Passage 1:
Shaheen Khan
Shaheen Khan may refer to:

Shaheen Khan (Indian actress), Indian actress
Shaheen Khan (Pakistani actress) (born 1960), Pakistani actress
Shaheen Khan (British actress) (born 1960), British actress
Shaheen Khan (cricketer) (born 1987), South African cricketer
Passage 2:
Brooks, Meadows and Lovely Faces
Brooks, Meadows and Lovely Faces (Arabic: الماء والخضرة والوجه الحسن, translit. Brooks, Meadows and Lovely Faces) is a 2016 Egyptian comedy film directed by Yousry Nasrallah. It was selected to be screened in the Contemporary World Cinema section at the 2016 Toronto International Film Festival.

Cast
Laila Eloui
Bassem Samra
Menna Shalabi
Passage 3:
Thou Wast Mild and Lovely
Thou Wast Mild and Lovely is a 2014 experimental thriller film written and directed by Josephine Decker and starring Joe Swanberg, Sophie Traub, and Robert Longstreet.

Cast
Joe Swanberg as Akin
Sophie Traub as Sarah
Robert Longstreet as Jeremiah
Kristin Slaysman as Drew
Matt Orme as Caren
Geoff Marslett as Richard

Plot
Akin is hired to work a summer job on a farm owned by Jeremiah and his daughter Sarah. As he arrives at the property, he removes his wedding ring before getting out of the car, and tells the other two he is single and has no children. He is given a room to live at the farm for the summer. Jeremiah drinks a lot, and gives Akin the nickname "shoulders" because he thinks the man's shoulders are always tense from keeping a secret. Akin tries to talk to his wife Drew on the phone, but the poor cell service makes it difficult. Sarah and Akin become interested in each other from afar, and spy on each other multiple times. While the two of them are tracking down a lost cow at the edge of the property, Sarah finds a frog and bites its head off, which causes Akin to finally kiss her and ultimately rape her. She smiles afterwards.
When Akin tells the other two at dinner that he has a roommate, Jeremiah reveals that he knows Akin's secret: the tan line on his finger makes it obvious that he's married. Jeremiah jokes that he too has a roommate that he has kept alive for a long time by continuing to clean his wounds. Sarah finds a family photo in Akin's room the next day, which shows he also has a son. Sarah and Akin continue to spend time together, and she teaches him how to improve his horseback skills.
The landline phone rings, and Drew is on the other end explaining that she's been trying to contact them because she hasn't heard from Akin in a while. She tells him that she and their son are going to come visit the farm. The visit goes well at first, but during dinner when Drew comments about Akin being "quiet", Sarah responds that he has been very talkative to her. Jeremiah explains that Akin had been lying about his marriage to get closer to Sarah, causing an awkward silence. That night, Drew is lying on the couch drunk, barely conscious. Jeremiah starts saying vulgar, sexual things about her, so Akin carries her to his room. He awakes later to an empty bed, and finds Drew back in the house chatting with Sarah. They mention that Drew and Akin had a daughter who had passed away. Sarah blindfolds Akin and the three of them begin to have sex together. In the middle of the act, Akin removes the blindfold and sees that Jeremiah and a neighbor have been watching them. Jeremiah attacks the neighbor and tries to force himself on Drew. Akin tries to carry Drew away, but Jeremiah knocks him out.
Akin awakes tied up inside the barn, where he sees a man's face that is covered in wounds and blood. Sarah appears and cuts Akin loose. They return to the house to find Jeremiah with a knife. He stabs Akin, but Sarah reacts by shooting him. As Sarah is crying over Jeremiah's dying body, Drew storms in with an axe and swings it on both Sarah and Jeremiah. Akin and Drew grab their son who is wandering the yard crying, and drive away.

Production
To raise money for the film's post-production, Decker ran a crowdfunding campaign on the website Kickstarter with a goal of $15,500.  The campaign closed on August 22, 2013, having successfully raised $18,517.  Decker has cited John Steinbeck's novel East of Eden as inspiration for elements of the film, though David Rooney of The Hollywood Reporter has compared the visuals of the film to the works of Terrence Malick. The visual style continues some of the experimental camera techniques Decker and cinematographer Ashley Connor had used in their previous collaboration, Butter on the Latch, including some shots that were recorded without a lens on the camera.

Release
Media
In September 2014, Thou Wast Mild and Lovely was picked up for theatrical and VOD distribution by Cinelicious Pics along with Decker's 2013 film Butter on the Latch with a release set for November 2014.

Reception
Critical response
Thou Wast Mild and Lovely received a positive response from critics. Richard Brody of The New Yorker highly praised the film, saying "Like most classic stories, this one is simple, but its realization is so surprising in its details, so original in its visual invention, as to make most other movies seem shot by the numbers." and "Normally it would be an insult to say that a movie that runs a mere hour and a quarter feels as if it were much longer, but here it’s both accurate and high praise: vast realms of emotional experience are condensed into the movie’s brief span." In a subsequent piece for The New Yorker, Brody named Thou Wast Mild and Lovely the second best film of 2014, just behind Wes Anderson's The Grand Budapest Hotel.  Brody also listed Robert Longstreet as "Best Supporting Actor"; Ashley Connor in "Best Cinematography". Decker's other 2014 film, Butter on the Latch, also made the Brody's top ten, clocking in at tenth place. Subsequent to its Berlinale 2014 premiere, Peter Knegt of Indiewire called Thou Wast Mild and Lovely "The talk of the Berlin International Film Festival… with tense eroticism and experimental, largely free-form filmmaking". Josh Slater-Williams of Sound on Sight called it "one of the strongest, most striking American Gothic works of recent memory."  In his review of the film, Eric Kohn of Indiewire gave the film a B+ rating and commented, "Its labyrinthine characteristics suggest the unholy marriage of Ingmar Bergman and David Lynch" and "Decker concocts a wholly enveloping vision of isolation told with a grimly poetic style that wanders all over the place but never stops playing by its own eerie rulebook."  Jenni Miller of The A.V. Club moderately praised the film and described Sophie Traub's Sarah as "fascinating", despite noting "There are a few too many experimental flourishes to effectively build the sort of tension that’s necessary to really make the ending pay off."  Nicolas Rapold of The New York Times gave the film a more mixed review, noting "The setup's clichés grow harder to ignore, despite a welcome mischievous streak and some bucolic imagery."  David Rooney of The Hollywood Reporter stated, "It's not uninteresting but too self-consciously arty to rank Decker as a mature filmmaking voice."

