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THE USURPER

Episode in Japanese History

BY

JUDITH GAUTIER

TRANSLATED FROM THE FRENCH

BY

ABBY LANGDON ALGER

BOSTON

ROBERTS BROTHERS

1884




CONTENTS.


       I. THE LEMON GROVE
      II. NAGATO'S WOUND
     III. FEAST OF THE SEA-GOD
      IV. THE SISTER OF THE SUN
       V. THE KNIGHTS OF HEAVEN
      VI. THE FRATERNITY of BLIND MEN
     VII. PERJURY
    VIII. THE CASTLE OF OWARI
      IX. THE TEA-HOUSE
       X. THE TRYST
      XI. THE WARRIOR-QUAILS
     XII. THE WESTERN ORCHARD
    XIII. THE MIKADO'S THIRTY-THREE DINNERS
     XIV. THE HAWKING-PARTY
      XV. THE USURPER
     XVI. THE FISHERMEN OF OSAKA BAY
    XVII. DRAGON-FLY ISLAND
   XVIII. THE PRINCIPALITY OF NAGATO
     XIX. A TOMB
      XX. THE MESSENGERS
     XXI. THE KISAKI
    XXII. THE MIKADO
   XXIII. FATKOURA
    XXIV. THE TREATY OF PEACE
     XXV. CONFIDENCES
    XXVI. THE GREAT THEATRE OF OSAKA
   XXVII. OMITI
  XXVIII. HENCEFORTH MY HOUSE SHALL BE AT PEACE
    XXIX. THE HIGH-PRIESTESS OF THE SUN
     XXX. BATTLES
    XXXI. THE FUNERAL PILE




THE USURPER.

AN EPISODE IN JAPANESE HISTORY.

(1615.)




CHAPTER I.

THE LEMON GROVE.


Night was nearly gone. All slept in the beautiful bright city of Osaka.
The harsh cry of the sentinels, calling one to another on the ramparts,
broke the silence, unruffled otherwise save for the distant murmur of
the sea as it swept into the bay.

Above the great dark mass formed by the palace and gardens of the
Shogun[1] a star was fading slowly. Dawn trembled in the air, and the
tree-tops were more plainly outlined against the sky, which grew bluer
every moment. Soon a pale glimmer touched the highest branches, slipped
between the boughs and their leaves, and filtered downward to the
ground. Then, in the gardens of the Prince, alleys thick with brambles
displayed their dim perspective; the grass resumed its emerald hue;
a tuft of poppies renewed the splendor of its sumptuous flowers, and
a snowy flight of steps was faintly visible through the mist, down a
distant avenue.

At last, suddenly, the sky grew purple; arrows of light athwart the
bushes made every drop of water on the leaves sparkle. A pheasant
alighted heavily; a crane shook her white wings, and with a long cry
flew slowly upwards; while the earth smoked like a caldron, and the
birds loudly hailed the rising sun.

As soon as the divine luminary rose from the horizon, the sound of a
gong was heard. It was struck with a monotonous rhythm of overpowering
melancholy,--four heavy strokes, four light strokes; four heavy
strokes, and so on. It was the salute to the coming day, and the call
to morning prayers.

A hearty youthful peal of laughter, which broke forth suddenly, drowned
these pious sounds for an instant; and two men appeared, dark against
the clear sky, at the top of the snowy staircase. They paused a moment,
on the uppermost step, to admire the lovely mass of brambles, ferns,
and flowering shrubs which wreathed the balustrade of the staircase.
Then they descended slowly through the fantastic shadows cast across
the steps by the branches. Reaching the foot of the stairs, they moved
quickly aside, that they might not upset a tortoise creeping leisurely
along the last step. This tortoise's shell had been gilded, but the
gilding was somewhat tarnished by the dampness of the grass. The two
men moved down the avenue.

The younger of the pair was scarcely twenty years old, but would have
passed for more, from the proud expression of his face, and the easy
confidence of his glance. Still, when he laughed, he seemed a child;
but he laughed seldom, and a sort of haughty gloom darkened his noble
brow. His costume was very simple. Over a robe of gray crape he wore a
mantle of blue satin, without any embroidery. He carried an open fan in
his hand.

