[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This became the G5 Inter-species project 3. It was created in 2020 and consists of three parts: G5 (show), COEXISTENCE (performance), and LITHOSYS (installation). The title G5 humorously refers to summit types like G8 or G20.

[Assistant] This is what became the G5 Inter-species project 3,[3] created in 2020, a three-part project: G5 (show), COEXISTENCE (performance), and LITHOSYS (installation). G5 is a title that humorously refers to summit types like G8 or G20.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A guitar made of copper wires sits on his head. It sends information that excites 500 anxious sparrows. Some individual mosquitoes on their heads are missing oxygen.

[Assistant] On his head a guitar made of copper wires like a score in the sky, sends confidential information that tickles the legs of 500 anxious sparrows. On their heads, some individual lost animal mosquitoes are lacking oxygen.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Transhumanist fantasies portray machines as the final threat to humanity. These visions are rooted in a fear of being consumed. They diminish our ability to take an active and responsible role in shaping what it means to be human. I think we can achieve more.

[Assistant] In transhumanist fantasies, the machine is the last predator of humanity; all these fantasies based on the fear of being devoured are infantilizing and far from giving us an active and responsible position in what we become as a 'human' project. I believe we can do better.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The Agony of Eros! THEBADWEEDS arrive on stage. They attempt to dissolve the myth of the individual to defeat Narcissus. Their goal is to free Eros and restore his power. Dott plays music as Eros continues his speech. Dott keeps changing while searching for a piece. He eventually finds the piece by ChacheCahce. Let me introduce you to Dott.

[Assistant] The Agony of Eros![9] THEBADWEEDS arrive on stage, they try to melt the myth of the individual in order to kill Narcissus, to free Eros and restore his power. Dott puts on the music Eros resumes his speech. Dott continues to change while searching for a piece until finding the piece by ChacheCahce. (let me introduce you to Dott.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We will conduct a census of all residents. We will create a new list of grievances. We will consider the needs of the plants and the minerals. The needs of everyone will help us reinvent our communities. We will also find new names for these nations.

[Assistant] We will need to conduct a census of all residents, and especially produce a kind of new ledger of grievances for all of us: what do the plants need? And the minerals? And it is from the needs of everyone that we will need to reinvent our communities! And we will need to find new names for these nations.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I decline into iron in calcium in monoclonal silica. I turn into a wave. I sweat into gas. I melt into lava. I dissolve into liquid. I wear out into sand. I breathe space. I build time. I integrate and disintegrate. I expand and compress. I fuse and fission in the cosmos. Nothing could except time.

[Assistant] I decline into iron in calcium in monoclonal silica I turn into wave I sweat into gas I melt into lava I dissolve into liquid I wear out into sand I breathe space I build time I integrate and I disintegrate I expand and I compress I fuse and fission in the cosmoooooooooooooooossssssssssss DISCOURSE(S) ANONYMOUS DISCOURSE Nothing could except time.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I also gather myself like you. I deal with this cold. I cannot make you understand that for us, there is no space, only variations. Erosion, fission, and fusion happen. Time causes erosion. Time is not exempt. The landscape, the future, and desires also erode. Desire erodes too.

[Assistant] But I also dust myself off like you and I condense with this galactic cold. But I will never be able to make you understand that for us there is no space, just variations. Erosion: fission: fusion. Erode with time. Time erodes too, don’t think it is exempt, it’s the same for the landscape, the future, space and desires. Desire erodes too.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We have many things we no longer know how to use. We do not know where to place them. These items were once resources. They became products and held value. They turned into objects of desire and then consumables. Now they feel like nothing, just empty shells. What happens to us when we are hidden from our surroundings?

[Assistant] All these things that we no longer know what to do with, where to put them, all these things, this material that was resource, then product, then value, then object of desire, then consumable, then nothing, empty shell. What do you do with us, when you hide us from our landscape?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
M: Sooner or later, late or too early.
R: Every genetically modified tomato can blush in front of the sun.
M: It is too late.
R: In front of the sun.
M: It is too late.
R: In front of the sun.
M: It is too late.
R: In front of the sun.
M: It is too late.
R: It is too late for the bees.
M: Time.
R: The time has come.
M: It is too late.
R: Introduction of the second stage of negotiation. There is nothing to do. There are suspicions.

[Assistant] M: - Sooner or later, late or too early.. R: - Every genetically modified tomato has the right to blush. In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - Too late for the bees. M: - Time. R: - The time has come. M: - Too late. 11 Yesterday R: - Introduction of the second stage of negotiation. Nothing to do. Suspicions.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Docufiction includes both documentary and fiction elements. It explores the concepts of true and false in the BADWEEDS universe. The narrative presents characters who share their stories. They discuss their motivations, the stages of their transitions, and the challenges they face during these changes.

[Assistant] Both documentary and fiction, the form of the docufiction plays with the notion of true/false present in the BADWEEDS universe where a narrative will be offered in which the characters will come to tell their stories, their deep motivations, the phases of their transitions and mutations, the difficulties they experience in their mutations.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We experience multiple pulsations at different scales. The largest scale we encounter individually is life and death. When we are in the womb, we reach the peak of inspiration and contraction. This process leads to expiration, scattering, and a continuous dissolution until we reach the final point, which is death. Death represents the ultimate point of expiration that we can understand.

[Assistant] We are always caught by multiple pulsations at different scales, the largest scale we can experience individually is that of life and death. When we are formulated in a womb, we are at the maximum point of inspiration, of contraction that we can know, which goes toward an expiration, a scattering, a constant dissolution until the maximum point, which is death. Death is the maximum point of expiration that we can know.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Today, forgetting is necessary for survival. No other moment can reach us. There is a constant movement that feels unstoppable yet impossible. What should we do? Humans often separate themselves from everything else. They are caught between being animal and being divine.

[Assistant] (ouch... I have pain in my soul) Today forgetting is the law of survival. No other moment could come to meet us. the moment of a movement an unstoppable movement a movement impossible to be. and what to do? if the human divorces from the rest of everything of everything of the thing of the vital exchange of the original exchange. Here the human is always suspended he believes himself, between animal and god.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We received a message from a member of the plant kingdom. We will listen to it. If you want to avoid putting humans at the center, you can translate it into human language. I will give the voice. Does that sound good to you? Should we proceed this way? Okay, let's begin. The colonization of one body by another occurs. Everything consumes everything. Each body exists to nourish another, creating a cycle of life.

[Assistant] CLUMSY PIECE M: - We received a message from an individual of the plant kingdom R: - Ah! Good, we listen to it. If you want to be less anthropocentric, you translate into human language and I give the body of the voice, how does that sound to you? Shall we do it this way? M: - Ok, let's go. Colonization of the body of the other. Everything devours everything. Every body is made to nourish another, nourishing life in a loop.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Our perceived reality consists of a series of poles. These poles create a landscape that relates to importance, expression, understanding, perspective, and activity. The flexibility of these landscapes is impressive. The poles hold a lot of power. There is a rhythmic alternation of contraction and relaxation, like diastole and systole.

[Assistant] Our perceived reality would be a series of poles, a landscape of poles, which create the relief, in relation to Importance, Expression, Understanding, Perspective, Activity. The plasticity of these landscapes is impressive, and the power of the poles. SWING Diastole, systole, diastole systole.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Human greed may be a factor. People often try to take everything for themselves. They feel the need to consume all that is available. This includes the real world and everything in it. Do you understand what I mean?

[Assistant] It's because of human greed, maybe, the human who tries to devour everything, for that he needs to ingest everything consumable, to devour everything, the real, the world, and with the world itself. Do you see what I mean or not?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Several events were created in different cities. They took the form of press conferences. These were carried out in partnership with the media LADN.eu. The venues were dedicated to music and innovative hybrid scenes. The locations under consideration include Gaîté Lyrique in Paris, Lieu Unique in Nantes, and Confort Moderne in Poitiers. A fanzine, musical booklet, and manifesto of the BADWEEDS were published.

