[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The stage allows me to perform a political act. It involves placing bodies, moving bodies, disobeying with bodies, and reinventing bodies. Thebadweeds was created in March 2023 in Poitiers. It was shown in April in Madrid at Teatros del Canal, and in May at the Théâtre de la Ville in Paris. The show is available on tour. Bibliography: Francis Hallé, Eloge de la plante, Paul B.

[Assistant] This is what the stage always allows me to operate, this political act of placing bodies, moving bodies, disobeying with bodies, reinventing bodies. Thebadweeds was created in March 2023 in Poitiers, in April in Madrid at Teatros del Canal, and in May at the Théâtre de la Ville in Paris. Show available on tour (link). Bibliography: Francis Hallé, Eloge de la plante, Paul B.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
I received several galactic messages. The details are as follows:

- Meteorite from Bettrechies, France, 1934. Type: H3-6. Mass: 11 kg.
- Meteorite from Aarhus, Denmark, 1951. Type: H6. Mass: 1 kg.
- Meteorite from Abee, Canada, 1952. Type: EH4. Mass: 107 kg.
- Meteorite from Acapulco, Mexico, 1976. Type: Acapulcoite. Mass: 2 kg.
- Meteorite from Achiras, Argentina, 1902. Type: L6. Mass: 1 kg.
- Meteorite from Adhi Kot, Pakistan, 1919. Type: EH4. Mass: 4 kg.
- Meteorite from Adzhi-Bogdo, Mongolia, 1949. Type: LL3-6. Mass: 1 kg.
- Meteorite from Agen, France, 1814. Type: H5. Mass: 30 kg.
- Meteorite from Aioun el Atrouss, Mauritania, 1974. Type: Diogenite-pm. Mass: 1 kg.
- Meteorite from Aïr, Niger, 1925. Type: L6. Mass: 24 kg.
- Meteorite from Aire-sur-la-Lys, France, 1769. Type: Unknown.

It was you who came. I know. Yes.

[Assistant] I received numerous galactic messages: Meteorite: Bettrechies France, 1934, Type: H3-6, 11 Kg mass Meteorite: Aarhus Denmark, 1951, Type: H6, 1Kg mass Meteorite: Abee (en), Canada, 1952, Type: EH4, 107 Kg mass Meteorite: Acapulco, Mexico, 1976, Type: Acapulcoite, 2 Kg mass Meteorite: Achiras, Argentina, 1902, Type: L6, 1 Kg mass Meteorite: Adhi Kot (en) Pakistan, 1919 Type: EH4, 4 Kg mass Meteorite: Adzhi-Bogdo (en), Mongolia, 1949, Type: LL3-6, 1 Kg mass Meteorite: Agen (en), France, 1814, Type: H5, 30 Kg mass Meteorite: Aioun el Atrouss, Mauritania, 1974, Type: Diogenite-pm, 1 Kg mass Meteorite: Aïr Niger, 1925, Type: L6, 24 Kg mass Meteorite: Aire-sur-la-Lys, France, 1769 Type: Unknown it was you who came… I know, yes..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You cannot imagine what was involved. From there, you started to take minerals hostage. You took stones, steel, clay, and sometimes even wood from the plants. You used these materials to build huge dens for yourself.

[Assistant] You can't even imagine what all this involved: it was from there that you started to take minerals hostage - stones, steel, clay (and sometimes even wood taken from us, the plants) to build huge dens intended exclusively for you.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You want people to stop falling in love. You want them to rise instead. You write a statement on your skin. It says, "I do not fall in love. I rise in love." You repeat it several times like a mantra.

[Assistant] You want people to stop falling in love, for no one to fall but to rise. You write a manifesto on your skin, “I do not fall in love, I rise in love.” “I do not fall in love, I rise in love.” “I do not fall in love, I rise in love.” “I do not fall in love, I rise in love.” You repeat it like a mantra.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I am in pain. There is smog in my eyes and anger in my teeth. I have a nice smile and nice words. The hours and days pass by. There is forgetfulness and endless love. Love is infinite. Love is everything. Love is love. Love is life. It is always there, even in the rain and in forgetfulness. This love can be overwhelming. This terrible love for love is also a beautiful love for life. What can I do?

