



Produced by Juliet Sutherland, Robert Prince, and
the Online Distributed Proofresding Team





THE VELVET GLOVE

By

Henry Seton Merriman
(HUGH STOWELL SCOTT)



Contents:

I. IN THE CITY OF THE WINDS
II. EVASIO MON
III. WITHIN THE HIGH WALLS
IV. THE JADE--CHANCE
V. A PILGRIMAGE
VI. PILGRIMS
VII. THE ALTERNATIVE
VIII. THE TRAIL
IX. THE QUARRY
X. THISBE
XI. THE ROYAL ADVENTURE
XII. IN A STRONG CITY
XIII. THE GRIP OF THE VELVET GLOVE
XIV. IN THE CLOISTER
XV. OUR LADY OF THE SHADOWS
XVI. THE MATTRESS BEATER
XVII. AT THE INN OF THE TWO TREES
XVIII. THE MAKERS OF HISTORY
XIX. COUSIN PELIGROS
XX. AT TORRE GARDA
XXI. JUANITA GROWS UP
XXII. AN ACCIDENT
XXIII. KIND INQUIRIES
XXIV. THE STORMY PETREL
XXV. WAR'S ALARM
XXVI. AT THE FORD
XXVII. IN THE CLOUDS
XXVIII. LE GANT DE VELOURS
XXIX. LA MAIN DE FER
XXX. THE CASTING VOTE



List of Illustrations:
"'ARE YOU SURE YOU HAVE NOT HEARD FROM PAPA?'"
"A MOMENT LATER THE TRAVELER WAS LYING THERE ALONE."
"ALL TURNED AND LOOKED AT HIM IN WONDER."
"'DO YOU INTEND TO PUNISH YOUR FATHER'S ASSASSINS?'"
"MARCOS WAS ESSENTIALLY A MAN OF HIS WORD."
"THE DOOR WAS OPENED BY A STOUT MONK."
"'HE IS NOT KILLED,' SAID MARCOS, BREATHLESSLY."
"HE LEFT JUANITA ALONE WITH MARCOS."




CHAPTER I

IN THE CITY OF THE WINDS
The Ebro, as all the world knows--or will pretend to know, being an
ignorant and vain world--runs through the city of Saragossa. It is a
river, moreover, which should be accorded the sympathy of this
generation, for it is at once rapid and shallow.

On one side it is bordered by the wall of the city. The left bank is low
and sandy, liable to flood; a haunt of lizards in the summer, of frogs in
winter-time. The lower bank is bordered by poplar trees, and here and
there plots of land have been recovered from the riverbed for tillage and
the growth of that harsh red wine which seems to harden and thicken the
men of Aragon.

One night, when a half moon hung over the domes of the Cathedral of the
Pillar, a man made his way through the undergrowth by the riverside and
stumbled across the shingle towards the open shed which marks the
landing-place of the only ferry across the Ebro that Saragossa possesses.
The ferry-boat was moored to the landing-stage. It is a high-prowed,
high-sterned vessel, built on Viking lines, from a picture the observant
must conclude, by a landsman carpenter. It swings across the river on a
wire rope, with a running tackle, by the force of the stream and the aid
of a large rudder.

The man looked cautiously into the vine-clad shed. It was empty. He crept
towards the boat and found no one there. Then he examined the chain that
moored it. There was no padlock. In Spain to this day they bar the window
heavily and leave the door open. To the cunning mind is given in this
custom the whole history of a great nation.

He stood upright and looked across the river. He was a tall man with a
clean cut face and a hard mouth. He gave a sharp sigh as he looked at
Saragossa outlined against the sky. His attitude and his sigh seemed to
denote along journey accomplished at last, an object attained perhaps or
within reach, which is almost the same thing, but not quite. For most men
are happier in striving than in possession. And no one has yet decided
whether it is better to be among the lean or the fat.

