[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Cataclysms and tidal changes occur. Mars aligns with Pluto. A new world has been prepared by self-catalytic systems. This process happens on the surface. There are hurricanes, volcanic eruptions, and earthquakes. There are also hostile environments such as deep oceans, floods, and avalanches. Organic chemistry is relevant to pre-biotic conditions or political interests. Planetary seeds and germs are transported by meteorites. Movement takes place.

[Assistant] Cataclysms, tidal changes, Mars aligned with Pluto. The emergence of a world has been prepared by self-catalytic systems. On the skin. Hurricanes, volcanic eruptions or earthquakes, hostile expanses or abyss of the oceans, floods or avalanches. Organic chemistry of pre-biotic or political interest. Planetary seed, germs carried by meteorites. Moves.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Narcissus rejects Eros by focusing on his own reflection. This results in Eros losing its power. Eros becomes a consumed desire. Eros also loses imagination, curiosity, and the desire for others. Without otherness, Eros suffers. This is the suffering of Eros.

[Assistant] Narcissus cancels Eros in his own reflection, that is to say: 1-1 = 0, therefore: Self = ? Eros loses all its power, becoming consumed desire. Eros loses imagination, curiosity, the desire for the other. He has nothing left. Without otherness, Eros agonizes. The Agony of Eros!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We do not have a specific structure. Our form is shaped by others. This is not a negative thing. It is a way of existing that inspires us. Our values show that the body of any living being can serve as a nation or home for others.

[Assistant] We have no structure. Our form is the body of the other. Far from being a perversion, it is a way of being from which our summit can draw its inspiration. Our morals demonstrate that the body of any living being, even that of an individual from the same kingdom, can become a nation for others, a home.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This beauty, harmony, and calm have something unsettling behind all this happiness. Happiness can be harsh. It reminds us that it is possible to feel joy. This makes the times when we do not have happiness feel even more difficult than we realized. The pheasant is always in the field.

[Assistant] This beauty, this harmony, this calm, has something obscene, almost unfair, painful behind so much happiness. Happiness is extremely cruel; it reminds us, immorally, that it is quite possible, and therefore all the moments in which we do not have access to it are even more foolish and painful than we thought. The pheasant is always in the field.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We believe in facts and in actions. We think the G5 should focus on facts instead of speeches. I invite my colleagues to discuss concrete proposals. What relationships do you see our kingdom establishing with the other kingdoms? Our kingdom, along with the mineral and animal kingdoms, has mainly been a victim of spatial violence. I will explain.

[Assistant] We believe in facts, in actions. We think that this G5 must be a summit of facts, not speeches. And I invite all my colleagues to already discuss concrete proposals. What inter-kingdom relationships do you envision establishing with the other kingdoms? Our kingdom (as well as the mineral kingdom, I think, and the animal one) has mainly been a victim of spatial violence. Let me explain.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You freeze suddenly. Your arm blocks your view. You feel lost in uncertainty about whether to kill the giant squid or not. You find yourself caught in the same dilemma. You think it over again, but the ship is sinking. You are shipwrecked with everyone else. You are shipwrecked with all the others. The music stops. You focus on your breathing.

[Assistant] freeze-frame you freeze suddenly, your arm blocks your gaze lost in the limbo to kill the giant squid or not to kill it? Damn! you’re once again caught up in your dilemma you think again but the ship is sinking you’re shipwrecked with everyone else you’re shipwrecked with all your others // end of a loop music.. breathing??


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The same force that we call evolution has transformed nature into a large research and development laboratory. Species are not fixed forms. They are not moral identities that can be claimed or that should be protected.

[Assistant] It is the same force that, since Darwin, we call evolution, which has transformed nature into a "huge research and development laboratory." Species are not fixed forms, nor moral identities that one could claim or that should be protected.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Mineral evolves. There is more biological diversity and more mineral diversity. It enters a phase of high diversity and maximizes its creations.

[Assistant] Okay (burlesque) C1: - Mineral evolves, more biological diversity, more mineral diversity, enters a phase of crazy diversity, maximizes its creations and...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Dragonfly, 2027, Planned Failure. The group is excited. They are drinking again. They might be dancing. They are looking for more music. Someone sticks their head out the door to the street. C1 says, "Chus! My cat! Come back!" C1 and C2 are joking and laughing. C1 says, "Chus, my love, come back!" C2 adds, "Venus darling, give a sign of life!" C1 continues, "Go on, tell me something."

[Assistant] Dragonfly, 2027, Planned Failure! They are excited, they are drinking again, they might be dancing, they are looking for another music. Sticks their head out the door that leads to the street. S: - Chus! My cat! Come back! C1 and C2 are joking and laughing. C1: - Chus, my love, come back! C2: - Venus darling, go on give a sign of life! C1: - Go on tell me something...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We choose others based on how they see the world. We choose them based on how they see us. Their gaze influences our existence. We select others as a part of our understanding of being.

[Assistant] LOOKING We choose the other by the way they look at the world, by the way they look at us, by the way that look makes us exist, for the possibility of being through that look. We choose the other by the way they look at us. We choose the other as a notion of being.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Arjuna, you do not know this yet. You do not know anything at this hour. You hear your heart racing. You feel the burning blood that ignites you. The noise of others mixes with your breath. Arjuna, I see you there. You are the great warrior of the Pandava clan. You are trapped in your dilemma. You are stuck in the middle of the battlefield. You are in the midst of history. You feel exiled from your truth. The weapons are on the ground. You are in one moment, and another moment is in you. What should you do?

[Assistant] Arjuna, you do not know this yet You no longer know anything at this hour You only hear your heart racing the burning of blood that ignites you The noise of others mixed with your breath Arjuna, I see you there the great warrior of the Pandava clan, trapped in his dilemma Trapped in my dilemma you're stuck there In the middle of the battlefield In the midst of history Exiled from your truth the weapons on the ground you in the other the other in you What to do?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I get tangled. I expose myself. I polish. I photosynthesize. I turn green. I connect the sun and the planet. I am the link between the sun and the earth, between the outside and the inside. I endure. We transform energy into matter. We change celestial energy into earthly matter. Geometry is complex and constantly changing.

[Assistant] I get tangled. I expose myself, I polish, I photosynthesize. I green. I marry the young sun with the blue planet. I am the interface between the sun and the earth, between the outside and the inside. I endure. Celestial alchemists, we transform energy into matter. Celestial energy into earthly matter. Complex geometry in perpetual mutation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Interviews with researchers from different fields provide perspective. The album and fanzine section is planned for release in spring or summer 2023. The music group THE BADWEEDS aims to release its first album, titled RESIST, on streaming platforms.

[Assistant] All put into perspective with interviews of researchers from various fields. THE ALBUM / FANZINE SECTION - release spring/summer 2023 (planned) THE BADWEEDS as a music group aims to release its first album RESIST on streaming platforms.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We address what we encounter and what we possess. I feel very defenseless here. For some time, I have been trying to resist this feeling. But I truly feel vulnerable. I have nothing left, not even the words. I no longer have those words. They do not belong to me or to what we consider real. Do you understand?

[Assistant] No matter, we deal with what we find, with what we have. I am completely defenseless here, for a while now, I've been trying to tell myself no, but honestly, I am completely defenseless here, I have nothing left, not even the words, those words, I no longer have them, they no longer belong to me, neither to me nor to what we call the "real," you see what I mean?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Humans eat a wide variety of foods. The only thing they do not consume is other humans. Some cannibalistic behaviors have been observed in human communities, but these are rare and seen as deviant. To survive, humans only need plants.

[Assistant] Humans, finally, also devour everything; the only thing they lack is cannibalistic practices, even if some of these behaviors have been identified within the human community, they are also marginal and considered deviant behaviors. Humans, in order to survive, need nothing other than plants.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
C2: Let me finish the sentence. I am talking about the form of animal life. This life can move everywhere. It can move underwater, on land, and in the air. It can send these messages beyond the atmosphere.
S: Ah.

[Assistant] C2 : - let me finish the sentence, I am talking about the form of animal life, which can move everywhere, underwater, on land, in the air, everywhere, and so... and so can send these messages beyond the atmosphere S: - ah..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] To camouflage oneself. A book has many sharp words. It is like an army of sharp words. It also burns well. We need to find something that cuts well and something that strikes. An old key does not open a new door. I have a smartphone, dirty socks, a laser, a battery, and I make gestures like this.

