mehta's version of Midnight's Children where he played the role of General Zulfikar. He also played the villain in the 2013 Tamil film Vishwaroopam. Naren Weiss who was 19 years old at the time, acted opposite Bose in all of his scenes for Vishwaroopam, and credited Bose for working with him during filming. He was scheduled to begin shooting his adaptation of Mohsin Hamid's novel, Moth Smoke in early 2010, but the project was postponed after the film's financial backers pulled out. In 2013, he also played opposite Konkona Sen Sharma again in Suman Mukhopadhyay's Shesher Kabita. In 2017, he directed, produced and acted in the biopic Poorna about the youngest girl to climb Mount Everest.

Filmography
Playback singing
Writer/director
Producer
Television
Stage
Awards
2007 – "Artiste for Change" Karmaveer Puraskaar award
2008 – IBN Eminent Citizen Journalist Award
2009 – Youth Icon Award for Social Justice and Welfare
2010 – Green Globe Foundation Award for Extraordinary Work by a Public Figure
2012 – Hakim Khan Sur Award for National Integration –  Maharana Mewar Charitable Foundation
2012 – Lt. Governor's Commendation Award for services to Andaman & Nicobar Islands
2020 - Filmfare OTT Awards for Best Supporting Actor in a Web Original Film for Bulbbul

Sports career
In 1998, Bose was part of the first Indian national rugby team to play in an international event, the Asian Rugby Football Union Championship. He has played both scrum-half and right-winger positions. In an interview with Daily News & Analysis, Bose announced that he would not return to the team for the 2009 season.

Activism
Bose assisted in the relief efforts in the Andaman and Nicobar Islands after the 2004 Boxing Day tsunami. As a result of this work, Bose launched the Andaman and Nicobar Scholarship Initiative through his NGO, The Foundation. The scholarship program provides for the education of underprivileged children from the Andaman and Nicobar Islands.Bose is associated with several charitable organizations such as Teach for India, Akshara Centre, Breakthrough, Citizens for Justice and Peace and the Spastics Society of India. He is closely associated with the Teach For India movement to eradicate inequity in education.  In addition, he became the first Indian Oxfam global ambassador in 2007. He is the founder and chairman of The Group of Groups, an umbrella organisation for 51 Mumbai charitable organisations and NGOs. He is also an ambassador for the American India Foundation, the World Youth Peace Movement and Planet Alert. He was also a vocal proponent of Narmada Bachao Andolan and its efforts to halt the construction of the Narmada dam. He also recorded the Terre des hommes audio book Goodgoodi karna, gale lagana; Sparsh ke niyam sikhiye (English: Tickle and hugs: Learning the touching rules), which is designed to give children resources against sexual abuse.Bose has given lectures on gender equality and human rights at Oxford and during the 2004 World Youth Peace Summit. In 2009, he toured Canada lecturing on global climate change under the auspices of Climate Action Network and demonstrated with protesters at the Copenhagen Climate Change Summit. In 2011, he worked in conjunction with Bhaichung Bhutia to raise funds for victims of the Sikkim earthquake.At the 8th convocation of BRAC University Bangladesh on 17 February 2013, Bose delivered the convocation speech.

Personal life
Bose has one elder sister, Anuradha, who is married to Tariq Ansari, the owner and director of Mid-Day Multimedia. She had a cameo role in Everybody Says I'm Fine!. Bose is single. On his relationships, Rahul said, "I've had five very long relationships in my life, the last one finished seven years ago. I've had a life full of romantic love. Would I like another relationship, or five, or ten? Of course, I mean The Beatles said it best, 'all you need is love.' I would love to be in love, it would be fantastic."In July 2019, Bose complained of having been charged ₹442 for two bananas at JW Marriott, Chandigarh, and provoked an outcry on Twitter and other social media, where he gained much attention.
Passage 5:
Aparna Sen
Aparna Sen (née Dasgupta, Ôporna Shen) (born 25 October 1945) is an Indian film director, screenwriter and actress who is known for her work in Bengali cinema. She has received several accolades as an actress and filmmaker, including nine National Film Awards, five Filmfare Awards East and thirteen Bengal Film Journalists' Association Awards.
For her contribution in the field of arts, the Government of India honoured her with Padma Shri, the country's fourth highest civilian award.