Accolades
Thou Wast Mild and Lovely premiered in the U.S. at the Sarasota Film Festival, and internationally at the 2014 Berlin International Film Festival in the Forum section.  It has also played at the AFI Fest, the BFI London Film Festival, the Torino Film Festival, the Hong Kong International Film Festival, the Gothenburg Film Festival, the Athens International Film Festival, the Denver Film Festival, the Dallas VideoFest, the Flyway Film Festival, the Sidewalk Film Festival, the Fantasia International Film Festival, the Galway Film Fleadh, the BAMcinemFest and the Imagine Film Festival in the Netherlands.
The film was nominated for the FIPRESCI prize at the Hong Kong International Film Festival, and has won awards on the festival circuit, including the Dallas VideoFest Winner 2014: Best Narrative Feature, Sarasota Film Festival 2014 Winner: Independent Visions Grand Prize & Tangerine Entertainment's Juice Award, Flyway Film Festival 2014: Breakout Filmmaker, Indie Memphis Film Festival 2014: Craig Brewer Emerging Filmmaker Award. It was acquired by Cinelicious Pics in fall of 2014.
Passage 4:
Mark Lewis (filmmaker)
Mark Lewis is an Australian documentary film and television producer, director and writer. He is famous for his film Cane Toads: An Unnatural History and for his body of work on animals. Unlike many other producers of nature films, his films do not attempt to document the animals in question or their behaviors but rather the complex relationships between people and society and the animals they interact with.His films have earned him many awards, including a British Academy Award nomination, a nomination from the Directors Guild of America, two Emmy's for Outstanding Direction in documentary film, and an Emmy Award for Outstanding Science Program on American Television.
As a student Lewis helped planning Philippe Petit's famous 1974 high-wire walk between the Twin Towers of the World Trade Center. He talks about his involvement in the acclaimed documentary Man on Wire (2008).

Filmography
(2010) Cane Toads: The Conquest
(2007) The Pursuit of Excellence
(2006) The Floating Brothel
(2006) The Standard of Perfection: Show Cats
(2006) The Standard of Perfection - Show Cattle
(2000) The Natural History of the Chicken
(1999) Animalicious
(1998) Rat
(1994) Gordy.
(1990) The Wonderful World of Dogs
(1989) Round the Twist
(1988) Cane Toads: An Unnatural History
Passage 5:
Mike Judge
Michael Craig Judge (born October 17, 1962) is an American actor, animator, filmmaker, and musician. He is the creator of the animated television series Beavis and Butt-Head (1993–1997, 2011, 2022–present), and the co-creator of the television series King of the Hill (1997–2010, 2023–present), The Goode Family (2009), Silicon Valley (2014–2019), and Mike Judge Presents: Tales from the Tour Bus (2017–2018). He wrote and directed the films Beavis and Butt-Head Do America (1996), Office Space (1999), Idiocracy (2006), and Extract (2009), and co-wrote the screenplay to Beavis and Butt-Head Do the Universe (2022).
Judge was born in Guayaquil, Ecuador, and raised in the U.S. state of New Mexico. He graduated from the University of California, San Diego, where he studied physics. After losing interest in a career in science, Judge focused on animation and short films. His animated short Frog Baseball was developed into the successful MTV series Beavis and Butt-Head, and the spin-off series Daria (with which Judge had no involvement).
In 1995, Judge and the former Simpsons writer Greg Daniels developed King of the Hill, which debuted on Fox in 1997 and quickly became popular with both critics and audiences. Running for 13 seasons, it became one of the longest-running American animated series. During the run of the show, Judge took time off to write and direct Office Space, Idiocracy and Extract. As King of the Hill was coming to an end, Judge created his third show, ABC's The Goode Family, which received mixed reviews and was cancelled after 13 episodes. After a four-year hiatus, he created his fourth show, the live-action Silicon Valley for HBO, which has received critical acclaim. In 2017, Judge's fourth animated series, the music-themed Tales from the Tour Bus, premiered on Cinemax, to acclaim.
Judge has won a Primetime Emmy Award and two Annie Awards for King of the Hill and two Critics' Choice Television Awards and Satellite Awards for Silicon Valley.

Early life
Michael Craig Judge was born on October 17, 1962, in Guayaquil, Ecuador. He is the middle of three children born to Margaret Yvonne (née Blue), a librarian, and William James Judge, an archaeologist. At the time of his birth, his father was working for a nonprofit organization in Guayaquil and other parts of Ecuador, promoting agricultural development. Judge was raised from age three in Albuquerque, New Mexico, where he spent a small portion of his life working on a chicken farm. He attended St. Pius X High School and graduated with a Bachelor of Science in physics from the University of California, San Diego, (UCSD) in 1985.

Career
1985–1997: Early science career; musician; animation and Beavis and Butt-Head
After graduating from the University of California, San Diego, in 1985, he held several brief jobs in physics and mechanical engineering, but found himself growing bored with science. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara, California. Disliking the company's culture and his colleagues, Judge quit after less than three months, describing it as, "The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was". Shortly after quitting his job, he became a bass player with a touring blues band.
He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release Rack 'Em Up, while taking graduate math classes at the University of Texas at Dallas. He was planning to earn a master's degree as "a back-up plan" to become a community college math teacher after relocating to the north Dallas area for his ex-wife's new job. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts in his home in Richardson, Texas. In 1991, his short film Office Space (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. Shortly thereafter, he dropped out of school to focus on his career. In the early 1990s, he was playing blues bass with Doyle Bramhall.In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, which was to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head, who live in the fictional town of Highland, Texas. The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two – Blood Drive/Give Blood and Door to Door – which he described as "awful, I don't know why anybody liked it ... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.After two decades, the series aired its new season on October 27, 2011. The premiere was a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes.

