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GOING SOME

A ROMANCE OF STRENUOUS AFFECTION

BY

REX BEACH

SUGGESTED BY THE PLAY BY REX BEACH AND PAUL ARMSTRONG

ILLUSTRATED BY MARK FENDERSON




CHAPTER I

Four cowboys inclined their bodies over the barbed-wire fence
which marked the dividing-line between the Centipede Ranch and
their own, staring mournfully into a summer night such as only
the far southwestern country knows. Big yellow stars hung thick
and low--so low that it seemed they might almost be plucked by an
upstretched hand--and a silent air blew across thousands of open
miles of land lying crisp and fragrant under the velvet dark.

And as the four inclined their bodies, they inclined also their
ears, after the strained manner of listeners who feel anguish at
what they hear. A voice, shrill and human, pierced the night like
a needle, then, with a wail of a tortured soul, died away amid
discordant raspings: the voice of a phonograph. It was their own,
or had been until one overconfident day, when the Flying Heart
Ranch had risked it as a wager in a foot-race with the
neighboring Centipede, and their own man had been too slow. As it
had been their pride, it remained their disgrace. Dearly had they
loved, and dearly lost it. It meant something that looked like
honor, and though there were ten thousand thousand phonographs,
in all the world there was not one that could take its place.

The sound ceased, there was an approving distant murmur of men's
voices, and then the song began:

  "Jerusalem, Jerusalem,
  Lift up your voice and sing--"

Higher and higher the voice mounted until it reached again its
first thin, ear-splitting pitch.

"Still Bill" Stover stirred uneasily in the darkness. "Why 'n
'ell don't they keep her wound up?" he complained. "Gallagher's
got the soul of a wart-hog. It's criminal the way he massacres
that hymn."

From a rod farther down the wire fence Willie answered him, in a
boy's falsetto:

"I wonder if he does it to spite me?"

"He don't know you're here," said Stover.

The other came out of the gloom, a little stoop-shouldered man
with spectacles.

"I ain't noways sure," he piped, peering up at his lanky foreman.
"Why do you reckon he allus lets Mrs. Melby peter out on my
favorite record? He done the same thing last night. It looks like
an insult."

"It's nothing but ignorance," Stover replied. "He don't want no
trouble with you. None of 'em do."

"I'd like to know for certain." The small man seemed torn by
doubt. "If I only knew he done it a-purpose, I'd git him. I bet I
could do it from here."

Stover's voice was gruff as he commanded: "Forget it! Ain't it
bad enough for us fellers to hang around like this every night
without advertising our idiocy by a gun-play?"

"They ain't got no right to that phonograph," Willie averred,
darkly.

"Oh yes, they have; they won it fair and square."

"Fair and square! Do you mean to say Humpy Joe run that foot-race
on the square?"

"I never said nothin' like that whatever. I mean we bet it, and
we lost it. Listen! There goes Carara's piece!"

Out past the corral floated the announcement in a man's metallic
syllables:

"_The Baggage Coach Ahead,_ as sung by Helena Mora for the
Echo Phonograph, of New York and Pa-a-aris!"

From the dusk to the right of the two listeners now issued soft
Spanish phrases.

"_Madre de Dios!_ 'The Baggage Car in Front!' T'adora Mora!
God bless 'er!"

During the rendition of this affecting ballad the two cow-men
remained draped uncomfortably over the barbed-wire barrier, lost
in rapturous enjoyment. When the last note had died away, Stover
roused himself reluctantly.

"It's time we was turnin' in." He called softly, "Hey, Mex!"

"_Si, Senor!_"

"Come on, you and Cloudy. _Vamos!_ It's ten o'clock."

He turned his back on the Centipede Ranch that housed the
treasure, and in company with Willie, made his way to the ponies.
Two other figures joined them, one humming in a musical baritone
the strains of the song just ended.

"Cut that out, Mex! They'll hear us," Stover cautioned.

"_Caramba!_ This t'ing is brek my 'eart," said the Mexican,
sadly. "It seem like the Senorita Mora is sing that song to me.
Mebbe she knows I'm set out 'ere on cactus an' listen to her. Ah,
I love that Senorita ver' much."

