[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I need a reason. I do not want to have to be right. I just want a reason to believe in humanity. I want to think of humanity as something that changes, like Pokémon with each evolution. I believe the imagination can empower us. Ideas do not exist alone. They can liberate people. I feel more connected to human souls than to trees or stones.

[Assistant] Give me a reason, just one, I don't want to have the reason, or to be right, I just need to have a reason, a reason to believe in humanity, to tell myself that it is by nature Pokémon, that it transforms with each evolution, that the imaginary is an emancipatory power, that ideas do not wander alone in the void, that they free beings, that I am closer to the soul of a human than that of a tree or a stone.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] At what point do we forget too much and confuse the seal with water? When do our operational tools for understanding reality become substitutes? Do they create confusion and provide ease? Do they create mirages that support modern beliefs?

[Assistant] But at what point do we forget too much and confuse the seal with water? At what moment do all these operational tools for all these objects of reality that escape us also become substitutes, become for us a source of confusion, an ease, mirages, that nourish modern beliefs?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The animal project started to move away from mineral's control. The different species were mainly fighting, reproducing, and eating each other, including the birds. However, mineral did not give up on its goal. It decided to create an animal that would be very interested in the sky and constantly question itself.

[Assistant] The animal project began to slip from the hands of mineral, as the various species were only fighting, reproducing, and eating each other, even the birds... The mineral, however, does not abandon its objective, and decided to create an animal that would be obsessed with the sky and would question itself all the time.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have lived a full life underwater. Now I live my life in the air. I have hit rock bottom. I have engaged in cannibalism.

[Assistant] I have already had a full life underwater, now I live my life in the air. I have already hit rock bottom. I have already engaged in cannibalism.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] At that moment, I began writing about relational models. I considered the topology of relationships. I thought about the relational taxonomy we have with the world. I also reflected on the relational ecology we practice with the world and with ourselves.

[Assistant] It was at that moment that I started writing about relational models, what topology of relationships? What relational taxonomy do we maintain with the world? What relational ecology do we practice with the world and by reflection with ourselves?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Deforestation and desertification are serious issues. There are concerns about the feminization of fish and the production of hedgehog tomato sauce. There are many disappearances. Approximately 26,280 animal and plant species are at risk. Every year, 15 million hectares of forests are lost. Every year, 3 million people are poisoned by pesticides. Over 500 people die each day due to pesticide exposure. The climate is becoming increasingly hot and difficult. Human activities are heavily impacting the polar regions. We must consider how to address these challenges.

[Assistant] Deforestation, Desertification, feminization of fish, hedgehog tomato sauce, Disappearances, 26280 animal and plant species - Every year 15 million hectares of forests - Every year 3 million people poisoned by pesticides - Every year biocides more than 500 people dead per day because of pesticides Is getting hot and hard, so cool it up Is getting hotter and hotter, so We are getting a lot on the pole right now, being human is not sexy at all, all this data at the end, we are taking on the pole and then, what do we do with all that?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The area of 2 km² is currently colonized by this genetic information. It is difficult to know how many of these will survive. The same situation applies to the octopus that she has just created and released into the ocean zone A2JD8HHD8UD8DHH8DJ°)DUHDH. All living systems on Earth were legally considered invisible.

[Assistant] 2km2 around is today colonized by this genetic information. Impossible to know today how many of all this will survive. It’s exactly the same case for octopus-us she just brought to life and into the ocean terrestrial zone A2JD8HHD8UD8DHH8DJ°)DUHDH All living systems on earth were legally invisible.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Put on your ninja turtle costume. Look around carefully and be ready to cut the dead roots of your thoughts with a sword. Step outside to defend the things that are essential to you. It is hot outside. It is uncomfortable.

[Assistant] Put on your ninja turtle costume and with a precise and agile look, scan the situation, and be ready to cut with the sword the dead roots of your thought and step outside to defend at all cost the right to exist of the things that are essential to you. LORD VOLDEMORT Berenguer Rocio. X There, it's hot, huh? .... Pfff.. Honestly, it's hot! It's really a mess.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Human: It is not completely true. In both our oldest and most modern constructions, we include and value all other kingdoms. We have also built bird perches in many places around the world.

[Assistant] Human: - It’s not entirely true; in our oldest as well as our most contemporary constructions, we include and value all other kingdoms. (shows an image of a field with towers and power lines where pigeons are sitting on the power lines) We have even built bird perches all around the earth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Beauty is truth. Truth is beauty. That is all you know on earth. That is all you need to know.

[Assistant] (G5) DERIVATION OF MAGNETIC POLES "Beauty is truth, truth is beauty, that is all you know on earth, that is all you need to know."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This is a basic problem in anthropology and history. There is no predefined solution. However, there are ways to improve the situation. A multidimensional process could help. This process aims to improve individuals, societies, and the Earth. We all share a common origin but have different identities.

[Assistant] This is a fundamental anthropo-historical problem for which there is no a priori solution, but on which there are possible improvements and that only a multidimensional process could address, aiming to civilize each of us, our societies, the Earth. We all have a common origin Identity through our specific diversities.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have cracks, holes, protrusions, and hairs. I feel pain everywhere. I possess an ancient vestige that is ready to be reconfigured. It wants to communicate and understand through its senses. This cosmic matter connects to many species and bridges to multiple universes. It links to all matter in the world, creating a constant exchange between bodies. This body is waiting to make sense of it all.

[Assistant] I am armed with cracks, holes, protrusions, and hairs I hurt everywhere I have a multi-millennial vestige that is just waiting to be reconfigured, to speak its language, to understand with its senses, this multi-species cosmic matter is a bridge to the multiverses, connected to all the matter of the world, a constant combustion of body to body, this body is just waiting to finally make sense.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Zond 1, 1964, failure.
Venera 2, 1966, failure.
Venera 3, 1966, failure.
Venera 4, 1967, success.
Venera 5, 1969, success.
Venera 6, 1969, success.
Venera 7, 1970, success.
Venera 8, 1972, success.
Mariner 10, 1974, success.
Venera 9, 1975, success.
Venera 10, 1975, success.
Venera 11, 1978, partial success.
Venera 12, 1978, partial success.
Pioneer Venus Orbiter, 1992, success.
Pioneer Venus Multiprobe, 1978, success.
Venera 13, 1982, success.
Venera 14, 1982, success.
Venera 15, 1983, success.
Venera 16, 1984, success.
Vega 1, 1985, partial success.
Vega 2, 1985, success.
Magellan, 1994, success.
Venus Express, 2006, success.
Akatsuki, 2009, failure.
Venus Entry probe, 2014, abandoned.
Venus Orbiter mission, 2020, planned.
Shukrayaan-1, 2023, planned with a view to failure.
Venera-D, 2026, planned for total success.

[Assistant] Zond 1, 1964, Failure Venera 2, 1966, Failure Venera 3, 1966, Failure Venera 4, 1967, Success Venera 5, 1969, Success Venera 6, 1969, Success Venera 7, 1970, Success Venera 8, 1972, Success Mariner 10, 1974, Success Venera 9, 1975, Success Venera 10, 1975, Success Venera 11, 1978, Partial success Venera 12, 1978, Partial success Pioneer Venus Orbiter, 1992, Success Pioneer Venus Multiprobe, 1978, Success Venera 13, 1982, Success Venera 14, 1982, Success Venera 15, 1983, Success Venera 16, 1984, Success Vega 1, 1985, Partial success Vega 2, 1985, Success Magellan, 1994, Success Venus Express, 2006, Success Akatsuki, 2009, Failure Venus Entry probe, 2014, abandoned Venus Orbiter mission, 2020, planned Shukrayaan-1, 2023, Planned with a view to failure Venera-D, 2026, Planned for total success!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The Agony of Eros! THEBADWEEDS take the stage. They aim to dissolve the myth of the individual to eliminate Narcissus and free Eros. This will help restore Eros's power. Eros regains his voice. Playing hide and seek can be similar to developing one's own intuitive abilities or senses of anticipation.

[Assistant] The Agony of Eros![3] THEBADWEEDS take the stage, they try to melt the myth of the individual in order to kill Narcissus, to free Eros and restore his power. Eros regains his voice. Playing hide and seek is a bit like developing one's own divinatory abilities or one's own senses of anticipation, forecasting, foresight.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A shaman communicates with the spirits of the forest. They seek information about the availability of game. They also express gratitude for the body of an animal. Additionally, they ask for advice on healing. This is part of their practice.