1997–2009: King of the Hill, Office Space, and Idiocracy
In early 1995, after the successful first run of Beavis and Butt-Head, Judge decided to create another animated series, King of the Hill. Judge conceived the idea for the show, drew the main characters, and wrote a pilot script. Fox was uncertain of the viability of Judge's concept for an animated comedy based in reality and set in the American South, so the network teamed him up with The Simpsons writer Greg Daniels. Judge was a former resident of Garland, Texas, upon which the fictional community of Arlen was loosely based, but as Judge stated in a later interview, the show was based more specifically on the Dallas suburb of Richardson. Judge voiced characters Hank Hill and Jeff Boomhauer. The show is about a middle-class Methodist family named the Hills living in a small town called Arlen, Texas. It attempts to retain a naturalistic approach, seeking humor in the conventional and mundane aspects of everyday life while dealing with issues comically. After its debut in 1997, the series became a large success for Fox and was named one of the best television series of the year by various publications, including Entertainment Weekly, Time, and TV Guide.For the 1997–1998 season, the series became one of Fox's highest-rated programs and even briefly outperformed The Simpsons in ratings. Although ratings remained consistent throughout the 10th, 11th and 12th seasons and had begun to rise in the overall Nielsen ratings (up to the 105th most watched series on television, from 118 in season 8), Fox abruptly announced in 2008 that King of the Hill had been cancelled. The cancellation coincided with the announcement that Seth MacFarlane, creator of Family Guy and American Dad!, would be creating a Family Guy spin-off called The Cleveland Show, which would take over King of the Hill's time slot. Hopes to keep the show afloat surfaced as sources indicated that ABC (which was already airing Judge's new animated comedy, The Goode Family) was interested in securing the rights to the show, but in January 2009, ABC president Steve McPherson said he had "no plans to pick up the animated comedy." On April 30, 2009, it was announced that Fox ordered at least two more episodes to give the show a proper finale. The show's 14th season was supposed to air sometime in the 2009–10 season, but Fox later announced that it would not air the episodes, opting instead for syndication. On August 10, 2009, however, Fox released a statement that the network would air a one-hour series finale (which consisted of a regular 30-minute episode followed by a 30-minute finale) on September 13, 2009. The four remaining episodes of the series aired in syndication the week of May 3, 2010, and again on Adult Swim during the week of May 17, 2010. During the panel discussion for the return of Beavis and Butt-Head at Comic-Con 2011, Mike Judge said that no current plans exist to revive King of the Hill, although he would not rule out the possibility of it returning.Judge began to develop one of his four animated short films titled Milton, about an office drone named Milton that Judge created, which first aired on Liquid Television and Night After Night with Allan Havey and later aired on Saturday Night Live. The inspiration came from a temp job he once had that involved alphabetizing purchase orders and a job he had as an engineer for three months in the San Francisco Bay Area during the 1980s, "just in the heart of Silicon Valley and in the middle of that overachiever yuppie thing, it was just awful". Judge sold the completed film Office Space to 20th Century Fox based on his script and a cast that included Jennifer Aniston, Ron Livingston, and David Herman. Originally, the studio wanted to make a film out of the Milton character but Judge was not interested, opting instead to make more of an ensemble cast–based film. The studio suggested that he should make a film like Car Wash but "just set in an office". Judge made the relatively painless transition from animation to live-action with the help of the film's director of photography who taught him about lenses and where to put the camera. Judge says, "I had a great crew, and it's good going into it not pretending you're an expert." Studio executives were not happy with the footage Judge was getting. He remembers them telling him, "More energy! More energy! We gotta reshoot it! You're failing! You're failing!" In addition, Fox did not like the gangsta rap music used in the film until a focus group approved of it. Judge hated the ending and felt that a complete rewrite of the third act was necessary. In the film, he made a cameo appearance as Stan (complete with hairpiece and fake mustache), the manager of Chotchkie's, a fictionalized parody of chain restaurants like Chili's, Applebee's and TGI Friday's, and the boss of Jennifer Aniston's character, whom he continually undermines and interrogates over her lack of sufficient enthusiasm for the job and the insufficient quantity of "flair" (buttons, ribbons, etc.) she wears on her uniform. The film was released on February 19, 1999, and it was well received by critics. Although not particularly successful at the box office, it sold well on VHS and DVD, and it has come to be recognized as a cult classic.Beginning in fall 2003, Judge and fellow animator Don Hertzfeldt created an animation festival called "The Animation Show". "The Animation Show" toured the country annually for several years, screening animated shorts. In 2005, Judge was presented with the Austin Film Festival's Outstanding Television Writer Award by Johnny Hardwick.Judge has made supporting and cameo appearances in numerous films. Judge had a voice cameo as Kenny in South Park: Bigger, Longer and Uncut (1999), the feature-length film adaptation of the popular Comedy Central series; he voiced Kenny McCormick when he was unhooded towards the end of the film. He later acted in the science-fiction family comedy franchise Spy Kids, where he played Donnagon Giggles in the first three films. His next film appearance was Serving Sara (2002) where he played a motel manager. He later appeared in the comedy Jackass Number Two (2006), in which he can be seen during the closing credits. An extended version of his sequence can be seen in Jackass 2.5 (2007) which was a direct-to-video release. Judge also created a video clip of Beavis and Butt-Head ripping into Steve-O for his video Poke the Puss, where the two try imagining if they would like the video better if they were black. The clip aired as a part of Jackassworld.com: 24-Hour Takeover, a February 23, 2008, television special on MTV to coincide with the official launch of jackassworld.com. The characters appeared again in the third Jackass film, titled Jackass 3D, at the beginning of the film, telling viewers to put on their 3D glasses for the film.Judge's third film, Idiocracy, a dystopian comedy starring Luke Wilson and Maya Rudolph, was given a limited release theatrically by 20th Century Fox in September 2006, two years after production. The film's original release date was intended to be on August 5, 2005, according to Mike Judge.In April 2006, a release date was set for September 1, 2006. The film was released without a trailer or substantial marketing campaign. The film was not screened for critics beforehand as is usually done. Lack of concrete information from Fox led to speculation that the distributor may have actively attempted to keep the film from being seen by a large audience, while fulfilling a contractual obligation for theatrical release ahead of a DVD release, according to Ryan Pearson of the AP.That speculation was followed by open criticism of the studio's lack of support from Ain't It Cool News, Time, and Esquire. Time's Joel Stein wrote "the film's ads and trailers tested atrociously", but "still, abandoning Idiocracy seems particularly unjust, since Judge has made a lot of money for Fox." Despite the film not being screened for critics, the film received positive reviews and was a minor box-office success.In the U.S., the film was released to DVD in January 2007 and later aired on premium-television, multiplex channels Cinemax in September 2007 and HBO in January 2008. Since then, it has gained a cult following.

