

E-text prepared by Audrey Longhurst, Josephine Paolucci, and the Project
Gutenberg Online Distributed Proofreading Team



SEVENOAKS

A Story of Today

by

J.G. HOLLAND

New York
Grosset & Dunlap
Publishers
Published by Arrangement with Charles Scribner's Sons

1875







CONTENTS.


  CHAPTER I.

  Which tells about Sevenoaks, and how Miss Butterworth passed one of
  her evenings

  CHAPTER II.

  Mr. Belcher carries his point at the town-meeting, and the poor are
  knocked down to Thomas Buffum

  CHAPTER III.

  In which Jim Fenton is introduced to the reader and introduces himself to
  Miss Butterworth

  CHAPTER IV.

  In which Jim Fenton applies for lodgings at Tom Buffum's boarding-house,
  and finds his old friend

  CHAPTER V.

  In which Jim enlarges his accommodations and adopts a violent method
  of securing boarders

  CHAPTER VI.

  In which Sevenoaks experiences a great commotion, and comes to the
  conclusion that Benedict has met with foul play

  CHAPTER VII.

  In which Jim and Mike Conlin pass through a great trial and come out
  victorious

  CHAPTER VIII.

  In which Mr. Belcher visits New York, and becomes the Proprietor of
  "Palgrave's Folly."

  CHAPTER IX.

  Mrs. Talbot gives her little dinner party, and Mr. Belcher makes an
  exceedingly pleasant acquaintance

  CHAPTER X.

  Which tells how a lawyer spent his vacation in camp, and took home a
  specimen of game that he had never before found in the woods

  CHAPTER XI.

  Which records Mr. Belcher's connection with a great speculation and
  brings to a close his residence in Sevenoaks

  CHAPTER XII.

  In which Jim enlarges his plans for a house, and completes his plans for
  a house-keeper

  CHAPTER XIII.

  Which introduces several residents of Sevenoaks to the Metropolis and
  a new character to the reader

  CHAPTER XIV.

  Which tells of a great public meeting in Sevenoaks, the burning in effigy
  of Mr. Belcher, and that gentleman's interview with a reporter

  CHAPTER XV.

  Which tells about Mrs. Dillingham's Christmas and the New Year's
  Reception at the Palgrave Mansion

  CHAPTER XVI.

  Which gives an account of a voluntary and an involuntary visit of Sam
  Yates to Number Nine

  CHAPTER XVII.

  In which Jim constructs two happy-Davids, raises his hotel, and dismisses
  Sam Yates

  CHAPTER XVIII.

  In which Mrs. Dillingham makes some important discoveries, but fails to
  reveal them to the reader

  CHAPTER XIX.

  In which Mr. Belcher becomes President of the Crooked Valley Railroad,
  with large "Terminal facilities," and makes an adventure into a
  long-meditated crime

  CHAPTER XX.

  In which "the little woman" announces her engagement to Jim Fenton
  and receives the congratulations of her friends

  CHAPTER XXI.

  In which Jim gets the furniture into his house, and Mike Conlin gets
  another installment of advice into Jim

  CHAPTER XXII.

  In which Jim gets married, the new hotel receives its mistress, and
  Benedict confers a power of attorney

  CHAPTER XXIII.

  In which Mr. Belcher expresses his determination to become a "founder,"
  but drops his noun in fear of a little verb of the same name

  CHAPTER XXIV.

  Wherein the General leaps the bounds of law, finds himself in a new
  world, and becomes the victim of his friends without knowing it

  CHAPTER XXV.

  In which the General goes through a great many trials, and meets at last
  the one he has so long anticipated

  CHAPTER XXVI.

  In which the case of "Benedict _vs._ Belcher" finds itself in court, an
  interesting question of identity is settled, and a mysterious
  disappearance takes place

  CHAPTER XXVII.

  In which Phipps is not to be found, and the General is called upon to do
  his own lying

  CHAPTER XXVIII.

  In which a heavenly witness appears who cannot be cross-examined, and
  before which the defense utterly breaks down

  CHAPTER XXIX.

