After
the collapse of the Soviet union, great changes took place in the overall
ideology and state system of the country, as well as the way of life and
thinking of everyone. There is no doubt about the impact on literature. The
disillusionment of traditional socialist realist literature and the subversion
of traditional values are the great changes in people's thoughts, and no one
knows where to go. As writers who can best reflect real life, they use their
works to try to find a way out. The twentieth century anti - traditional
literature arises at the historic moment. In this paper, based on the writer d piech
ChuHe's short story "I and reform" of the brief analysis, to
understand the characteristics of the Russian literature from the tradition of
simple.

Russian
anti-traditional literature is to break away from the traditional form,
especially the Soviet model, to create a new form of literature with novel
methods and forms. It includes modernism, postmodernism, surrealism and
relativistic - metaphorical prose. The most influential is postmodern
literature. Chaos after the collapse of the Soviet union literary thought, the
effect of idealism and mysticism significantly increased, many people abandoned
the socialism, all take negative attitude towards Soviet era, among them doubt
all emotions have increased, some people began to take a cynical attitude to
life, it's for the spread of postmodern thought condition and the mass base.

The
formula of "world as text" is a fundamental and important principle
of postmodernism, which denies the basic idea that literature is the reflection
of real life. Reversed the formula of "world such as text" the
"source" and "flow" of literary creation, the relationship
between negative real life is the source of literary creation, cancel the task
of literature reflects the reality, it's for the authors from real life provide
the basis for a bid to making this up, so that they can be groundlessly and
irrelevant to the so-called memorial and lenovo, unbridled ground distort
history and uglification historical figures, follow one's inclinationsly
simulate various abnormal phenomena and abnormal psychology and communicating.
In the post-modernist view, the more bizarre and the more bizarre the invention
becomes. This not only denies the objective standard of evaluating literary
creation, but also cancels the social responsibility and moral responsibility
that the writer should bear to his creation. It should be said that many
so-called "external features" and specific techniques of postmodern
literary creation are largely determined by this principle. Therefore, the
writing characteristic of anti-traditional novels is the weakening of plots.
From the core of truth, virtue and beauty to the core of ugliness, from the
performance of the objective world to the expression of people's inner real
world. The writers believe that the world is ugly, that the truth, good and
beauty have left us, and that the real world inside us has only fake ugliness.
Works created in this way do not reflect the real world, and often do not
conform to the common aesthetic habits.

D
vyacheslav alexey has ? piech ChuHe was born in Moscow in 1946. I graduated
from Moscow normal university and have been a history teacher in the middle
school for ten years. He has published many short stories, such as contemporary
lovers, alphabet, me and others, children of the country, etc. Pierchuch is one
of the representative writers of the avant-garde satirical literature in
experimental literature, as well as one of the representative writers of the
absurd school. The values of official literature designed to expose forgeries,
to break the myth that anyone in the Soviet era could be the backbone of
nation-building, that everyone could be happy. Using confessional writing
technique, the author stealthily narrates the plot in a conversational way
after the narrator.

"Me
and reform" is a short story about a man who is a man of five grades, a
man of average means, but who thinks every day that I am going to reform, that
I am going to write a great reform plan to change the face of the country. But
all he did to write his so-called reform plan was sneak out for drinks on
weekends. His wife usually doesn't care about him, but only asks him to stay
home on Saturday and Sunday. He used to think of many reasons for his wife to
let him go out on weekends, and his wife believed him, but came back drunk
every time, so his wife didn't believe him anymore. Finally, he found a way to
call a friend who was pretending to be a national ministry official and asked
him to come out and discuss his so-called reform plan. But the phone call was
so flawed, and his credibility with his wife was so low, that in the end he
failed to follow through on his plans, and his plans for reform were shelved.
The reform plan was just a tool for him to trick his wife into going out and
drinking. The protagonist represents a part of the society, whose thoughts are
empty, they have no purpose in life, and they just live and die every day. This
fully reveals the myth of happiness, in fact, life is not happy.

All
these "postmodernism", "absurdist", "realism" and
"new wave writers" are not literary schools in the usual sense, but
only some writers who have the same writing. A profound and significant change
in the last decade of the 20th century in Russian literature, with its fine
traditions and glorious history, is that writers have ceased to act as "mentors"
and "soul engineers" to teach, enlighten and tell readers what is
right and what is wrong. There is no one to dictate what and how they should
write, but to dissolve the classics and the sublime, to seek truth and good, to
change the aesthetic structure of the society, to enable the readers to be
active and independent. Such works should be alive because they are thinking,
searching and creating.