His comrade's dress was, on the contrary, very elegant. His robe
was made of a soft white silk, just tinged with blue, suggestive
of reflected moonlight. It fell in fine folds to his feet, and was
confined at the waist by a girdle of black velvet. The wearer was
twenty-four years old; he was a specimen of perfect beauty. The warm
pallor of his face, his mockingly sweet eyes, and, above all, the
scornful indifference apparent in his whole person, exercised a strange
charm. His hand rested on the richly wrought hilt of one of the two
swords whose points lifted up the folds of his black velvet cloak, the
loose hanging sleeves of which were thrown back over his shoulders.

The two friends were bare-headed; their hair, twisted like a rope, was
knotted around the top of their heads.

"But where are you taking me, gracious master?" suddenly cried the
older of the two young men.

"This is the third time you have asked that question since we left the
palace, Iwakura."

"But you have not answered once, light of my eyes!"

"Well! I want to surprise you. Shut your eyes and give me your hand."

Iwakura obeyed, and his companion led him a few steps across the grass.

"Now look," he said.

Iwakura opened his eyes, and uttered a low cry of astonishment.

Before him stretched a lemon grove in full bloom. Every tree and every
shrub seemed covered with hoar-frost; on the topmost twigs the dawn
cast tints of rose and gold. Every branch bent beneath its perfumed
load; the clusters of flowers hung to the ground, upon which the
overburdened boughs trailed. Amid this white wealth which gave forth a
delicious odor, a few tender green leaves were occasionally visible.

"See," said the younger man with a smile, "I wanted to share with you,
my favorite friend, the pleasure of this marvellous sight before any
other eye rested on it. I was here yesterday: the grove was like a
thicket of pearls; to-day all the flowers are open."

"These trees remind me of what the poet says of peach-blossoms," said
Iwakura; "only here the snow-flakes of butterflies' wings with which
the trees are covered have not turned rose- in their descent
from heaven."

"Ah!" cried the younger man sighing, "would I might plunge into the
midst of those flowers as into a bath, and intoxicate myself even unto
death with their strong perfume!"

Iwakura, having admired them, made a slightly disappointed grimace.

"Far more beautiful blossoms were about to open in my dream," said he,
stifling a yawn. "Master, why did you make me get up so early?"

"Come, Prince of Nagato," said the young man, laying his hand on his
comrade's shoulder, "confess. I did not make you get up, for you did
not go to bed last night."

"What?" cried Iwakura; "what makes you think so!"

"Your pallor, friend, and your haggard eyes."

"Am I not always so?"

"The dress you wear would be far too elegant for the hour of the
cock.[2] And see! the sun has scarcely risen; we have only reached the
hour of the rabbit."[3]

"To honor such a master as you, no hour is too early."

"Is it also in my honor, faithless subject, that you appear before me
armed? Those two swords, forgotten in your sash, condemn you; you had
just returned to the palace when I summoned you."

The guilty youth hung his head, not attempting to defend himself.

"But what ails your arm?" suddenly cried the other, noticing a
thin white bandage wound about Iwakura's sleeve.

The latter hid his arm behind him, and held out the other hand.

"Nothing," he said.

But his companion grasped the arm which he concealed. The Prince of
Nagato uttered an exclamation of pain.

"You are wounded, eh? One of these days I shall hear that Nagato has
been killed in some foolish brawl. What have you been doing now,
incorrigible and imprudent fellow?"

"When Hieyas, the regent, comes before you, you will know only too much
about it," said the Prince; "you will hear fine things, O illustrious
friend, in regard to your unworthy favorite. Methinks I already hear
the sound of the terrible voice of the man from whom nothing is hid:
'Fide-Yori, ruler of Japan, son of the great Taiko-Sama, whose memory I
revere! grave disorders have this night troubled Osaka.'"

The Prince of Nagato mimicked the voice of Hieyas so well that the
young Shogun could not repress a smile.

'And what are these disorders?' you will say. 'Doors broken open,
blows, tumults, scandals.' 'Are the authors of these misdeeds known?'
'The leader of the riot is the true criminal, and I know him well.'
'Who is he?' 'Who should it be but the man who takes a share in every
adventure, every nocturnal brawl; who, but the Prince of Nagato, the
terror of honest families, the dread of peaceful men?' And then you
will pardon me, O too merciful man! Hieyas will reproach you with your
weakness, dwelling upon it, that this weakness may redound to the
injury of the Shogun and the profit of the Regent."

"What if I lose patience at last, Nagato," said the Shogun; "what if I
exile you to your own province for a year?"

"I should go, master, without a murmur."