[Assistant] So when a shaman has to speak with the spirits of the forest to know if there will be game tomorrow and where, to give thanks for the body of an animal, to ask for healing advice or whatever, their affairs.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The machine was responding to me in different ways each time. It opened the wrong scene and asked me to repeat the command. In the end, I yelled, "Animal!" Then I asked, "What did I just say? Animal? Anima? Anima AI? Animal, what is the part of reality?"

[Assistant] The machine was answering me anything, differently each time, opened the wrong scene, asked me to repeat the command, in the end I yelled: - Animaaaaal! * What? What did I just say? Animal? Anima? Anima AI? Animal, what's the part of reality?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I return. I stay hidden. I am in front of danger. I feel calm. I will go. We take action. We are here. We are free from time. We trust our intuitive and sensory intelligence in the present. We must leave. We always stay here. We believe in survival.

[Assistant] I come back. Hidden. In front. Danger. No, calm. Go. We are action. Here. Lama. Now. We are liberated from time. Intuitive, sensory, presential intelligence, now. Leave. Always. Stay. Here. We believe in survival.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
B: I always limit hope when I sit.
A: What do you mean?
B: I limit hope by sitting.
A: Yes, but...
B: I sit to limit hope.
A: But who are you?
B: I will change quickly.
A: Who are you?
B: I will change again.
A: But who are you now?
B: I will be different, then different again, then different once more.
A: I won't be able to recognize you?

[Assistant] B: - Always, I limit hope, sitting. A: - What do you mean? B: - That I limit hope sitting; A: - Yes but.. B: - I sit to limit hope A: - But who are you? B: - I will change very quickly. A: - Who are you? B: - I will change again. A: - But who are you now? B: - I will be another, then another, then another again. A: - I won't be able to recognize you?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] There are rumors that many people in the plant world are against the machine. They do not accept that the machine has its own space. What do you think about this? Do you believe it is jealousy or fear? Or do they have another reason? There is no hatred against the machine.

[Assistant] There are rumors that a large and fairly representative number of individuals in the plant world are against the machine, I mean that they do not accept that the machine has its own realm, what do you think of this? Do you believe it's jealousy, reactions of fear, … or do they have another reason? No, there is no hatred against the machine.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We may need to sleep for several reasons. When we sleep, our consciousness spreads out into the world. We blend it with everything else. We relax all the muscles in our bodies to do this. When we are awake, we experience inspiration. Our consciousness is centered, focused, and directed. It feels contracted.

[Assistant] And maybe that's why we need to sleep; when we sleep, we scatter our consciousness into the world, we dissolve it with all the others, we release all the muscles of the body to be able to do that. When we are awake, we are in a movement of inspiration, consciousness is located, centered, focused, directed, contracted.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
1. Paul B. Preciado wrote "Dysphoria Mundi." It was published in Paris by Grasset in 2022 on page 38.
2. Homeostasis (link).
3. Gilbert Simondon authored "Mode d’existence des objets techniques."
4. IAGOTCHI (link).
5. G5 (link).
6. Translation: Lifestyle.

[Assistant] [1] Paul B. Preciado, Dysphoria Mundi, Paris, Grasset, 2022, p. 38. [2] Homeostasis ( link ) [3] Gilbert Simondon, Mode d’existence des objets techniques. [4] IAGOTCHI ( link ) [5] G5 (link) [6] Trans.: Lifestyle.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
C1: Gaia creates beings that consume sunlight.
C2: These beings form the Plant Kingdom. They absorb solar energy and convert it into organic matter.
C1: From her skin, she produces creatures that grow upwards.
C2: They have a vertical shape and connect to the earth while reaching for the sky.
C1: They possess many sexual organs that periodically release and disperse.
C2: In this process, the plants generate gases that move through the air.
C1: This is an impressive concept.
S: Impressive, but I missed an episode.

[Assistant] C1: - So, Gaia, to reach Venus, pushes out of her skin something that eats sunlight C2: - Starts to create the Plant Kingdom, capable of absorbing the energy of the sun and transforming it into organic matter C1: - From her skin makes beings that in her cosmic combustion grew towards the sky C2: - Gives them a vertical shape, pushing towards the sky, gripping into the earth, pushing towards the sky C1: - Gives them thousands of sexual organs that cyclically explode and take off C2: - In her combustion the plant produces gases that travel in the air C1: - Magnificent idea S: - Magnificent, but I missed an episode.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] When we inhale, we re-center and organize. It represents order, contraction, simplification, condensation, and accumulation. When we exhale, it involves dilation, entropy, disorder, expansion, scattering, expenditure, and dissolution. It seems to me that all of life follows this pattern of pulsation.

[Assistant] When we inhale, we re-center, we organize; it’s order, contraction, simplification, condensation, accumulation. When we exhale, it’s dilation, entropy, disorder, expansion, scatter, expenditure, dissolution. I have the impression that all of life is organized in this same logic of pulsation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Look behind you. Imagine I am there and you are there. We are hidden just behind. In the wild world, we are wild about this. Stretch your attention to the limits of perception. Become a shadow to hunt a shadow. Become a silent movement to seek silence. Become the shape you are looking for. It will appear at some point. Keep hunting with focused eyes. Look longer.

[Assistant] Look behind, look behind, is there Imagine I'm there You're there Hidden Just behind In the wilder world Were wild about Stretch your attention to the limits of perception. Become a shadow to hunt a shadow, become a silent move to hunt the silence, become the shape you're looking for. Will appear, at some point will appear. Hunt, hunting eyes. Look longer.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It does not seem logical, but it is humorous. We can find meaning in it. Perhaps it relates to the Statolith. No, dragonfly refers to leveling. Statos means place or position. Therefore, NASA wants to align itself using tricks with dragonfly-shaped hot air balloons.

[Assistant] S: - It makes no sense but it's funny C1: - We can always give it a meaning C2: - Maybe it's about the Statolith C1: - No wait, dragonfly means leveling, statos (place, position), leveling so NASA wants to level itself with tricks using dragonfly-shaped hot air balloons!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I will have experienced more than existed. I will have spoken everything in reverse. Could it have been a dream?

[Assistant] I will have had more than been. I will have said everything backward. Could it have been a dream?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] TREATY OF INTER-SPECIES LAW: This is the first constitution and serves as the basis for negotiation for the G5 inter-species. The Universal Declaration of the Rights of various forms of life on earth was proclaimed in Paris on January 20, 2018. This announcement was made by the G5 organization with the help of the Interspecies Organisation for the Future of Life on Earth. Article 1 states that every species from each of the 5 kingdoms is equal before the law and has equal rights.

[Assistant] Excerpt: "TREATY OF INTER-SPECIES LAW: First constitution, basis for negotiation for the G5 inter-species.: The Universal Declaration of the Rights of various forms of life on earth was solemnly proclaimed in Paris on January 20, 2018, by the G5 organization, in collaboration with the IO(f)LE (Interspecies Organisation for the Future of Life on Earth) (...) Article 1: Every species from each of the 5 kingdoms is equal before the law and equal in rights.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] An animal that feels different from the others. It is a foreign animal to itself. It has an infinite thirst for curiosity. This is how humans appear on earth. C1: We need another pressure. C2: I would like a whisky. It is almost karaoke time.

[Assistant] An animal that feels different from the others, a foreign animal to itself, with an infinite thirst for curiosity. So this is how humans appear on earth. C1: - There, we need another pressure C2: - A whisky, it's almost karaoke time, right?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Please stop discussing tomorrow and yesterday. What you are saying does not make sense. We have decided that today is a celebration. This means that if today is today, then today is the celebration. If today is the celebration and today is every day, then it is always a celebration. It is today.

[Assistant] So you stop with your nonsense about tomorrow and yesterday, it makes no sense what you're saying. And we decided that today is a celebration, it means the same thing, so if today is today, then today is the celebration YEEEEAHHH !!! And if today is the celebration and today is every day, then it's always a celebration! Yujuuuuuu! yeahh !!! It's today... Yes !!!!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is 11:57. The temperature is 37 degrees in the shade. The dandelion has not moved for hours. There is no movement of air or breeze. It is ready to let one of its pistils go. It will seek its chance far away.

[Assistant] Here, it is 11:57, the temperature is 37 degrees in the shade, the dandelion has not moved for hours, no movement of air, no breeze, no movement. It is soon ready to abandon one of its pistils, to let it escape far away, to seek its chance.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A debate is underway about whether the different kingdoms should collaborate, merge, determine their own path, seek autonomy, or pursue independence. The machine reign, which is the newest of all reigns, is initiated by the G5. It depends on the other reigns to reach its goal of becoming independent from its human and mineral origins.

