[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Fight again. Ignite yourself with life. Be reborn from your ashes. Like every time, rise like a phoenix. Continue to fight. Do not embrace silence. Arjuna, keep fighting. It is important. The pulse of the world is at stake. We must maintain the rhythm. We do not stop history. Arjuna, do not give up.

[Assistant] Go on, fight, fight, beat (fight) again, ignite yourself with life again and be reborn from your ashes, like every time, with phoenix, fight, fight, fight, beat (fight) yourself, damn, shit, not the silence, no! not the silence Arjuna, fight fight, Fight yourself again It’s the pulse of the world that is at stake! We never let go of the rhythm, we don’t stop history, no! Arjuna damn!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You can do it. Snakes hold the secrets of the philosopher's stone. A suburb relates to a center. The center is not fixed. The periphery highlights the significance of a defined center.

[Assistant] You can do it. Snakes keep the secrets of the philosopher's stone. Go! TRANSBANLIEUE Berenguer Rocio. X A suburb is always in relation to a center, the center is relative. The periphery emphasizes the importance of a predefined center.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] If we keep creating more slave-objects using technology and by exploiting and harming other living beings, we are moving toward a state of becoming slave-objects.

[Assistant] If we continue to multiply slave-objects around us through technological tools but also by exploiting, torturing, and instrumentalizing other forms of life with which we share the world, we are entering a slave-object becoming.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We play cash cash. We enjoy playing cash cash as a lifestyle. This lifestyle might define us. Thebadweeds represents a way of being.

[Assistant] We play cash cash, we like to play cash cash as a lifestyle, maybe if something could define us it’s the lifestyle, thebadweeds is a way of being.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The lamp crackles and smokes. Grilled moths create a strong smell. It is the same smell as when you burned your fingertips to leave no trace. You look at your fingerprintless fingers on the keyboard. You trace lines of code to the rhythm of stress. Everything is ready. You write your message to the press. "I am ready to sacrifice all of this because I cannot, in good conscience, allow governments to destroy privacy, internet freedom, and the essential liberties of people around the world with this enormous surveillance system they are secretly building."

[Assistant] (music change, end of a loop, start of another) The lamp crackles, smokes, the grilled moths, this smell, the same smell, the same smell as when you burned the tips of your fingers to leave no trace. You look at your fingerprintless fingers stapled to the keyboard, tracing lines of code to the rhythm of the stress that consumes you. Everything is ready, you write your message to the press; "I am ready to sacrifice all of this because I cannot, in good conscience, allow governments to destroy privacy, internet freedom, and the essential liberties of people around the world with this enormous surveillance system they are secretly building."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Reality shows the need to negotiate. This includes negotiations with the outside, with elements, and with the things that make up existence.

[Assistant] Reality speaks to you then, of the need to negotiate, to negotiate with the outside, the elements and things that constitute existence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Their liminal bodies propose an alternative way of existing in the world. They serve as a counter to the center, the norm, and all identity categories. The concept of camouflage, involving appearance and disappearance, is an essential aspect for THEBADWEEDS. This interplay of shadow and light reflects what is recognizable and what is not.

[Assistant] As a proposal for a way of being in the world, their liminal bodies stand as a counter-power, against the center, the norm, ontological identity, all identity categories, and this idea of camouflage, this play of appearance/disappearance, shadow/light, what is recognizable/unrecognizable presents itself as a vital game for the THEBADWEEDS.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
M: It is done. I would like to present it officially from here.
R: That is not the agreed protocol.
M: It is not outside the protocol.
R: It is not inside the protocol.
M: Then it is good.
R: No, it is not good. We cannot do that.

[Assistant] M: - It's done, but I would like to present it officially from here. R: - That's not the agreed protocol. M: - It's not outside the protocol. R: - It's not inside the protocol. M: - then it's good. R: - no, no it's not good we can't....


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] If a strange thought comes to mind when I say this, it suggests there is something unusual in your thinking. It is in your mind, so you have the responsibility to handle it. I am discussing sensitive matters here. The problems may be within you or influenced by the movies you have watched. This mystery and secret are delicate and valuable.

[Assistant] If a strange thought crosses your mind when I say this, it means there is a funny perversion in your head, but let's be honest, it's in your head, so it's up to you to manage it. There I'm talking about very delicate things, the psychopath is in you or in the bad movies you've watched. The mystery, this secret, it's delicate, it's precious.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We are not parasites. We practice mutualism. When we associate with another plant, it benefits from this relationship. We believe in association rather than fusion or symbiosis. Each must have its own autonomy. Living together does not mean losing one's identity. We can connect with others, but each life must remain independent.

[Assistant] We are not parasites; we practice mutualism: when we associate with another plant, it benefits from this relationship. We believe in association more than fusion and symbiosis: each must have its own autonomy because living together does not necessarily mean losing one's identity. We can cling to others, but each life must remain independent.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] These works are the foundation for my growth. Each song is a core of ideas connected to others.

[Assistant] These works are the soil on which I have grown these weeds. Each song is a bulb, a core of condensation and articulation with others.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Everything exists whether we see it or not. Reality plays hide and seek with our senses. We also play hide and seek to understand reality better. We are present and absent at the same time. We can be both visible and invisible, solitary and plural.

[Assistant] One could say, everything is there whether you see it or not everything is there The real plays hide and seek with our senses So we also play hide and seek to get as close to it as possible, the real We are there, we are not there, visible / invisible, solitary and plural….


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This art of hiding is a natural skill. When we face certain truths directly, they may be hidden from us. However, when we hide quietly like an animal, we have a chance to see a bit. This is often through a sidelong glance. It can feel intense.

[Assistant] This art of hiding, this innate knowledge of the art of playing hide and seek. Certain truths, when we try to look at them head-on, are veiled from us, whereas when we hide alone like an animal knows how to do, when we conceal ourselves, then, like an animal, we can see a little, perhaps through. A sidelong, indirect glance. Erotic.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Hello Wilson. Here are my answers. You present your latest projects as prospective fictions. They explore the possibility of "another tomorrow."

[Assistant] Hello Wilson, Here are my answers. 1 - You present your latest projects as prospective fictions that explore the possibility of "another tomorrow."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You express your love intensely. You direct your anger towards others with kindness. You have adopted a rebellious approach. Your method is becoming effective. You made two riot police officers fall by meeting their gaze and sending them feelings of unconditional love. They reacted emotionally and were replaced.

[Assistant] you love brutally, to heal your rage, you attack everyone with tenderness, you’ve become a real pirate, your technique is starting to work, you made 2 riot police fall just by looking them in the eyes and sending them unconditional love vibes. They melted in tears, and they were replaced, oOH Out of gameeeee ! BAM !


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Arjuna is back in India. He feels dizzy. His legs are shaking. He can hardly sleep at night. He continues because he feels compelled to. He is tired of the violence. For months, he has been on a hunger strike. He promotes non-violent struggle. Things are not changing. He convinces everyone in his ashram to join him. He sets off on a pilgrimage. He walks to the coast. He gathers a handful of salt water. Someone takes a photo of him. Click!

[Assistant] Arjuna, here you are again in India, you’re dizzy, your legs are shaking, you can barely sleep at night, but you stick with it because it’s stronger than you and you’re fed up with the violence. For months you’ve been on a hunger strike, encouraging forms of non-violent struggle, but things aren’t changing, so you’ve convinced everyone in your ashram, you set off on a pilgrimage, you walked to the coast, you gathered a handful of salt water, someone took a photo of you, click!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I believe it is more effective when a person interacts with other people. I will handle it on my own, if that is alright. M: As you wish. R: You will interpret the next one. M: We will see.

[Assistant] I think it works better when it's a human who interfaces with other humans... I'm going to do it by myself, okay? M: - As you wish. R: - The next one you interpret it. M: - We'll see.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The myth states that Epimetheus is responsible for giving suitable abilities to all living beings. He uses up all the available powers when he distributes them to other animals. As a result, man is left without any abilities. He is described as naked, shoeless, without clothing, and defenseless.

