Snowdon

Snowdon (/ˈsnoʊdən/) or Yr Wyddfa () is the highest mountain in Wales, at an elevation of 1,085 metres (3,560 ft) above sea level, and the highest point in the British Isles outside the Scottish Highlands. It is located in Snowdonia National Park (Parc Cenedlaethol Eryri) in Gwynedd (historic county of Caernarfonshire).

It is the busiest mountain in the United Kingdom and the third most visited attraction in Wales; in 2019 it was visited by 590,984 walkers, with an additional 140,000 people taking the train. It is designated as a national nature reserve for its rare flora and fauna.

The rocks that form Snowdon were produced by volcanoes in the Ordovician period, and the massif has been extensively sculpted by glaciation, forming the pyramidal peak of Snowdon and the arêtes of Crib Goch and Y Lliwedd. The cliff faces on Snowdon, including Clogwyn Du'r Arddu, are significant for rock climbing, and the mountain was used by Edmund Hillary in training for the 1953 ascent of Mount Everest.

The summit can be reached by a number of paths (there are six main paths) and by the Snowdon Mountain Railway, a rack railway opened in 1896 which carries passengers the 4+3⁄4 miles (7.6 kilometres) from Llanberis to the Summit station. The summit building, called Hafod Eryri, houses a cafe and is open only when the railway is operating; it opened in 2009 to replace one built in the 1930s. The railway generally operates from March to the end of October, with trains running to the summit station from May. The daily running schedule depends on weather and customer demand.

Snowdon is one of three mountains climbed as part of the National Three Peaks Challenge.

## Toponymy

The English name "Snowdon" comes from the Old English snaw dun meaning "snow hill".

The Welsh name of the mountain, Yr Wyddfa, is a shortened form of the original full name, Gwyddfa Rhita (Rhita's cairn), after the giant Rhita. According to one legend, the giant Rhita was defeated and buried on the mountain by King Arthur whilst another legend suggests that Rhita was killed by the giant Idris who lived on the mountain Cadair Idris. The mountain is also linked to other figures from Arthurian legend, a legendary Afanc (water monster) and the Tylwyth Teg (fairies).

## Environment

### Geography and geology

A 1682 survey estimated that the summit of Snowdon was at an elevation of 3,720 feet (1,130 m); in 1773, Thomas Pennant quoted a later estimate of 3,568 ft (1,088 m) above sea level at Caernarfon. It was long believed to be the tallest mountain on the island of Great Britain until measurements taken in the eighteenth century confirmed that Ben Nevis, along with several other Scottish peaks, were taller. Recent surveys give the height of the summit as 1,085 m (3,560 ft), making Snowdon the highest mountain in Wales, and the highest point in the British Isles outside Scotland.

The rocks which today make up Snowdon and its neighbouring mountains were formed in the Ordovician Period. At that time, most of modern-day Wales was near the edge of Avalonia, submerged beneath the ancient Iapetus Ocean. In the Soudleyan (former British regional) stage () of the Caradoc (British regional) epoch, a volcanic caldera formed, and produced ash flows of rhyolitic tuff, which formed deposits up to 500 metres (1,600 ft) thick. The current summit is near the northern edge of the ancient caldera; the caldera's full extent is unclear, but it extended as far as the summit of Moel Hebog in the south-west.

Snowdon and its surrounding peaks have been described as "true examples of Alpine topography". The summits of Snowdon and Garnedd Ugain are surrounded by cwms, rounded valleys scooped out by glaciation. Erosion by glaciers in adjacent cwms caused the characteristic arêtes of Crib Goch, Crib y Ddysgl and Y Lliwedd, and the pyramidal peak of Snowdon itself. Other glacial landforms that can be seen around Snowdon include roches moutonnées, glacial erratics and moraines.

### Climate

In winter, Snowdon often has a covering of snow (giving rise to its English name). Although the amount of snow on Snowdon in winter varies significantly, 55% less snow fell in 2004 than in 1994. The slopes of Snowdon have one of the wettest climates in Great Britain, receiving an annual average of more than 5,100 mm (200 in) of precipitation.

### Flora and fauna

The environment of Snowdon, particularly its rare plants, has led to the designation of much of the eastern part of the massif as a national nature reserve. In addition to plants that are widespread in Snowdonia, Snowdon is home to some plants rarely found elsewhere in Britain. These include the "Snowdon lily", Gagea serotina, which is also found in the Alps and in North America; it was first discovered in Wales by Edward Lhuyd, and the genus Lloydia (now included in Gagea) was later named in his honour by Richard Anthony Salisbury. Snowdon lies in the northern part of Snowdonia National Park, which has also provided some legal protection since the park's establishment in 1951.

Otters, polecats, and goats have been seen near or on the mountain, although pine martens have not been seen for many years. Birds that can be seen include the raven, red-billed chough, peregrine, osprey, merlin, red kite and moorland birds.

### Lakes

A number of lakes are found in the various cwms of the Snowdon range:

- Llyn Llydaw – 1,430 ft (440 m) high, 110 acres (45 ha) – lies in Cwm Dyli, Snowdon's eastern cwm, and is one of Snowdonia's deepest lakes, at up to 190 ft (58 m) deep. Various explanations of its name have been put forward, including lludw ("ash"), from ashen deposits along the shore, to Llydaw ("Brittany"). It contains evidence of a crannog settlement, and was the location of a 10-by-2-foot (3 m × 0.6 m) dugout canoe described in the Cambrian Journal in 1862. The lake is significantly coloured by washings from the copper mines nearby, and is used by the Cwm Dyli hydroelectric power station, which opened in 1906. The lake is crossed by a causeway, built in 1853 and raised in the 20th century to prevent the causeway from flooding frequently.
- Glaslyn – 1,970 feet (600 m) high, 18 acres (7.3 ha) – lies higher up Cwm Dyli than Llyn Llydaw. It was originally called Llyn y Ffynnon Glas, and has a depth of 127 feet (39 m). For a long time, it was believed to be bottomless, and is also the location for various myths.
- Llyn Ffynnon-y-gwas – 1,430 feet (440 m) high, 10 acres (4.0 ha) – lies in Cwm Treweunydd, Snowdon's north-western cwm, and is passed by the Snowdon Ranger path. It was enlarged by damming for use as a reservoir for use by slate quarries, but the level has since been lowered, and the lake's volume reduced to 24,000 cubic metres (850,000 cu ft).

Other lakes include: Llyn Du'r Arddu below Clogwyn Du'r Arddu, at a height of 1,901 feet (579 m), 5 acres (2.0 ha); Llyn Teyrn near Pen-y-pass, at a height of 1,237 feet (377 m), 5 acres (2.0 ha); and several smaller pools.

## Leisure activities

Snowdon has been described as "the busiest mountain in Britain", with some 590,984 people having walked up the mountain in 2019. There are six main walking paths, which can be combined in various ways. In addition, the circular walk starting and ending at Pen-y-Pass and using the Crib Goch route and the route over Y Lliwedd, both of which involve scrambling, is called the Snowdon Horseshoe, and is considered "one of the finest ridge walks in Britain". The routes are arranged here anticlockwise, starting with the path leading from Llanberis. In winter conditions, all these routes become significantly more dangerous and the Llanberis Mountain Rescue Team state that "additional skills, equipment and knowledge are required". Many inexperienced walkers have been killed over the years attempting to climb the mountain via the main paths.

Snowdon offers some of the most extensive views in the British Isles; on exceptionally clear days, Ireland, (the Republic of Ireland and Northern Ireland), Scotland, England, and the Isle of Man (as well as Wales) are all visible, as well as 24 counties, 29 lakes and 17 islands. From here, it is also possible to see the mountains of the Peak District and South Pennines that surround Manchester. The view between Snowdon and Merrick (southern Scotland) is the longest theoretical line of sight in the British Isles at 144 miles (232 kilometres). In practice, atmospheric conditions make such sightings extremely rare, but a report from 2015 demonstrates the observation. The mountain itself may also be viewed on takeoff and approach to both Manchester Airport and Liverpool John Lennon Airport on very clear days, and even from Howth Head in Dublin, Ireland.

On 26 June 2018, Sam Laming became the first ever Wingsuit pilot to perform a 'Proximity Flight' over a UK mountain, by flying approximately 30 metres over Snowdon's summit, after jumping from a helicopter with fellow wingsuit camera pilot, Mike Hitchcock.

In 2021, John Harold, the director of the Snowdonia Society, reported that the number of visitors ascending Snowdon was exceeding capacity. At popular times walkers queue for upwards of 45 minutes for an opportunity to take a photo at the summit pillar.

### Rock climbing

The Snowdon Massif includes a number of cliffs, and holds an important place in the history of rock climbing in the United Kingdom. Clogwyn Du'r Arddu is often colloquially known as 'Cloggy' among climbers, and was the site of the first recorded climb in Britain, in 1798. It was carried out by Peter Bailey Williams and William Bingley, while searching for rare plants. It is now considered to be one of the best cliffs in Britain for rock climbing.

Y Lliwedd was also explored by early climbers, and was the subject of a 1909 climbing guide, The Climbs on Lliwedd by J. M. A. Thompson and A. W. Andrews, one of the first in Britain. Snowdon was used by Edmund Hillary and his group during preparations for their successful 1953 expedition to climb Mount Everest.

### Paths

The first recorded ascent of Snowdon was by the botanist Thomas Johnson in 1639. However, the 18th-century Welsh historian Thomas Pennant mentions a "triumphal fair upon this our chief of mountains" following Edward I's conquest of Wales in 1284, which could indicate the possibility of earlier ascents.

The six main paths were mapped by the Google Trekker in 2015. The elevations and gradients given here are for the start point on a public road, based on Ordnance Survey mapping. Other definitions are possible so alternative figures can be found (e.g.).

#### Llanberis Path

Length: 6.8 km (4.2 mi). Elevation gain: 965 m (3,166 ft). Overall gradient: 1 in 7.1 (14.1%).

The Llanberis Path is the longest route to the summit. It follows close to the line of the railway, and being the easiest ascent, it is the route used by the annual Snowdon Race, which has a record time of less than 40 minutes recorded from the start to the summit.

The section of the Llanberis Path above Clogwyn station has long been called the "Killer Convex"; in icy conditions, this convex slope can send unwary walkers over the cliffs of Clogwyn Du'r Arddu. Four people died there in February 2009.