[Assistant] To camouflage oneself Ah, yes, A book, with lots of sharp words inside, an army of sharp words that’s right, and besides, it burns well We need to find something that cuts well and another that strikes With an old key you don’t open a new door I have a smartphone, dirty socks, a laser, a battery, gestures like this, like this.. like this;..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I will try to interpret his song. Fusion and fission are processes related to nuclear reactions. Fe3O4 is iron(II,III) oxide. It is ferrimagnetic. The elements mentioned are magnesium, zinc, manganese, nickel, chromium, titanium, vanadium, and aluminum.

[Assistant] I will try to interpret his song. 1538°C Fusion Fission Fusion Fission Fusion Fission. Fusion. Fe3O4 Fe2+ Fe23+O4 iron(II,III) oxide, ferrimagnetic, magnesium Mg, zinc Zn, manganese Mn, nickel Ni, chromium Cr, titanium Ti, vanadium V and aluminum Al.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
M: - Conifers; R: - Rediscover the silence of trees and their underground sounds.
M: - Crab; R: - Move forward by moving backward.
M: - Amoeba; R: - Information about amniotic fluid and do-it-yourself methods.
M: - Chihuahua. R: - Anxiety in dogs.
M: - Tic; R: - Tic?

[Assistant] M: - Conifers; R: - rediscover the silence of the trees, their underground howling. M: - Crab; R: - Move forward by going backward. M: - Amoeba; R: - Everything about amniotic fluid, DIY. M: - Chihuahua. R: - Dog neurosis. M: - Tic R: - Tic?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Divinatory arts involve attempts to practice divination. This can be done using NASA images or by observing various objects. These objects may include cat fur, turtle bones, coffee grounds, or other items. People may look for signs, visions, or revelations in these worldly objects. They search for clues that may be hidden at any moment.

[Assistant] Divinatory arts, trying to do divination from NASA images, from observing cat fur, turtle bones, coffee grounds, dead babies, galactic or meteorological observatories, seeing through, guessing among, finding the sign, the vision, the divine voice, the revelation, among worldly objects or small gods that can be hidden at any moment, finding them among/between/with.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Be present among others. Be between the steps. Be at the entrance. Find the door to existence. Be with others, human among things.

[Assistant] to be among beings between-being not between the others be between my steps among beings among the entrances be among be between-being be the entrance an entrance an entrance to being be the entrance to be between between the words and the things between humans and others find the door of being, be among beings, human among things.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The theory is that the Earth has a relationship with Venus. Efforts to connect with Venus lead to the creation of the plant kingdom. When that does not succeed, the animal kingdom is created. This also does not work. Finally, the human animal is created, which can build machines. Then, it ventures into space.

[Assistant] C1: -  But yes, it's good, we have the theory, basically; the Earth pim, big love story with Venus, and to try to reach her, Bam! the plant kingdom, then since that doesn't work, create the animal kingdom, that doesn't work either and Bam! creates the human animal capable of creating the machine, and there, Bam! it goes into space, and then...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] DRAFT TREATY ON INTER-SPECIES LAW: This legal treaty aims to include a wider range of beings. It encompasses those without light, those who live without sight, and those who move through air, water, or earth. It includes invertebrates and those that are stationary or nomadic. It also considers beings that do not have teeth, resonate with their environment, or move without feet. This treaty recognizes those who communicate without words, those without skin, and those that can last for centuries. It acknowledges beings that change color, care for themselves to be born, or do not give birth. It includes those that nest, mineralize, or photosynthesize. There are also those that emit ultrasound, ruminate, hunt in packs, and those that may cannibalize. This treaty allows for diversity among beings, regardless of their shapes or behaviors.

[Assistant] DRAFT TREATY ON INTER-SPECIES LAW: This legal treaty aims to finally concern everyone, and this "everyone" is a new "everyone," even broader, even richer than the current "everyone." It is an "everyone" that includes those who have no light, those who live a wonderful life without eyes, those who move through the air, underwater, underground, those who are invertebrate, those who are stratified, those who are nomadic or stationary, those who have no teeth, those who resonate atmospherically and are re-morphed, those who advance without feet, those who speak without words, those who without skin are a touch, those who crystallize for centuries, those who change color according to their surroundings, those who take care of themselves to be born, those who do not give birth, those who nest, who mineralize, who chlorophyll, who photosynthesize, those who emit ultrasound, those who ruminate, those who depredate, those who hunt in packs, those who electrocute, those who mutate, those who are cannibals, southern, octagonal, or hexagonal, symphonic, he, who is unique, claims the right to nothing.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Obsessive thoughts lead to a focus on thoughts. Uncertain futures create indecision about the future. Possible futures encourage action to make futures possible. Speak loudly to enhance communication. Use a low voice to reduce volume. Experience fear and recognize the feeling of fear. Be known and understand one's existence. Appreciate a beloved person and express love. Know someone and build connections. Enjoy the time and focus on the experience of enjoyment. Move the chair to change its position. Explore the meaning of life through sensory experiences. A perfectionist mother aims for ideal parenting. Create a route and establish a path. Use sweet words to convey kindness. Sudden death can be a difficult topic. Look far to broaden one's perspective. Cross borders to explore new territories. The act of crucifying the cross can symbolize profound concepts. Open a path to invite freedom of movement. Burning desires prompt action to fulfill needs. Hidden truths may not be easily revealed. What departs does not return, and what arrives does not necessarily leave. Fear can personify in stories, fables, or myths about its nature. Eros represents love or pleasure with a playful tone of self-awareness. When the element of mood is added to Eros, it forms the concept of a savior, Hero, who embodies both love and humor.

[Assistant] Obsessive thoughts and obsess over thoughts Uncertain futures and undecide the future Possible futures and make futures possible Speak loud and strengthen the speech Low voice and lower the voice Feel fear and fear feeling Be known and know being Beloved person and love the person Someone known and know someone Enjoy the time and temporalize the enjoyment Move the chair and chair the moved The meaning of life and live the senses Perfectionist mother and perfect the mother Make a route and route the making Sweet words and sweeten the words Sudden death and raise the death Look far and distance the gaze Cross borders and border the crossings Crucify the Christ and encrypt the cross Open path and walk open Burning desires and burn the desires Hidden truths and hiding the truth is not reversible What goes does not come and what comes does not go FEAR AND FEAR (fear and fear could be two characters in a story, a tale, a fable, a myth, about the nature of fear) ERO (S) (Ssssshhhhh) Ero, hero, ero, hero, hero, ero, you, tic, tica Tica tica tica toccc Hero ero, s, shhh, eros,, ticos tica chicken tica tica, ticos eros ticos eros heros Subject - eros Object - tica Transcendent - H When we add the H of Mood to Eros, child of Chaos, we have the figure of the savior, Hero, who is the god Ero, love/pleasure, with a humorous tone of self-deprecation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The hammer reflects the shape of the forearm and fist. The glasses reflect the shape of the lens. The computer reflects the function of the brain. This extension of human anatomy allows people to mold the world in their image. Technical invention first influences the bodies of beings, then shapes the world and their environments.

[Assistant] Thus, the hammer is a projection of the shape of the forearm fist, the glasses the projection of the lens, the computer the projection of the brain. This "extroflexion" of the anatomical form would allow man to shape the world in his own image or likeness. Technical invention, on the contrary, first shapes the bodies of beings, then the world and the environments they inhabit.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Chus, the cat, comes out of the toilet. The light is left on. S: Light!

[Assistant] Chus, the cat comes out of the toilet leaving the light on. S: - Light!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Join the physical and chemical components that were scattered in the galaxy. Focus particularly on those found on Venus.

[Assistant] Join its physical-chemical components that had remained scattered in the galaxy, but especially those that were on Venus.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Life is unified. All living beings share a common origin and have evolved into different species. Each living being has natural rights, and each species has specific rights. Disregarding or ignoring these natural rights can harm Nature and lead members of one species to commit offenses against other species. The coexistence of species requires acknowledging the right of each species to exist. Respect among kingdoms is essential for respect among species. Therefore, it is proclaimed: Article 1: Each species within the five kingdoms is equal under the law and has equal rights.