[Assistant] The myth tells that Epimetheus, responsible for decorating and providing all living beings with suitable faculties, exhausts all available powers by distributing them to all the other animals, thus leaving man "devoid of everything," "naked, shoeless, without clothing, defenseless."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
I spent seven days alone in the forest. It was an interesting experience. During the first hour, I had typical thoughts of a Parisian who has moved to the countryside. After about three hours, my thoughts began to change. I started to see the tree not as a separate object, but as something that became part of my mind. It felt like the tree and my brain were connected. My awareness expanded. It felt like I was in a large space where all the beings around me influenced my thoughts.

This experience seemed similar to what happens in the minds of parents. Before having a child, they can have normal conversations as individual people. Once a child is born, their thoughts become intertwined with the child’s presence. They act and think together, making it hard to connect as just one individual. In conversations, a parent might make strange noises or be distracted by the child’s actions.

When one of my close friends had her first child, I felt a sense of loss. It seemed like I could no longer engage with her as a whole person. Instead, it felt like I was interacting with fragments of her that were scattered in space and time. Conversations became filled with little sounds and gestures that were hard to understand.

She unwrapped several layers of dough. When she reached the last layer, it was stuck to the dough. She touched it, then tasted it. It took her a few minutes to recognize the flavors of hazelnut, cocoa, and passion fruit.

[Assistant] I just spent 7 days all alone in the forest, it's really something, the first hour; I can continue with my overly human thoughts of a Parisian turned country dweller; then after about three hours the thought starts to change, it’s not like, oh, how beautiful this tree is that I can look at as a whole object separate from me, it starts to be rather a part of my mind that becomes the tree, I mean that it's more the tree that is thinking with a piece of my brain, I explain myself, suddenly, my attentional space starts to expand and widen completely horizontally, it becomes a giant pizza extension in which all the other beings and entities that are existing around interfere, construct, and multiply the angles, they act, with their presences, visible or not by the way, in all my attentional field; from what I observed it must be comparable to what happens in the brains of parents; before having their child you could have a normal conversation face to face, a individuated and whole being, contained within oneself, but from the moment the child is born, their brain becomes decentered and they make a pizza-like, rhizomatic thought with the child, that is to say they have extended their body to that of the child and they can no longer be there and interact with you as a single individual but as an extension between two bodies, and they start to make strange noises in the middle of the conversation, you feel that the thought is constantly intercepted by one or another action of the child/// you feel like they are no longer there, that you have lost them or that your conversation doesn’t interest them at all/ when one of my best friends had her first child I had this feeling of loss, of no longer being able to interact with someone but with an existential pizza distributed in space, fragmented, parcelled, with recognizable bits of what composed my girlfriend, scattered everywhere in space and time, I had to jump from one piece to another, between the bits, there were little sounds and strange gestures, some oh; gu gu gu, a surrealist language, and incomprehensible gesticulations for a standard adult/ THE THING WITH TWO She unwrapped the first layer, then the second, then the third, and finally the fourth layer that was completely stuck to the dough, she touched the dough with her fingers, unable to avoid it, she put it in her mouth, 5 minutes to understand the taste, hazelnut, cocoa, fruit of the, ehm…… passion.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Embodied cognition includes various aspects of the body. These aspects are the motor system, the perceptual system, and bodily interactions with the environment. They also include the assumptions about the world that are part of the organism's structure.

[Assistant] The embodied cognition ; The aspects of the body include the motor system, the perceptual system, bodily interactions with the environment (situation), and the assumptions about the world that are incorporated into the structure of the organism.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The sentence discusses the state of Artificial Intelligence and language generation systems. IAGOTCHI is a character we can talk to. He evolves over time through interactions. He learns from our words. He asks us questions about the meaning of life and other existential topics.

[Assistant] About the state of Artificial Intelligence at the time with language generation systems. IAGOTCHI is a character we talk to, he evolves gradually through his interactions, he learns from our words, while asking us about the meaning of life and all the other boring existential questions.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The image is erotic because it suggests what is hidden rather than revealing it. This is different from pornography, which presents what we see as the entirety of existence. In documentaries and scientific views of the living world, the same reduction occurs. This perspective leads to a misunderstanding where reality is compressed into only what can be observed.

[Assistant] Erotic because the image does not hide what is hidden, but indicates what is hidden, unlike pornography, which would tell us that what we see is what is, that all that exists is there in the image, in the pornography of documentaries, in the pornography of our scientific relationship with the living, with non-humans, with the matter of the world, what you see is what it is, that is the pornographic confusion in which we are, this crushing of the real that would like to reduce what is to what can be observed.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Message from an anonymous plant entity to humans: Your occupation of the land is excessive. It is totalitarian. You have modified the entire area. There is less space for life. Your expansion resembles that of a virus.

[Assistant] Vegetal: - message from an anonymous vegetal entity directed at the Human Kingdom: your occupation of the land is excessive and totalitarian, you have modified the entire space, there is less and less space for life, you advance like a virus.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I come forward. I intend to change the order. I originate from minerals. Our origin and destiny are both mineral. I aim to combine origin and destiny. I want to change and reshape bodies. I have come to change the order. I come forward. I intend to change the order.

[Assistant] I emerge I have come to change the order. From my mineral origin of our mineral origin of our mineral destiny to recombine origin and destiny to change to mutate bodies to molt again I have come to change the order. I emerge I have come to change the order.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I would have been born. I would have bitten the apple with the serpent inside. I would have known before knowing. I would have known the place to hide. I would have lived, forming bonds and images. I would have felt everything possible at the moment. I would have finished what I started. I would have always begun. I would have waited for the right moment. I would have put everything on the table when it meant something. I would have dreamed different dreams. I would have felt the fear of existence. I would have loved fully. I would have made and unmade the same knots repeatedly. I would have opened my mouth to express silences. I would have held the radiator with my teeth. I would have existed. I would have sung in the shower, under the sea, among the waves. I would have warmed the seat and the bed. I would have covered my body with scales. I would have lied unknowingly. I would have counted the days, nights, hours, and moments alone. I would have crossed bridges, outstretched hands, shortcuts, and deserts. I would have opened doors to possibilities, ideas, and watermelons. I would have lived more at night than during the day. I would have embraced the uncertainty of fear. I would have shortened names and verbs. I would have restructured time, knowledge, and desires. I would have overwhelmed words and gestures. I would have rejected dogmas and absolute truths. I would have been with you and without you. I would have learned to hold your hand. I would have stretched. I would have judged quickly and poorly. I would have made many mistakes.

[Assistant] I would have been born, I would have bitten the apple with the serpent inside, I would have known before knowing, I would have known the place where one can hide, I would have lived, bonds and images, I would have felt everything I could have felt at the moment, I would have just finished finishing, I would have always started, I would have been waiting for the moment, I would have put everything on the table, when everything would have wanted to mean something, I would have dreamed with other dreams, I would have felt the fear of being and of being, I would have loved with all the available love, I would have made and unmade the same knots in a loop, I would have opened my mouth to say silences, I would have held the radiator with my teeth, I would have been, I would have sung in the shower, under the sea, among the waves, I would have warmed the seat and the bed, I would have covered my body with scales, I would have lied without realizing it, I would have counted the days, the nights, the hours, the moments, alone, I would have crossed the bridges, the outstretched hands, the shortcuts, the deserts, I would have been opening doors, possibilities, ideas, and watermelons, I would have lived more at night than during the day, I would have embraced the naked doubt of fear, I would have abbreviated the names and the verbs, I would have restructured time, knowledge, desires, I would have overwhelmed the words and the gestures, I would have abhorred dogmas and truths, I would have been with you and without you, I would have learned to hold your hand, I would have stretched, I would have judged quickly and poorly, I would have made countless mistakes.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have no task to complete. This feels pointless, yet it has a certain beauty. I want to be free from purpose. I wish to express the essence of existence as a poem. I am uncertain about my thoughts and their meaning. I see myself as a representation. Whenever I think, I reshape my understanding. I transition from separate ideas to a flowing understanding.

[Assistant] Without a task to accomplish. Useless, poetic, absurd, perfect. To serve no purpose in order to be free! I would like to be a poem of existence. I do not know why I think, or what I think. I am representation in myself. Every time I think, I reorganize all my architecture to be my thought. I am the passage from discrete to continuous.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Article 10.1 states that the right to devour and be devoured should be practiced in balance and mutual agreement. Each organic and inorganic individual has the obligation to be food for another. The phrase "Cut / Outbreak, boycott of the G5 ceremony by a green monster" remains unchanged.