#### Snowdon Ranger Path

Length: 6.3 km (3.9 mi). Elevation gain: 935 m (3,068 ft). Overall gradient: 1 in 6.7 (14.9%).

The Snowdon Ranger Path (Welsh: Llwybr Cwellyn) begins at the youth hostel beside Llyn Cwellyn, to the west of the mountain, served by the A4085 and Snowdon Ranger railway station. This was formerly the Saracen's Head Inn, but was renamed under the ownership of the mountain guide John Morton. It is thought to be the oldest path to the summit.

The route begins with zigzags through turf, before reaching a flatter boggy area in front of Llyn Ffynnon-y-gwas. The path then climbs to Bwlch Cwm Brwynog, and then snakes along the ridge above Clogwyn Du'r Arddu towards the summit. This path meets the railway, the Llanberis Path, the Crib Goch path, and the combined Pyg Track and Miners' Track all within a short distance, just below the summit.

#### Rhyd Ddu path

Length: 5.8 km (3.6 mi). Elevation gain: 905 m (2,969 ft) or 896 m (2,940 ft) depending on exact start point. Overall gradient: 1 in 6.4 (15.7%).

The Rhyd Ddu path, formerly called the Beddgelert Path, leads from the village of Rhyd Ddu, west of Snowdon, gently up on to Llechog, a broad ridge dropping west from the summit. It is considered one of the easier routes to the summit, with the advantage that the summit is visible from the start, but is one of the least used routes. It climbs at a shallow gradient to Bwlch Main, shortly southwest of the summit, from where it climbs more steeply, meeting up with the Watkin Path at a site marked with a large standing stone a few hundred metres from the summit. An alternative start begins at Pitt's Head on the A4085 road.

#### Watkin Path

Length: 6.2 km (3.9 mi). Elevation gain: 1,025 m (3,363 ft). Overall gradient: 1 in 6.1 (16.5%).

The Watkin Path is "the most demanding route direct to the summit of Snowdon", since it starts at the lowest elevation of any of the main routes and has the steepest overall gradient. It was first conceived by Sir Edward Watkin, a railway owner who had attempted to build a railway tunnel under the English Channel, and had a summer home in Nant Gwynant near the start of the path. It was originally designed as a donkey track and opened in 1892.

The start of the Watkin Path has been described as "the prettiest beginning" of the routes up Snowdon. It begins at Bethania on the A498 and climbs initially through old broadleaved woodland. After leaving the woods, the path climbs past the waterfalls of the Afon Llan to the glacial cirque of Cwm Llan, crossing a disused incline from an abandoned slate quarry. It then reaches Plas Cwmllan, formerly the home of the quarry manager for the South Snowdon Slate Works beyond, and later used for target practice by commandos during the Second World War. Near Plas Cwmllan is the large boulder known as Gladstone Rock, which bears a plaque commemorating a speech given in 1892 by William Ewart Gladstone, the then 82-year-old Prime Minister, on the subject of Justice for Wales. The slate workings in Cwm Llan were opened in 1840, but closed in 1882 due to the expense of transporting the slate to the sea at Porthmadog. Various buildings, including barracks and dressing sheds, remain.

From the slate quarries, the Watkin Path veers to the north-east to reach Bwlch Ciliau, the col between Snowdon and Y Lliwedd, which is marked by a large orange-brown cairn. From here, it heads west to meet the Rhyd Ddu Path at a standing stone shortly below the summit of Snowdon.

#### Over Y Lliwedd

Length: 6.4 km (4.0 mi).

The route over Y Lliwedd is more frequently used for descent than ascent, and forms the second half of the Snowdon Horseshoe walk, the ascent being over Crib Goch. It is reached from the summit by following the Watkin Path down to Bwlch y Saethau, and then continuing along the ridge to the twin summits of Y Lliwedd. The path then drops down to Cwm Dyli to join the Miners' Track towards Pen-y-Pass.

#### Miners' Track

Length: 6.6 km (4.1 mi). Elevation gain: 726 m (2,382 ft). Overall gradient: 1 in 9.1 (10.9%).

The Miners' Track (Welsh: Llwybr y Mwynwyr) begins at the car park at Pen-y-Pass, at an elevation of around 360 m (1,180 ft), and has the shallowest overall gradient. It begins by skirting Llyn Teyrn before climbing slightly to cross the causeway over Llyn Llydaw. It follows the lake's shoreline before climbing to Glaslyn, from where it ascends steeply towards Bwlch Glas. It is joined for most of this zigzag ascent by the Pyg Track, and on reaching the summit ridge, is united with the Llanberis Path and Snowdon Ranger Path. Derelict mine buildings are encountered along several parts of the path.

#### Pyg Track

Length: 5.3 km (3.3 mi). Elevation gain: 726 m (2,382 ft). Overall gradient: 1 in 7.3 (13.7%).

The "Pyg Track" (Welsh: Llwybr Pyg), or "Pig Track" (both spellings may be encountered), also leads from Pen-y-Pass. The track climbs over Bwlch y Moch on the eastern flanks of Crib Goch, before traversing that ridge's lower slopes. Above Glaslyn, it is joined by the Miners' Track for the zigzag climb to Bwlch Glas between Snowdon and Garnedd Ugain, where it joins the combined Llanberis and Snowdon Ranger paths.

From the website of the Snowdonia National Park Authority,

> Nobody knows for certain why this path is called the Pyg Track. It's possible that it was named after the pass it leads through, Bwlch y Moch (translated Pigs' Pass) as the path is sometimes spelled 'Pig Track'. Or, maybe because it was used to carry 'pyg' (black tar) to the copper mines on Snowdon. Another possible explanation is that the path was named after the nearby Pen y Gwryd Hotel, popular amongst the early mountain walkers.

#### Crib Goch

Length: 5.0 km (3.1 mi).

The traverse of Crib Goch has been described as "one of the finest ridge walks in Britain", and forms part of the Snowdon Horseshoe, a circuit of the peaks surrounding Cwm Dyli. The path follows the Pyg Track before separating off from it at Bwlch y Moch and leading up the East ridge of Crib Goch. After the Crib Goch ridge, it descends slightly to Bwlch Coch, then ascends to the peak of Garnedd Ugain (1,065 m or 3,494 ft), before dropping to join the Llanberis path. All routes which tackle Crib Goch are considered mountaineering routes or scrambles.

## Snowdon Mountain Railway

The Snowdon Mountain Railway (SMR) (Welsh: Rheilffordd yr Wyddfa) is a narrow gauge rack and pinion mountain railway that travels for 4+3⁄4 miles (7.6 km) from Llanberis to the Summit station of Snowdon. It is the only public rack and pinion railway in the United Kingdom, and after more than 100 years of operation it remains a popular tourist attraction, carrying more than 130,000 passengers annually. Single carriage trains are pushed up the mountain by either steam locomotives or diesel locomotives. It has also previously used diesel railcars as multiple units. The railway was constructed between December 1894, when the first sod was cut by Enid Assheton-Smith (after whom locomotive No.2 was named), and February 1896, at a total cost of £63,800 (equivalent to £ as of ).

### Summit

The first building to be erected at the Snowdon summit was in 1838 to sell refreshments, and a licence to sell intoxicating liquor was granted in 1845. Very basic accommodation was also provided for visitors. When the Snowdon Mountain Railway was opened in 1896, the company strove to get an alcohol licence for its own proposed new hotel, but being unable to, took over both summit huts by 1898.

During the 1930s, many complaints were received about the state of the facilities at the summit and in 1934/5 a new station building was erected in two phases; the upstairs accommodation was completed in 1937. It was designed by Sir Clough Williams-Ellis and included rooms for visitors and a cafe. The other operators were bought out and the ramshackle collection of buildings on the summit was cleared. The flat roof was intended to be used as a viewing platform and some photographs show it being used in this way. However, other photographs taken of the cafe show that the roof leaked, which probably explains why the practice was stopped. The Summit was taken over by government agencies during the war and the accommodation was restricted to staff use afterwards. Having become increasingly dilapidated in post-war decades, this building was described by Prince Charles as "the highest slum in Wales". Its state led to a campaign to replace the building. In April 2006, Snowdonia National Park Authority, with the support of the Snowdonia Society, agreed a deal to start work on a new cafe and visitor centre complex. By mid-October 2006 the old building had been largely demolished.

The new RIBA Award-winning £8.4 million visitor centre, Hafod Eryri, designed by Ray Hole Architects in conjunction with Arup and built by Carillion, was officially opened on 12 June 2009 by First Minister Rhodri Morgan. The Welsh National Poet, Gwyn Thomas, composed a new couplet for the new building, displayed at its entrance and on the windows, which reads "Copa'r Wyddfa: yr ydych chwi, yma, Yn nes at y nefoedd / The summit of Snowdon: You are, here, nearer to Heaven". The name Hafod Eryri was chosen from several hundred put forward after a competition was held by the BBC. Hafod is Welsh for an upland summer residence, while Eryri is the Welsh name for Snowdonia.

The summit pillar was built in 2001, the brass toposcope carrying the date 2000. This plate details exactly 100 locations - mostly other peaks - which can be seen, given ideal visibility. Of the locations mentioned, Mount Leinster (in the Blackstairs Mountains in Ireland) is the furthest, at 188 miles away, with the Wicklow Mountains (also in Ireland) being 100 miles away. Slieve Donard, in Northern Ireland, is 108 miles away. The Lake District is 100 miles away, Penmaen Dewi (St David's Head in Pembrokeshire) is 96 miles away, Kinder Scout (in the Peak District) is 94 miles away, and the Isle of Man is 84 miles away.

Originally Snowdon and its summit were owned by three agricultural estates, Vaynol, Hafod y Llan and the Baron Hill Estate. Today the Vaynol land at the summit is owned by the Snowdonia National Park Authority, Hafod y Llan by the National Trust and the Baron Hill Estate retains its holding. The Baron Hill Estate land consists of the farm of Gwastadannas, which includes the Snowdon Horseshoe, Glaslyn, Llyn Llydaw and the northern end of Nant Gwynant.