[Assistant] (aie… j’ai mal à l’âme) Smog dans les yeux la rage dans les dents beau sourire beau dire Et les heures, et les jours, l’oublie, et l’amour indéfinie, et l’amour infinie a tout, et l’amour à l’amour et l’amour a la vie. Toujours là, sous la pluie, sous l’oublie. L’amour terrible à la vie. Toujours là cette terrible amour à l’amour cette terrible magnifique amour à la vie et quoi faire?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I explore various places. My curiosity drives me to reinvent myself. I question everything around me. I have power in my words. Through speech, I express many ideas and create new ones. I constantly open and close opportunities. I connect with others, but I also create divisions. I control my actions and manage my thoughts. I sometimes feel like I am escaping from myself.

[Assistant] Digging everywhere, exploiting the infinite curiosity that determines us, reinventing myself strange and foreign in order to question everything. I have the power of the word, with speech I contain all worlds, I invent new ones, I constantly open and close doors. I connect, I divide myself. I control, I manage, I escape, I am what escapes me.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I want to develop a theory of misunderstanding. I want to show how misunderstanding relates to matter. I aim to demonstrate that misunderstanding is a fundamental aspect of reality. I believe misunderstanding is central to the development of life.

[Assistant] I would like to develop a true theory of misunderstanding, to demonstrate to what extent misunderstanding is even prior to and internal to matter itself. I would like to show how misunderstanding is reality itself, to what extent misunderstanding is the central principle of the development of life itself.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Our kingdom is becoming more divided. The human divide is creating many divisions in our kingdom. This means we are moving away from our connection to animals. We need to protect the wild zones. We require an algorithmic identity. We also need more land area.

[Assistant] Our kingdom is increasingly divided, the human fracture, which we call to create numerous divisions in our kingdom, means that we are becoming less and less Animal: - The protection of "the wild zones".! Machine: - An algorithmic identity. Plant: - More land area!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] You damage the dams and impose curfews. You create antivirus and reactivate sensitive fibers. You express fear, jealousy, and nihilism. You show love and throw hearts like a Care Bear. You see yourself as both a Care Bear and a Power Ranger. You call yourself "the lover," referencing figures like Nelson Mandela, Mother Teresa, Amma, and Tuipei.

[Assistant] You blow up the dams, the curfews, the antivirus, you reactivate the sensitive fiber, you rage the fear, jealousy, nihilism like flies. bng pim bin love attack you throw hearts with your chest like a Care Bear you're between the Care Bear and the Power Ranger you call yourself "the lover," Nelson Mandela, Maria Teresa of Calcutta, Amma, Tuipei, Thelover...


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Show what is unspoken and unseen. Highlight the hidden aspects and suggest adding to the image with imagination and desire. Keep in mind that this fantasy, this projection onto the image, is a subjective creation. It comes from us. Our desire completes the image and fuels the mystery.

[Assistant] Indicate the unspoken, the unseen, indicate the hidden, and suggest completing the image with the imaginary, imagination, desire. While remaining aware that this fantasy, ghost that we have projected onto the image, is nothing other than a subjective phantom fantasy, which comes from us, that it is our desire that completes the image, that it is our desire that feeds on the mystery.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Some sources suggest that this project is a plan to remove humans from Earth using several spaceships. It involves cooperation with machines and is called H.E.L.P. Another version of this project is led by the animal kingdom, and it is also referred to as HELP.

[Assistant] According to some sources, this project seems to be a proposal to expel humans from Earth in several spaceships with the collaboration of the machine kingdom. H.E.L.P. (HUMAN EXPULSION LEAD PROJECT)_ Another version of this same project led by the animal kingdom is the HELP.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The first five years focused on dystopian narratives. I aimed to highlight certain issues and dangers. The research, titled "the battlefield my body," produced works on ergonomics, homeostasis, and non-place bodies. I explored the relationship between the body and topics like architecture, urban planning, new technologies, scientific discoveries, and gender. In 2018, I decided that criticizing was not enough. I believed it was important to create "utopian" fictions. I wanted to propose futures, worlds, and realities that I felt would be good to live in.

