



Produced by Charles Bowen, from page scans provided by Google Books




Transcriber's Notes:

1. Page scan source:
http://books.google.com/books?pg=PA381&id=12YTAAAAYAAJ#v=onepage&q&f=false

2.  Diphthong oe is represented by [oe].

3.  Footnotes are at the end of the book.






                              BLACK FOREST

                            VILLAGE STORIES


                                   BY
                           BERTHOLD AUERBACH


                             TRANSLATED BY
                             CHARLES GOEPP


                            AUTHOR'S EDITION


              _Illustrated with Facsimiles of the original
                           German Woodcuts._




                                NEW YORK
                            LEYPOLDT & HOLT
                                  1869






       Entered according to Act of Congress, in the year 1869, by
                            LEYPOLDT & HOLT,
    In the Clerk's office of the District Court of the United States
                 for the Southern District of New York.


                              BLACK FOREST
                            VILLAGE STORIES.



                                THE GAWK


I see you now, my fine fellow, as large as life, with your yellow hair
cropped very short, except in the neck, where a long tail remains as if
you had cut yourself after the pattern of a plough-horse. You are
staring straight at me with your broad visage, your great blue goggle
eyes, and your mouth which is never shut. Do you remember the morning
we met in the hollow where the new houses stand now, when you cut me a
willow-twig to make a whistle of? We little thought then that I should
come to pipe the world a song about you when we should be thousands of
miles apart. I remember your costume perfectly, which is not very
surprising, as there is nothing to keep in mind but a shirt, red
suspenders, and a pair of linen pantaloons dyed black to guard against
all contingencies. On Sunday you were more stylish: then you wore a fur
cap with a gold tassel, a blue roundabout with broad buttons, a scarlet
waistcoat, yellow shorts, white stockings, and buckled shoes, like any
other villager; and, besides, you very frequently had a fresh pink
behind your ear. But you were never at ease in all this glory; and I
like you rather better in your plainer garb, myself.

But now, friend gawk, go about your business; there's a good fellow. It
makes me nervous to tell your story to your face. You need not be
alarmed: I shall say nothing ill of you, though I do speak in the third
person.

The gawk not only had a real name, but a whole pedigree of them; in the
village he ought to have been called Bart's Bast's[1] boy, and he had
been christened Aloys. To please him, we shall stick to this last
designation. He will be glad of it, because, except his mother Maria
and a few of us children, hardly any one used it; all had the impudence
to say "Gawk." On this account he always preferred our society, even
after he was seventeen years old. In out-of-the-way places he would
play leap-frog with us, or let us chase him over the fields; and when
the gawk--I should say, when Aloys--was with us, we were secure against
the attacks of the children at the lime-pit; for the rising generation
of the village was torn by incessant feuds between two hostile parties.

Yet the boys of Aloys' own age were already beginning to feel their
social position. They congregated every evening, like the grown men,
and marched through the village whistling and singing, or stood at the
tavern-door of the Eagle, by the great wood-yard, and passed jokes with
the girls who went by. But the surest test of a big boy was the
tobacco-pipe. There they would stand with their speckled bone-pipe
bowls, of Ulm manufacture, tipped with silver, and hung with little
silver chains. They generally had them in their mouths unlit; but
occasionally one or the other would beg a live coal from the baker's
maid, and then they smoked with the most joyful faces they knew how to
put on, while their stomachs moaned within them.

Aloys had begun the practice too, but only in secret. One evening he
mustered up courage to mingle with his fellows, with the point of his
pipe peeping forth from his breast-pocket. One of the boys pulled the
pipe out of his pocket with a yell; Aloys tried to seize it, but it
passed from hand to hand with shouts of laughter, and the more
impatiently he demanded it the less it was forthcoming, until it
disappeared altogether, and every one professed to know nothing of what
had become of it. Aloys began to whimper, which made them laugh still
more; so at last he snatched the cap of the first robber from his head,
and ran with it into the house of Jacob the blacksmith. Then the
capless one brought the pipe, which had been hidden in the wood-yard.

