



Produced by John Bickers; Dagny; Emma Dudding





THE WORLD'S DESIRE

by H. Rider Haggard and Andrew Lang




To

W. B. RICHMOND, A.R.A.



PREFACE

The period in which the story of _The World's Desire_ is cast, was a
period when, as Miss Braddon remarks of the age of the Plantagenets,
"anything might happen." Recent discoveries, mainly by Dr. Schliemann
and Mr. Flinders Petrie, have shown that there really was much
intercourse between Heroic Greece, the Greece of the Achaeans, and the
Egypt of the Ramessids. This connection, rumoured of in Greek legends,
is attested by Egyptian relics found in the graves of Mycenae, and by
very ancient Levantine pottery, found in contemporary sites in Egypt.
Homer himself shows us Odysseus telling a feigned, but obviously not
improbable, tale of an Achaean raid on Egypt. Meanwhile the sojourn of
the Israelites, with their Exodus from the land of bondage, though not
yet found to be recorded on the Egyptian monuments, was probably part of
the great contemporary stir among the peoples. These events, which are
only known through Hebrew texts, must have worn a very different aspect
in the eyes of Egyptians, and of pre-historic Achaean observers, hostile
in faith to the Children of Israel. The topic has since been treated in
fiction by Dr. Ebers, in his _Joshua_. In such a twilight age, fancy has
free play, but it is a curious fact that, in this romance, modern fancy
has accidentally coincided with that of ancient Greece.

Most of the novel was written, and the apparently "un-Greek" marvels
attributed to Helen had been put on paper, when a part of Furtwaengler's
recent great lexicon of Mythology appeared, with the article on Helen.
The authors of _The World's Desire_ read it with a feeling akin to
amazement. Their wildest inventions about the Daughter of the Swan, it
seemed, had parallels in the obscurer legends of Hellas. There actually
is a tradition, preserved by Eustathius, that Paris beguiled Helen
by magically putting on the aspect of Menelaus. There is a mediaeval
parallel in the story of Uther and Ygerne, mother of Arthur, and
the classical case of Zeus and Amphitryon is familiar. Again, the
blood-dripping ruby of Helen, in the tale, is mentioned by Servius in
his commentary on Virgil (it was pointed out to one of the authors
by Mr. Mackail). But we did not know that the Star of the story was
actually called the "Star-stone" in ancient Greek fable. The many voices
of Helen are alluded to by Homer in the _Odyssey_: she was also named
_Echo_, in old tradition. To add that she could assume the aspect of
every man's first love was easy. Goethe introduces the same quality
in the fair witch of his _Walpurgis Nacht_. A respectable portrait of
Meriamun's secret counsellor exists, in pottery, in the British Museum,
though, as it chances, it was not discovered by us until after the
publication of this romance. The Laestrygonian of the Last Battle is
introduced as a pre-historic Norseman. Mr. Gladstone, we think, was
perhaps the first to point out that the Laestrygonians of the _Odyssey_,
with their home on a fiord in the Land of the Midnight Sun, were
probably derived from travellers' tales of the North, borne with the
amber along the immemorial Sacred Way. The Magic of Meriamun is in
accordance with Egyptian ideas; her resuscitation of the dead woman,
Hataska, has a singular parallel in Reginald Scot's _Discovery of
Witchcraft_ (1584), where the spell "by the silence of the Night" is not
without poetry. The general conception of Helen as the World's Desire,
Ideal Beauty, has been dealt with by M. Paul de St. Victor, and Mr. J.
A. Symonds. For the rest, some details of battle, and of wounds, which
must seem very "un-Greek" to critics ignorant of Greek literature, are
borrowed from Homer.

H. R. H. A. L.





THE WORLD'S DESIRE

by H. Rider Haggard and Andrew Lang

     Come with us, ye whose hearts are set
     On this, the Present to forget;
     Come read the things whereof ye know
     _They were not, and could not be so!_
     The murmur of the fallen creeds,
     Like winds among wind-shaken reeds
     Along the banks of holy Nile,
     Shall echo in your ears the while;
     The fables of the North and South
     Shall mingle in a modern mouth;
     The fancies of the West and East
     Shall flock and flit about the feast
     Like doves that cooled, with waving wing,
     The banquets of the Cyprian king.
     Old shapes of song that do not die
     Shall haunt the halls of memory,
     And though the Bow shall prelude clear
     Shrill as the song of Gunnar's spear,
     There answer sobs from lute and lyre
     That murmured of The World's Desire.