Early life and education
Sen was born in a Bengali Baidya family on 25th October 1945 in Kolkata. Her family originally hailed from Cox's Bazar in Chittagong District (now in Bangladesh). Her father was the veteran critic and filmmaker Chidananda Dasgupta. Her mother Supriya Dasgupta was a  costume designer and earned the National Film Award for Best Costume Design for Chidananda's directorial venture Amodini (1994), at the age of 73. Sen is a cousin of Bengali poet Jibanananda Das. Sen spent her childhood in Hazaribagh and Kolkata and had her schooling at Modern High School for Girls, Kolkata. She studied for her B.A. in English at Presidency College, but did not complete the degree.

Career
Actor
Sen's foray into the world of entertainment happened when she was fifteen and was photographed by Brian Brake for the well-known photo from his 1960 "Monsoon" series of photographs; the photo appeared on the cover of Life.Sen made her film debut at the age of 16, when she played the role of Mrinmoyee in the Samapti portion of the 1961 film Teen Kanya (Three Daughters) directed by Satyajit Ray (who was a longtime friend of her father's). She went on to appearing in up to four films made by the director including, Jana Aranya and Pikoo.
Four years after her first film, in 1965, Sen acted in Akash Kusum, a Mrinal Sen film where she played the part of Monica. Sen has been an imminent part of the Bengali film industry, playing the lead in popular films like Basanta Bilap(1973) and Memsaheb(1972) amongst others. Sen has also been a part of Hindi films such as Imaan Dharam(1977), Ek Din Achanak(1989) and Ghaath(2000).
In 2009, Sen appeared with Sharmila Tagore and Rahul Bose in Annirudh Roy-Chowdhary's Bengali film Antaheen. The film went on to win four National Film Awards. In 2019, Sen acted in prominent Bengali films including Bohomaan and Basu Poribar.

Director
In 2009, Sen announced her next Bengali film Iti Mrinalini, which starred Konkona Sen Sharma, Aparna Sen, Rajat Kapoor, Kaushik Sen, and Priyanshu Chatterjee. First-time screenwriter Ranjan Ghosh co-authored Iti Mrinalini. This was the first time that Sen collaborated with any film writer or became attached to the curriculum of a film institute. The screenplay of Iti Mrinalini was an assignment in the Screenwriting syllabus at the Mumbai-based film school Whistling Woods International. It was also a major first in Indian screenwriting, as the first time that any screenplay from an Indian film institute was actually filmed. The film was released on 29 July 2011.
In 2013, her film Goynar Baksho (The Jewellery Box) was released depicting three generations of women and their relationship to a box of jewels. It ran to packed houses and won critical acclaim from reviewers and critics. Thereafter, in 2015, Arshinagar, an adaptation of Romeo and Juliet was released.In 2017, Sonata—an English film written and directed by Sen—was released. Adapted from a play by Mahesh Elkunchwar, the film examines the life of three middle-aged unmarried friends played by Aparna Sen, Shabana Azmi and Lillete Dubey.In 2021, she directed her 3rd Hindi film The Rapist, starring her daughter Konkona Sen Sharma and Arjun Rampal. In her interview with the Firstpost, she said that The Rapist will be a "hard-hitting drama that examines how much of society is responsible for producing rapists." The film is nominated for Kim Jiseok award at 26th Busan International Film Festival to be held in October 2021.

