Passage 1:
Nancy Baron
Nancy Baron is an American rock singer who was active in New York City in the early 1960s, known for the singles "Where Did My Jimmy Go?" and "I've Got A Feeling".

Early life
Born into a family of singers and writers, Baron was introduced to many musical genres by her family at an early age. Noting her singing talents, her parents brought their young child to auditions for musical theater productions in New York City. The singer joined Glee clubs at school and formed her own female singing groups at school. At the age of 11, she heard her first "Rock and Roll" song. This affected her taste in music and desire to emulate the style; it was the first time she heard a Rock group with a female lead singer. This was significant since she realized that she could be a lead singer.

Recording career
At the age of 15, her parents sent her for vocal coaching in Manhattan, N.Y. After a while her coach sent her to record a demonstration record in a sound studio near Broadway. Upon hearing her sing, the sound engineer contacted his friend who was a producer of a small record company in N.Y.C.; he was impressed by her voice and immediately signed her to a contract. The singer's mother co-signed the document since Baron was a fifteen-year-old minor at the time.Baron became one of the many girl group/girl sound singers of the early 1960s. Baron was not a member of a group; her producers would hire "pay for hire" backup groups for her recordings. This "sound" as it is referred to had much to do with Phil Spector, one of its major creators; Spector produced recordings of this genre prolifically. The groups were composed of young adult or teenage girls, each with a lead singer and any number of back up singers.At the time, the troubled label (a small N.Y.C. record company owned by Wally Zober) could not promote Baron's "I've Got A Feeling"/"Oh Yeah" 45 vinyl and so she eventually signed a contract with Jerry Goldstein producer of FGG productions, also located in Manhattan. "Where Did My Jimmy Go"/"Tra la la, I Love You" was the result (Diamond).

Later life
Baron left the music industry at the age of 19, choosing to enter higher education due to changes in the music industry of those days; she eventually received an advanced degree.
Baron's "I've Got a Feeling" was covered by The Secret Sisters on their 2010 self-titled album as well as being released as a single. AllMusic describes Baron's song as "an early-'60s pop/rock obscurity".
Passage 2:
Elizabeth Brooke (1503–1560)
Elizabeth Brooke, Lady Wyatt (1503–1560) was the wife of Sir Thomas Wyatt, the poet, and the mother of Thomas Wyatt the younger who led Wyatt's Rebellion against Mary I. Her parents were Thomas Brooke, 8th Baron Cobham and Dorothy Heydon, the daughter of Sir Henry Heydon.  She was the sister of George Brooke, 9th Baron Cobham and was considered a possible candidate for the sixth wife of Henry VIII of England.

Marriage and issue
Elizabeth married twice.

First Marriage
In 1520, Elizabeth married Sir Thomas Wyatt (1503 – 6 October 1542) and a year later, bore him a son:
Sir Thomas (1521–1554), who led an unsuccessful rebellion against Mary I in 1554. The aim of the rebellion was to replace the Catholic Queen Mary with her Protestant half-sister, Elizabeth.Early in the marriage, marital difficulties arose, with Wyatt claiming they were  'chiefly'  her fault. He repudiated her as an adulteress, although there is no record linking her with any specific man. Elizabeth separated from Thomas Wyatt in 1526 and he supported her until around 1537, when he refused to do so any longer and sent her to live with her brother, Lord Cobham. In that same year, Lord Cobham attempted to force Wyatt to continue his financial support. He refused. It wasn't until 1541, when Wyatt, accused of treason, was arrested and his properties confiscated, that the Brooke family was able to force a reconciliation as a condition for Wyatt’s pardon.In a letter to Charles V, the imperial ambassador, Eustace Chapuys wrote that Wyatt had been released from the Tower at the request of Catherine Howard. Chapuys noted that the king had imposed two conditions; that Wyatt  'confess his guilt'  and that  'he should take back his wife from whom he had been separated upwards of 15 years, on pain of death if he be untrue to her henceforth.'  There is no evidence that this provision was ever enforced or existed. After pursuing Anne Boleyn, before her relationship with the King, Wyatt had begun a long-term affair with Elizabeth Darrell and he continued his association with his mistress.On 14 February 1542, the night after Catherine Howard had been condemned to death for adultery, Henry VIII held a dinner for many men and women. The king was said to have paid great attention to Elizabeth and to Anne Basset and both were thought to be possible choices for his sixth wife. In early 1542, more than a year before Wyatt’s death, Elizabeth Brooke's name appeared in Spanish dispatches as one of three ladies in whom Henry VIII was said to be interested as a possible sixth wife.The imperial ambassador, Chapuys, wrote that the lady for whom the king "showed the greatest regard was a sister of Lord Cobham, whom Wyatt, some time ago, divorced for adultery. She is a pretty young creature, with wit enough to do as badly as the others if she were to try." It would appear that the ambassador was mistaken, as at the time, Elizabeth Brooke was nearly forty years old. Perhaps Elizabeth Brooke had been confused with her beautiful young niece, Elisabeth Brooke, the eldest daughter of George Brooke, 9th Baron Cobham, who married William Parr, 1st Marquess of Northampton. Elisabeth Brooke, Lord Cobham’s daughter, may have been at court on this occasion, since she was definitely there the following year. She would have been nearly sixteen in January 1542 and in later years was accounted one of the most beautiful women of her time. More important to a king who had just rid himself of a wife (Catherine Howard) who had committed adultery, this second  Elisabeth had a spotless reputation.

Second marriage
Following Wyatt’s death, Elizabeth Brooke married Sir Edward Warner (1511–1565), of Polstead Hall and Plumstead, Norfolk,  Lord Lieutenant of the Tower. The couple had three sons:
Edward, who died in infancy
Thomas
HenryWarner was removed from his position on July 28, 1553, at the start of the reign of Mary I, and was arrested on suspicion of treason the following January at his house in Carter Lane when Thomas Wyatt the younger rebelled against the Crown. Warner was held for nearly a year. Elizabeth’s son was executed. Edward, the son she had with Warner, died young. Two other sons died in infancy. The family fortunes were restored under Elizabeth I and Warner reclaimed his post at the Tower of London. His wife died there in August 1560 and was buried within its precincts.

Ancestry
Passage 3:
Elizabeth Jocelin
Elizabeth Brooke Jocelin (sometimes spelled "Joceline" or "Joscelin") was an English writer believed to have lived from 1595–1622. She is best known for her work The Mother's Legacy to her Vnborn Child. The book was first published two years after Jocelin's death in childbirth.

Early life
She was the daughter of Sir Richard Brooke of Norton, Cheshire, and his wife Joan, daughter of William Chaderton, bishop of Lincoln. Her parents separated, and her mother returned home. Jocelin's grandfather, Bishop Chaderton, was mainly responsible for her upbringing. Elizabeth's childhood was therefore passed in the house of Bishop Chaderton, who educated her. She was extremely well versed in art, religion and language. According to her editor Thomas Goad, she had an exceptional memory.

Later life
In 1616 she married Tourell Jocelin of Cambridgeshire. Foreboding her death in childbirth, she wrote a letter which gently but earnestly exhorted her son or daughter to piety and good conduct; and a letter to her husband, giving him advice as to the bringing up of the child. These works are thought to have been written at Crowlands, Oakington. She bore a daughter on 12 October 1622, and died nine days afterwards. The child, named Theodora, became the wife of Samuel Fortrey.
The Jocelins appeared to lead a rather happy marriage, one that appeared to be mainly based on genuine love. In The Mother's Legacy to her Vnborn Child Jocelin writes of how excited she is to be carrying her husband's child and that they have been working together to plan the best possible life for their child
Jocelin is noted for being "one of the most notable young women of the times of James I”