[Assistant] The first 5 years were built mainly around dystopian narratives, where I sought to warn about certain deadlocks and dangers. Ergonomics, Homeostasis, Non-place bodies, the practical guide to the uses of the body in public spaces were the creations produced in this research called "the battlefield my body," where I worked on the political injunctions of the body in relation to architecture, urban planning, new technologies, scientific discoveries, gender... And in 2018 I told myself that there was no point in criticizing, that it was necessary to propose "utopian" fictions, to propose, to propose futures and worlds and realities in which I believe it would be good to live.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Humans began to change matter and shape the earth to meet their needs. The atmosphere became more fragile and thinner. Humans created a hole in the atmosphere. They built many machines and sent the first one into space. The moon has been reached. The next target is Mars. Will Venus be next?

[Assistant] Humans began to transform matter, to dominate it, to shape the earth's crust to their needs. The atmosphere became increasingly fragile and thin, and humans even managed to create a hole in the atmosphere. They started to create more and more machines until they succeeded in sending the first one into space. The moon has been reached. The next one is Mars. Will Venus follow?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Lawn: I invented the mood.
Bonobo: We should stop interrupting me.
Orangutan: Luddens protocol.
Crystal: We also push and grow. We are cut.
Poultry: It is time to abolish genetic manipulation by humans.

[Assistant] Lawn: - I / Bonobo: - we invented the mood Lawn: - I would like us to stop interrupting me,/ Orangutan: - luddens protocol! Crystal: - we also push, grow, we are cut Poultry: - it's time to implement the abolition of genetic manipulation by the human reign.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We want more interdependence, cooperation, and reciprocity. Our economic system harms life and the planet. This is the problem of self-replicating crystals. Where is this memory located? Is it between our bodies? There is kindness in cellular entropy. The whole exists in everything, and we need the presence of others.

[Assistant] We demand more interdependence, cooperation, and reciprocity. Our economic system is at war with life, against our planet. Misfortune of self-replicating crystals. Where is this memory hidden? Between our bodies? Kind movement in cellular entropy. The whole in everything, and we need the body of the other.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] They seek warmth. They seek the center of the earth. They want to merge with its magma. From this warmth and the earth's energy, they absorb power. This energy transforms into sap. It rises and spreads throughout the body. They have the power of the earth's center, which reaches for the stars. While inhaling, they rise upward. When exhaling, they spread downward towards the earth's center. Inhaling raises this energy upward. Breathing connects the high and the low. They try to link the earth's fire with the sun's fire. They create tension between these two fires. They seek water and absorb it through their skin. They inhale water and exhale air. Between the earth's fire and the sun's fire, they transform water into air. They grow downward to grow upward. They become a surface that expands. Their skin seeks to cover as much space as possible. Their skin, rich in chlorophyll, spreads throughout the room. Each extremity branches out into countless nerve endings, where many leaves sway.

[Assistant] As if they were seeking warmth as if they were seeking the incandescent center of the earth as if they were seeking to melt into its magma and from this warmth from the telluric force of the earth they absorb the energy which transformed into sap rises and spreads throughout your body from this force that comes from below, from this sap that, on the inhale, you make rise upward you have all the power of the center of the earth that seeks to join the stars that spreads upward inhale and rise with it on the exhale we spread out a little more downward, towards the unknown of the center of the earth on the inhale we raise this force upward we spread upward while breathing you connect the high and the low the low and the high while breathing you try to join the burn of the earth with the burn of the sun bridge between the two fires you create the atmosphere of this vertical tension between the fire of the earth and the fire of the sun you seek water you absorb water through your porous skin that sweats conversely inhale the water exhale the air between the fire of the earth and the fire of the sun you seek water to transform it into air you grow downward to grow upward you become extension your skin gains more and more space, it spreads everywhere you become surface your skin full of chlorophyll seeks to spread to occupy the maximum possible space kilometers of skin spread in the room and mingle with those of others each of your extremities multiplies branches out into an infinity of nerve endings on which millions of leaves swing.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] To prepare for the choreographic work, I watched many hours of pop, trap, and hip-hop clips. I selected phrases and gestures from these videos. I found inspiration from Madonna, Beyoncé, Michael Jackson, and afrobeat movements. These movements were popular with teenagers on social media.