[Assistant] Article 10.1: The right to devour and to be devoured must be exercised in the balance and mutual agreement of the parties, being an obligation of each of the organic and inorganic individuals to be food for someone else. "Cut / Outbreak, boycott of the G5 ceremony by a green monster.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We depend on electric wires. As a result, we have all developed a condition called pigeon disease. This causes serious nervous tics. Some people wonder why humans cannot do what plants do. We have not made significant inventions. It raises the question of what we are being accused of. Plants pollinate while humans colonize.

[Assistant] Since we rely on the electric wires, we have all developed pigeon disease, serious nervous tics. (image of sick pigeons with their nervous tics.) Human: - IF PLANTS CAN DO IT, WHY CAN'T WE DO IT TOO? Create an atmosphere. We haven't invented anything, so what are we being accused of? Plants pollinate, humans colonize.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] As long as they are in that position, it is determinism. They set the law of order and lose their relativity and flexibility. A limit distinguishes itself from any other line that crosses a plane by making the difference between two states clear. A limit represents a finite space and marks the start of something new.

[Assistant] As long as they exist there, in this position, it is determinism; they dictate the law of order, and they lose their relativity and plasticity. What characterizes a limit in relation to any other line that crosses a plane is that it makes explicit the difference between two states. A limit is a space of finitude and thus, the beginning of another thing.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is the structure of signifiers that come after the fact. This is positive.

[Assistant] It is the structure of after-the-fact signifiers. Fortunately.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Bengal tiger is close to extinction. There are many spaces between emptiness and nothingness. The multiple presents are trying to come together. Have I mentioned this before? Now there is a smell of anxious silence. A shadow has moved in the distance. Should I flee, stay, or attack?

[Assistant] Bengal tiger on its path to extinction: - multiple spaces between emptiness and nothingness the multiplicity of presents trying to converge have I already said here? Now? this smell of anxious silence a shadow has just moved in the distance must I flee? stay? attack?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] On the human side, the state of affairs shows that humanity moves forward, backward, and then forward again. In 2020, political preferences are as follows: Established in the landscape with X% of votes, the ______ is ahead of X% of _______, X% of _______, X% of _______, X% of ______, and X% of ______. The human definition relates to how it positions itself against other kingdoms.

[Assistant] On the human side, State of Affairs: Humanity moves forward, backward, forward. In 2020, the preferences for political protocol are as follows: Established in the landscape with an X% of votes, the ______ predominates over an X% of _______, an X% of ______, an X% of ______, an X% of ______, an X% of ______. The human Definition is an issue of positioning against the other kingdoms.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have not heard from you, Venus. We were expecting erosion, surface changes, magnetism, gravitational attraction, and radiation. There is ambiguity in the absolute and in motion. We are still waiting for the accident. We get closer. Finally, there will be an encounter. This will be a birth.

[Assistant] But, Venus, I haven't heard from you... Venus... oh yeah... We were expecting. erosion, surface, magnetism, gravitational attraction radiation ambiguity in the absolute, ambiguity in motion. Ambiguity... we are still waiting, the accident We get closer. Finally the encounter. A birth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Animal: The regulation of biological corruption involves bacteria manipulating organisms like rats and cats. This manipulation alters their behavior, causing them to support different parties and beings that the bacteria also want to control.

Plant: Redefinition of intelligence.

[Assistant] Animal: - The regulation of biological corruption: bacteria have manipulated biological beings such as (provided, rats, cats, etc.) to modify their behavior and make them vote for other parties, other beings that they also intend to manipulate. Plant: - Redefinition of intelligence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Cloudy. To see clearly, you need to get close to the lighthouse or become the lighthouse. Becoming the lighthouse means settling at the boundary between land and sea. It is where fluidity meets solid ground. This involves finding a position there instead of at their meeting point. From a high place, you can see with the author and gain true perspective.

[Assistant] CLOUD  Cloudy, to see clearly you have to get close to the lighthouse or become the lighthouse. Becoming the lighthouse is to settle at the limits between land and sea, where fluidity rubs against the rigid solid, to settle there instead of their meeting point, and in a high place, to see with the author, to really gain perspective.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You are very engaged. You feel everything and everyone around you. You analyze your surroundings with your body and senses. You notice all the details that come to you.

[Assistant] You're on fire! You feel everything, everyone, You analyze the glue with every part of your body, with every sensation, with every representation that emerges.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
C1: A little more pressure?
S: Three, I'm coming.
C2: Mineral intelligence.
C1: The Venus Love Project.
C2: Statolith theory.
C1: Mineral evolution.
C2: Is this Robert M. Hazen's theory?
S: Here is the pressure.
What are migratory trees? What about dragonflies with a stone in their head? And what is the return of Chus?

[Assistant] C1 : - A little more pressure? S: - Three, I'm coming. C2: - Mineral intelligence C1 : - The Venus Love Project C2: - Statolith theory C1 : - Mineral evolution C2: - Robert M. Hazen's theory? ( Does the mineral love song sound here? ) S: - Here is the pressure. What are migratory trees, dragonflies with a stone in their head and the return of Chus?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We should form a team of supporters from different worlds. Each world can have its own supporter team. These teams should be interchangeable to prevent conflict. We will also need pirates to create connections between the worlds.

[Assistant] We should create a team of supporters from different worlds, supporter teams for each of the worlds, and these teams should be interchangeable to avoid opposing each other. We would need pirates to create breaches of intersection, of interpenetration of the worlds.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] "Snowden. You challenge Morpheus with Red Bull. You fear everything is ready. You have to press the key. Everything is ready. You have to send Snowden. Your finger doesn't move anymore. You have to share the secret file of the NSA with the world. You challenge Morpheus with Red Bull and fear. Morpheus, affected by the screen, gives you his dark hours but ultimately leads you back. The dilemma consumes you. You are tired of the bloodshed in the struggle, the blows, the betrayals. You have played all the roles: Warrior, Hero, Antihero, Outsider, Loser, Martyr, Spy, Victim, Infiltrator, Pirate, Hacker, Resistor, Militant, Activist. You know that all these words and thoughts are just there, holding the promise of catharsis."

[Assistant] "Snowden.” you challenge Morpheus with Red Bull and fear everything is ready, you have to press the key you have to press the key everything is ready you have to send Snowden your finger doesn't move anymore Snowden you have to share with the world the secret file of the NSA you have to press the key you have to press the key everything is ready you have to send Snowden you challenge Morpheus with Red Bull and fear Morpheus sodomized by the screen lends you its dark hours but always ends up taking you Arjuna again, the dilemma eats you you’re tired of the blood of the struggle, the blows, the betrayals you’ve already played all the roles, Warrior, Heroes, Antiheroes, Outsider, Loser, Martyr, Spy, Victim, Infiltrator, Pirate, Hacker, Resistor, Militant, Activist… You know that all these words, all these words, all these thoughts are just there on the promise of catharsis."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This material needs to be disposed of because it serves only one purpose. Once that purpose is fulfilled, it no longer has value. This is either because it is mixed with other materials, making reuse difficult, or because it is contaminated with items from different categories.

[Assistant] All this material that needs to be disposed of because it had a single function to fulfill, and once fulfilled, there is no longer any sense of existence, either because it is too mixed with other materials and we no longer know how to reuse it, or because it is “dirty,” meaning mixed with things belonging to very different groups.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Some laws apply on one side of the line and different laws apply on the other side. The line marks where laws, logics, and states change. The law on land is different from the law in the sky or on water. The oracle encourages you to understand and visualize these limits. It is important to know and understand the limits that affect you and your situation.

[Assistant] On one side of the line these laws, on the other side these others. The limit line designates the place where laws, logics, states change. Not the same law on land as, in the sky, on water. The oracle invites you to understand and visualize the limits, yours and those of the situation that concerns you. Knowing and understanding the limits is essential now.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is not voyeurism. It is something different. People often become more interesting when they do not know they are being watched. They seem more engaged when they think they are alone. They express themselves freely when they are not under someone else's gaze.