The little man with the glasses began to swear in his high
falsetto. His ear had caught the phonograph operator in another
musical mistake.

"That horn-toad let Mrs. Melby die again to-night," said he.
"It's sure comin' to a runnacaboo between him and me. If somebody
don't kill him pretty soon, he'll wear out that machine before we
git it back."

"Humph! It don't look like we'd ever get it back," said Stover.

One of the four sighed audibly, then vaulting into his saddle,
went loping away without waiting for his companions.

"Cloudy's sore because they didn't play _Navajo,"_ said
Willie. "Well, I don't blame 'em none for omittin' that war-
dance. It ain't got the class of them other pieces. While it's
devised to suit the intellect of an Injun, perhaps; it ain't in
the runnin' with _The Holy City,_ which tune is the sweetest
and sacredest ever sung."

Carara paused with a hand upon the neck of his cayuse.

"Eet is not so fine as _The Baggage Car in Front,"_ he
declared.

"It's got it beat a mile!" Willie flashed back, harshly.

"Here you!" exclaimed Stover, "no arguments. We all have our
favorites, and it ain't up to no individual to force his likes
and dislikes down no other feller's throat." The two men he
addressed mounted their broncos stiffly.

"I repeat," said Willie: "_The Holy City_, as sung by Mrs.
Melby, is the swellest tune that ever hit these parts."

Carara muttered something in Spanish which the others could not
understand.

"They're all fine pieces," Stover observed, placatingly, when
fairly out of hearing of the ranch-houses. "You boys have each
got your preference. Cloudy, bein' an Injun, has got his, and I
rise to state that I like that monologue, _Silas on Fifth
Avenoo_, better than all of 'em, which ain't nothin' ag'inst
my judgment nor yours. When Silas says, 'The girl opened her
valise, took our her purse, closed her valise, opened her purse,
took out a dime, closed her purse, opened her valise, put in her
purse, closed her valise, give the dime to the conductor, got a
nickel in change, then opened her valise, took out her purse,
closed her valise-'" Stover began to rock in his saddle, then
burst into a loud guffaw, followed by his companions. "Gosh!
That's awful funny!"

"_Si! si!_" acknowledged Carara, his white teeth showing
through the gloom.

"An' it's just like a fool woman," tittered Willie. "That's sure
one ridic'lous line of talk."

"Still Bill" wiped his eyes with the back of a bony hand. "I know
that hull monologue by heart, but I can't never get past that
spot to save my soul. Right there I bog down, complete." Again he
burst into wild laughter, followed by his companions. "I don't
see how folks can be so dam' funny!" he gasped.

"It's natural to 'em, like warts," said Willie; "they're born
with it, the same as I was born to shoot straight with either
hand, and the same as the Mex was born to throw a rope. He don't
know how he does it, and neither do I. Some folks can say funny
things, some can sing, like Missus Melby; some can run
foot-races, like that Centipede cook--" Carara breathed an eloquent
Mexican oath.

"Do you reckon he fixed that race with Humpy Joe?" inquired
Stover.

"Name's Skinner," Willie observed. "It sure sounds bad."

"I'm sorry Humpy left us so sudden," said Still Bill. "We'd ought
to have questioned him. If we only had proof that the race was
crooked--"

"You can so gamble it was crooked," the little man averred. "Them
Centipede fellers never done nothin' on the square. They got
Humpy Joe, and fixed it for him to lose so they could get that
talkin'-machine. That's why he pulled out."

"I'd hate to think it," said the foreman, gloomily; then after a
moment, during which the only sound was that of the muffled
hoof-beats: "Well, what we goin' to do about it?"

"Humph! I've laid awake nights figurin' that out. I reckon we'll
just have to git another foot-racer and beat Skinner. He ain't
the fastest in the world."

"That takes coin. We're broke."

"Mebbe Mr. Chapin would lend a helpin' hand."

"No chance!" said Stover, grimly. "He's sore on foot-racin'. Says
it disturbs us and upsets our equalubrium."

Carara fetched a deep sigh.

"It's ver' bad t'ing, Senor. I don' feel no worse w'en my
gran'mother die."

The three men loped onward through the darkness, weighted heavily
with disappointment.