Awards
Padma Shri - the fourth highest civilian award by the Government of India in 1987.
National Film Award for Best Direction for 36 Chowringhee Lane in 1981
National Film Award for Best Feature Film in English for36 Chowringhee Lane in 1981.
National Film Award for Best Feature Film in Bengali for Paroma in 1984.
National Film Award for Best Feature Film in Bengali for Yugant in 1995.
National Film Award for Best Feature Film in Bengali, for Paromitar Ek Din in 2000.
National Film Award for Best Direction for Mr. and Mrs. Iyer in 2002.
Nargis Dutt Award for Best Feature Film on National Integration for Mr. and Mrs. Iyer in 2002.
National Film Award for Best Screenplay for Mr. and Mrs. Iyer in 2002.
National Film Award for Best Feature Film in English for 15 Park Avenue in 2005.
Karlovy Vary International Film Festival
Filmfare Awards East – Best Actress Award for Sujata in 1974.
Filmfare Awards East – Best Actress Award for Asamaya in 1976.
Filmfare Awards East – Best Actress Award for Bijoyini in 1982.
Filmfare Awards East – Best Actress Award for Indira in 1983.
Filmfare Awards East – Best Director Award for Parama in 1985.
BFJA Award-Best Actress Award for Aparachito in 1970
BFJA Award-Best Actress Award for Sujata in 1975
BFJA Award-Best Director Award for Parama in 1986
BFJA Award-Best Screenplay Award for Parama in 1986
BFJA Award-Best Actress Award for Ekanto Apan in 1988
BFJA Award-Best Supporting Actress Award for Mahaprithibi in 1992
BFJA Award-Best Actress Award for Swet Patharer Thala in 1993
BFJA Award-Best Supporting Actress Award for Unishr April in 1997
BFJA Award- Babulal Chowkhani Memorial Trophy for Original Story-Yugant in 1997
BFJA Award-Best Actress Award for Paramitar Ek Din in 2001
BFJA Award- Babulal Chowkhani Memorial Trophy for Original Story and Screenplay forParamitar Ek Din in 2001
BFJA Award-Most Outstanding Work of the Year for Mr. and Mrs. Iyer in 2003
BFJA Award-Life Time Achievement Award in 2013
Anandalok Award-Best Actress in 2001
Anandalok Award-Best Actress for "Titlee" in 2002
Kalakar Award-Best Actress (Stage) Award for Bhalo Kharab Meye in 1993
Kalakar Awards for Best Director for Paromitar Ek Dinin 2000.
Kalakar Award-Best Director Award for Iti Mrinalini in 2012
Best Director Award at Indian Film Festival of Melbourne for The Rapist in 2022

Honors
Sen has served on juries at film festivals around the world. In 1989 she was a member of the jury at the 16th Moscow International Film Festival. In 2008, she was elected into the International Jury of the Asia Pacific Screen Awards. In 2013, she headed the jury of the second Ladakh International Film Festival.From 1986 to 2005, Sen was the editor of the fortnightly Sananda, a Bengali women's magazine (published by the Ananda Bazar Patrika group) that enjoys equal popularity in West Bengal and Bangladesh. From November 2005 to December 2006, she was associated with the Bengali 24x7 infotainment channel Kolkata TV as Creative Director. In 2011 she took charge as the editor of the magazine Paroma launched by the Saradha Group.  Following the Saradha Group financial scandal, Paroma ran into trouble. It finally closed down on 14 April 2013. Sen and her editorial team launched a new magazine called Prathama Ekhon, which was short-lived.In 1987, the then President of India, Giani Zail Singh bestowed the Padma Shri on Sen in recognition of her contribution to Indian cinema. Since then, she has received several lifetime achievement awards.

Filmography
Bibliography
Parama and other outsiders: the cinema of Aparna Sen, by Shoma A. Chatterji. Parumita Publications, 2002. ISBN 81-87867-03-5.
Aparna Sen calls the shots (Women in Indian film), by Rajashri Dasgupta. Zubaan, 2009.
Passage 6:
P. Vasu
Vasudevan Peethambharan, known professionally as P Vasu, is an Indian director, writer and actor who works predominantly in Tamil and Kannada films apart from a few Telugu, Hindi, and Malayalam language films. In a career spanning three decades, Vasu has directed over 64 films to his credit.

Early life and education
P. Vasu's father, Peethambaran Nair, worked as a make-up man for   M. G. Ramachandran and N. T. Rama Rao in their films during his time. He was one of the leading make-up artists during his period and was elected as the president of the make-up union Tamil Nadu for 30 years. He later went on to become a producer.
He produced about 25 films in Tamil and Telugu and became one of the leading producers in the south. He produced with his brother M. C. Sekhar, who was a cinematographer. M. C. Sekhar had worked as a cinematographer for more than 150 films. Peethambharan died on 21 February 2011 at the age of 89.Vasu is an alumnus of Wesley High School, Chennai. Vasu is married to Shanthi and has a son, Sakthi Vasu, who is an actor and a daughter, Abhirami Vasudevan. His mother is Kamala. Vasu's brothers are Vidyasagar and Vimal, and his sisters are Vijaylakshmi, Vasantha and Vanaja. He is a Malayali from Nedumbal, a village in Thrissur district, Kerala, but settled in Tamil Nadu.