The Legacie
The Legacie was first published in 1624 with a long Approbation by Thomas Goad giving some account of Elizabeth Jocelin's life. The second edition is dated 1624 and the third 1625. An exact reprint of the third edition, with an introduction by an anonymous Edinburgh editor, appeared in 1852. The edition printed at Oxford, 'for the satisfaction of the person of quality herein concerned,' in 1684, and reprinted at the end of C. H. Cranford's Sermons in 1840, is an altered one, the editor having made changes in religious matters. The manuscript of the Legacie is in the British Museum (Addit. MS. 27467). It is still somewhat contentious whether the manuscript is by Jocelin, and whether Goad's editorial work brought in substantive change in the content.Jocelin wrote The Mother’s Legacy to her Vnborn Child during the Early Modern period when women were typically defined by their existence in the domestic sphere. Jocelin's work kept in line with the expectations of women during the period because of her clear dedication to her position as a mother.
One of the idiosyncratic things about the mother's advice text is Jocelin's choice of tone and word use to insure that whether her child is a boy or a girl he or she will be able to follow the advice she leaves behind. There are clearly different expectations and techniques to raising a son or daughter and Jocelin makes sure to acknowledge these differences while leaving advice for both. For example, she addresses her daughter to respect, obey and be a good mother. Jocelin writes about her desire to protect her daughter “from a potentially difficult and uncomfortable way of life.” Jocelin has been criticised for her different approaches to raising her child based on its gender. Much like women of her time Jocelin desired for her daughter to be acceptable to society even if it meant limiting her intelligence or unhappiness.
One of the largest parts of The Mother’s Legacy to her Vnborn Child is the religious advice that Jocelin offers to her unborn child. She urges the child to pray regularly, avoid temptations, acknowledge holy days and be charitable.
The tone of the book is one filled with optimism and pride over becoming a new mother. Jocelin is clearly excited about meeting her child even though she seems to understand that birthing the child will be a great risk to herself.
Much of the books instruction is directed toward Jocelin's husband including how to properly select a wet nurse for their child if Elizabeth should die.
Excerpts from The Mother's Legacy to her Vnborn Child:
“I desire her bringing up may bee learning the Bible, as my sisters doe, good housewifery, writing, and good works: other learning a woman needs not; though I admire it in those whom God hath blest with descretion, yet I desired not much in my owne, having seene that sometimes women have greater portions of learning than wisdome, which is of no better use to them than a main saile to a flye-boat, which runs it under water. But where learning and wisdom meet in a vertuous disposed woman she is the fittest closet for all goodnesse. She is like a well-balanced ship that may beare all her saile. She is, Indeed, I should but shame my selfe, if I should goe about to praise her more...Yet I leave it to thy will...If thou desirest a learned daughter, I pray God give her a wise and religious heart, that she may use it to his glory, thy comfort, and her own salvation.”
“And if thou beest a daughter, thou maist perhaps thinke I have lost my labour; but reade on, and thou shalt see my love and care of thee and thy salvation is as great, as if thou wert a sonne, and my feare greater”.

Posthumous legacy
Elizabeth Jocelin is remembered as a dedicated mother and an iconic woman of her time because of her dedication to making sure her child was raised properly even after her death. The Mother's Legacy to her Vnborn Child is regarded as one of the most significant works of the time because of the intimate view it gives of the mindset, beliefs and ideals of women of the time.

Notes
Passage 4:
Thomas Wyatt (poet)
Sir Thomas Wyatt (1503 – 11 October 1542) was a 16th-century English politician, ambassador, and lyric poet credited with introducing the sonnet to English literature. He was born at Allington Castle near Maidstone in Kent, though the family was originally from Yorkshire. His family adopted the Lancastrian side in the Wars of the Roses. His mother was Anne Skinner, and his father Henry, who had earlier been imprisoned and tortured by Richard III, had been a Privy Councillor of Henry VII and remained a trusted adviser when Henry VIII ascended the throne in 1509.
Thomas followed his father to court after his education at St John's College, Cambridge. Entering the King's service, he was entrusted with many important diplomatic missions. In public life, his principal patron was Thomas Cromwell, after whose death he was recalled from abroad and imprisoned (1541). Though subsequently acquitted and released, shortly thereafter he died.  His poems were circulated at court and may have been published anonymously in the anthology The Court of Venus (earliest edition c. 1537) during his lifetime, but were not published under his name until after his death; the first major book to feature and attribute his verse was Tottel's Miscellany (1557), printed 15 years after his death.

Early life
Thomas Wyatt was born at Allington, Kent, in 1503, the son of Sir Henry Wyatt by Anne Skinner, the daughter of John Skinner of Reigate, Surrey. He had a brother Henry, assumed to have died an infant, and a sister, Margaret who married Sir Anthony Lee
(died 1549) and was the mother of Queen Elizabeth's champion, Sir Henry Lee.

Education and diplomatic career
Wyatt was over six feet tall, reportedly both handsome and physically strong. He was an ambassador in the service of Henry VIII, but he entered Henry's service in 1515 as "Sewer Extraordinary", and the same year he began studying at St John's College, Cambridge. His father had been associated with Sir Thomas Boleyn as constable of Norwich Castle, and Wyatt was thus acquainted with Anne Boleyn.Following a diplomatic mission to Spain, in 1526, he accompanied Sir John Russell, 1st Earl of Bedford, to Rome to help petition Pope Clement VII to annul Henry VIII's marriage to Catherine of Aragon, freeing him to marry Anne Boleyn. Russell being incapacitated, Wyatt was also sent to negotiate with the Republic of Venice.  According to some, Wyatt was captured by the armies of Emperor Charles V when they captured Rome and imprisoned the Pope in 1527, but he managed to escape and make it back to England.
Between 1528 and 1530 Wyatt acted as high marshal at Calais. In the years following he continued in Henry's service; he was, however, imprisoned in the Tower of London for a month in 1536, perhaps because Henry hoped he would incriminate the queen. He was knighted in 1535 and appointed High Sheriff of Kent for 1536. At this time he was sent to Spain as ambassador to Charles V, who was offended by the declaration of Princess Mary's illegitimacy; he was her cousin and they had once been briefly betrothed. Although Wyatt was unsuccessful in his endeavours, and was accused of disloyalty by some of his colleagues, he was protected by his relationship with Cromwell, at least during the latter's lifetime.Wyatt was elected knight of the shire (MP) for Kent in December 1541.

Marriage and issue
In 1520 Wyatt married Elizabeth Brooke (1503–1560). A year later, they had a son Thomas (1521–1554) who led Wyatt's rebellion some twelve years after his father's death. In 1524, Henry VIII assigned Wyatt to be an ambassador at home and abroad, and he separated from his wife soon after on grounds of adultery.

Wyatt's poetry and influence
Wyatt's professed object was to experiment with the English language, to civilise it, to raise its powers to equal those of other European languages. His poetry may be considered as a part of the Petrarchism movement within Renaissance literature. A significant amount of his literary output consists of translations and imitations of sonnets by Italian poet Petrarch; he also wrote sonnets of his own. He took subject matter from Petrarch's sonnets, but his rhyme schemes are significantly different. Petrarch's sonnets consist of an "octave" rhyming abba abba, followed by a "sestet" with various rhyme schemes. Wyatt employs the Petrarchan octave, but his most common sestet scheme is cddc ee. Wyatt experimented in stanza forms including the rondeau, epigrams, terza rima, ottava rima songs, and satires, as well as with monorime, triplets with refrains, quatrains with different length of line and rhyme schemes, quatrains with codas, and the French forms of douzaine and treizaine. He introduced the poulter's measure form, rhyming couplets composed of a 12-syllable iambic line (Alexandrine) followed by a 14-syllable iambic line (fourteener), and he is considered a master of the iambic tetrameter.Wyatt's poetry reflects classical and Italian models, but he also admired the work of Geoffrey Chaucer, and his vocabulary reflects that of Chaucer; for example, he uses Chaucer's word newfangleness, meaning fickleness, in They Flee from Me. Many of his poems deal with the trials of romantic love and the devotion of the suitor to an unavailable or cruel mistress. Other poems are scathing, satirical indictments of the hypocrisies and pandering required of courtiers who are ambitious to advance at the Tudor court.
Wyatt's poems are short but fairly numerous. His 96 love poems appeared posthumously (1557) in a compendium called Tottel's Miscellany. The most noteworthy are thirty-one sonnets, the first in English. Ten of them were translations from Petrarch, while all were written in the Petrarchan form, apart from the couplet ending which Wyatt introduced. Serious and reflective in tone, the sonnets show some stiffness of construction and a metrical uncertainty indicative of the difficulty Wyatt found in the new form. Yet their conciseness represents a great advance on the prolixity and uncouthness of much earlier poetry. Wyatt was also responsible for the important introduction of the personal note into English poetry, for although he followed his models closely, he wrote of his own experiences. His epigrams, songs, and rondeaux are lighter than the sonnets, and they reveal the care and the elegance typical of the new romanticism. His satires are composed in the Italian terza rima, again showing the direction of the innovating tendencies.

Attribution
The Egerton Manuscript is an album containing Wyatt's personal selection of his poems and translations which preserves 123 texts, partly in his handwriting. Tottel's Miscellany (1557) is the Elizabethan anthology which created Wyatt's posthumous reputation; it ascribes 96 poems to him, 33 not in the Egerton Manuscript. These 156 poems can be ascribed to Wyatt with certainty on the basis of objective evidence. Another 129 poems have been ascribed to him purely on the basis of subjective editorial judgment. They are mostly derived from the Devonshire Manuscript Collection and the Blage manuscript. Rebholz comments in his preface to Sir Thomas Wyatt, The Complete Poems, "The problem of determining which poems Wyatt wrote is as yet unsolved".

Assessment
Critical opinions have varied widely regarding Wyatt's work. Eighteenth-century critic Thomas Warton considered Wyatt "confessedly an inferior" to his contemporary Henry Howard, and felt that Wyatt's "genius was of the moral and didactic species" but deemed him "the first polished English satirist". The 20th century saw an awakening in his popularity and a surge in critical attention. His poems were found praiseworthy by numerous poets, including Ezra Pound, Marianne Moore, John Berryman, Yvor Winters, Basil Bunting, Louis Zukofsky and George Oppen. C. S. Lewis called him "the father of the Drab Age" (i.e. the unornate), from what he calls the "golden" age of the 16th century. Patricia Thomson describes Wyatt as "the Father of English Poetry".