Jacob Bomiller the blacksmith's house was what is called Aloys'
"go-out." He was always there when not at home, and never at home after
his work was done. Aunt Applon, (Apollonia,) Jacob's wife, was his
cousin; and; besides his own mother and us children, she and her eldest
daughter Mary Ann always called him by his right name. In the morning
he would get up early, and, after having fed and watered his two cows
and his heifer, he always went to Jacob's house and knocked at the door
until Mary Ann opened it. With a simple "Good-morning," he passed
through the stable into the barn. The cattle knew his step, and always
welcomed him with a complacent growl and a turn of the head: he never
stopped to return the compliment, but went into the barn and filled the
cribs of the two oxen and the two cows. He was on particularly good
terms with the roan cow. He had raised her from a calf; and, when he
stood by her and watched her at her morning meal, she often licked his
hands, to the improvement of his toilet. Then he would open the door of
the stable and restore its neatness and good order, often chatting
cosily to the dumb beasts as he made them turn to the right or left.
Not a dunghill in the village was so broad and smooth and with such
clean edges as the one which Aloys built before the house of Jacob the
blacksmith; for a fine dunghill is the greatest ornament to a
villager's door-front in the Black Forest. The next thing he did was to
wash and curry the oxen and cows until you might have seen your face in
their sleek hides. This done, he ran to the pump before the house and
filled the trough with water: the cattle, unchained, ran out to drink;
while he spread fresh straw in their stalls. Thus, by the time that
Mary Ann came to the stable to milk the cows, she found every thing
neat and clean. Often, when a cow was "skittish," and kicked, Aloys
stood by her and laid his hand on her back while Mary Ann milked; but
generally he found something else to do. And when Mary Ann said,
"Aloys, you are a good boy," he never looked up at her, but plied the
stable-broom so vehemently that it threatened to sweep the boulder-stones
out of the floor. In the barn he cut the feed needed for the day; and,
after all the work required in the lower story of the building--which,
in the Black Forest, as is well known, contains what in America is
consigned to the barn and outhouses--was finished, he mounted up-stairs
into the kitchen, carried water, split the kindling-wood, and at last
found his way into the room. Mary Ann brought the soup-bowl, set it on
the table, folded her hands, and, everybody having done the same, spoke
a prayer. All now seated themselves with a "God's blessing." The bowl
was the only dish upon the table, into which every one dipped his spoon,
Aloys often stealing a mouthful from the place where Mary Ann's spoon
usually entered. The deep silence of a solemn rite prevailed at the
table: very rarely was a word spoken. After the meal and another prayer,
Aloys trudged home.

Thus things went on till Aloys reached his nineteenth year, when, on
New-Year's day, Mary Ann made him a present of a shirt, the hemp of
which she had broken herself, and had spun, bleached, and sewed it. He
was overjoyed, and only regretted that it would not do to walk the
street in shirt-sleeves: though it was bitter cold, he would not have
cared for that in the least; but people would have laughed at him, and
Aloys was daily getting more and more sensitive to people's laughter.

[Illustration: The old squire's new hand.]

The main cause of this was the old squire's[2] new hand who had come
into the village last harvest. He was a tall, handsome fellow, with a
bold, dare-devil face appropriately set off with a reddish mustache.
George (for such was his name) was a cavalry soldier, and almost always
wore the cap belonging to his uniform. When he walked up the village of
a Sunday, straight as an arrow, turning out his toes and rattling his
spurs, every thing about him said, as plainly as words could speak, "I
know all the girls are in love with me;" and when he rode his horses
down to Jacob's pump to water them, poor Aloys' heart was ready to
burst as he saw Mary Ann look out of the window. He wished that there
were no such things as milk and butter in the world, so that he too
might be a horse-farmer.

Inexperienced as Aloys was, he knew all about the three classes or
"standings" into which the peasants of the Black Forest are divided.
The cow-farmers are the lowest in the scale: their draught-cattle, in
addition to their labor, must yield them milk and calves. Then come the
ox-farmers, whose beasts, after having served their time, may be
fattened and killed. The horse-farmers are still more fortunate: their
beasts of draught yield neither milk nor meat, and yet eat the best
food and bring the highest prices.

Whether Aloys took the trouble to compare this arrangement with the
four castes of Egypt, or the three estates of feudalism, is doubtful.