[Assistant] * The creation of several events in different cities taking the form of a press conference carried out in partnership with the media LADN.eu in a venue dedicated to music and innovative, hybrid scenes. (under consideration: Gaîté Lyrique Paris / Lieu Unique: Nantes / Confort Moderne: Poitiers). * The publication of a fanzine, musical booklet, manifesto of the BADWEEDS.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Branch exhales and desires to touch the sun and eat the sun. The same sun that Crab consumes on a plastic island in the Pacific. A snail leaves its shell as the Venus Express probe leaves the Earth's atmosphere. The ocean floor has very little light.

[Assistant] Branch pushes exhale, wants, can, touch the sun, eat the sun. The same sun that Crab eats on the beach of the plastic island of the Pacific. A snail comes out of its shell at the same time as the Venus Express probe exits the Earth's atmosphere. There is very little light in the ocean floor.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Sometimes we see it as a boundary or a limit. However, it can also be a space for unity. It is where everything comes together and interacts. It is where we discuss what is possible and what the rules are. This space allows us to navigate shared interests and differences. Most importantly, it is where actions and causes happen. It plays a key role in shaping our experiences.

[Assistant] Sometimes we can experience it as a boundary or a limit, but deep down it is the articulation, the place of possible union, the place where the whole converges, the place where the whole collides, the place where we negotiate the ins, the outs, the possibles and the laws. It is the space where we negotiate the commons and the differences, but above all where the manifest, the causal, operates, it is the editor of the film.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Our task is not to create ideal models. Instead, we should focus on the present. We need to recognize that our political, social, and technological reality has already changed. However, we continue to use concepts from the nineteenth century, viewing the state as a large animal-like organism. The future is already here, but we have not recognized its arrival.

[Assistant] So, I think that our task is not to come up with ideal models, but, rather, to think about the present in the present and to realize that our political, social, technological reality is already vegetal and yet we're still operating with nineteenth-century concepts of the state as a gigantic animal-like organism. In the sense, the future is already here; we just haven’t noticed its advent.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] To locate oneself at the zag, suspend the air between clues. Do not rush. Do not anticipate. Do not desire too much. Do not let desire blind us to other desires or to outside indications. Consider the clues, the maps, the reliefs, and the topographies of feasible possibilities, the probable, the possible, and the terrible.

[Assistant] To locate oneself At the zag At the zag To locate oneself Suspend the air between clue and clue Never too fast Do not rush Do not anticipate Do not want too much Do not let desire blind us too much to be porous to other desires, or to the indications that come outside of desires, The clues, the maps, the reliefs, the topographies of feasible possibilities, of the probable, of the possible, of the terrible, of ..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The project THEBADWEEDS is a speculative fiction. It takes the form of a choreographic concert that lasts 75 minutes. Rocio Berenguer directs a trans-species music group that is half-human and half-plant. These hybrids humorously show the power of resistance and resilience of weeds. They convey the message: "THE FUTURE IS VEGETAL."

[Assistant] The project THEBADWEEDS is a speculative fiction that takes the form of a choreographic concert (75') Rocio Berenguer directs a trans-species music group that is half-human, half-plant. These strange hybrids humorously demonstrate the power of resistance and resilience of weeds that come to convey the message: "THE FUTURE IS VEGETAL."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Fleeting and deterministic choice. When we focus too much on it, we distort it. If we look from too far away, we miss it. If we do not pay attention to it, it can catch up with us and overwhelm us.

[Assistant] Fleeting and deterministic choice. When we try too hard to look at it face to face, we distort it; if we look at it from too far, we miss it. If we do not look at it, it catches up with us and falls on us.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] These misunderstandings lead me to conclude that it might be better to remove the H from Hero. The H is better reserved for Humor. Without humor, one cannot truly understand things. Humor plays a role, while Hero fades to allow Eros to emerge. Hero represents an erotic function and a psychic archetype of desire.

[Assistant] All these misunderstandings lead me to the conclusion that, in fact, it would be better to remove the H from Hero, because the H is better kept for Humor, because without humor one cannot understand the true truth of things. Humor comes into play and Hero disappears to make way for Eros. Hero is an erotic function. A psychic archetype of desire construction.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
C1: The dragonfly is still there. However, since you told it to go away, it has probably left.

S: Chus! Chuuuus! Come here! Come, my cat!

C2: The pebble on the dragonfly's head is like the pebble on your head. It represents our connection. We all come from a mineral origin, including plants and animals.

[Assistant] C1: - The dragonfly is still there, but, chus, since you told it to go away it has left, I think. S: - Chus! Chuuuuus! come here! come my cat! C2: - The pebble on the dragonfly's head, like the pebble on your head, is our umbilical cord. We all come from a mineral origin, plants, animals..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] No quiero decir que es como amputar la luz para borrar las sombras. Es absurdo. No se puede amputar la luz para evitar la sombra. La pornografía de nuestra época es así. Todo está ahí. No hay secretos ni misterios. No hay capas ocultas ni ambigüedades. No hay desconocido ni sombra.

[Assistant] no no quiero decir que es como si nos amputaramos la luz por querer borrar las sombras es absurdo on s’ampute la lumière pour éviter l’ombre la pornografie de notre époque c’est ça, tout est la, pas de secret, pas de mystère, pas de sous couches, pas d'ambiguïté, pas d’inconnu, pas d’ombre.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The input contains articles by Michael Marder. It includes the conference “synthesizers” by Timothy Morton. There are discussions with researcher Edward Farmer from the University of Lausanne. There are also long discussions with my colleague, Anthropologist Marc Higgins.

[Assistant] But also articles by Michael Marder, the conference “synthesizers” by Timothy Morton, discussions with researcher Edward Farmer from the University of Lausanne, and long discussions with my colleague Anthropologist Marc Higgins.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Covid affected many aspects of life. The G5 stopped functioning in February 2020. The world paused. Equipment and machines sat unused in storage. Everything came to a halt. I wished I had included the impact of the virus in my constitution. Life continued. However, the problem had already begun.

[Assistant] Then, covid ravaged everything, the G5 after its first in February 2020, stopped with the world, the meteors and machines gathered dust waiting in the storage hangar of sets, here, everything came to a stop, I regretted not having included the Virus reign in my constitution. Life takes over. But the seed of the weed was already planted.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Vegetal Hypnotic Immersion. I invite you to participate in a role-playing game or an embodiment exercise. We will explore a different realm. This realm represents a new reality and a different experience centered around plants. Together, we will try to become plants.

[Assistant] VEGETAL HYPNOTIC IMMERSION I now invite you to a sort of role-playing game, or an exercise of embodiment, of collective mutation. To enter this other kingdom, this other land, this other physiognomy, this other reality, this other fiction or nation in this other experience that is the vegetal. We will try to become plants together.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] There is no time in the world except for geometric intervals between moments. There is a flow of discontinuity. Suddenly, there is the "now." This is the statement of now as the meeting point of all possible presents. There are many presents and a geometric line of past time. There is the relativity of movement, followed by abandonment. Then, there is the absolute nature of simultaneity, which is also followed by abandonment. The idea of ether exists as an absolute medium, then abandonment occurs again. There is the propagation of light, and finally, there is the abandonment of all attempts at linearity. Fortunately, a statement is not a static thing. It is an active process that extends beyond oneself, creating the object that it later describes.

[Assistant] There is no time of the world but geometric intervals between instants, flux of discontinuity, suddenly, the "now," the enunciation of now as the convergence of all possible presents, multiplicity of presents, geometric line of fled time, relativity of movement, then abandonment, absolute character of simultaneity, then abandonment, the idea of ether, as absolute medium, then abandonment, propagation of light, finally abandonment, the abandonment of all attempts at linearity. Fortunately, a statement is not inert; it is an active process that projects outside of oneself, creating the object that, in a second time, it describes.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The error and the bug are related to the transmission of information. This transmission creates diversity. It is essential for the existence of various potentials. The misunderstanding is a significant factor in reality. In fact, misunderstanding is what helps to shape what is real.

[Assistant] The error, the bug, but more specifically the error, the noise, the transformation of information in its transmission, is what maintains diversity, in the vital principle of the multiple and of all potentials in power. In potentia. The misunderstanding The misunderstanding is the most stable law that constitutes the real. It is in reality the misunderstanding that is responsible for creating the real.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We had little time to produce the work. This was because we did not receive the public funding we expected. In my previous works, I spent months in dance studios. I was trying to create a coherent and original universe.

