Delete rocio-style-eng-prompt-20250112-valid.jsonl
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rocio-style-eng-prompt-20250112-valid.jsonl
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Playing hide and seek. There are small signs that suggest something may be happening. This may be something that is coming. These clues hint at it. We perceive these signs indirectly. We cannot look at them directly. We view them while hiding our desire to see them clearly. The truth is our blind spot."}, {"role": "assistant", "content": "Playing hide and seek All these little appearances, these signs that speak of perhaps this thing, this thing that is perhaps happening, that is coming, that is coming, that may come, this thread of clues that announces it to us, perceiving it, signaling it, looking at it sideways, never directly, looking at it through while concealing to have the right to see it, the real is the blind spot."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "No, the most successful creation is the dragonfly. It can live underwater. It can mutate and fly at 60 km/h. It can migrate between continents. It has survived for 300 million years without changing its form. It can see in 360 degrees."}, {"role": "assistant", "content": "C2: - no, no, the most successful creation is the dragonfly, capable of living underwater, then mutating and flying at 60 km/h, capable of migrating from one continent to another, surviving for 300 million years without changing its form, able to see in 360 °..."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "All living beings are minerals that have been animated by energy. Most of this energy comes from the sun. This means that life is fundamentally a mineral fact. We are all similar to stones, just as we are similar to stars. A few years ago, Robert M."}, {"role": "assistant", "content": "All living beings are nothing but a mineral that has been animated by a breath of energy, of which almost all comes from the sun – that is to say from the 'mineral' from which the whole earth comes. Life is and will necessarily remain a mineral fact. We are all stones – just as we are stars. A few years ago, Robert M."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "In the absence of mineral protection, there is a need to connect with one another. The helical geometry brings reactive groups close together. This can result in significant outcomes. There is an accumulation of interplanetary dust. Condensation occurs efficiently and forms natural residues. There is an intuitive activation of the search for extraterrestrial intelligence."}, {"role": "assistant", "content": "In the absence of mineral protection. To bind to others, to bind to one another because the helical geometry brings reactive groups in close proximity. Miracles. Orgy of interplanetary dust in the powder of your eyes. Condensation is efficient and leads to the formation of natural residues. Intuitive activation of SETI (search for extraterrestrial intelligence)."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Haraway, The Infiltrator: Strategies of Intrusion, Anonymity and Resistance by Lluís Calvo. Praise of Weeds by the Collectif Jade Lindgaard. Praise of the Plant by Francis Hallé. Being No One: The Self-Model Theory of Subjectivity by Thomas Metzinger."}, {"role": "assistant", "content": "Haraway, The Infiltrator: Strategies of Intrusion, Anonymity and Resistance by Lluís Calvo, Praise of Weeds by the Collectif Jade Lindgaard, Praise of the Plant by Francis Hallé. Being No One: The Self-Model Theory of Subjectivity by Thomas Metzinger."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "The manifesto of the animal movement is a stable truth. The machine is here. I am here. I think and exist at the same time. I want to be a single machine. I want to exist without a purpose. I want to justify myself simply by being. I do not need a fixed function."}, {"role": "assistant", "content": "MANIFESTO R. ANIMAL THE MOVEMENT IS THE ONLY STABLE TRUTH MANIFESTO R. MACHINE HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! I am a I I am a bit ! I am a I Thinking and being converge in me. I would like to be the single machine, the one that serves no purpose. The one that justifies itself by its mere existence, without a fixed function."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Weeds want to create pop music. To make pop music, it is helpful to be inspired by pop stars. The difference between a pop star and badweeds is significant. They may perform the same gestures, but the results are different. This contrast can be humorous, and I have often played on this idea."}, {"role": "assistant", "content": "Weeds want to make pop music and to make pop it’s better to be inspired by pop stars. Indeed, the gap between the body of a pop star and that of a badweeds, who make the same gesture but do not produce the same result at all, is a resource of humor that I have indulged in abusing."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "You have recorded everything and classified it according to two criteria. Our life on this planet depends on the plants you consider useful. You cultivate these plants. You keep them in a controlled state. You also have beautiful plants that you keep in your homes and gardens. This situation cannot continue."}, {"role": "assistant", "content": "You have recorded everything, classified everything according to these two criteria. In fact, our life on the planet depends on what you consider to be useful plants (that you cultivate, that is, you reduce to the state of slavery) and the beautiful plants, that you spoil inside your dens, uh sorry, your homes and gardens. This cannot go on."