## Welsh literature

In Welsh folklore, the summit of Snowdon is said to be the tomb of Rhitta Gawr, a giant. This is claimed to be the reason for the Welsh name Yr Wyddfa, literally meaning "the tumulus". Rhitta Gawr wore a cloak made of men's beards, and was slain by King Arthur after claiming Arthur's beard. Other sites with Arthurian connections include Bwlch y Saethau, on the ridge between Snowdon and Y Lliwedd, where Arthur himself is said to have died. A cairn, Carnedd Arthur, was erected at the site and was still standing as late as 1850, but no longer exists. According to the folklore, Arthur had Bedivere throw his sword Excalibur into Glaslyn, where Arthur's body was later placed in a boat to be carried away to Afallon. Arthur's men then retreated to a cave on the slopes of Y Lliwedd, where they are said to sleep until such time as they are needed. Merlin is supposed to have hidden the golden throne of Britain among the cliffs north of Crib y Ddysgl when the Saxons invaded. Glaslyn was also the final resting place of a water monster, known as an afanc (also the Welsh word for beaver), which had plagued the people of the Conwy valley. They tempted the monster out of the water with a young girl, before securing it with chains and dragging it to Glaslyn. A large stone known as Maen Du'r Arddu, below Clogwyn Du'r Arddu, is supposed to have magical powers. Like several other sites in Wales, it is said that if two people spend the night there, one will become a great poet while the other will become insane. Llyn Coch in Cwm Clogwyn has been associated with the Tylwyth Teg (fairies), including a version of the fairy bride legend.

## In popular culture

In 1968, scenes representing the Khyber Pass were filmed for Carry On... Up the Khyber on the lower part of the Watkin Path. In 2005, Angela Douglas, one of the stars of the film, unveiled a plaque at the precise location where filming took place to commemorate the location filming. It now forms part of the North Wales Film and Television Trail run by the Wales Screen Commission.

## In art

## Injuries and deaths

In January and February 2009 on Snowdon there were 4 people who died and 3 of these four deaths were related to people falling. In 2021 there were 4 people who died on Snowdon.

In 2021 two people were injured and taken to hospital after being struck by lightning on top of Snowdon.

## Use of 'Yr Wyddfa' in English

In April 2021 a motion was put forward by Gwynedd Councillor John Pughe Roberts for Snowdon to be called by its Welsh name Yr Wyddfa in all official use, and for Snowdonia to similarly be known only as Eryri. The motion, however, was rejected as the National Park already had a task group looking at the use and retention of Welsh names. An earlier petition calling for the National Park Authority to do this had been rejected by the Senedd the previous year after it was found to be the responsibility of the park itself, rather than the Welsh Government.

In May 2021, following the dismissal of the motion, YouGov conducted a poll on Snowdon's name. 60% of Welsh adults supported the English name Snowdon, compared to 30% wanting the Welsh name Yr Wyddfa. Separating by language, 59% of Welsh speakers preferred the Welsh name, while 37% wanted Snowdon to not be scrapped entirely. 69% of non-Welsh speakers firmly supported Snowdon as the mountain's name.

In November 2022, Snowdonia National Park Authority voted to use Yr Wyddfa and Eryri (rather than Snowdon and Snowdonia) in its usage, though in statutory documents both Welsh and English will still be required by law.

It has been argued that Mount Snowdon, strictly refers to a smaller mountain in British Columbia, Canada, with the Welsh mountain simply being "Snowdon". However, the Welsh mountain has been referred to in some uses as "Mount Snowdon" or "Mt Snowdon".

## See also

- Ben Nevis
- Mountains and hills of Scotland
- Scafell Pike
- Slate industry in Wales

Highest mountain in Wales


Cortina d'Ampezzo

Cortina d'Ampezzo (; Ladin: Anpezo, Ampëz; historical Austrian German: Hayden) is a town and comune in the heart of the southern (Dolomitic) Alps in the Province of Belluno, in the Veneto region of Northern Italy. Situated on the Boite river, in an alpine valley, it is an upscale summer and winter sport resort known for its skiing trails, scenery, accommodation, shops and après-ski scene, and for its jet set and Italian aristocratic crowd.

In the Middle Ages, Ampezzo fell under the jurisdiction of the Patriarchate of Aquileia and of the Holy Roman Empire. In 1420 it was conquered by the Republic of Venice. From 1508, it then spent much of its history under Habsburg rule, briefly undergoing some territorial changes under Napoleon, before being returned to the Austrian Empire (later Austria-Hungary), which held it until 1918. From the nineteenth century, Ampezzo became a notable regional centre for crafts. The local handmade products were appreciated by early British and German holidaymakers as tourism emerged late nineteenth century. Among the specializations of the town were crafting wood for furniture, the production of tiled stoves, and iron, copper and glass items.

Today, the local economy thrives on tourism, particularly during the winter season, when the population of the town typically increases from about 7,000 to 40,000. The Basilica Minore dei Santi Filippo e Giacomo was built between 1769 and 1775 on the site of two former thirteenth and sixteenth-century churches; it is home to the parish and the deanery of Cortina d'Ampezzo. The town also contains the Rinaldo Zardini Palaeontology Museum, established in 1975, the Mario Rimoldi Modern Art Museum, and the Regole of Ampezzo Ethnographic Museum.

Although Cortina d'Ampezzo was unable to go ahead with the scheduled 1944 Winter Olympics because of World War II, it hosted the Winter Olympics in 1956 and subsequently a number of world winter-sports events. Cortina d'Ampezzo will host the Winter Olympics for a second time when it co-hosts the 2026 Winter Olympics with Milan. The town is home to SG Cortina, a top league professional ice hockey team, and Cortina d'Ampezzo is also the start and end point of the annual Dolomites Gold Cup Race.

Several films have been shot in the town, most notably The Pink Panther (1963), For Your Eyes Only (1981), and Cliffhanger (1993).

## History

### Prehistory

The discovery in 1987 of a primitive tomb at Mondeval de Sora high up in the mountains to the south of Cortina testifies to the presence of Mesolithic man in the area as far back as the 6th millennium B.C. In the 6th century B.C., Etruscan writing was introduced in the province of Cadore, in whose possession it remained until the early 5th century. From the 3rd century B.C., the Romans assimilated the Veneti people, giving the area the name of Amplitium (from amplus meaning wide), today's Ampezzo.

### Middle Ages to 19th century

No historical information exists on the Cadore region from the fall of the Roman Empire until the Lombard period. It is assumed that during the Barbarian invasions, the inhabitants fled to the Fassa, Badia, Cordevole and Ampezzo valleys.

In the Middle Ages, Ampezzo fell under the jurisdiction of the Patriarchate of Aquileia and of the Holy Roman Empire. In 1420, the village was conquered by the Republic of Venice. In 1508 it was conquered by the Habsburgs, and by 1511 people of Ampezzo swore loyalty to the Emperor Maximilian, and that area was subsequently adjoined to the region of Pusterthal. In 1797, when the Treaty of Campo Formio was signed, Napoleon initially permitted the Habsburg Empire to retain it, but in 1810 he added Ampezzo to the Department of Piave, following an attack on the town in which it was burned by the French. It was short-lived; the Austrian Empire reclaimed it in 1813, and it remained in its possession even after the battles of Custoza and Sadowa in 1866 when Venice was ceded to Italy. The town gained a reputation as a health resort; it was reportedly free of diseases such as cholera.

In 1874 the Ampezzo forest became the property of the Carnic Woods Consortium. Although remaining an Austrian possession until 1920 (as a part of kronland Tyrol), aside from being home for an ethnic German-speaking minority, Ampezzo never became a German-speaking territory and conserved its original language Ladin, a Rhaeto-Romance language.

### 20th century

When Italy entered World War I in 1915, most of the male inhabitants were fighting for Austria-Hungary on the Russian front. 669 male inhabitants (most of them under 16 or over 50) tried to fight the Italian troops. Outnumbered by the Italians, they had to retreat. After the Austrian recovery in 1917, the town was occupied again by the Tyrolean Standschützen. On 24 November 1917, the Habsburg Emperor Charles (Karl) traveled through Ampezzo and was received with enthusiasm by the population. A little girl handed the emperor a letter with the request to send her father home from the front because his wife and mother of nine children had died. After ten days, Bepe Manaigo was with his children. A total of 144 Ampezzans died as a result of the war. Ampezzo soldiers received 16 silver and 4 bronze medals for bravery. In the surrounding area of Cortina there were 38 military cemeteries, everywhere trenches, barbed wire, impact holes, splinters, ammunition and barracks; 2,450 hectares of forest were devastated.

The mountains surrounding Cortina were themselves the theatre of several battles during the Great War.

Following Italy's victory in World War I, Ampezzo was (together with the central and southern part of Tyrol) definitively ceded to Italy in 1920. Three years later, it was separated from Tyrol (along with Colle Santa Lucia and Livinallongo del Col di Lana) and incorporated into the province of Belluno, itself part of the Veneto region.

After the war the city was renamed "Cortina d'Ampezzo" (Curtain of the Ampezzo Valley), adopting the name of one of the six villages that made up the territory of Ampezzo, located in the middle of the Ampezzo valley.

Cortina d'Ampezzo was designated as a major redoubt and held a large ammunition storage depot (46°36'50"N / 12°09'27"E) in 1945 and had been assigned as a holdout by Italian and German troops to prevent the Americans and British from advancing into Austria. The town and the depot were scheduled to be attacked on 26 April 1945. Only last-minute weather prevented this strike by the 15th AF / 49th BW.

Already an elite destination for the first British tourists in the late 19th and early 20th centuries, after World War I Cortina d'Ampezzo became a resort for upper-class Italians, too. Cortina d'Ampezzo was chosen as the venue of the 1944 winter Olympics, which did not take place due to World War II. Thanks to finally hosting the winter Olympics in 1956, Cortina grew into a world-famous resort, with a substantial increase in tourism. With a resident population of 6,150 people in 2008, Cortina has a temporary population of around 50,000 during peak periods such as the Christmas holidays and mid-August. The Ford Cortina, the UK's best-selling car of the 1970s, was named after Cortina d'Ampezzo.

### 21st-century politics

In 2002 the Ampezzaner rifle company Ŝizar Anpezo Hayden was brought back to life. Since Otto von Habsburg, the then head of the Habsburg family, visited Cortina in 2005, their patron has been Charles I of Austria. Especially because of the eventful history, the Habsburg brand is still very present in Cortina in the 21st century, as many pictures and photos of Franz Joseph I of Austria and of Charles I, who is particularly revered here, in inns, restaurants, bars and hotels testify. Since 2011 there has been a memorial for Maximilian I on the main square in memory of the year 1511 and the union of the Ampezzo valley basin with Tyrol.