2009–2013: The Goode Family, Extract, and other projects
Judge's fourth directorial effort was 2009's Extract. Shortly after completing Office Space, Judge was already about 40 pages into his follow-up script, set in the world of an extract factory, when he was convinced by his representative team that he needed to shelve that and concentrate on something more commercial. Over the next several years, he focused his energy on developing Idiocracy. But years later, by the time of the film's release, audiences had decided that Office Space had struck a chord, so they were ready to see Judge return to on-the-job humor, and thus the Extract script was given new life.Seeking to keep Extract below the radar of the studio system, Judge and his producers set up a production company, Ternion Productions, and arranged private financing while partnering with Miramax for domestic distribution of the film. Judge relied heavily on his own personal knowledge of the industrial world to bring the story to life. "I actually worked in a factory a little bit myself ... I hopefully write stuff that is recognizable as the archetypes of this world," Judge stated.Keeping true to this baseline of reality, Extract was shot in a working factory, in this case a water bottling plant south of Los Angeles, in the City of Commerce. He makes an uncredited appearance as Jim, a union organizer. The film premiered on September 4, 2009, and received mixed to positive reviews from critics and was a minor commercial success.Judge's third television series, The Goode Family, debuted on ABC but was cancelled after one season. Comedy Central first aired the series in reruns on January 4, 2010. However, the series was pulled off the schedule shortly thereafter. It was confirmed on The Goode Family Facebook page that Comedy Central had picked up the reruns of the series, which were to be evaluated for a chance of being renewed for a second season. On August 8, 2009, however, ABC Entertainment President Steve McPherson stated that the show, along with Surviving Suburbia, had officially been canceled due to low ratings.In 2010, reruns of The Goode Family aired Monday nights at 10 pm on Comedy Central, beginning January 4. It departed the network's primetime schedule after four weeks, returning occasionally in low-trafficked timeslots.In 2012, Judge directed the music video (animation by Titmouse) for country music group Zac Brown Band's "The Wind". In 2013, Judge collaborated with Seth MacFarlane on a mashup episode of Family Guy, in which, complete with a Hill-themed opening, Judge reprises his role as Hank Hill. Earlier in 2010 and 2012, Judge played cameos as Hank on two episodes of MacFarlane's The Cleveland Show.

2014–2019: Silicon Valley and Tales from the Tour Bus
Judge created his fourth show, Silicon Valley, with King of the Hill executive producers John Altschuler and Dave Krinsky. The HBO comedy is a single-camera live-action sitcom set in Northern California. One of its main themes is the idea that "the people most qualified to succeed are the least capable of handling success". The first season of Silicon Valley was 8 episodes long and received critical and public acclaim. Silicon Valley was renewed for a second season on April 21, 2014, and a third season on April 13, 2015. Silicon Valley aired its fourth season, which premiered on April 23, 2017. The series was renewed for a fifth season, which premiered on March 25, 2018, and a sixth season, which premiered on October 27, 2019, and served as its final season.On January 12, 2017, Deadline confirmed that Cinemax ordered 8 episodes of Judge's new animated series, Mike Judge Presents: Tales from the Tour Bus. The series premiered on September 22, 2017. Judge wrote the story for Action Point, the film was released in 2018. In 2018, he starred in the film, The Front Runner. In 2019, Judge announced he had been developing two projects for HBO: QualityLand and A5, both of which were later scrapped by HBO in 2021.

2020–present: Beavis and Butt-Head  and King of the Hill revivals
In June 2020, Comedy Central announced it had ordered a second revival of Beavis and Butt-Head consisting of two new seasons along with spin-offs and specials. In the new series, Beavis and Butt-Head will enter a "whole new Gen Z world" with meta-themes that are said to be relatable to both new fans, who may be unfamiliar with the original series, and old.In February 2022, it was announced that the revival would instead premiere on Paramount+, following a second Beavis and Butt-Head feature film entitled Beavis and Butt-Head Do the Universe. Originally, Paramount executives wanted a live-action Beavis and Butt-Head movie. Judge held auditions over Zoom for the project. He eventually talked the company into doing an animated movie instead to reestablish the characters first, with a future live-action movie still a possibility. In June 2022, it was confirmed that new episodes would debut later that year, along with the full library of over 227 original episodes, newly remastered, with music videos intact. One month later, it was announced that the revival would premiere on August 4, 2022. Season 9 continues the concept of the Beavis and Butt-Head multiverse initially explored in Beavis and Butt-Head Do the Universe. Teenage Beavis and Butt-Head, Old Beavis and Butt-Head, and Smart Beavis and Butt-Head all get their own dedicated episodes in the revival.In January 2022, Judge and Daniels announced the forming of a new company called Bandera Entertainment, with a revival of King of the Hill being one of several series in development. During a panel at the San Diego Comic-Con in 2022, Judge stated that the show "has a very good chance of coming back." In September 2022, Fox Entertainment president Michael Thorn confirmed that the series would not air on Fox, with the reason being that Fox prefers to have full ownership of whatever new shows they air. On January 31, 2023, a revival on Hulu was officially confirmed to be ordered.