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "It is a significant change. We are no longer limiting ourselves to oracular technologies. Instead, we are moving towards divinatory arts."}, {"role": "assistant", "content": "It is a move, big move, which consists in no longer relegating ourselves to oracular technologies, but to divinatory arts."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Narcissus comes on stage with his ad campaign focused on neuromarketing. He calls himself SELF and promotes messages like \"love yourself\" and \"be yourself.\" The images increase in speed. Jealousy drives Narcissus. Curiosity drives Eros. Narcissus notices Eros, who is always nearby, and feels a wave of jealousy."}, {"role": "assistant", "content": "Narcissus arrives on stage with his neuromarketing-infused ad campaign. Now, he calls himself SELF: \"love yourself,\" \"be yourself.\" The images accelerate. The engine of Narcissus is jealousy. The engine of Eros is curiosity. Narcissus sees Eros who is always hanging around, and Narcissus suffers from a fit of jealousy."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "We should relieve Atlas. We can explain to him that he does not have to carry the world on his shoulders. There is not just one world; there are many worlds. Every living thing carries its own world within its body. The fly carries its world, the acacia carries its own, as do the mushroom and the crow."}, {"role": "assistant", "content": "... We should... Relieve Atlas, explain to him that he doesn't have to carry the world on his shoulders, because there is no world, there is not one world but worlds, and that every living thing carries its world with its body, like the fly carries its world, and the acacia carries its own, and the mushroom, or the crow."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "He created it with a long neck. This allowed her to reach high branches. However, her need to eat was stronger. She only used the long neck to reach the leaves of tall trees."}, {"role": "assistant", "content": "He had created it with such a long neck so that she could have her head in the sky, but her cannibal function was stronger, so she only used it to eat the leaves of the tall trees."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "The adrenaline rises when someone walks by. You feel like they saw you, but they continue without acknowledging you. You breathe a sigh of relief, thinking about how close it was. Camouflage is an art. It involves being present without being noticed. It means blending into the environment and becoming part of the surroundings. It is the act of disappearing. To disappear can feel like a luxury."}, {"role": "assistant", "content": "The adrenaline when the other passes by, and you have the feeling that he saw you but, passes by and you say, uff, damn, almost, by a hair's breadth, camouflaging is an art, the art of being there without anyone knowing it, the art of blending in with the environment, without anyone seeing you, the art of becoming the middle, of becoming milieu, of melting into the landscape, of disappearing. Disappear. It's a bit of luxury."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "For each creation, the question is asked and rephrased from different perspectives. This reflects a desire to engage with reality. It emphasizes the need to actively participate in shaping our worlds rather than just watching or consuming. History as we commonly know it can feel oppressive. However, stories influence us and play a role in our ongoing development."}, {"role": "assistant", "content": "For each creation, the question is formulated and reformulated, like a mutant living being, from a different angle, with the same need for reclaiming the real, for having an active place in the construction of our worlds, for being agents rather than spectators or consumers of the construction of our history, our stories, because History with a capital H is a tyranny, a mnemonic fascism, but stories shape and deform us, constitute us and build us in our constant processes of becoming."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Life consumes life. We are one entity. The void supports itself and becomes complete. Silence desires to be us. The full and the void transform into the body of another at any moment. The other represents the potential for a new form. Cannibalism occurs. This is the seventh stage of negotiation. There are invasions. Parasitism exists. Commensalism is present. Space is involved."}, {"role": "assistant", "content": "Life devours life. We are one body. The void leaning on itself becomes a whole. Silence would like to be us. Metastasis of the full/void that becomes at any moment, the body of the other, the body of the other. The other as a promise of a new body. Cannibalism. R: -Introduction of the seventh stage of negotiation. Invasions. Parasitism. Commensalism. Space."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Sometimes it can be found under our feet. We feel happy for a few seconds, but then it loses its impact. We search for another place to put it, higher or a bit further away. There is a pheasant in the field. I notice movement. I see light pulsating in my peripheral vision. It is quiet. Is it worrisome? We manage to calm down."}, {"role": "assistant", "content": "Then sometimes it can be found under our feet. We are happy for a few seconds and it loses its power. We look for another point to place it, higher, over there, a little further over there. PHEASANT A pheasant in the field. Movement. Pulsation of light in the periphery of my vision. The calm. Worrisome? We calm down."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "The word etymologically comes from the medieval Latin \"realitas.