Affairs at the Flying Heart Ranch were not all to Jack Chapin's
liking. Ever since that memorable foot-race, more than a month
before, a gloom had brooded over the place which even the
presence of two Smith College girls, not to mention that of Mr.
Fresno, was unable to dissipate. The cowboys moped about like
melancholy shades, and neglected their work to discuss the
disgrace that had fallen upon them. It was a task to get any of
them out in the morning, several had quit, the rest were
quarrelling among themselves, and the bunk-house had already been
the scene of more than one encounter, altogether too sanguinary
to have originated from such a trivial cause as a foot-race. It
was not exactly an auspicious atmosphere in which to entertain a
houseful of college boys and girls, all unversed in the ways of
the West.

The master of the ranch sought his sister Jean, to tell her
frankly what was on his mind.

"See here, Sis," he began, "I don't want to cast a cloud over
your little house-party, but I think you'd better keep your
friends away from my men."

"Why, what is the matter?" she demanded.

"Things are at a pretty high tension just now, and the boys have
had two or three rows among themselves. Yesterday Fresno tried to
'kid' Willie about _The Holy City;_ said it was written as a
<DW53> song, and wasn't sung in good society. If he hadn't been a
guest, I guess Willie would have murdered him."

"Oh, Jack! You won't let Willie murder anybody, not even
Berkeley, while the people are here, will you?" coaxed Miss
Chapin, anxiously.

"What made you invite Berkeley Fresno, anyhow?" was the
rejoinder. "This is no gilded novelty to him. He is a Western
man."

Miss Chapin numbered her reasons sagely. "In the first place--
Helen. Then there had to be enough men to go around. Last and
best, he is the most adorable man I ever saw at a house-party.
He's an angel at breakfast, sings perfectly beautifully--you know
he was on the Stanford Glee Club--"

"Humph!" Jack was unimpressed. "If you roped him for Helen Blake
to brand, why have you sent for Wally Speed?"

"Well, you see, Berkeley and Helen didn't quite hit it off, and
Mr. Speed is--a friend of Culver's." Miss Chapin blushed
prettily.

"Oh, I see! I thought myself that this affair had something to do
with you and Culver Covington, but I didn't know it had lapsed
into a sort of matrimonial round-up. Suppose Miss Blake shouldn't
care for Speed after he gets here?"

"Oh, but she will! That's where Berkeley Fresno comes in. When
two men begin to fight for her, she'll have to begin to form a
preference, and I'm sure it will be for Wally Speed. Don't you
see?"

The brother looked at his sister shrewdly. "It seems to me you
learned a lot at Smith."

Jean tossed her head. "How absurd! That sort of knowledge is
perfectly natural for a girl to have." Then she teased: "But you
admit that my selection of a chaperon was excellent, don't you,
Jack?"

"Mrs. Keap and I are the best of friends," Jack averred, with
supreme dignity. "I'm not in the market, and a man doesn't marry
a widow, anyhow. It's too old and experienced a beginning."

"Nonsense! Roberta Keap is only twenty-three. Why, she hardly
knew her husband, even! It was one of those sudden, impulsive
affairs that would overwhelm any girl who hadn't seen a man for
four years. And then he enlisted in the Spanish War, and was
killed."

"Considerate chap!"

"Roberta, you know, is my best friend, after Helen. Do be nice to
her, Jack." Miss Chapin sighed. "It is too bad the others
couldn't come."

"Yes, a small house-party has its disadvantages. By-the-way,
what's that gold thing on your frock?"

"It's a medal. Culver sent it to me."

"Another?"

"Yes, he won the intercollegiate championship again." Miss Chapin
proudly extended the emblem on its ribbon.

"I wish to goodness Covington had been here to take Humpy Joe's
place," said the young cattle-man as he turned it over. "The boys
are just brokenhearted over losing that phonograph."

"I'll get him to run and win it back," Jean offered, easily. Her
brother laughed. "Take my advice, Sis, and don't let Culver mix
up in this game! The stakes are too high. I think that Centipede
cook is a professional runner, myself, and if our boys were
beaten again--well, you and mother and I would have to move out
of New Mexico, that's all. No, we'd better let the memory of that
defeat die out as quickly as possible. You warn Fresno not to
joke about it any more, and I'll take Mrs. Keap off your hands.
She may be a widow, she may even be the chaperon, but I'll do it;
I will do it," promised Jack--"for my sister's sake."