The town voted in October 2007 to secede from the region of Veneto and join the neighbouring region, Trentino-Alto Adige/Südtirol. This was motivated by cultural ties with the Ladin-speaking community in South Tyrol and the attraction of lower taxes. The referendum is not executive, and a final decision on the matter can only be made by law from the Italian parliament with consent of both regional councils of Veneto and Trentino-Alto Adige/Südtirol.

In the European elections of 2014, the leading party was the Democratic Party with 30.4% of the vote, followed by Forza Italia (19.4%) and the autonomist Südtiroler Volkspartei with 14.1%.

## Geography and climate

Cortina is situated more or less in the centre of the Ampezzo valley, at the top of the Valle del Boite in the Dolomites, which encircle the town. The Boite river flows directly through the town of Cortina itself. The mountains in the area are described as "craggy" and "soaring", "unmistakable; like a massive coral reef ripped from the sea, strung with conifers and laced with snow". The town is positioned between Cadore (to the south) and the Puster Valley (to the north), Val d'Ansiei (to the east) and Agordo (to the west). Originally it consisted of numerous frazioni, isolated villages and hamlets, but from the 1950s it grew rapidly as a result of tourism. Only the most remote villages have remained isolated from the main town. San Vito di Cadore is 9 kilometres (5.6 mi) to the south of Cortina d'Ampezzo.

Among the surrounding mountains are Tofane to the west, Pomagagnon to the north, Cristallo to the northeast, Faloria and Sorapiss to the east, and Becco di Mezzodì, Croda da Lago and Cinque Torri to the south. Monte Antelao (Nantelou in Ladin) is at 3264 m the highest mountain in the Ampezzo Dolomites and the second highest in the Dolomites. When the weather is good, Monte Antelao is clearly visible from the rive in Trieste on the Adriatic Sea. The town centre is located at an elevation of 1,224 metres (4,016 ft), the closest high peak is that of Tofana di Mezzo, which towers at 3,244 metres (10,643 ft). There are numerous fast flowing rivers, streams and small lakes in the territory, such as the Ghedina, Pianozes and d'Ajal, which fill particularly during the summer snow-melt season. Fauna include marmots, roe deer, chamois and hares and, on occasion, wolves, bears and lynx. Much of the area of Cortina is part of the "Natural Park of the Ampezzo Dolomites".

### Frazioni

The comune contains the following frazioni (parishes/wards) with their Ladino names in parentheses: Acquabona (Agabòna), Alverà, Bigontina (Begontina), Cadelverzo (Cadelvèrzo), Cademai, Cadin (Ciadìn), Campo (Ciànpo), Chiamulera (Ciamulèra), Chiave (Ciàe), Cianderìes, Coiana (Cojana), Col, Cortina, Crìgnes, Doneà, Fiames (Fiàmes), Fraìna, Gilardon (Jilardòn), Gnòche o Gràa, Guargné, Lacedel (Lazedèl), Manaigo, Majon, Melères, Mortisa (Mortìja), Pecol (Pecòl), Pezié, Pian da Lago, Pocol (Pocòl), Rònco, Salieto, Socol, Staulin (Staulìn), Val, Verocai, Vera (Vèra), Zuel (Zuèl).

### Climate

Cortina d'Ampezzo has a humid continental climate (Dfb) with short summers and long winters that vacillate between frigid, snowy, unsettled, and temperate. In late December and early January, some of Italy's lowest recorded temperatures are to be found in the region, especially at the top of the Cimabanche Pass on the border between the provinces of Belluno and Bolzano. The other seasons are generally rainy, cool to warm, and windy. During the summer, temperatures can reach 25 degrees.

## Demographics

Cortina's population grew steadily from the time when it was annexed to the Italian State until the 1960s. Thereafter, it underwent a sharp decline (down by 2,099 inhabitants over a 30-year period), with signs of recovery only in the very last few years. Nevertheless, with 6,112 inhabitants, Cortina d'Ampezzo is the seventh most populous place in the province following Belluno (36,509), Feltre (20,688), Sedico (9,734), Ponte nelle Alpi (8,521), Santa Giustina (6,795) and Mel (6,272). In 2008, there were 44 births (7.1 ‰) and 67 deaths (10.9%), resulting in an overall reduction of 23 inhabitants (−3.8 ‰). The town's 2,808 families consisted on average of 2.2 persons.

The presence of foreign residents in Cortina d'Ampezzo is a fairly recent phenomenon, accounting for only a small number of inhabitants in what in any case is a fairly small town. There are 298 resident foreigners in the town, representing 4.9% of the total population. This compares with 7.0% in the town Belluno, 6.4% in the entire province of Belluno, and 10.2% in the Veneto region.

### Language and dialects

In addition to Italian, the majority of the population speak fluent Ampezzano, a local variant of Ladin, now recognized as a language rather than a dialect. Ladin is a Rhaeto-Romance language and closely resembles Romansh, which is spoken in Switzerland. The preservation of the local language, as a living medium used by younger generations, is seen as a symbol of pride and attachment to local heritage. Ladin and Tyrolean culture continues to survive despite the increasing pressure faced in recent years. Its importance is even beginning to be recognized by the local authorities who in December 2007 decided to use Ladin on signs for the names of streets and villages in compliance with regulations for the protection of linguistic minorities in force since 1999.

## Economy

Beginning in the 19th century, Ampezzo became a notable regional centre for crafts. The growing importance of this sector led the Austrian Ministry of Commerce to authorize the opening of a State Industrial School in 1874, which later became the Art Institute. It became a reputable institution in teaching wood and metalwork, admitting boys from the age of 13 for up to four years of study. The local handmade products were appreciated by early British and German vacationers as tourism emerged in the late 19th century. Some of the local items were said to have mythical qualities; the Austrian journalist and anthropologist Karl Felix Wolff, for example, stated in 1935 that according to legend a local man "once made a sword that was so flexible that you could bend it over, tie it up, and then allow it to straighten out again". Among the specializations of the town were crafting wood for furniture; the production of tiled stoves; and iron, copper, and glass items.

Today the local economy thrives on tourism, particularly during the winter season, when the population of the town typically increases from about 7,000 to 40,000. Lonely Planet refers to Cortina d'Ampezzo as "one of Italy's most famous, fashionable and expensive ski resorts", which "boasts first-class facilities (skiing, skating, sledding, climbing) and superb hiking".

Cortina is home to some of the most prestigious names in fashion (including Bulgari, Benetton, Gucci, and Geox) and various artisan shops, antiquarians, and craft stores. It is also home to many stores specializing in mountaineering equipment. The symbol of Cortina shopping remains La Cooperativa di Cortina, founded on 28 June 1893 as Consumverein Ampezzo. In this shopping centre many trades can be found, from confectioners to newspaper vendors, toys, gift shops, skiing stores, and blacksmiths. The building is divided into three levels (more a raised plan and a balcony). The cooperative in Cortina was one of the first cooperatives founded in the Italian Peninsula and currently provides employment to approximately 200 people.

The five-star Miramonti Majestic Grand Hotel, of James Bond fame, is more than 100 years old. Previously an Austro-Hungarian hunting lodge, it contains 105 rooms. Other hotels of note include Hotel Cornelio on Via Cantore, Hotel Montana on Corso Italia, Hotel Menardi on Via Majom, Hotel Villa Gaiai on Via Guide Alpine, and the Grand Hotel Savoia on Via Roma. There are several mountain hostels in the vicinity, including Rifugio Faloria, Rifugio son Forca, Rifugio Capanna Tondi and Rifugio duca D'Aosta, which contains restaurants.

## Landmarks

Near the bridge on the Bigontina River is the Town Hall, a palace in the Tyrolean style. Piazza Angelo Dibona houses several landmarks. The Ciasa de ra Regoles is one of the more important legal buildings in Ampezzo, where the "regolieri" — a council for the local villages that stood before the town merged — train the community and give administrative orders. It was at one time the see of Ampezzo's primary school. Currently it contains the offices of Comunanza delle Regole d'Ampezzo and the Modern Art Museum "Mario Rimoldi". The main square of Cortina d'Ampezzo is named after the famous local mountain guide Angelo Dibona.

### Museums

The Regole d'Ampezzo administer the Musei delle Regole d'Ampezzo, which covers three museums: Rinaldo Zardini Palaeontology Museum, Regole of Ampezzo Ethnographic Museum, and Mario Rimoldi Modern Art Museum.

The Rinaldo Zardini Palaeontology Museum, established in 1975, is a paleontological museum with a collection of hundreds of fossils of all colors, shapes, and sizes, which were found, gathered, and cataloged by local photographer Rinaldo Zardini. All of the pieces were found in the Dolomites and tell of a time when these high mountain peaks were still on the bottom of a large tropical sea, populated by marine invertebrates, fish, corals, and sponges.

The Regole of Ampezzo Ethnographic Museum is an ethnographic museum situated in an old restored Venetian sawmill at the confluence of the Boite and Felizon rivers to the north of the town. There are objects related to everyday life, rural, and pastoral practices in the vicinity; agricultural tools; techniques; materials processing; and clothing typical of the valley.

The Mario Rimoldi Modern Art Museum is an art gallery, established in 1941, which preserves over 800 works by major Italian artists of the 20th century including Filippo De Pisis, Felice Carena, Pio Semeghini, Renato Guttuso, Tullio Garbari, Massimo Campigli, and many others. It also hosts temporary exhibitions on various topics.

The Great War Tour stretches over 80 km (50 mi) across the mountains between Lagazuoi and Sass de Stria. It includes the Great War Open Air Museum with its trenches and tunnels. In winter it is accessible to skiers, but it is easier to visit on foot or by mountain bike in the summer months.

### Churches

The Basilica Minore dei Santi Filippo e Giacomo was built between 1769 and 1775 on the site of two former 13th and 16th-century churches; it is home to the parish and the deanery of Cortina d'Ampezzo. Its high wooden altar, crowned by a figure of Christ the Redeemer, was carved by Andrea Brustolon. On the ceiling are three frescoes by Luigi Ghedina: "Christ Purifying the Temple", "The Martyrdom of St. Philip", and "The Beheading of St. James".

The Chiesa della Madonna della Difesa was built in 1750 on the site of a ruined 14th-century building. Its façade features an intricate fresco depicting the Madonna della Difesa, and the interior is decorated with a wealth of statues, paintings, polychrome marble, and gold leaf.

The Cappella della Beata Vergine di Lourdes (Chapel of Our Lady of Lourdes) was completed in 1907. Decorated by artist Corrado Pitscheider of the Val Gardena, it is a small church of particular interest given the reconstruction sculpture.