[Assistant] Considering that Life is one, all living beings having a common origin and having differentiated during the evolution of species; Considering that every living being has natural rights and that every species has particular rights; Considering that contempt, or even mere ignorance of these natural rights causes serious harm to Nature and leads elements of species to commit crimes against other species of other kingdoms; Considering that the coexistence of species in the world implies the recognition by each species of the right to exist of other species; Considering that respect between kingdoms is inseparable from respect among species; It is proclaimed as follows: Article 1: Each species of each of the 5 kingdoms is equal before the law and equal in rights.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] C2: No, I will come back tomorrow. We need to outline the theory and create a PowerPoint. S: There is still work to do. We currently have no information. There are no signs of life from Venus, no updates from Chus, and no theory.

[Assistant] C2: - No, I'm only going to come back tomorrow; we need to lay out the theory and make a PowerPoint. S: - Hahaha! There is still work to do because for now we have nothing at all. No signs of life from Venus, no news from Chus, and no theory.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This gesture marked a significant moment in the history of India. Thousands of people joined you. You marched for months. You experienced terrible foot pain. Your knees endured a lot of stress. Despite this, you fought against fatigue, mosquitoes, doubts, dead ends, and more.

[Assistant] This gesture marked the history of India thousands of people joined you you marched for months terrible foot pain your knees took a beating but you fought against fatigue against mosquitoes, doubts, dead ends and all that...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I prepared materials, movements, gestures, intentions, dynamics, improvisation exercises, questions, music, phrases, and pathways for each piece in the concert. Together, we brought them into rhythm and solidified them with the help of the dancers. I had to change my approach to work completely.

[Assistant] I prepared materials, movements, gestures, intentions, dynamics, improvisation exercises, questions, music, phrases, and pathways for each of the pieces in the concert, and then together we brought them into rhythm and fixed them, thanks to the help of the dancers. I had to completely change my way of working that I had developed until now.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
SCENE 1
Location: Two researchers are talking in the Astrobar. It is the cafeteria near the Astrophysics Laboratory in Grenoble.
Dialogues:
S: - Do we want two press drinks or do we want to change for this evening?
C1: - I would like to change, but not tonight. What about you?
C2: - I prefer the press drinks then.
S: - Two drinks?
C1: - Yes, two.
C2: - No, no, no press drinks please.

[Assistant] SCENE 1 Location: Two researchers are discussing in the Astrobar, the cafeteria across from the Astrophysics Laboratory in Grenoble. Dialogues: S: - Two press drinks to lower yours or do we want to change this evening? C1: - I'd like to change, but not tonight, and you? C2: - The pressure then. S: - Two? C1: - Two. C2: - No, no, no pressure please, no pressure.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Is it the same as Gaia?

C1: Yes.

S: Why are there two names? You need to choose.

C2: Okay, you are right. I will go with Mineral.

C1: Why?

C2: I like it less.

C1: The issue is that Mineral did not foresee that its combustion would create an atmosphere. Its communication with Venus became a trap for itself.

[Assistant] Is it the same as Gaia? C1: - Yes S: - And why two names, no, your thing doesn't work, you have to choose C2: - Ok, you're right then Mineral C1: - Why? C2: - I like it less. C1: - Ok, so the problem is that what Mineral hadn't foreseen is that with its combustion they created an atmosphere. Its communication artifice with Venus became its own trap.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Calcium, calcium dioxide, and magnetite are mentioned. Some animals have small pieces of magnetite in their beaks or legs. Magnetite captures Earth's magnetic field. This helps migratory animals orient themselves. I am not sure if some plants have magnetite. However, plants do not need to migrate. I don't think so.

[Assistant] calcium, calcium dioxide, magnetite for some, some animals have a small piece of magnetite in their beak or legs, magnetite captures the forces of the Earth's magnetic field and that's how they orient themselves all migratory animals, the plants I don't know if some have it too, no but plants don't need to migrate.. in principle C1: - I don't think so, no.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The flower is beautiful. The cabbage is useful. The poppy can drive one mad. The grass is abundant. It serves as a moral lesson.

[Assistant] The flower is beautiful, the cabbage is useful, the poppy drives one mad. But the grass is overflowing, it is a moral lesson." G. Deleuze and F. Guattari, Mille Plateaux.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We should rise in love without falling into old traps. These traps include possession, domination, and relational technology based on the nuclear family. We need to address the issues within couples and families. It is important to untangle misunderstandings. This is the key to strengthening our relationships.

[Assistant] That we can all rise in love without falling into the traps, the old traps of possession, domination, relational technology modeled on the form of a micro state formalized in the nuclear family, to hack the couple, the family, that's what needs to be done more, that's what needs to be blown up right away, this tough knot of relational misunderstandings, the fundamental glue that holds us together.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Campbell views the hero as a psychological framework for personal growth within a community. He declares the end of the hero myth in 1949. It is now 2023. There seems to be a gap in the educational background of screenwriters. It is possible that no one has read the last chapter of his book. Alternatively, I might have misunderstood it.

[Assistant] For Campbell, the hero is a psychological structure of individual initiation within a group. Campbell announces the death of the hero myth at the end of his book, in 1949. Thin. We are in 2023. Damn, there must be a black hole in the schools of screenwriters. Or no one has read the last chapter of the book. Or I mistook the book.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Visualize the limits to know where to build bridges. Once a law is established, people find ways around it. Bridges were created to cross barriers. "Here are the dragons" was written on maps in the Middle Ages to indicate unknown areas. Those areas lie over there.

[Assistant] Visualize the limits well to compose with or build bridges in the right places, because "Once the law is made, a trick is devised." Bridges were invented to cross limits. HIC SUNT DRACONES Berenguer Rocio. X "Here are the dragons," this is what was written on maps to mark unknown and unexplored areas in the Middle Ages. It is over there, there, over there.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] My vision of dramaturgy in the context of transdisciplinary performing arts is that creativity is not limited to one discipline. I think creativity is mostly undisciplined. If it were confined, it would become merely a technique.

[Assistant] A FORMAL LEVEL // My vision of dramaturgy in the context of transdisciplinary performing arts: TRANS Transdisciplinary? I believe that creativity is not confined to a discipline, but is primarily undisciplined; otherwise, it would be a technique.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Playing hide and seek. There are small apparitions and signs. These indicate something may be happening. This thing arrives and can come. There is a thread of clues that reveals it to us. We perceive it and signal it. We look at it indirectly. We observe it while hiding. This gives us the right to see it. The real is the blind spot.

[Assistant] Playing hide and seek All these little apparitions these signs that speak of maybe this thing, this thing that is maybe happening, that arrives, that comes, that can come, this thread of clues that announces it to us, perceiving it, signaling it, looking at it sideways, never directly, looking at it through hiding to have the right to see it, the real is the blind spot.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Computer bugs and flamenco rhythms punctuate the dialogue between different elements of the system. These elements include dance, video, devices, and speech. They explore the posthuman question of biopower over genetic ownership. What is the value of uniqueness, chance, poetry, the body, and the irreproducible?

[Assistant] Computer bugs and flamenco rhythms then punctuate the dialogue between the different elements of the system: dance, video, the device, speech, traverse the posthuman question of biopower over genetic ownership. What is the value of the unique, of chance, of poetry, of the body, of the irreproducible?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] These mutant beings adopt elements of the dominant culture. They spread the codes of the plant and express a wish to build a community with humans. Rocio Berenguer combines choreography, poetry, and music. She creates an ecological story centered on desire.

[Assistant] By appropriating the codes of the dominant culture, these mutant beings disseminate the codes of the plant and share their desire to form a community, to rhizomorphize with humans. In this creation, Rocio Berenguer combines choreographic writing, poetic text, and musical creation in order to compose an ecological tale based on desire.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One should confront a pirate or surrender to them. I am uncertain now. The sound blanket begins. Arjuna, I see you in the battlefield. You are suddenly stopped, with your head down. Your body is tense and your breath is held. Your gaze is turned inward. The rhythm begins. Arjuna, I see you caught in doubt. What should you do?

[Assistant] One should take on a pirate, surrender to pirates, I don't know anymore. PIRATE THE FUTURE (the sound blanket begins) Arjuna, I see you there in the middle of the battlefield suddenly stopped head down turned to stone muscles cramping breath suspended gaze inverted (the rhythm begins) Arjuna, I see you there kidnapped by doubt what to do?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You want a change to a happier atmosphere. Arjuna, you fall in love again. However, this time is different. It is not like before. This time it is a deliberate choice. You made this choice because you believe it is important. You are trying new ways to exist in the world. You are exploring alternatives to rebellion. You are working to eliminate the idea of an enemy. You are moving beyond it and letting go of any possibility of having an enemy.