Career
Vasu joined director C. V. Sridhar as an assistant. Vasu started his career with Santhana Bharathi as a co-director and made films such as Panneer Pushpangal (1981),  Madhu Malar (1981), Mella Pesungal (1983), Sahasame Jeevitham (1984) and Needhiyin Nizhal (1985). "We compromised on certain things as we had different approaches to the subject. That's the reason why some of our other movies failed to make a big impression in the box office, prompting us to take our own paths," said Vasu and moreover Vasu was more interested in making commercial films while Bharathi wants to make different kind of films.During his career, films like Panakkaran (1990), Nadigan (1990), Chinna Thambi (1991), Mannan (1992), Walter Vetrivel (1993) and Sethupathi IPS (1994) have become blockbusters.
The director went through a career slump in the mid-1990s after a series of failures, through his high budget romantic musical Love Birds (1996). He has made films in all the four South Indian languages and he has worked with almost all top stars.From the 2000s, Vasu also began as an actor. He usually portrays a supporting role or an antagonistic role. His directed films Apthamithra (2004) went on to cross the one-year mark, while legendary Chandramukhi (2005) has had a record run of 800 days and more. Elated with the grand success of his Kannada film Aptharakshaka (2010), which happens the last project of Vishnuvardhan. He completed remaking the film in Telugu titled Nagavalli (2010) (Chandramukhi 2), features Venkatesh in the lead role. Earlier P. Vasu had plans about remaking the film in Tamil with Superstar Rajinikanth titled Chandramukhi 2. However, the project didn't happen as the actor got busy with Shankar’s Enthiran (2010).Soon after the grand success of Chandramukhi, P Vasu was initially supposed to sign Kamal Haasan for a film featuring him in triple action roles. However, Kamal Haasan couldn't take up the project as he already got committed to Dasavathaaram (2008), where he had to play 10 roles.Vasu made a film called Thottal Poo Malarum (2007), with his son Shakthi. The young actor is not new to acting; he has acted as a child in his father's films.In June 2013, P. Vasu revealed that he was set to direct an English film titled Curry in Love, with an apparent star cast of Sonam Kapoor, Anil Kapoor, Vijay, Eddie Murphy and Jon Voight. However, the supposed cast denied the reports as baseless and P. Vasu postponed the film, citing a delay in production. Later in April 2017, Vasu revealed that he still had intentions of making the film if he found a producer to help finance the project. Similarly in early 2014, P. Vasu released an official statement claiming that his next film would be an animatronics venture titled Aishwaryavum Aayiram Kaakkavum and that Aishwarya Rai would feature in the leading role. Aishwarya Rai's team later denied claims citing that such allegations of an agreement were premature.Actor Raghava Lawrence have teamed up for the first time with the director in Shivalinga (2017) that too for the remake of Vasu's Kannada blockbuster Shivalinga (2016) as horror-comedy genre. Shivalinga is saved by its packaging as a commercial family entertainer and Vadivelu's comedy. Vasu is also his outing with Shiva Rajkumar in Ayushman Bhava (2019).

Style of working
Vasu's films are usually in the masala genre, with melodrama as a key theme. Indiaglitz wrote: "Vasu ruled the early 90's with his sentimental tearjerkers, The joke in film circles was that Vasu came to the studios with a `thali' (mangalsutra) and a script. He started using sister-brother- mother- father sentiment". According to Behindwoods, "Vasu's style of storytelling has pervasive dramatization with a more-than-usual touch of sentiment".Vasu learnt the finer nuances of direction from Sridhar, under whom he started off as an assistant director, and added that he never followed Sridhar's style of filmmaking and has always tried to be original. Vasu said that during childhood, "I found myself watching films and narrating the stories to my friends in school. If the school would begin at nine I would reach there by eight and narrate the story for an hour".

Accolades
Vasu has won recognition for his work from the film fraternity and the state government. He won state awards for three years in a row from 1990, for Best Screenplay and Dialogues in Nadigan, in 1991 as Best Director in Chinna Thambi. He was awarded the Filmfare award for Best Direction for the 2004, Kannada  movie Apthamitra. He also won the Tamil Nadu State Film Honorary Award – J. Jayalalithaa Award in 2002. He was awarded the Kalaimaamani Award in 2004, reminiscent of his father Shri M. Peethambaram who was an awardee for Best make-up.
Vasu is a member of the state award selection committee and jury member of the committee for tax-free movies.

Filmography
As director
As actor
As writer
As producer
As singer
Passage 7:
Mr. and Mrs. Khiladi
Mr. and Mrs. Khiladi (English: Mr. and Mrs. Player) is a 1997 Indian Hindi-language romantic comedy film directed by David Dhawan. The film was a remake of the 1992 Telugu film Aa Okkati Adakku which itself was remade from Tamil film Paaru Paaru Pattanam Paaru. It stars Akshay Kumar and Juhi Chawla. Some scenes take place in Toronto,  Ontario, Canada. The fifth installment of the Khiladi series, Mr. and Mrs. Khiladi predominantly explores comedy genre, unlike other films in the series. The film was a semi-hit at the box office.