Don Francisco de Mogente sat down on the bench provided for those that
await the ferry, and, tilting back his hat, looked up at the sky. The
northwest wind was blowing--the Solano--as it only blows in Aragon. The
bridge below the ferry has, by the way, a high wall on the upper side of
it to break this wind, without which no cart could cross the river at
certain times of the year. It came roaring down the Ebro, bending the
tall poplars on the lower bank, driving before it a cloud of dust on the
Saragossa side. It lashed the waters of the river to a gleaming white
beneath the moon. And all the while the clouds stood hard and sharp of
outline in the sky. They hardly seemed to move towards the moon. They
scarcely changed their shape from hour to hour. This was not a wind of
heaven, but a current rushing down from the Pyrenees to replace the hot
air rising from the plains of Aragon.

Nevertheless, the clouds were moving towards the moon, and must soon hide
it. Don Francisco de Mogente observed this, and sat patiently beneath the
trailing vines, noting their slow approach. He was a white-haired man,
and his face was burnt a deep brown. It was an odd face, and the
expression of the eyes was not the usual expression of an old man's eyes.
They had the agricultural calm, which is rarely seen in drawing-rooms.
For those who deal with nature rarely feel calm in a drawing-room. They
want to get out of it, and their eyes assume a hunted look. This seemed
to be a man who had known both drawing-room and nature; who must have
turned quietly and deliberately to nature as the better part. The
wrinkles on his face were not those of the social smile, which so
disfigure the faces of women when the smile is no longer wanted. They
were the wrinkles of sunshine.

"I will wait," he said placidly to himself in English, with, however, a
strong American accent. "I have waited fifteen years--and she doesn't
know I am coming."

He sat looking across the river with quiet eyes. The city lay before him,
with the spire of its unmatched cathedral, the domes of its second
cathedral, and its many towers outlined against the sky just as he had
seen them fifteen years before--just as others had seen them a hundred
years earlier.

The great rounded cloud was nearer to the moon now. Now it touched it.
And quite suddenly the domes disappeared. Don Francisco de Mogente rose
and went towards the boat. He did not trouble to walk gently or to loosen
the chains noiselessly. The wind was roaring so loudly that a listener
twenty yards away could have heard nothing. He cast off and then hastened
to the stern of the boat. The way in which he handled the helm showed
that he knew the tricks of the old ferryman by wind and calm, by high and
low river. He had probably learnt them with the photographic accuracy
only to be attained when the mind is young.

The boat swung out into the river with an odd jerking movement, which the
steersman soon corrected. And a man who had been watching on the bridge
half a mile farther down the river hurried into the town. A second
watcher at an open window in the tall house next to the Posada de los
Reyes on the Paseo del Ebro closed his field-glasses with a thoughtful
smile.

It seemed that Don Francisco de Mogente had purposely avoided crossing
the bridge, where to this day the night watchman, with lantern and spear,
peeps cautiously to and fro--a startlingly mediaeval figure. It seemed
also that the traveler was expected, though he had performed the last
stage of his journey on foot after nightfall.

It is characteristic of this country that Saragossa should be guarded
during the day by the toll-takers at every gate, by sentries, and by the
new police, while at night the streets are given over to the care of a
handful of night watchmen, who call monotonously to each other all
through the hours, and may be avoided by the simplest-minded of
malefactors.

Don Francisco de Mogente brought the ferry-boat gently alongside the
landing-stage beneath the high wall of the Quay, and made his way through
the underground passage and up the dirty steps that lead into one of the
narrow streets of the old town.

The moon had broken through the clouds again and shone down upon the
barred windows. The traveler stood still and looked about him. Nothing
had changed since he had last stood there. Nothing had changed just here
for five hundred years or so; for he could not see the domes of the
Cathedral of the Pillar, comparatively modern, only a century old.