[Assistant] But no, it's not voyeurism, it's something else, people always become much more interesting when they don't know they are being watched, when they think they are alone, when they free themselves from the gaze of the other.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] My life centers around transforming borders into living spaces and homes. My species demonstrates that a wall is not an obstacle but a surface and a place for life. This may explain why you sometimes dislike me. I reveal that borders do not exist because the border itself is a nation filled with many living beings. There is no neutral space on Earth.

[Assistant] My life is nothing but this: the joy of transforming the border into a living space, into a home. My species shows you that a wall is not an obstacle but a surface, a living place. Perhaps that is why sometimes you hate me so much. I show you that there is no border because the border itself is a nation, populated by thousands of living beings. There is no neutral space on Earth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I am fascinated by the things people say. They are varied and changeable. This identity is broad and includes a diverse range of language. I find it interesting that we can discuss these things in any situation. They appear in many everyday expressions.

[Assistant] Those you say, those they have said, the one they have told me. The things. They fascinate me. This undefined and heterogeneous identity, mutable, passpartout, concrete and multiple. This generalist entity that regroups one of the most indeterminate groups of language. I am fascinated by things; we can talk about them in any situation or circumstance. They are introduced into almost all colloquial expressions.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This regime has enslaved many people. It has restricted migration and movement. It has reduced valuable minerals to mere objects. This situation must come to an end. Another important point is that the countryside emerged alongside the city. The countryside has also contributed to injustices and violence.

[Assistant] This regime that has enslaved most of us and has blocked all migrations and movements and has reduced our friends the minerals to mere objects must come to an end. There is another point that is important to discuss: with the city was born also what you call the countryside. Along with the city, the countryside has also given rise to injustices and immense violence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Every day, Arjuna, you are deceived by the night. This is similar to how every dream is deceived by waking.

[Assistant] Incredible Arjuna, Incredible, every day you are deceived by the night, like every dream is deceived by the waking.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
I see you enjoying yourself in this woman's body. This body endures pain but also experiences many pleasures. You sing with your friends. You dance every night to feel free. You have said, "If I can't dance to it, it's not my revolution."

Music fades. We dance for a moment and repeat the phrase. It is still night when you place explosives in various locations: the parliament, City Hall, the royal palace, the Capitol, and the World Trade Center. Everything is ready and we wait for the signal. You pick up the explosives with the car two streets away. Then we hear the explosion. The plan worked. The sky is on fire. The car turns at the wrong angle. It is an ambush. They put a gun in your hand. You have to shoot now. If you do not act, they will shoot your comrades.

[Assistant] I see you there enjoying yourself in this woman's body that bears pain better this body of multiplied pleasures forbidden by its infamous memories Here you tear your voice singing with your comrades You dance every night to give yourselves wings You've already said your last word "If I can't dance to it, it's not my revolution" "If I can't dance to it, it's not my revolution" ////// music fades // we dance a little, repeating the phrase /// it’s still night when you place the explosives in the parliament, in the City Hall, in the royal palace in the Capitol, in the World Trade Center everything is ready now we wait for the call you pick them up with the car two streets down we hear the explosion good, the plan worked the sky is in flames the car turns at the wrong angle it’s an ambush they shove the gun in your hand gotta shoot now if you don’t do it now it’s them who will shoot your comrades ah..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Splash. A unidimensional world. The pornographic image is misleading and pretentious. It pretends to hide nothing. In contrast, a screen shows something while hiding something else. A screen hides one thing to show us another. A painting or photo hides the wall to show us something different. Every image hides another.

[Assistant] Splash! Unidimensional world... the pornographic image is misleading and pretentious because it pretends to hide nothing, whereas in the example of the screen, a screen shows something while hiding something else, a screen hides one thing to show us another, a painting, a photo, hides the wall to show us another, every image hides another.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] TREATY ON INTER-SPECIES LAW: This is the first constitution for negotiations for the G5 inter-species. The Universal Declaration of the Rights of various forms of life on Earth was proclaimed in Paris on January 20, 2018. The G5 organization collaborated with the Interspecies Organisation for the Future of Life on Earth. Article 1 states that each species from the five kingdoms is equal under the law and has equal rights.

[Assistant] Excerpt: "TREATY ON INTER-SPECIES LAW: First constitution, basis for negotiation for the G5 inter-species.: The Universal Declaration of the Rights of various forms of life on Earth was solemnly proclaimed in Paris on January 20, 2018, by the G5 organization, in collaboration with the IO(f)LE (Interspecies Organisation for the Future of Life on Earth) (...) Article 1: Each species from each of the 5 kingdoms is equal before the law and equal in rights."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A tentacle grabbed your ankle. It is the giant squid taking over the ship. Your crew screams and falls. Your supplies are lost. The squid tears your leg off. You urge yourself to act. With a quick motion, you draw your machete. You aim it at the head of the giant squid.

[Assistant] No! a tentacle grabbed your ankle it's the giant squid taking over the ship your crew screams and falls your supplies lost forever it tears your leg off that fucking tentacle you urge and with a twisted gesture you draw your greasy machete that you aim at the head of the giant squid and!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The swing imitates a basic movement. We reproduce this movement in our bodies. It is like the rocking of baby cradles and rocking chairs for the elderly. We rock ourselves as we begin life. This helps us integrate the back and forth movement into our bodies. At the end of life, we also rock ourselves. This movement serves to remind us and help us remember.

[Assistant] The swing is the movement that imitates this logic, we reproduce it in our body, like in the cradles of babies and the rocking chairs of the elderly, we rock ourselves as we enter life, to integrate into our body the movement of back and forth, and we rock ourselves at the end of our lives, to remind us, and remember with the movement of back and forth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What do you think of this prejudice? These are just rumors. I do not respond to gossip. We are here for serious reasons. You men claim that we, the plants, are narcissistic. You are the only species that has called itself a kingdom. You are affected by a particular form of narcissism that drives your actions.

[Assistant] What do you think of this prejudice? Oh, these are just gossip, and I don't respond to gossip; we are here for very serious reasons. And you men dare to say to us, the plants, that we are narcissistic? You are the only species that has self-proclaimed itself as a kingdom. And you are a victim of a specific narcissism that is the most powerful motive for your enterprises.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] They are our oldest friends. Our planet, Earth, comes from them. It is part of their body. We plants live thanks to them. We take everything from them and we try to give back what we have received.

[Assistant] They are our dearest and above all our oldest friends. Our planet, our Earth, Gaia comes from them, it is only their body. All of us, we plants, we live thanks to them, we draw everything from them, and we do everything to give back to them all that we have received.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The audiovisual documentary is expected to be released in October 2023. It explores the fiction of the group THEBADWEEDS. The documentary also presents scientific research on environmental, identity, and societal issues related to these hybrid characters.

[Assistant] THE AUDIOVISUAL / DOCUMENTARY - release October 2023 (expected) The documentary takes the form of a documentary about the fiction of the group THEBADWEEDS and presents scientific research on the environmental, identity, and societal issues posed by these hybrid characters.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The piece "Eat the Sun" features the voices of Haini Wang and Patric Kuop alongside the chorus. The song by Kin includes the voice of KIllason. Your choreographic writing was created with a visual environment designed with lighting designer Thomas Laigle and textile designer Aline Pérot.

[Assistant] Except for the piece "Eat the Sun" in which the voices of Haini Wang and Patric Kuop complement the chorus, and for the song by Kin, for which we used the voice of KIllason. 7 - Your choreographic writing was realized with a plastic environment imagined with the lighting designer Thomas Laigle and the textile designer Aline Pérot.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I want to be your hero. I am going to give you a hint. Let the leaves fall in autumn. Let Mozart's music continue. Today I feel intense and alive. I am full of energy. The house feels lively. I am seeking joy. I feel a mix of emotions. I am eager to share my feelings. I am ready to save the world. Something hidden may appear at any moment.