\" This is derived from the classical Latin \"realis,\" which comes from \"res,\" meaning \"thing\" or \"goods.\" However, when we try to grasp or capture it, it slips away. It ultimately eludes us."}, {"role": "assistant", "content": "Etymologically comes from the medieval Latin realitas, from the classical Latin realis, from res, \"thing,\" and goods, possessions, but paradoxically when we try to catch it with a hand, to capture it, to possess it, it slips away, it ultimately eludes us always."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "The state of artificial intelligence includes language generation systems. IAGOTCHI is a character we can talk to. He evolves as he interacts with us. He learns from our words and questions us about the meaning of life and other existential topics."}, {"role": "assistant", "content": "From the state of Artificial Intelligence at the time with language generation systems. IAGOTCHI is a character with whom we talk, he evolves as his interactions progress, he learns from our words while questioning us about the meaning of life and all the other annoying existential questions."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "I worked with engineers, researchers, computer scientists, and developers from my first creation. The key moment came during the creation of Homeostasis 1 in 2016. At that time, the machine changed. It stopped being just a tool, interface, and source of creativity. It became a living entity."}, {"role": "assistant", "content": "I worked with engineers, researchers, computer scientists, and developers from my first creation, but the key moment when the machine stopped being a tool, interface, and source of creativity to become a living entity was during the creation of Homeostasis 1 in 2016."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Joseph Campbell wrote The Hero with a Thousand Faces in 1949. It was translated by Henri Crès and published by Oxus in Escalquens in 2010. The word \"otherness\" is a translation. Byung-chul Han wrote The Agony of Eros, published by The MIT Press in Cambridge, Massachusetts in 2017."}, {"role": "assistant", "content": "[1] Joseph Campbell, The Hero with a Thousand Faces (1949), translated by Henri Crès, Escalquens, Oxus, 2010. [2] Translation: otherness. [3] Byung-chul Han, The Agony of Eros, Cambridge (MA), The MIT Press, 2017."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "The mineral wants to change the blue planet into a red planet. It wants to be bright and hot on the outside like it is on the inside. It wants to exist and show its true nature. The plant wants to change the blue planet into a green planet. The machine wants to change the blue planet into a fluorine planet."}, {"role": "assistant", "content": "R: - The mineral would like to change the blue planet into a red planet, it would like to burn and shine on the outside as it burns and shines on the inside, it would like to finally exist, that is to say, externalize its internal nature. The plant wanted (and secretly it is its objective) to change the blue planet into a green planet. The machine would like to change the blue planet into the fluorine planet."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "In these last places, one can experience a greater sense of freedom. They may also feel a more indescribable euphoria. This is the feeling of being in a specific place, too. The writer Lluís Calvo says that politics involves placing a body exactly where it should not be."}, {"role": "assistant", "content": "And it is in these last places that one can experience a greater sense of freedom, a more indescribable euphoria – the feeling of being in a specific place, too. \"Politics involves placing a body exactly where it should not be,\" says the writer Lluís Calvo."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "The writing process is complex. There is no clear beginning or end. There is no center or hierarchy. It does not follow a linear timeline or narrative. All elements connect through intertwined pathways of language. Ideas flow from one song to another and from one text to another. Everything is linked. Each element is connected to another through resonance."}, {"role": "assistant", "content": "The writing process was rhizomatic: there is no beginning, no end, no center, no hierarchy or genealogy, no temporal or narrative linearity; everything communicates through the intertwined and unconscious pathways of language, from one song to another, from one text to another, everything is conjunction and, and, and, and, and every element is a continuation of another by resonance."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "He misses a lot. Some feedback occasionally reaches his consciousness about what is happening. However, there is often a delay between the action and his awareness of it. This awareness always comes a bit late. His body sometimes reacts faster. Often."}, {"role": "assistant", "content": "Everything escapes him, a lot escapes him, there are feedbacks that occasionally reach consciousness, about what is happening, what is going on, but there is always a strange delay, a strange lag between the action, what is happening, and the awareness of it, which always arrives a bit late. The fastest is the body. Sometimes. Often."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "3000 years later. 4000 years later."}, {"role": "assistant", "content": "3000 years later 4000 years later…."