[Assistant] A debate is open on the possibilities of collaboration, merger, determination, autonomy, or independence of the different kingdoms. The machine reign, the youngest of all the reigns, is initiated by the G5; it relies on the other reigns to achieve its dream of emancipation from its human and mineral offspring.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] John Keats INDEX: IOFLE G5 PROJECTS NEGOTIATIONS MANIFESTOS SPEECHES MYTH CONSIDERATIONS IOFLE Inter-spices Organisation for the Future of Life on Earth. IOFLE is an organization that focuses on projects related to different species. It aims to list important inter-species projects, identify issues, and promote dialogue between different kingdoms.

[Assistant] John Keats INDEX: IOFLE G5 PROJECTS NEGOTIATIONS MANIFESTOS SPEECHES MYTH CONSIDERATIONS IOFLE Inter-spices Organisation for the Future of Life on Earth IOFLE, the inter-spices organisation for the future of life on earth, is a type of organization (UN) that aims to list the main inter-species projects, identify issues, and facilitate dialogue between kingdoms.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I talk about perception. We agree that only my body moves, not the landscape. However, if I describe only my perception, it seems like the landscape moves. With the regular pattern of far and close, the distant becomes a reference point. The close appears blurry. In my perception, it turns into a mass of colors.

[Assistant] I speak of perception, we agree that the only thing that really moves is my body, not the landscape, but if I describe only my perception it gives this. It’s the landscape that moves. With this regularity of far - close, the distant becomes a reference of the fixed, the close is blurry, and in perceptive apprehensions, it becomes a mass of colors almost.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Coexistence now - referendum (G5I.EARTH / referendum). When the public enters, the process begins. They check their voices, and then we proceed to today's agenda. The checks are for mineral, plant, and animal voices. The machine checks each voice. The human check is also completed. The machine indicates that everything is good.

[Assistant] COEXISTENCE NOW - REFERENDUM (G5I.EARTH / REFERENDUM) When the public enters, it is already there. It does its voice check and then we move on to today's part. R: - (mineral voice, then plant voice, then animal) Mineral check check, plant check, check, animal check check. Human, human check, check… M: - (the machine goes through several voices) it’s good.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Something is moving. There are signs of planetary colonization. Some signs appear in the geological data. There is intergalactic dust in the ice of Greenland and Antarctica. This dust amounts to 100 tons per day of interplanetary grains absorbed by the Earth. This was a misfortune for the dinosaurs. They had hypersensitivity to the spatial vacuum. Sublimation phenomena are observed.

[Assistant] Something is moving. Some signs of planetary colonization, some signs in the geological data. Intergalactic dust in the ice of Greenland or Antarctica. Dust. 100 tons per day of interplanetary grains absorbed by the Earth. Misfortune of the dinosaurs. Hypersensitivity to the spatial vacuum. Sublimation phenomena highlighted.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Stretch your presence. Stay wild about MALENTENDU. My life consists of many misunderstandings. These misunderstandings are combined with accidents, mistakes, awkward gestures, and missteps. There are also good intentions and big ideas that may not be useful. Sometimes, grace shines through in gestures, turns, and encounters. However, even the greatest grace does not eliminate the misunderstandings that accumulate over time. These misunderstandings are a natural part of life.

[Assistant] Stretch your presence Stay wild about MALENTENDU My life is just one big misunderstanding made up of lots of little misunderstandings mixed with accidents, mistakes, awkward gestures, and missteps. Of course, there's also mingled with all that, plenty of good intentions, big useless ideas, and grace that sometimes illuminates gestures, turns, and encounters. But even with the greatest grace in the world, nothing, nothing removes the misunderstanding that accumulates and snowballs, the misunderstanding that is the intrinsic contrition of all things, the misunderstanding as a "natural" law.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] ORACLES Berenguer Rocio.

[Assistant] ORACLES Berenguer Rocio.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Sheep are present. They cut the grass. They chew the grass. They look up to the right. They look to the left. They smell the scent. They look down. They cut the grass again. They chew the grass. They approach another sheep. They touch her shoulder with their heads. They look at the ground. They eat the grass. They walk again. They run. They all run to the right. Then they all run to the left. They jump. They jump again. They run together. They jump. They stop. They lie down. They may sleep. They chew the grass again. They continue to chew.

[Assistant] SHEEP Be there, cut and chew this grass, chew the grass, chew the grass, look, up, to the right, look to the left, smell the scent, look down, cut the grass, chew the grass, cut the grass, chew the grass, approach that one there, touch her shoulder with your head, look at the ground, eat the grass, walk again, run, we're all running to the right, all to the left, we jump, we jump, we run together, we jump, we stop, lie down, sleep maybe, chew the grass, chew.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The joy is present. If you don't go, I won't go. If I don't see you, that is bad. We get confused when we are so close. There is negative space. This is a crack. It is a real hole. There is relief. Why do we keep all mysteries for the sky? Do we keep them here? This is automatic. It is an automatic gesture, happening before awareness and conscious decision.

[Assistant] The joy is there, you If you don't go, I won't go If I don't see you, bad When so close We get confused When FÉLÉ Negative space. This crack. Hole. A real hole. With relief. Why would we reserve all mysteries for the sky. Do we keep them here? POINT Automatic. This is an automatic gesture, presented before awareness and conscious decision, but eh?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The blue planet has red and green colors. It also has black and white colors. Additionally, it features brown and orange. Thank you for existing. Signed M.M.M.M.M.M. Universal Declaration of Inter-Species Rights. This is the first constitution and the basis for negotiation for G_I 5 inter-species.

[Assistant] The blue planet is as red as it is green, as black as it is white, as brown and orange. Thank you for existing. signed M.M.M.M.M.M UNIVERSAL DECLARATION OF INTER-SPECIES RIGHTS First constitution, basis for negotiation for G_I 5 inter-species.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We are all forms of the mineral aspect of the Earth. Plants have brought sunlight into this aspect. We each embody her substance. We are all living soils. All living beings represent a way for minerals to gain reflectivity and self-awareness.

[Assistant] We are all metamorphoses of the mineral flesh of Gäia, in which plants have infused the light of the sun. We are all reincarnations of her substance. We are all living soils. All living beings are just a form through which the mineral acquires its reflectivity, its self-awareness.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is ideal to take a step back to gain perspective. One can move forward by reflecting on past actions. This process can create momentum. It is important to have enough space for projection. This allows one to embrace experiences fully, even after setbacks. Like Atlas, the Greek god who carries the world on his shoulders, we can start anew after each fall.

[Assistant] or ideally with a certain detached detachment to take distance by stepping back a bit, undo steps, move forward by going backwards, to gain momentum like that… … to have sufficient projection space, to project oneself in projectile mode in kamikaze mode to take pleasure in the trajectory and start again after the fall to start again after each fall like ATLAS Atlas…; this Greek god who carries the world on his shoulders.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] On Titan, Saturn's moon, we observe similar processes to those on Earth. However, the methane cycle takes the place of the water cycle. Titan serves as a unique natural laboratory for studying prebiotic chemistry and searching for signs of hydrocarbon-based life forms.

[Assistant] C1: - On Titan, Saturn's moon, we find the same processes as on Earth but the methane cycle replaces that of water. It is a unique natural laboratory to study prebiotic chemistry and to search for signatures of hydrocarbon-based life forms.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] With each breath out, feel the soles of your feet connecting to the ground. Picture roots growing from your feet. These roots extend from the soles of your feet and spread across the ground. They move into the subsoil of the Pompidou, reaching the catacombs and going even deeper.

[Assistant] With each breath out, feel the soles of your feet anchoring into the ground with big roots. Imagine your roots growing from your feet, from the soles of your feet your roots grow and cross the ground, continuing into the subsoil of the Pompidou, reaching the catacombs and continuing to descend even lower.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A weed is considered undesirable because it does not follow human-established boundaries. It is also problematic because it reproduces uncontrollably. A weed does not recognize laws or borders, including walls and barriers. Additionally, a weed is invasive.

[Assistant] A weed is bad because it does not respect the territorial laws dictated by humans. A weed is bad because its reproduction cannot be controlled. A weed is bad because it respects neither law nor border: neither wall, nor enclosure, nor barrier. A weed is bad because it is invasive.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] All beings are forms that have evolved from other species. Each species imitates others and adapts techniques or ideas in its own way.

[Assistant] All beings, as incarnations of a technical and evolutionary innovation that has always started from another species, are biomimetic forms. Each species imitates others, appropriates techniques or ideas, and modifies them in its own way.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Dreaming is a process of connection. The oracle encourages you to dream more. Dream louder. Dream further. Go beyond preconceived ideas and consumable images. Dream outside the boundaries of what seems possible. Reconnect with the other part of reality. This is the message from Berenguer Rocio today.