  Wherein Mr. Belcher, having exhibited his dirty record, shows a clean
  pair of heels

  CHAPTER XXX.

  Which gives the history of an anniversary, presents a tableau, and drops
  the curtain





CHAPTER I.

WHICH TELLS ABOUT SEVENOAKS, AND HOW MISS BUTTERWORTH PASSED ONE OF HER
EVENINGS.


Everybody has seen Sevenoaks, or a hundred towns so much like it, in
most particulars, that a description of any one of them would present it
to the imagination--a town strung upon a stream, like beads upon a
thread, or charms upon a chain. Sevenoaks was richer in chain than
charms, for its abundant water-power was only partially used. It
plunged, and roared, and played, and sparkled, because it had not half
enough to do. It leaped down three or four cataracts in passing through
the village; and, as it started from living springs far northward among
the woods and mountains, it never failed in its supplies.

Few of the people of Sevenoaks--thoughtless workers, mainly--either knew
or cared whence it came, or whither it went. They knew it as "The
Branch;" but Sevenoaks was so far from the trunk, down to which it sent
its sap, and from which it received no direct return, that no
significance was attached to its name. But it roared all day, and roared
all night, summer and winter alike, and the sound became a part of the
atmosphere. Resonance was one of the qualities of the oxygen which the
people breathed, so that if, at any midnight moment, the roar had been
suddenly hushed, they would have waked with a start and a sense of
suffocation, and leaped from their beds.

Among the charms that dangled from this liquid chain--depending from the
vest of a landscape which ended in a ruffle of woods toward the north,
overtopped by the head of a mountain--was a huge factory that had been
added to from time to time, as necessity demanded, until it had become
an imposing and not uncomely pile. Below this were two or three
dilapidated saw-mills, a grist-mill in daily use, and a fulling-mill--a
remnant of the old times when homespun went its pilgrimage to town--to
be fulled, colored, and dressed--from all the sparsely settled country
around.

On a little plateau by the side of The Branch was a row of stores and
dram-shops and butchers' establishments. Each had a sort of square,
false front, pierced by two staring windows and a door, that reminded
one of a lion _couchant_--very large in the face and very thin in the
flank. Then there were crowded in, near the mill, little rows of
one-story houses, occupied entirely by operatives, and owned by the
owner of the mill. All the inhabitants, not directly connected with the
mill, were as far away from it as they could go. Their houses were set
back upon either acclivity which rose from the gorge that the stream had
worn, dotting the hill-sides in every direction. There was a clumsy
town-hall, there were three or four churches, there was a high school
and a low tavern. It was, on the whole, a village of importance, but the
great mill was somehow its soul and center. A fair farming and grazing
country stretched back from it eastward and westward, and Sevenoaks was
its only home market.

It is not proposed, in this history, to tell where Sevenoaks was, and is
to-day. It may have been, or may be, in Maine, or New Hampshire, or
Vermont, or New York. It was in the northern part of one of these
States, and not far from the border of a wilderness, almost as deep and
silent as any that can be found beyond the western limit of settlement
and civilization. The red man had left it forever, but the bear, the
deer and the moose remained. The streams and lakes were full of trout;
otter and sable still attracted the trapper, and here and there a
lumberman lingered alone in his cabin, enamored of the solitude and the
wild pursuits to which a hardly gentler industry had introduced him.
Such lumber as could be drifted down the streams had long been cut and
driven out, and the woods were left to the hunter and his prey, and to
the incursions of sportsmen and seekers for health, to whom the rude
residents became guides, cooks, and servants of all work, for the sake
of occasional society, and that ever-serviceable consideration--money.