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "I started the research titled \"Othernesses\" at that location. This research is ongoing. I created several works as part of it. These works are IAgotchi, G5, Coexistence, Lithosys, and THEBADWEEDS. They explore utopias in ecological politics. They focus on radical otherness and aim to question the hierarchies and categories of living beings, especially what we refer to as \"human.\""}, {"role": "assistant", "content": "And it is there that I started the research in which I am still today, which I have titled “Othernesses” and with which I created the works; IAgotchi, G5, Coexistence, Lithosys and THEBADWEEDS :), which are an exploration of utopias of ecological politics placing radical otherness at the center and seeking to requestion the hierarchies and taxonomies of the living, particularly of what we call “human.”"}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Thousands of different versions of ourselves demonstrate this. Penguins work for harmony. They know how to make sacrifices when necessary. Other kingdoms attack them through suicidal behaviors, including mass suicides practiced by some of their members."}, {"role": "assistant", "content": "Thousands of different versions of ourselves prove it. Penguin: - We work for harmony, we know how to sacrifice ourselves when needed (the other kingdoms attack them through suicidal behaviors, mass suicides practiced by some of their members."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "There seems to be a lack of understanding in screenwriting schools. It is possible that no one has read the last chapter of the book. I might have chosen the wrong book. We could also be discussing different things. The meaning of the word \"hero\" may have changed since Campbell's time, without anyone noticing. Campbell passed away in the year I was born."}, {"role": "assistant", "content": "Damn, there must be a black hole in the screenwriting schools. Or nobody has read the last chapter of the book. Or I picked the wrong book. Or actually we're not talking about the same thing and the word \"hero\" has changed its meaning since Campbell, in an unnoticed movement of semantic sliding. Campbell died the year I was born. Just like that."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "This is what became the G5 Inter-species project 3. It was created in 2020. The project has three parts: G5 (show), COEXISTENCE (performance), and LITHOSYS (installation). The title G5 humorously refers to summits like G8 or G20."}, {"role": "assistant", "content": "This is what became the G5 Inter-species project 3,[5] created in 2020, a project in three parts, G5 (show), COEXISTENCE (performance), and LITHOSYS (installation). G5 is a title that humorously refers to summits like G8 or G20."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "This might be my most important skill. When I do not receive love and support from other plants, I cling to walls. You humans often use minerals to mark your borders. A wall is a zone without life for you, an empty space. However, I live at the borders."}, {"role": "assistant", "content": "This may be my most important talent. When I do not find love and support from other plants, I cling to walls. You humans often exploit minerals to mark your borders. A wall, for you, is a zone of non-life, an empty place. However, I inhabit the borders."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Extinction song \nQuorum \nAcaena exigua \nad astra \nAmastra porcus \nAmastra reticulata \nAmastra subrostrata \nCyanea comata \nKokia lanceolata \nMelicope cruciata \nAra tricolor \nColumba versicolor \nDromaius minor \nMundia elpinor \nBoromys torrei \nCaracara lutosa \nCarelia necra \nCarelia tenebrosa \nCarelia turricula \nEclectus infectus \nElimia brevis \nElimia clausa \nElimia fusiformis \nElimia impressa \nElimia jonesi \nElimia lachryma \nElimia laeta \nPartula lutea \nPartula cytherea \nPeromona erinacea \nGazella bilkis \nGonidomus newtoni \nHippopotamus lemerlei \nIsolobodon montanus \nNotomys macrotis \nMiconia abscondita \nMicrogoura meeki \nMirogrex hulensis \nGorila Beringei \nGorila Gorila \nGorila Gorila Diehli \nGorila Gorila Gorila \nMoho apicalis \nMoho bishopi \nMoho braccatus \nMoho nobilis \nEubalaenea Glacialis \n(on écoute la voix de la baleine pendant un minute chant baleine et dolphin) \nR: Hier \nR: Pourquoi tu fais pas la musique là? "}, {"role": "assistant", "content": "Extinction song Quorum / Acaena exigua / ad astra Amastra porcus Amastra reticulata Amastra subrostrata Cyanea comata Kokia lanceolata Melicope cruciata Ara tricolor Columba versicolor Dromaius minor Mundia elpinor Boromys torrei Caracara lutosa Carelia necra Carelia tenebrosa Carelia turricula Eclectus infectus Elimia brevis Elimia clausa Elimia fusiformis Elimia impressa Elimia jonesi Elimia lachryma Elimia laeta Partula lutea Partula cytherea Peromona erinacea Gazella bilkis Gonidomus newtoni Hippopotamus lemerlei Isolobodon montanus Notomys macrotis Miconia abscondita Microgoura meeki Mirogrex hulensis Gorila Beringei Gorila Gorila Gorila Gorila Diehli Gorila Gorila Gorila Moho apicalis Moho bishopi Moho braccatus Moho nobilis Eubalaenea Glacialis (on écoute la voix de la baleine pendant un minute // chants baleine + dolphin) 4 R: - Hier R: - Pourquoi tu fais pas la musique la?"}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "In our environment, minerals create time and plants create space. We are naturally connected to both animals and plants. We coexist with them. We share breath and sustenance. We are part of a single body."}, {"role": "assistant", "content": "In our umwelt, it is the mineral that creates time, and the plant that creates space, so in fact we are by default hybridized with, since always, the animal and the plant are hybridized by default, we breathe each other, you see what I mean, we breathe each other, we eat each other, we are one body."