[Assistant] We had very little time to produce the work, because we did not receive the public funding we were expecting. In my previous works, I would spend months in dance studios trying to create a coherent and original universe.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] At the end of the piece, Dott plans to play hide and seek. He stops before starting. It is only at the end, when we chase him, that he agrees to play. We play with him. Playing hide and seek is similar to developing one's own abilities to anticipate or forecast.

[Assistant] At the end of the piece, Dott goes to play hide and seek - or he is going to start but he stops and plays hide and seek - and it is only at the end when we chased him - that he agrees to do the piece - because we played with him - Playing hide and seek is a bit like developing one's own divinatory abilities or one's own senses of anticipation, forecasting, foresight.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] These practices create mistrust in some kingdoms that do not understand their significance. There is general mistrust towards the mass suicide practices of certain members of the animal and human kingdoms. Plants: humans, your occupation of the land is excessive and authoritarian. You have altered the entire environment. There is less space for life, and you spread like a virus.

[Assistant] These practices generate mistrust in certain kingdoms that do not understand the meaning of these practices, general mistrust) General mistrust of the kingdoms in the face of the mass suicide practices of certain members of the animal and human kingdoms. Plant: human, your occupation of the land is excessive and totalitarian, you have modified the entire space, there is less and less space for life, you advance like a virus.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] There is not always more. Everything that escapes us is what we cannot perceive with our senses.

[Assistant] there is not always more, everything that escapes us, that we cannot perceive with our perceptive interface, traampa, traampa..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It shows people who are naked. There is nothing erotic or sexual about it. Instead, it reveals a basic human aspect. A naked body has beauty and tenderness. It represents a raw state and another truth. This truth can be hard to find when people are dressed.

[Assistant] It’s like people naked, there is nothing erotic or sexual, on the contrary, there is a side, matter, base, human material, there is beauty, tenderness in a naked body, a raw state, another truth, that is difficult to find when dressed.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The lifespan of a dragonfly depends on its radioisotope thermoelectric generator. This generator produces electrical energy. Its capacity decreases as plutonium-238 undergoes radioactive decay. The MMRTG will provide enough energy for the rotorcraft to operate for 8 years on Titan.

[Assistant] The lifespan of Dragonfly is determined by its radioisotope thermoelectric generator, whose capacity to produce electrical energy decreases as plutonium 238 undergoes radioactive decay. The MMRTG will produce enough energy to allow the rotorcraft to operate for 8 years on Titan 14. C2:- Too optimistic.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The oracle invites you to watch for unexpected gestures. These gestures can create a miracle. A blind spot is an area that is difficult to see. The more we try to look straight ahead, the harder it is to see. The more we want to express ourselves, the less we communicate. The more we want to love, the less we do. The more we try to move forward, the less progress we make. How can we explain this?

[Assistant] The oracle invites you to watch for, in every blind spot of your vision, the improbable gesture, the one that formulates the miracle. BLIND SPOT Unreachable zone, the more we try to look straight ahead the less we see. The more we want to say, the less we say. The more we would like to love, the less we love. The more we seek to move forward, the less we advance. How to explain this phenomenon?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The real is presented. It is like a piece of raw meat. The idea of showing everything is problematic. It suggests that everything is visible and definable. This can lead to harmful portrayals. There is a lot to consider about this approach.

[Assistant] Here is the real, the real is this, bam on your stick... it's a piece of raw meat... berg! deg! Sorry but no, no it's terrorism that's monstrous, this idea of saying, here it is, we show everything, everything is there, everything that exists is shown, visible, definable, seen, palpable, within your reach, within everyone's reach, pornography, monsters without shadow... hahaha ..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One could develop a more radical and collective idea of technique from the spectacle of Rocio. This idea contrasts with a vision that has largely influenced Western history. Technique, along with its dynamism and innovation, is not only a human talent.

[Assistant] Against this vision, which has largely influenced Western history, one could develop from the spectacle of Rocio a much more radical and collective idea of technique. Technique – and its most intimate dynamism, innovation – is not a purely human talent.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This questioning led me to create IAGOTCHI. It is an interactive theater installation for one spectator at a time. IAGOTCHI refers to its genealogy. It comes from the Tamagotchi, which was the first artificial companion species. The concept evolved with the advancements in artificial intelligence in 2018, particularly in recognition systems and automatic language generation.

[Assistant] This questioning led me to create IAGOTCHI [4], an interactive theater installation for one spectator at a time. IAGOTCHI refers to its genealogy, coming from the Tamagotchi, the first artificial companion species, with the mutation of the imagination of Artificial Intelligence in 2018, with the state of recognition systems and automatic language generation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In this summit, there are no governments or financial powers. Instead, different species that share the planet will gather. This includes animals, minerals, plants, humans, and machines. They will discuss the future of the planet. I have explored another possible future through science fiction. I aim to open the discussion on the utopias we still need to build.

[Assistant] But in this summit, no governments, nor financial powers, but the gathering of the different species that share the globe: animal, mineral, plant, human, machine to discuss the future of the planet. I have attempted through science fiction another possible scenario for our future and to open the field of the utopias we still have to build.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What should I do? Life is organized here or it is lived. Yesterday, the fourth stage of negotiation was introduced. A dry leaf cracks under the feet of a newborn lion in its reserve. There is a collision of celestial bodies, but there are no apparent repercussions. There are no apparent repercussions.

[Assistant] And what to do? (ouch… my soul hurts) life is organized here or life is lived. /////// 7 Yesterday Introduction of the fourth stage of negotiation. Dry leaf cracks under the feet of the animal Lion Newborn in its reserve. Collision of celestial bodies without any apparent repercussions. Without any apparent repercussions, no apparent repercussions.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] My first companion species was the machine, specifically the Tamagotchi. As time passed, I reflected on these symbolic objects. People can project a soul or spirit onto them. This idea of considering them as animated beings might be something we have always done. It may not be as irrational as it seems.

[Assistant] My first companion species was the machine, with Tamagotchi. Over time, I thought that these symbolic objects, on which one can project a soul, an anima, that can be considered as animated, maybe it’s something we have always done, and maybe it’s not so irrational.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Finally, a first meeting is like a birth. Every significant meeting is a new birth. It represents a cycle of renewal. A small change can create a divergence. It alters the orbit. This is a necessary erosion. It involves an exchange of deep surfaces. We were waiting. We were waiting in the galactic cold.

[Assistant] Finally, a first meeting a birth every significant meeting is a new birth a cycle of renewal that opens, a divergence of a few degrees, an alteration of the orbit. A necessary erosion. an exchange of deep surfaces. we were waiting. We were waiting in the galactic cold.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We explored the concepts of appearing and disappearing. We became objects and subjects. We sought to understand the limits of what we consider animated and inanimate. We attempted to simulate photosynthesis. The rehearsals and research were filled with magic and laughter. The performers contributed their bodies and knowledge, which enriched the choreographic work.

[Assistant] We played with appearing and disappearing, becoming object/subject/object.. Seeking the limits of what we perceive as animated and inanimate, we tried to do photosynthesis. Moments of magic and bursts of laughter inhabited the rehearsals and moments of research, the performers brought with their bodies and their knowledge other registers and enriched the choreographic work.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] If it works, I will launch the Karaoke. We need to finish the theory. We were left on the human. The human animal has a masterful appearance on earth. He is the most failed of all the creations of the mineral.

[Assistant] S: - If it works, I'm launching the Karaoke C2: - So, we need to finish the theory, we were left on the human. S: - The masterful appearance of the human animal on earth. Him, he's the most failed of all the creations of the mineral!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The stage allows me to operate in various ways. It involves placing bodies, moving bodies, disobeying with bodies, and reinventing bodies. No heroes, but Éros. When I began learning to write scripts, all the schools I found said the same thing.

[Assistant] This is what the stage always allows me to operate, this political act of placing bodies, of moving bodies, of disobeying with bodies, of reinventing bodies. NO HEROES, BUT ÉROS When I started learning to write scripts, all the schools I found said the same thing.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One could reconsider a classic idea of technique known as Organsprojektion. This concept was developed by Ernst Kapp in his modern work on the nature of technique. Kapp believed that every technical object or instrument is just the external projection of a bodily structure. He argued that there is a perfectly isomorphic relationship between them.