There were two establishments in Sevenoaks which stood so far away from
the stream that they could hardly be described as attached to it.
Northward, on the top of the bleakest hill in the region, stood the
Sevenoaks poor-house. In dimensions and population, it was utterly out
of proportion to the size of the town, for the people of Sevenoaks
seemed to degenerate into paupers with wonderful facility. There was one
man in the town who was known to be getting rich, while all the rest
grew poor. Even the keepers of the dram-shops, though they seemed to do
a thriving business, did not thrive. A great deal of work was done, but
people were paid very little for it. If a man tried to leave the town
for the purpose of improving his condition, there was always some
mortgage on his property, or some impossibility of selling what he had
for money, or his absolute dependence on each day's labor for each day's
bread, that stood in the way. One by one--sick, disabled, discouraged,
dead-beaten--they drifted into the poor-house, which, as the years went
on, grew into a shabby, double pile of buildings, between which ran a
county road.

This establishment was a county as well as a town institution, and,
theoretically, one group of its buildings was devoted to the reception
of county paupers, while the other was assigned to the poor of
Sevenoaks. Practically, the keeper of both mingled his boarders
indiscriminately, to suit his personal convenience.

The hill, as it climbed somewhat abruptly from the western bank of the
stream--it did this in the grand leisure of the old geologic
centuries--apparently got out of breath and sat down when its task was
half done. Where it sat, it left a beautiful plateau of five or six
acres, and from this it rose, and went on climbing, until it reached the
summit of its effort, and descended the other side. On the brow of this
plateau stood seven huge oaks which the chopper's axe, for some reason
or another, had spared; and the locality, in all the early years of
settlement, was known by the name of "The Seven Oaks." They formed a
notable landmark, and, at last, the old designation having been worn by
usage, the town was incorporated with the name of Sevenoaks, in a single
word.

On this plateau, the owner of the mill, Mr. Robert Belcher--himself an
exceptional product of the village--had built his residence--a large,
white, pretentious dwelling, surrounded and embellished by all the
appointments of wealth. The house was a huge cube, ornamented at its
corners and cornices with all possible flowers of a rude architecture,
reminding one of an elephant, that, in a fit of incontinent playfulness,
had indulged in antics characteristic of its clumsy bulk and brawn.
Outside were ample stables, a green-house, a Chinese pagoda that was
called "the summer-house," an exquisite garden and trees, among which
latter were carefully cherished the seven ancient oaks that had given
the town its name.

Robert Belcher was not a gentleman. He supposed himself to be one, but
he was mistaken. Gentlemen of wealth usually built a fine house; so Mr.
Belcher built one. Gentlemen kept horses, a groom and a coachman; Mr.
Belcher did the same. Gentlemen of wealth built green-houses for
themselves and kept a gardener; Mr. Belcher could do no less. He had no
gentlemanly tastes, to be sure, but he could buy or hire these for
money; so he bought and hired them; and when Robert Belcher walked
through his stables and jested with his men, or sauntered into his
green-house and about his grounds, he rubbed his heavy hands together,
and fancied that the costly things by which he had surrounded himself
were the insignia of a gentleman.

From his windows he could look down upon the village, all of which he
either owned or controlled. He owned the great mill; he owned the
water-privilege; he owned many of the dwellings, and held mortgages on
many others; he owned the churches, for all purposes practical to
himself; he owned the ministers--if not, then this was another mistake
that he had made. So long as it was true that they could not live
without him, he was content with his title. He patronized the church,
and the church was too weak to decline his ostentatious courtesy. He
humiliated every man who came into his presence, seeking a subscription
for a religious or charitable purpose, but his subscription was always
sought, and as regularly obtained. Humbly to seek his assistance for any
high purpose was a concession to his power, and to grant the assistance
sought was to establish an obligation. He was willing to pay for
personal influence and personal glory, and he often paid right royally.

Of course, Mr. Belcher's residence had a library; all gentlemen have
libraries. Mr. Belcher's did not contain many books, but it contained a
great deal of room for them. Here he spent his evenings, kept his papers
in a huge safe built into the wall, smoked, looked down on the twinkling
village and his huge mill, counted his gains and constructed his
schemes. Of Mrs. Belcher and the little Belchers, he saw but little. He
fed and dressed them well, as he did his horses. All gentlemen feed and
dress their dependents well. He was proud of his family as he saw them
riding in their carriage. They looked gay and comfortable, and were, as
he thought, objects of envy among the humbler folk of the town, all of
which reflected pleasantly upon himself.