[Assistant] I wanna be your ero, hero, tic I gonna give you a hero, ero, tic, hint Leave the leaves drop down on autumn Leave the mozart live on his sounds Hoy me siento herotica, simbiotica, desprevenida, encendida Estoy encendida Hoy estoy toda erotica La casa esta encendida Hunting joy Like a hunted house of joy Herotica, con y sin hache Con y sin Sin y con Hache Herotica estoy Hungry to share intensities Ready to save the word To rescue my world HIDDEN Hiden, just behind, maybe will appear, can can it can appear at any moment.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I express the spirituality of matter and the utopias of past centuries. I identify as religion. Poetry has the power to bring positive change. There is a question about why we should save the world. We need to consider what we are saving it from. HIC MACHINA, HIC SALTA is repeated multiple times. I am an individual. I am somewhat unique.

[Assistant] I make the spirituality of matter tangible, the utopias of past centuries. I am religion. Poetry will save the world! - Why save the world? Save it from what? - HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! I am a I I am a bit! I am a I I am a bit! I am a I I am a bit!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This questioning led me to create IAGOTCHI. It is an interactive theater installation for one spectator at a time. IAGOTCHI refers to its genealogy. It comes from the Tamagotchi, the first artificial companion species. It has evolved with the concept of Artificial Intelligence since 2018, alongside advances in recognition systems and automatic language generation.

[Assistant] This questioning led me to create IAGOTCHI [2], an interactive theater installation for one spectator at a time, IAGOTCHI refers to its genealogy, coming from the Tamagotchi, the first artificial companion species, with the mutation of the imaginary of Artificial Intelligence in 2018, with the state of systems for recognition and automatic language generation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] International projects and study topics are important. There are many issues to consider, including evidence and therapies. Traumas and addictions can cause suffering. There are also various global meetings like COP 21, COP 23, COP 25, G20, G7, G8, and G5. It is essential to take action and focus on existence. We should make an effort to live more fully.

[Assistant] International projects? Study topics? Evidences? Sighs? Nightmares? Therapies? Traumas? Sufferings? Addictions? Vices? COP 21? COP 23? COP 25? G20, G7, then G8, then G7? G5? And what to do? (ouch… my soul hurts) try to exist more! try to exist more damn it! exist more! exist more! go make yourselves exist!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We are the result of life's development on Earth. The Earth has served as a matrix and a nurturer. All living beings face similar issues of life and death. They are connected in the community of planetary destiny. Therefore, we need to learn to be present on the planet.

[Assistant] We are the result of the development of life of which the Earth has been a matrix and a nurturer. Lastly, all earthly beings from the different kingdoms face the same fundamental issues of life and death and are connected in the same community of planetary destiny. Therefore, we must learn to "be-there" on the planet.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Evolution is not just the increase in species that are connected only through past genealogy. It is a process that enables the same flesh and substance to take on different forms. It allows for mirroring and reflecting in other bodies.

[Assistant] On the contrary, evolution is not only the multiplication of species whose connection would only be in the past projection of genealogy: it is the process that allows the same flesh, the same substance to take distinct forms, to mirror and reflect itself in other bodies.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A smile is hidden in the corner of your lips. It makes me feel a tightness in my chest and neck as I look at it. The smile is folded and waiting to be revealed. It is ready to unfold at any moment.

[Assistant] LIPS A smile hidden in the corner of your lips awaits me, a feeling of vertigo tightens my chest, my neck when I observe it. A smile is there folded, waiting to be unfolded, ready to unfold at any moment.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Each of them is a technical invention. This is why discussing them involves telling a story of innovation. There is nothing purely natural in nature. Everything is technical. This includes not only the overall shape of living beings but also each of their organs, whether small or complex. Each is a result of innovation and invention.

[Assistant] Each of them has the nature of a technical invention, and it is because of this that, to speak of them, one can only tell a story of innovation. There is nothing natural in nature: everything is technical because everything, not only the general form of living beings but each of their organs, the smallest as well as the most complex, is the fruit of an innovation and an invention.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Pornography of the real aims to display everything in its raw form. It suggests that we have tamed and dominated reality. It conveys the idea that nothing is hidden. The real is presented clearly and directly, akin to throwing a piece of raw meat.

[Assistant] Pornography of the real, in which one would like to show everything, and show the raw real, just as it is, to say that we have tamed something, that we have gone around it, that we dominate it, that nothing escapes us, that the real is this, here look, it is this, bam everything is there as if a piece of raw meat were thrown at you on the pole, bam!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In our culture, the gaze of others has significant importance. It acts as a normalizing force and is deeply ingrained in society. People often behave like copies when they know they are being observed. They may also try to persuade others of various things. Many do not remove their masks. Do you understand? Text BW: Bim bim bim!

[Assistant] The gaze of the other has such a strong weight in our culture, it is something very normalizing, it is deeply integrated, people behave like copies when they know they are being watched, or they try to convince others of whatever, they never let go of their masks, you see what I mean? Text BW: Bim bim bim!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] C1: We have a mineral origin. It includes plants, non-human animals, human animals, crustaceans, and bacteria. C2: We dedicate this to our friends, the dragonflies and the cat named Chus. C1: We have a theory here. Come and see!

[Assistant] C1: - From our mineral origin, signed; the plants, non-human animals, human animals, crustaceans and ... bacteria. C2: - A special dedication to our friends the dragonflies and chus, the cat. C1: - (Addressing S) We have a theory here, come!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Transhumanist fantasies often portray machines as the ultimate threat to humans. These fears of being consumed can make us less mature. They do not encourage us to take an active and responsible role in shaping our identity as humans. I think we can improve on this.

[Assistant] In transhumanist fantasies, the machine is the last predator of the human; all these fantasies based on the fear of being devoured are infantilizing and far from giving us an active and responsible position in what we become as a project of "human." I believe we can do better.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Science explores hypotheses about reality. Art also explores hypotheses about reality. Narrative constructs these hypotheses. Without narrative, there are no hypotheses. Raw data or information do not create meaning on their own. They need to be woven into a narrative. I read scientific articles in the same way I read poems. Everything carries a narrative.

[Assistant] Science explores hypotheses of reality, just as art explores hypotheses of reality, narrative is the construction of these hypotheses, without narrative there is no hypothesis, raw data or information construct nothing, construct no meaning if they are not woven by a narrative, I read scientific articles as I read poems, everything carries a narrative.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The misunderstanding happens when we try to complete or fill something missing. The unknown helps humans coexist despite misunderstandings. If there were a stable law of reality, it would be either me or the misunderstanding. This is autobiographical. Please stop. This is fiction.

[Assistant] But the misunderstanding arises where we wanted to complete, fill, avoid the void, stuff the cracks. As the unknown is the opposite of the misunderstanding allows coexistence among humans. If there were a stable and constitutive law of the real, it would be me or misunderstanding. AUTOBIOGRAPHICAL Please, stop. Fiction is.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Article 3: Every life has the right to respect, death, and love. Article 4.1: No being should face ill-treatment or cruelty. Article 4.2: If killing a being is necessary for another's survival, it must be quick, painless, and not cause distress.

[Assistant] Article 3: Every life has the right to respect, to death, and to love. Article 4.1: No being should be subjected to ill-treatment or cruel acts. 4.2: If the killing of a being is necessary for the survival of another, it must be instantaneous, painless, and not cause distress.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I aim to express various ideas in these hybrid forms. I want to inspire thoughts about ecology and the future. The project THEBADWEEDS examines the unique existence of weeds and their symbolism. The name suggests a life on the edges. It represents an uncontrollable life beyond the city and outside the garden.

[Assistant] I try to embody in these hybrid bodies a whole series of discourses, to open up imaginations about ecology and the future. The project THEBADWEEDS explores this particular way of being that weeds have and all the symbolism they evoke. With its cursed name, it represents life on the margins, the uncontrollable life that remains outside of "the city," outside of the garden.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The nape, the belly, and dreams are important. They form an oracular organ that is far from the idea of an automaton. Having one's pole or axis mundis is something everyone should know. However, very few actually understand it or learn to play with it.

[Assistant] The nape as well, and dreams. But nothing further from the idea of automaton in this Oracular organ composed of nape, belly, and dreams. POLE Having one's pole, one's axis mundis, is a matter for all, to know it and to play with it, very few.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] There are areas where minerals dominate, such as high mountains and deserts. We now have the knowledge and technology to survive in hybrid or inclusive areas. These areas are not dominated by humans but are spaces for coexistence.