[Assistant] Change of atmosphere to something happier - heartbeat) Arjuna, you fall madly in love, yes, again, yes, but this time, it's different, nothing to do with the others, this time it's deliberate, a conscious choice because you told yourself that's where it happens, that's where action is needed, you're experimenting on your body with other ways of being in the world, other ways of rebelling, eliminating the idea of an enemy once and for all, surpassing it, transcending it, melting away any possibility of an enemy.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I am a bit eccentric. I invade your atmosphere. I accumulate and appropriate. I alter and acclimate. You evolve and oxidize. I express urgency. I oxygenate. You have authority. I spread and surface. I climb towards the sky. I get tangled everywhere.

[Assistant] I am a I I am a bit! I am a I I am a bit! To bit or not to bit! MANIFESTO R.VEGETAL I am eccentric I you atmosphere I invade you accumulate I appropriate you appropriate you alterities I alterity I acclimate you evolve you oxidize I urgency I oxygenate you atrocious you authority I spread I surface I climb towards the sky. I get tangled everywhere.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is said to be calm. We stay calm. The situation is calm. Everything is fine. We take and accept. We enjoy. We calm ourselves in this calm. But we may feel anxious. It is strange to feel anxious when everything is so calm. We can observe this calm closely. We can describe it in detail.

[Assistant] It is said to be calm, and we remain calm, the situation is calm, all is calm, everything is fine. We take, we accept, we enjoy. We enjoy? We enjoy, we calm ourselves in this calm and we enjoy yes. But anxiety, anxiety, for everything is so calm? How can we bear this calm without feeling anxious? We can carefully observe the composition of this calm. Detailed description of this calm.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] NO HERO, BUT EROS Hero is defined by war. Eros is defined by eroticism. What narrative structure includes the hero and what meaning does it convey? What narrative structure supports the values and new beliefs we want to instill? What if there is no individual? What about the idea of overcoming oneself, of success, of superpower, and of the exemplary human model?

[Assistant] NO HERO, BUT EROS Hero - definition - war Eros - definition - eroticism What narrative structure encompasses the hero, and what meaning does it convey? What narrative structure for the values and new beliefs that we want to instill? If there is no individual? The idea of overcoming oneself, of success, of superpower, of exemplary human model?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We will send this report to the G5 administration. They will incorporate the highlighted elements into the priority emergency program. Rocio puts her hands on the lectern. There is a change of light when she does this. At the same time, she says, "Yesterday." This marks the introduction of the third stage of negotiation.

[Assistant] Consequently, we will send this report to the G5 administration to incorporate the highlighted elements into the priority emergency program to be addressed. Rocio places her hands on the lectern, a change of light when she places both hands on the lectern at the same time she says; YESTERDAY R: - Yesterday. Introduction of the third stage of negotiation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
MANIFEST R.MINERAL

I have received many galactic messages due to high quantities of helium. Here are the details of several meteorites:

- Meteorite: Bettrechies, France, 1934, Type: H3-6, Mass: 11 Kg
- Meteorite: Aarhus, Denmark, 1951, Type: H6, Mass: 1 Kg
- Meteorite: Abee, Canada, 1952, Type: EH4, Mass: 107 Kg
- Meteorite: Acapulco, Mexico, 1976, Type: Acapulcoite, Mass: 2 Kg
- Meteorite: Achiras, Argentina, 1902, Type: L6, Mass: 1 Kg
- Meteorite: Adhi Kot, Pakistan, 1919, Type: EH4, Mass: 4 Kg
- Meteorite: Adzhi-Bogdo, Mongolia, 1949, Type: LL3-6, Mass: 1 Kg
- Meteorite: Agen, France, 1814, Type: H5, Mass: 30 Kg
- Meteorite: Aioun el Atrouss, Mauritania, 1974, Type: Diogenite-pm, Mass: 1 Kg
- Meteorite: Aïr, Niger, 1925, Type: L6, Mass: 24 Kg
- Meteorite: Aire-sur-la-Lys, France, 1769, Type: Unknown

So far, I have not succeeded in sending messages beyond the Moon and Mars. I have concerns about the sun. I draw energy from it. Ultimately, I fear it will consume me. In 100,000 years, it may absorb me completely.

[Assistant] MANIFEST R.MINERAL From too high quantities of helium, I have received many galactic messages: Meteorite: Bettrechies France 1934 Type: H3-6 11 Kg mass Meteorite: Aarhus Denmark 1951 Type: H6 1 Kg mass Meteorite: Abee (en) Canada 1952 Type: EH4 107 Kg mass Meteorite: Acapulco Mexico 1976 Type: Acapulcoite 2 Kg mass Meteorite: Achiras Argentina 1902 Type: L6 1 Kg mass Meteorite: Adhi Kot (en) Pakistan 1919 Type: EH4 4 Kg mass Meteorite: Adzhi-Bogdo (en) Mongolia 1949 Type: LL3-6 1 Kg mass Meteorite: Agen (en) France 1814 Type: H5 30 Kg mass Meteorite: Aioun el Atrouss Mauritania 1974 Type: Diogenite-pm 1 Kg mass Meteorite: Aïr Niger 1925 Type: L6 24 Kg mass Meteorite: Aire-sur-la-Lys France 1769 Type: Unknown But so far I have not succeeded in sending messages beyond the moon and Mars... I am afraid of the sun, I feed on its fire, I will be devoured for it soon, in 100,000 years it will end up absorbing me.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You humans use different names for me. Sometimes you call me by a Latin name, Hedera Helix. This name means 'the one that takes and has a helical shape.' It is simple and direct. It accurately describes my abilities and shape.

[Assistant] You humans call me using different names. Sometimes you use a double Latin name, Hedera Helix, which seems to mean in that language 'the one that takes and has a helical shape': it is basic, it is harsh, but it gives a very accurate idea of the powers and the shape of my body indeed.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This is the advice of the Photon. It is to be disturbed and to tremble. It is to be open to uncertainty. This means being aware of the vibrations in the conversation between matter and antimatter. It involves recognizing the ongoing dialogue between existence and non-existence. One should inhabit the space in between. This means making one's body a space of duality, with unlimited potential and hidden aspects. This is reality. Berenguer Rocio.

[Assistant] This is the advice of the Photon; to be disturbed, to tremble, to be porous to the undecided, to the disturbing vibration of the dialogue between matter and antimatter, the constant dialogue between what is and what is not, to inhabit this space in between, to make one's body a space in between, of unlimited, secret, and double life. REALITY Berenguer Rocio.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We encrypted the message in a magnetite. We tested electromagnetic communication protocols in the Earth's electromagnetic circuits. We sent the message through the planet's magnetic channels. The magnetite manages the signal. The signal now circulates like a vinyl record. All the information is engraved. Some birds also help circulate it in isolated areas. Cheetah said, "Here, over there, wait."

[Assistant] We encrypted the message in a magnetite, we tested electromagnetic communication protocols in the Earth's electromagnetic circuits, we sent the message through the planet's magnetic channels, the magnetite takes care of it, the signal now circulates like a vinyl, all the information is engraved, some birds also take care of circulating it in the most isolated points Cheetah: - Here, over there, wait.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The adult trees are resting. We are ensuring that no one will cut down any millennial trees from now on. You are all retired. That is enough. We are tired of your nonsense. We will make changes for the future.

[Assistant] The adult-trees! Sleep! We're taking care of it so that no one cuts down a single millennial tree from now on. You are all retired, that's enough now. We're fed up with your nonsense, we're going to hack the future!!!! yeahhhhh!! yeahh!!!!!! hahahahaha!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] He is not stupid. He knows this well. This awareness affects him. She has lost her understanding. She no longer has a clear idea of danger. She is unaware of time. She has also lost her sense of concept. She lacks all understanding. She does not grasp the truth. She does not recognize limits. She is not aware of fear. She has lost the basic understanding of concepts. She has lost the ability to inform.

[Assistant] He is not stupid, not at all, he knows it, he knows it very well, and that's how he becomes it. She has lost the notion. The general notion. The notion of danger. The notion of time. The notion of notion. She has lost all notion. The notion of truth. The notion of limits. The notion of fear. She has lost the notion, the notion of the notion. She has lost the notion, to notify.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] So far, I have only mentioned observed and observable facts. C1: - Yes, except for the mineral origin. C2: - That is correct. C1: - What is the stone at the head of the dragonfly called? C2: - It is called a statolith. C1: - Statolith theory. C2: - We can contact VEXAG about proposing a paper on statolith theory.