Don Francisco de Mogente had come from the West; had known the newness of
the new generation. And he stood for a moment as if in a dream, breathing
in the tainted air of narrow, undrained streets; listening to the cry of
the watchman slowly dying as the man walked away from him on sandaled,
noiseless feet; gazing up at the barred windows, heavily shadowed. There
was an old world stillness in the air, and suddenly the bells of fifty
churches tolled the hour. It was one o'clock in the morning. The traveler
had traveled backwards, it would seem, into the middle ages. As he heard
the church bells he gave an angry upward jerk of the head, as if the
sound confirmed a thought that was already in his mind. The bells seemed
to be all around him; the towers of the churches seemed to dominate the
sleeping city on every side. There was a distinct smell of incense in the
air of these narrow streets, where the winds of the outer world rarely
found access.

The traveler knew his way, and hurried down a narrow turning to the left,
with the Cathedral of the Pillar between him and the river. He had made a
de tour in order to avoid the bridge and the Paseo del Ebro, a broad
road on the river bank. In these narrow streets he met no one. On the
Paseo there are several old inns, notably the Posada de los Reyes, used
by muleteers and other gentlemen of the road, who arise and start at any
hour of the twenty-four and in summer travel as much by night as by day.
At the corner, where the bridge abuts on the Paseo, there is always a
watchman at night, while by day there is a guard. It is the busiest and
dustiest corner in the city.

Francisco de Mogente crossed a wide street, and again sought a dark
alley. He passed by the corner of the Cathedral of the Pillar, and went
towards the other and infinitely grander Cathedral of the Seo. Beyond
this, by the riverside, is the palace of the archbishop. Farther on is
another palace, standing likewise on the Paseo del Ebro, backing likewise
on to a labyrinth of narrow streets. It is called the Palacio Sarrion,
and belongs to the father and son of that name.

It seemed that Francisco de Mogente was going to the Palacio Sarrion; for
he passed the great door of the archbishop's dwelling, and was already
looking towards the house of the Sarrions, when a slight sound made him
turn on his heels with the rapidity of one whose life had been passed
amid dangers--and more especially those that come from behind.

There were three men coming from behind now, running after him on
sandaled feet, and before he could do so much as raise his arm the moon
broke out from behind a cloud and showed a gleam of steel. Don Francisco
de Mogente was down on the ground in an instant, and the three men fell
upon him like dogs on a rat. One knife went right through him, and grated
with a harsh squeak on the cobble-stones beneath.


A moment later the traveler was lying there alone, half in the shadow,
his dusty feet showing whitely in the moonlight. The three shadows had
vanished as softly as they came.

Almost instantly from, strangely enough, the direction in which they had
gone the burly form of a preaching friar came out into the light. He was
walking hurriedly, and would seem to be returning from some mission of
mercy, or some pious bedside to one of the many houses of religion
located within a stone's throw of the Cathedral of the Seo in one of the
narrow streets of this quarter of the city. The holy man almost fell over
the prostrate form of Don Francisco de Mogente.

"Ah! ah!" he exclaimed in an even and quiet voice. "A calamity."

"No," answered the wounded man with a cynicism which even the near sight
of death seemed powerless to effect. "A crime."

"You are badly hurt, my son."

"Yes; you had better not try to lift me, though you are a strong man."

"I will go for help," said the monk.

"Lay help," suggested the wounded man curtly. But the friar was already
out of earshot.

In an astonishingly short space of time the friar returned, accompanied
by two men, who had the air of indoor servants and the quiet movements of
street-bred, roof-ridden humanity.

Mindful of his cloth, the friar stood aside, unostentatiously and firmly
refusing to take the lead even in a mission of mercy. He stood with
humbly-folded hands and a meek face while the two men lifted Don
Francisco de Mogente on to a long narrow blanket, the cloak of Navarre
and Aragon, which one of them had brought with him.

They bore him slowly away, and the friar lingered behind. The moon shone
down brightly into the narrow street and showed a great patch of blood
amid the cobblestones. In Saragossa, as in many Spanish cities, certain
old men are employed by the municipal authorities to sweep the dust of
the streets into little heaps. These heaps remain at the side of the
streets until the dogs and the children and the four winds disperse the
dust again. It is a survival of the middle ages, interesting enough in
its bearing upon the evolution of the modern municipal authority and the
transmission of intellectual gifts.

The friar looked round him, and