Rumoured affair with Anne Boleyn
Many have conjectured that Wyatt fell in love with Anne Boleyn in the early- to mid-1520s. Their acquaintance is certain, but it is not certain whether the two shared a romantic relationship. George Gilfillan implies that Wyatt and Boleyn were romantically involved. In his verse, Wyatt calls his mistress Anna and might allude to events in her life:

Gilfillan argues that these lines could refer to Anne's trip to France in 1532 prior to her marriage to Henry VIII and could imply that Wyatt was present, although his name is not included among those who accompanied the royal party to France. Wyatt's sonnet "Whoso List To Hunt" may also allude to Anne's relationship with the King:

In still plainer terms, Wyatt's late sonnet "If waker care" describes his first "love" for "Brunette that set our country in a roar"—presumably Boleyn.

Imprisonment on charges of adultery
In May 1536, Wyatt was imprisoned in the Tower of London for allegedly committing adultery with Anne Boleyn. He was released later that year thanks to his friendship or his father's friendship with Thomas Cromwell, and he returned to his duties. During his stay in the Tower, he may have witnessed Anne Boleyn's execution (19 May 1536) from his cell window, as well as the executions of the five men with whom she was accused of adultery; he wrote a poem which might have been inspired by that experience.Around 1537, Elizabeth Darrell was Thomas's mistress, a former maid of honour to Catherine of Aragon. She bore Wyatt three sons.
By 1540, he was again in the king's favour, as he was granted the site and many of the manorial estates of the dissolved Boxley Abbey. However, he was charged once more with treason in 1541; the charges were again lifted, but only thanks to the intervention of Queen Catherine Howard and on the condition of reconciling with his wife. He was granted a full pardon and restored once again to his duties as ambassador. After the execution of Catherine Howard, there were rumours that Wyatt's wife Elizabeth was a possibility to become Henry VIII's next wife, despite the fact that she was still married to Wyatt. He became ill not long after and died on 11 October 1542 around age 39. He is buried in Sherborne Abbey.

Descendants and relatives
Long after Wyatt's death, his only legitimate son Sir Thomas Wyatt the Younger led a thwarted rebellion against Henry's daughter Mary I, for which he was executed. The rebellion's aim was to set on the throne the Protestant-minded Elizabeth, the daughter of Anne Boleyn. Wyatt was an ancestor of Wallis Simpson, wife of the Duke of Windsor, formerly King Edward VIII. Thomas Wyatt's great-grandson was Virginia Colony governor Sir Francis Wyatt.

Notes
Passage 5:
Robert Paul Smith
Robert Paul Smith (April 16, 1915 – January 30, 1977) was an American author, most famous for his classic evocation of childhood, Where Did You Go? Out. What Did You Do? Nothing.

Biography
Robert Paul Smith was born in Brooklyn, grew up in Mount Vernon, NY, and graduated from Columbia College in 1936. He worked as a writer for CBS Radio and wrote four novels: So It Doesn't Whistle (1946) (1941, according to Avon Publishing Co., Inc., reprint edition ... Plus Blood in Their Veins copyright 1952); The Journey, (1943); Because of My Love (1946); The Time and the Place (1951).
The Tender Trap, a play by Smith and Dobie Gillis creator Max Shulman, opened in 1954 with Robert Preston in the leading role. It was later made into a movie starring Frank Sinatra and Debbie Reynolds. A classic example of the "battle-of-the-sexes" comedy, it revolves around the mutual envy of a bachelor living in New York City and a settled family man living in the New York suburbs.
Where Did You Go? Out. What Did You Do? Nothing is a nostalgic evocation of the inner life of childhood. It advocates the value of privacy to children; the importance of unstructured time; the joys of boredom; and the virtues of freedom from adult supervision. He opens by saying "The thing is, I don't understand what kids do with themselves any more." He contrasts the overstructured, overscheduled, oversupervised suburban life of the child in the suburban 1950's with reminiscences of his own childhood. He concludes "I guess what I am saying is that people who don't have nightmares don't have dreams. If you will excuse me, I have an appointment with myself to sit on the front steps and watch some grass growing."
Translations from the English (1958) collects a series of articles originally published in Good Housekeeping magazine. The first, "Translations from the Children," may be the earliest known example of the genre of humor that consists of a series of translations from what is said (e.g. "I don't know why. He just hit me") into what is meant (e.g. "He hit his brother.")
How to Do Nothing With Nobody All Alone By Yourself (1958) is a how-to book, illustrated by Robert Paul Smith's wife Elinor Goulding Smith. It gives step-by-step directions on how to: play mumbly-peg; build a spool tank; make polly-noses; construct an indoor boomerang, etc. It was republished in 2010 by Tin House Books.

List of works
Essays and humor
Where Did You Go? Out. What Did You Do? Nothing (1957)Translations from the English (1958) Crank: A Book of Lamentations, Exhortations, Mixed Memories and Desires, All Hard Or Chewy Centers, No Creams(1962)How to Grow Up in One Piece (1963)Got to Stop Draggin’ that Little Red Wagon Around (1969)Robert Paul Smith’s Lost & Found (1973)

For children
Jack Mack, illus. Erik Blegvad (1960)When I Am Big, illus. Lillian Hoban (1965)Nothingatall, Nothingatall, Nothingatall, illus. Allan E. Cober (1965)How To Do Nothing With No One All Alone By Yourself, illus Elinor Goulding Smith (1958) Republished by Tin House Books (2010)

Novels
So It Doesn't Whistle (1941) The Journey (1943) Because of My Love (1946)The Time and the Place (1952)Where He Went: Three Novels (1958)

Theatre
The Tender Trap, by Max Shulman and Robert Paul Smith (first Broadway performance, 1954; Random House edition, 1955)

Verse
The Man with the Gold-headed Cane (1943)…and Another Thing (1959)

External links
An Interview, by Edward R Murrow on YouTube
Passage 6:
Thomas Vesey, 1st Viscount de Vesci
The Rt Hon. Thomas Vesey, 1st Viscount de Vesci and 2nd Baron Knapton (c. 1735 – 13 October 1804), was an Anglo-Irish peer.
Lord de Vesci was the son of the 1st Baron Knapton and Elizabeth Brownlow. He succeeded to his father's peerage on 25 June 1761 and assumed his seat in the Irish House of Lords. On 22 June 1776 he was made Viscount de Vesci, of Abbeyleix in the Queen's County, in the Peerage of Ireland.On 24 September 1769, Lord Knapton, as he then was, married Elizabeth-Selina Brooke, the eldest daughter and co-heiress of Sir Arthur Brooke, 1st Baronet. Lord de Vesci was succeeded in his titles by his eldest son, John Vesey.
Passage 7:
Elizabeth Darrell (courtier)
Elizabeth Darrell (born c. 1513 – c. 1556) was the long-term mistress and muse of Sir Thomas Wyatt. They had one surviving child, Francis. Wyatt was married to Elizabeth Brooke, Lady Wyatt whom he had accused of committing adultery, resulting in their separation. She was later rumoured to have been involved with Henry VIII.

Early years
Elizabeth Darrell (sometimes spelt Darell) was the daughter of Sir Edward Darrell of  Littlecote, Wiltshire. If she was born circa 1513, she must have been the daughter of Sir Edward's third wife, Alice Flye Stanhope who married him before 1513. Sir Edward was Chamberlain to Catherine of Aragon. Elizabeth was a servant of the Marchioness of Dorset and then afterward, on an unknown date, she became maid of honour to Queen Catherine. Possibly out of loyalty to Catherine or due to her dislike of Anne Boleyn, Elizabeth refused to take the Oath of Supremacy. When Catherine of Aragon died in January 1536, she left Elizabeth a gift of £200 for her future marriage.