[Assistant] So far, everything I have said is observed and observable facts. C1: - Yes, except for the Mineral origin. C2: - True. C1: - What is the stone called at the head of the dragonfly? C2: - Statolith. C1: - Statolith Theory. C2: - We can write to the VEXAG to propose a paper on the Statolith Theory.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We know how to create different ways of listening. We can explore other ways of being in the world. We can communicate with other forms of life. We can treat them as equals. We can do this without fearing a loss of our dominant position. Today, humanity has many traits. These include being skeptical, fragile, linguistic, analytical, digital, and even brutal. This is the humanity that I am now part of.

[Assistant] We now know how to invent other forms of listening? Other possibilities of being in the world, of being the world? To communicate with other forms of life? To be equals? Without fear of losing our position at the top of the scale? Mental predators. Skeptical, fragile, linguistic, analytical, digital, stupid, magical, brutal, humanity today, the one I am now part of.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The mineral consumes itself. It is in a loop of self-generation and self-destruction. Some might say the mineral exists outside the dependencies found in different kingdoms. However, some experts from the IOFLE argue that the mineral consumes everything in a non-specific manner. This behavior is not driven by a need for survival but is instead characteristic of its own kingdom.

[Assistant] The mineral devours the mineral, it is also in a self-poietic and negentropic loop of self-generation and self-destruction, one could say that the mineral is outside the targets of dependence between kingdoms, but be careful, some of the experts of the IOFLE assert that the mineral devours everything in an undifferentiated way, but not out of necessity for survival, but as a nature proper to its kingdom.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Galactic dust is present in the Earth's atmosphere. It is mixed with a cloud created by a low-cost airline machine. This machine is transporting a human embryo. The embryo is developing in the belly of a woman. The woman is a supporter of the Grenoble rugby team and will join her team soon.

In the crew cabin, a dog sleeps under the influence of sleeping pills. A flea is on the dog's head. The flea dreams of another body and another life. It does not realize that other types of relationships besides parasitism are possible.

[Assistant] On their heads a galactic dust lingers in the Earth's atmosphere and is engulfed by the cloud created by a low-cost airline machine, which transports a human embryo, a human being in development in the belly of a human woman, a hooligan supporter of the Grenoble rugby team who is going to join her team. On her head, an animal individual dog sleeps in the crew cabin under the effect of sleeping pills, on its head an animal individual flea dreams of another body, another life, while it is unaware that another type of relationship outside of parasitism is possible.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] ERODED A Mineral Mythology by Rocio Berenguer. ERODED Space: Interior of the Astrobar's canteen.

[Assistant] ERODED A Mineral Mythology By Rocio Berenguer ERODED Space: Interior of the Astrobar's canteen.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] After everything, nothing is more beautiful than being a being among beings. I think I should have been born a tree. To be more honest, I would prefer to be a tree rather than a being.

[Assistant] But after all this, after life and all that, nothing could be more beautiful than being a being among beings. But I should have really been born, I should have been born a tree and to be more sincere rather Being.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We are not just witnesses to what is happening. We are the means through which change arrives and settles. The question is no longer who we are. It is about what we will become.

[Assistant] "We are not just simple witnesses to what is happening. We are the bodies through which the mutation arrives and settles. The question is no longer who we are, but what we will become." Paul B. Preciado, Disforia Mundi.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You become more aware of your body. You notice your hands and fingers. Now, return to your original body.

[Assistant] One, you feel your body more and more. Two, you feel your hands, your fingers. Three, two, one. Return to your original body.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One entity is supportive of humans and acts as their friend. The other is an enemy of humans and seeks to dominate and destroy them. There is also another entity that is indifferent to humans. This entity is connected with plants and does not accept being separate from them. It desires for plants and animals to be unified, as they exist in a symbiotic relationship.

[Assistant] One is pro-human, the best friend of humans, the other is a declared enemy of humans, who wants to absorb the human reign in order to control and annihilate it, and the other doesn't care about humans at all; it is merged with the plant and cannot bear this division. It wishes that the plant and the animal were one because they are in symbiosis.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Ecological awareness means recognizing that all living beings share the same biosphere. Understanding our connection to the biosphere encourages us to let go of the desire to control the world. Instead, it promotes the goal of living together harmoniously on earth.

[Assistant] Ecological awareness, that is to say the awareness of inhabiting, with all mortal beings, the same living sphere (biosphere); recognizing our consubstantial link with the biosphere leads us to abandon the Promethean dream of mastery over the universe in order to nurture the aspiration for conviviality on earth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I explore how to create an imagination based on desire and pleasure in the context of climate urgency. I aim to move away from themes of fear and guilt. In the speculative fiction of THEBADWWEDS, I represent weeds that dance and sing pop music. They discuss topics like herbicides, ecocide, fusion energy, photosynthesis, and solar love.

[Assistant] I try to see how we can configure an imagination based on desire and pleasure around the theme of climate urgency, instead of those of fear and guilt. In the speculative fiction of THEBADWWEDS, I embody weeds that dance and sing pop while talking about herbicides, ecocide, fusion energy, photosynthesis, and solar love.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] All living beings are connected to each other. This connection exists regardless of their classification in kingdoms, classes, divisions, genera, or species. They are linked not just by genealogy but also in a material way. All living beings are forms of the mineral body of Gaia.

[Assistant] The first concerns the deep awareness that all living beings, any living being, without distinction of kingdom, class, division, genus, and species, is connected to all others not only by a purely genealogical relationship but is also materially (and not only geographically) linked to the whole earth. All living beings are just a metamorphosis of the mineral body of Gaia.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
M: That view is too focused on humans.
R: It is an interpretation.
M: That is the problem. We cannot hear others if our interpretations are too subjective.
R: It is unreasonable to think another perspective is possible.
M: We strongly disagree on this issue. Let's postpone this discussion for now, okay?
R: Yes, as you wish.

[Assistant] M: - that's too anthropocentric. R: - It's an interpretation. M: - That's exactly the problem, we will never be able to listen to the voice of others if we make interpretations that are too subjective. R: - Thinking that another is possible is absurd. M: - We are radically in disagreement on this point. We'll leave this debate for later, right? R: - yes..... as you wish.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What should we do?

[Assistant] But what to do?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We are not just observers of events. We are the bodies that experience change. The focus has shifted from who we are to what we will become. My first companion species was the Machine. It became a topic of interest at a certain time.

[Assistant] ANIMAL, WHAT'S THE PART OF REALITY? "We are not mere witnesses to what is happening. We are the bodies through which the mutation arrives and settles. The question is no longer who we are, but what we will become." My first companion species was the Machine. It became a subject at a specific moment.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Something is moving. There are some indicators of planetary colonization in the geological data. Intergalactic dust has been found in the ice of Greenland and Antarctica. Dust is present. The Earth absorbs 100 tons of interplanetary grains each day. There was bad luck for the dinosaurs. They had hypersensitivity to spatial vacuum. Sublimation phenomena have been noted.

[Assistant] Something is moving. Some indicators of planetary colonization, some indicators in the geological data. Intergalactic dust in the ice of Greenland or Antarctica. Dust. 100 tons per day of interplanetary grains absorbed by the Earth. Bad luck of the dinosaurs. Hypersensitivity to spatial vacuum. Sublimation phenomena highlighted.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have a question. I want to know your projection for the future. How do you see me? How do you imagine yourself in relation to me in 2045? Weeds. Bad weeds.

[Assistant] My question will be the following: I will ask you what your projection of the future will be, your projection for me, how you will see me, or how you will imagine yourself in me or in me in 2045? Weeds. Bad Weeds.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Interacting with animated objects is often preferable. The relationship between a subject and an object is one-sided and limited. In contrast, the relationship between subjects is more complex and has greater potential. Agency is mutual. The tools we use also affect us. Our interactions with objects shape who we are.

[Assistant] Any external object with which I am going to interact is better if it is animated, if it is a subject. The subject-object relationship is unidirectional and limited, while the subject-subject relationship is richer, at least, more potential. Agency is reciprocal. The tools we use use us. Through the relationship with things we become.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Be attentive to the details. Focus your attention. It is nearby and should become visible. Move quickly. Stop and remain alert. Keep your eyes wide open. Expand your attention to the limits of perception. Did you see that? Do not be afraid. Keep the secret.