"Yes; and who would be left to love me?" said Fide-Yori, sadly. "I am
surrounded by devotion, not by affection like yours. But perhaps I am
unjust," he added; "you are the only one I love, and doubtless that is
why I think no one loves me but you."

Nagato raised his eyes gratefully to the Prince.

"You feel that you are forgiven, don't you?" said Fide-Yori, smiling.
"But try to spare me the Regent's reproaches; you know how painful they
are to me. Go and salute him; the hour of his levee is at hand; we will
meet again in the council."

"Must I smile upon that ugly creature?" grumbled Nagato.

But he had his dismissal; he saluted the Shogun, and moved away with a
sulky air.

Fide-Yori continued his walk along the avenue, but soon returned to the
lemon grove. He paused to admire it once more, and plucked a slender
twig loaded with flowers. But just then the foliage rustled as if blown
by a strong breeze; an abrupt movement stirred the branches, and a
young girl appeared among the blossoms.

The Shogun started violently, and almost uttered a cry; he fancied
himself the prey to some hallucination.

"Who are you?" he exclaimed; "perhaps the guardian spirit of this
grove?"

"Oh, no," said the girl in a trembling voice; "but I am a very bold
woman."

She issued from the grove amidst a shower of snowy petals, and knelt on
the grass, stretching out her hands to the King.

Fide-Yori bent his head toward her, and gazed curiously at her. She was
of exquisite beauty,--small, graceful, apparently weighed down by the
amplitude of her robes. It seemed as if their silken weight bore her
to her knees. Her large innocent eyes, like the eyes of a child, were
timid and full of entreaty; her cheeks, velvety as a butterfly's wings,
were tinged with a slight blush, and her small mouth, half open in
admiration, revealed teeth white as drops of milk.

"Forgive me," she exclaimed, "forgive me for appearing before you
without your express command."

"I forgive you, poor trembling bird," said Fide-Yori, "for had I known
you and known your desire, my wish would have been to see you. What can
I do for you? Is it in my power to make you happy?"

"Oh, master!" eagerly cried the girl, "with one word you can make me
more radiant than Ten-Sio-Dai-Tsin, the daughter of the Sun."

"And what is that word?"

"Swear that you will not go to-morrow to the feast of the God of the
Sea."

"Why this oath?" said the Shogun, amazed at this strange request.

"Because," said the young girl, shuddering, "a bridge will give way
beneath the King's feet; and when night falls, Japan will be without a
ruler."

"I suppose you have discovered a conspiracy?" said Fide-Yori, smiling.

At this incredulous smile the girl turned pale, and her eyes filled
with tears.

"O pure disk of light!" she cried, "he does not believe me! All that I
have hitherto accomplished is in vain! This is a dreadful obstacle, of
which I never dreamed. You hearken to the voice of the cricket which
prophesies heat; you listen to the frog who croaks a promise of rain;
but a young girl who cries, 'Take care! I have seen the trap! death is
on your path!' you pay no heed to her, but plunge headlong into the
snare. But it must not be; you must believe me. Shall I kill myself
at your feet? My death might be a pledge of my sincerity. Besides,
if I have been deceived, what matters it? You can easily absent
yourself from the feast. Hear me! I come along way, from a distant
province. Alone with the dull anguish of my secret, I outwitted the
most subtle spies, I conquered my terrors and overcame my weakness.
My father thinks me gone on a pilgrimage to Kioto; and, you see, I am
in your city, in the grounds of your palace. And yet the sentinels
are watchful, the moats are broad, the walls high. See, my hands are
bleeding; I burn with fever. Just now I feared I could not speak, my
weary heart throbbed so violently at sight of you and with the joy of
saving you. But now I am dizzy, my blood has turned to ice: you do not
believe me."

"I believe you, and I swear to obey you," said the king, touched by her
accent of despair. "I will not go to the feast of the God of the Sea."

The young girl uttered a cry of delight, and gazed with gratitude at
the sun as it rose above the trees.

"But tell me how you discovered this plot," continued the Shogun, "and
who are its authors?"

"Oh! do not order me to tell you. The whole edifice of infamy that I
overthrow would fall upon my own head."

"So be it, my child; keep your secret. But at least tell me whence
comes this great devotion, and why is my life so precious to you?"

The girl slowly raised her eyes to the King, then looked down and
blushed, but did not reply. A vague emotion troubled the heart of the
Prince. He was silent, and yielded to the sweet sensation. He would
fain have remained thus, in silence, amidst these bird songs, these
perfumes, beside this kneeling maiden.