The Cappella di Sant'Antonio da Padova in the village of Chiave was completed in 1791, but the interior was renovated in 1809 after serious fire damage caused by the Napoleonic troops. The furnishings include two wooden busts (Christ and St. Catherine) and a richly designed altar.

Sacrario militare di Pocol (also known as Ossario di Pocol) is a cemetery and shrine located at an altitude of 1,535 metres (5,036 ft) towards Passo Falzarego, in the locality of Pocol. The small church and cemetery were built in 1916 as a military cemetery by the 5th Alpine group. A shrine was built in 1935 as a memorial to the thousands who lost their lives during World War I on the Dolomite front. It is a massive square tower of stone, clearly visible from the entire Ampezzo valley below. In a crypt in the centre of the structure rests the body of general Antonio Cantore, who was awarded the gold medal for military valor.

### Castles and forts

The Castello de Zanna is a small fortress, situated in the vila of Minel. It consists of low, white outer walls and two white corner towers, with a small chapel dedicated to the Holy Trinity. The construction of the castle began in 1694, but on 19 August 1696 work was interrupted; the building remained unfinished in 1809 when it was burned by French revolutionary troops who had invaded Ampezzo. Since then the castle has undergone restoration.

Forte Tre Sassi (or Forte Tra i Sassi) is a fortress constructed in 1897 during the Austro-Hungarian period on the Passo Valparola. It lies between Sass de Stria and Piccolo Lagazuoi, dominating the passage between the Passo Falzarego and Val Badia in South Tyrol (Alto Adige). It was part of the large complex of Austrian fortifications built on the Italian border in the late 19th and early 20th centuries. Rendered unusable due to a bombing by the Italians on 5 July 1915, the ruins remained in a state of disrepair until the advent of the 21st century, when it was restored by the local administration of Ampezzo with the assistance of the Lacedelli family. The fort houses a museum containing relics related to the First World War.

Castello di Botestagno (also known as Podestagno) was a medieval fort perched on a rock in the valley of the river Boite, a little farther north of Cortina d'Ampezzo. It is believed that it was first erected as a stakeout during conflict with the Lombards between the 7th and 8th centuries, with the aim of dominating the three valleys that converge beneath it: the Boite, the Val di Fanes, and the Val Felizon. The cornerstone, however, probably dates to the 11th century. It was held by the Germans until 1077, and then by the patriarchs of Aquileia (12th century) and Camino (13th century), until Botestagno became the seat of a captaincy. It then passed into Venetian hands and finally to the Habsburgs. During the 18th century the castle gradually lost importance until it was auctioned in 1782 by order of Emperor Joseph II. Today the fort has now almost completely disappeared; only the remnants of what must have been the wine cellars and the foundations remain, now weathered and largely covered up by vegetation.

## Culture

Cortina has a long tradition in hosting writers, intellectuals, poets and editors from all over the world. Ernest Hemingway, Saul Bellow, Dino Buzzati, as well as Vittorio Gassman, Leonardo Sciascia, Leonardo Mondadori and many others, spent their vacations in the town and took part in the cultural life of the city. Through the years, this led to a continuous activity of literature festivals and book presentations, like Una Montagna di Libri ("A Mountain of Books"), held twice a year since 2009. The festival attracted to Cortina writers as Azar Nafisi, Peter Cameron, Emmanuel Carrère.

Music is important to the locals of Cortina, with a guitar found in most houses, and young musicians are often found walking the streets. Every year, from the end of July to early August, Cortina hosts the Dino Ciani Festival and Academy. It is held in honour of the celebrated Italian pianist Dino Ciani (1941–1974) who died when he was only 32. The festival attracts young pianists from around the world who are able to benefit from classes with some of the world's leading performers. The Festival of the Bands is another annual musical event featuring brass bands from Italy and beyond during the last week of August. Cortina's own band, parading in traditional costumes, is a central attraction dating back to 1861. Cortina d'Ampezzo hosted the 1953 Miss Italia contest, won by Marcella Mariani. Traditionally, on the eves of the festivals of Ascension, Pentecost, Trinity and St Philip and St James, the youth of the town would climb the hills at sunset and light fires.

After Ernest Hemingway's wife Hadley lost a suitcase filled with Hemingway's manuscripts at the Gare de Lyon in Paris, he took a time off. He began writing that same year in Cortina d'Ampezzo, writing Out of Season.

The dominant religion in the comune of Cortina d'Ampezzo is Roman Catholicism. Among the religious minorities, mainly a result of recent immigration, there is a small community of Eastern Orthodox Christians and Muslims. There is also a congregation of Jehovah's Witnesses, which has its headquarters in Pian da Lago.

The surroundings of Cortina have been the location for a number of movies, including mountain climbing scenes for Cliffhanger, Krull and The Pink Panther. The resort was the primary area for location shooting in Sergio Corbucci's Revisionist Spaghetti Western The Great Silence; the resort was used to represent Utah in the winter of 1898. It was a glamorous location for Elizabeth Taylor in Ash Wednesday (1973), and was also a major location for the 1981 James Bond film For Your Eyes Only. Roger Moore's James Bond meets the character Luigi Ferrara (John Moreno) at the peak of Tofana and stays at the Hotel Miramonti. A number of action sequences were shot in the town involving Bond and Erich Kriegler (John Wyman), as Kriegler competes in the biathlon. The battle culminates in one of the famous ski chase sequences in film, where Bond has to escape Kriegler and a crew of assassins on a spike-wheeled motorcycles, his route taking them all onto the bobsleigh run. The actual town centre was also the scene of the first attack on Bond and his partner Melina Havelock (Carole Bouquet) by two motorcyclists who attempted to run them over, only for Bond to eliminate them both, putting one of them through the window of a local florist.

## Sports

Cortina d'Ampezzo hosted the 1956 Winter Olympics, originally scheduled for 1944, but cancelled because of World War II. The 1927 Nordic, 1941 Nordic, and 1941 Alpine World Championships were held in Cortina as well, although both 1941 championships were withdrawn by the International Ski Federation (FIS) in 1946. The region lost Winter Olympics bids in 1988 (Calgary, Alberta) and 1992 (Albertville, France).

`Cortina hosted the 2021 Alpine World Championships, and, with Milan, will jointly host the 2026 Winter Olympics and the 2026 Winter Paralympics.`

The town is home to SG Cortina, a professional ice hockey team in Serie A1, Italy's top division. Cortina is also the start and end point of the annual Dolomites Gold Cup Race, a historical re-evocation event for production cars on public roads. The town hosted the Red Bull Road Rage in 2009.

Cortina also offers skiing facilities for amateurs, centrally located among the 12 resorts of the Dolomiti Superski area. Cortina itself has 115 km (71 mi) of pistes with 34 lifts and guaranteed snow coverage of over 95% from December to April. There are six ski schools (two for cross-country) and some 300 instructors. The Faloria-Cristallo-Mietres ski area has views over the Ampezzo Valley and is suitable forall abilities, including children. The Tofane area offers more challenging opportunities from an elevation of 2,500 m (8,200 ft) with the Canalone and Schuss ski runs. The longest run, the Armentarola piste in the Lagazuoi-5 Torri area, starts next to the Lagazuoi refuge at 2,752 m (9,029 ft) and is reached by cable car. With the Forcella Staunies (currently not in operation) and the Forcella Rossa, the ski area has one of the steepest slopes in the Dolomites. There are numerous ski freeride and tour options in the mountains around Cortina.

Facilities also exist for cross-country skiing, including a long stretch of the old railway line. In and around Cortina, there are opportunities to participate in many other winter sports such as curling, ski mountaineering, snowboarding, sledding, and extreme skiing. In the summer months, sports include trekking, trail running, biking, rock climbing, tennis, golf, swimming, and ice skiing. Cortina is known for the many via ferratas in the surrounding mountains such as the VF Ivano Dibona that was used in the movie Cliffhanger. The annual Lavaredo Ultra Trail series of international trail running races is based at Cortina.

## Transport

Cortina Airport was built for the 1956 Winter Olympics, but is currently closed. The town has its own bus service, connecting the centre to surrounding villages and cable car lifts. The nearest airports are those serving Venice: the distance to Treviso is 138 km (86 mi) while that to Venice Marco Polo Airport is 148 km (92 mi). Both can be reached in about two and a quarter hours by road. The railway station for Cortina is Calalzo di Cadore, 37 km (23 mi) to the south east, with rail connections to Venice and a bus service to Cortina. The total journey time to Venice is about three and a half hours. There are also direct bus links from Venice Mestre and Padova railway stations, coordinated with the arrivals and departures of Eurostar trains.

Cortina was the principal intermediate station on the narrow-gauge (950mm) Dolomites Railway from Calalzo to Toblach. When the line was electrified in 1929 the only sub-station was established at Cortina. The line closed in 1964 but in February 2016 the regional governments of Veneto and Trentino-Alto Adige announced that they are to commission a feasibility study to build a new line between Calalzo, Cortina and Toblach.

## Notable people

Cortina has attracted many distinguished guests, often inspiring them in their creative work. They include the Italian novelists Dino Buzzati (1906–1972), author of The Tartar Steppe, Goffredo Parise (1929–1986) and Fernanda Pivano (1917–2009). Ernest Hemingway, author of A Farewell to Arms, also arrived in the area in 1918 as a young ambulance driver. Other notable visitors include John Ball (1818–1889), the Irish mountaineer and naturalist who climbed Monte Pelmo in 1857, the Italian mountaineers Emilio Comici (1901–1940), Angelo Dibona (1879–1956) and Lino Lacedelli (1925–2009), the Italian skier Kristian Ghedina (born 1969), the Italian bobsledder Eugenio Monti (1928–2003), the Austrian mountaineer Paul Grohmann (1838–1908) and the Austrian skier Toni Sailer (1935–2009). Frequent visitors include the Italian businessman and former racing driver Paolo Barilla (born 1961) and the journalist and writer Indro Montanelli (1909–2001).

Among the distinguished sportsmen from Cortina itself are the skiers Enrico Colli, his younger brother Vincenzo, and Giuseppe Ghedina who competed in the 1924 Winter Olympics, Severino Menardi who participated in the 1932 and 1936 Winter Olympics, and Stefania Constantini, gold-medalist curler in the 2022 Winter Olympics. Other local citizens include the climbers Angelo Dibona (1879–1956) and Lino Lacedelli (1925–2009), and the painter Luigi Gillarduzzi (1822–1856).