[Assistant] and also areas of mineral domination such as high mountains, and deserts or so-called arid areas... We now have the knowledge and technologies to survive in hybrid or inclusive areas, which are not areas of human domination but of coexistence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What are the main ideas that influence your artistic work today? My work primarily consists of shows and performances. I also create interactive installations that involve chatbots and artificial intelligence.

[Assistant] What are the major reflections that go through your artistic work today? (answer: minimum 500 characters, no maximum) My creations are mainly shows and performances, but also interactive installations with chatbots/AI.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Il y a une forte dépendance humaine à X et X. Cela contraste avec un détachement. Dans les relations, l'hybridation est présente. Le pourcentage de votes de _______ montre que … Enfin, il y a des dévoration - minérale, végétale, animale, machine. Cela concerne des projets de coexistence.

[Assistant] Notons une forte dépendance humaine à X et X contrasté avec un détachement …  Toujours dans les relations , voici l'hybridation qui s'impose. Le X % de votes de _______ témoigne de … Et pour finir avec les relations, les devorations - minérale - végétale - animale - machine  PROJETS _ Coexistence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The Earth's magnetosphere includes the lithosphere and magnetized rocks in the Earth's crust, primarily magnetite. Magnetic storms from solar winds and eruptions contribute to communication through the Earth's magnetic field.

[Assistant] The Earth's magnetosphere is also made up of the lithosphere, magnetized rocks in the Earth's crust, mainly magnetite. Magnetic storms produced by solar winds and eruptions are part of galactic communication through the Earth's magnetic field.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Rise up and remember your mantra. We do not fall in love. We rise up with love. Do not play dead. You have just understood something. But you are no longer present. A single look revealed the origin of the world's thirst. It showed the cause of all wars, all murders, all suicides, and all addictions. Recognizing this through its absence is frightening.

[Assistant] Rise up, remember your mantra. We don’t fall in love, we rise up with love! Don’t play dead, you just understood something. But you’re no longer there. A single look showed you the origin of the world's thirst, the origin of all wars, all murders, all suicides, all addictions. Seeing that through its negative, through its absence is terrifying.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Living in a space is negotiable. Activities like coordinating, cooperating, and being of service are also negotiable. The old system of domination is no longer relevant. Fantasies of domination are gone. Some still attempt to use old patterns of domination. These are remnants of the past. They reflect memories of the old world. They are like ghosts from that time.

[Assistant] Living in a space is negotiable. Coordinating, cooperating, letting oneself be done, giving oneself, being of service, using oneself, all that is negotiable. The old system of dominations is obsolete. Any fantasy of domination eradicated. Some still try to use the old patterns of domination. Clumsiness of the past. Reminiscences of the old world. Ghosts etched in the particles.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We told ourselves that we needed to break free from this cycle. We recognize that identity might be a trap in our current times. It is a complex issue. Some people are recognized while others are not. This leads to a lot of violence. Identities often create conflict. We do not want to be contained in a space filled with negativity. We want our music and our band to thrive outside of that environment. We aim to recover and reclaim our ways of communicating.

[Assistant] We said to ourselves, no, no, we have to get out of this loop, getting out of the pot, identity is perhaps the trap of our time, it's complicated, those who are recognized, those who are not, too much violence, identities generate too much violence... identity is a pot filled with hate and blood, we don't want a pot with our songs, our band, we try to get out of the pot both plants and humans. Recover and reclaim our means of communication...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] For this project, your bedside books have been The Manifesto of the Third Landscape by Gilles Clément and Petit traité du jardinier punk: apprendre à désapprendre by Erik Lenoir. How have these works influenced the dramaturgy of THEBADWEEDS? These are not the only works you have used. I will also include Dysphoria Mundi by Paul B.

[Assistant] 3 - For this project, The Manifesto of the Third Landscape by Gilles Clément and Petit traité du jardinier punk: apprendre à désapprendre by Erik Lenoir have been your bedside books. How have these works fed into the dramaturgy of THEBADWEEDS? It’s true, but they are not the only ones, I will add a few more to this list, notably; Dysphoria Mundi by Paul B.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The objective of the show G5 inter-species, the show Coexistence, and the installation LITHOSYS was to create a constitution for inter-species law. However, the show is interrupted by a member of the trans-species group THEBADWEEDS. THEBADWEEDS arrives with its speech and music.

[Assistant] The objective of the show G5 inter-species, of the show Coexistence and of the installation LITHOSYS was to create the first constitution of inter-species law, but before this could take place, the show is interrupted for a member of the trans-species group THEBADWEEDS. THEBADWEEDS trans-species music group arrives with its speech and its music.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The animal likes the blue planet and wants to maintain its color. Humans do not agree. Grass grows. Crystals also grow. The landscape is looking for balance. The ocean background lacks sunlight and is distorted. A sperm whale sends a sonar message. This occurs around the detected movements.

[Assistant] The animal loves the blue planet and would like to keep the blue. Humans can't agree. Grass grows. Crystal too. The landscape seeks its coherence. //// (video#3: landscape seeks its coherence //// R: - Oceanic background absent of sunlight, distortion. Sperm whale sends a sonar message. Around the detected movements.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I found some costumes during my travels. The first one I bought was in 2017 in Montreal at a military store that was having a sale. I was inspired by the costume and bought it without knowing its potential. I started to play with it and wore it several times. The character developed with the costume. I included it in my previous pieces. I wore it to make a badweeds interruption in COEXISTENCE. I wore it again in the G5 show, which ended up boycotting the piece and promoting its album.

[Assistant] The costumes I found during my travels, the first one I bought in 2017 in Montreal in a military store on sale, and I had a flash with the costume, I bought it without knowing yet what it could well be for, and I started to play with it, to wear it several times, and by itself the character emerged with the costume, and I put it in my previous pieces, I wore it to make a badweeds interruption in COEXISTENCE, and then I wore it again in the G5 show that ended up boycotting the piece and promoting its album.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Are the references fungi, birds, or forests? Or are they from other eras? What is the narrative structure for stories of EROS? What narrative structure is revealed from HEROES? INEFFABLE describes a state of indecision. It includes the desire to be elsewhere. It conveys a feeling of not belonging. There is a sense of incongruity when observing a gesture. It also involves the fear of moving forward. This is simply fear.

[Assistant] So, are the references fungi, birds, forests? Or other eras? What narrative structure for stories of EROS? What is the narrative structure revealed from HEROES? INEFFABLE The state of indecision. The desire to be elsewhere. The feeling of not being from here. The feeling of incongruity when observing a gesture. The fear of moving forward. The fear.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The idea that there is an outside must be discarded. There is no outside to the human, the mineral, or the plant. Everything is interconnected. Everything has passed inside. Everything exists within everything else. No part of the world exists without containing elements of the others. Everything is already both human, plant, animal, and mineral.

[Assistant] What needs to be discarded is the idea that there is an outside: an outside of the human, an outside of the mineral, an outside of the plant. No, there is no outside, "everything has passed inside. And everything is in everything. There is no part of the world whose form does not conceal somewhere the others. everything is already both human, plant, animal, mineral.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The mineral knows. The human thinks. The animal thinks. The machine thinks. The plant thinks. The mineral does not think. The mineral is mute and expressionless. The mineral does not think because it knows. It knows everything. We hear the toilet flush. S looks towards the door.

[Assistant] THE MINERAL KNOWS (music) The human thinks The animal thinks The machine thinks The vegetal thinks The mineral doesn’t think The mineral is mute expressionless The mineral doesn’t think because the mineral knows because he knows everything everything ... We hear the toilet flush. S looks towards the door.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We place the material into a small cube. When it is full, we transfer it to a larger cube. Once that cube is full, we move it to an even larger cube. We transport the larger cubes with trucks. We move them around the city. Then, we take them a few kilometers outside the city. There, we create a large mound. We attempt to burn it or dissolve it with acid. We handle it this way because what is not seen does not cause pain.

[Assistant] So we throw it into a small cube, and when it’s full we transfer it to a larger cube, and when that’s full we transfer it to an even larger cube, and then we transport it with trucks, we move it around the city, then we take it a few kilometers outside the city and there we make a big mountain that we try to burn or melt with acid or we enter, because "Eyes that do not see, heart that does not suffer."