On this New-Year's day, George derived a great advantage from his
horses. After morning service, he took the squire's daughter and her
playmate Mary Ann sleighing to Impfingen; and, though the heart of poor
Aloys trembled within him, he could not refuse George's request to help
him hitch the horses and try them in the sleigh. He drove about the
village, quite forgetting the poor figure he cut beside the showy
soldier. When the girls were seated, Aloys led the horses a little way,
running beside them until they were fairly started, and then let them
go. George drove down the street, cracking his whip; the horses jingled
their bells; half the commune looked out of their windows; and poor
Aloys stared after them long after they were out of sight; and then
went sadly home, cursing the snow which brought the water to his eyes.
The village seemed to have died out when Mary Ann was not to be in it
for a whole day.

All this winter Aloys was often much cast down. At his mother's house
the girls frequently assembled to hold their spinning-frolics,--a
custom much resembling our quiltings. They always prefer to hold these
gatherings at the house of a comrade recently married or of a
good-natured widow; elder married men are rather in the way. So the
girls often came to Mother Maria, and the boys dropped in later,
without waiting to be invited. Hitherto Aloys had never troubled
himself about them so long as they left him undisturbed: he had sat in
a corner doing nothing. But now he often said to himself, "Aloys, this
is too bad: you are nineteen years old now, and must begin to put
yourself forward." And then again he would say, "I wish the devil would
carry that George away piecemeal!" George was the object of his
ill-humor, for he had soon obtained a perfect control over the minds of
all the boys, and made them dance to his whistle. He could whistle and
sing and warble and tell stories like a wizard. He taught the boys and
girls all sorts of new songs. The first time he sang the verse,--

           "Do thy cheeks with gladness tingle
            Where the snows and scarlet mingle?"--

Aloys suddenly rose: he seemed taller than usual; he clenched his fists
and gnashed his teeth with secret joy. He seemed to draw Mary Ann
toward him with his looks, and to see her for the first time as she
truly was; for, just as the song ran, so she looked.

The girls sat around in a ring, each having her distaff with the gilt
top before her, to which the hemp was fastened with a  ribbon;
they moistened the thread with their lips, and twirled the spindle,
which tumbled merrily on the floor. Aloys was always glad to put "a
little moistening," in the shape of some pears or apples, on the table,
and never failed to put the plate near Mary Ann, so that she might help
herself freely.

Early in the winter Aloys took his first courageous step in right of
his adolescence. Mary Ann had received a fine new distaff set with
pewter. The first time she brought it into the spinning-room and sat
down to her work, Aloys came forward, took hold of it, and repeated the
old rhyme:--

           "Good lassie, give me leave,
            Let me shake your luck out of this sleeve;
            Great goodhap and little goodhap
            Into my lassie's lap.
            Lassie, why are you so rude?
            Your distaff is only of wood;
            If it had silver or gold on't,
            I'd have made a better rhyme on't."

His voice trembled a little, but he got through without stammering.
Mary Ann first cast her eyes down with shame and fear lest he should
"balk;" but now she looked at him with beaming eyes. According to
custom, she dropped the spindle and the whirl,[3] which Aloys picked
up, and exacted for the spindle the promise of a dumpling, and for the
whirl that of a doughnut. But the best came last. Aloys released the
distaff and received as ransom a hearty kiss. He smacked so loud that
it sounded all over the room, and the other boys envied him sorely. He
sat down quietly in a corner, rubbed his hands, and was contented with
himself and with the world. And so he might have remained to the end of
time, if that marplot of a George had not interfered again.

Mary Ann was the first voice in the church-choir. One evening George
asked her to sing the song of the "Dark-Brown Maid." She began without
much hesitation, and George fell in with the second voice so finely and
sonorously that all the others who had joined in also lapsed into
silence one by one, and contented themselves with listening to the two
who sang so well. Mary Ann, finding herself unsupported by her
companions, found her voice trembling a little, and nudged her
companions to go on singing; but, as they would not, she took courage,
and sang with much spirit, while George seemed to uphold her as with
strong arms. They sang:--

           "Oh, to-morrow I must leave you,
              My beloved dark-brown maid:
            Out at the upper gate we travel,
              My beloved dark-brown maid.

           "When I march in foreign countries,
              Think of me, my dearest one;
            With the sparkling glass before you,
            Often think how I adore you;
              Drink a health to him that's gone.

           "Now I load my brace of pistols,
            And I fire and blaze away,
              For my dark-brown lassie's pleasure;
              For she chose me for her treasure,
            And she sent the rest away.

           "In the blue sky two stars are shining:
              Brighter than the moon they glow;
            This looks on the dark-brown maiden,
              And that looks where I must go.