## International relations

### Twin towns / sister cities

Cortina is twinned with:

- Cattolica, Italy (since 16 March 1971)
- Skardu, Pakistan

## See also

- Italian front (World War I)
- White War

Town and comune in Veneto, Italy


Delorentos

Delorentos are a Dublin-based Irish alternative rock band, formed in 2005. They consist of Rónan Yourell (vocals, guitar, piano), Kieran McGuinness (vocals, guitar), Níal Conlan (bass, backing vocals) and Ross McCormick (drums, backing vocals). The band's debut album In Love with Detail was critically acclaimed in Ireland, being nominated for the Choice Music Prize and in the Best Irish Album category at the 2007 Meteor Awards, at which Delorentos were also nominated for Best New Irish Band. Two extended plays have also been released; their debut release, titled Leave It On, in October 2005, and the follow-up EP, titled Do You Realise, came out in November 2007. The Delorentos discography consists of a selection of singles which impacted on the Irish Singles Chart, such as "The Rules" in May 2006 and "Stop" in July 2007.

Aside from headline shows, Delorentos have opened a number of high-profile shows throughout their career, including 2007 support slots for Sinéad O'Connor at Heineken Green Energy, the Dave Matthews Band at the Point Theatre and Arctic Monkeys, Supergrass and The Coral at Malahide Castle. The band have also played with the likes of Idlewild, Gang of Four, Bell X1 and The Futureheads in locations such as London, New York City, Chicago and Toronto. They have featured at numerous major festivals and tours including Electric Picnic, Oxegen and South by Southwest. Delorentos were invited to play a set at the 2006 edition of Other Voices: Songs From a Room and were also regular performers on The Cafe. They have built up a small fanbase in the neighbouring United Kingdom through appearances on television shows such as CD:UK. They have also had several songs feature on the PlayStation 3 karaoke video game, SingStar.

They briefly split in 2009, but got back together to release their second album You Can Make Sound, Their third album Little Sparks was released in 2012, followed by Unbroken, Untied and Night Becomes Light in 2014. They began working on a sixth album in 2017 called True Surrender.

## Career

### Formation

Each of the band members were in other bands prior to Delorentos, sometimes playing together, in what Conlan once described as "a weird web of bands through schools and colleges, until the four of us came together". McGuinness started playing with McCormick's school band around 1999, with Conlan joining the band soon after that. After this band failed, McCormick played with Yourell for a while, with McCormick and Conlan having played in a band together as well. Yourell then worked in France for a time but later returned to Ireland. Eventually the four grouped together to form Delorentos, whose name was taken from an older band in which a number of them featured. They were, by their own admission, "shite" until they went to Chicago to play "a rake of gigs". McCormick and Conlan were in college in the earlier days of the band's career.

### Early career

Their first release, the EP, Leave It On, was an entirely independent one and was launched in Whelan's in Dublin. The band collectively provided an amount of cash to record it at the start of 2005. McGuinness had a job so provided the money, with the rest of the band paying him back. Leave It On was released on the band's Delo Records label, with Cottage Records distributing it. Produced by Marc Carolan the four-track EP was released in Ireland in November 2005, entering the Top 30 of the Irish Singles Chart. The single, "Leave it On", went straight to number one in the Irish Singles Chart. Delorentos followed this with a tour which included an appearance at the UK industry show In The City (festival) and they were invited to participate in the 2006 series of RTÉ's annual Other Voices music show. This was followed in May 2006 by another single, "The Rules", which debuted in the Irish Singles Chart at number fourteen and spent a total of three weeks in this chart.

Just prior to this, Delorentos had come to wider attention when they represented Ireland at the National Student Music Awards (NSMA) in Dublin on 31 March 2005, where they were chosen as the Best Student Artist in the UK and Ireland. As part of their prize, they received free recording time at the BBC's Maida Vale recording studios and were invited onto the UK television show CD:UK, on which they confirmed the UK release date of their debut EP Leave It On. The band followed this with another Irish tour and appeared on The Cafe in 2006 and 2007. They toured with other more established bands such as Idlewild, Bell X1, Whitey, The Futureheads, Gang of Four and Tapes 'n Tapes in locations such as London, New York City, Chicago and Toronto. Delorentos featured at both Oxegen and Electric Picnic in 2006, becoming the first unsigned act to perform at both festivals. In February 2007, they released the single, "Basis of Everything", to coincide with US dates in New York City and a series of performances at South by South West.

### In Love with Detail

Delorentos recorded their debut album in Dublin's Sun and Apollo Studios with Gareth Mannix. In Love with Detail was released on their own Cottage Records label on 20 April 2007. The album entered the Irish Albums Chart at number seven, spending five weeks in that chart, and later received a nomination for the Choice Music Prize. The majority of the album was written over the previous year. Later that year, Delorentos had festival slots at Oxegen, Electric Picnic and Cois Fharraige. At that year's Heineken Green Energy, the band supported Sinéad O'Connor and Kíla, they supported the Dave Matthews Band at the Point Theatre on 23 May 2007, and went on to open for Arctic Monkeys at Malahide Castle on two separate dates in June 2007. The single "Stop" was released in July. A second EP, Do You Realise, was released in November, spending two weeks in the Irish Singles Chart and peaking at number thirty-four.

Delorentos twice toured the United States during this time, including several dates in March 2008. The Irish Times selected their South by Southwest performance in Austin, Texas, in March 2008 as the best by any Irish act at the event. The band also performed at the Razz Club in Barcelona, Spain. However, they kept a low enough profile on the Irish live circuit for much of the year, only performing at a small number of festivals, including Oxegen, the Bandon Music Festival and the Drogheda Arts Festival. The Irish Times noted their performance in Pet Sounds on the Sunday of Oxegen 2008 by reminiscing upon their performance from two years previously in front of a smaller crowd early on a Sunday morning. Performances of the singles "Basis of Everything" and "The Rules" at Oxegen 2008 were described as having "the kind of hummable sheen that sounds as perfect at a festival as on the radio". Two extended plays were also been released to accompany their debut; their debut release, titled Leave It On, in October 2005, and the follow-up EP, titled Do You Realise, came out in November 2007.

### Brief split

The band's overall low profile in 2008 was initially thought to be due to them spending time working on their second album. However, in December 2008, Delorentos explained in their MySpace blog that a potential record deal had fallen through due to the prospective label encountering financial problems. Added to this, the collapse of Pinnacle, their distribution company, denied the band a chance to release their album in the United Kingdom. Their blog entry stated that "these are strange times for everyone, and for us in the music industry there has been a lot of uncertainty. It just happened that our opportunity coincided with this extraordinary time." After performing a number of shows with fellow Dubliners Director, Delorentos announced their break-up on 17 February 2009. The split came about after Yourell decided to leave the band due to his desire to "do other things". A MySpace entry stated: "It's with a very heavy heart that we have to let you know that Ronan has decided to leave the band. He feels its best for him to move on and do other things. The three of us will still be making music and will let you know about what happens next". However, they still planned to record their second album, believed to be titled You Can Make Sound, in March 2009 – it would contain all the songs they had written in the previous year – and play "a gig or two" as part of a farewell tour. The band's farewell tour includes shows in Whelan's in Dublin and Cyprus Avenue in Cork. Reaction to the split was generally one of shock – The Kinetiks were amongst the neighbouring bands they had influenced, Jacqui Carroll attributed her discovery of Irish music to an early Delorentos show, whilst blogger UnaRocks, John Walshe of State, Jonnie Craig and others had recently been championing the band's sound. On 22 April 2009, the band announced they would not split after all, citing a newfound excitement for recording as their reason. Yourell later explained that the band signing away their independent stance only to be let down by their record company had "knocked us out of our stride" and had led to him considering his future.

### You Can Make Sound

Delorentos spent much of 2008 working on their second album, playing few live shows. By early 2009, they were reported to be performing with Director as both bands showcased material from their second albums. After the brief split, the second album by Delorentos, You Can Make Sound, was released on DeloRecords on Friday 9 October 2009 in Ireland, Reaching number 2 in the Irish Charts. The band released the title track as a free download and the single "Secret" was released on 16 October. They co-presented an edition of The Last Splash with Alison Curtis on Today FM on 20 December. In 2010, they appeared on TG4 music series Ceol Ar An Imeall. They represented Ireland in the Eurosonic Festival in Groningen, Netherlands in January 2010. You Can Make Sound was released in the Netherlands in March 2010, and Spain in April 2010.

### Little Sparks

Delorentos' third album was released on 27 January 2012. It had been recorded over the summer of 2011 with producer Rob Kirwan in Grouse Lodge studios, Westmeath and Exchequer Studios Dublin. The album was different as Kirwan insisted on two weeks pre-production beforehand, something the band had not down before. The first single from the record, "Did we ever really Try" was released in October 2011 with an accompanying EP Magazine - written by the band with contributions from other artists and musicians. It reached number 10 on the charts, despite not being available in record stores, only the band's own "pop-up stores". The album release was notable for its inventive release campaign: they toured acoustically to release the preceding EP, "Little Sparks EP" (which was released as part of a full-colour 40-page creative magazine), they slowly released their songs on YouTube as part of an Acoustic project, and they opened up their own pop-up record shops to perform in on the week of release. The latter idea proved to be very popular - with the band visiting cities around Ireland and opening up one-day stores in empty shops. The critical reception to the record was the best of the band's career. It was described by entertainment.ie: “Little Sparks is not only an album which is Delorentos’ best work to date, but one of the finest Irish releases of recent times" and by the Irish Times as "Full of brave, bracing and emotionally direct songs, it’s the sound of a band who have found their musical and lyrical groove."

### Unbroken, Untied

On 19 April 2014 Delorentos released Unbroken, Untied a self-recorded and produced Acoustic album. A collection of 13 acoustic tracks, nine of which were completely reworked versions of previous releases while four were unreleased tracks (three of which later appeared on subsequent album Night Becomes Light). The physical release was contained in a handmade individually stamped boxes, limited to 147 copies. These sold out in hours on Record Store Day, 2014.