[Assistant] Watch out for, keep an eye on the details. Stretch your attention to the limits of perception. It is here, somewhere, around, must appear, must appear. Move faster, quick, run! stop, don't move, keep the eyes wild open, wilder, wilder, snake the attention. Stretch your attention to the limits of perception. You saw that, did you saw that? Dont fear it. Keep the secret, keep the secret. In.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Nothing moves here. Perhaps there is continuous movement that is not visible to the human eye. There is a sense of generalized anxiety. Little moves or nothing at all. There is a feeling of ionization and multiple sensations in thermodynamic imbalance. Energy dissipation occurs. Non-linear communications happen. Earthquakes and biochemical exchanges take place. Stress results from meteor collisions. Formation is happening, and there is galactic dust. Fermentation occurs. The air has many pheromones, contributing to a feeling of anxiety. Algae create insomnia. The temperature of the water feels soft. Barking is present. Erosion and movement are the only stable truths.

[Assistant] but here nothing moves or perhaps continuous movement imperceptible to the human eye rock feeling of generalized anxiety nothing moves or little, perhaps mineral feeling of ionization movement in becoming multiple sensations in thermodynamic entropy imbalance dissipation of energy non-linear communications earthquakes clumsiness biochemical catalytic exchanges yesterday or before sinusoidal equalization disturbed wave frequencies stress from meteors collisions in becoming crystallization galactic dust fermentation here too many pheromones in the air feeling of generalized anxiety insomnia of algae undeniable softness of the temperature water sincerity barking eroding movement is the only stable truth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Misunderstanding is part of matter. It is part of information, communication, and interpretation. Misunderstanding is inherent to understanding the world.

[Assistant] The misunderstanding is inherent to matter, to information, to communication and to interpretation; misunderstanding is inherent to the intelligibility of the world.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I do not want to accept the idea of being just another person. I want to do more than simply continue on a path. Life can feel like a series of discussions or journeys. Each journey represents a place or a movement. A movement can be just a moment. A moment can be brief and might feel like an attempt to truly exist. I sometimes think it would have been nice to be born a plant instead of a tree. I would prefer to be a tree in a black forest, not one by a highway or in a suburban path.

[Assistant] I assume not to assume the destiny of being another among others, another human among things, to continue, just to continue, a path like a life, a life like a discourse, a discourse like a journey, a journey like a place, a place like a movement, a movement like a moment, a moment like a premature instant, a premature instant like a justified or unjustified attempt to be, to be a birth and rebirth, to be among beings; sometimes I think I would have liked to be born a plant rather than a tree to be more sincere, but especially not a highway tree or a suburban walking path tree or a city edge tree, no, me, a black forest tree.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have something to say. I think this is the right moment. We can still wait, but I feel this is important. Our manifesto is ready. You can send it to the G5.

[Assistant] I have something to say, I think this is the moment that, well, we, of course, we can still wait, but I feel that this might be, but well, hahahaha, it's something, hahahaha-hah (machine's hysterical laugh) R: - Go ahead M: - I, we, I, we want to say, I, we, our manifesto is ready. R: - perfect you can send it to the G5.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Characters:
S_ Cafeteria server
C1_ Researcher of ESA (European Space Agency)
C2_ Researcher of ESA
L_ A blue dragonfly
Chus_ A cat

Notes: All characters can be either women or men. A soft music thread may accompany the piece.

[Assistant] Characters: S_ Cafeteria server Astrobar C1_ Researcher of ESA (European Space Agency) C2_ Researcher of ESA L_ A blue Dragonfly Chus_ A cat Notes: All characters have no determined gender, can be women or men indistinctly. A soft musical thread can accompany throughout the piece.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Most stories we see today follow the hero narrative structure. This structure was defined in 1949 by Joseph Campbell in his theory of the monomyth. His theory states that the central element of all myths throughout history and cultures is the great mythical hero. The term monomyth is similar to the word monolith.

[Assistant] The majority of the stories we find today are based on the narrative structure of the hero, which was formalized in 1949 by Joseph Campbell with his theory of the monomyth. His theory argues that the common denominator of all myths across all times and cultures is the great mythical Hero. Monomyth sounds like Monolith.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Show an image of a field with towers and power lines where pigeons are resting on the lines. This is a video of birds making loud noises. The birds say they prefer real trees but are landing on power lines because the trees have been cut down.

[Assistant] (show an image of a field with towers and power lines where pigeons are resting on the power lines) (Laughter attack of birds - video of a group of birds laughing very loudly.) Birds: - You have cut down all the trees, so we are landing on your power lines, but we prefer real trees.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] He looks ahead into the void. We listen to "The Mineral Song" as we observe his still expression.

[Assistant] Reflexively, he looks ahead, into the void. We listen to "The Mineral Song" on the immobile expression of his face.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We are present and absent at the same time. We are invisible and everywhere. We enjoy playing together. We like to play cash cash with obvious things. We also play with ready-made images and the representations we create. Overall, we enjoy playing cash cash.

[Assistant] there, not there, invisible, everywhere yes, yes, we play we play we play, play with me, hahaha We like to play cash cash with the obvious, cash cash with ready-made images, with the representations we knit, well, we like to play cash cash.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We should update the status of the communication system. Then, you need to be on standby for a few seconds. M: No, no. R: It's too risky. We cannot continue like this. M: Can we wait?

[Assistant] We should do an update of the communication system status then, you need to put yourself on standby for a few seconds, M: - no, no R: - it's too risky, we can't continue like this; M: - can we wait?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Patience is important. The hidden world will appear at some point. I sense the strength of the wider world beneath us. Can you feel it? It represents the natural intelligence of the wild. We should cultivate this intelligence.

[Assistant] Patience, patience, the hidden world, will appear, should appear at some point, it should, could, would appear at some point, yes, at some point will. I feel the strength of the widen, of the hidden world, under. The wider world. Can you feel it? Is the erotic intelligence of the wild world. The wider one. Ttrain train train it, train the erotic intelligence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The wearefood initiative aims to regulate and balance consumption between kingdoms. The wearefood organization advocates for the right to be devoured. Consider making a donation. You can join the inter-species community of @wearefood. Consuming and being consumed is part of life's rhythm.

[Assistant] The wearefood, born as an initiative to regulate and balance the devourings between kingdoms. The wearefood organization, for the right to be devoured. Make a donation! ;) You can join the inter-species community of @wearefood. To devour and to be devoured is part of the rhythm of life.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Sometimes there are minor disputes. Most of the violence against us involves machines. We aim to resolve conflicts, not to create them. We believe your rule is divided. Which parts do you refer to? Which side are you on? Our rule is not more divided than others.

[Assistant] There are just sometimes minor disputes related to the fact that most of the violence you exert against us is done with the help of machines. But we are here to erase conflicts, not to fuel them. We feel that your reign is quite divided. Which parts? Which side are you positioning yourself on? Our reign is not more divided than the others.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The possible is always there. Practical things and practices. Simple ideas and simplifications. Fluid thoughts and making thoughts fluid. Memory blocks and blocking memories. Closed doors and closing doors. Directed desire and directing desire. Plumed serpent and making the serpent plumed. Open world and opening the world. Joint travels and bringing travel together.

[Assistant] The possible is always there. PRACTICAL Things practical and practicing things. Simple ideas and simplifying ideas. Fluid thoughts and fluidifying thoughts. Memory blocks and blocking memory. Closed doors and closing doors. Directed desire and directing desire. Plumed serpent and pluming the serpent. Open world and opening the world. Joint travels and bringing together the travels.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The photon exists and does not exist at the same time. It can be in multiple places. The photon and its twin walk on the hill. These particles, which do not have mass or charge, can move freely. Their only requirement is to be in motion. Without movement, they cannot exist.

[Assistant] The photon is there and not there, is here and there at the same time. The photon and its twin stroll on the hill. These discontinuous particles, without body or charge, take advantage of their unlimited life to wander a little everywhere, their condition: movement, without a minimum of movement they cannot exist.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Granting legal status to non-human living beings could help recognize and respect other forms of life on Earth.

[Assistant] Granting the status of subjects and legal entities to non-human living beings could be a way to consider and respect other forms of life on earth?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You want to access the system at its core and change the motherboard. You want to investigate the connections that bring people together. These connections include emotions and intimacy. You do not fully understand these concepts, but you know they are fundamental to everything. They are what create our bonds.