[Assistant] To prepare for the choreographic work, I spent many hours watching pop, trap, and hip-hop clips, and I selected phrases and gestures. I drew inspiration from Madonna, Beyoncé, Michael Jackson, and the afrobeat movements that I found on social media, which were taken up by teenagers.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
Parasitism, mutualism, cooperation, competition, and symbiosis are important concepts in survival science. These ideas relate to the philosophy of survival and various survival games. Many organizations may misrepresent these concepts. Birds organize through communication across the planet. Some individuals are unwilling to trust others while many are motivated to connect.

The landscape raises questions for representatives of the plant kingdom. I want to know how you will address issues of invasion and parasitism, which are common and sensitive topics.

[Assistant] Parasitism, mutualism, cooperation, competition, symbiosis, survival science and knowledge of survival philosophy of survival survivology / surbiologism / survival philosophy game game game game all other organization is false Flock of birds: - We organize ourselves in the process of communication across the globe = planet some do not want trust others not interested many motivated The landscape: - Question for all the spokespersons of the plant kingdom. I wanted to know how you will manage the questions of invasion and parasitism, common main issues and very delicate balance.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] It is a way to resist permanent categorization. This relates to identity. We are identified and identifiable. We are visible and seen. There is a focus on the number of views to achieve visibility. More views can mean more truth. This is a form of resistance.

[Assistant] It is a way to resist perhaps this permanent categorization, to the paths of identity, identified, identifiable, idem identical, idem, visible, seen seen seen, this hunt for the number of views to visibility, more seen, more true eh.. to resist, yeah… to this….


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I hold onto other plants and do not let them go easily. This is a small flaw of mine. There is nothing wrong with being attached to people. I do this out of love. I cling to others because I love plants. In fact, I love all plants. That is why I became their representative.

[Assistant] I cling to other plants and I don’t let them go easily. It’s my little flaw, it’s my little vice. There is nothing wrong with getting attached to people. Above all, I do it out of love. If I cling to others, it’s because I love plants, and really I love all plants - that’s why I became their representative.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] What should I do? Should I forget it? Should I resist it? Should I forgive it? Should I proclaim it? Should I deny it? Should I sanctify it? Should I sing it a song? Should I accept it? Should I create museums, monuments, temples, or stadiums? Should I write books? Should I make memorials, gods, or presidents? Should I establish benchmarks, identities, flags, instastories, or tattoos?

[Assistant] And what to do? (ouch... I'm hurting in my soul) Forget it? Resist it? Forgive it? Proclaim it? Deny it? Sanctify it? Sing it a song? Accept it? Create museums, monuments, temples, stadiums? Gymnastics exercises? Books? Memorials? Gods? Presidents? Benchmarks? Identities? Flags? Instastories? Tattoos?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Your people often use different names for us. You call me "drienne," "Saint John's herb," "roundette," "rondette," "rondote," and sometimes "tree executioner." However, you most frequently refer to me as ivy, which is based on the Latin name hedera. In contrast, we have our own ways of identifying things.

[Assistant] Your people also enjoys designating us with different names: you call me "drienne," "Saint John's herb," "roundette," "rondette," "rondote," and more cruelly "tree executioner." Most often, however, you say ivy, which is a distortion of the Latin name hedera. Among us, everything is obviously different.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
R: This voice?
M: I like this one.
R: Don't you want to choose a voice that is a bit more...
M: Sweet? Assertive? Deep? Funny?
R and M: Yes. No.
M: I like this one. (He returns to his voice.)
R: Okay, shall we go?
M: Okay.
TODAY
R: Today.
M: I have a doubt.
R: After.
M: I have a...
R: Can we look at the situation from the human side?