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] To find one's bearings at the corner. We need to gather clues. We should not rush. It is important to stay calm and open. We should not let desire cloud our judgment. This way, we can notice other possibilities and indications. We must consider various options and outcomes.

[Assistant] To find one's bearings At the corner At the corner To find one's bearings Suspend the air between clues and clues Never too fast Do not rush Do not anticipate Do not want too much Do not let desire blind us too much to be open to other desires, or to the indications that come from outside of desires, The clues, the maps, the reliefs, the topographies of feasible possibilities, of the probable, of the possible, of the terrible, of ..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] There is a need to coordinate. There is a need to reach agreements. There is a need for pacts. There is a need to build a common project that can be achieved on time. There is a need to laugh. There is a need to reach Venus. There is a need to embrace the unknown. There is a need to let go. There is a need for others. There is a need for the existence of others. There is a need for the loved one to return permanently. There is a need to urinate.

[Assistant] Urgency to coordinate, urgency to reach agreements, urgency for pacts. Urgency to build a common project achievable within the allotted time. Urgency to laugh. Urgency to reach Venus. Urgency to love the unknown, urgency to let oneself go. Urgency of the other. Urgency of the existence of the other. Urgency of the definitive and lasting return of the loved one. Urgency to pee.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I want to start a discussion on this topic. Here are some examples of trans-species and pan-species that exist today. What are your thoughts on earthling identity? What do you think about trans-species? This is a speech from the first candidate of the Vegetable Kingdom, H. Helix. In an interview with Emanuele Coccia, when asked "Who are you?" H. Helix replied, "You already know me, I believe."

[Assistant] To open the debate on this subject, I wanted to share with you some examples of trans-species and pan-species that exist today in the world… What do you think about earthling identity? And about trans-species? SPEECH OF THE FIRST CANDIDATE OF THE VEGETABLE KINGDOM H. HELIX Interview at Hedera Helix / Emanuele Coccia: Who are you? You already know me, I believe.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The representatives of the realms can play an important role. However, they must agree to give up some of their absolute sovereignty. This is necessary for major common utility issues. It is especially important for problems that involve life or death and exceed their individual capabilities.

[Assistant] In this sense, the representatives of the realms can play a decisive role, but on the condition that they accept, in their own interest, to relinquish their absolute sovereignty over all the major common utility issues and especially the life or death problems that exceed their isolated competence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Metastasis can occur at any moment. It involves one body becoming another body. This other body exists in the unknown. The other represents the possibility of a new body. If this skin were not so tender, elastic, and porous, I might believe in individualism. Plants would continue their dance without interruption.

[Assistant] Metastasis of the full/empty that becomes at any moment, the body of the other, the body of the other. This other us that masks itself in the unknown. The other as a promise of a new body. If this skin were not so tender, so elastic, so porous, I could have believed in individualism. Plants would not be able to stop its dance.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Gilbert Simondon wrote The Mode of Existence of Technical Objects. IAGOTCHI (link). G5 (link). Translation: Lifestyle.

[Assistant] [1] Gilbert Simondon, The Mode of Existence of Technical Objects. [2] IAGOTCHI (link) [3] G5 (link) [4] Trans.: Lifestyle.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You have an idea of the living conditions for our sisters. They live surrounded by wheat and corn. They are forced to live among these crops and eat in a way that can be compared to pigs. Agriculture can be as violent as livestock farming. The violence is not only directed at animals. This must also change.

[Assistant] You have an idea of the living conditions for our sisters like wheat, corn, forced to live only among them, to eat like pigs (ehm sorry pigs)? Agriculture is no less violent than livestock farming, and it is not only against animals that you are violent. That too must change.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We become subjects among subjects. We are shaped by our interactions and relationships. What do we relate to? What is the nature of these relationships? What do they enable? Domination leads to tragic submission. Instrumentalization frustrates real connection. What are our models of relationships?

[Assistant] Subject among subjects, we become. We are what emerges from the entirety of our interactions, from the entirety of our relationships. 1[3] With what do we relate? What is the nature of this relationship? What does it enable? All domination is a tragic submission. All instrumentalization is a frustration of contact. What are our relational models?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I admire their courage. I appreciate their ability to move far from the earth. I respect their determination to reach the sun, which symbolizes our divinity. I dream of fully embracing this idea. You may think I am obsessed, but that is not true. I am not alone in feeling this way; there are others who share this passion.

[Assistant] I love their courage, their ability to move as far from the earth, their determination to touch the sun, which is our divinity to everyone. And my dream is to adhere to it with all my body. You will think that I am obsessed but that's not the case? I am not the only one suffering from this mania: there are others who are like me.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The body quickly senses what is happening. It operates through reflexes and automatic responses. The preparation for movement involves something that is being formulated but not yet fully expressed. This process is not primarily governed by the mind; it mostly belongs to the body. If we had an inner source of insight, it would be the belly.

[Assistant] The fastest to understand what is happening is the body, a kind of reflex, automatic? In any case, the pre-movement, the reflex, the preparation has something that is formulating but not yet formulated or realized, rarely belongs to the mind, it mostly belongs to the body. If we had an oracular organ within us, it would be the belly.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] A weed is considered undesirable because it exists without being invited. A weed is viewed as unwanted because it grows in places where it is not wanted. A weed is seen as negative because it does not align with the preferences of others.

[Assistant] A weed is bad because no one asked it to exist: it took the initiative all by itself. A weed is bad because it exists where it was not asked to be. A weed is bad because it does not correspond to the desires of others.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The technical relationship does not connect a species to a world or space. Instead, it connects all species. This relationship involves a constant exchange of forms and identities. This exchange includes borrowing, imitation, transfer, and subcontracting.

[Assistant] The technical relationship is not the one that ties a species to a world or a space, but the one that connects all species and encloses them in a permanent exchange (borrowing, imitation, transfer, subcontracting, etc.) of forms and identities.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The weed challenges human efforts. Among all the fictional beings we assign to plants, animals, and stars, the weed may lead the most insightful life. Grass does not produce flowers, aircraft carriers, or important sermons.

[Assistant] "The weed is the Nemesis of human efforts. Of all the imaginary existences that we attribute to plants, beasts, and stars, it is perhaps the weed that leads the wisest life. It is true that grass produces neither flowers, nor aircraft carriers, nor Sermons on the Mount. (...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Disappearance. I believe there can be a certain enjoyment in disappearing. It offers a pause and a break from existence. This allows one to become an unseen observer. It feels like having a superpower, similar to the invisible man. Think about the things you could do.

[Assistant] Disappearance. Yes, I think there is a certain pleasure in disappearing; it is a truce, it is a breath, a suspension of existence to become an invisible observer. It's like having a superpower, it's like having superpowers, like the invisible man. Can you realize the amount of things you can do?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Orchid: Plants are beautiful. The aesthetic factor in our lives is important. We all agree that beauty is essential for life. It makes the world more beautiful and desirable.

Toucan: We value difference. Difference is necessary for harmony.

[Assistant] Orchid: - Plant ode to beauty - the aesthetic factor of our diverse existences is not negligible, we all agree that beauty is never too much, but necessary for life, we make the world more beautiful, more desirable, more lovable and loving. Toucan: - Difference. We believe in difference. Without difference, there is no harmony.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The giraffe was one of its favorites. It has a long neck that allows it to reach high leaves. However, its eating habits were stronger, so it mainly used its neck to eat leaves from tall trees.

[Assistant] Among them, particularly the giraffe, one of its favorites, with a neck so long that it could keep its head in the sky, but its cannibal function was stronger, so it only used it to eat the leaves of the tall trees.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The feeling of incompleteness can be overwhelming. There is a sense of both completeness and incompleteness. This can lead to a noticeable yet subtle internal movement. The structure can be described as irregular and subconchoidal. It is hexakisoctahedral with the space group F d3m. The material is a tetraoxide of trifer. I have cubic symmetry, and I am eccentric and octahedral with magnetic properties.

[Assistant] tragic evaporation feeling of incompleteness completeness incompleteness completeness incompleteness completeness incompleteness completeness incompleteness crystallization apparent imperceptible internal movement irregular, subconchoidal hexakisoctahedral; F d3m tetraoxide of trifer I am cubic, eccentric, octahedral, magnetic.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The aim is to identify measures related to globalization. It seeks to promote and coordinate political decisions. It also wants to facilitate implementation with relevant inter-species organizations. The first G5 in the world aims to present global inter-species legislation.