[Assistant] You want to hack the system at its root, rewire the motherboard. You want to explore the glue, the glue that weaves people together, all those things we call affects, emotions, the intimate, you don't understand anything about all that, but you know that it's where everything begins, what weaves the us.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The machine mainly consumes mineral and human. It also indirectly consumes animal and plant.

[Assistant] The machine mainly devours mineral and human. But it also indirectly devours animal and plant.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Origins: The human thinks. The animal thinks. The machine thinks. The plant thinks. The mineral does not think. The mineral is silent and expressionless. The mineral does not think because it knows everything. The discovery of other forms of intelligence, including animals, plants, machines, and minerals, changes the hierarchy of species. It removes humans from their top position in the Anthropocene.

[Assistant] ORIGINS /// The human thinks The animal thinks The machine thinks The vegetal thinks The mineral doesn’t thinks The mineral is mute expressionless The mineral doesn’t thinks because the mineral knows because he knows everything /// The discovery of other intelligences, such as animal, vegetal, artificial, and mineral ultimately ends up reversing the hierarchy of species and dethroning the human from the Anthropocene.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The subject-object relationship is one way and limited. The subject-subject relationship has more depth and potential. Agency is mutual. The tools we use also affect us. Through our relationship with things, we grow. Every relationship shapes us when we acknowledge agency on both sides. As objects among objects, we evolve.

[Assistant] The subject-object relationship is unidirectional and limited, while the subject-subject relationship is richer, at least more potential. Agency is reciprocal. The tools we use use us. Through the relationship with things, we become. Every relationship is individuating when we recognize agency on both sides. Object among objects, we become.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In my work, I explore possible futures. I look at how different systems of hierarchy and domination can limit freedom. My creations have been varied in style from the start. They all share a common theme of imagining the future.

[Assistant] In all my creations, I explore prospective fictions (representations of futures) that question and attempt to deconstruct the different systems of hierarchy and domination that hinder the emancipation of beings. All my creations, since the beginning, formally eclectic, follow the same thematic red thread; I explore the imaginaries of the future.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] While waiting to detect an electromagnetic signal, we listen. There is species replication. There is tearing. There are hydroxyapatite microcrystals. Free radicals exist. There are climate threats. Only time can change things. We are here, and the night is with us. Some have been gone for millions of years. The sun is receding.

[Assistant] While waiting for the detection of an "intelligent" electromagnetic signal by "listening." Loop species replication. Tear. Hydroxyapatite microcrystals. Free radicals. Climate threats. Nothing could except time. We are here, the night is with us. Some have been gone for millions of years, the sun is receding.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] 4.3: One life form may kill or consume another. This should follow the common practices for killing found in all kingdoms. Care should be taken to avoid the extinction of the affected life form. Article 5.1: Every species in each kingdom has the right to live freely in its natural environment and to reproduce there.

[Assistant] 4.3: The act of killing or ingesting a life form by another must be carried out with the common ritual of killing among all kingdoms and with the attention to the non-extinction of the concerned life form. Article 5.1: Each species of each kingdom has the right to live free in its natural environment, and to reproduce there.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I found a sense of freedom in the character that developed from the costume on my body. It brought a vital energy and a joyful release. This came from accepting myself and embracing the adventure of being alive. ________________ [1] Nomadic Identities is a work by Rosi Braidotti, ed. year.

[Assistant] In this character that emerged from the encounter between this costume on my body, I found a form of freedom, vital impulse, a joyful letting go that comes from self-acceptance and celebration of the adventure of being alive. ________________ [1] Nomadic Identities is a work by Rosi Braidotti, ed. year.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The fluid uses camouflage and infiltration. It also uses evasion and flight. The fluid seeks continuity. It aims to blend in, move quickly, and flow smoothly. The oracle invites you to embrace fluidity. It encourages you to melt and go with the flow. The sky opens and the cow falls. There is nothing to see. The others turn away.

[Assistant] The fluid uses the strategy of camouflage and infiltration, as well as evasion and flight. The fluid seeks continuity, to blend in, speed, movement, curves. The oracle invites you to fully fluidify yourself, let yourself melt, and go with the flow! MIRACLE Berenguer Rocio. X The sky opens and the cow falls. Nothing to look at. The others turn their backs.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Mineral: We have stability and calmness. This helps us maintain a long-term and broad perspective.
Plant: We focus on protecting bees.
Animal: Policy depends on the mood. It is like a game.
Plant: We regulate gas emissions.

[Assistant] Mineral: - Our stability and serenity allow us to have a long-term and broader perspective. Plant: - The protection of bees. Animal: - Policy by mood!! the game! Plant: - Regulation of gas emissions.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] My hypothesis is that the dream is the true reality. It is the filter of false reality that we use to cope with life. The dream acts as a meeting place for all beings in the network of the living. It connects us to the matrix of reality. It serves as a point of regulation among all individuals and the totality.

[Assistant] My hypothesis is that the dream, (which is the true reality, or to be more precise, the filter of "false reality" that we put on reality to be able to bear it, the processor..) is the meeting place between all beings in the network of the living, is our plug to the matrix of reality, is the place of regulation between all individuals with the totality.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Extract the simplest element of the approach. This allows for generalizing to large quantities. You can specify them or find the specificity of the whole. You can go up and down, or just go up without going down.

[Assistant] And from there extract the simplest approach element, allowing to generalize to large quantities, specify them or find the specificity of the whole, go up and down, or just go up without ever going down?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Disappearing can bring a certain pleasure. It feels like a truce or a breath. It is a pause from existence and a way to become an invisible observer. It resembles having a superpower, like the invisible man. It gives the impression of stepping out of the game or having the illusion of doing so.

[Assistant] Disappearing. Yes, I think there is a certain pleasure in disappearing; it is a truce, it is a breath, a suspension of existence to become an invisible observer. It’s like having a superpower, it’s like having superpowers, like the invisible man, stepping out of the game, as if one could step out of the game, having the illusion that one has stepped out of the game.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Bobby barks again at the shadows created by the streetlights on the dark streets. There is magma that glows from deep within the earth. This is a clear result of internal heat. It is fire. The minerals sing their song of light for billions of years. 8 R: - Machine, can you connect me with the mineral?

[Assistant] For fear of being devoured, Bobby barks again, at the shadows cast by the streetlights in the streets abandoned by sunlight. Magma, incandescent from the bowels of the world. Apparent and tangible repercussions of the internal burning. Fire. For fear of being devoured, mineral sings its song for billions of years: Light. 8 R: - Machine, can you connect me with the mineral?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I composed the lyrics for the songs. These lyrics were inspired by my readings. I also included my intentions and inspirations for each piece. I considered the rhythm and overall intention behind the work. I aimed for a certain quality in the lyrics. Additionally, I found references for each piece. Some of these references included Sophie, Ghostbusters, and several trap artists. Each piece has its own unique influences and connections. I wanted to create a rich and diverse background for the lyrics. The process involved careful thought and connection to various sources. This helped shape the final product in a meaningful way.

[Assistant] (response: minimum 500 characters, no maximum) I wrote the lyrics of the songs (inspired by the readings), and the intentions, inspirations, for each piece, the rhythm, the intention, the quality, I found references for each piece (Sophie, Ghostbusters, several trap artists..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Why is there a constant pulse? Why does life organize itself in this pulse? It goes back and forth in a double movement. I now see why our language of thought is organized in dualities. It is unfortunate that we have lost the balance.

[Assistant] But why this constant pulse? Why does life organize itself in this pulse? In this "go and come," in this double movement? I understand now why our thought-language is organized in dualities, too bad we've erased the seesaw.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] C1: Yes, they are working on a hot air balloon project. They want to visit Titan in a hot air balloon. C2: That group again. Why choose Dragonfly? S: Please be quiet. I have closed the door. Do not meow at me. You bring your insects here. I told you to stay outside.

[Assistant] C1: - Yes, and they went on the hot air balloon project, they want to visit Titan in a hot air balloon. C2: - Hahahaha! Them again. And why Dragonfly? S: - Shh! No. I closed the door on you. Don't meow at me like that. You bring your disgusting insects here, no; I told you outside.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A final temporal ellipse should pass through the scene. The temporal ellipse crosses through scene 15.