Thomas Wyatt
Around the year 1537, Elizabeth became the mistress of the poet and cousin of the late queen Anne Boleyn, Sir Thomas Wyatt (1503 – 11 October 1542). He was legally married to Elizabeth Brooke, the mother of his son Thomas, although they were separated. Elizabeth bore Sir Thomas three sons:
Henry, who died in early infancy
Francis, born in 1541 and took the surname of Darrell
Edward, whose date of birth is unknown. He may have been born after his father's death.The identity of Edward Wyatt, who was later executed for his part in the Wyatt's Rebellion of 1554, led by Sir Thomas Wyatt, the younger is unclear. Some sources claim that he was the illegitimate son of Thomas Wyatt the elder and Elizabeth Darrell, while others insist that he was the son of Thomas Wyatt the younger. Kenneth Muir in  'The Life and Letters of Sir Thomas Wyatt' , asserts that Elizabeth Darrell was the mistress of Sir Thomas Wyatt the elder and quotes various state papers to support this view. Only Francis is mentioned in Thomas Wyatt the elder's will, although it is possible that Edward may have been born after his father's death. Sir Thomas Wyatt the elder is known to have had an illegitimate daughter, however, the identity of the mother is unknown.Sir Thomas left Elizabeth properties in Dorset. Sir Thomas the Younger transferred Tarrant, Kent to Francis  Wyatt in 1542 (or, according to other sources, to Elizabeth in 1544). With the attainder of Sir Thomas the Younger in 1554, those properties held by Elizabeth that would have gone to him on her death, went to the Crown instead. She was in possession of Tintinhull in 1547 but it was occupied by the Crown's tenant, Sir William Petre, in 1556, and papers relating to the lease suggest that Elizabeth had died. The parsonage at Stoke, Somerset was leased to Elizabeth in 1548 and around 1554, at about the same time Mary I seems to have paid Elizabeth a legacy left to her by Queen Catherine of Aragon, Elizabeth married Robert Strode.

In popular culture
Canadian actress Krystin Pellerin portrayed Darrell in several episodes of the second season of The Tudors. Her fate is however dramatically altered. Instead of returning to royal service after the death of her mistress, as is historically accurate, Darrell hangs herself from the beams of her mistress's former home. The show is correct however in portraying Darrell's and Wyatt's affair. This is the only known portrayal of Elizabeth Darrell in popular culture. She also appears in Hilary Mantel’s Wolf Hall trilogy as an attendant of Catherine of Aragon and later of Princess Mary, and in Elizabeth Cook's Lux as she moves from loyalty to Katherine (as it is spelt in the novel) to Wyatt.
Passage 8:
Joseph J. Sullivan (vaudeville)
Joseph J. Sullivan was a blackface comedian and acrobat in New York.  He composed the song Where Did You Get That Hat? and first performed it in 1888.  It was a great success and he performed it many times thereafter.
Passage 9:
Benny Rubinstein
Benny Rubinstein (בני רובינשטיין) is an Israeli former footballer and current real estate developer. He played soccer for Maccabi Netanya and Hapoel Netanya. At the 1969 Maccabiah Games, Rubinstein played soccer for Israel, winning a gold medal.

Biography
Rubinstein was born in Netanya, Israel. His wife is Sarah Rubinstein. Benny's son, Aviram also played football for Maccabi Netanya.He played soccer for Maccabi Netanya and Hapoel Netanya. At the 1969 Maccabiah Games, Rubinstein played soccer for Israel, winning a gold medal.Rubinstein then worked as a real estate agent, and now works in real estate development.

Honours
Israeli Premier League (1):
1970-71
Passage 10:
Andrew Allen (singer)
Andrew Allen (born 6 May 1981) is a Canadian singer-songwriter from Vernon, British Columbia. He is signed to Sony/ATV and has released five top ten singles, and written and recorded many others, including Where Did We Go? with Carly Rae Jepsen. He also records covers and posts them on YouTube.

Background
Raised in British Columbia's Okanagan Valley, his acoustic pop/rock music is inspired by artists like Jason Mraz and Jack Johnson.

Career
Andrew Allen scored his first hit in 2009, when I Wanna Be Your Christmas cracked the Top Ten in his native Canada. He was honored as the feature performer for the Sochi 2014 hand off finale on the internationally broadcast Closing Ceremony of the 2010 Paralympic Winter Games held at Whistler, British Columbia. Allen continued building an international profile in 2010, and released his biggest single Loving You Tonight, which sold more than 100,000 copies worldwide, was featured on the Gold Selling NOW 37, hit #6 on the Canadian charts for 22 weeks in a row and #30 on the US Hot AC charts, and got him a record deal with Epic after spending much of that year on the road. Because of the song's attention, Allen had the opportunity to perform with some of the world's biggest artists like Bruno Mars, One Republic, The Barenaked Ladies, Train, Matt Nathanson, Joshua Radin, Andy Grammer, The Script, Nick Carter, Kris Allen, Carly Rae Jepsen and many others.
Loving You Tonight was also featured on the soundtrack of Abduction starring Taylor Lautner.

Collaborations
Andrew Allen is also well known in the songwriting community, and has written songs with artists like Meghan Trainor, Rachel Platten, Cody Simpson, Carly Rae Jepsen, Matt Simons, Conrad Sewell as well as writer/producers like Toby Gad, Ryan Stewart, Eric Rosse, Jason Reeves, John Shanks, Nolan Sipes, Mark Pellizzer (Magic), Brian West and Josh Cumbee. Numerous songs he has been a part of writing have been released by various artists, including Last Chance, which was on the Grammy nominated album Atmosphere by Kaskade feat. DJ Project 46, Ad Occhi Chiusi which was on the Double Platinum release by Italian artist Marco Mengoni and Maybe (which Allen also later released himself) released by teen pop sensation Daniel Skye, as well as many others.

Singles
I Wanna Be Your Christmas (2009)
Loving You Tonight (2010)
I Want You (2011)
Where Did We Go? (2012)
Satellite (2012)
Play with Fire (2013)
Thinking About You (2014)
What You Wanted (2016)
Favorite Christmas Song (2017)
Maybe (2017)

Discography
The Living Room Sessions (2008)
Andrew Allen EP (2009)
The Mix Tape (2012)
Are We Cool? (2013)
All Hearts Come Home (2014)
The Writing Room (2020)
12:34 (2022; pre-released on vinyl in 2021)

Songwriting credits
Last Chance released by Kaskade featuring Project 46 on his Grammy nominated record Atmosphere.
Ad Occhi Chiusi released by Marco Mengoni on his Double Platinum record.
Reasons released by Project 46.
No Ordinary Angel released by Nick Howard from The Voice Germany.
Million Dollars released by Nick Howard from The Voice Germany.
Maybe released by Daniel Skye.


Passage 1:
Ian Barry (director)
Ian Barry is an Australian director of film and TV.

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 2:
The Seventh Company Outdoors
The Seventh Company Outdoors (French: La Septième Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux. It is a sequel to Now Where Did the 7th Company Get to?.

Cast
Jean Lefebvre - Pithivier
Pierre Mondy - Chaudard
Henri Guybet - Tassin
Patricia Karim - Suzanne Chaudard
Gérard Hérold - Le commandant Gilles
Gérard Jugnot - Gorgeton
Jean Carmet - M. Albert, le passeur
André Pousse - Lambert
Michel Berto
Passage 3:
Now Where Did the 7th Company Get to?
Now Where Did the 7th Company Get To? (French: Mais où est donc passée la septième compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux. The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France.

Plot
During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods. Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area. After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery. One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry. The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender. The squad tries to contact the company, but then witness their capture and run away.
Commanded by Staff Sergeant Chaudard, the unit stops in a wood for the night. Pithiviers is content to slow down and wait for the end of the campaign. The next day, he goes for a swim in the lake, in sight of possible German fighters. When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers. Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake. Chaudard orders them to get out, but distracted by a rabbit, falls into the lake. While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water. After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes. PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole. Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers. Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall. The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard. Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men.
When Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught. Duvauchel realizes that Chaudard has been lying and takes command.
The following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers. They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company. They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans.
On their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column. The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin. In revenge, they destroy a German tank using the tow truck's cannon gun.
They planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany. Using their cover, they make the guards run in front of the truck, allowing the company to get away. When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile.

Casting
Jean Lefebvre : PFC Pithiviers
Pierre Mondy : Staff Sergent Paul Chaudard
Aldo Maccione: PFC Tassin
Robert Lamoureux: Colonel Blanchet
Erik Colin: Lieutenant Duvauchel
Pierre Tornade: Captain Dumont
Alain Doutey: Carlier
Robert Dalban : The peasant
Jacques Marin: The collaborationist
Robert Rollis: A French soldier

Production
The film's success spawned two sequels:– 1975 : On a retrouvé la septième compagnie (The Seventh Company Has Been Found) by Robert Lamoureux;
– 1977 : La Septième Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux.The story is set in Machecoul woods, but it was actually filmed near Cerny and La Ferté-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines. The famous grocery scene was filmed in Bazoches-Sur-Guyonne.
Robert Lamoureux based this film on his own personal experiences in June 1940 during the war.
The final scene with the parachute is based on a true story. The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before.

Box office
The movie received a great success in France reaching the third best selling movie in 1974.