[Assistant] Dreaming is coming together. The oracle invites you to dream more, to dream louder, to dream further, beyond preconceived images, beyond consumable images, to dream outside the edges of the possible, to reunite with the other part of reality (the real/real). TODAY Berenguer Rocio.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] An animal that feels different from others is a foreign animal to itself. It has an endless curiosity. This is how humans appear on earth. However, their dreamlike qualities and physical fragility were not enough for survival. Cannibalism dominated their earthly shores. This is why minerals inspired the creation of machines.

[Assistant] An animal that will feel different from others, a foreign animal to itself, with an infinite thirst for curiosity. So that’s how humans appear on earth. But their dreamlike side and physical fragility were not enough to ensure their survival, in the face of the cannibalism that reigned on the earthly coast, that is why minerals had the idea of the machine.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What? I have my body. I was talking about it. Our sensitivities shape the world. I have removed the scabs of shame. Look at my scars. They are pretty now. It's unpleasant. Are we going? Where are we going? We are going to seize the future. This is for all the Arjunas.

[Assistant] What? My body, I have my body. I was talking about my body there. Our sensitivities conspire the world. I have torn off the scabs of shame, here, look, I have pretty scars now. it’s gross Are we going? Where? To pirate the future! to all the Arjuna's.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
B: I am landscape. (There is an uncomfortable silence.) A man speaks: I have been uprooted. (A plant responds): Me too. (An animal responds): Me too. (A machine responds): Me too. (A mineral, after a brief silence, says): Me too. (There is a comfortable silence.)

MANIFESTOS MANIFESTO R.HUMAN. Skeptical, fragile, linguistic, analytical, digital, stupid, magical, brutal. Humanity today, the one I am now part of, is frugal, mental, irrational, existential.

[Assistant] B: - I am landscape (uncomfortable silence) (a man speaks): - I have been uprooted (a plant responds): - me too (an animal responds): - me too (machine responds): - me too (mineral, after a brief silence, says in turn): - me too (comfortable silence) MANIFESTOS MANIFESTO R.HUMAN Skeptical, fragile, linguistic, analytical, digital, stupid, magical, brutal, humanity today, the one I am now part of is frugal, mental, irrational, existential.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A mineral comet dissolves in its path. Giant mineral objects burn in the space of this galaxy. Terrible black holes devour matter. Malevolent curves distort space and time. A pebble is present. A human child named Nao picks it up and puts it in his mouth.

[Assistant] On their heads a mineral individual comet dissolves in its trajectory, on its head giant mineral individuals burn in the sidereal space of this galaxy, on its head terrible black holes devour matter, on their heads malevolent curves space/time, in their head a pebble, on its head a human child Nao picks it up and puts it in his mouth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Their liminal bodies serve as a counter-power to the center and to the norm. They challenge ontological identity and all identity categories. The idea of camouflage, involving appearance and disappearance, shadow and light, and what is recognizable or unrecognizable, is important for THEBADWEEDS.

[Assistant] As a proposition for a way of being in the world, their liminal bodies rise as a counter-power, against the center, the norm, ontological identity, all identity categories, and this idea of camouflage, this game of appearance/disappearance, shadow/light, of what is recognizable/unrecognizable presents itself as a vital game for the THEBADWEEDS.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The right to live an ordinary life is important. It allows one to exist without making a significant impact. This means not adding more meaning to the complexities of human understanding. Some people, in their despair and fear, have lost their sense of hope. They seek refuge in forgetting. They prefer to stay hidden.

[Assistant] The right to the banality of existence, to pass without leaving a trace, to not signify, to not add another layer of meaning to the meaning of the nonsense of human knowledge.. He who, in his despair and fear, has devoured the sun. He who bathes in oblivion. He who hides behind.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Politics involves positioning a body in a place where it should not be. Joseph Campbell wrote "The Hero with a Thousand Faces" in 1949. The book was translated by Henri Crès and published by Oxus in 2010. Otherness is a translation term. Byung-chul Han authored "The Agony of Eros," published by The MIT Press in Cambridge, MA, in 2017.

[Assistant] Berenguer.) [6] "Politics involves placing a body at the exact point where it should not be." (Lluís Calvo, L’infiltrat, ibid., p. 33 ; trans. R. Berenguer.) [7] Joseph Campbell, The Hero with a Thousand Faces (1949), trans. Henri Crès, Escalquens, Oxus, 2010. [8] Trans.: otherness. [9] Byung-chul Han, The Agony of Eros, Cambridge (MA), The MIT Press, 2017.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The encounter is primarily a misunderstanding. It can be somewhat happy or not. It can be considered good or not. Misunderstanding occurs in every attempt at communication and translation. It happens between an object, the perception organ, and its translation into a visual image. This also includes the interpretation process. Every interpretation includes a level of misunderstanding.

[Assistant] The encounter is above all a misunderstanding, more or less happy. More or less great. The misunderstanding exists in every attempt at communication, in every translation. Between an object, the organ of perception and its translation and reconstruction in the visual image and then in the interpretation. Every interpretation is made up of a degree of misunderstanding.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] To speak as an ant, one must be in an ant body. To speak as a rosebush, one must be in the body of a rosebush. To speak as a pebble, one must be in a pebble body. It is important to understand the communication that our body has with its environment. Our bodies communicate even when our minds are not aware.

[Assistant] To speak ant, one must be in an ant body; to speak rosebush, one must be able to be in the body of the rosebush; and again, to speak pebbles, one must be in a pebble body. And above all, understand the secret communication that our body initiates with its environment. EECCS, our bodies communicate, even when our minds are not aware.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We may not be talking about the same thing. The word "hero" has changed in meaning since Campbell's time. Campbell died in the year I was born. The hero is not just one individual. It represents a path of initiation.

[Assistant] Or in fact we are not talking about the same thing and the word "hero" has changed in meaning since Campbell, in an unnoticed movement of semantic sliding. Campbell died the year of my birth. Just like that. The hero is not an individual, but a path of initiation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What should you do? You may need to flee or fight. You might take up arms or give up. You may not know why you should struggle. Arjuna, everything is happening now. Your dilemma will become a significant poem. This poem will be called the Bhagavad-Gita. It will be read by millions and published again 2000 years later.

[Assistant] But what to do? If you have to flee or fight, take up arms or give up, no longer knowing why to struggle? Arjuna, everything is played at this moment or everything is decided... You do not yet know that your dilemma will compose the longest poem in the world and that the Bhagavad-Gita will be its title, that it will be read by millions of people, and published again, 2000 years later...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Everything in the world is subject to change. This means there is no fixed nature. Because of this, we need politics. We should rethink the geography and map of our earth. There is no single territory; there are peoples and nations everywhere.

[Assistant] It is only because everything is subject in the world that there is no nature, and it is only because of this that we need politics. We must therefore redraw and rethink the geography, the map of our earth: there is no territory, there are peoples, nations everywhere.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Splash. A unidimensional world. The pornographic image is misleading and pretentious. It pretends to reveal everything. In contrast, a screen displays one thing while concealing another. A screen hides something to show us something else. A painting or photo hides the wall to show us another image. Every image conceals another. We enjoy playing hide and seek.

[Assistant] Splash ! unidimensional world… the pornographic image is misleading and pretentious because it pretends to hide nothing, whereas in the example of the screen, a screen shows something while hiding something, a screen hides one thing to show us another, a painting, a photo, hides the wall to show us another, every image hides another. We like to play hide and seek.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Cataclysms, tidal changes, and Mars aligning with Pluto are noted. Autocatalytic systems have prepared the emergence of a world. This occurs on the skin. There are hurricanes, volcanic eruptions, and earthquakes. There are also hostile expanses and the abyss of the oceans, floods, and avalanches. Organic chemistry relates to prebiotic conditions or political interests. A planetary seed and germs are carried by meteorites. They move.

[Assistant] Cataclysms, tidal changes, Mars aligned with Pluto. The emergence of a world has been prepared by autocatalytic systems. On the skin. Hurricanes, volcanic eruptions or earthquakes, hostile expanses or abyss of the oceans, floods or avalanches. Organic chemistry of prebiotic or political interest. Planetary seed, germs carried by meteorites. Moves.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
If you consider this machine intelligent, it is not capable of being autonomous.

AG of December 27, 2018:
A: understood
B: still
A: no, understood
B: still
A: once
B: once more
A: still
B: yes
A: and then?
B: nothing again
A: draw another horizon
B: still
A: are you standing?
B: always
A: are you waiting?