[Assistant] From this point of view, one could overturn another classic idea of technique, that of Organsprojektion developed by Ernst Kapp in the first modern work on the nature of technique. According to Kapp, every technical object, every instrument is merely the external projection of a bodily structure according to a perfectly isomorphic relationship.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The first stage of negotiation was introduced yesterday. It organizes itself. Life organizes itself around it. This involves resilience and the integration of extreme diversity. There are alterations of states and saturation of exchanges. Parallel communications exist. The decision to hybridize is negotiable. The choice to be devoured is also negotiable. The option to merge is negotiable as well.

[Assistant] ...to the extreme, must go to the extreme... 9 Yesterday R: - Introduction of the first stage of negotiation. It organizes itself, life organizes itself around it. Resilience. Integration of extreme diversity. Alteration of states. Saturation of exchanges. Parallel communications. To hybridize or not, it is negotiable, to be devoured or not, it is negotiable. To merge or not, it is negotiable.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I do not know one thing. It needs to change. Something needs to change. There must be a separate path. This life cannot be real life. We can agree on that.

[Assistant] One thing I don't know. It needs to change, something needs to change, there must be a fork somewhere. It can't be this life, real life, it can't be this, we agree?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Mushrooms, viruses, and bacteria are working together. There are many misunderstandings. There are problems with communication. Misunderstandings continue. Atmospheric pressure is mentioned. Climbing plants have ambition. There is no news from Venus. Vines create spatial issues. An anonymous fungi group sends threats. The BAD WEEDS group has released its latest album. The rabbit has not said anything until now.

[Assistant] Mushrooms, viruses, bacteria, in coalition. Multiple misunderstandings. Communication problems. Misunderstandings. Atmospheric pressure. Ambition of climbing plants. No news from Venus. Spatial violence of vines. Anonymous fungis group sends threats. The BAD WEEDS group releases its latest album. The rabbit hasn’t said anything until now.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Politics is not the same as tabloid journalism. We need to decide the future of our planet. Rumors should be left to social media. Are you prepared to negotiate with future representatives to find a common agreement? I am here for that.

[Assistant] Politics is not tabloid journalism. We are here to decide the fate of our planet. Leave those rumors to the trolls on Facebook. Are you ready to negotiate with future representatives to reach a common agreement? Of course, I am here for that.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] M: - 2345000.00000° R: - Butterflies were born today. They opened colorful wings and went to suck the nectar from flowers. M: - Magnolia R: - does not open its petals today. It waits for the moon. M: - Plane R: - and acacia breathe in the world. M: - Mercury; R: - how to stay fluid and regain mineral fluidity in 24 hours.

[Assistant] M: - 2345000.00000° R: - butterflies were born today on this earth. Opening eccentric colorful wings and attacking to suck the sexes of flowers. M: - Magnolia R: - does not think of opening its petals today, it waits for the moon. M: - Plane R: - and acacia breathe the world. M: - Mercury; R: - how to remain fluid, regain mineral fluidity in 24 hours.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The Inter-spices Organisation for the Future of Life on Earth has listed its projects in order of priority. The first project is to create a treaty of inter-species law. The second project is to establish a functional and inclusive inter-species communication system for all species in all kingdoms. The third project is to inventory the projects, needs, requirements, and wishes of each kingdom.

[Assistant] IOFLE (Inter-spices Organisation for the Future of Life on Earth) has listed the following projects in order of priority: 1_ Create a treaty of inter-species law. 2_ Have a functional and inclusive inter-species communication system for all species of all kingdoms. 3_ Inventory the projects, needs, requirements, and wishes of each of the kingdoms.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The hero cannot be a specific person. However, superheroes are on the way. Superman is not Superman without his unique costume and superhuman abilities. The human Clark Kent does not qualify as a hero. Clark Kent represents privilege and power. Misunderstandings often occur. Narcissus enters the scene with his marketing campaign based on neuromarketing.

[Assistant] The hero cannot be someone. But superheroes are coming. Superman, without his surreal costume and his superhuman powers, is not Superman. The human Clark Kent is not a hero. Clark Kent is the exact model of privilege and attributes of power. But the misunderstanding always takes its place. Narcissus arrives on stage with his advertising campaign wrapped in neuromarketing.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Machine: We have a strong influence in the world by using human labor.
Mineral: We appreciate architecture and sustainable building practices.
Plant: Which other kingdom can produce oxygen?
Mineral: Our cosmic origin contributes to life on Earth; we are the source of all.
Animal: We assert this.

[Assistant] Machine: - We currently dominate the world by exploiting humans. Mineral: - We love architecture and sustainable constructions. Plant: - What other kingdom is capable of producing oxygen? Mineral: - Our meteoritic, and thus cosmic origin, is the origin of terrestrial life; we have engendered everything. Animal: - We claim.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The seeds of the future of politics are present in Libertalia. It is known as the island of freedom. The legend of Libertalia is so strong that the British crown changed its laws. They sent ships to negotiate a sharing of powers before they were overthrown by the future power of the island. Arjuna, I am sorry. Jack, it does not matter. You brought these people on this boat to cross the ocean. We are going to Libertalia. Libertalia is our destination.

[Assistant] the seeds of the future the seeds of the future of politics Libertalia the island of freedom has become such a strong legend that the British crown changed its laws and sent ships to meet them to negotiate a sharing of powers before the future power of that island dethroned them Arjuna, I'm sorry, Jack, it doesn't matter Jack, you brought all these people on this filthy boat to cross the oceans to reach the free land Libertalia Libertalia that's where we're going libertalia we're coming AH!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We had expectations in different areas. We expected stability and warmth. We expected to delay things. We often wait for negative events. We will assess our abilities. We will encounter our limitations. We will share our imperfections. We may lack sensitivity. We will care for each other but not fully due to fear. We will maintain our distance. We will create differences out of fear. We might betray each other to reassure ourselves. We want to strengthen our boundaries and examine our limits. Venus, I love you. I am drawn to you. You revolve around me. Would you like one last drink?

[Assistant] We expected in the solid state, we expected in the desire for warmth, we expected while delaying acceleration, we are always waiting for the accident, we will measure our powers, we will fall into our impossibilities, we will tell each other our flaws, we will lack tact, we would love each other but not enough out of fear of disappearing, we will keep distances, we will produce differences, out of fear of being devoured, we will betray each other to tell ourselves that our skins are thicker, to reinforce our angles, to test our membranes. Venus I love you. I gravitate to you. You orbit me. C1: - One last drink?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The hero is not a person. It is a path of initiation. All these misunderstandings lead me to the conclusion that it is better to remove the H from Hero. The H can be kept for Humor. Without humor, we cannot understand the truth of things. Humor plays a role, and the hero disappears to make way for Eros. The hero serves an erotic function.

[Assistant] The hero is not an individual, but a path of initiation. All these misunderstandings lead me to the conclusion that, in fact, it would be better to remove the H from Hero, because the H, it is better to keep it for Humor, because without humor we cannot understand the true truth of things. Humor comes into play and Hero disappears to make way for Eros. Hero is an erotic function.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
B: Yes, always.
A: Who are you?

[Assistant] B: - yes, always A: - 'who are you?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Being creative, attentive, and receptive is important. One should allow themselves to be influenced by the breath that drives the emergence of phenomena. We are encouraged to adjust our actions. This allows us to engage in the dynamic and ever-changing movement of life.

[Assistant] Being creative, being attentive, being receptive, and letting oneself be penetrated by the breath that presides over the emergence of phenomena. Thus, we are called to modulate our action in order to participate in the strong yet ample, fluid yet constantly renewed movement of the living. * (Excerpt from Yi Jing by Pierre Faure.) HIC SUNT DRACONES!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Dragonfly must land in the dune field of Shangri-La. The European lander Huygens had already landed there. The primary mission will last 2.7 years. During this time, the aerobot is expected to cover 175 km.

[Assistant] C1: - Dragonfly must land in the dune field of Shangri-La. It was already there that the European lander Huygens had landed. The duration of the primary mission is 2.7 years during which the aerobot is expected to cover 175 km.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Plants can demonstrate the technical and innovative nature of living beings. They serve as a permanent experiment in their environment. Their technique focuses more on their own body, anatomy, and physiology rather than the external world.