### Night Becomes Light

In winter 2013, the band returned to record in Grouse Lodge and Exchequer studios with Rob Kirwan. Signing their first international record deal with Universal music in July, the album was released on 10 October 2014 and went straight into the Irish top 5. It was released with the "Show me Love" single. It was named one of the best albums of 2014 by the 'Choice Music Prize'. The album received the best reviews of an already critically acclaimed career, including 5 stars in the Irish Times. The album was subsequently released in spring 2015 in Spain, in April 2016 in Mexico, in Germany and the UK in autumn 2016, and in spring 2017 in the Netherlands and Belgium. Each single from the album was released with an innovative video from Spanish director Antoni Sendra, aka Podenco.

### True Surrender

In July 2017, almost 3 years since the last album, the band announced on their website that they were working on an as-yet-untitled sixth album in Attica Audio studios, Donegal. In November they released the first new song in three years - "In Darkness We Feel Our Way". In March 2018 they announced True Surrender would be released on April 27, 2018, and released another new song, "In The Moment". The also announced that the delay was due to the band "scrapping" an album they deemed "too close to what the band had done before and not a true reflection of the band's collective feeling" and starting again with True Surrender.

## Style and influences

Delorentos are known for their attractive guitar sound full of hooks and harmonies. The band's influences include Arcade Fire, Pixies, The Cure and The Clash. Their musical output has been likened to many modern British bands. The style of their single "Eustace Street", about a troubled love affair set in Dublin's Temple Bar, has been compared to that of Editors, and another single "Stop", influenced by a post-punk sound, has been likened to Bloc Party. The band's second single "The Rules" has been called "a sharp comment on the culture of casual racism". Conlan and Yourell like The Band, whilst Conlan and McCormick like The Redneck Manifesto. Conlan has stated that their earlier music had "a lot more dancey beats to it, but we're always chopping and changing". For instance, at one point the oldest song in the band's set list was "Leave It On" and that was only about eight months old at the time.

## Discography

## Awards

The Sunday Tribune's Una Mullally said their debut album was "Best Hope For 2007".

Delorentos were chosen as the Best Student Artist in the UK and Ireland at the National Student Music Awards on 31 March 2005. The band were nominated for four Meteor Music Awards – "Hope for 2006" in 2005, "Best New Band" in 2006, as well as "Best Irish Band" and "Best Irish Album" in 2008. They lost out on the 2008 Best Irish Band award to veteran rockers Aslan. In Love with Detail was nominated for the Choice Music Prize in 2007, losing out to Super Extra Bonus Party's self-titled LP. The album also won 2007's Róisín Dubh Album of the Year, given by the Róisín Dubh in Galway. In February 2008 they won The Irish World's "Best New Band" Award in London.

They were nominated in two categories at the 2010 Meteor Awards: Best Irish Band and Best Irish Pop Act. That same year the band were successful in the Entertainment.ie Annual Awards picking up the Best Album of the previous year award.

In 2013 Delorentos won the Choice Music Prize Irish album of the year for Little Sparks.

\|- \| 2005 \|\| Delorentos \|\| National Student Music Prize \|\| \|- \| 2005 \|\| Delorentos \|\| Meteor Music Awards – Hope for 2006 \|\| \|- \| 2006 \|\| Delorentos \|\| Meteor Music Awards – Best New Band \|\| \|- \| 2007 \|\| In Love with Detail \|\| Róisín Dubh Album of the Year \|\| \|- \| 2008 \|\| In Love with Detail \|\| Choice Music Prize – Irish Album of the Year 2007 \|\| \|- \| 2008 \|\| In Love with Detail \|\| Meteor Music Awards – Best Irish Album \|\| \|- \| 2008 \|\| Delorentos \|\| Meteor Music Awards – Best Irish Band \|\| \|- \| 2008 \|\| Delorentos \|\| The Irish World*'s Best New Band Award \|\| \|- \| 2010 \|\| Delorentos \|\| Meteor Music Awards – Best Irish Band \|\| \|- \| 2010 \|\| Delorentos \|\| Meteor Music Awards – Best Irish Pop Act \|\| \|- \| 2010 \|\| Delorentos \|\| Bray Music Video Festival – Best Band \|\| \|- \| 2010 \|\| You Can Make Sound \|\| entertainment.ie Awards – Best Album \|\| \|- \| 2012 \|\| Little Sparks \|\| Choice Music Prize – Irish Album of the Year 2012 \|\| \|- \| 2012 \|\| Care For \|\| Choice Music Prize – Irish Song of the Year 2012 \|\| \|- \| 2012 \|\| Delorentos \|\| entertainment.ie Awards – Best band \|\| \|- \| 2012 \|\| Little Sparks \|\| entertainment.ie Awards – Best Album \|\| \|- \| 2014 \|\| Night Becomes Light \|\| Choice Music Prize – Irish Album of the Year 2014 \|\| \|- \| 2014 \|\| Show Me Love \|\| Choice Music Prize – Irish Song of the Year 2014 \|\| \|- \| 2014 \|\| Delorentos \|\| entertainment.ie Awards – Best Band \|\| \|- \| 2014 \|\| Night Becomes Light \|\| entertainment.ie Awards – Best Album \|\| \|- \| 2018 \|\| True Surrender* \|\| Choice Music Prize – Irish Album of the Year 2018 \|\| \|-

Irish alternative rock band


Shōnen manga

Shōnen manga (少年漫画, lit. "boys' comics", also romanized as shonen, shounen or syônen) is an editorial category of Japanese comics targeting an audience of adolescent boys. It is, along with shōjo manga (targeting adolescent girls and young women), seinen manga (targeting young adult and adult men), and josei manga (targeting adult women), one of the primary editorial categories of manga. Shōnen manga is traditionally published in dedicated manga magazines that exclusively target the shōnen demographic group.

Of the four primary demographic categories of manga, shōnen is the most popular category in the Japanese market. While shōnen manga ostensibly targets an audience of young males, its actual readership extends significantly beyond this target group to include all ages and genders. The category originated from Japanese children's magazines at the turn of the 20th century and gained significant popularity by the 1920s. The editorial focus of shōnen manga is primarily on action, adventure, and the fighting of monsters or other forces of evil. Though action narratives dominate the category, there is deep editorial diversity and a significant number of genres and subgenres within shōnen manga, especially when compared to other comic cultures outside of Japan, including comedy, crime, romance, slice of life, and sports.

## Terminology and etymology

### Shōnen

The Japanese word shōnen (少年 /ɕoːnen/) translates literally to "few years". Shōnen historically referred to juveniles in a general sense, and was used by the Japanese publishing industry to designate publications aimed at children and young people until the end of the 19th century. The word shifted to its current usage of referring specifically to media aimed at adolescent boys beginning with the practice of segmenting periodicals (especially manga magazines) by sex and age-specific target groups, which was established at the beginning of the 20th century and accelerated starting in the 1960s. This system of segmentation is now openly used as a categorization system by manga publishers and extends into works that are adapted from manga, such as anime.

### Shōnen manga

Shōnen manga refers to manga aimed at an audience of adolescent boys, with the primary target audience alternately defined as 9 to 18 years old and as 12 to 18 years old. Of the four primary demographic categories of manga (shōnen, shōjo, seinen, and josei), it is the most popular category in the Japanese market.

The actual readership of shōnen manga, as is the case for all demographic categories of manga, extends significantly beyond this adolescent male target group to include all ages and genders. For example, a 2006 survey of female manga readers found that Weekly Shōnen Jump was the most popular manga magazine among this demographic, placing ahead of magazines that specifically target a female readership. The target group orientation of shōnen manga is particularly evident in the non-manga content of shōnen manga magazines, which include advertising and articles on topics tailored to the interests of young males, such as video games. Non-manga content often corresponds to a major manga series in a given magazine, for example, advertisements for a video game adaptation of the series, or articles about an animated film adaptation of the series.

## History

### Pre-war and wartime era

Children's magazines with sex-segregated readerships have existed in Japan since the early 1900s. While early youth magazines were ostensibly unisex – Shōnen Sekai was the first youth magazine in Japan in 1895, targeting a readership of both boys and girls – in practice, the editorial content of these publications largely concerned topics that were thought to be of interest to boys. This provoked the emergence of first exclusively shōjo (girls) magazines in 1902, and shōnen magazines subsequently began to exclusively target a male audience. Initially, these magazines did not publish manga; the first shōnen magazine to do so was Shōnen Pakku, first published in 1907. This was followed by Shōnen Club in 1914 and later Yōnen Club. Among the most successful and influential manga series in these early shōnen magazines were Norakuro by Suihō Tagawa, which follows the life of an anthropomorphic dog soldier, and Tank Tankuro by Gajo Sakamoto, about a robot-like character who can change his appearance.

Shōnen magazine enjoyed significant popularity during the 1920s and 1930s, with Yōnen Club selling over 950,000 copies. During the Second Sino-Japanese War and Second World War, magazine sales declined and publications were used increasingly for wartime propaganda purposes. The manga content in these publications was reduced, and the series that remained typically focused on patriotic and militaristic themes, such as stories about samurai. In other stories, robots were depicted as fighting in the war against the Allied forces, as analogous to western superhero comics that depicted superheroes fighting the Axis powers during this same period.

### Post-war era

During the post-war occupation of Japan, the Japanese publishing industry was rebuilt under initially strict guidelines. Stories focused on war, combat, and most competitive sports were banned with the aim of discouraging belligerence and hindering the use of manga for pro-Imperial propaganda. Manga developed during this period under the influence of artist Osamu Tezuka, with series such as Astro Boy and Kimba the White Lion. Tezuka was inspired by American cartoons, and pioneered the so-called "story manga": long-running manga series with a cinematic style and continuity across multiple chapters, contrasting what had previously been a medium defined by one-off comic strips. Science fiction stories about robots, space travel, and heroic space-faring adventures enjoyed popularity during this period; many sci-fi stories took themes and concepts from war comics and re-imagined them with pacifist ideals, such as Tetsujin 28-go by Mitsuteru Yokoyama.