     *   *   *   *   *

     There lives no man but he hath seen
     The World's Desire, the fairy queen.
     None but hath seen her to his cost,
     Not one but loves what he has lost.
     None is there but hath heard her sing
     Divinely through his wandering;
     Not one but he has followed far
     The portent of the Bleeding Star;
     Not one but he hath chanced to wake,
     Dreamed of the Star and found the Snake.
     Yet, through his dreams, a wandering fire,
     Still, still she flits, THE WORLD'S DESIRE!




BOOK I



I

THE SILENT ISLE

Across the wide backs of the waves, beneath the mountains, and between
the islands, a ship came stealing from the dark into the dusk, and from
the dusk into the dawn. The ship had but one mast, one broad brown sail
with a star embroidered on it in gold; her stem and stern were built
high, and curved like a bird's beak; her prow was painted scarlet, and
she was driven by oars as well as by the western wind.

A man stood alone on the half-deck at the bows, a man who looked always
forward, through the night, and the twilight, and the clear morning. He
was of no great stature, but broad-breasted and very wide-shouldered,
with many signs of strength. He had blue eyes, and dark curled locks
falling beneath a red cap such as sailors wear, and over a purple cloak,
fastened with a brooch of gold. There were threads of silver in his
curls, and his beard was flecked with white. His whole heart was
following his eyes, watching first for the blaze of the island beacons
out of the darkness, and, later, for the smoke rising from the far-off
hills. But he watched in vain; there was neither light nor smoke on the
grey peak that lay clear against a field of yellow sky.

There was no smoke, no fire, no sound of voices, nor cry of birds. The
isle was deadly still.

As they neared the coast, and neither heard nor saw a sign of life, the
man's face fell. The gladness went out of his eyes, his features grew
older with anxiety and doubt, and with longing for tidings of his home.

No man ever loved his home more than he, for this was Odysseus, the
son of Laertes--whom some call Ulysses--returned from his unsung second
wandering. The whole world has heard the tale of his first voyage, how
he was tossed for ten years on the sea after the taking of Troy, how
he reached home at last, alone and disguised as a beggar; how he found
violence in his house, how he slew his foes in his own hall, and won his
wife again. But even in his own country he was not permitted to rest,
for there was a curse upon him and a labour to be accomplished. He must
wander again till he reached the land of men who had never tasted salt,
nor ever heard of the salt sea. There he must sacrifice to the Sea-God,
and then, at last, set his face homewards. Now he had endured that
curse, he had fulfilled the prophecy, he had angered, by misadventure,
the Goddess who was his friend, and after adventures that have never yet
been told, he had arrived within a bowshot of Ithaca.

He came from strange countries, from the Gates of the Sun and from White
Rock, from the Passing Place of Souls and the people of Dreams.

But he found his own isle more still and strange by far. The realm of
Dreams was not so dumb, the Gates of the Sun were not so still, as the
shores of the familiar island beneath the rising dawn.

This story, whereof the substance was set out long ago by Rei, the
instructed Egyptian priest, tells what he found there, and the tale of
the last adventures of Odysseus, Laertes' son.

The ship ran on and won the well-known haven, sheltered from wind by two
headlands of sheer cliff. There she sailed straight in, till the leaves
of the broad olive tree at the head of the inlet were tangled in her
cordage. Then the Wanderer, without once looking back, or saying one
word of farewell to his crew, caught a bough of the olive tree with his
hand, and swung himself ashore. Here he kneeled, and kissed the earth,
and, covering his head within his cloak, he prayed that he might find
his house at peace, his wife dear and true, and his son worthy of him.

But not one word of his prayer was to be granted. The Gods give and
take, but on the earth the Gods cannot restore.

When he rose from his knees he glanced back across the waters, but there
was now no ship in the haven, nor any sign of a sail upon the seas.

And still the land was silent; not even the wild birds cried a welcome.

The sun was hardly up, men were scarce awake, the Wanderer said to
himself; and he set a stout heart to the steep path leading up the hill,
over the wolds, and across the ridge of rock that divides the two masses
of the island. Up he climbed, purposing, as of old, to seek the house of
his faithful servant, the swineherd, and learn from him the tidings of
his home. On the brow of a hill he stopped to rest, and looked down on
the house of the servant. But the strong oak palisade was broken, no
smoke came from the hole in the thatched roof, and, as he approached,
the dogs did not run barking, as sheep-dogs do, at the stranger. The
very path to the house was overgrown, and dumb with grass; even a dog's
keen ears could scarcely have heard a footstep.

The door of the swineherd's hut was open, but all was dark within. The
spiders had woven a glittering web across the empty blackness, a sign
that for many days no man had entered. Then the Wanderer shouted twice,
and thrice, but the only answer was an echo from the hill. He went in,
hoping to find food, or perhaps a spark of fire sheltered under the dry
leaves. But all was vacant and cold as death.