Personal life
Judge married Francesca Morocco in 1989; they divorced in 2009. Together they have two daughters and a son. The family resides in Austin, Texas, and Santa Monica, California, having previously resided in Malibu.

Political views
While King of the Hill is often a satire of protagonist Hank Hill, identifiable as a conservative, and his The Goode Family is essentially a satire centered around a liberal family, Judge avoids discussing his own political leanings.In reviewing Idiocracy, Salon stated, "Judge's gimlet eye is so ruthless that at times his politics seem to border on South Park libertarianism". A writer for the libertarian magazine Reason seems to agree, comparing King of the Hill to the anti-authoritarian point of view of South Park and The Simpsons, though he calls the show more populist, noting the disdain King of the Hill seems to have for bureaucrats, professionals, and big-box chains.Still, Judge denies having political messages in his shows, saying in 2006 in an IGN interview about King of the Hill:
"I try to not let the show get too political. To me, it's more social than political I guess you'd say, because that's funnier. I don't really like political reference humor that much. Although I liked the episode "Hank's Bully" where Hank's talking to the mailman and he says, 'Why would anyone want to lick a stamp that has Bill Clinton on it?' To me that's just like more of a character thing about Hank than it is a political joke or anything. I don't want to do a bunch of stuff about the war, particularly."
In June 2016, before the presidential election in November, Etan Cohen told BuzzFeed that he and Judge would produce Idiocracy-themed campaign advertisements mocking Donald Trump's presidential campaign if given permission from 20th Century Fox to do so. It was later reported by Business Insider that they would not have been campaign ads, would have mocked all of the candidates, and would not go forward.

Filmography
Film
Television
Other appearances
Awards and nominations
Passage 6:
Josephine Decker
Josephine Decker (born April 2, 1981) is an English–born American filmmaker and performance artist. Films she has directed include Butter on the Latch (2013), Thou Wast Mild and Lovely (2014), Madeline's Madeline (2018), Shirley (2020), and The Sky is Everywhere (2022). She also co-directed the documentary Bi the Way (2008) with Brittany Blockman.

Early life
Decker was born in London and raised in Texas. As a child, she played the piano and dreamed of being a writer, as well as a photographer for National Geographic. She graduated from Highland Park High School in 1999 and Princeton University in 2003, where she aspired to become a conductor and applied for a conducting class. She was inspired to become a filmmaker after watching Monsters, Inc.

Career
Film
Decker produced and directed her first short film, Naked Princeton, in 2005.
In 2008, Decker co-directed the documentary Bi the Way with Brittany Blockman, which focused on bisexuality in the United States. Despite being described by Variety's Joe Leydon as a "once-over-lightly examination of an alleged cultural phenomenon", the film went on to win the Alternative Spirit Grand Prize at the Rhode Island International Film Festival.Decker wrote and directed her second short film, Where Are You Going, Elena?, in 2009. In 2012, she wrote and directed the short film Me the Terrible, which Richard Brody of The New Yorker called a "wondrous short film."In 2013, Decker wrote, produced, and directed her first feature film, the experimental psychological thriller Butter on the Latch.  The film garnered praise from Eric Kohn of Indiewire, who said Decker's career was "one to keep an eye on", and Peter Debruge of Variety, who wrote that "Decker has fashioned the kind of feature debut the film industry simply doesn’t support, but would do well to encourage: a visually poetic, virtually free-form groove in which emotion, rather than narrative, guides viewers through a young woman’s visit to a Balkan folk music camp." Decker was included in Filmmaker Magazine's 2013 list of 25 New Faces in Independent Film.In early 2014, she completed her second theatrical film, the experimental erotic thriller Thou Wast Mild and Lovely, starring Sophie Traub and Decker's frequent collaborator Joe Swanberg. To raise money for the film's post-production, Decker ran a crowdfunding campaign on Kickstarter with a goal of $15,500. The campaign closed on August 22, 2013, having raised $18,517. In his review, Kohn gave the film a B+ and commented, "Its labyrinthine characteristics suggest the unholy marriage of Ingmar Bergman and David Lynch. While nowhere near the same level of refinement as those giants, Decker concocts a wholly enveloping vision of isolation told with a grimly poetic style that wanders all over the place but never stops playing by its own eerie rulebook."In September, 2014, it was announced that Butter on the Latch and Thou Wast Mild and Lovely had been picked up for a theatrical and VOD distribution by Cinelicious Pics with a planned release set for November, 2014.Decker has also appeared as an actor in many independent films, including Joe Swanberg's Uncle Kent, Onur Tukel's Richard's Wedding, Saturday Morning Mystery, the romantic tragedy Loves Her Gun, and Stephen Cone's Black Box.
In November 2015, Decker served on the Jury of the 33rd Torino Film Festival. The festival had paid tribute to her work in the Onde section in 2014.
Decker co-directed with Zefrey Throwell the 2017 documentary Flames. As Deadline put it, "Shot over the course of five years, the project charts the immensely passionate and profound relationship between the two artists, watching the spectacular romance, excitement and adventure of their relationship at its peak, and the fallout as Decker and Throwell clash, falling out of love with each other."Decker’s third feature film, Madeline's Madeline, screened at the Sundance and Berlin film festivals in early 2018. It features Molly Parker and Miranda July, and introduces 19-year-old Helena Howard as a troubled acting student whose "class exercises become increasingly immersive and personal".In 2020, Neon distributed Decker's feature Shirley, inspired by the life of author Shirley Jackson. The film starred Elisabeth Moss and Michael Stuhlbarg, and was produced by Christine Vachon and executive produced by Martin Scorsese. On RogerEbert.com, critic Sheila O'Malley called it Decker's "most ambitious film to date."In a change of pace, Decker directed the coming-of-age drama The Sky is Everywhere, which was released in 2022 by Apple+ and A24. In an interview, Decker said, "I think I was really ready to make something that was a little lighter and had more lightness and less gritty, dark, violent, sexual. Probably for my next movie, I’ll go back into it hard, but this was a nice little respite."