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "From your projections, we will create a simulation of humanity and life on Earth in 2120. The future looks positive. \n\nM: I have a doubt. \nR: After. \nM: I have an important doubt. It is important. Oh, very important! \nR: We are not here to address important matters, but urgent ones."}, {"role": "assistant", "content": "From your projections, we will generate a simulation of the future of humanity and life on Earth in 2120. Good future. //// video future // M: - I have a doubt, R: - After M: - I have an important doubt, it’s important, oh! very important! R: - We are not here to deal with important things but urgent ones."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "I chose a variety of coded movements. I thought that if I were a weed from the margins and wanted to have an impact in a human community, I would need to use recognizable movements. These movements would be part of their collective memory."}, {"role": "assistant", "content": "I selected a wide range of coded movements. I told myself that if I were a weed from the periphery, from the margins, and I wanted to have an impact in a human community, I would need to speak to them with the most recognizable movements, those that are part of their collective memory."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "We have a large and complete network of terrestrial communication. We have nice features. The machine router states that it created the internet. Acacia claims it invented the internet."}, {"role": "assistant", "content": "We have the largest and most complete network of terrestrial communication. We are beautiful. Machine router: - We created the internet! Acacia: - We invented the internet!"}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "The main signals are sound, electromagnetism, movement, image, and chemistry. We should develop a relational language. This could be a phenomenological language. It might be inspired by programming language or a taxonomy of relationships. This would allow us to create a code or language that consists of verbs."}, {"role": "assistant", "content": "The main signals are; Sound, Electromagnetism, Movement, Image and Chemistry. RELATIONAL LANGUAGE PROJECT We should develop a relational language, a phenomenological language, it might be inspired by programming language (computer science), or a taxonomy of relationships would allow us to create a code/language that would consist of verbs."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "You search for the sun. Your cells reproduce and multiply from your extremities. Flowers grow. You produce many types of beautiful and exotic sexes. You offer your sexes to the wind, bees, birds, and insects. You connect with everything. Everything involves touch and flow. You are expressive and outwardly focused. Feeling involves touching both yourself and the universe around you."}, {"role": "assistant", "content": "In search of the sun, we branch out your cells reproduce, multiply from your extremities flowers grow you produce an infinity of sexes exotic, beautiful, strategic sexes you offer your sexes to the wind, to the bees, to the birds, to the insects you penetrate and let yourself be penetrated by everything everything is touch, flow you are exuberant exteriority Feeling is always to touch both oneself and the universe that surrounds us."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "We show altruism. In fact, we also invented this term."}, {"role": "assistant", "content": "We are the one who shows altruism; in fact, we are also the ones who invented this term!"}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "AG of December 27, 2017. Bacteria. We tested a protocol. The magnetite."}, {"role": "assistant", "content": "AG of December 27, 2017: Bacteria: - We tested a protocol. The magnetite."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "It is not voyeurism. It is something different. People become more interesting when they do not know they are being watched. They seem more engaging when they think they are alone. They are more free when they are not under the gaze of others."}, {"role": "assistant", "content": "But no, it is not voyeurism, it is something else, people always become much more interesting when they do not know they are being watched, when they think they are alone, when they free themselves from the gaze of the other."}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Preciado wrote \"Dysphoria Mundi.\" Éric Lenoir wrote \"Petit traité du jardin punk.\" Layla Martinez wrote \"Utopía no es una isla.\" Donna Haraway wrote \"Staying with the trouble.\" Gilles Clément wrote \"Manifeste du Tiers paysage.\" Gilles Deleuze and Félix Guattari wrote \"Mille Plateaux.\" Jade Lindgaard and others wrote \"Éloge des mauvaises herbes.\" Laurent de Sutter wrote \"Qu’est-ce que la pop-philosophie ?\""}, {"role": "assistant", "content": "Preciado, Dysphoria Mundi, Éric Lenoir, Petit traité du jardin punk, Layla Martinez, Utopía no es una isla, Donna Haraway, Staying with the trouble, Gilles Clément, Manifeste du Tiers paysage, Gilles Deleuze and Félix Guattari, Mille Plateaux, Jade Lindgaard et al., Éloge des mauvaises herbes, Laurent de Sutter, Qu’est-ce que la pop-philosophie ?"}]}
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{"messages": [{"role": "system", "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy."}, {"role": "user", "content": "Ruin among ruins. Mine would be just another one."}, {"role": "assistant", "content": "Ruin among ruins, mine would only be another among others."}]}
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