From Wikipedia. Gender Performativity is a term created by postfeminist philosopher Judith Butler in her 1990 book Gender Trouble. In it, Butler characterizes gender as the effect of reiterated acting, one that produces the effect of a static or normal gender while obscuring the contradiction and instability of any single person's gender act.
http://dictionary.sensagent.com/gender%20performativity/en-en/
Notes. ↑ 1  Butler, Judith (1999) [1990]. Gender Trouble: Feminism and the Subversion of Identity (Subversive bodily acts, IV Bodily Inscriptions, Performative Subversions). ↑ 2  Butler, Judith (1993). [Expression error: Missing operand for > Critically Queer]. ↑ 3  Butler, Judith. [Expression error: Missing operand for > Critically Queer]. pp. 24.
http://dictionary.sensagent.com/gender%20performativity/en-en/
The socially constructed aspect of gender performativity is perhaps most obvious in drag performance, which offers a rudimentary understanding of gender binaries in its emphasis on gender performance.
http://dictionary.sensagent.com/gender%20performativity/en-en/
The Oxford English Dictionary definitions that I use, here and later in this text, can be read to represent a conventional view toward performance and performativity that is critiqued through the art and theories presented in this text.
https://lucian.uchicago.edu/blogs/mediatheory/keywords/performanceperformativity/
New theories of performativity explored here break with convention similarly: not only do they assert that performance is everywhere, but the very alternatives provided to the socially imposed scripted performances is to realize the body as a self-actualizing text (see body/embodiment).
https://lucian.uchicago.edu/blogs/mediatheory/keywords/performanceperformativity/
(Learn how and when to remove these template messages) Performativity is a multivalent concept with multiple origins and contemporary usages in diverse fields: law, linguistics, philosophy, gender studies, performance studies, anthropology, economics, and management studies.
https://en.wikipedia.org/wiki/Performativity
Much of the discussion surrounds Butler’s inability to differentiate clearly between notions of performativity and performance even when pressed to define a clear division. Generally, it is considered that the performativity describes the process of discursive production and performance as a specific type of self-presentation.
http://dictionary.sensagent.com/gender%20performativity/en-en/
Performance in these cases less art than it is labor, the “working out of anything ordered.” Though performers engage in some interpretive process, they work under the text and for the director, to serve the text and the director’s interpretation of it.
https://lucian.uchicago.edu/blogs/mediatheory/keywords/performanceperformativity/
Butler’s alternative is to recognize the performativity of everyday life and to break with the gender script through performing gender roles in new (and often parodic, and often humorous) ways – in the terms of performance art, to engage in a subversion of the script, to disavow the repetitious control of the theatrical text and director, allowing for “self-determining” performance art rather than prefigured roles.
https://lucian.uchicago.edu/blogs/mediatheory/keywords/performanceperformativity/
(April 2010) Performativity is a multivalent concept with multiple origins and contemporary usages in diverse fields: law, linguistics, philosophy, gender studies, performance studies, anthropology, economics, and management studies.
https://en.wikipedia.org/wiki/Performativity
what is performativity theory in translation?
In translation, performativity is a multivalent concept with multiple origins and contemporary usages in diverse fields.