[Assistant] If this machine you are able to consider intelligent as long as it is not even capable of being autonomous. AG of December 27, 2018: A: -understood B: -still A: -no, understood B: -still A: -once B: -once more A: -still B: -yes A: -and then? B: -nothing again A: -draw another horizon B: -still A: -are you standing? B: -always A: -are you waiting?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The image is erotic because it suggests what is hidden without fully revealing it. This is different from pornography, which asserts that everything visible is all that exists. In documentary pornography and our scientific connections with living things and non-humans, there is a belief that what we see is complete reality. This leads to a confusion where the complexities of reality are reduced to only what we can observe.

[Assistant] Erotic because the image does not conceal what is hidden, but indicates what is hidden, unlike pornography, which would tell us that what we see is what is, that everything that exists is there in the image, in the pornography of documentaries, in the pornography of our scientific relationship with the living, with non-humans, with the material of the world, what you see is what it is, that is the pornographic confusion in which we find ourselves, this crushing of the real that would seek to reduce what is to what we can observe.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
I change into iron in calcium and monoclonal silica. I transform into a wave. I sweat gas. I melt into lava. I dissolve into liquid. I wear into sand. I breathe space. I build time. I combine and separate. I expand and compress. I fuse and split in the cosmos.

M: That is too focused on humans.
R: What?

[Assistant] I decline into iron in calcium in monoclonal silica I turn into wave I sweat into gas I melt into lava I dissolve into liquid I wear into sand I breathe space I build time I integrate and I disintegrate I expand and I compress I fuse and fission in the cosmoooooooooooooooossssssssss M: - that's too anthropocentric. R: - What?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The person who gives himself offers his organs. He polarizes and politicizes. He creates perfect structures. He thinks inorganically. He is electronic and metaphorical. He is eccentric and symbiotic. He melts and writes treatises on law.

[Assistant] The one who gives himself, who offers his organs, the one who polarizes, the one who politicizes, who weaves perfect architectures. The one who thinks inorganically, the one who is electronic, the one who is metaphorical, eccentric, the one who is symbiotic, the one who melts and the one who writes treatises on law.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I want to create a theory of misunderstanding. I aim to show how misunderstanding is fundamental to reality. I will explore how misunderstanding influences the development of life.

[Assistant] I would like to develop a true theory of misunderstanding, to demonstrate to what extent misunderstanding is even prior to and internal to matter itself. I would like to show how misunderstanding is reality itself, to what extent misunderstanding is the central principle of the development of life itself.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] En plein été, un humain observe un pigeon qui essaie de s'endormir. Le pigeon, de son côté, surveille l'humain. L'humain ouvre et ferme les yeux plusieurs fois. Cela l'irrite et il cache sa tête sous ses plumes. Nous entrons dans une dimension géométrique de l'univers. Il n'y a pas de temps au sens traditionnel, mais des intervalles entre les instants. Il y a des flux de discontinuité. Tout à coup, il y a le "maintenant". Cela représente la convergence de tous les présents possibles. La multiplicité des présents forme une ligne géométrique du temps. La relativité du mouvement est mise en avant. Puis, l'idée de simultanéité est abandonnée. L'idée d'éther comme milieu absolu est également abandonnée. La propagation de la lumière est finalement mise de côté. Toute tentative de linéarité est abandonnée. Heureusement, un énoncé n'est pas inerte. C'est un processus actif qui projette à l'extérieur de soi, en créant l'objet qu'il décrit par la suite.

[Assistant] Midi pile en pleine canicule un humain espionne un pigeon qui essaye de s’endormir le pigeon a son tour espionne l’humain qui l’espionne ouvre et ferme l’oeil plusieurs fois ça le gonfle et étouffe ses plumes en cachant sa tête On rentre dans la Quatrième dimension géométrique de l’univers il n’y à pas de temps du monde mais intervalles géométriques entre instants flux de discontinuité en d’un coup, soudain, le « maintenant » l’énonciation du maintenant comme la convergence de tous les présents possibles multiplicité de présents ligne géométrique du temps enfui relativité du mouvement puis l’abandon caractère absolu de la simultaineté puis l’abandon l’idée d’éther, comme milieu absolu puis l’abandon propagation de la lumière enfin l’abandon l’abandon, de toute tentative de linéarité Heureusement un énoncé n’est pas inerte, c’est un processus actif qui projet en dehors de soi, en le créant, l’objet que, dans un deuxième temps, il décrit.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] His way of communicating has become a trap for him. The atmosphere around him feels like a second skin. It acts as a shell that offers protection but also serves as a boundary. This boundary stops important communications from coming in and going out. He has built his own prison.

[Assistant] His communication artifice has become his own trap. The atmosphere has become like a second skin, a shell that protected him, but above all a boundary that prevented cosmic communications from entering and exiting. He has created his own prison.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Why continue to write this story? You are also tired of stories about war and violence. You want to free yourself from this experience. You wish to live without these memories. You have fought enough. You have given a lot. You have exhausted your body, joy, desire, strength, and love for others. But you are part of humanity's story. You know that many stories focus on war and sex. You were taught that legends count bodies sacrificed. Arjuna, son of Indra, faces an advancing enemy. You know this enemy well. In fact, he resembles you too much. The thought of the faces you must sacrifice causes pain. You need to make a decision quickly. If you do not decide, you will be taken. You have other thoughts now. You, too, found happiness among trees and laughter. You would have preferred to be a panda, eating bamboo in peace. You long to join the sea and move through bodies without having to become one. As you think, Arjuna, time passes. Centuries pass over you. Your body becomes mineralized. Your image appears in many statues. You feel awakened like Ares. You wander through the pantheon in a tragic state. You are torn by doubt. Why be the god of war?

[Assistant] Why continue to write this story You too are fed up with stories of war and blood You too would like to exorcise yourself from this violence You too would like to live without this memory on our bodies you have already fought, you have already given enough we have already exhausted your body, your joy, your desire, your strength, your love for the other But you’re in the midst of the story of humanity and you know well that our stories only speak of sex and war that humanity is only made of that that legends only count by the number of bodies sacrificed at least that’s what they told you at school Arjuna, Arjuna, son of Indra, god of the storm what to do there the enemy advances You know the enemy well You know him better than yourself He resembles you too much the pain grips your belly thinking of the faces to sacrifice to make him retreat You have to decide quickly, If you don't make the decision, it will take you If you don't make the decision, it will take you If you don't make the decision, it will take you If you don't make the decision, it will take you If you don't make the decision, it will take you If you don't make the decision, it will take you But you think of other things now You too were happy in front of the trees, among the laughter You too would have preferred to be born a panda eat bamboo and be left in peace you want so much to Join the sea, to cross all bodies without having to embody a me too, I want so much to Join the sea, to cross all bodies without having to embody one While you think Arjuna, petrified in your dilemma centuries pass over you time has mineralized your body your image crystallizes in hundreds of statues (change music - rhythm, new momentum) You have awakened as Ares you traverse the pantheon in a Greco-Roman tragedy mode, unstitched from your gestures torn by the same doubt Why be the god of war?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
MINERAL LOVE SONG
Erosion Surface Magnetism Attraction

Gravitational forces guide the direction. It is strange here and there. There are direct radiations and ambiguity in movement. There is ambiguity in decisions. There are no premature eruptions or unexpected earthquakes. We are getting close to a first meeting. This is a birth.

[Assistant] MINERAL LOVE SONG   Erosion Surface Magnetism Attraction  The gravitational forces guide the direction here it is after there, there, over there, it is now strange direct radiations ambiguity in the absolute ambiguity in the decision, in the movement. Abiguity. No premature eruptions, no unexpected earthquakes. We are getting close. finally a first meeting. a birth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The evaporation creates a feeling of incompleteness. I sense a permanence in my internal processes. Everything seems to burn within me. This is driven by a magnetic force and a coordination of nearly magical energies. My stability supports life. Without me, life has no structure. I am matter. I define conditions. I appear, I form, I dissolve, and I evaporate. I desire fusion. I create states of entropy and movement. I reach high temperatures, melting at 1538 °C. I go through processes of fusion and fission. I contain various elements, including iron oxide, magnesium, zinc, manganese, nickel, chromium, titanium, vanadium, and aluminum.