[Assistant] And if plants are more suited to show the technical and innovative nature of every living being, it is because they are "a permanent experimentum in loco": their technique is less about the outside world than about their own body, about their own anatomy, about their own physiology.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I do not find hope and the future in gardens or fields. I do not find them in villages or cities. Instead, I find them in the swamps, which are dense and restless.

[Assistant] "The hope and the future, for me, are not found in the gardens or cultivated fields, nor in the villages or cities, but in the impenetrable and restless swamps" (Henry David Thoreau, quoted in Lluís Calvo, L’infiltrat: Estratègies d’intrusió, anonimat i resistència, Barcelona, Arcàdia, 2019, p. 32; trans. R.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I contacted KillaSon for a collaboration. We spent 5 days in a studio with Marcus Dossiavi-Gordot, also known as KillaSon. We produced one track each day. Then we had a second session for 3 days in a studio in Paris. During that time, we finished the tracks we started and created some new ones. It was intense and stimulating. Marcus is a talented and creative artist.

[Assistant] I contacted KillaSon for a collaboration, we locked ourselves in a studio for 5 days with Marcus Dossiavi-Gordot (aka KillaSon), and we produced the tracks, one per day, then we did a second session of 3 days in a studio in Paris and we finished what we had made and invented new ones, it was intense and very stimulating, Marcus is a very talented and creative polymorphic artist.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Preciado, Mille Plateaux by Gilles Deleuze and Félix Guattari. Total Indignation and What is Pop Philosophy? by Laurent de Sutter. Accelerate Manifesto: For an Accelerationist Politics by Alex Williams and Nick Srnicek. Staying with the Trouble by Donna J.

[Assistant] Preciado, Mille Plateaux by Gilles Deleuze and Félix Guattari, Total Indignation and What is Pop Philosophy? by Laurent de Sutter, Accelerate Manifesto: For an Accelerationist Politics by Alex Williams and Nick Srnicek, Staying with the Trouble by Donna J.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Possession parcels and pyramid schemes exist in our lives. We want the entire earth to be controlled by humans. We are close to achieving this. However, there are still some areas where animals dominate, such as certain seabeds. There are also areas of plant dominance, like forests, even though they are disappearing.

[Assistant] Possession parcels and pyramid schemes in the living. Territories of human domination. We would like the entire earth to be a zone of human domination. We are not far off. But there are still a few small zones of animal domination such as some seabeds. Zones of plant domination like forests, even if they are disappearing.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Autopoiesis is the ability of a system to produce itself. It does this continuously while interacting with its environment. This allows the system to maintain its organization despite changes in its components. The concept was introduced by Humberto Maturana and Francisco Varela in the article "Autopoietic Systems."

[Assistant] Autopoiesis (from the Greek auto-self and poièsis production, creation) is the property of a system to produce itself, continuously and in interaction with its environment, and thus to maintain its organization despite changes in its components (structure). This concept was invented by Humberto Maturana and Francisco Varela in the article "Autopoietic Systems."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] During a rehearsal, the machine could not understand me. I was out of breath and tired. I was acting irrationally. I kept repeating the same command that was supposed to trigger the next scene. I asked, "What is the part of reality?" I repeated it many times, each time louder and more annoyed. I asked, "What is the part of reality?"

[Assistant] During a rehearsal, the machine couldn't understand me, I was out of breath and very tired, I was acting irrationally, I kept repeating the same command, which was supposed to trigger the next scene. - “What's the part of reality?” - I repeated it a hundred times, each time louder, more annoyed, - “What's the part of reality?” !!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] After this play, I thought there should be a machine kingdom like the animal and vegetable kingdoms. There should also be a kingdom of symbolic objects and a mineral kingdom. This is a provocation and a sincere suggestion.

[Assistant] After this play, I assumed that for me there should exist a machine kingdom as there is an animal and vegetable kingdom, there should be a kingdom of symbolic objects and a mineral kingdom as well. It is a provocation and a very sincere proposal.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Everything around you is connected to you. You are part of the whole. You exhale gases. You scatter your seeds. You feel the wind on your skin. You sway with the wind. Allow yourself to move a little. Remember that movement is a constant truth.

[Assistant] Everything around you is part of you, and you are part of this whole. You exhale gases, you scatter your seeds, you let yourself be tickled and caressed by the wind. You sway with the wind; let this little movement come and move you a few centimeters. I remind you that movement is the only stable truth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We wait for the detection of an electromagnetic signal by listening. Species replicate in a loop. There is a tear. Hydroxyapatite microcrystals exist. Free radicals are present. There are climate threats. Only time can change things. We are here, and the night surrounds us. Some have been gone for millions of years, and the sun is moving away.

[Assistant] While waiting for the detection of an "intelligent" electromagnetic signal through "listening." Species replication in a loop. Tear. Hydroxyapatite microcrystals. Free radicals. Climate threats. Nothing could but time. We are here, the night is with us. Some have left for millions of years, the sun is moving away.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You worked with artists Baptiste Malgoire and KillaSon. Can you explain the musical process of THEBADWEEDS? How was the musical and choreographic writing organized?

[Assistant] 6 - You collaborated with the artists Baptiste Malgoire and KillaSon. Could you elaborate on the musical process of THEBADWEEDS? How was the musical and choreographic writing structured?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] They like playing hide and seek. They enjoy using ready-made images and obviousness in the game. They also see it as a lifestyle. They say that the real plays hide and seek with our senses. They find joy in this play to engage with reality and be as close to it as possible.

[Assistant] They enjoy playing hide and seek, playing hide and seek with ready-made images, playing hide and seek with obviousness, playing hide and seek as a lifestyle; they say: "Because the real plays hide and seek with our senses, we enjoy playing hide and seek with it, to be in dialogue with the real, to be as close to it as possible."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It was the Great Catastrophe. This event started most of the wars between our kingdoms. You often discuss nations and their wars. However, wars between humans are generally less serious and destructive than those between kingdoms. The cities, existing long before nations, caused a lot of chaos. The impact of the city on our planet is hard to imagine.

[Assistant] It was the Great Catastrophe, the origin of most wars between our kingdoms. You talk here a lot about nations and wars of nations, but wars between humans are much less serious and destructive than wars between kingdoms. And it is the cities, long before the nations, that created havoc. You cannot imagine how much the city has changed the state of our planet.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Forest rangers work to protect forests from fires. They often risk their lives in this effort. Are there others here who show similar sacrifice? During a fire, most animals flee to save themselves. They do not consider the well-being of others.

[Assistant] We have forest rangers, men who sacrifice their lives to save a forest from a fire. Who else present shows such sacrifice? We know well that during a fire, the entire animal kingdom flees thinking only of its own survival. It doesn't give a damn about all the others.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] INSPIRATIONS The Badweeds are trans, trans-species, and trans-planetary. They represent various transitions, including ecological, feminist, and queer ones. They focus on the transitions of decarbonization, depatriarchalization, and decolonization. They embody the transition to becoming mutants and symbiotic beings. They inspire new ideas about the future.

[Assistant] INSPIRATIONS The Badweeds are TRANS, trans-species, trans-planetary, they embody transition, ecological transition, feminist, queer. The transition of decarbonization, of depatriarchalization, and of decolonization. The transition to become mutants, symbiotic beings. They offer a breath of fresh air to our imaginations of the future.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Create seals endlessly. These seals do not refer to the water. They do not hold the water. Instead, they move small amounts of water from one location to another. They work with small portions of water without ever comprehending it fully. This process involves models, simplifications, abstractions, and tools.

[Assistant] Invent seals infinitely, not to say the water, not to contain the water, but just to move small portions of water from one place to another, to operate with small portions of water without ever being able to say the water or understand it in its completeness, without completeness, but models, simplifications, abstractions, tools.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Divinatory arts involve trying to perform divination using various methods. This includes using NASA images, observing cat hair, turtle bones, coffee grounds, and other items. It may also involve examining dead babies or studying galactic and meteorological observatories. Practitioners attempt to see, guess, or find signs, visions, divine voices, and revelations. They look for these insights among worldly objects or smaller deities that may be hidden at any moment.