Summary
When his astrologer uncle (Satish Kaushik) predicts a favorable future for Raja (Akshay Kumar), he decides to do nothing until the prediction comes true.
One day he meets a woman at a bus stop, she tries to talk to him but he replies to her rudely because his uncle told him to not talk to an unmarried girl. He finds out that she is married, he tries to get frank with her but suddenly her husband arrives to beat him. Raja then collides with Shalu's (Juhi Chawla) car. She is the daughter of a millionaire (Kader Khan). He is seriously injured and Shalu is arrested. His uncle meets him in the hospital and tells him that he should forgive Shalu. He says to the inspector that this is his mistake, and they should release Shalu. They release Shalu from jail and then she goes to meet Raja but he doesn`t want to meet her. She falls in love with him, Shalu tells her father that her future husband has arrived. However, his lazy lifestyle does not meet with his future father-in-law's standards, and he insists that Raja does some hard work and bring him ₹100,000 to have Suhag Raat with his daughter. Eventually Raja accomplishes this by defeating Kaalu Pehelwan (Emmanuel Yarborough) in a wrestling match.

Cast
Akshay Kumar as Raja / Rajant Kapoor (Mr. Khiladi)
Juhi Chawla as Shalu Prasad (Mrs. Khiladi)
Kader Khan as Badri Prasad
Paresh Rawal as Pratap (Shalu's Uncle)
Himani Shivpuri as Raja's mother
Prachi as Kiran Kapoor (Raja's Sister)
Satish Kaushik as Mama (Raja's Uncle)
Johnny Lever as a bandaged patient on the street
Gulshan Grover as Vicky
Emmanuel Yarborough as Kaalu
Anil Dhawan as Bose Babu
Upasna Singh as Pratap's Girlfriend
Rakesh Bedi as Ram Babu
Mac Mohan as Police Inspector
Shashi Kiran as Postman
Birbal as Pandit
Gurbachchan Singh as Angry Husband
Babbanlal Yadav as Constable
Kishore Bhanushali as Bandwala

Principal photography
The shooting of the song "Akela Hai Mr. Khiladi" took place in Ontario, Canada. Some parts of it were shot at the Niagara Falls, while the other part (75%) was shot near the Square One Shopping Centre in Mississauga. The Central Library and other buildings nearby were shown. The song Jara Parde Pe Ane De was shot inside BCE Place in Toronto.

Music
The music for the movie was composed by Anu Malik and many of the songs were hits.

See also
List of Bollywood films of 1997#Releases
Passage 8:
Margaret Marquis
Margaret Alice Marquis (August 19, 1919 – January 19, 1993) was a Canadian-American film actress.Marquis was the daughter of Mr. and Mrs. Leon Marquis.

Personal life
On November 1, 1937, Marquis married Universal Studios publicist David c. McCoig. She wed Robert F. Stump, a Hollywood chiropractor, in 1946; he had been one of the judges a few years earlier in a "perfect back" contest she had won; they divorced in 1947.

Selected filmography
Penrod and Sam (1931)
Brand of the Outlaws (1936)
Last of the Warrens (1936)
A Family Affair (1937)
My Old Kentucky Home (1938)
Cassidy of Bar 20 (1938)
Strike Up the Band (1940)
Escort Girl (1941)
Passage 9:
Ponnu Veetukkaran
Ponnu Veetukkaran is a 1999 Indian Tamil-language comedy drama film written and directed by P. Vasu. The film stars Sathyaraj and Preetha Vijayakumar, while Vijay Adhiraj, Goundamani, Vijayakumar and Radharavi play supporting roles. It was released on 15 January 1999.

