 Literary developments during the Hoysala period had a marked influence on Kannada literature in the centuries to follow . These developments popularised folk metres which shifted the emphasis towards desi ( native or folk ) forms of literature . With the waning of Jain literary output , competition between the Veerashaiva and Vaishnava writers came to the fore . The Veerashaiva writer Chamarasa ( author of Prabhulingalile , 1425 ) and his Vaishnava competitor Kumaravyasa ( Karnata Bharata Kathamanjari , 1450 ) popularised the shatpadi metric tradition initiated by Hoysala poet Raghavanka , in the court of Vijayanagara King Deva Raya II . Lakshmisa , the 16th – 17th century writer of epic poems , continued the tradition in the Jaimini Bharata , a work that has remained popular even in the modern period . The tripadi metre , one of the oldest in the Kannada language ( Kappe Arabhatta inscription of 700 ) , which was used by Akka Mahadevi ( Yoganna trividhi , 1160 ) , was popularised in the 16th century by the mendicant poet Sarvajna . Even Jain writers , who had dominated courtly literature throughout the classical period with their Sanskritic champu style , began to use native metres . Among them , Ratnakaravarni is famous for successfully integrating an element of worldly pleasure into asceticism and for treating the topic of eroticism with discretion in a religious epic written in the native sangatya metre ( a metre initiated by Hoysala poet Sisumayana ) , his magnum opus , the Bharatadesa Vaibhava ( c . 1557 ) . 