One of the first new shōnen manga magazines of the post-war period was Manga Shōnen, which launched in 1947 and published works by Tezuka, Leiji Matsumoto, and Shōtarō Ishinomori. As post-war censorship codes were repealed and Japan entered a period of significant economic development in the 1950s, sales of manga and the number of manga magazines increased significantly, and shōnen and shōjo manga came to further establish themselves as distinct categories. The first works of sports manga also emerged from shōnen manga during this time; notable early works include Igaguri-kun [jp] by Eiichi Fukui as the first manga series in the genre, and Ashita no Joe by Asao Takamori and Tetsuya Chiba, which became one of the most commercially successful works in the genre. 1959 saw the launch of Shōnen Sunday and Weekly Shōnen Magazine, the first weekly shōnen manga magazines. Other weeklies, such as Shōnen Champion, Shōnen King, and Shōnen Ace, emerged in the 1960s. Weekly Shōnen Jump was first published in 1968, and would establish itself as the best-selling manga magazine across demographic categories, a position it holds to this day. Many of the most popular and commercially successful shōnen series originated in Weekly Shōnen Jump, including Dragon Ball by Akira Toriyama, Naruto by Masashi Kishimoto, Bleach by Tite Kubo, One Piece by Eiichiro Oda, and Slam Dunk by Takehiko Inoue.

### Modern era

Seinen manga became formalized as a category of manga aimed at an older male audience in the late 1960s and early 1970s, and many shōnen artists associated with the realist gekiga movement migrated to seinen manga. The demise of the kashi-hon (rental manga) market led many kashi-hon artists to move into magazine publishing, including shōnen manga, bringing their distinct themes and style with them. As a result, shōnen manga came to deal with more serious and political themes, and saw an increase in depictions of violent and explicit subjects, as well as an increase in profanity. Significant artists of this era include Shigeru Mizuki, creator of the horror series GeGeGe no Kitarō; and George Akiyama, whose shōnen manga series Ashura depicts cannibalism, child abuse, and mass murder. Although this provoked a public backlash, it did not lead to the decline for the industry: series with anarchic, offensive humor became popular in shōnen and seinen manga alike, with Crayon Shin-Chan by Yoshito Usui becoming an internationally famous example of this phenomenon. Manga artist Go Nagai originated the sexually-charged ecchi genre with Harenchi Gakuen, which was serialized in Weekly Shōnen Jump.

The stylistic and thematic differences between shōnen and shōjo began to narrow considerably beginning in the 1980s, with widespread exchange of stylistic devices and themes. For example, the characteristic large eyes of shōjo manga became common in shōnen manga to convey the emotions of characters, and female characters have enjoyed greater prominence as both supporting and primary characters in shōnen manga. Other graphic storytelling techniques that originated in shōjo manga, such as montages of multiple panels, were imported into shōnen manga and have become common stylistic devices. In the 1980s, combat-focused "battle manga" stories became popular, with Dragon Ball and Fist of the North Star emerging as representative works of this development. Manga critic Jason Thompson credits the success of Dragon Ball, first published in 1984, as originating a trend that has persisted to contemporary shōnen manga of favoring cartoonish art styles over the more mature art styles of shōnen titles such as City Hunter and Fist of the North Star.

Female manga artists also began to enjoy increasing critical and commercial success as shōnen manga creators. As a result of the combined influence of ecchi and the rise of female artists, romance emerged as a subgenre of shōnen manga, especially romantic comedy. When manga began to emerge in the Western world in the early 1990s, the shōnen category was so dominant in these new markets that it came to shape the image of manga as a whole. While shōjo made gains in popularity by the 2000s, shōnen remains the most popular category of manga, both in Japan and internationally.

## Characteristics

### Themes and genres

This thematic orientation of shōnen manga is readily inferred from the formal values or slogans that shōnen manga magazines assign themselves: for example, "friendship, perseverance, and victory" for Weekly Shōnen Jump, and "courage, friendship and fighting spirit" for CoroCoro Comic. The editorial focus of shōnen manga is primarily on action, adventure, and the fighting of monsters or other forces of evil. Action stories are so dominant in shōnen manga that some manga and non-manga works are occasionally designated as shōnen not because of their ostensible target group, but because of their content focus on action and adventure. Though action narratives dominate the category, there is deep editorial diversity and a significant number of genres and subgenres within shōnen manga, especially when compared to other comic cultures outside of Japan. This includes but is not limited to comedy, crime, romance, slice of life, and stories about activities such as sports and the lives of different types of working professionals.

The action genre is itself is expressed through a variety of subgenres, from historical and contemporary drama to science fiction and fantasy. Shōnen war fiction has been alternately jingoistic or critical of militarism and violence, with Barefoot Gen by Keiji Nakazawa as a notable example of the latter. Samurai appeared frequently as idealized role models for boy readers in early shōnen, analogous to representations of cowboys in western comics; samurai stories shifted to comedy and sportsmanship in the post-war period, before returning to themes of idealized themes of good versus evil. Though shōnen manga typically attempts to convey a message of peace, the category has been criticized by individuals such as director Hayao Miyazaki for promoting overly simple good/evil dichotomies.

### Narrative conventions

A shōnen protagonist is often characterized by contradictory qualities: short-tempered and cool, mischievous and rebellious, serious and cynical, clumsy and infallible, or who appears as a good-for-nothing but possesses hidden abilities. In some cases, the contradiction takes on a literal form in the form of henshin (変身, lit. 'transformation'), where the hero is able to switch between two personas with different appearances and personalities; examples of this device include Yu-Gi-Oh by Kazuki Takahashi and Samurai Deeper Kyo by Akimine Kamijyo. Transformation abilities are often linked with bonds to a spirit, monster or robot. A major narrative device in shōnen manga is rivalry between the protagonist and his opponent, with a fight or a quest often appearing as a central element; Dragon Ball is among the most popular and commercially successful examples of this archetypal story.

Typically, a shōnen protagonist is an outsider, or in some way disadvantaged compared to others, but who through training, perseverance, and willpower eventually succeeds against all odds. Plots typically follow the basic structure of the hero's journey, with much of the story focused on the protagonist's training and transformation into a hero, and on characters who earn their status as heroes through effort and tenacity rather than by virtue of birth or assignment. For long-running series, the hero's journey repeats itself; as a new story arc begins, the enemy becomes more powerful and the danger to be overcome becomes greater. In addition to these external conflicts, a shōnen protagonist often also faces internal conflicts, typically focused around maturity and growing older. In contrast to shōjo manga, which often focuses on the thoughts and interior monologue of the hero, shōnen typically advances plot through dialogue and action. Happy endings are common in shōnen manga, but are not obligatory, with writers expressing the happy ending fitting for the demography even if it not comes up as a suitable.

### Visual style

Comics theorist Neil Cohn regards the art style of shōnen as generally "edgier" than that of shōjo manga, and notes how most regular manga readers are able to easily distinguish between shōnen and shōjo based on visual appearance alone. Visually, a shōnen protagonist often possesses what manga critic Jason Thompson describes as "insanely spiky hair" that distinguishes the protagonist's silhouette from that of other characters. The eyes of shōnen characters in the post-war period are significantly smaller than those of characters in shōjo manga; large eyes are used in shōjo manga to better convey the emotions of the characters, an aspect which has historically been given less focus in shōnen manga. A common visual device in shōnen action scenes is to depict the contours of figures with rough, coarse motion lines to give the appearance of movement.

### Role of women

Historically, the protagonists of shōnen manga were almost exclusively men and boys; women and girls appeared primarily in supporting roles as sisters, mothers, or girlfriends, if at all. This was especially true of ecchi stories that developed out of shōnen manga beginning in the 1970s, with The Abashiri Family by Go Nagai as one of the earliest representative works of this development, as well as an early example of a shōnen manga with a female protagonist. Since the 1980s, women and girls have played a more active role in shōnen manga, fighting alongside male characters and not merely as passive support. Dr. Slump by Akira Toriyama was an early representative work of this development, with its mischievous child protagonist Arale Norimaki being among the first shōnen manga to depict this type of archetypal character as a girl rather than a boy. The 1980s also saw female shōnen manga artists rise to greater prominence: notably horror manga artist Kei Kusunoki, and Rumiko Takahashi with her romantic comedies Urusei Yatsura and Ranma 1⁄2.

Especially in shōnen series that are aimed at an older audience, female characters are often presented in a manner that is attractive to the male target audience as so-called bishōjos (literally "beautiful young girls"). They exist as objects of romantic or sexual desire not merely for the male characters, but also for the ostensibly heterosexual male reader as a form of fan service. While these objectifying tropes have persisted in shōnen manga, women have also developed more active roles in these fan service-oriented stories. A common romantic comedy trope in shōnen manga since the 1980s has been to pair a weak male protagonist with a strong female love interest who is not only the target of his romantic and sexual desire, but also his good friend and confidante. In the harem genre, which originated from shōnen manga, a male protagonist is surrounded by several female characters who desire him, and who are often more confident and assertive than he is; examples include Negima! Magister Negi Magi by Ken Akamatsu and Hanaukyo Maid Team by Morishige. In other cases, the male protagonist is unsuccessful in his attempts to woo the female character, or the story is focused around the originally naïve and infantile male protagonist maturing and learning how to develop healthy relationships with women.

For certain shōnen series, a female readership who read in or interpret subtextual homoerotic relationships between canonically heterosexual male characters constitute a significant proportion of the series' audience; this is especially true of series featuring male characters who are bishōnen (literally "beautiful boys"), or who are perceived as such by readers. This reading of shōnen manga is expressed in the form of fan works such as dōjinshi (self-published amateur manga) and the yaoi (male-male romance) genre of manga and anime, which includes both original and derivative works. Manga scholar Yukari Fujimoto notes in her analysis of the female readership of the shōnen titles One Piece, Naruto, and The Prince of Tennis that homoerotic interpretations of shōnen manga tend to be most common among titles that do not include prominent female characters that a female readership is able to identify with.

## Magazines

Shōnen manga is traditionally published in dedicated manga magazines that specifically target an audience of shōnen. At the industry's peak in the mid-1990s, there were 23 total shōnen magazines, which collectively sold 662 million copies in 1995. The total manga magazine market that year included 265 magazines, with a total of 1.595 billion copies sold.

A manga magazine is typically several hundred pages long, and contains over a dozen series or one-shots. The largest Japanese shōnen magazines in terms of circulation are Weekly Shōnen Jump by Shueisha, Weekly Shōnen Magazine by Kodansha, and Weekly Shōnen Sunday by Shogakukan; these publishers are also the largest publishers of manga generally. The fourth largest magazine, albeit by a significant margin, is Weekly Shōnen Champion by Akita Shoten, which was among the most popular manga magazines in the 1970s and 1980s. The magazines CoroCoro Comic and the now-defunct Comic BomBom technically belong to the kodomo (children's manga) demographic, but are often counted as shōnen magazines as they target an audience of school-aged boys. A list of the top shōnen magazines by circulation as of 2015 are listed below:

Manga aimed at adolescent boys