Notes
External links
Mais où est donc passée la septième compagnie? at IMDb
Passage 4:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors  in November 2019.  Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners.  She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.
Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 5:
The Eagle's Eye
The Eagle's Eye is a 1918 American serial film consisting of 20 episodes that dramatizes German espionage in the United States during World War I. The stories are based on the experiences of William J. Flynn during his career as chief of the United States Secret Service from 1912–1917.It features King Baggot as the president of the Criminology Club and Marguerite Snow as a Secret Service agent who investigate spies. Among the events depicted are the sending of the Zimmermann Telegram, Franz von Rintelen's attempts to sabotage cargo loading in San Francisco Harbor, and the capture of the German espionage plans. It was directed by George Lessey, Wellington A. Playter, Leopold Wharton, and Theodore Wharton, and produced by the Whartons Studio. The serial is now considered lost. Because this serial was a commercial failure, it was the last one made by Whartons due to the studio being forced to declare bankruptcy.

Background
After Flynn's retirement from the Secret Service his work investigating sabotage during the war were interwoven with fictitious characters and events by Courtney Ryley Cooper into a 20-part spy thriller. These were also published as weekly installments in The Atlanta Constitution's magazine section during 1918 under the title The Eagle's Eye: A True Story of the Imperial German Government's Spies and Intrigues in America. Fifteen of the episodes were republished as chapters in a book the following year.

Cast
King Baggot as Harrison Grant
Marguerite Snow as Dixie Mason
William Bailey as Heinrich von Lertz
Florence Short as Madame Augusta Stephan
Bertram Marburgh as Count Johann von Bernstorff
Paul Everton as Captain Franz von Papen
John P. Wade as Captain Karl Boy-Ed
Fred C. Jones as Dr. Heinrich Albert
Wellington A. Playter as Franz von Rintelen
Louise Hotaling
Louis C. Bement as Uncle Sam
Allan Murnane
F.W. Stewart
Robin H. Townley
Bessie Wharton as Mrs. Blank

Chapter titles
Hidden Death
The Naval Ball Conspiracy
The Plot Against the Fleet
Von Rintelen, the Destroyer
The Strike Breeders
The Plot Against Organized Labor
Brown Port Folio
The Kaiser's Death Messenger
The Munitions Campaign
The Invasion of Canada
The Burning of Hopewell
The Canal Conspirators
The Reign of Terror
The Infantile Paralysis Epidemic
The Campaign Against Cotton
The Raid of the U-53
Germany's U-Base in America
The Great Hindu Conspiracy
The Menace of the I.W.W.
The Great Decision
Passage 6:
George Lessey
George Lessey (June 8, 1879 – June 3, 1947) was an American actor and director of the silent era. He appeared in more than 120 films between 1910 and 1946. He also directed more than 70 films between 1913 and 1922.
Lessey was born in Amherst, Massachusetts, and as a boy he acted in theatrical productions there. He graduated from Amherst College.For a year, Lessey was a leading man for Edison Studios, after which he directed films for the company for two years. In 1914, he joined Universal Studios as a director. He portrayed Romeo in the initial film version of Romeo and Juliet, directed the first serial, What Happened to Mary, and played the first dual role in film as twins in The Corsican Brothers.On stage, Lessey appeared in the original Broadway production of Porgy and Bess (1935) in one of the few white roles, that of the lawyer Mr. Archdale.In the 1930s, Lessey worked as a model for men's clothes.Lessey was married to the former May Abbey. On June 3, 1947, Lessey died on vacation in Westbrook, Connecticut, aged 67.

Selected filmography
Passage 7:
Arrington High
Arrington High (1910 - 1988) was an American journalist and newspaper publisher. He published the Eagle Eye newspaper in Jackson, Mississippi and was an advocate for African American civil rights.

Biography
Arrington High was born in 1910 to an African American mother and a Euro-American father. He published the Eagle Eye newspaper in Jackson, Mississippi. High wrote and published the Eagle Eye from his own home, located on Maple Street in Jackson. Copies of the newspaper were sold for ten cents and were available for purchase directly from High or from the Farish Street Newsstand. High was known for being a strong, outspoken advocated for social equality and civil rights. The banner of Eagle Eye read, "America's greatest newspaper, bombarding segregation and discrimination."High was fined for publishing criticism of school segregation. He was surveilled by the Mississippi Sovereignty Commission. He was arrested for selling literature without a permit. After publishing criticism of segregationists, he was held in the Mississippi State Asylum in Whitfield until he escaped to Chicago. He reported escaping in a casket. He made allegations against a brothel he said employed African Americans to serve white clients. He continued publishing his newssheet from Chicago. He promoted conspiracy theories in his later publishing career. He died while living with his daughter in Chicago.

Further reading
Jackson Eagle Eye (September 1954–May 1967) in Jet magazine May 16, 1988
Passage 8:
Eye of the Eagle 2: Inside the Enemy
Eye of the Eagle 2: Inside the Enemy (released in the Philippines as Killed in Action) is a 1989 film directed by Carl Franklin. It is the sequel to the 1987 film Eye of the Eagle.
It was shot in the Philippines.

Cast
William Todd Field
Shirley Tesoro

Release
Eye of the Eagle 2 was released in the United States in 1989. In the Philippines, the film was released as Killed in Action on August 11, 1989.

Critical reception
Eric Reifschneider of bloodbrothersfilms.com gave the film a rating of 2.5/5, writing, "It surprisingly is an 'emotionally' driven low-budget war film that's main focus is on characters, not low budget action antics."Nils Bothmann of actionfreunde.de wrote that director Carl Franklin, "illustrates the American disappointment in this unheroic war."Reviewer Vern of outlawvern.com wrote, "this is an example of the kind of thing I like where a director is able to put their stamp on lowbrow genre movies and later evolve into whatever it is they want to do".Timothy Young of mondo-esoterica.com called the film "A complete change of pace for the series, Inside the Enemy is well written, covering some very interesting ideas but some poor editing and generic music leaves the action scenes feeling flat - fortunately this is not an action picture and the rest of the film looks good with some strong acting. Of interest to fans of the more serious war movies."
Passage 9:
Peter Levin
Peter Levin is an American director of film, television and theatre.

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.
Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.
Passage 10:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.
He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.


Passage 1:
A Slave of Vanity
A Slave of Vanity is a 1920 American silent drama film starring Pauline Frederick, and directed and written by Henry Otto. The film, which was adapted from Arthur Wing Pinero's 1901 play Iris, was produced and distributed by the Robertson-Cole Pictures Corporation that eventually became part of Film Booking Office of America. The film is now considered lost.

Plot
Iris (Frederick), a British aristocrat, must choose between the poor Laurence (Barrie) and the rich Frederick (Louis). She decides to marry the wealthier Frederick, but at the last minute she changes her mind and runs off to Italy with Laurence. However, things do not work out quite the way she planned.

Cast
Pauline Frederick as Iris Bellamy
Arthur Hoyt as Croker Harrington
Nigel Barrie as Laurence Trenwith
Willard Louis as Frederick Maldonado
Maude Louis as Fanny Sullivan
Daisy Jefferson as Aurea Vyse
Ruth Handforth as Miss Pinsent
Howard Gaye as Arthur Kane

See also
List of lost films
Passage 2:
Shape of My Heart
Shape of My Heart may refer to:

"Shape of My Heart" (Sting song), a 1993 song by Sting from the album Ten Summoner's Tales
"Shape of My Heart" (Backstreet Boys song), a 2000 song by the Backstreet Boys
"Shape of My Heart" (Noah and the Whale song), 2008 song by Noah and the Whale, charting 94 in the UK
Shape of My Heart, a 2009 album by Katia Labèque
"Shape of My Heart", a 2012 single by Rick Price from The Water's Edge
The Shape of My Heart, the UK title of God-Shaped Hole, a 2003 novel by Tiffanie DeBartolo
Passage 3:
Half of My Heart (disambiguation)
"Half of My Heart" is a 2009 song by John Mayer from his album Battle Studies featuring Taylor Swift.
Half of My Heart may also refer to:

"Half of My Heart", the love theme from the 1957 film Jeanne Eagels
"Half of My Heart", a 1961 song by Emile Ford
"Half of My Heart", a 2000 song by The Mooney Suzuki from People Get Ready
"Half of My Heart", a 2019 song by Megan McKenna
Passage 4:
Grace of My Heart
Grace of My Heart is a 1996 American musical comedy-drama film written and directed by Allison Anders, and starring Illeana Douglas, Matt Dillon, Eric Stoltz, Patsy Kensit and John Turturro. The film charts the fictional music career of Denise Waverly, an aspiring singer who writes for other artists in the pop music world of the mid-1960s. It premiered at the 1996 Toronto International Film Festival and went into limited release on September 13, 1996.
The soundtrack features artists Burt Bacharach, Elvis Costello, Joni Mitchell, Gerry Goffin and Jill Sobule, replicating the musical style that emerged from the Brill Building, New York City's  music factory in the heyday of girl groups and "pre-fab" acts like The Monkees.