On a late April evening, of a late spring in 18--, he was sitting in
his library, buried in a huge easy chair, thinking, smoking, scheming.
The shutters were closed, the lamps were lighted, and a hickory fire was
blazing upon the hearth. Around the rich man were spread the luxuries
which his wealth had bought--the velvet carpet, the elegant chairs, the
heavy library table, covered with costly appointments, pictures in broad
gold frames, and one article of furniture that he had not been
accustomed to see in a gentleman's library--an article that sprang out
of his own personal wants. This was an elegant pier-glass, into whose
depths he was accustomed to gaze in self-admiration. He was flashily
dressed in a heavy coat, buff waistcoat, and drab trousers. A gold chain
of fabulous weight hung around his neck and held his Jurgensen repeater.

He rose and walked his room, and rubbed his hands, as was his habit;
then paused before his mirror, admired his robust figure and large face,
brushed his hair back from his big brow, and walked on again. Finally,
he paused before his glass, and indulged in another habit peculiar to
himself.

"Robert Belcher," said he, addressing the image in the mirror, "you are
a brick! Yes, sir, you are a brick! You, Robert Belcher, sir, are an
almighty smart man. You've outwitted the whole of 'em. Look at me, sir!
Dare you tell me, sir, that I am not master of the situation? Ah! you
hesitate; it is well! They all come to me, every man of 'em It is 'Mr.
Belcher, will you be so good?' and 'Mr. Belcher, I hope you are very
well,' and 'Mr. Belcher, I want you to do better by me.' Ha! ha! ha! ha!
My name is Norval. It isn't? Say that again and I'll throttle you! Yes,
sir, I'll shake your rascally head off your shoulders! Down, down in the
dust, and beg my pardon! It is well; go! Get you gone, sir, and remember
not to beard the lion in his den!"

Exactly what this performance meant, it would be difficult to say. Mr.
Belcher, in his visits to the city, had frequented theaters and admired
the villains of the plays he had seen represented. He had noticed
figures upon the boards that reminded him of his own. His addresses to
his mirror afforded him an opportunity to exercise his gifts of
speech and action, and, at the same time, to give form to his
self-gratulations. They amused him; they ministered to his preposterous
vanity. He had no companions in the town, and the habit gave him a sense
of society, and helped to pass away his evenings. At the close of his
effort he sat down and lighted another cigar. Growing drowsy, he laid it
down on a little stand at his side, and settled back in his chair for a
nap. He had hardly shut his eyes when there came a rap upon his door.

"Come in!"

"Please, sir," said a scared-looking maid, opening the door just wide
enough to make room for her face.

"Well?" in a voice so sharp and harsh that the girl cringed.

"Please, sir, Miss Butterworth is at the door, and would like to see
you."

Now, Miss Butterworth was the one person in all Sevenoaks who was not
afraid of Robert Belcher. She had been at the public school with him
when they were children; she had known every circumstance of his
history; she was not dependent on him in any way, and she carried in her
head an honest and fearless tongue. She was an itinerant tailoress, and
having worked, first and last, in nearly every family in the town, she
knew the circumstances of them all, and knew too well the connection of
Robert Belcher with their troubles and reverses. In Mr. Belcher's
present condition of self-complacency and somnolency, she was not a
welcome visitor. Belligerent as he had been toward his own image in the
mirror, he shrank from meeting Keziah Butterworth, for he knew
instinctively that she had come with some burden of complaint.

"Come in," said Mr. Belcher to his servant, "and shut the door behind
you."

The girl came in, shut the door, and waited, leaning against it.

"Go," said her master in a low tone, "and tell Mrs. Belcher that I am
busy, and that she must choke her off. I can't see her to-night. I can't
see her."

The girl retired, and soon afterward Mrs. Belcher came, and reported
that she could do nothing with Miss Butterworth--that Miss Butterworth
was determined to see him before she left the house.