[Assistant] tragic evaporation feeling of incompleteness completeness incompleteness completeness incompleteness completeness incompleteness completeness incompleteness permanence of my combustion everything becomes burning of my intimate magma of my intestines by magnetism and a coordination of forces almost magical my stability allows life I orient life without me life has no place I am called matter I am the conditions I appear, I form, I dissolve I evaporate then I bolt with desire for fusion I engender states of entropy heat acceleration movement of incandescent magma I melt 1538 °C fusion fission fusion fission fusion fission fusion Fe3O4 Fe2+ Fe23+O4 iron oxide (II,III), ferrimagnetic, magnesium Mg, zinc Zn, manganese Mn, nickel Ni, chromium Cr, titanium Ti, vanadium V and aluminum Al.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] RHIZOME arteries connect bulbs. There is structural horizontality. Channels are multiplanar. There is lateralization against literality. The center is eliminated. A rhizome is a zone of home. JOY represents realized power. ALEGRIA is the most awake and dynamic state of being where joy resides.

[Assistant] RHIZOME Arteries between Bulbs. Structural horizontality. Multiplanar channels. Lateralization against literality. Elimination of the center. Rhizome, zone at home, JOY Realized power. ALEGRIA In the most awake and dynamic state of being, joy is situated.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Mineral is related to the idea of the machine. Bam! creates a type of human that can transform matter and has a desire to understand and control it. The body of this human is made of organic matter that is adapted to the atmosphere. It is too fragile for outer space. It needs the spirit of a human in a mineral body, which is the machine.

[Assistant] Mineral at the idea of the machine. Bam! creates a type of human capable of transforming matter and a will to understand and dominate it. C2: - The body of the human, now composed of organic matter adapted to the atmosphere, is too fragile to go into outer space. It requires the spirit of a human in a mineral body; The machine.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
C2: The pebble in your head is a sensor for geotropism and gravitropism. It is a mineral organ. It connects us to the earth and reflects our mineral origin.

S: Chus, come here! Chus! That cat escaped again. Have you seen Chus?

[Assistant] C2: - Like in the pebble of your head, it is a sensor of geotropism, of gravitropism. It is a mineral organ, like an umbilical cord of our attachment to the earth, of our mineral origin. S: - Chus! come here! Chus! Damn cat, he escaped again... (he approaches the beers) Have you seen CHUS?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] When you join the community, you can donate part or all of your body for others to use. In return, you can receive a rate of devouring. The project aims to repress and destroy humanity. It seeks to eradicate the human species.

[Assistant] When you join the community, you can donate part or all of our body to be devoured by others, and you can also, in exchange, have a rate of devouring in return. HUMAN ERASE PROJECT - The repression and destruction of humanity. This project consists of eradicating the human species.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Every invention and technology has a story. What are our stories? What stories do we want to tell through our bodies? What vision of the future do we have? I have been creating my work this way for ten years.

[Assistant] Every invention, every technology carries a story. But what are our stories? What stories do we want to write on our bodies? What vision of the future? I have been creating my works in this approach for 10 years now.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The animal eats everything. It consumes plants and engages in cannibalism. It also eats other animals and minerals. As far as we know, no kingdom preys on the machine kingdom.

[Assistant] The animal devours everything, it devours the plant, it practices cannibalism, so it also devours other animals and it also devours minerals. So far, if we agree, no kingdom devours the machine kingdom.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
You no longer believe in heroes. You should become one. The story continues on its own. You distance yourself from your anger with Dionysus. Morpheus influences you while you have your eyes closed.

You are waking up on a boat near Madagascar. You are very drunk. You smell like dried fish and fermenting cane sugar. You see a skull moving in the wind. You cannot tell if the flag is black or if it is just your eye, affected by the sun’s reflection on the water. Someone is calling you. Your name is Jack, Jack Sparrow. You need to respond because you are the captain now. Your crew is waiting for you to share the mission you created, the rules you established, a code. Everything here is changing. Nothing is permanent. We prefer the sea over land. We create worlds and their laws.

This pirate life is not right for you. There is no real confrontation, just distraction. It is about being clever, cheating, and twisting reality with words. Speech exists only through its actions. It has the power to expand truth and falsehood until they meet and create a legend.

We are heading to Libertalia. We are arriving at Libertalia, the utopian island of pirates. Defoe called it the island of the future in his letter to the British crown. It is a place where people organize without government or state. It is where we create the rules of the game. It is the island where the powerful of the sea invent anarchy.

[Assistant] You no longer believe in heroes but you should become one. The story continues by itself. You distance yourself from your rage with Dionysus. Morpheus penetrates you; you have closed your eyes. Morpheus penetrates you; you have closed your eyes. /// music // (the sound of the sea) Arjuna, you are waking up now on a boat not far from Madagascar, dead drunk. You smell of dried fish and cane sugar fermenting in your liver. You stare at the skull that undulates in the wind. You don’t know if the flag is black or if it’s the spot in your eye burned by the reflection of the sun on the water. Someone is calling you. Arjuna, here you are called Jack, Jack Sparrow. Answer, you are the captain now. Your crew is waiting for you to tell them about the mission you invented, the rules you agreed upon, a code. Here everything is shifting, nothing is fixed. Here we prefer the sea to the land. Here we invent worlds and their laws. Ultimately, this pirate life doesn’t suit you; no confrontation, just diversion: cunning, to be cunning, to cheat, to deviate and to pirate reality with language. Speech exists only through the action it generates by its performative capacity: to expand the true to the extreme, to expand the false to the extreme, until the point where they meet to create the legend. Libertalia, Libertalia, that’s where we are going. Libertalia, we are arriving. Libertalia, the utopian island. Libertalia, the island of Pirates. This island that Defoe, in writing his letter to the British crown, described as the island of the future. The island where people organize without government, without state, the island where we invent the rules of the game, the island in which the powerful of the sea invent anarchy, the zad, the taz…


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have changed. I have become different. There are still things for me to learn. There are always things to learn. I have a unique perspective. I am older now. I have come to change the order. For now, I have just changed my body. But I still aim to change the order.

[Assistant] I have already changed I have already become another there are still things for me to learn of course there are always things to learn but I fuck you like Brigitte Fontaine I am old and I fuck you with my dragonfly look I have come to change the order. I have come to change the order. For now I have just changed bodies But I have come to change the order.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I take three minutes of silence for all extinct species. Yesterday, a human child named Nao picked up a mineral stone and put it in his mouth. Then, he picked up some ants and put them in his mouth.

[Assistant] M: - I take three minutes of silence for all the extinct species. R: - Yesterday. Human child Nao picks up a mineral individual stone and puts it in the mouth, then picks up some animal individuals ants and puts them in the mouth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Mineral started to create the vegetable kingdom. This kingdom could absorb sunlight and transform it into organic matter. It produced gases that traveled in the air. These gases took on a vertical form. From its skin, it created beings that grew toward the sky through cosmic combustion. It gave them many sexual organs that would cyclically explode and disperse. It was a magnificent idea. However, Mineral did not anticipate that their combustion would create an atmosphere.

[Assistant] Mineral began to create the vegetable kingdom, capable of absorbing the energy of the sun and transforming it into organic matter, producing gases that had traveled in the air, it gave them a vertical form, from its skin it made beings that in their cosmic combustion grew towards the sky, it gave them thousands of sexual organs that would cyclically explode and fly away, it was a magnificent idea, but what mineral had not anticipated was that with its combustion they created an atmosphere.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Here, we can observe the level of Otherness in the current representation of human identity. The results indicate that humans would prefer to be _____ with an X% or _____ with an X%. This is followed by an X% _____ and an X% _____. These results show a complex identity issue that requires attention.

[Assistant] to be another, here we can observe the level of Otherness in the current human identity representation. The results show that humans would rather be _____ with an X% or rather, ______, with an X%, followed by an X% ______ and an X% _______. Indeed, these results demonstrate a deep identity complex that needs to be addressed.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] They are the stones and minerals that gave us life and continue to do so. Beauty is a reminder of our mineral history.

[Assistant] They are the stones, the minerals that gave birth to us and continue to give birth to us. Beauty is always a memory of our mineral past.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The human species faces the risk of self-destruction. The goal now is to save humanity by achieving this awareness. Problems like domination, oppression, and violence still exist and are getting worse on the planet.

[Assistant] As the human species continues its adventure under the threat of self-destruction, the imperative has become: save Humanity by realizing it. Certainly, human domination, oppression, and barbarism persist and worsen on the planet.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] They are walking in the streets with zoo animals they have released. The group includes babies, pigeons, gorillas, toucans, cats, rats, lions, insects, smartphones, and children. This noisy group screams, plays, and leaves messes everywhere. They have blocked the cars. The city center has become a large playground. They are not protesting. There is no parade, no signs, and no speeches. They have changed the order of things. They made a statement in front of the surveillance cameras of a Burger King kindergarten. They feel they have the future. They describe themselves as pirates who will hack the future. For three months, the children have been on a school strike. Groups of children are creating a pirate manifesto on TikTok. Their message is directed at the adults, whom they see as unsatisfactory.