Plot
In 1958, Philadelphia steel heiress Edna Buxton enters and wins a talent contest. When she attempts to record a demo, a studio producer tells her that girl singers are not currently getting signed and record companies are even trying to get rid of the ones on their rosters. However, when Edna tells him that she wrote the song she wants to record, he is impressed enough to direct her to producer Joel Milner, who takes her under his wing, renames her "Denise Waverly" and invents a blue-collar persona for her. Milner reworks her song for a male doo-wop group, the Stylettes, as male groups are far more marketable, and the song becomes a hit.
Denise moves to New York City and becomes a songwriter in the Brill Building. At a party, she meets the arrogant songwriter Howard Caszatt, and despite an awkward initial meeting, they begin a relationship. Denise offers to write a song specifically for her three girlfriends, which culminates in Joel auditioning the girls and creating the girl group the Luminaries. Howard and Denise also begin writing together and eventually get married and have a child. They pen a song called “Unwanted Number,” based on a young girl's unwanted pregnancy. Although it is banned from radio, it attracts the attention of prominent and influential disc jockey John Murray, who, despite the negative attention around the song, credits Denise with sparking the girl group craze.
Joel recruits the beautiful English songwriter Cheryl Steed, who immediately catches Howard's eye, and initially, Denise's disdain. Cheryl diffuses Denise’s suspicion by informing her that she already has a songwriting partner – her husband Matthew. Joel tasks Denise and Cheryl with writing a song for the ingénue singer Kelly Porter. The two women bond over the realization that the young songstress is in a closeted lesbian relationship with her roommate Marion. They write the coded song "My Secret Love" for Kelly, which becomes a hit.
Denise’s relationship with Howard becomes strained due to his philandering with other women. When she learns she is pregnant with Howard's second baby, Cheryl convinces her to see an obstetrician, who safely performs an illegal abortion. Denise and Cheryl then become close friends and Denise eventually breaks up with Howard.
In 1966, Milner offers to send Denise to the studio to sing for herself. As an added incentive, he offers the production assistance of Jay Phillips, the frontman of California rock group the Riptides, to produce her single. Although initially hesitant as she says she finds the whole "surf and turf" sound laughable, she writes and sings the song "God Give Me Strength" and is delighted by Jay's skillful orchestral arrangement. The record she puts out with him, however, is a commercial failure. Between the loss suffered by her foundering single and the advent of the British Invasion, Milner's fortunes are depleted. Denise blames herself for making the song too personal and bankrupting Joel. He tells her she did more for him than she realized and that it was time for them both to move on.
Denise and Jay become a couple and resettle in California. Jay treats Denise’s daughter Luna as his own, but he is reclusive and a user of recreational drugs like marijuana and peyote. Denise has since joined forces with the newly-divorced Cheryl to write songs for a bubblegum pop TV show, Where the Action Is, though Jay insists to Denise that writing music for TV is beneath her.
Jay's behavior becomes more erratic and he becomes increasingly paranoid, causing his bandmates to distance themselves from him. He falls into a period of deep depression that seemingly abates after a visit from his friend "Jonesy", who reminds him of the things that are important in his life, including his "groovy new old lady", Denise.
Thinking that the worst is over, Denise invites Jay to join her and Cheryl at the Whisky a Go Go to see Doris, a former Luminary member who embarked on a solo career after the girl group broke up, perform. Jay declines, saying he has a song idea he wants to explore, so Denise ends up going with Cheryl. While the women celebrate, Jay is revealed to be still in the throes of his depression; having put on a brave face for Denise's benefit. He walks into the ocean, taking his own life. Denise is further distraught to discover that Jay's fans blame her for not intervening in his death.
Numbed by the loss, Denise retires with her family to a hippie commune in northern California and tries to make sense of everything that has happened. Some time later, Joel visits Denise at the commune and takes her and the children to dinner. That night, he criticizes how far down she's allowed her grieving to take her and says that it's destroying her and her talent. Denise angrily lashes out, telling Milner that he'd be nothing without her success. He agrees; however, the more he agrees with her, the angrier she becomes. She strikes him then collapses in tears, grieving for Jay. Milner consoles her and the two are reconciled.
With Joel's help, Denise creates the platinum-selling work "Grace of My Heart". As she lays down the piano track for the song, her life is recounted in pictures, leading to the moment when her own mother receives a copy of her album in the mail with a handwritten note. Seemingly proud of her daughter's success, she smiles.

Cast
Production
The story is loosely based on the career arc of singer-songwriter Carole King, who, like Denise, started out writing songs in the Brill Building for artists like Aretha Franklin, The Drifters, and Little Eva. The character Jay Phillips is loosely modeled on Brian Wilson of The Beach Boys.Allison Anders said she was inspired to make the film as a fan of the girl group The Shangri-Las. She was also inspired by the Alan Betrock book Girl Groups: The Story of A Sound, which contained photos of "Carole King and Gerry Goffin then others like Cynthia Weil and Barry Mann...it was interesting to read what Alan had to say about what that time was like back then and how they were all really just kids when they had been a part of that."Martin Scorsese is credited as Grace of My Heart's executive producer, and the film is co-edited by Scorsese’s longtime editor Thelma Schoonmaker.

Reception
Release
Grace of My Heart debuted at the Toronto International Film Festival on September 8, 1996. It was theatrically released a few days later on September 13, 1996, just weeks ahead of Oscar-winning actor Tom Hanks' directorial debut That Thing You Do!, which also covered the early to mid-1960s pop music scene and featured original, retro-styled songs on the soundtrack. Grace of My Heart grossed $660,313 worldwide.

Critical response
On the review aggregator website Rotten Tomatoes, 79% of 28 critics' reviews are positive, with an average rating of 6.9/10.David Ansen of Newsweek praised the film and wrote while it "is not the smoothest trip" story-wise, "Anders's rough edges are more than offset by the story's contagious vitality...Denise's funky journey to self-discovery is a fresh feminist take on an era that has always been seen through men's eyes. It may not be precision-tooled, but it's triumphantly alive."Time Out wrote, "There's a lovely sequence about a third of the way into Anders' delightful movie which follows a song from conception - the street scene that inspires it - through the writing, to the recording session. This seamlessly edited passage swings like the snappy '60s girl pop it emulates. Like the film as a whole, it works as a musical in its own right, and as history and critique of the pop process."
Critics roundly praised the film's music, particularly the Brill Building scenes, and lauded the film's approach of pairing popular songwriters of the 1960s with contemporary artists. Mark Caro of the Chicago Tribune wrote:What Anders captures is the feel of the time: the nervous thrill of singing a song you love; the sanctified atmosphere of a recording studio, with red padded walls that match the singer's lipstick and a slit of a window that reveals a live bassist; the songwriter's excitement in realizing that songs can be about people's actual lives and still be commercial; the breathlessness of keeping up with an industry that may love a cappella vocal groups one day and rock bands the next.Criticism centered on the film's shift of the action from New York City to California to center on Denise's relationship with Jay, with many arguing it is where the story loses focus. Roger Ebert praised the music and Douglas' performance, but said Anders tries to cover too much ground and would have liked a less condensed story.In a 2020 episode of his podcast Kermode on Film, film critic Mark Kermode named Grace of My Heart number one on his countdown of the top five most underrated films of all time. Jim Hemphill of Filmmaker wrote the film "feels both completely of the period in which it takes place and like something that could only have been made in the mid-1990s, an age when the American independent film movement and the studio system intersected in a way that allowed auteurs like Anders to broaden their ambitions and expand their canvasses."

Music
Actress Douglas’ singing voice is dubbed by singer Kristen Vigard, while the fictional Luminaries are dubbed by girl group For Real.In the beginning, Edna/Denise performs a version of "Hey There", from the musical The Pajama Game, and popularized by singers such as Rosemary Clooney. Another of Denise's big musical moments occurs in the studio to sing tracks for "God Give Me Strength", an expensively produced single that fails to generate excitement on the charts, alluding to Phil Spector's recording of "River Deep – Mountain High" for Tina Turner (written by Spector, Ellie Greenwich and Jeff Barry). Singer Elvis Costello, who co-wrote "God Give Me Strength" with Burt Bacharach for the film, also wrote "Unwanted Number", which is crafted by Denise and Cazsatt for the Luminaries and causes a scandal due to its story of a young, unmarried mother.Singer-composer Lesley Gore co-wrote the song "My Secret Love", performed by the character of young singer Kelly Porter. Gore chose not to be credited as a co-writer because she felt she'd "been brought in too late for a real collaboration" and was not invited to the film's New York City premiere, a logistical oversight Anders regretted.

Soundtrack
The soundtrack was released in September 1996 by MCA Records. It was produced by Larry Klein, Joni Mitchell's former husband and producer. Klein contributed to the writing of several songs on the soundtrack and appears briefly in the movie as a recording engineer.
Joni Mitchell contributed the song "Man from Mars", which is performed by Vigard as heard in the fillm. The soundtrack's initial pressing of 40,000 CD copies contained a version featuring Mitchell's vocals instead of Vigard's. This CD was recalled and re-released a week later with Vigard's vocal restored. Mitchell later re-recorded the song with different-styled music for her 1998 album Taming the Tiger.