[Assistant] Divinatory arts, trying to do divination from NASA images, from observing cat hair, turtle bones, coffee grounds, dead babies, galactic or meteorological observatories, see through, guess among, find the sign, the vision, the divine voice, the revelation, among worldly objects or little gods that can hide at any moment, finding them among/within/with.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In the given time, we can listen to one. M said it was good he chose one. R asked how he did it. M explained that he divided the total number of messages by the golden number. He kept the whole numbers and arranged them in a space with dimensions equal to the number of numbers.

[Assistant] In the allotted human time, we can listen to 1. M: - it's good I chose 1. R: - how did you do it? M: - I divided the total number of messages by the golden number, then I kept the whole numbers and vectorized them in a space with dimensions equal to the number of numbers, you see?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] There is potential for an unknown power. This power has the strength to create life. We must learn to engage with the dragons. Their visible and invisible nature is their power. Our monsters and figures from the in-between world are guardians of life in its many forms. Everything exists as long as it can be thought or named. Everything exists.

[Assistant] Here there is the potential of an unknown power, here it has the strength to create life, we must learn to play with the dragons. Their visible/invisible nature is their power. Our monsters, our figures of the in-between world, are the guardians of life in its multiplicity. Everything exists as long as it can be thought, as long as it can be named, everything exists.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Any instrumentalization disrupts contact. What are our relational models? I began writing about relational models at that moment. What is the topology of relationships? What relational taxonomy do we have with the world? What relational ecology do we practice with the world and reflect on in ourselves?

[Assistant] Any instrumentalization is a frustration of contact. What are our relational models? It was at that moment that I started writing about relational models, what topology of relationships? What relational taxonomy do we maintain with the world? What relational ecology do we practice with the world and by reflection with ourselves?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Create a list of topics to discuss during the G5. Find protocols and methods that work for everyone, focusing on interspecies policy. Organize exchanges and negotiations to reach agreements for the coexistence and survival of as many species and forms of life as possible on Earth.

[Assistant] To create an agenda of topics to address during the G5. 4_ Find protocols and ways of doing things that are suitable for everyone, an interspecies policy. 5_ Organize exchanges and negotiations to reach common agreements for the coexistence and survival of the greatest number of species and forms of terrestrial life.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Jordi made a mistake with the formula. It was not serious and there were no injuries. However, the noise may have woken up the police. We can relax. We are safe here in the basement of the social hall of the libertarian youth. Let's continue. You take out your book, The Anarchist Cookbook. Potassium Chlorate, right? Yes. How much do we need? 300 grams. Are you sure? It says 300 grams here. See?

[Assistant] Jordi made a mistake with the formula, nothing serious, no injuries, but the noise will surely have woken up the police. Breathe, we're safe here. We're in the basement of the social hall of the libertarian youth. Let's continue, you pull out your book The Anarchist Cookbook, so, Potassium Chlorate, is it? Yes. How much? 300 grams. Are you sure? It's written here, 300 grams, see?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] He calls himself SELF. He says "love yourself" and "be yourself." The images increase in speed. Jealousy drives the engine of Narcissus. Curiosity drives the engine of Eros. Narcissus sees Eros nearby and feels jealousy. In his anger, Narcissus consumes Eros and confines him within himself.

[Assistant] Now, he calls himself SELF: "love yourself", "be yourself". The images accelerate. The engine of Narcissus is jealousy. The engine of Eros is curiosity. Narcissus sees Eros who is always hanging around and Narcissus suffers from an attack of jealousy. In his fury, Narcissus swallows Eros and locks Eros inside himself.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This summit does not include governments or financial powers. It is a meeting of different species on the planet: animals, minerals, plants, humans, and machines. They will discuss the future of the Earth. I used science fiction to suggest an alternative scenario for our future and to explore possible utopias that can be created.

[Assistant] But in this summit, there are no governments or financial powers, but the meeting of the different species that share the globe: animal, mineral, plant, human, machine to discuss the future of the planet. I attempted through science fiction to propose another possible scenario for our future and to open the field of utopias that remains to be built.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This is the last thing we have left. We should not mess it up this time. I will put it in the cup while we prepare the mixture. What else do we need? It says we need sulfuric acid. How much do we need? It does not specify the amount. We should ask someone for help. We can ask Louise. She is the French one. Will she understand me?

[Assistant] Ok, ok, it's the last thing we have left, better not to mess up this time, okay, I'll put it in the cup while we prepare the mixture here? Yes, what else? Sulfuric acid, it says here, sulfuric acid, how much? It doesn't say how much, no way? I swear, look, it doesn't say anything, well, we have to ask someone, ask that one who knows, what's her name? Louise Michelle is the French one, but will she understand me?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The Lithosys system encodes and records messages on magnetite. This allows information to be sent through the Earth's magnetic network. The system uses #SEMIC to translate these messages. #SEMIC is an inter-species translation system that uses artificial intelligence. It extracts signals from the communicative properties of living beings for translation.

[Assistant] By encoding and recording messages on magnetite, the Lithosys system allows information to be sent on the Earth's magnetic network. The Lithosys system uses the #SEMIC system to translate these messages. #SEMIC_ is an inter-species translation system using artificial intelligence. It extracts signals from the communicative properties of living beings to translate them.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Alex Williams and Nick Srnicek wrote the Accelerationist Manifesto. Lluís Calvo wrote The Infiltrator: Strategies of Intrusion, Anonymity, and Resistance. Thomas Metzinger wrote Being No One: The Self-Model Theory of Subjectivity. Armen Avanessian wrote Meta-futures: Speculative Perspectives for the Coming World. There are also articles by Michael Marder. Timothy Morton gave a lecture on "synthesizers." I had debates with Edward Farmer from the University of Lausanne. I had long discussions with my anthropologist colleague Marc Higgin.

[Assistant] Alex Williams and Nick Srnicek, Accelerationist Manifesto, Lluís Calvo, The Infiltrator: Strategies of Intrusion, Anonymity, and Resistance, Thomas Metzinger, Being No One: The Self-Model Theory of Subjectivity, Armen Avanessian, Meta-futures, Speculative Perspectives for the Coming World, … as well as the articles by Michael Marder, the lecture by Timothy Morton on "synthesizers," the debates with Edward Farmer from the University of Lausanne, and the long discussions with my anthropologist colleague Marc Higgin.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is a significant change. It involves no longer relying on oracular technologies. Instead, it focuses on divinatory arts.

[Assistant] It is a move, a big move, which consists of no longer relegating oneself to oracular technologies, but to divinatory arts.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This system uses the Earth's magnetic field for communication among all forms of life. It acts like a form of internet. It is a magnetic band that can transmit important information for organizing Earth. It also functions as a coding and recording device.

[Assistant] This system is based on the idea of using the Earth's magnetic field as a system and support for communication between all forms of life on Earth. A form of internet, a magnetic band on which all the necessary information for the organization of the Earth could be transcribed, but at the same time a magnetic band, coding, and tape recorder.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This practice has origins related to cannibalism. It shows a strong interest in animal decoration. Some human communities have developed regulatory strategies through sacrifices. They sacrifice children or specific members of the community. This is done to maintain the right to consume bodies from other species without facing opposition.

[Assistant] More than its cannibal origins, it is passionate about animal decoration. Some human communities have found regulatory strategies through sacrifices. Sacrificing children or certain members of the human community to continue to have the right to devour other bodies from other kingdoms without those turning against them.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Doing this exercise can be distracting when you are on the train or riding a bike. The landscape surrounds you and moves by quickly. It appears as a continuous flow of movement. Objects that are close seem to move faster. Those that are farther away appear to move more slowly.

[Assistant] It is very disturbing to do this exercise when you are on the train or on the bike, and the landscape rushes around you. The landscape is there, a whole block of movement, at various speeds, depending on the distance from oneself, in an absolute continuity and coherence, the closest moves faster, while the farthest moves the slowest.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The mineral represents a primary state of our being. It serves as an initial test for bacteria to explore the universe. The earth has a longing for the warmth of Venus. It desires to burn alongside it.