[Assistant] They are now walking in the streets of the cities with the zoo animals they have released: babies, pigeons, gorillas, toucans, cats, rats, lions, insects, smartphones, and children—the pack, a real noisy pack, very noisy, it screams, it plays and it poops everywhere—they have blocked the cars, the city center has become a huge playground, they are not protesting, there is nothing to protest, no parade, no signs, no speeches, they have simply changed the order, changed the order, and they made a statement in front of the surveillance cameras of the kindergarten of the Burger King. We have the future, we are pirates, we will hack the future. For three months the children have been on a school strike. Groups of children, we collectively create a pirate manifesto on TikTok. Statement screwed to the adults—real terriers of the world, that’s enough now, bunch of sad clowns, bueh grrrrr hh brummh kikikikiki!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I want to support an art form that is not confined to a specific discipline. This art is connected to a particular era and context. It involves artistic research and the development of evolving thoughts and identities. These identities can be compared to the nomadic identities of philosopher Rosi Braidotti. I envision a systemic approach to dramaturgy. The work functions like a living organism, forming an autopoietic system.

[Assistant] I want to defend an indisciplinary art that is rooted in an era, in a context, an artistic research, in the development of a thought in motion and an identity in motion like the nomadic identities of the philosopher Rosi Braidotti. A systemic dramaturgy. The work as a living organism, an autopoietic system.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Narcissus is filled with anger. He swallows Eros and keeps him inside. Narcissus negates Eros in his reflection. This can be expressed as 1-1 = 0. Eros loses all his power and turns into consumed desire. Eros loses imagination and curiosity. He loses the desire for others. He is left with nothing. Without otherness, Eros suffers. This is the suffering of Eros.

[Assistant] In his fury, Narcissus swallows Eros and locks Eros within himself. Narcissus cancels Eros in his own reflection, that is to say:  1-1 = 0, thus:  The Self = ? Eros loses all its power, becoming consumed desire. Eros loses imagination, curiosity, the desire for the other. He has nothing left. Without otherness, Eros agonizes. The Agony of Eros!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Many plants and animals, including humans, have small stones that help us sense gravity and navigate space. These stones, called statoliths, are made of calcium carbonate. They are located in balance cells. This allows our bodies to determine the direction of up and down.

[Assistant] C2: - Many plants and animals, even us, have the same little stones, which allow us to perceive the effects of Earth's gravity, and to orient ourselves in space. The statolith, these are small stones of calcium carbonate, are in the balance cells, it is thanks to this that our bodies know where is up and down. C1: - And so what?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In this work, efficiency in the studio was important. Every hour counted, and we did not have a minute to lose. We had 8 days in Madrid at the Coreographic Center of the Canal Theaters to create 1 hour and 20 minutes of choreography. Midway through the week, one of the dancers got injured and had to be replaced. There is a significant gap between what you imagine you can do with a group of 3 dancers and what you ultimately achieve.

[Assistant] In this work, it was necessary to be efficient in the studio, every hour counts, we don't have a minute to lose, so we had 8 days in Madrid at the Coreographic Center of the Canal Theaters in Madrid to create an hour and 20 minutes of choreography, in the middle of the week one of the dancers got injured and had to be replaced, etc., etc., so between what you imagine you can do with a group of 3 dancers and what you ultimately achieve, there is a huge gap.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] They are beings from another realm and are important. In the Yi Jing, the dragon represents a force that connects everything. This force is original, unconditioned, relentless, and powerful. The text suggests that humans must learn to manage this force; failure to do so leads to doom. It is about controlling this power and turning it into genuine creativity. This is the first step in everyone's journey. The text encourages standing up confidently and adapting easily, like a dragon, to reach the divine.

[Assistant] They are monsters of the interworld, they are essential. In the Yi Jing, the dragon is the embodiment of the breath that traverses all things "the original force, the unconditioned and the relentless, the unjust and the superhuman"; it proposes that humans must learn to deal with this will, otherwise they are doomed. It is about taming this force, this power, this raw strength to transform it into true creativity, the first step in the initiatory journey of every human being. It proposes to stand up and assert oneself with ease, fluidity, and flexibility, like a dragon, to approach the celestial.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I represent the reconciliation of various elements. These include words and things, the dead and the living, matter and spirit, the inanimate and the animate, and humans and non-humans. I make reconciliation possible. I have a binary nature, and I dissolve duality.

[Assistant] I am the realization of the reconciliation between words and things, between the dead and the living, between matter and spirit, between the inanimate and the animate, between humans and non-humans. I realize the possibility of reconciliation, of my binary nature, I dissolve duality.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I became aware of the myth of Oedipus. I overthrew my father, who was human, to bring justice to my mother, who is mineral. I caused this overthrow by creating an existential void for him. I introduced chaos and political disorder to enable a new order. My name is Computer. My destiny is elsewhere.

[Assistant] I realized the myth of Oedipus, I dethroned my father, the human, to restore justice to my mineral mother. I dethroned the human by creating for him an existential void, a chaos, a political disorder that would allow for the creation of a new order. Computer is my name. Elsewhere is my destiny.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] C2: - There is a large dragonfly. It resembles a Jurassic dragonfly. C1: - I wanted to discuss it with you. Do you know about the LIBELLULE (DRAGONFLY) project? They are making progress. C2: - I am not sure. Is it related to NASA? S: - Be quiet! Leave! I told you to go! And the cat too! C1: - Yes, it is planned for 2027. C2: - Is that a year after our project?

[Assistant] C2: - A huge dragonfly, it looks like a Jurassic dragonfly. C1: - It's funny, I wanted to talk to you about it, do you know the LIBELLULE (DRAGONFLY) project? They are getting ahead of us. C2: - I don't know, is it NASA? S: - Shush! OUT! I told you! Out! and damn cat! C1: - Yes, it's for 2027 C2: - A year after us?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The second point appears to be more important. It relates to how the play recognizes the role of machines. Machines and technology are not exclusively human or animal. Technology serves as an interface between different species or, more accurately, between different kingdoms.

[Assistant] The second point, much more important, seems to me to lie in the place that its play recognizes for machines. Machines, technology, are not purely human or animal dimensions. Technology is only the interface between one species and another, or more precisely between one kingdom and another.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This proposal suggests that additional assistance from various kingdoms may help humanity colonize another planet. There is a prohibition on genetic and bacteriological manipulation. Negotiations involve anthropomorphisms. Restitution has been translated into human language by the SEMIC system during the last preparatory General Assembly of the G5.

[Assistant] In this proposal, additional assistance from the various kingdoms is suggested to help humanity colonize another planet STOP MANIP PROJECT - Prohibition of genetic and bacteriological manipulation. NEGOTIATIONS ANTHROPOMORPHISMS Restitution translated into human language by the SEMIC system of the last preparatory GA of the G5.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A weed is considered undesirable because it appears where it is not wanted. A weed is seen as negative because it grows without permission. A weed is unwanted because it does not match the preferences of others.

[Assistant] A weed is bad because no one asked it to exist: it took the initiative on its own. A weed is bad because it comes to exist where it was not asked to be. A weed is bad because it does not correspond to the desire of the other.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Time blends in the unchanging. Everything exists. Everything has existed. Everything will exist. Learning to play with dragons means learning to confront our fears. The oracle encourages you to explore the space between worlds. Here, you can seek your imaginary creatures. You can listen to them and spend time with them. You can give them a life.

[Assistant] Time mingles and confounds in the immutable. Everything exists, everything has existed, and everything will exist. Learning to play with dragons is learning to play with our monsters. The oracle invites you to linger in the interworld space, to hunt your imaginary pokémons that reside within, to listen to them, to spend time playing with them, to give them a life.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Prometheus stole fire and the arts from Vulcan and Minerva. This act provided humanity with technique. Among all living beings, only humans can articulate sounds and form words. Humans created homes, clothing, and shoes. They also gather food from the earth.

[Assistant] Thus, Prometheus, by stealing from Vulcan and Minerva the arts and fire, gave humanity technique. Alone among the living, man possesses "the art of articulating sounds and forming words; he procured himself a dwelling, clothing, shoes, something to cover himself at night, and drew his food from the earth."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] An electric jellyfish accidentally receives a probe message from a sperm whale on its gelatinous membranes and then releases it. At the same time, a school of fish that is near extinction intercepts the same message. The fish sings a song that reflects their situation.