Other songs
Several songs did not make the album soundtrack, such as both of Vigard's renditions of "Hey There"—the contest version and the polished demo. Her version of "In Another World" is swapped out for the fictional Stylettes' rendition (via Portrait). Vigard's "God Give Me Strength" is also swapped for the Costello/Bacharach version. "A Wave Dies", written and performed by Andrew Allen-King and produced by Klein, was also not included in the final cut. The Williams Brothers perform two songs, "Heartbreak Kid" and "Love Doesn't Ever Fail Us", but only the latter is on the album.

Home media
Grace of My Heart was released as a Blu-ray Collector’s Edition by Scorpion Releasing on November 17, 2020. The Blu-ray includes an audio commentary by Anders and a making-of featurette.
Passage 5:
Piece of My Heart (disambiguation)
"Piece of My Heart" is a song written by Jerry Ragovoy and Bert Berns, best known through performances by Janis Joplin.
Piece of My Heart may also refer to:

Film and television
Piece of My Heart (film), a 2009 New Zealand film
A Piece of My Heart (film), a 2019 Swedish film
"Piece of My Heart" (Grey's Anatomy), a television episode

Literature
Piece of My Heart (novel), a 2006 Inspector Banks novel by Peter Robinson
Piece of My Heart, a 2020 Under Suspicion novel by Mary Higgins Clark and Alafair Burke
A Piece of My Heart, a 1976 novel by Richard Ford

Music
"Piece of My Heart" (Intermission song), 1993
"Piece of My Heart" (Tara Kemp song), 1991
Piece of My Heart, a 1996 album by Faith Hill
"A Piece of My Heart", a song by Gang of Four from Hard
Piece of My Heart: The Bert Berns Story, a 2014 jukebox musical
Passage 6:
King of My Heart
King of My Heart may refer to:

"King of My Heart", a song by Taylor Swift from Reputation (2017)
"King of My Heart", a song by Tara Dettman from Sea to Sea: I See the Cross (2005)
"King of My Heart", a song by Bethel Music from Starlight (2017)
"King of My Heart", a song by Leeland from Invisible (2016)
"King of My Heart", a song from the 2007 London revival of Joseph and the Amazing Technicolor Dreamcoat
"King of My Heart", a song by Melba Moore from Read My Lips (1985)
Passage 7:
Burden of My Heart
Burden of My Heart (Sydämeni taakka) is a 2011 Finnish documentary film about the surviving victims of the genocide in Rwanda. It was directed by Yves Montand Niyongabo. The documentary was chosen for premiere at the 2011 DOK Leipzig film festival. The documentary also received the Jury Youth Prize and Best Domestic Documentary Award at the Tempo film festival in Finland.
Passage 8:
From the Bottom of My Heart
From the Bottom of My Heart may refer to:

"From the Bottom of My Heart" (Chuck Willis song), recorded by both The Clovers and The Diamonds
"From the Bottom of My Heart" (Stevie Wonder song), 2006
Passage 9:
Allison Anders
Allison Anders (born November 16, 1954) is an American independent film director whose films include Gas Food Lodging, Mi Vida Loca and Grace of My Heart. Anders has collaborated with fellow UCLA School of Theater, Film and Television graduate Kurt Voss and has also worked as a television director. Anders' films have been shown at the Cannes International Film Festival and at the Sundance Film Festival. She has been awarded a MacArthur Genius Grant as well as a Peabody Award.

Early life
Anders was born in Ashland, Kentucky, to mother Alberta "Rachel" Anders (née Steed) and father Robert "Bob" Anders. She has four sisters, one of whom, Luanna Anders, starred in her first film, Border Radio. Her paternal side has ancestry that traces back to the Southern Hatfield family and, more distantly, to George Washington's spy, Caleb Brewster, while her maternal side includes another Washington spy, Abraham Woodhull.When Anders was 4 years old, her father abandoned the family. Anders' mother and father were divorced when she was 5.  At age 12, she was gang raped by three boys at a party in Cape Canaveral, Florida, an event that influenced several of her films. After her mother moved her and her sisters to Los Angeles, Anders suffered a mental breakdown at the age of 15 and was hospitalized. When she came out of the psychiatric ward, she was placed into foster care but ran away. She hitchhiked across the country, at one point ending up in jail. After turning 17, Anders dropped out of her Los Angeles high school and moved back to Kentucky. She later moved to London with the man who fathered her first child.In her early 20s, Anders moved back to Los Angeles with her daughter and attended junior college, Los Angeles Valley College, while working odd jobs. Due to constant relocation as a child, Anders had not had a steady education. She said that growing up, most of her time was spent watching TV and going to movie theaters. Inspired by the films of Wim Wenders and other filmmakers, Anders applied to UCLA Film School. During her time at UCLA, Anders produced her first sound film. Wenders attended the screening. She has called Wenders' 1974 film Alice in the Cities "one of my very favorite films, and a guiding light, since I first saw it at the Nuart in Santa Monica in the 1970s." In 1986, Anders got her B.A. in Motion Picture-Television from the University of California Los Angeles.

Career
Film
In 1986, Anders won a Samuel Goldwyn Writing Award for a script called Lost Highway that she wrote about her father. She said that after writing the script she shared it with her father, and was able to have a relationship with him again.Anders' first film, the punk music-heavy Border Radio, was co-written and co-directed with Kurt Voss and Dean Lent and was made while they were at UCLA. It was nominated for Best Feature of 1988 by the Independent Feature Project for Best First Feature. The film told the story of three musicians who stole money owed to them from a job and then fled to Mexico. The story is set amid the Los Angeles punk-rock scene of the 1980s. With a $2,000 contribution from actor Vic Tayback and loans from Voss's parents to fund the film, the filmmakers made up for the small budget by using local locations and casting performers they knew. For the starring role, they cast Anders' sister, Luanna Anders, and musician Chris D., as the leading man, as well as Anders' daughter, Devon Anders, who played Luanna's daughter in the film. Violating UCLA policy, the filmmakers cut the film at night in the school's editing bays, while Anders' two young daughters slept on the floor. In 2007, Border Radio was given a special release on DVD as part of the Criterion Collection and was lauded as groundbreaking independent cinema.Anders' second feature, the 1992 film Gas Food Lodging, earned her a New York Film Critics Circle Award and National Society of Film Critics honors for Best New Director; and nominations from the Independent Spirit Awards for Best Screenplay and Best Director. Actress Fairuza Balk won a Spirit Award for her role in the film. The film also won the Deauville Film Festival Critics Award and was also nominated for the Golden Bear at the 42nd Berlin International Film Festival. Gas Food Lodging is a coming-of-age story about a truck stop waitress and her two daughters, three vibrant, restless women in an isolated Western town. The screenplay was loosely adapted by Anders from the novel Don't Look and It Won't Hurt by Richard Peck.Her next film, Mi Vida Loca (My Crazy Life), was about girl gangs in the poor Hispanic Echo Park neighborhood of Los Angeles, where Anders lived. It premiered at the Cannes Film Festival in 1993, and saw wide release in 1994. The story features a female perspective on growing up in the inner city.
Anders' 1996 film, Grace of My Heart, was a musical drama executive produced by Martin Scorsese, about a songwriter (played by Illeana Douglas) and her career over several years, including work in the early 1960s in music publishing and production offices, a setting based on the Brill Building. This marriage to a songwriting partner and her emergence as a singer-songwriter in the 1970s are among elements paralleling the career of Carole King, but the film is neither a biography nor entirely fiction. The original soundtrack features new songs written in various styles of the era. Elvis Costello and Burt Bacharach had their first collaboration composing a song for the film, "God Give Me Strength," and were nominated for a Grammy Award.
In the late 1980s, Anders had become friends with members of pop group Duran Duran, and frequently inserted small references to the band in her films (character names, posters on walls, and so on). In 1999, after bassist John Taylor had left Duran Duran and was beginning to launch an acting career, she and Voss co-wrote and co-directed Sugar Town, about the Los Angeles film and music industry. The film starred several musical friends of Anders', including Taylor, X singer John Doe, Spandau Ballet bassist Martin Kemp, and singer/actor Michael Des Barres. Sugar Town followed the interconnected lives of a handful of power brokers, wanna-bes and has-beens. Gwen (played by Jade Gordon), a self-centered would-be rock star, is working as an assistant to production designer Liz (Ally Sheedy); when Gwen discovers Liz has a date with a music producer (Larry Klein), any loyalty she has to her boss disappears. The film received two Independent Spirit Award nominations, for Best Film and Best Newcomer (Jade Gordon). The film also won Anders and Voss the Fantasporto award for Best Screenplay.Her 2001 autobiographical film, Things Behind the Sun, deals with the long-term aftermath of rape. It was released on the Showtime cable TV network. The film earned an Emmy nomination for actor Don Cheadle as Best Supporting Actor; and three Independent Spirit Award nominations: Cheadle for Best Supporting Actor, Kim Dickens for Best Actress, and Best Film. Anders and co-writer Kurt Voss also received a nomination for an Edgar Award. The film was awarded the SHINE Award as well as the Peabody Award. Things Behind the Sun was inspired by an experience Anders had in 1967 when she was raped by a group of boys. Anders actually shot some of the film in the same location in Cocoa Beach, Florida, where the gang rape occurred.Anders' 2012 film, Strutter, co-directed with Voss, completed a loose trilogy of films about Southern California musicians that began with Border Radio and Sugar Town. A black-and-white road picture, the film featured Luanna Anders from Border Radio, a scene in the motel room where Gram Parsons died, and a score with music by Ariel Pink and J Mascis. The film was funded by a Kickstarter campaign.In 2013, Anders released the Lifetime-produced TV movie Ring of Fire, a June Carter Cash biopic that featured the musician Jewel. The film was inspired by John Carter Cash's book, Anchored in Love: A Tribute to June Carter Cash.