The Wanderer came forth into the warm sunlight, set his face to the hill
again, and went on his way to the city of Ithaca.

He saw the sea from the hill-top glittering as of yore, but there were
no brown sails of fisher-boats on the sea. All the land that should now
have waved with the white corn was green with tangled weeds. Half-way
down the rugged path was a grove of alders, and the basin into which
water flowed from the old fountain of the Nymphs. But no maidens were
there with their pitchers; the basin was broken, and green with mould;
the water slipped through the crevices and hurried to the sea. There
were no offerings of wayfarers, rags and pebbles, by the well; and on
the altar of the Nymphs the flame had long been cold. The very ashes
were covered with grass, and a branch of ivy had hidden the stone of
sacrifice.

On the Wanderer pressed with a heavy heart; now the high roof of his own
hall and the wide fenced courts were within his sight, and he hurried
forward to know the worst.

Too soon he saw that the roofs were smokeless, and all the court was
deep in weeds. Where the altar of Zeus had stood in the midst of the
court there was now no altar, but a great, grey mound, not of earth, but
of white dust mixed with black. Over this mound the coarse grass pricked
up scantily, like thin hair on a leprosy.

Then the Wanderer shuddered, for out of the grey mound peeped the
charred black bones of the dead. He drew near, and, lo! the whole heap
was of nothing else than the ashes of men and women. Death had been busy
here: here many people had perished of a pestilence. They had all been
consumed on one funeral fire, while they who laid them there must have
fled, for there was no sign of living man. The doors gaped open, and
none entered, and none came forth. The house was dead, like the people
who had dwelt in it.

Then the Wanderer paused where once the old hound Argos had welcomed him
and had died in that welcome. There, unwelcomed, he stood, leaning on
his staff. Then a sudden ray of the sun fell on something that glittered
in the heap, and he touched it with the end of the staff that he had in
his hand. It slid jingling from the heap; it was the bone of a forearm,
and that which glittered on it was a half-molten ring of gold. On the
gold lambda these characters were engraved:

IKMALIOS MEPOIESEN

(Icmalios made me.)

At the sight of the armlet the Wanderer fell on the earth, grovelling
among the ashes of the pyre, for he knew the gold ring which he had
brought from Ephyre long ago, for a gift to his wife Penelope. This
was the bracelet of the bride of his youth, and here, a mockery and a
terror, were those kind arms in which he had lain. Then his strength was
shaken with sobbing, and his hands clutched blindly before him, and he
gathered dust and cast it upon his head till the dark locks were defiled
with the ashes of his dearest, and he longed to die.

There he lay, biting his hands for sorrow, and for wrath against God and
Fate. There he lay while the sun in the heavens smote him, and he knew
it not; while the wind of the sunset stirred in his hair, and he stirred
not. He could not even shed one tear, for this was the sorest of all the
sorrows that he had known on the waves of the sea, or on land among the
wars of men.

The sun fell and the ways were darkened. Slowly the eastern sky grew
silver with the moon. A night-fowl's voice was heard from afar, it drew
nearer; then through the shadow of the pyre the black wings fluttered
into the light, and the carrion bird fixed its talons and its beak on
the Wanderer's neck. Then he moved at length, tossed up an arm, and
caught the bird of darkness by the neck, and broke it, and dashed it on
the ground. His sick heart was mad with the little sudden pain, and he
clutched for the knife in his girdle that he might slay himself, but
he was unarmed. At last he rose, muttering, and stood in the moonlight,
like a lion in some ruinous palace of forgotten kings. He was faint with
hunger and weak with long lamenting, as he stepped within his own doors.
There he paused on that high threshold of stone where once he had sat in
the disguise of a beggar, that very threshold whence, on another day, he
had shot the shafts of doom among the wooers of his wife and the wasters
of his home. But now his wife was dead: all his voyaging was ended here,
and all his wars were vain. In the white light the house of his kingship
was no more than the ghost of a home, dreadful, unfamiliar, empty
of warmth and love and light. The tables were fallen here and there
throughout the long hall; mouldering bones, from the funeral feast, and
shattered cups and dishes lay in one confusion; the ivory chairs were
broken, and on the walls the moonbeams glistened now and again from
points of steel and blades of bronze, though many swords were dark with
rust.

But there, in its gleaming case, lay one thing friendly and familiar.
There lay the Bow of Eurytus, the bow for which great Heracles had slain
his own host in his halls; the dreadful bow that no mortal man but the
Wanderer could bend. He was never used to carry this precious bow with
him on shipboard, when he went to the wars, but treasured it at home,
the memorial of a dear friend foully slain