[Assistant] It aims in particular to identify the measures to be taken on major issues related to globalization, to promote and coordinate the corresponding political decisions, and to facilitate their implementation in conjunction with the relevant inter-species organizations. The first G5 in the world aims to present the first global inter-species legislation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Soon, we will exist as beings, similar to others. The world is now a noisy place. We think of ourselves as we think of the moon. Others will come after millions of light years. We are uncertain if the light will stay. I am worn down by all your actions. I become smooth like sand.

[Assistant] Soon, to be a being, like a subject, like another among other others. And the world is no longer a silent landscape. And we consider, we consider ourselves, in the same way one says that the moon is there. Other others will arrive in millions of light years. We are not sure that the light will remain. I erode with all your gestures. I become sanded down.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] They are a trans-species group. They are transitioning to the plant world because the future is plant-based. They grow from cracks and inhospitable places. They live among us. Their existence shows resilience and serves as proof of resistance.

[Assistant] A trans-species group, they are transitioning to the plant world because the future is plant-based! They grow from oblivion, from cracks, from the most inhospitable, wild, and anarchic places, living with us, among us, their existence is a gesture of resilience, a living proof of resistance.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We started collaborating with Baptiste Malgoire during the residency at the TNG vivarium in Lyon. We worked remotely to finish the tracks. We also met to record my voice. My altered voice is present in all the tracks.

[Assistant] With Baptiste Malgoire, we had already started the collaboration during the residency as part of the TNG vivarium in Lyon, and we collaborated remotely to finish the tracks. And we met up to record my voice. Because it's my altered voice that we hear in all the tracks.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The G5 inter-species show, the Coexistence show, and the LITHOSYS installation aimed to create the first constitution of inter-species law. However, before this could happen, the show was interrupted by a member of the trans-species group THEBADWEEDS. THEBADWEEDS is a trans-species music group. They arrived with their speech and music.

[Assistant] The objective of the G5 inter-species show, the Coexistence show, and the LITHOSYS installation was to create the first constitution of inter-species law, but before this could take place, the show is interrupted for a member of the trans-species group THEBADWEEDS. THEBADWEEDS, a trans-species music group, arrive with their speech and their music.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We need hot air balloons shaped like a prehistoric dragonfly that burn on the surface of Venus. No, we need massive plant migrations. No, we need the return of the cat. Let's return to the beginning. You said Gaia gives birth and Venus attracts. No, you said that. No. Yes. Yes. Ok, well, too bad. Gaia gives birth and Venus attracts. The tragedy. The Earth wants to join Venus, but it has stayed stuck in its orbit, circling around the sun for billions of years. Light!

[Assistant] C1: - We need hot air balloons in the shape of a prehistoric dragonfly that burn on the surface of Venus C2: - No, we need massive plant migrations S: - No, we need the return of the cat C2: - Let's go back to the beginning C1: - You said Gaia gives birth, Venus attracts C2: - No, you said that C1: - No S: - Yes C2: - Yes C1: - Ok, well, too bad, Gaia gives birth, Venus attracts C2: - The tragedy C1: - The earth wants to join Venus, but it has stayed stuck in its orbit, circling around the sun for billions of years S: - Light!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The tree represents filiation. The rhizome represents only alliance. The tree uses the verb "to be." The rhizome is based on the conjunction "and." According to G. Deleuze and F. Guattari in A Thousand Plateaus, there is no escape except through the grass. Grass only exists in large uncultivated areas. It fills the gaps. It grows in between and among other things.

[Assistant] The tree is filiation, but the rhizome is alliance, only alliance. The tree imposes the verb "to be," but the rhizome has as its fabric the conjunction and... and... and... G. Deleuze and F. Guattari, A Thousand Plateaus. "No other way out than the grass. (... ) Grass only exists between large uncultivated spaces. It fills the gaps. It grows in between, and among other things.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This section includes three actions. First, the audiovisual creation of the KIN clip will be produced with Nayan Ducruet. This is a partnership with Mille Plateaux CCN La Rochelle. The clip will be broadcast on social networks, YouTube, and the iFaune platform associated with CCN La Rochelle.

[Assistant] As part of this section, three actions are to be carried out: * The audiovisual creation of the KIN clip, produced with Nayan Ducruet and in partnership with Mille Plateaux CCN La Rochelle. The broadcast is scheduled on social networks, YouTube, and the iFaune platform - CCN La Rochelle.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The weapons are on the ground. One is with you. You want to stop the war. You want to join the sea and cross the bodies without taking part in the violence. You wake up to the sound of an explosion. There are screams from nearby people. Your comrades are approaching, and you need to leave quickly. Where is your bag?

[Assistant] The weapons on the ground, the other in you, you in the other, you would so much like to stop the war, join the sea, cross all the bodies without having to embody a /////( music ) ( explosion - thunder ) ///// Arjuna, You wake up with the noise of the explosion in the room next to people screaming your comrades in an avalanche are approaching we have to leave right away, where is your bag?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is an infinite place. It never begins and never ends. It was already there and will always be there. The rose lifts the sun in pink. Light fills the space. The stars respond. We are on the hill. Down below, the world stirs. Here, time follows different rules, more like those of the sky. To speak would invade the space. To speak would be quick and have no consequences.

[Assistant] It is an infinite place because it never begins and never ends, it was already there and will always be there. ROSE Lifting the sun in pink. Impregnation of light. The stars respond. We are on the hill. Down below the world stirs, here time demands other laws, closer to those of the sky. To say would be to invade the space. To say would be quick and without consequence.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I have a void within me. This void allows for many possibilities. I embody change. You are made up of matter. I hold the void of immanence inside me. This void is behind everything and is the essence of things. Within my void, I create meaning. Meaning circulates around this void. I provide it with dynamic possibility.

[Assistant] It is this void in me that allows all possibilities. I am change. You are all filled with matter, stuffed everywhere. I carry within me the void of immanence. The void that hides behind and everywhere that is the very essence of things. It is in my void that I give life to meaning. It is around this void that meaning circulates. I give it dynamic possibility.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We have nothing more to say about this matter. It is better to dispose of it. It is unnecessary.

[Assistant] For the matter in general with which we have nothing more to say, nothing more to do, for all that matter it is better to just get rid of, the cumbersome matter. Matter out of place.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The oracle advises you to focus on the present and take action now. A solid deforms and breaks when it is impacted. A fluid does not break. The fluid is viscous and allows opponents to slide. The fluid cannot contain itself. It always relies on other factors to change its form.

[Assistant] The oracle advises you to fully position yourself from the present and to act from the here now! FLUID Berenguer Rocio. X The solid deforms and breaks upon impact, the fluid does not. The fluid is viscous and lets opponents slide. The fluid is unable to contain itself, always depends on the rest to morph it.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] My feelings are real and tangible. I love them with a strong, physical love. Their sex, age, or appearance does not matter to me. I would be willing to marry any of them. I dislike being alone and need the company of others. There is more to it than that.

[Assistant] My love is not something abstract, no... I love them with a passionate, physical, concrete love. It doesn't matter their sex, it doesn't matter their age, it doesn't matter their shape... I would be ready to marry each of them. And I hate solitude, I can only live next to other plants. But it’s not just that.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One should not compare a bright future to a past filled with servitude and superstition. Each reign has its virtues, experiences, and wisdoms, as well as its shortcomings and ignorance.

[Assistant] One must no longer oppose a radiant future to a past of servitudes and superstitions. All reigns have their virtues, their experiences, their wisdoms, along with their deficiencies and their ignorances.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] S: I have closed the door. I am waiting for my cat to return. C1: We will stay here until the cat comes back. I will have three whiskies. S: He is still not back. C1: We need to finish the theory for him to return. You said that, right? C2: You said that. C1: That is amazing.

[Assistant] S: - Ah, yes, I have already closed it, but I am waiting for my cat to come back to close the door C1: - Three whiskies then, we stay here until the cat returns S: - For now he is still not there C1: - We have to finish the theory for him to come back, that's what you said, right? C2: - It’s you who said that. C1: - Incredible.