CHAPTER II

Helen Blake was undeniably bored. The sultry afternoon was very
long--longer even than Berkeley Fresno's autobiography, and quite
as dry. It was too hot and dusty to ride, so she took refuge in
the latest "best seller," and sought out a hammock on the vine-
shaded gallery, where Jean Chapin was writing letters, while the
disconsolate Fresno, banished, wandered at large, vaguely injured
at her lack of appreciation.

Absent-mindedly, the girls dipped into the box of bonbons between
them. Jean finished her correspondence and essayed conversation,
but her companion's blond head was bowed over the book in her
lap, and the effort met with no response. Lulled by the
somniferous droning of insects and lazy echoes from afar, Miss
Chapin was on the verge of slumber, when she saw her guest
rapidly turn the last pages of her novel, then, with a chocolate
between her teeth, read wide-eyed to the finish. Miss Blake
closed the book reluctantly, uncurled slowly, then stared out
through the dancing heat-waves, her blue eyes shadowed with
romance.

"Did she marry him?" queried Jean.

"No, no!" Helen Blake sighed, blissfully. "It was infinitely
finer. She killed herself."

"I like to see them get married."

"Naturally. You are at that stage. But I think suicide is more
glorious, in many cases."

Miss Chapin yawned openly. "Speaking of suicides, isn't this
ranch the deadest place?"

"Oh, I don't think so at all." Miss Blake picked her way
fastidiously through the bonbons, nibbling tentatively at several
before making her choice. "Oh yes, you do, and you needn't be
polite just because you're a guest." "Well, then, to be as
truthful as a boarder, it _is_ a little dull. Not for our
chaperon, though. The time doesn't seem to drag on her hands.
Jack certainly is making it pleasant for her."

"If you call taking her out to watch a lot of bellowing calves
get branded, entertainment," Miss Chapin sighed.

"I wonder what makes widows so fascinating?" observed the
youthful Miss Blake.

"I hope I never find out." Jean clutched nervously at the gold
medal on her dress. "Wouldn't that be dreadful!"

"My dear, Culver seems perfectly healthy. Why worry?"

"I--I wish he were here."

Miss Blake leaned forward and read the inscription on her
companion's medal. "Oh, isn't it heavy!" feeling it reverently.

"Pure gold, like himself! You should have seen him when he won
it. Why, at the finish of that race all the men but Culver were
making the most horrible faces. They were simply _dead_."

Miss Blake's hands were clasped in her lap. "They all make
faces," said she. "Have you told Roberta about your engagement?"

"No, she doesn't dream of it, and I don't want her to know. I'm
so afraid she'll think, now that mother has gone, that I asked
her here just as a chaperon. Perhaps I'll tell her when Culver
comes."

"I adore athletes. I wouldn't give a cent for a man who wasn't
athletic."

"Does Mr. Speed go in for that sort of thing?"

"Rather! The day we met at the Yale games he had medals all over
him, and that night at the dance he used the most wonderful
athletic language--we could scarcely understand him. Mr.
Covington must have told you all about him; they are chums, you
know."

Miss Chapin furrowed her brows meditatively.

"I have heard Culver speak of him, but never as an athlete. Have
you and Mr. Speed settled things between you, Helen? I mean, has
he--said anything?"

Miss Blake flushed.

"Not exactly." She adjusted a cushion to cover her confusion,
then leaned back complacently. "But he has stuttered dangerously
several times."

A musical tinkle of silver spurs sounded in the distance, and
around the corner of the cook-house opposite came Carara, the
Mexican, his wide, spangled sombrero tipped rakishly over one
ear, a corn-husk cigarette drooping from his lips. Evidently his
presence was inspired by some special motive, for he glanced
sharply about, and failing to detect the two girls behind the
distant screen of vines, removed his cigarette and whistled
thrice, like a quail, then, leaning against the adobe wall,
curled his black silken mustaches to needle-points.

"It's that romantic Spaniard!" whispered Helen. "What does he
want?"

