



Produced by An Anonymous Volunteer





THE FOOLISH VIRGIN

By Thomas Dixon




TO GERTRUDE ATHERTON WITH GRATITUDE AND ADMIRATION





CONTENTS


CHAPTER

     I.      A FRIENDLY WARNING
     II.     TEMPTATION
     III.    FATE
     IV.     DOUBTS AND FEARS
     V.      WINGS OF STEEL
     VI.     BESIDE THE SEA
     VII.    A VAIN APPEAL
     VIII.   JIM'S TRIAL
     IX.     ELLA'S SECRET
     X.      THE WEDDING
     XI.     "UNTIL DEATH"
     XII.    THE LOTOS-EATERS
     XIII.   THE REAL MAN
     XIV.    UNWELCOME GUESTS
     XV.     A LITTLE BLACK BAG
     XVI.    THE AWAKENING
     XVII.   THE SURRENDER
     XVIII.  TO THE NEW GOD
     XIX.    NANCE'S STOREHOUSE
     XX.     TRAPPED
     XXI.    THE DEVIL'S DISCIPLE
     XXII.   DELIVERANCE
     XXIII.  THE DOCTOR
     XXIV.   THE CALL DIVINE
     XXV.    THE MOTHER
     XXVI.   A SOUL IS BORN
     XXVII.  THE BABY
     XXVIII. WHAT IS LOVE?
     XXIX.   THE NEW MAN




LEADING CHARACTERS OF THE STORY

     MARY ADAMS, An Old-Fashioned Girl.
     JIM ANTHONY, A Modern Youth.
     JANE ANDERSON, An Artist.
     ELLA, A Scrubwoman.
     NANCE OWENS, Jim Anthony's Mother.
     A DOCTOR, Whose Call was Divine.
     THE BABY, A Mascot.




THE FOOLISH VIRGIN




CHAPTER I. A FRIENDLY WARNING

"Mary Adams, you're a fool!"

The single dimple in a smooth red cheek smiled in answer.

"You're repeating yourself, Jane----"

"You won't give him one hour's time for just three sittings?"

"Not a second for one sitting----"

"Hopeless!"

Mary smiled provokingly, her white teeth gleaming in obstinate good
humor.

"He's the most distinguished artist in America----"

"I've heard so."

"It would be a liberal education for a girl of your training to know
such a man----"

"I'll omit that course of instruction."

The younger woman was silent a moment, and a flush of anger slowly
mounted her temples. The blue eyes were fixed reproachfully on her
friend.

"You really thought that I would pose?"

"I hoped so."

"Alone with a man in his studio for hours?"

Jane Anderson lifted her dark brows.

"Why, no, I hardly expected that! I'm sure he would take his easel and
palette out into the square in front of the Plaza Hotel and let you sit
on the base of the Sherman monument. The crowds would cheer and inspire
him--bah! Can't you have a little common-sense? There are a few
brutes among artists, as there are in all professions--even among the
superintendents of your schools. Gordon's a great creative genius. If
you'd try to flirt with him, he'd stop his work and send you home. You'd
be as safe in his studio as in your mother's nursery. I've known him
for ten years. He's the gentlest, truest man I've ever met. He's doing a
canvas on which he has set his whole heart."

"He can get professional models."

"For his usual work, yes--but this is the head of the Madonna. He saw
you walking with me in the Park last week and has been to my studio a
half-dozen times begging me to take you to see him. Please, Mary dear,
do this for my sake. I owe Gordon a debt I can never pay. He gave me
the cue to the work that set me on my feet. He was big and generous
and helpful when I needed a friend. He asked nothing in return but the
privilege of helping me again if I ever needed it. You can do me an
enormous favor--please."

Mary Adams rose with a gesture of impatience, walked to her window and
gazed on the torrent of humanity pouring through Twenty-third Street
from the beehives of industry that have changed this quarter of New York
so rapidly in the last five years. She turned suddenly and confronted
her friend.

"How could you think that I would stoop to such a thing?"

"Stoop!"

"Yes," she snapped, "--pose for an artist! I'd as soon think of rushing
stark naked through Twenty-third Street at noon!"

The older woman looked at her flushed face, suppressed a sharp answer,
broke into a fit of laughter and threw her arms around Mary's neck.

"Honey, you're such a hopeless little fool, you're delicious! You know
that I love you--don't you?"

The pretty lips quivered.

"Yes."

"Could I possibly ask you to do a thing that would harm a single brown
hair of your head?"

The firm hand of the older girl touched a rebellious lock with
tenderness.

"Of course not, from your point of view, Jane dear," the stubborn lips
persisted. "But you see it's not my point of view. You're older than
I----"

Jane smiled.

"Hoity toity, Miss! I'm just twenty-eight and you're twenty-four. Age is
not measured by calendars these days."

"I didn't mean that," the girl apologized. "But you're an artist. You're
established and distinguished. You belong to a different world."

Jane Anderson laid her hand softly on her friend's.