           "I've bought a ribbon for my sabre,
              And a nosegay for my hat,
            And a kerchief in my keeping,
            To restrain my eyes from weeping:
              From my love I must depart.

           "Now I spur my horse's mettle,
              Now I rein him in and wait:
            So good-bye, dear dark-brown maiden;
              I must ride out at the gate."

When each of the girls had filled four or five spindles, the table was
pushed into a corner, to clear a space of three or four paces in length
and breadth, on which they took turns in dancing, those who sat singing
the music. When George brought out Mary Ann, he sang his own song,
dancing to it like a spindle: indeed, he did not need much more space
than a spindle, for he used to say that no one was a good waltzer who
could not turn around quickly and safely on a plate. When he stopped at
last,--with a whirl which made the skirts of Mary Ann's wadded dress
rise high above her feet,--she suddenly left him alone, as if afraid of
him, and ran into a corner, where Aloys sat moodily watching the sport.
Taking his hand, she said,--

"Come, Aloys, you must dance."

"Let me alone: you know I can't dance. You only want to make game of
me."

"You g----" said Mary Ann: she would have said, "you gawk," but
suddenly checked herself on seeing that he was more ready to cry than
to laugh. So she said, gently, "No, indeed, I don't want to make game
of you. Come; if you can't dance you must learn it: there is none I
like to dance with better than you."

They tried to waltz; but Aloys threw his feet about as if he had wooden
shoes on them, so that the others could not sing for laughing.

"I will teach you when nobody is by, Aloys," said Mary Ann, soothingly.

The girls now lighted their lanterns and went home. Aloys insisted on
going with them: he would not for all the world have let Mary Ann go
home without him when George was of the company.

In the still, snowy night, the raillery and laughter of the party were
heard from end to end of the village. Mary Ann alone was silent, and
evidently kept out of George's way.

When the boys had left all the girls at their homes, George said to
Aloys, "Gawk, you ought to have stayed with Mary Ann to-night."

"You're a rascal," said Aloys, quickly, and ran away. The others
laughed. George went home alone, warbling so loud and clear that he
must have gladdened the hearts of all who were not sick or asleep.

Next morning, as Mary Ann was milking the cows, Aloys said to her, "Do
you see, I should just like to poison that George; and if you are a
good girl you must wish him dead ten times over."

Mary Ann agreed with him, but tried to convince him that he should
endeavor to become just as smart and ready as George was. A bright idea
suddenly struck Aloys. He laughed aloud, threw aside the stiff old
broom and took a more limber one, saying, "Yes: look sharp and you'll
see something." After much reluctance, he yielded to Mary Ann's
solicitations to be "good friends" with George: he could not refuse her
any thing.

It was for this reason alone that Aloys had helped George to get the
sleigh out, and that the snow made his eyes run over as he watched the
party till they disappeared.

In the twilight Aloys drove his cows to water at Jacob's well. A knot
of boys had collected there, including George and his old friend, a
Jew, commonly called "Long Hartz's Jake." Mary Ann was looking out of
the window. Aloys was imitating George's walk: he carried himself as
straight as if he had swallowed a ramrod, and kept his arms hanging
down his sides, as if they had been made of wood.

"Gawk," said Jake, "what will you allow me if I get Mary Ann to marry
you?"

"A good smack on your chops," said Aloys, and drove his cows away. Mary
Ann closed the sash, while the boys set up a shout of laughter, in
which George's voice was heard above all the others.

Aloys wiped the sweat from his forehead with his sleeve, so great was
the exertion which the expression of his displeasure had cost him. He
sat for hours on the feed-box of his stable, maturing the plans he had
been meditating.

Aloys had entered his twentieth year, and it was time for him to pass
the inspection of the recruiting-officers. On the day on which he, with
the others of his age, was to present himself at Horb, the county town,
he came to Mary Ann's house in his Sunday gear, to ask if she wished
him to get any thing for her in town. As he went away, Mary Ann
followed him into the hall, and, turning aside a little, she drew a bit
of blue paper from her breast, which, on being unwrapped, was found to
contain a creutzer.[4] "Take it," said she: "there are three crosses on
it. When the shooting stars come at night, there's always a silver bowl
on the ground, and out of those bowls they make this kind of creutzers:
if you have one of them in your pocket you are sure to be in luck. Take
it, and you will draw a high number."[5]

Aloys took the creutzer; but in crossing the bridge which leads over
the Necker he put his hand in his pocket, shut his eyes, and threw the
creutzer into the river. "I won't draw a high number: I want to be a
soldier and cut George out," he muttered, between his teeth. His hand
was clenched, and he drew himself up like a king.