Performance art
In May 2010, Decker attended the last day of Marina Abramović's retrospective The Artist Is Present at MoMA. As she sat down across from Abramovic, Decker immediately disrobed and stood naked in the middle of the museum until seven security guards escorted her out over the museum’s no-nudity policy.
Decker declared that her goal was to be "as vulnerable to [Abramovic] as she constantly makes herself to us."

Influences
Decker cites Antichrist, Days of Heaven, Eternal Sunshine of the Spotless Mind, and Silent Light as her primary influences, as well as the novel East of Eden, director Joe Swanberg, and frequent collaborator Sarah Small. She cited Black Swan as a particular influence on Butter on the Latch.

Personal life
Decker grew up as a Christian, and is now a Buddhist, having practiced the religion since at least 2011.

Filmography
Television
Passage 7:
Ohad Edelstein
Ohad Edelstein (Hebrew: אוהד אדלשטיין; born 25 May 1992) is an Israeli footballer who currently plays at Maccabi Yavne.

External links
Ohad Edelstein – Israel Football Association league player details
Passage 8:
Jack Shea (director)
Jack Shea (August 1, 1928 – April 28, 2013) was an American film and television director. He was the president of the Directors Guild of America from 1997 to 2002.

Life and career
Born John Francis Shea, Jr., Shea's father was a traveling salesman and his mother a bookkeeper. He received a parochial high school education, later attaining a degree in history from Fordham University. Shea broke into the entertainment industry in 1951, initially as a stage manager for the TV series Philco Playhouse, and, following two years of service with the United States Air Force, serving from 1952 to 1954, during the Korean War, making instructional films in Los Angeles, and later becoming an associate director.
Among the TV shows he contributed to during this period include The Jerry Lewis Show and The Bob Hope Specials, where he later shared a Primetime Emmy Award nomination for in 1961. By the late 1950s, Shea had become instrumental in forming the Radio and Television Directors Guild (merged with the Screen Directors Guild in 1960 to form The Directors Guild of America) and was a strong voice for the hiring of minorities in the industry. During the 1970s, he began an association with producers Bud Yorkin and Norman Lear, directing episodes from two of their projects in the 1970s, the series Sanford and Son and The Jeffersons (110 episodes for the latter). Among his other credits include The Waltons, Silver Spoons (91 episodes), Growing Pains and Designing Women, the last earning him a second Primetime Emmy Award nomination. From 1997 until 2002, he served as president of the Directors Guild.A lifelong Catholic, Shea was a co-founder, with his wife Patt and other prominent Catholics in the Hollywood entertainment community, of the Hollywood-based Catholics in Media Associates (CIMA), which he was also past president of. Shea and Patt Shea jointly received the CIMA Lifetime Achievement Award in 2002 from the organization of Catholic entertainment industry professionals which celebrates its 20th anniversary in 2013. Shea was also a former member of the United States Conference of Catholic Bishops Committee for Communications.

Personal life and family
On January 2, 1954, Shea married the former Patricia C. Carmody, who, later known as Patt Shea, became a three-time Humanitas Award-nominated screenwriter whose credits include the CBS-TV series All in the Family, story editor and/or writer for 38 episodes of Archie Bunker's Place, in addition to screenwriter for episodes of Lou Grant, Valerie, Cagney & Lacey, In The Heat of The Night, Bagdad Café, and the CBS pilot for Gloria, Sally Struthers’ spin-off from the popular All In The Family TV series, among many other television series. The couple, who resided in Studio City, CA for over 30 years, have five children, three of whom are currently DGA members* and 1st Assistant Directors*: Shawn Shea*; Elizabeth (now deceased); William (“Bill”) Shea*; Michael J. Shea* and John Francis (“Jay”) Shea III.

Death
Shea died of complications from Alzheimer's disease.
Passage 9:
Geoff Marslett
Geoff Marslett is an American film director, writer, producer, animator and actor. His early career started with the animated short Monkey vs. Robot which was distributed internationally by "Spike and Mike's Classic Festival of Animation" on video. and "Spike and Mike's Sick and Twisted Festival of Animation" in theatres. More recently he directed several successful narrative feature films including MARS  as well as producing and acting in the experimental documentary Yakona. He appears onscreen in Josephine Decker's Thou Wast Mild and Lovely which is being released theatrically in 2014. He currently resides in Austin, Texas and splits his time between filmmaking and teaching at the University of Colorado at Boulder.

Bio
Geoff Marslett grew up in North Texas. After high school he studied philosophy and math at St. John's College in Santa Fe, New Mexico and Annapolis, Maryland where he earned his BA from their Great Books Program in 1996. In 2000 he received his MFA in film production from the University of Texas at Austin.

Career
While in graduate school he completed his first animated short Monkey vs. Robot (not to be confused with Nate Pommer's live action version that came out a few months later). This 2+1⁄2-minute short was based on a song by musician and comic artist James Kochalka. The short was completed in 1999 and went on to play over a dozen major film festivals including Palm Springs Shorts Festival (1999), The Dallas Video Fest (1999), Taos Talking Pictures Film Festival (2000), South by Southwest Film Festival (2000), and Slamdance Film Festival (2001). It won jury awards at MicroCine Film Festival in Baltimore, Maryland and CinemaTexas in Austin, Texas  and was then included as a part of Spike and Mike's Classic Festival of Animation vol. 7 and "Spike and Mike's Sick and Twisted Festival of Animation" in theatres. It also appeared on television including airing on PBS' Egg Arts Show, Univision, and HBO Central Europe. It won jury awards at Cinematexas Film Festival and Microcine Film Festival in 1999. The Phoenix New Times said "it should become the new national anthem"  and Cashiers du Cinemart said "that it's something I'd like to start my mornings with every day for the rest of my life."