"That's just it, dear. I do belong to a different world--a big new world
of whose existence you are not quite conscious. You are living in the
old, old world in which women have groped for thousands of years. I
don't mind confessing that I undertook this job of getting you to pose
for Gordon for a double purpose. I wished to do something to repay
the debt I owe him--but I wished far more to be of help to you. You're
living in the Dark Ages, and it's a dangerous thing for a pretty girl to
live in the Dark Ages and date her letters from New York to-day----"

"I don't understand you in the least."

"And I'm afraid you never will."

She paused suddenly and changed her tone.

"Tell me now, are you happy in your work?"

"I'm earning sixty dollars a month--my position is secure----"

"But are you happy in it?"

"I don't expect to teach school all my life," was the vague answer.

"Exactly. You loathe the sight of a school-room. You do the task they
set you because your father's a clergyman and can't support his
big family. You're waiting and longing for the day of your
deliverance--isn't it so?"

"Perhaps."

"And that day of deliverance?"

"Will come when I meet my Fate!"

"You'll meet him, too!"

"I will----"

Jane Anderson shook her fine head.

"And may the Lord have mercy on your poor little soul when you do!"

"And why, pray?"

"Because you're the most helpless and defenseless of all the things He
created."

Mary smiled.

"I've managed to take pretty good care of myself so far."

"And you will--until the thunderbolt falls."

"The thunderbolt?"

"Until you meet your Fate."

"I'll have someone to look after me then."

"We'll hope so anyhow," was the quick retort.

"But can't you see, Jane dear, that we look at life from such utterly
different angles. You glory in your work. It's your inspiration--the
breath you breathe. I don't believe in women working for money. I don't
believe God ever meant us to work when He made us women. He made
us women for something more wonderful. I don't see anything good or
glorious in the fact that half the torrent of humanity you see down
there pouring through the street from those factories and offices is
made up of women. They are wage-earners--so much the worse. They are
forcing the scale of wages for men lower and lower. They are paying for
it in weakened bodies and sickly, hopeless children. We should not shout
for joy; we should cry. God never meant for woman to be a wage-earner!"

A sob caught her voice and she paused.

The artist watched her emotion with keen interest.

"Neither do I believe that God means to force woman at last to do the
tasks of man. But she's doing them, dear--and it must be so until a
brighter day dawns for humanity. The new world that opens before us
will never abolish marriage, but it has opened our eyes to know what it
means. You refuse to open yours. You refuse to see this new world about
you. I've begged you to join one of my clubs. You refuse. I beg you to
meet and know such men of genius as Gordon----"

"As an artist's model!"

"It's the only way on earth you can meet him. You stick to your narrow,
hide-bound conventional life and dream of the Knight who will suddenly
appear some day out of the mists and clouds. You dream of the Fate God
has prepared for you in His mysterious Providence. It's funny how that
idea persists even today in novels. As a matter of fact we know that the
old-fashioned girl met her Fate because her shrewd mother planned the
meeting--planned it with cunning and stratagem. You're alone in a great
modern city, with all the conditions of the life of the old regime
reversed or blotted out. Your mother is not here. And if she were, her
schemes to bring about the mysterious meeting of the Fates would be
impossible. You outgrew the limits of your village life. Your highly
trained mind landed you in New York. You've fought your way to a
competent living in five years and kept yourself clean and unspotted
from the world. Granted. But how many men have you met who are your
equals in culture and character?"

Jane paused and held Mary's gaze with steady persistence.

"How many--honest?"

"None as yet," she confessed.

"But you live in the one fond, imperishable hope! It's the only
thing that keeps you alive and going--this idea of your Fate. It's an
obsession--this mysterious Knight somewhere in the future riding to meet
you----"

"I'll find him, never fear," the girl laughed.

"Of course you will. You'll make him out of whole cloth if it's
necessary. Our ideals are really the same when you come to analyze my
wider outlook."

The artist paused and laughed softly.

"The same?" the girl asked incredulously.

"Certainly. Mine is based on intelligence, however--yours on blind
instinct perverted and twisted by the idiotic fiction you read morning,
noon and night."

"I don't see it," Mary answered emphatically. "Your ideal is fame,
achievement, the applause of the world--mine just a home and a baby----"

Jane laughed softly.

"And that's all you know about me?"

"Isn't it true?"

"You've been in this room five years, haven't you?" the older girl asked
musingly.

"Yes----"

"And though you've kept your lamp trimmed and burning, you haven't yet
seen a man whom you could recognize as your equal."

"I'm only twenty-four."

"In these five years I've met a hundred men my equal."

"And smashed the conventions of Society whenever you saw fit."

"Without breaking a single law of reason or common-sense. In the
meantime I've met two men who have really made love to me. I thought I
loved one of them--until I met the other. The second proved himself to
be an unprincipled scoundrel. If I had held your views of life and hated
my work, I would have married this man and lived to awake in a prison
whose only door was Death. But I loved my work. Life meant more than
one man who was not worth an hour's tears. I turned to my studio and he
slipped back into the gutter where he belonged. I'll meet MY Fate
some day, too, dear. I'm waiting and watching--but with clear eyes
and unafraid. I'll know mine when he comes, I shall not be blinded by
passion or the fear of drudgery. Can't you see this bigger world of
realities?"