"It's his afternoon call on Mariedetta, the maid," said Jean.
"They meet there twice a day, morning and afternoon."

"A lovers' tryst!" breathed Miss Blake, eagerly. "Isn't he
graceful and picturesque! Can we watch them?"

"'Sh-h! There she comes!"

From the opposite direction appeared a slim, swarthy Mexican
girl, an Indian water-jug balanced upon her shoulders. She was
clad in the straight-hanging native garment, belted in with a
sash; her feet were in sandals, and she moved as silently as a
shadow.

During the four days since Miss Blake's arrival at the Flying
Heart Ranch she had seen Mariedetta flitting noiselessly here and
there, but had never heard her speak. The pretty, expressionless
face beneath its straight black hair had ever retained its wooden
stolidity, the velvety eyes had not laughed nor frowned nor
sparkled. She seemed to be merely a part of this far southwestern
picture; a bit of inanimate yet breathing local color. Now,
however, the girl dropped her jug, and with a low cry glided to
her lover, who tossed aside his cigarette and took her in his
arms. From this distance their words were indistinguishable.

"How perfectly romantic," said the Eastern girl, breathlessly. "I
had no idea Mariedetta could love anybody."

"She is a volcano," Jean answered.

"Why, it's like a play!"

"And it goes on all the time."

"How gentle and sweet he is! I think he is charming. He is not at
all like the other cowboys, is he?"

While the two witnesses of the scene were eagerly discussing it,
Joy, the Chinese cook, emerged from the kitchen bearing a bucket
of water, his presence hidden from the lovers by the corner of
the building. Carara languidly released his inamorata from his
embrace and lounged out of sight around the building, pausing at
the farther corner to waft her a graceful kiss from the ends of
his fingers, as with a farewell flash of his white teeth he
disappeared. Mariedetta recovered her water-jug and glided onward
into the court in front of the cook-house, her face masklike, her
movements deliberate as usual. Joy, spying the girl, grinned at
her. She tossed her head coquettishly and her step slackened,
whereupon the cook, with a sly glance around, tapped her gently
on the arm, and said:

"Nice l'il gally."

"The idea!" indignantly exclaimed Miss Blake from her hammock.

But Mariedetta was not offended. Instead she smiled over her
shoulder as she had smiled at her lover an instant before.

"Me like you fine. You like pie?" Joy nodded toward the door to
the culinary department, as if to make free of his hospitality,
at the instant that Carara, who had circled the building, came
into view from the opposite side, a fresh cigarette between his
lips. His languor vanished at the first glimpse of the scene, and
he strode toward the white-clad Celestial, who dove through the
open door like a prairie dog into its hole. Carara followed at
his heels.

"It serves him right!" cried Miss Blake, rising. "I hope Mr.
Carara--"

A din of falling pots and pans issued from the cook-house,
mingled with shrill cries and soft Spanish imprecations; then,
with one long-drawn wail, the pandemonium ceased as suddenly as
it had commenced, and Carara issued forth, black with anger.

"Ha!" said he, scowling at Mariedetta, who had retreated, her
hand upon her bosom. He exhaled a lungful of cigarette smoke
through his nostrils fiercely. "You play wit' me, eh?"

"No! no!" Mariedetta ran to him, and, seizing his arm, cooed
amorously in Spanish.

"Bah! _Vamos!"_ Carara flung her from him, and stalked away.

"Well, of all the outrageous things!" said Miss Blake. "Why, she
was actually flirting with that Chinaman."

"Mariedetta flirts with every man she can find," said Jean,
calmly, "but she doesn't mean any harm. She'll marry Carara some
time--if he doesn't kill her."

"Kill her!" Miss Blake's eyes were round. "He wouldn't do
_that!"_

"Indeed, yes. He is a Mexican, and he has a terrible temper."

Miss Blake sank back into the hammock. "How perfectly dreadful!
And yet--it must be heavenly to love a man who would kill you."

Miss Chapin lost herself in meditation for an instant. "Culver is
almost like that when he is angry. Hello, here comes our
foreman!"

Stover, a tall, gangling cattle-man with drooping grizzled
mustache, came shambling up to the steps. His weather-beaten
chaps were much too short for his lengthy limbs, the collar