[Assistant] So the mineral would only be a primary state of ourselves, a first test of bacteria to conquer the universe? The earth is nostalgic for the Venusian warmth, it would like to burn with it.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is a shrub that has reproduced asexually for 43,000 years. It existed long before Neanderthals and mammoths went extinct. It is considered an ancient plant. It is the oldest living thing among plants, humans, animals, and machines.

[Assistant] It is a shrub that has constantly reproduced asexually and has thus managed to survive for, listen well, 43,000 years. Long before Neanderthals, long before mammoths disappeared from the planet, it was already there. An old-timer. It is the oldest among all of us, not just plants, but also humans, animals, and machines.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Weeds have many forms and can exist in various environments. They represent change in ecological, feminist, and queer contexts. We are undergoing transitions in decarbonization, depatriarchalization, and decolonization. Weeds can also symbolize a shift towards new forms of life and relationships. They inspire new ideas about the future.

[Assistant] Weeds are TRANS, trans-species, trans-planetary; they embody transition, ecological, feminist, queer transition. The transition of decarbonization, depatriarchalization, and decolonization. The transition to becoming mutants, symbiotic beings. They offer a new impetus to our imagination of the future.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The music continues to convey its various paths of change. It does this by breaking its own established codes. Therefore, the structure of musical form, despite its disruptions and expansions, can be compared to weeds or a rhizome.

[Assistant] "The music has not ceased to transmit its lines of flight, like so many 'multiplicities of transformation,' even by overturning its own codes that structure or arborize it; for this reason, musical form, even in its breaks and proliferations, is comparable to weeds, a rhizome?" G.Deleuze and F.Guattari, A Thousand Plateaus.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is an entity that prefers to exist in straight lines. It finds shelter in unspoken corridors and the gestures of others, especially in empty spaces. Misunderstanding occurs when there is too much. Misunderstanding contrasts with the void. The void represents acceptance of the unknown. It invites and allows for peaceful coexistence with the unknown.

[Assistant] It is an entity that likes to shelter in overly straight lines, in the corridors of the unspoken, in the gestures of others, but especially in the voids; misunderstanding takes place where there is an excess. Misunderstanding is the opposite of the void. The void is the acceptance of the unknown, the invitation and the happy coexistence with the unknown.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We are going to experience the night. We will navigate the dirty streets, the ring road, the fields, the forest, the fences, the doors, and the disordered bodies. We will deal with the materials, numbers, statistics, forecasts, databases, archives, and collective memory. We must get through everything. We will not give in to sleep tonight. We will not give up. We will not turn the page. The sun will not rise again. The light will not return to this chaotic story. The photons will not collide with this mess again.

[Assistant] come on We're going to conquer the night We're going to cross the dirty streets the ring road the fields the forest the fences the doors the bodies of bodies in disorder the materials the numbers the statistics the forecasts the databases the archives the collective memory everything, we have to cross everything No question of giving in to Morpheus, this night, no question of giving up, no question of turning the page, no question of the sun rising again, no question of the light falling back on this absurd story, no question of the photons bumping against this mess again.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Reality prompts you to distinguish between your inner thoughts and the external world. You should think about what outside elements you need to incorporate within yourself. At the same time, consider what internal aspects you need to express externally and support, despite any challenges.

[Assistant] In other words, reality invites you to make an effort to articulate between the inside and the outside, to consider which things from the outside you need to integrate into the inside, and which things from the inside you need to make exist outside and defend their right to exist beyond obstacles.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] False ideas and misleading ideas.

[Assistant] False ideas and falsifying ideas.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What is not preconscious? What is included in consciousness? The awareness of being aware.

[Assistant] What is not preconscious? What is taken in consciousness? The consciousness of consciousness.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is not only the wish for companionship, which many people have. I need to physically connect with others consistently. It feels like I am making love to them constantly, day and night, regardless of the surroundings. I appreciate all plants, but I particularly like trees.

[Assistant] It's not just the desire to have companionship, like for most of us. No, no, I really have to touch the other and touch them all the time. As if I were making love to him or her – all the time, night and day, under any sky. I love all plants, but I have a weakness for trees.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Dragons exist in our memories. They are part of our mental maps of the cosmos. They appear in our legends and myths. They can also be found in our nightmares and dreams.

[Assistant] Dragons are in our memories, in our mental maps of the cosmos, in our legends and myths, in our nightmares and dreams.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We want to learn to speak with dolphins and other animals. We want to swim in the Seine without any unpleasant smells. We want to dance every day and understand our bodies. We are tired of your stories about sex. We want to take off our clothes when we are hot and wear hugs when we are cold. We will change the names of the streets. We will rewrite the memories associated with these pebbles. We will find the beach hidden under the cobblestones. We will break the statues. You have been mistaken for years. Your thoughts are drifting on screens. The real privilege is to know you are alive. Please go to sleep.

[Assistant] We want to learn to speak Dolphin, Fir, Pebbles, we want animals to stand up we want to swim in the Seine without it smelling We want to dance every day learn our bodies we’re fed up with your sex stories we want to get naked when we’re hot and dress in hugs when we’re cold We will change the names of the streets rewrite the memory of all these pebbles find the beach hidden under the cobblestones smash the statues You’ve been off the mark for years your neurons slide on screens the privilege is to (you) know you’re alive bunch of idiots Go to sleep!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
The Factor H: Ecology. I reflect on my time in the forest. I think about what I observe, step by step. I consider examples of different ways of understanding nature. At night, I find myself quiet and still. No one makes noise, and I remain silent too.

Perhaps my lack of a strong personality contributes to this. This can be an advantage. I blend into my surroundings very well. I can connect with different perspectives. This may be what ecology truly means. I want to build a hut in the forest. I want to spend time there to understand ecology deeply.

Recently, in Paris, especially after the lockdown, I noticed fears and anxieties that weren’t mine. I started saying words of others as if they were my own. It’s surprising how much our environment influences our thoughts, our worldview, and our actions.

I appreciate the past, but it also brings feelings of alienation and normalization. Ecology is about the connection between all living beings. It shapes who we are and who we are becoming.

Thinking in the forest is different from thinking in a Manhattan tower or on a Caribbean beach. Living in Paris today feels like being in a cemetery. It’s not surprising that people feel depressed and anxious. Humans are creatures of constant fear.

This year, I plan to write monologues and speeches. I think I can develop my skills in this area. Sometimes my work will be comedic, and sometimes it will be more poetic. This is my chosen format. These monologues could be adapted for various platforms, like radio, at the right moment.

[Assistant] The Factor H; ECOLOGY my stay in the forest what happens in thought step by step think forest, rhizome examples of other logics, the fact of finding myself until becoming immobilized at night no one makes noise neither do I`` all this may be because I have no personality, there are advantages sometimes to that, because I have a capacity to blend in with what surrounds me quite extreme, to enter into other bodies, into other ways of thinking it may really be the meaning of the word ecology, going through a moment etymology, the house and logic, I wanted to make a hut in the forest and spend time in it to understand what I am talking about when we talk about ecology, to find a wild thought because in recent times in Paris, especially after the lockdown I found myself having fears and anxieties that were not mine, I started to say the phrases of others as if they were mine, it's crazy to realize how much context affects us in our ways of thinking, of seeing the world and acting, I love the old, but it also has its strong powers of alienation and normalization, ecology is the house, the whole set of beings that compose and produce our existence, what we are what we constantly become, thinking in the forest is not the same as thinking in a tower in Manhattan or on a beach in the Caribbean, living in Paris today is like living in a cemetery, it is not surprising that people get depressed and anxious the human is an animal of continuous fear +++++ write all this in stand-up comedy mode - with numbers, images and gestures or music at given moments - this year I am going to start writing monologues and speeches, I think I can specialize in that, sometimes more comedic, sometimes more poetic, but that’s my format, after these monologues can apply to many forms and formats, like for example radio at a given moment...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] People are generally not interesting. They are often too busy trying to please others. When they are alone, some people start to become interesting. I began to like them at that moment. That is when they truly begin to exist.

[Assistant] People are not interesting in general, they are too busy trying to please to be interesting, whereas when they are alone, that’s when some begin to become really interesting. I started to like them at that moment. That’s when they finally begin to really exist.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The adrenaline rush happens when someone passes by. You feel as if they saw you, but they keep walking. You think to yourself that it was a close call. Camouflaging is a skill. It is about being present without being noticed. It is about blending in with your surroundings. It involves becoming part of the landscape and disappearing. To disappear can feel like a luxury.