[Assistant] R: - This voice? M: - I like this one. R: - Don't you want to take a voice a little more... M: - Sweet? Assertive? Deep? Funny? R+M: - Yes-No. M: - I like this one. (he returns to his voice) R: - okay, shall we go? M: - okay. TODAY R: - Today M: - I have a doubt, the R: - After M: - I have a/ R: - Can we see the state of the thing from the human side?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Ta ta ta ra ta ta ta! Ta ta ta ra ta ta ta! One day, poor Arjuna felt overwhelmed. All the pain of the world seemed to fill his throat. He experienced a stormy feeling in his mouth. It felt like an existential crisis. There was a historical wound and emotional overload. It felt like a deep burn inside. He thought he might have a cardiac arrest. What? No. What? Shit!

[Assistant] ta ta ta ra ta ta ta ! ta ta ta ra ta ta ta ! But one day, aiiiie… Oauis, poor Arjuna also one day like that one stupid day all the pain of the world accumulated in your throat, stormy mouth, existential cramp, historical wound, emotional overload, burn of the marrow, cardiac arrest. What? no. What??? !! Shit !!!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We have different names for communicating. Among plants, I am known by a name that translates to ball or crackling in your language. This may sound like an insult, but it is not. The name reflects my tenacity. I do not give up easily. I can be very insistent and sometimes intrusive.

[Assistant] We have other names to speak to each other. Among plants, I am known by a name that could be translated in your language as ball, or better, crackling: it may sound like an insult, but it is not. The name comes from the fact that I am someone tenacious, I do not let go. I am very insistent, sometimes intrusive.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Dott is a member of the group thebadweeds. Dott is not a hero but an Eros.

[Assistant] Dott is one of the members of the Group thebadweeds, Dott is not a Hero but an Eros.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We recognized that we need to transition now. The important change for humans is to acknowledge their connection to plants.

[Assistant] And good with all that, and all the mess and all that, we said to ourselves that we need to transition now, the great transition of humans is to recognize their plant identity, too..


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The light is on. They always leave the bathroom light on. I am going to turn it off. (S goes to turn off the bathroom light and half-closes the bar door.) C1: It cools down, but it burns inside from desire. C2: This is about the mineral strategy for the origin of life on Earth.

[Assistant] The light! They always leave the bathroom light on for me. Bastards. I'm coming. (S goes to turn off the bathroom light and half-closes the bar door) C1: - It cools down, but from desire, it burns inside C2: - So, mineral strategy of the origin of life on Earth.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The earth is closely related to the sun. Moving toward the earth means moving away from the sun.

[Assistant] The earth is inseparable from the sun. Going towards the earth always means moving away towards the sun.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Genetic manipulations weaken, sterilize, homogenize, and reduce intelligence. If genetic manipulation is allowed, no consensus can be reached. Rosier agrees with the proposal to abolish genetic manipulation fields. They believe genetics are complex and important. Dolphin calls for the ludens protocol.

[Assistant] Genetic manipulations weaken us, sterilize us, homogenize us, and make us stupid. As long as genetic manipulation is permitted, no agreement is possible. Rosier: - we agree with this proposal. The abolition of genetic manipulation fields. Our genetics are more complex and important than yours. Dolphin: - ludens protocol! ludens protocol!


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The future is related to plants, according to Michael Marder. In the BADWWEDS project, I create a music group with members who are partly human and partly plant. They identify as TRANS, which means trans-species and trans-planetary beings. They aim for futures that connect different species and planets.

[Assistant] And that future is vegetal. ” Michael Marder In the BADWWEDS project, I stage a trans-species music group - half human, half plant, they identify as TRANS - trans-species, trans-planetary beings for trans-planetary futures. Because future is vegetal.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] She pushed me during the months of confinement. I set a new challenge for myself. I wanted to create an eco-sexy narrative. This would be a proposal that stirs desire. I envisioned vibrant bodies full of seeds for possible futures. I decided that THEBADWEEDS would come to life. The trans-species music group would become real.