"Bring her in; I'll make short work with her."

As soon as Mrs. Belcher retired, her husband hurried to the mirror,
brushed his hair back fiercely, and then sat down to a pile of papers
that he always kept conveniently upon his library table.

"Come in," said Mr. Belcher, in his blandest tone, when Miss Butterworth
was conducted to his room.

"Ah! Keziah?" said Mr. Belcher, looking up with a smile, as if an
unexpected old friend had come to him.

"My name is Butterworth, and it's got a handle to it,' said that
bumptious lady, quickly.

"Well, but, Keziah, you know we used to--"

"My name is Butterworth, I tell you, and it's got a handle to it."

"Well, Miss Butterworth--happy to see you--hope you are well--take a
chair."

"Humph," exclaimed Miss Butterworth, dropping down upon the edge of a
large chair, whose back felt no pressure from her own during the
interview. The expression of Mr. Belcher's happiness in seeing her, and
his kind suggestion concerning her health, had overspread Miss
Butterworth's countenance with a derisive smile, and though she was
evidently moved to tell him that he lied, she had reasons for
restraining her tongue.

They formed a curious study, as they sat there together, during the
first embarrassing moments. The man had spent his life in schemes for
absorbing the products of the labor of others. He was cunning, brutal,
vain, showy, and essentially vulgar, from his head to his feet, in
every fiber of body and soul. The woman had earned with her own busy
hands every dollar of money she had ever possessed. She would not have
wronged a dog for her own personal advantage. Her black eyes, lean and
spirited face, her prematurely whitening locks, as they were exposed by
the backward fall of her old-fashioned, quilted hood, presented a
physiognomy at once piquant and prepossessing.

Robert Belcher knew that the woman before him was fearless and
incorruptible. He knew that she despised him--that bullying and
brow-beating would have no influence with her, that his ready badinage
would not avail, and that coaxing and soft words would be equally
useless. In her presence, he was shorn of all his weapons; and he never
felt so defenseless and ill at ease in his life.

As Miss Butterworth did not seem inclined to begin conversation, Mr.
Belcher hem'd and haw'd with affected nonchalance, and said:

"Ah!--to--what am I indebted for this visit. Miss--ah--Butterworth?"

"I'm thinking!" she replied sharply, looking into the fire, and pressing
her lips together.

There was nothing to be said to this, so Mr. Belcher looked doggedly at
her, and waited.

"I'm thinking of a man, and-he-was-a-man-every-inch-of-him, if there
ever was one, and a gentleman too, if-I-know-what-a-gentleman-is, who
came to this town ten years ago, from-nobody-knows-where; with a wife
that was an angel, if-there-is-any-such-thing-as-an-angel."

Here Miss Butterworth paused. She had laid her foundation, and proceeded
at her leisure.

"He knew more than any man in Sevenoaks, but he didn't know how to take
care of himself," she went on. "He was the most ingenious creature God
ever made, I do think, and his name was Paul Benedict."

Mr. Belcher grew pale and fidgeted in his chair.

"And his name was Paul Benedict. He invented something, and
then he took it to Robert Belcher, and he put it into his
mill, and-paid-him-just-as-little-for-it-as-he-could. And
then he invented something more, and-that-went-into-the-mill;
and then something more, and the patent was used by Mr.
Belcher for a song, and the man grew poorer and poorer,
while-Mr.-Belcher-grew-richer-and-richer-all-the-time. And
then he invented a gun, and then his little wife died,
and what with the expenses of doctors and funerals and
such things, and the money it took to get his patent,
which-I-begged-him-for-conscience'-sake-to-keep-out-of-Robert-Belcher's-hands,
he almost starved with his little boy, and had to go to Robert
Belcher for money."

"And get it," said Mr. Belcher.

"How much, now? A hundred little dollars for what was worth a hundred
thousand, unless-everybody-lies. The whole went in a day, and then he
went crazy."

"Well, you know I sent him to the asylum," responded Mr. Belcher.

"I know you did--yes, I know you did; and you tried to get him well
enough to