"Tell me who you are, you who have saved me from death," he asked at
last; "and tell me what reward I can give you worthy of your courage."

"My name is Omiti," said the young girl; "I can tell you nothing more.
Give me the flower that you hold in your hand; it is all I would have
from you."

Fide-Yori offered her the lemon twig; Omiti seized it, and fled through
the grove.

The Shogun stood rooted to the spot for some time, lost in thought,
gazing at the turf pressed by the light foot of Omiti.


[1] Lord of the kingdom. This is the same title as Tycoon, but the
latter was not created till 1854.

[2] Six hours after noon.

[3] Six o'clock in the morning.




CHAPTER II.

NAGATO'S WOUND.


The Prince of Nagato had returned to his palace. He slept stretched out
on a pile of fine mats; around him was almost total darkness, for the
blinds had been lowered, and large screens spread before the windows.
Here and there a black lacquer panel shone in the shadow and reflected
dimly, like a dull mirror, the pale face of the Prince as he lay on his
cushions.

Nagato had not succeeded in seeing Hieyas: he was told that the Regent
was engaged with very important business. Pleased at the chance, the
young Prince hurried home to rest for a few hours before the council.

In the chambers adjoining the one in which he slept servants came
and went silently, preparing their master's toilette. They walked
cautiously, that the floor might not creak, and talked together in low
tones.

"Our poor master knows no moderation," said an old woman, scattering
drops of perfume over a court cloak. "Continual feasting and nightly
revels,--never any rest; he will kill himself."

"Oh, no! pleasure does not kill," said an impudent-looking boy, dressed
in gay colors.

"What do you know about it, imp?" replied the woman. "Wouldn't you
think the brat spent his life in enjoyment like a lord? Don't talk so
boldly about things you know nothing of!"

"Perhaps I know more about them than you do," said the child, making a
wry face; "you haven't got married yet, for all your great age and your
great beauty."

The woman threw the contents of her flask in the boy's face; but he
hid behind the silver disk of a mirror which he was polishing, and the
perfume fell to the ground. When the danger was over, out popped his
head.

"Will you have me for a husband?" he cried; "you can spare me a few of
your years, and between us we'll make but a young couple."

The woman, in her rage, gave a sharp scream.

"Will you be quiet?" said another servant, threatening her with his
fist.

"But who could listen to that young scamp without blushing and losing
her temper?"

"Blush as much as you like," said the child; "that won't make any
noise."

"Come, Loo, be quiet!" said the servant.

Loo shrugged his shoulders and made a face, then went on listlessly
rubbing his mirror.

At this instant a man entered the room.

"I must speak to Iwakura, Prince of Nagato," he cried aloud.

All the servants made violent signs to impose silence on the new-comer.
Loo rushed towards him and stopped his mouth with the rag with which he
was polishing the mirror; but the man pushed him roughly away.

"What does all this mean?" he said. "Are you crazy? I want to speak to
the lord whom you serve, the very illustrious daimio who rules over the
province of Nagato. Go and tell him, and stop your monkey tricks."

"He is asleep," whispered a servant.

"We cannot wake him," said another.

"He is frightfully tired," said Loo, with his finger on his lip.

"Tired or not, he will rejoice at my coming," said the stranger.

"We were ordered not to wake him until a few moments before the hour
for the council," said the old woman.

"I sha'n't take the risk of rousing him," said Loo, drawing his mouth
to one side.--

"Nor I," said the old woman.

"I will go myself, if you like," said the messenger; "moreover, the
hour of the council is close at hand. I just saw the Prince of Arima on
his way to the Hall of a Thousand Mats."

"The Prince of Arima!" cried Loo; "and he is always late!"

"Alas!" said the old woman; "shall we have time to dress our master?"

Loo pushed aside a sliding partition and opened a narrow passage;
he then softly entered Nagato's bedroom. It was cool within, and a
delicate odor of camphor filled the air.

"Master! master!" said Loo in a loud voice, "the hour has come; and
besides there is a messenger here."

"A messenger!" cried Nagato, raising himself on one elbow; "what does
he look like?"

"He is dressed like a samurai:[1] he has two-swords in his sash."

"Let him come in at once," said the Prince, in a tone of agitation.

Loo beckoned to the messenger, who prostrated himself on the threshold
of the room.

"Approach!" said Nagato.