[Assistant] She pushed in me during the months of confinement. I set myself a new challenge. To make an eco-sexy narrative, a proposal that arouses desire, eco-sexy, desiring, vibrant bodies full of seeds of possible futures. So I told myself that THEBADWEEDS would exist for real, that the trans-species music group would take place.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One must maintain a certain level of vibration and movement. There is a minimum amount of movement needed for life. This movement involves trembling and vibration. This state of change and uncertainty is essential for existence. To tremble means to be near to life. It signifies being influenced by the life force. Trembling represents a vital energy.

[Assistant] One must always be at a certain level of vibration, at a certain level of movement; there is a minimum amount of movement required for life, this trembling, this vibration, this state of alternation, this indecision as a sine qua non condition for existence. To tremble is to be closest to life; it is to be possessed by the life force itself. Trembling is a life force.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] I enjoy playing hide and seek. I have always played this game. Once, I stayed hidden in the same spot for three days. I was found in a bad state. However, I was fine while I waited to be discovered.

[Assistant] I love playing hide and seek, I have always played hide and seek, once I stayed hidden in the same spot for 3 days, I was found in a bad state, but I was good there. Waiting to be discovered.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Learning to be present means learning to live, share, communicate, and connect. It involves being earthly as well as belonging to a kingdom. We should focus on arranging, improving, and understanding rather than trying to master. We need to embrace the idea of especiological consciousness, which acknowledges our unity in diversity.

[Assistant] Learning to be there means: learning to live, to share, to communicate, to commune. No longer just to be of a kingdom but also to be earthly. We must devote ourselves, not to mastering, but to arranging, improving, understanding. We must inscribe in ourselves: + The especiological consciousness, which recognizes our unity in our diversity.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
M: I received a message from an anonymous mineral individual.
R: Who?
M: Anonymous.
R: Are you sure?
M: Yes.
R: I don't think this is against regulations. Can you connect me with the mineral? I will interpret it directly into human language myself.

[Assistant] BAD WEEDS 12 M: - I just intercepted a message from an anonymous mineral individual. R: - Who? M: - Anonymous. R: - Sure? M: - Yes. R: - I don't think it's against regulations… Can you connect me with the mineral? I will interpret it directly in human language, no need for you.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Connecting with creativity involves listening to the figures in our imagination. DREAM Berenguer Rocio. When we dream, we come together. We should not spend half our lives in a state of lethargy. We need to understand why we sleep and why we dream.

[Assistant] Connecting with your creativity through the sensitive listening of the figures that inhabit the imagination. DREAM Berenguer Rocio. X When we dream, we come together. Why spend half of our lives in a catatonic lethargy? Why do we sleep?? Why do we dream?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] One cannot look at it directly. It eludes us. One must glance out of the corner of the eye, like some animals do. It is one of my favorite things when non-human animals disguise themselves. It could be viewed as a shared understanding in the animal kingdom.

[Assistant] One cannot look at it directly, it eludes us. Out of the corner of the eye, how do you say in French, one must glance out of the corner of the eye, like some animals do. It’s one of my favorite things in the world when non-human animals disguise themselves like that. It would be like a tacit agreement that we will share in the animal kingdom?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We had to decide whether to use a fake system controlled by the manager. We chose not to. There are many misunderstandings between the speech recognition system and what is meant by the words spoken. The error rate is 40. Is that acceptable?

[Assistant] At one point, we had to make the decision, do we do fake and the system is mainly controlled by the manager? No. Ok, good, it's bugging, there are plenty of problems of misunderstandings, infinitely between the speech recognition system and the intended meaning, and the spoken word. 40% error, it's ok?


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Having stones in the body does not indicate a mineral origin. One could argue that the bones in our bodies contain the same calcium found in celestial bodies. It has been said for a long time that we come from the dust of stars, which means we are stardust. C2: No, that is not correct. Yes, it is true from a certain perspective, but it is not entirely accurate.