MARS
Marslett's first feature film was the animated, sci-fi, romantic comedy MARS which premiered at the South By Southwest Film Festival in 2010. The film stars Mark Duplass, Paul Gordon, Zoe Simpson, Howe Gelb, Michael Dolan, Liza Weil, James Kochalka, Cynthia Watros, and Kinky Friedman  with appearances by Nicole Atkins and Don Hertzfeldt. MARS went on to play at over 50 festivals including BAMCinemafest, Sitges Festival International de Cinema Fantastic de Catalunya, BFI London Film Festival, Sidewalk Moving Pictures, and The Maryland Film Festival. It won several jury awards including honors from IndieMemphis, The Dallas Video Fest, The San Francisco Independent Film Festival  and Just For Laughs Chicago. It received generally favorable press including being called "realistic, but still stylized and dreamlike" by Wired. The Village Voice describes MARS as "an inter-planetary indie that takes place in a world—and a format—of his [Marslett's] invention" and calls the look and tone "spacey, soothing, and strange.". Time Out London writes "‘Mars’ isn't just visually striking, it's also full of humour, heart and super-cute cartoon Martians.", and New York Magazine made it a critics pick when it played in Brooklyn. MARS was often noted for its visual style that the Washington Post said "eschews the mildly trippy look in favor of bold outlines, solid colors and a comic-book sensibility".The increasing popularity of Mark Duplass as an actor and the strange animation style have made the film something of a cult film for sci-fi genre fans four years later.It is worth noting that Marslett also co-wrote (with Tray Duncan) some of the software they used to animate MARS.

Loves Her Gun
Marslett's second feature film was a live action drama Loves Her Gun in which all the dialogue was improvised. The film starred Trieste Kelly Dunn, Francisco Barreiro, Ashley Rae Spillers, Melissa Bisagni and Marslett. It premiered at The 2013 South by Southwest Film Festival. At SXSW Loves Her Gun won the prestigious Louis Black Lone Star Filmmaker Award. After playing a dozen Film Festivals and winning several additional awards it opened commercially in New York City. Though critics were more divided on this film than on Marslett's previous work, the majority gave it positive reviews. The New York Times made it a critic's pick and said Loves Her Gun is one of the most soothing examinations of fear you're ever likely to see. Adopting an appealingly low-key approach to a high-stakes subject, this gently observant drama from Geoff Marslett takes its sweet time introducing the girl to the gun, but when it does, we’re all but guaranteed to care." Think Progress referred to it as "An essential film about women and violence". However, The Hollywood Reporter said the "Meandering film is at odds with its subject's psychological tension." The actors' performances and Marslett's direction of them were praised even by critics who had other critiques of the film.

Yakona
Marslett worked as one of the producers of the feature-length documentary Yakona (directed by Anlo Sepulveda and Paul Collins). Yakona premiered at the South by Southwest Film Festival in 2014  and won the Audience Choice Award for the Visions category. Yakona is an experimental documentary told from the point of view of the San Marcos river without the use of dialogue or voice overs. Yakona won additional awards at the Oak Cliff Film Festival for Best Documentary and the Muybridge Award for Best Cinematography  and at The Rainer Independent Film Fest for Best Cinematography. Yakona made its Canadian premiere at the Vancouver International Film Festival  and was the closing night film for Diego Luna and Gael Garcia Bernal's traveling documentary film festival Ambulante, California in Los Angeles.

Acting
Marslett has also appeared in front of the camera in several productions. He appears briefly in his own film MARS as Casey's dad and has a supporting role in his own film Loves Her Gun as Danny. He also plays the angry grad student in his segment of the Slacker 2011 remake of Richard Linklater's 1991 film Slacker.  He has acted for other directors. He played the Shanty Santa in the short film The Quiet Girl's Guide to Violence which premiered at the 2012 Fantastic Fest. His comedic effort in SXSW 2012's Theatre Bum film bumpers was popular enough that it was included again in 2013's collection of best bumpers from the last 20 years. He played Jack "Coffee" Hays in the reenactments for the feature documentary Yakona. His most recent role is Richard in Josephine Decker's Thou Wast Mild and Lovely which premiered at the Berlin Film Festival in 2014 and is being released in theatres by IFP  as part of the Screen Forward program.

Other film-related work
All of Marslett's films (as a director or producer) including MARS, Loves Her Gun, Yakona, and his Slacker 2011 segment have been noted for their strong attachment to and representation of the locations they take place in. They are also noted for their sense of whimsy and their meandering and soothing tone. His continuing work in independent film earned him a spot on Filmmaker Magazine's "25 New Faces of Independent Film" in 2009Marslett has served on the jury for several festivals including The South by Southwest Film Festival, Hell's Half Mile, Cine Las Americas, and Future Places (in Porto, Portugal). He is also on the ambassador's council for the Cucalorus Film festival in Wilmington, North Carolina.

Teaching
In addition to making films, Geoff has taught in the Radio-Television-Film department at The University of Texas at Austin since 2001. In 2009 he was awarded the university's top undergraduate teaching award "The Board of Regents Outstanding Teaching Award".
He teaches currently at the University of Colorado at Boulder.

Notable filmography (as director or producer)
Monkey vs. Robot (animated short) (2000)
Six in Austin (directed the Out of Bounds segment)(2004)
Eight Movements (experimental documentary short co-director with photographer Melanie West)(2005)
Bubblecraft (animated short) (2006)
MARS (narrative animated feature) (2010)
Slacker 2011 (directed TV Backpacker segment) (2011)
SXSW Film Trailers (shorts) (2012)
Loves Her Gun (narrative feature) (2013)
Yakona (feature documentary) (2014)
Everything Changes (animated/experimental short) (2018)
The Phantom 52 (animated short) (2019)
Passage 10:
Extract (film)
Extract is a 2009 American comedy film written and directed by Mike Judge, and starring an ensemble cast featuring Jason Bateman, Mila Kunis, Kristen Wiig, and Ben Affleck, with J. K. Simmons, Clifton Collins, Jr., and Dustin Milligan.
Said to be Judge's companion piece to Office Space, the film received generally positive reviews from critics and grossed $10.8 million worldwide against a budget of $8 million.The film was theatrically released in the United States on September 4, 2009.