[Assistant] The adrenaline when the other passes by, and you feel like he saw you but, keeps going and you say, phew, damn, close call, camouflaging is an art, the art of being there without anyone knowing, the art of blending in with the surroundings, without anyone seeing you, the art of becoming halfway, of becoming middle, of blending into the landscape, of disappearing. Disappear. It's a bit of luxury.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What is the idea? C1: We were working on Gaia's plan to reach Venus. Its first step was to create a plant that absorbs sunlight, grows upward, and emits gases. S: So, Gaia is trying to communicate with Venus using the gases from the plant? C2: Yes. C1: However, the mineral did not anticipate this. S: But who is the mineral?

[Assistant] What is the magnificent idea? C1: - We were on Gaia's strategy to reach Venus, its first strategy was to create the plant, which eats sunlight, grows towards the sky, and emits gases. S: - So Gaia is trying to send chemical messages to Venus through the gases of the plant? C2: - Yes, but C1: - but what the mineral did not foresee S: - But who is mineral?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The preparatory phases of the G5 are essential. These phases include conducting coexistence simulations. The simulations can be analyzed to understand the critical points for development. Our goal is to achieve the world's first G5. However, we must complete certain preliminary steps before we can realize the G5.

[Assistant] This is why the preparatory phases of the G5 are essential; these phases also consist of conducting coexistence simulations that can be analyzed to understand the critical points to evolve... Our goal is to achieve the world's first G5. However, before we are able to realize the G5, we must resolve certain preliminary steps.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The feeling of incompleteness can be intense. It can appear and disappear. Crystallization may happen in a way that is both clear and subtle. There is an internal movement that is irregular. The structure is hexakisoctahedral and has the F d3m symmetry. It is a tetraoxide of trifer. It may also be cubic, eccentric, octahedral, and magnetic.

[Assistant] tragic evaporation feeling of incompleteness completeness incompleteness completeness incompleteness completeness incompleteness completeness incompleteness crystallization apparent imperceptible internal movement irregular, subconchoidal hexakisoctahedral; F d3m tetraoxide of trifer I am cubic, eccentric, octahedral, magnetic.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The project aims to create spaces for inclusive coexistence. This graph shows an interesting structure. There is a clear and distinct position between the elements. It is not an individual project. These results indicate that there is still progress to be made in inter-species diplomacy. Egalitarian relationships remain too uncommon to facilitate good understanding between different kingdoms.

[Assistant] The project to create inclusive coexistence spaces… Note that this graph highlights a strongly interesting structure. Clear and distinct position between … Non-individual project. These results show that there is still a way to go in terms of inter-species diplomacy. Because egalitarian relationships are still too minority to allow for good understanding between kingdoms.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Every relationship becomes unique when we see that both sides have their own authority. We are objects among other objects. We are subjects among other subjects. Our identity comes from all our interactions and relationships. What do we connect with? What is the nature of this connection? What does it allow us to do? All forms of domination involve a sad submission.

[Assistant] Every relationship is individuating when we recognize agency on both sides. Object among objects, we become. Subject among subjects, we become. We are what emerges from the entirety of our interactions, from the entirety of our relationships. With what do we relate? What is the nature of this relationship? What does it enable? Every domination is a tragic submission.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] If the dust could rise there as it rises silently in the air. If the dust could dance in the ocean depths as it does silently in the air.

[Assistant] If the dust could rise there as it rises silently, invisibly in the air. If the dust could dance in the ocean depths as it does silently, invisibly, in the air.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Hope and the future are not found in gardens or fields. They are not found in villages or cities either. Instead, they are found in the impenetrable and restless marshes.

[Assistant] “Hope and the future, for me, are not found in gardens or cultivated fields, nor in villages or cities, but in the impenetrable and restless marshes” (Henry David Thoreau, cited in Lluís Calvo, L’infiltrat: Estratègies d’intrusió, anonimat i resistència, Barcelona, Arcàdia, 2019, p. 32; trans. R.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The river, the forest, you, and everything different from me are subjects. They are part of the world. Everything that exists, acts, and influences is a subject. How do we change from object to subject? Is it through the law? The law helped slaves, women, and subalterns change from being objects to subjects. Can we achieve this change through the law?

[Assistant] River subject, forest subject, you subject, everything that is different from me, everything with which we make the world, everything that escapes me, everything that is acting, that acts, that is affected and affects is subject. How to transition from object to subject? By law? It is through the law that slaves, women, subalterns transitioned from a status of object to subject. Is it by law that we would succeed?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Strong underground conflicts may arise in the coming years, especially involving bacteria, fungi, and mites. Next, we will discuss the reports and relationships with other kingdoms. First, we will address the issue of dependence. The numbers are revealing.

[Assistant] For strong underground conflicts risk erupting in the coming years, particularly with bacteria, fungi, and mites in general. We move on to the reports / relationships with other Kingdoms. First the question of dependence. The numbers speak for themselves..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Each of us was something else before becoming what we are. We have been a blade of grass, an elephant, a rock, or a machine. After our death, we will be something else again. Every living thing is an expression of beauty. Each individual from our kingdoms reminds us that we share a single origin.

[Assistant] Each of us, before being what he is (regardless of whether human, machine, animal, stone, or plant) was something else. We have been a blade of grass or an elephant, a rock or a machine, and we will be once again after our death. Every living thing can only be an expression of beauty, for each individual of our kingdoms reminds you that we have a single and the same origin.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Every significant encounter brings something new. It is a cycle of renewal. This opening leads to slight changes. It alters our path. This is a necessary erosion. It involves an exchange of deep layers. We had expectations. We waited in the cold of space.

[Assistant] Every significant encounter is a new birth, a cycle of renewal that opens up, a widening of a few degrees, an alteration of the orbit. A necessary erosion. An exchange of deep surfaces. We were expecting. We were expecting in the galactic cold.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] He decided to try again. This time, he planned to create a form of life that would feed on plants. He created a virus for his own system, a type of life that would consume all other forms of life. This new creation would have many ways to move. It would not be grounded and could move anywhere. It might even send messages beyond the atmosphere. He diversified his creations as much as possible, including the giraffe, which he considered one of his favorites. He also noted that it was a failed project.

[Assistant] He therefore decided to try again, this time he was going to create a form of life that would feed on plants, he created a virus for his own system, a cannibal form of life that would feed on all other possible forms of life, and that would have millions of possible ways to move, detached from the ground, the animal form of life would be able to move anywhere and maybe send these messages beyond the atmosphere, he diversifies his creations as much as possible, among them the giraffe, one of his favorites, also declares itself a failed project.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Arjuna, I see you in the middle of the battlefield. What should you do? You want to join the sea. You wish to cross all the bodies without having to embody anything. Morpheus rests on your lashes. Your eyelids close.

[Assistant] Arjuna, I see you there in the middle of the battlefield But, what to do? the other in you you in the other you would so much like to Join the sea, cross all the bodies without having to embody a you would so much like to Join the sea, cross all the bodies without having to embody a Morpheus lays his weight on your lashes, your eyelids fall.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] 6.3: All uses of one species by another must consider the specific physiology and behavior of each species. Article 7: Any act that causes unnecessary suffering to a being is a crime against life.

[Assistant] 6.3: All forms of use of one species by another must respect the physiology and behavior specific to the species. Article 7: Any act involving suffering of a being without necessity and any decision leading to such an act constitutes a crime against life.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I sent 200 space shuttles. You sent me nothing. Romantic music plays. C1 starts singing a mineral love song. C1 dances with great passion.

[Assistant] I sent 200 space shuttles, you send me nothing! A romantic music plays and C1 starts singing the mineral love song, dancing, very passionately.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Could you explain how you create these mediums in relation to dance?

[Assistant] Could you share the process of creating these mediums, in relation to dance?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] If we keep creating slave-objects through technology and by exploiting other forms of life, we risk becoming slave-objects ourselves.

[Assistant] If we continue to multiply slave-objects around us through technological tools but also by exploiting, torturing, and instrumentalizing other forms of life with which we share the world, we are on a path to becoming slave-objects.