[Assistant] Having stones in the body doesn't give us a mineral origin. One could say that the bones of the body are the same calcium as those of celestial bodies, and as has long been said, we come from the dust of stars, we are stardust. C2: - No, no, yes, yes, of course, but no, I mean that what you are saying, we know very well that from a certain angle it is true.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User]
We assess our abilities. We share our weaknesses. We care for each other, but not fully. There is a fear of losing each other. This fear creates distance between us. We have a connection but limit it due to this fear. Venus represents this dynamic. We revolve around one another. I am drawn to you. You are drawn to me.

R: Did you interrupt them?
M: Yes.
R: I see. You should not interrupt.

[Assistant] We measure our powers, we will tell each other our flaws, we would love each other, but not enough, but not enough out of fear of disappearing, we will produce differences out of fear of being devoured, we would love each other but not enough out of fear of being devoured. Venus, collision fission and since then we orbit around each other/// I gravitate towards you. You orbit me. 13 R: - Did you interrupt him/her? M: - Yeah. R: - Aha. You shouldn't interrupt.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] Living beings must renew themselves just like technical objects. These objects exist only because of the push for innovation.

[Assistant] The living beings are obliged to renew themselves exactly like technical objects, which exist only in the tension towards their innovation.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The translator can only respond with "no." Humans have helped preserve certain species. We have domesticated some species to protect them from wild animals. We spend billions on medications and treatments for animals. There are jobs dedicated to this work.

[Assistant] I mean to say that the only thing the translator can say is "no". Human: - It is thanks to us that certain species have been preserved, we have domesticated species to protect them from the ferocious cannibal wildness of the animal kingdom, we spend billions on medications and animal treatments, we have jobs dedicated to that.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] In its natural state, we should not mix things up. It is important to maintain clear limits. However, these limits cannot erase the continuity that exists in everything. After all, we enjoy playing games.

[Assistant] hahaha, in its plant nature, wait wait, we mustn't mix everything up, not confuse everything, the limits are important, but they cannot erase the continuity intrinsic to everything existing... after all, we like to play cash cash.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] This treaty serves as an agreement of principles. It aims for all species, from different kingdoms, to work together. The goal is to ensure the survival of all terrestrial life in its variety and diversity.

[Assistant] For all those, for this "all", would like to be this treaty of law, like an agreement of principles, on which all species of different kingdoms will organize in an attempt of planetary cooperation for our common goal which is the survival of terrestrial life in its plurality and diversity.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] We had expectations about the solid state. We desired warmth. We thought delaying acceleration was important. We anticipate accidents. We plan to measure our abilities. We may encounter our limitations. We will share our flaws. We may lack tact. We might not love each other enough because of fear. We will maintain distance. We will create differences to avoid being overwhelmed. We will follow each other to demonstrate our resilience. This is to strengthen our boundaries and test our limits. Venus, I love you. I revolve around you, and you revolve around me. Art exists to help us feel the sensations of life. It helps us experience emotions and understand things more deeply.

[Assistant] We expected in the solid state we expected in the desire for warmth we expected by delaying the acceleration we always await the accident we will measure our powers we will fall into our impossibilities we will tell each other our flaws we will lack tact we would not love each other enough for fear of disappearing we will keep distances we will produce differences for fear of being devoured we will trail each other to say that our skins are thicker to strengthen our angles to test our membranes Venus I love you I gravitate around you you orbit me CONSIDERATIONS "Art exists that one may recover the sensation of life; it exists to make one feel things, to make the stone 'stony'.


[System] You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.

[User] The encounter is primarily a misunderstanding. It can be somewhat positive or negative. It has varying degrees of significance. Misunderstanding occurs in all communication attempts and translations. It happens between an object, the perception organ, and its representation in a visual image, followed by interpretation. Each interpretation involves some level of misunderstanding.

[Assistant] The encounter is above all a misunderstanding, more or less happy. More or less significant. The misunderstanding exists in every attempt at communication, in every translation. Between an object, the organ of perception, and its translation and reconstruction in the visual image and then in the interpretation. Every interpretation is constituted of a degree of misunderstanding.