Television
Anders began directing shows for broadcast and cable television in 1999, including several episodes in the second and third seasons of Sex and the City, as well as episodes of Grosse Pointe, Cold Case, The L Word, Men In Trees, The Mentalist, and What About Brian?
In 2011, she directed an episode of the John Wells production, Southland, which involved a car chase scene. Anders directed an episode of Turn: Washington's Spies, which was especially interesting to her because she has distant relatives on both sides of her family who were spies for George Washington.

Other work
In 2013, Anders interviewed 94-year-old actress and Hollywood legend Marge Champion, who appeared at a 2013 Hollywood film festival screening of 1968 cult film The Swimmer, which starred Burt Lancaster. The interview was featured among behind-the-scenes supplementary material on a 2014 Blu-ray/DVD release of the film by Grindhouse Releasing/Box Office Spectaculars Blu-ray/DVD restoration of the film.Anders and her musician daughter, Tiffany Anders, started the Don't Knock the Rock Film and Music Festival in 2003 in Los Angeles.In 2006, she appeared in the road-trip documentary Wanderlust. Anders has also contributed to the web series Trailers from Hell.
In 2013, Anders bid on and won a rock and roll record collection formerly owned by the actress Greta Garbo. She created a website called "Greta's Records" to curate and share the collection of 50 records.

In development / past projects
Quanah Parker project at AMC Networks with writer Terry Graham

Long-term associations
Anders counts filmmaker Wim Wenders as a mentor. She started as a fan, sending him letters and music, and Wenders eventually responded. Anders said that she created a faux grant that she "won" so that she and at least one other friend could study under Wenders on location for his film Paris, Texas. They have been friends for over 30 years.

Teaching
In 2003, Anders became a Distinguished Professor at the University of California Santa Barbara, where she teaches in the Film And Media Studies Department one quarter each year. She has taught courses on topics including autobiographic writing, rock and roll films, and music supervision.

Awards
1986: Nicholl Fellowships in Screenwriting – Lost Highway
1986: Samuel Goldwyn Writing Awards – Lost Highway
1988: Independent Spirit Awards for Best First Feature – Border Radio
1992: New York Film Critics Circle for Best New Director – Gas Food Lodging
1992: National Society of Film Critics for Best New Director – Gas Food Lodging
1992: Independent Spirit Awards for Best Screenplay nomination – Gas Food Lodging
1992: Independent Spirit Awards for Best Director nomination – Gas Food Lodging
1995: MacArthur Fellows Program
2001: Independent Spirit Award for Best Film nomination – Things Behind the Sun
2002: Spirit of Silver Lake Award from the Silver Lake Film Festival
2002: Peabody Award for distinguished achievement and meritorious service – Things Behind the Sun
2013: Primetime Emmy Award for Outstanding Directing of a Drama nomination – Ring of Fire

Personal life
Anders has three children. Her two daughters are Tiffany Anders, a musician and music supervisor, and Devon Anders. Her son, Ruben Goodbear Anders, was fostered (and eventually adopted) by the Anders family for three years after the death of his mother, Nica Rogers, who appeared in Mi Vida Loca. Tiffany was named after the film Breakfast at Tiffany's.

Filmography
Film
Television
1999: Sex and the City – Director, 4 episodes: "The Caste System," "La Donleur Exquise," "Drama Queen," "The Big Time"
2000: Grosse Pointe – Director, 2 episodes: "Boys on the Side," "Star Wars"
2004: Cold Case – Director, 1 episode: "Volunteers"
2006: The L Word – Director, 1 episode: "Last Dance"
2006: Men in Trees – Director, 1 episode: "Power Shift"
2006: What About Brian – Director, 2 episodes: "What About First Steps," "What About the True Confessions?"
2011: SouthLAnd – Director, 2 episodes: "Sideways," "Fallout"
2013: The Mentalist – Director, 1 episode: "The Red Barn"
2014: Orange Is the New Black – Director, 1 episode: "You Also Have a Pizza"
2014: Gang Related – Director, 1 episode: "Invierno Cayó"
2014: The Divide – Director, 1 episode: "Facts Are the Enemy"
2014–2015: Murder in the First – Director, 4 episodes: "Pants on Fire," "Blue on Blue," "The McCormack Mulligan," "Nothing But the Truth"
2015: TURN: Washington's Spies – Director, 1 episode: "False Flag"
2015: Proof – Director, 1 episode: "Memento Vivere"
2017: Time After Time –  Director, 1 episode: "Suitcases of Memories"
2017: Riverdale – Director, 2 episodes: "Chapter Seven: In a Lonely Place", "Chapter Fifteen: Nighthawks"
2017: Graves – Director, 1 episode "The Opposite of People"
2018: Sorry for Your Loss – Director, 1 episode: "Visitor"
2019-2023: Mayans MC – Director, 2 episodes: "Kukuklan" and "My Eyes Closed And Then Filled On The Last of Childhood Tears"

Works and publications
Anders, Allison. "On Claudia Weill's film 'Girlfriends.'" Sight & Sound. Vol. 25 (10). London: British Film Institute, October 2015. ISSN 0037-4806
Passage 10:
Henry Otto
Henry Otto (August 8, 1877 – August 3, 1952) was an American silent film actor, director, producer, and screenwriter.
Otto contributed to over 150 films throughout his career, working as an actor and a director throughout. He directed many films in 1914, in films such as When a Woman Waits, In Tune, The Archeologist, and The Redemption of a Pal working with actors such as Edward Coxen, Charlotte Burton and George Field. He retired from film in 1942.
Otto was found dead on August 4, 1952, in Los Angeles.

Selected filmography
Actor
Harbor Island (1912, Short) - General Arieno - Owner of Harbor Island
The Lipton Cup: Introducing Sir Thomas Lipton (1913)
Margarita and the Mission Funds (1913, Short) - Padre Sandez of the Mission
Through the Centuries (1914, Short) - Amos Willing
Elizabeth's Prayer (1914) - Richard Lee, A Sporty Acquaintance
The Zaca Lake Mystery (1915, Short) - The Hunter
Half a Rogue (1916) - Ex-Senator Henderson
Mister 44 (1916) - Dick Westfall
Lorelei of the Sea (1917) - John Grey
The Outlaw Express (1926) - John Mills
The Iron Mask (1929) - The King's Valet
The Quitter (1929) - Dr. Abott
One Hysterical Night (1929) - Dr. Hayden
Sea Devils (1931) - Governor
Svengali (1931) - Man with Opera Glasses (uncredited)
Beware of Ladies (1936) - Plainclothesman (uncredited)
The 13th Man (1937) - One Punch (uncredited)
Here's Flash Casey (1938) - Dock Warden (uncredited)
Silver Queen (1942) - Fight Spectator (uncredited)
Sweet Rosie O'Grady (1943) - Minor Role (uncredited) (final film role)

Director
Betty's Bandit (1912)
Beppo (1914)
The Measure of Leon Du Bray (1915)
Undine (1916)
The River of Romance (1916)
Mister 44 (1916)
Big Tremaine (1916)
The River of Romance (1916)
The Butterfly Girl (1917)
Their Honeymoon Baby (1918)
Wild Life (1918)
The Island of Intrigue (1919)
The Amateur Adventuress (1919)
The Great Romance (1919)
Fair and Warmer (1919)
The Microbe (1919)
The Great Victory (1919)
The Willow Tree (1920)
The Cheater (1920)
A Slave of Vanity (1920)
Lovebound (1923)
The Temple of Venus (1923)
Dante's Inferno (1924)
The Folly of Vanity (1924)
The Ancient Mariner (1925)
Alma de Gaucho (1930)

Writer
Memories of the Past (1911)
Oh, Such a Night! (1912)
All on Account of a Transfer (1913)
Lola (Scenario, 1914)
The Phantom Fortune (Scenario, 1915)
Half a Rogue (Scenario, 1916)
The River of Romance (Scenario, 1916)
Big Tremaine (1916)
A Slave of Vanity (Scenario, 1920)
The Temple of Venus (Story, 1923)