But the messenger being unable to see in the dark hall, Loo folded
back one leaf of a screen which intercepted the light. A broad band of
sunshine entered; it lighted up the delicate texture of the matting
which covered the wall and glistened on a silver stork with sinuous
neck and spread wings, hanging against it.

The messenger approached the Prince and offered him a slender roll of
paper wrapped in silk; then he left the room backwards.

Nagato hastily unrolled the paper, and read as follows:

        "You have been here, illustrious one, I know it! But why
        this madness, and why this mystery? I cannot understand
        your actions. I have received severe reprimands from my
        sovereign on your account. As you know, I was passing
        through the gardens, escorting her to her palace, when
        all at once I saw you leaning against a tree. I could
        not repress an exclamation, and at my cry she turned
        towards me and followed the direction of my eyes. 'Ah!'
        she said, 'it is the sight of Nagato that draws such
        cries from you. Could you not stifle them, and at least
        spare me the sight of your immodest conduct?' Then she
        turned and looked at you several times. The anger in her
        eyes alarmed me. I dare not appear before her to-morrow,
        and I send you this message to beg you not to repeat
        these strange visits, which have such fatal consequences
        to me. Alas! do you not know that I love you, and need
        I repeat it? I will be your wife whenever you wish....
        But it pleases you to adore me as if I were an idol in
        the pagoda of the Thirty-three thousand three hundred
        and thirty-three.[2] If you had not risked your life
        repeatedly to see me, I should think you were mocking
        me. I entreat you, expose me to no more such reproofs,
        and do not forget that I am ready to recognize you as
        my lord and master, and that to live by your side is my
        dearest desire."

Nagato smiled and slowly closed the roll; he fixed his eyes upon the
streak of light cast on the floor from the window, and seemed lost in
deep revery.

Little Loo was greatly disappointed. He had tried to read over his
master's shoulder; but the roll was written in Chinese characters,
and his knowledge fell short of that. He was quite familiar with the
Kata-Kana, and even knew something of Hira-Kana; but unfortunately was
entirely ignorant of Chinese writing. To hide his vexation, he went to
the window and lifting one corner of the blind, looked out.

"Ah!" he said, "the Prince of Satsuma and the Prince of Aki arrive
together, and their followers look askance atone another. Ah! Satsuma
takes precedence. Oh! oh! there goes the Regent down the avenue. He
glances this way, and laughs when he sees the Prince of Nagato's suite
still standing at the door. He would laugh far louder if he knew how
little progress my master had made in his toilet."

"Let him laugh, Loo! and come here," said the Prince, who had taken
a pencil and roll of paper from his girdle and hastily written a few
words. "Run to the palace and give this to the King."

Loo set off as fast as his legs could carry him, pushing and jostling
those who came in his way to his utmost.

"And now," said Iwakura, "dress me quickly."

His servants clustered about him, and the Prince was soon arrayed in
the broad trailing trousers which make the wearer look as if he were
walking on his knees, and the stiff ceremonial mantle, made still more
heavy by the crest embroidered on its sleeves. The arms of Nagato
consisted of a black bolt surmounting three balls in the form of a
pyramid.

The young man, usually so careful of his dress, paid no attention to
the work of his servants; he did not even glance at the mirror so well
polished by Loo, when the high pointed cap, tied by golden ribbons, was
placed on his head.

As soon as his toilette was complete he left the palace; but so great
was his abstraction that, instead of getting into the norimono awaiting
him in the midst of his escort, he set off on foot, dragging his huge
pantaloons in the sand, and exposing himself to the rays of the sun.
His suite, terrified at this breach of etiquette, followed in utter
disorder, while the spies ordered to watch the actions of the Prince
hastened to report this extraordinary occurrence to their various
masters.

The ramparts of the royal residence at Osaka, thick, lofty walls
flanked at intervals by a semicircular bastion, form a huge square,
which encloses several palaces and vast gardens. To the south and west
the fortress is sheltered by the city; on the north the river which
flows through Osaka widens, and forms an immense moat at the foot of
the rampart; on the east, a narrower stream bounds it. On the platform
of the walls grows a row of centenarian cedars of a sombre verdure,
their level branches projecting horizontally across the battlements.
Within, a second wall, preceded by a moat, encloses the parks and
palaces reserved for the princes and their families. Between this wall
and the ramparts lie the houses of soldiers and officials. A third wall
surrounds the private palace of the Shogun, built upon a hill. This
building is of simple but noble design. Square towers with roof upon