Plot
Ponnu Veetukkaran is a drama which tells the story of nice Jeeva, who is the perfect handyman and the protector of a big rich family of the Tamil Country, constituted by Gangadaran, Muralidaran, and Giridaran. These three brothers are spouses and fathers, each of several children. Traders of sarees precious, they hold one of the most beautiful and furthermore with the aim of the stores of the capital, so making their colossal fortune.
But what makes their happiness and their pride overcoat everything is Indu, the youngest child of this big welded family. Intelligent, beautiful and roguish as one pleases, she cheers up, illuminates with her presence their everyday life, as well as their cousin, the useless Yégambharam, but nevertheless very nice, always in conflict with his father Védatchalam, the dean moved by the family.
Jeeva comes from a family which was always in the service of three brothers and it since its father who was him with theirs, as driver. Far from maintaining employeur-d'employee's standard relation, the brothers' father got used to fraternizing with Jeeva's father to the point that they became as brother. Jeeva frequented one time, the same schools as three brothers.
Nevertheless, a misfortune struck the family. Their respective parents were victims of a car accident. His wives were killed instantly. Whereas the fathers, in the agony, made promise to their children to part never and on no account, of Jeeva and mutually. The good mood and the know-how and the practical sense of Jeeva put everybody all right. He shares a beautiful complicity with Indu, who is sometimes badly understood outside the family circle and gives rise to gossips maintained by the fact that Jeeva remains incorrigible bachelor. In the truth, he dreads that his future wife (if he finds one) tears away him from his family of adoption and house thus only, to avoid this problem, but regrettably, this happiness is going to be again broken. Indeed, Indu loses her husband, just before their honeymoon, a few days after their marriage celebrated in formal dinners, with all the splendor. Everybody is bewildered and appalled.
Jeeva, who had just left the marriage, knows only after his return about the death of the son-in-law. Annihilated as everybody, at the beginning, Jeeva quickly gets over it, by giving for mission to find a new pretender for Indu. Nevertheless, he finds the one person in a million, in the person of Muthu, an old acquaintance of Indu. Assisted by Yégambharam, Jeeva helps as best he can Muthu to conquer Indu, in spite of the secular obstacles against the widows considered as one bet in India.

Cast
Soundtrack
The music was composed by Ilaiyaraaja.

Release
The film was initially scheduled to release on 19 October 1998 during Diwali, but was delayed by three months.
Passage 10:
Nikhil Baran Sengupta
Nikhil Baran Sengupta (13 December 1943 – 18 February 2014) was a Hindi, Bengali, and Oriya art director, actor, painter and production designer. He made his debut as an art-director with "Gapa hele be Sata" (1975). His contribution to the success of films such as Janani (1984), Sahari Bagha (1985), Maa O Mamata, Suna Chadhei (1987), Jugantar, Tahader Katha, Bagh Bahadur (1989) and Mr. and Mrs. Iyer (2002) had always been acknowledged but less talked about.
In his 40 years of career span in the film industry, he was instrumental in encouraging young talents from Orissa to take center stage. In 1994, he was awarded as the Best Art Director for "Janani" and in 2009, he was awarded the Guru Kelu Charan award in the lifetime achievement category.

Early life
Sengupta grew up in Cuttack, the former capital and the largest city of the state of Odisha, India. He did his early schooling at the Ranihat Schooil in Cuttack, and later went to the Ravenshaw University, but his heart was with the world of art, which took him to Kolkata to study art at the Government College of Art & Craft.
Upon completion of his studies in 1969, he worked with a number of advertising firms, as a visualiser and as an illustrator for several magazines. He delved into painting and had a few exhibitions of his works. However, once he got into the film industry, he did not have any time to look back.

Career
A pioneer for the Oriya film industry, Nikhil da has the enviable distinction of working for more than 100 films in three languages – Oriya, Bengali and Hindi – and with 35 directors. He is lone member of the Oriya film industry to work with stalwarts like Aparna Sen, Buddhadeb Dasgupta, Manmohan Desai, Amol Palekar, Prasant Nanda, Biplab Roy Choudhury, Nitai Palit, Govind Tej and Raju Mishra.
Winner of three State Awards for art direction – Hakim Baboo, Janani and Hisab Nikas – his distinct debut came with Oriya film industry's first color film Gapa Helebi Sata.
The jury of Guru Kelucharan Mohapatra Award in recognition of his services and eminence has great pleasure in nominating Shri Nikhil Baran Sengupta for the award in the category of “ Eminent Person" in Cinema for the year 2008.

Personal life
Nikhil Da was married to Bijoya Sengupta. They had two sons- Neel Sengupta and Biman Sengupta. Whenever he had time from his shoots, Nikhil da loved to paint with water colours at his leisure. He died 18 February 2014 aged 70.

Filmography
Art director
Actor
Pari Mahal (2003)
The Square Circle (1996)
Nirbachan (1994)
Asuchi Mo Kalia Suna (1989)

Production designer
Yugant (1995)
Shivalika (2013)