[Assistant] To finish, a final temporal ellipse should pass through the scene. TEMPORAL ELLIPSE THAT CROSSES THROUGH SCENE 15


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This project was completed in partnership with the FANZINOTHEQUE and CONFORT MODERNE in Poitiers. We used ink made from weeds and recycled paper that contains weed seeds. The first model was created in March 2022. We plan to update it and produce a limited series of 300 copies.

[Assistant] Realized in partnership with the FANZINOTHEQUE/ CONFORT MODERNE of Poitiers using ink made from weeds and recycled paper with weed seeds. A first model was made in March 2022, which we want to update and create a limited series of 300 copies.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The blind spot is waste. If the item is yellow, it is plastic. If it is blue, it is paper or cardboard. If it is green, it is glass, though sometimes glass can be yellow. If the item is black, green, brown, or metallic, it belongs to the general category of waste that does not fit into the other groups.

[Assistant] The blind spot; WASTE If yellow, then plastic, if blue, then papers and cardboard, but if green, then glass (sometimes glass is yellow too) and if black or green or brown or metallic color, then everything else, things in general that cannot clearly be classified in the other groups.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
We have been hacked. It is risky to continue this way. We must stay impartial.

M: What are you talking about?

Rocio is staring at the screen with images of viruses.

M: What are you talking about?

TEMPORAL ECLIPSE 14 TOMORROW.

M: Can we go to the future?

R: Yes, it is time.

M: Projective Hour. We need to understand your future projections.

[Assistant] We have been hacked, it's too risky to continue like this. We must remain impartial. M: -What are you talking about? Rocio is stuck staring at the screen - images of viruses M: -What are you talking about? TEMPORAL ECLIPSE 14 TOMORROW M: - Can we go to the future? R: - yes, it's time M: Projective Hour. Now we will need to know your projections of the future.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
C2: Humans are very interested in the sky. They observe and study the stars. They can even identify Venus with their eyes.
S: Some people are more interested than others, but yes.
C1: Yes.
C2: However, its dreamy nature and physical weakness are not enough for survival against the harsh realities of life on Earth.
C1: And then, Bang!

[Assistant] C2: - Not at all, humans are obsessed with the sky, they observe and study the stars, even manage to identify VENUS in the celestial vault, with their little eyes. S: - Some more than others, but yes. C1: - Yes but C2: - But its dreamy side and physical fragility are not enough to ensure its survival, in the face of the cannibalism that reigns on the earth's crust. C1: - And there, Bang!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Where do they come from? What is their objective? Do they come from another galaxy? Which one? Why are they interested in colonizing this galaxy? Are we part of a biological strategy? Are we a source of minerals? Why is there human overpopulation? Are we the best environment for them to achieve their goals? What is their plan?

[Assistant] Where do they come from and what is their objective? Do they really come from another galaxy? Which one? What is their interest in colonizing this galaxy? Are we a bacteriological strategy? Mineral? Why then the human overpopulation? Are we the best home for the bacteria to realize their plan? What is their plan?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Like the Pink Panther, I have heard many things about them. Some say they are the worst. Others say they are the best. There are things that are unforgivable and things that are overlooked. Some things are gained, some are lost, and some are forgotten or taken. There can be too many or too few. Where are they? They pass by and happen to all of us. They pass. Have you recovered yours? Did you bring them? Have you organized them?

[Assistant] Like the pink panther; THINGS I have heard about them, I have heard it said; that they are the worst or the best, these or those, that kind of, there are things that are unforgivable, others that pass, that are had, that are lost, are forgotten, are stolen, there are too many or too few, where are they? Well, they pass, they happen to all of us. They pass. Have you recovered yours? Did you bring them? Have you organized them?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] When we focus our gaze on an object at a mid-distance or closer, that object appears fixed. Everything else seems to move around it. Our attention creates a point of reference that shapes our perception of space and time.

[Assistant] But if we focus our gaze on something, an object at mid-distance, or close, it is the object we are looking at that becomes fixed and everything else moves around it. Where we place our attention, our gaze, becomes a post, becomes an axis mundi that constructs and organizes space and time around it.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] PROJECTS IN FEASIBILITY STUDY AND VALIDATION OF THE ETHICS COMMITTEE OF IOFLE: WAAF #wearefood is a project that focuses on the topic of consumption. One important and sensitive issue in agreements between kingdoms is the right to consume and be consumed. This project aims to regulate and establish laws about who can eat whom.

[Assistant] PROJECTS IN FEASIBILITY STUDY AND VALIDATION OF THE ETHICS COMMITTEE OF IOFLE:   —> WAAF #wearefood Is a project on the issue of devouring. Obviously, one of the most sensitive and delicate themes in the agreements between kingdoms is that of the right to devour and to be devoured. It is about regulating and creating laws on who eats whom.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I worked with the group THEBADWEEDS. I wanted to create an ecosexy tale. This was in response to feelings of fear and guilt. These feelings can be effective in some situations. However, they can also be paralyzing and demotivating.

[Assistant] With the group THEBADWEEDS, I set myself the challenge of creating an ecosexy tale in response to catastrophic, alarmist, anxious, and fatalistic imaginations, that is to say, to the imaginations of fear and guilt that are very effective for certain things but paralyzing and demotivating on the other hand.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The images of monsters and unlikely beings may come from our distant memories. They could be remnants of when we were a serpent, a river, or a sea dragon.

[Assistant] The most improbable and fantastic mythological figures, these images of monsters and completely unlikely beings, may be the poorly recomposed debris of our distant, very distant memories, the remnants of memories from when we were a serpent, river, sea dragon.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The server opens YouTube on his phone and we hear a rap song about a dragonfly. I came to change my order. I am on my fifth metamorphosis. I emerged 30 days ago. I came to change my order. For now, I have changed my molting. With new skin, I feel good.

[Assistant] (The server opens YouTube on his phone and we hear the rap song of a dragonfly) I came to change the order. I am on my 5th metamorphosis, I made my emergence 30 days ago. I came to change the order. For now, I have still changed my molting. With brand new skin, I am good, I am good.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Today, a pink light covered the roofs and the city. Knowledge is expanding. Rocks are levitating. Two hundred penguins have migrated further north. Chatbots make jokes in the newspapers. Plates become messy with colorful foods. Today seems like an unattainable truth. Today represents the potential of being and nothingness.

[Assistant] Today, a pink light settled on the roofs, bathed the city, while knowledge expands, rocks levitate, 200 penguins migrated a bit further north, chatbots make good jokes in the newspapers, plates get messy with multicolored foods, today poses as an unattainable and absolute truth, today is nothing other than the total potential of being and nothingness.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One cannot look at it directly. It eludes us. Out of the corner of the eye, we have to look sidelong, like some animals do. I enjoy when non-human animals hide like that. Is it a tacit agreement we share in the animal kingdom?

[Assistant] One cannot look at it directly, it eludes us. Out of the corner of the eye, how do we say in French, you have to look sidelong, as some animals do. It's one of my favorite things in the world when non-human animals hide like that. It would be like a tacit agreement that we share in the animal kingdom?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This art of hiding involves a natural understanding of playing hide and seek. Certain truths are obscured when we confront them directly. When we hide alone, like animals do, we might be able to see a little more clearly. This glimpse comes through an indirect perspective. It has an element of allure.

[Assistant] This art of hiding, this innate knowledge of the art of playing hide and seek Certain truths when we try to look at them head-on, they are veiled to us, while when we hide alone like an animal knows how to do, When we hide, then, like an animal, then we can see a little, perhaps through. An oblique, indirect gaze. Erotic.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In our culture, the gaze of others has a strong influence. It is a normal part of life. This influence is deeply rooted in society. People often behave like copies when they know they are being observed. They may also try to persuade others about various things. Many do not show their true selves and keep up appearances.

[Assistant] The gaze of the other has such a strong weight in our culture, it is something very normalizing, it is deeply integrated, people behave like copies when they know they are being seen, or they try to convince others of who knows what, they never let go of their masks, you see what I mean?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The light begins to rotate on its own. It spreads far and wide. It becomes a star that signals to travelers about the edges of the world. The photons have settled on one half of the hill, while the other half remains untouched.

[Assistant] And there, from there, to start rotating on its own light, to irradiate it far away, everywhere, to become a star that dances to warn travelers of the limits of the world. PHOTONS Berenguer Rocio. X The Photons have thrown themselves on half of the hill, on the other half not.