At the Angel Hotel the squire waited for the recruits of his parish;
and when they had all assembled he went with them to the office. The
squire was equally stupid and pretentious. He had been a corporal
formerly, and plumed himself on his "commission:" he loved to treat all
farmers, old and young, as recruits. On the way he said to Aloys,
"Gawk, you will be sure to draw the highest number; and even if you
should draw No. 1 you need not be afraid, for they never can want you
for a soldier."

"Who knows?" said Aloys, saucily. "I may live to be a corporal yet, as
well as any one: I can read and write as well as another, and the old
corporals haven't swallowed all the wisdom in the world, either."

The squire looked daggers at him.

When Aloys walked up to the wheel, his manner was bold almost to
provocation. Several papers met his fingers as he thrust his hand in.
He closed his eyes, as if determined not to see what he should draw,
and brought out a ticket. He handed it to the clerk, trembling with
fear of its being a high number. But, when "Number 17" was called, he
shouted so lustily that they had to call him to order.

The boys now bought themselves artificial flowers tied with red
ribbons, and, after another hearty drink, betook themselves homeward.
Aloys sang and shouted louder than all the others.

At the stile at the upper end of the village the mothers and many
of the sweethearts of the boys were waiting: Mary Ann was among them
also. Aloys, a little fuddled,--rather by the noise than by the
wine,--walked, not quite steadily, arm-in-arm with the others. This
familiarity had not occurred before; but on the present occasion they
were all brothers. When Aloys' mother saw No. 17 on his cap, she cried,
again and again, "O Lord a' mercy! Lord a' mercy!" Mary Ann took Aloys
aside, and asked, "What has become of my creutzer?" "I have lost it,"
said Aloys; and the falsehood smote him, half unconscious as he was.

The boys now walked down the village, singing, and the mothers and
sweethearts of those who had probably been "drawn" followed them,
weeping, and wiping their eyes with their aprons.

The "visitation," which was to decide every thing, was still six weeks
off. His mother took a large lump of butter and a basket full of eggs,
and went to the doctor's. The butter was found to spread very well,
notwithstanding the cold weather, and elicited the assurance that Aloys
would not be made a recruit of; "for," said the conscientious
physician, "Aloys is incapable of military service, at any rate: he
cannot see well at a distance, and that is what makes him so awkward
sometimes."

Aloys gave himself no trouble about all these matters: he was quite
altered, and swaggered and whistled whenever he went out.

On the day of the visitation, the boys went to town a little more
soberly and quietly than when the lots were drawn.

When Aloys was called into the visitation-room and ordered to undress,
he said, saucily, "Spy me out all you can: you will find nothing wrong
about me. I have no blemish: I can be a soldier." His measure being
taken and found to be full, he was entered on the list without delay:
the doctor forgot the short-sightedness, the butter, and the eggs, in
his astonishment at the boldness of Aloys.

But, when the irrevocable step was fairly taken, Aloys experienced such
a sense of alarm that he could have cried. Still, when his mother met
him on the stone steps of the office, weeping bitterly, his pride
returned; and he said, "Mother, this is not right: you must not cry. I
shall be back in a year, and Xavier can keep things in order very well
while I am gone."

On being assured of their enlistment as soldiers, the boys began to
drink, sing, and royster more than ever, to make up for the time they
supposed themselves to have lost before.

When Aloys came home, Mary Ann, with tears in her eyes, gave him a
bunch of rosemary with red ribbons in it, and sewed it to his cap.
Aloys took out his pipe, smoked all the way up the village, and made a
night of it with his comrades.

One hard day more was to be passed,--the day when the recruits had to
set out for Stuttgart. Aloys went to Jacob's house early, and found
Mary Ann in the stable, where she now had to do all the hard work
without his assistance. Aloys said, "Mary Ann, shake hands." She did
so; and then he added "Promise me you won't get married till I come
back."

"No, indeed, I won't," said she; and then he replied, "There, that's all:
but stop! give me a kiss for good-bye." She kissed him; and the cows and
oxen looked on in astonishment, as if they knew what was going on.