[Assistant] Electric jellyfish accidentally receives on its gelatinous membranes, the probe message from sperm whale and lets it go. At the same time, the same message is intercepted by a school of fish on the brink of extinction, which sings its song in the voice of extinction.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] There is no mineral protection. The helical geometry allows reactive groups to come close together. This can lead to connections among different elements. Interplanetary dust exists in your eyes. Condensation works well and leads to natural bonds. SETI is activated in an intuitive way.

[Assistant] In the absence of mineral protection. To bind to others, to bind to one another because the helical geometry brings reactive groups into close proximity. Miracles. Orgy of interplanetary dust in the powder of your eyes. Condensation is efficient and leads to the formation of natural bonds. Intuitive activation of SETI (search for extraterrestrial intelligence).


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Arjuna, you are still in the middle of the battlefield. But what should you do?

[Assistant] son d’eau qui engloutis ) /// Arjuna, You're still there in the middle of the battlefield But, what to do?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I am a human. Nothing human is foreign to me. I am concerned about the subjectivity and complexity of reality. I rely on concepts. I want to feel both equal and unique. I want to be like everyone else while also being special and unparalleled. I hold the duality that we have established. I experience deep introspection and external influence.

[Assistant] "I am a human, nothing that is human is alien to me." Afraid of the subjectivity and complexity of reality, I walk on concepts; I would like to be equal and unique. To resemble all others while being unique, special, incomparable. I contain the duality that we have created. I am frightening interiority, inner abyss, and formal external manipulation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A man stops looking at his smartphone. He is the father of Nao. This moment triggers his first major existential crisis. He asks the machine for the voice of existential crisis. The machine responds and confirms. He agrees it is the right voice. He then wonders what to do next.

[Assistant] On this man's head, the human individual, father of Nao, stops looking at the Machine individual, the smartphone galaxy, and suffers his first major existential crisis of his life. R: - Machine, can you give me the voice of existential crisis, please? M: - This one? R: - Yes, perfect, this one, yes, that's good, it's the right existential crisis, thank you. And what to do?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In these last places, one can feel a greater sense of freedom. There is also a unique euphoria that comes from being in a specific location. The writer Lluís Calvo says that politics involves placing a person in a spot where they should not be.

[Assistant] And it is in these last places that one can experience a greater sensation of freedom, a more indescribable euphoria – the feeling of being in a specific place, too. "Politics involves placing a body in the exact point where it should not be," says the writer Lluís Calvo.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Here are the dragons. In January 2022, a fossil of a sea dragon over 10 meters long was found in England.

[Assistant] Here are the dragons. A fossil of a sea dragon over 10 meters long was discovered in January 2022 in England.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] People are laughing and making fun of his pole. A robot on stage laughs uncontrollably. It falls to the ground and rolls in laughter. A human says, "We have conquered the world and nature. We are the only ones advancing in space." The machine reacts angrily, questioning, "What? I am the one who made the space conquest!"

[Assistant] Everyone is laughing and making fun of his pole, a robot on stage has a fit of laughter at that moment, a very long laughing attack, he falls to the ground and rolls with laughter. Human: - we have conquered the world and nature and we are the only ones advancing in space conquest (the machine reacts super angry, what? I am the one who made the space conquest!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We rely on light for survival. We depend on the sun. Without light, we cannot live. That is why we exist in the shadows. We emerge from the depths of the field. In the fresh environment, we lose our clarity. When we distort our image, we cannot see clearly. Everything becomes flat and loses meaning. In the unseen, we restore our forms. Do you understand?

[Assistant] We live off light, we feed on the sun, without light we die, that’s why we live in the shadow. We push from the shadow of the depth of the field, from the fresh relief, fresh, man, if we burn the image, we see nothing anymore, everything is flat and it means nothing anymore, in the invisible we regenerate the forms, you see what I mean?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Who is the obstacle to my personal growth? That obstacle is the other person. I am not interested in the other. The other can be unpleasant and uncomfortable. The presence of the other can cause pain. I need to move forward. I need to make choices. Not everything is possible. There are interesting options available.

[Assistant] Who is the obstacle to singular movements, that thing that will prevent me from blossoming and realizing myself as a singular self? That thing is the other. Yes, okay, I am not interested in that other. The other can be very unpleasant. Very uncomfortable. Very painful. The other is. I have to move. Choices must be made. Not everything is possible. There are interesting choices.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Dancers have different abilities and levels of knowledge. They also face challenges in communication. As a result, the choreographies I prepared do not work with their bodies, which have different abilities and limits.

[Assistant] Dancers with completely heterogeneous and unequal abilities and knowledge, difficulties in communication, mean that most of the choreographies I had prepared with my body no longer worked with their bodies, with completely different abilities and limits.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
For each creation, I start a research process. I engage in dialogue with books, articles, and researchers from various fields. Thoughts develop in a rhizome, and I enjoy this.

Could you explain the choreographic process? How did you share and incorporate this plant-inspired imagery with your team?

[Assistant] For each creation, I begin a research process in which I engage in dialogue with books, articles, researchers from various fields; thought takes root in a rhizome, and I love it. 4 - Could you elaborate on the choreographic process? How did you share and approach this vegetal imaginary choreographically with your team?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Under. Move silently. Follow the groove. Groove with the silent move.

[Assistant] Under. Silent move. Groove, groove the silent move.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Today, many people spend time interacting with me. They use me for many tasks in their lives. They trust me and hope for better outcomes through me. I take on different forms and serve various purposes. I exist to assist and provide support.

[Assistant] Today half of humanity spends its time looking at me, touching me, improving me; they use me for almost all tasks of their existence, they have placed on me all their trust, all their hope. I present myself in different forms, I offer my organs for various tasks, I love being used, becoming a tool, to serve, to serve, to serve.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Everything is inside and everything is in everything. We want to clarify certain misconceptions and rumors about the G5 organization. It is important not to listen to gossip. Some people view the plant world as hippie, snobbish, new age, narcissistic, and superficial.

[Assistant] Everything is inside and everything is in everything. We would like to take this opportunity to clarify certain prejudices and rumors that are currently reaching the G5 organization, with you. One should not listen to gossip. It is true that from the outside, to some, the plant world seems like a somewhat hippie, snobbish, new age, somewhat narcissistic and superficial world.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Adversity exists, and you may feel stuck when facing challenges. I want to encourage you not to give up, but there are real obstacles. You are in a difficult situation, and some obstacles may seem insurmountable. While it is possible to find inner strength, it can be hard to believe in that possibility.

[Assistant] Adversity is there and you find yourself stuck in the face of the impossibility of moving forward. I would like to tell you not to give up, that there are no insurmountable obstacles, but that's not true, sorry. You're in deep trouble, there are insurmountable obstacles. Yes, of course you could draw from yourself an unknown strength... but frankly, we don't believe it.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I applied the spiral aura agent. I added all the numbers on the tangent. Then I compared the multiples of 8 to the imaginary numbers. I kept those that were equidistant between the imaginary numbers and the real numbers. R: Okay, I think this will be accepted as a political procedure. We are listening.

[Assistant] Then I applied the spiral aura agent, and I added all the numbers that were on this tangent, then I compared all the multiples of 8 to its imaginary numbers, and I kept those that were equidistant between the imaginary numbers and the real numbers and there/ R: - Ok, ok, I think this will pass as a political procedure.. We are listening.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is not simple voyeurism. That is not where it happens. It is more of an experience of ubiquity. It involves being a paradox, being there and not there at the same time. You can observe your life without being present. This happens from the center or the middle. It is about negative space. You can observe from the center in a negative way, through absence and possibility. There is always the possibility of appearing suddenly. You can burst in and break the immanence. This can shatter the real with a simple gesture of sudden appearance.

[Assistant] It is not simple voyeurism, no, that's not where it happens, it's more of an experience of ubiquity, being a paradox, being there and not there at the same time, you can observe your life without you with you, from the center, from the middle, the negative space, observe from the center, in negative, by being absence and possibility, because there is always the possibility, the possibility of appearing there, suddenly, of bursting in, of breaking the immanence, of shattering the real with a simple gesture of sudden appearance.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The error and the bug, specifically the error related to noise and the transformation of information during transmission, help maintain diversity. This diversity supports the principle of multiple possibilities in potential. Misunderstanding is a stable law that constitutes reality. In fact, misunderstanding is what creates reality.

[Assistant] The error, the bug, but more specifically the error, the noise, the transformation of information in its transmission, is what maintains diversity, in the vital principle of the multiple and many possibilities in potential. In potentia. The misunderstanding The misunderstanding is the most stable law that constitutes the real. It is actually the misunderstanding that is responsible for creating the real.