The dimple flashed again in the smooth red cheek.

"It's not for me, Jane. I'm just a modest little home body. I'll bide my
time----"

"And eat your foolish heart out here between the narrow walls of this
cell you've built for yourself. I should think you'd die living here
alone."

The girl flushed.

"I'm not lonely----"

"Don't fib! I know better. Your birds and kitten occupy daily about
thirty minutes of the time that's your own. What do you do with the rest
of it?"

"Sit by my window, watch the crowds stream through the streets below,
read and dream and think----"

"Yes--read love stories and dream about your Knight."

"Well?"

"It's morbid and unhealthy. You've hedged yourself about with the old
conventions and imagine you're safe--and you are--until you meet HIM!"

"I'll know how to behave--never fear."

"You mean you'll know how instantly to blindfold, halter and lead him to
the Little Church Around the Corner?"

Mary moved uneasily.

"And what else should I do with him?"

"Compare him with other men. Weigh him in the balances of a remorseless
common-sense. Study him under a microscope and keep your reason clear.
The girl who rushes into marriage in a great city under the conditions
in which you and I live is a fool. More girls are ruined in New York
by marriage than by any other process. The thunderbolt out of the blue
hasn't struck you yet, but when it does----"

"I'll tell you, Jane."

"Will you, honestly?"

The question was asked with wistful tenderness.

"I promise. And you mustn't think I don't appreciate this visit and the
chance you've given again to enter the `big world' you're always telling
me about. I just can't do it, dear. It's not my world."

"All right, my little foolish virgin, have it your own way. When you're
lonely, run up to my studio to see me. I won't ask you to pose or meet
any of the dangerous men of my circle. We'll lock the doors and have a
snug time all by ourselves."

"I'll remember."

The clock in the Metropolitan Tower chimed the hour of five, and Jane
Anderson rose with a quick, business-like movement.

"Don't hurry," Mary protested. "I know I've been stubborn, but I've
been so happy in your coming. I do get lonely--frightfully lonely,
sometimes--don't think I'm ungrateful----"

"You're dangerously beautiful, child," the artist said, with enthusiasm.
"And remember that I love you--no matter how silly you are--good-by."

"You won't stay for a cup of tea? I meant to ask you an hour ago."

"No, I've an engagement with a dreadful man whom I've no idea of ever
marrying. I'm going to dinner with him--just to study the animal at dose
range."

With a jolly laugh and quick, firm step she was gone.

Mary snatched the kitten from his snug bed between the pillows of the
window-seat and pressed his fuzzy head under her chin.

"She tempted us terribly, Kitty darling, but we didn't let her find
out--did we? You know deep down in your cat's soul that I was just dying
to meet the distinguished Gordon--but such high honors are not for home
bodies like you and me----"

She dropped on the seat and closed her eyes for a long time. The kitten
watched her wonderingly sure of a sudden outbreak with each passing
moment. Two soft paws at last touched her cheeks and two bright eyes
sought in vain for hers. The little nose pressed closer and kissed the
drooping eyelids until they opened. He curled himself on her bosom and
began to sing a gentle lullaby. For a long while she lay and listened to
the music of love with which her pet sought to soothe the ache within.

The clock in the tower chimed six.

She lifted her body and placed her head on a pillow beside the window.
The human torrent below was now at its flood. Two streams of humanity
flowed eastward along each broad sidewalk. Hundreds were pouring in
endless procession across Madison Square. The cars in Broadway north and
South were jammed. Every day she watched this crowd hurrying, hurrying
away into the twilight--and among all its hundreds of thousands not
an eye was ever lifted to hers--not one man or woman among them cared
whether she lived or died.

It was horrible, this loneliness of the desert in an ocean of humanity!
For the past year it had become an increasing horror to look into the
silent faces of this crowd of men and women and never feel the touch of
a friendly hand or hear the sound of a human voice in greeting.

And yet this endless procession held for her a supreme fascination.
Somewhere among its myriads of tramping feet, walked the one man created
for her. She no more doubted this than she doubted God Himself. It was
His law. He had ordained it so. She had grown so used to the throngs
below her window and so loved the little park with its splashing
fountain that she had refused to follow her landlady uptown when the
brownstone boarding-house facing the Square had been turned into a
studio building.

Instead of moving she had wheedled the landlord into allowing her to
cut off a small space from her room for a private bath and kitchenette,
built a box couch across the window large enough for a three-quarter
mattress and covered it with velour. For five dollars a week she
had thus secured a little home in which was combined a sitting-room,
bed-room, bath and kitchenette.

It had its drawbacks, of course. The Professor downstairs who taught
music sometimes gave a special lesson at night, and the Italian sculptor
who worked on the top floor used a hammer at the most impossible hours.
But on the whole she liked it better than the tiresome routine of
boarding. She was not afraid at night. The stamp-and-coin man who
occupied the first floor, lived with his wife and baby in the rear. The
janitress had a room on the floor above hers. Two elderly women workers
of ability in the mechanical arts occupied the