Aloys patted each of the cows and oxen on the back, and took leave of
them: they mumbled something indistinctly between their teeth.

George had hitched his horses to the wagon, to give the recruits a lift
of a few miles. They passed through the village, singing; the baker's
son, Conrad, who blew the clarionet, sat on the wagon with them and
accompanied; the horses walked. On all sides the recruits were stopped
by their friends, who came to shake hands or to share a parting cup.
Mary Ann was looking out of her window, and nodded, smiling.

When they were fairly out of the village, Aloys suddenly stopped
singing. He looked around him with moistened eyes. Here, on the heath
called the "High Scrub," Mary Ann had bleached the linen of the shirt
he wore: every thread of it now seemed to scorch him. He bade a sad
farewell to every tree and every field. Over near the old heath-turf
was his best field: he had turned the soil so often that he knew every
clod in it. In the adjoining patch he had reaped barley with Mary Ann
that very summer. Farther down, in the Hen's Scratch, was his
clover-piece, which he had sown and was now denied the pleasure of
watching while it grew. Thus he looked around him. As they passed the
stile he was mute. In crossing the bridge he looked down into the
stream: would he have dropped the marked creutzer into it now?

In the town the singing and shouting was resumed; but not till the
Bildechingen Hill was passed did Aloys breathe freely. His beloved
Nordstetten lay before him, apparently so near that his voice could
have been heard there. He saw the yellow house of George the
blacksmith, and knew that Mary Ann lived in the next house but one. He
swung his cap and began to sing again.

At Herrenberg George left the recruits to pursue their way on foot. At
parting he inquired of Aloys whether he had any message for Mary Ann.

Aloys reddened. George was the very last person he should have chosen
for a messenger; and yet a kind message would have escaped his lips if
he had not checked himself. Involuntarily he blurted out, "You needn't
talk to her at all: she can't bear the sight of you, anyhow."

George laughed and drove away.

An important adventure befell the recruits on the road. At the entrance
of the Boeblingen Forest, which is five miles long, they impressed a
wood-cutter with his team, and compelled him to carry them. Aloys was
the ringleader: he had heard George talk so much of soldiers' pranks
that he could not let an occasion slip of playing one. But when they
had passed through the wood he was also the first to open his leathern
pouch and reimburse the involuntary stage-proprietor.

At the Tuebingen gate of Stuttgart a corporal stood waiting to receive
them. Several soldiers from Nordstetten had come out to meet their
comrades; and Aloys clenched his teeth as every one of them greeted him
with, "Gawk, how are you?" There was an end of all shouting and singing
now: like dumb sheep the recruits were led into the barracks. Aloys
first expressed a wish to go into the cavalry, as he desired to emulate
George; but, on being told that in that case he would have to go home
again, as the cavalry-training would not begin till fall, he changed
his mind. "I won't go home again until I am a different sort of a
fellow," he said to himself; "and then, if any one undertakes to call
me gawk, I'll gawk him."

So he was enrolled in the fifth infantry regiment, and soon astonished
all by his intelligence and rapid progress. One misfortune befel him
here also; he received a gypsy for his bedfellow. This gypsy had
a peculiar aversion to soap and water. Aloys was ordered by the
drill-sergeant to take him to the pump every morning and wash him
thoroughly. This was sport at first; but it soon became very irksome:
he would rather have washed the tails of six oxen than the face of the
one gypsy.

Another member of the company was a broken-down painter. He scented the
spending-money with which Aloys' mother had fitted him out, and soon
undertook to paint him in full uniform, with musket and side-arms, and
with the flag behind him. This made up the whole resemblance: the face
was a face, and nothing more. Under it stood, however, in fine Roman
characters, "Aloys Schorer, Soldier in the Fifth Regiment of Infantry."

Aloys had the picture framed under glass and sent it to his mother. In
the accompanying letter he wrote,--

"DEAR MOTHER:--Please hang up the picture in the front room, and let
Mary Ann see it: hang it over the table, but not too near the dovecote;
and, if Mary Ann would like to have the picture, make her a present of
it. And my comrade who painted it says you ought to send me a little
lump of butter and a few yards of hemp-linen for my corporal's wife: we
always call her Corporolla. My comrade also teaches me to dance; and
to-morrow I am going to dance at Haeslach. You needn