Plot
Joel Reynolds is the owner and founder of Reynolds Extract, a flavoring extracts company. Although his business is successful, his marriage lacks passion. He is also often accosted by his annoying neighbor, Nathan. One day, a series of mishaps occur at the extract factory, resulting in an employee, Step, losing a testicle. Cindy, a con artist, reads a news story about the accident. Hatching a get-rich-quick scheme, she gets a temporary job at the factory, manipulating Joel into giving her more information about Step. She also begins a series of petty thefts from her co-workers, who openly accuse each other of the thefts. Although Step initially decides not to sue the company, he changes his mind after a meeting with Cindy, which she sets up in order to meet and flirt with him. Under Cindy's influence, Step hires attorney Joe Adler.
Joel, mistaking Cindy's manipulations for genuine attraction to him, entertains the idea of an affair with her; however, he still loves his wife, and wants to avoid actions that would leave him with regrets later. While visiting his friend Dean and complaining about his situation, Dean suggests that Joel hire a gigolo to seduce his wife, so that Joel can then have a guilt-free "revenge" affair. Joel initially balks at the idea; but, after his judgment is impaired after ingesting a ketamine tablet that Dean mistakenly told him was Xanax, Joel agrees. The friends hire Brad to seduce his wife, Suzie, into an affair, while posing as the pool cleaner. The next morning, Joel sobers up, realizes what he has done, and tries to stop Brad from going to his house; by then, Brad and Suzie have already begun an affair. Brad falls in love with Suzie and wants to run away with her. After smoking marijuana with Dean and his friend Willie, Joel attempts to call Cindy, but soon realizes that he is calling Willie's number. Just then, Cindy walks into the apartment. Willie discovers Joel's intentions, and punches Joel in the face.
Joel meets with Adler and his associates to discuss the terms of the settlement for Step. The workers, believing that the meeting is about a buy-out of the factory by General Mills, organize a strike. Frustrated by Adler's uncompromising negotiating style and the growing disrespect from his employees, Joel storms out and goes home—where Suzie admits her affair with Brad. Joel admits to Suzie that he hired Brad to do it, then leaves after arguing with his wife.
Joel moves into a motel, where he spots Cindy, staying in another room. When he goes to her room, he notices a purse stolen from one of his employees, along with other stolen items, and realizes that Cindy is not only a thief, but is also behind many of the company's problems. Joel threatens to call the police, but softens when Cindy breaks down in tears. Cindy promises to talk to Step and get him to drop the lawsuit. Ultimately, the two spend the night together. The next morning, Cindy disappears, but leaves the stolen items behind.
Step meets with Joel at the factory, where he offers to drop the lawsuit if Joel promotes him to floor manager. Meanwhile, Nathan stops by Joel's house, making Suzie lose her temper and finally tell him what she really thinks of him. Just as she finishes her tirade, he collapses and dies; feeling guilty, Suzie attends the funeral, where she runs into Joel. After an awkward moment, the two agree to share a ride. It is revealed that Cindy has stolen Adler's luxury car, leaving him Step's truck in its place.

Cast
Production
Principal photography began on August 25, 2008 in Los Angeles. Shortly after completing Office Space (1999), director Mike Judge was already about 40 pages into his follow-up script, set in the world of an extract factory, when he was convinced by his representative team that he needed to shelve that and concentrate on something more commercial. "The only idea that I had that anyone was interested in was what eventually became Idiocracy," says Judge. Over the next several years he focused his energy on developing Idiocracy. But years later, by the time of the film's release, audiences had decided that Office Space had struck a chord, and they were ready to see Judge return to on-the-job humor and thus the Extract script was given new life.Seeking to keep Extract below the radar of the studio system, Judge and his producers set up a production company, Ternion Productions, and arranged private financing—while partnering with Miramax for domestic distribution of the film. Judge relied heavily on his own personal knowledge of the industrial world to bring the story to life. "I actually worked in a factory a little bit myself," the director stated. "I hopefully write stuff that is recognizable as the archetypes of this world." Keeping true to this baseline of reality, Extract was shot in a working factory, in this case a water bottling plant south of Los Angeles, in the City of Commerce.  Judge took the authenticity one step further by using the plant's employees as extras in the scenes' backgrounds. "Those people were actually running, doing some bottling while we were shooting. There were people working on machines that were so loud in there they couldn't hear anyone call 'action' or 'cut.' They were just doing their job." Shooting on the factory set led Judge to some epiphanies about what made the story resonate for him: "Office Space was told from the point of view of the employees looking up at management as the 'bad guys'. This is told from the point of view of the owner of the place and the workers are the big pain in the butt to him. I think partly it was inspired by that point in my life where I suddenly had a large number of people working for me and realizing you can't be a 'cool guy boss'. It just doesn't work. So this is my more sympathetic take on the boss."

Release
The film was released on September 4, 2009 in the United States.

Marketing
Leading up to the film's release, Affleck went on a promotional tour of various cities, starting in Vancouver, Washington, on August 20, 2009, and ending in Los Angeles on September 14, 2009.
In an effort to promote the film, Judge released a promotional short which featured his characters Beavis and Butt-head who summarize, and critique, the events depicted in the film.

Home media
Extract was released on DVD and Blu-ray Disc on December 22, 2009.

Reception
Box office
Extract made $4.3 million during its opening weekend and $7.1 million in its first week of release, with a total worldwide gross of $10.8 million, against a production budget of $8 million.

Critical response
On review aggregation website Rotten Tomatoes, the film has an approval rating of 62% based on 189 reviews, with an average rating of 5.90/10. The site's critical consensus reads, "Extract has some very funny moments and several fine performances, but the film feels slighter and more uneven than Mike Judge's previous work." On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 61 out of 100, based on 33 critics, indicating "generally favorable reviews."Dan Zak of The Washington Post, called it "the most disappointing American comedy of the decade". On the other end of the spectrum, Michael Phillips of the Chicago Tribune called it "the funniest American comedy of the summer".