



Produced by James Rusk






LOVE ME LITTLE, LOVE ME LONG

By Charles Reade




PREFACE

SHOULD these characters, imbedded in carpet incidents, interest the
public at all, they will probably reappear in more potent scenes. This
design, which I may never live to execute, is, I fear, the only excuse
I can at present offer for some pages, forming the twelfth chapter of
this volume.



CHAPTER I.

NEARLY a quarter of a century ago, Lucy Fountain, a young lady of
beauty and distinction, was, by the death of her mother, her sole
surviving parent, left in the hands of her two trustees, Edward
Fountain, Esq., of Font Abbey, and Mr. Bazalgette, a merchant whose
wife was Mrs. Fountain's half-sister.

They agreed to lighten the burden by dividing it. She should spend
half the year with each trustee in turn, until marriage should take
her off their hands.

Our mild tale begins in Mr. Bazalgette's own house, two years after
the date of that arrangement.

The chit-chat must be your main clue to the characters. In life it is
the same. Men and women won't come to you ticketed, or explanation in
hand.

"Lucy, you are a great comfort in a house; it is so nice to have some
one to pour out one's heart to; my husband is no use at all."

"Aunt Bazalgette!"

"In that way. You listen to my faded illusions, to the aspirations of
a nature too finely organized, ah! to find its happiness in this
rough, selfish world. When I open my bosom to him, what does he do?
Guess now--whistles."

"Then I call that rude."

"So do I; and then he whistles more and more."

"Yes; but, aunt, if any serious trouble or grief fell upon you, you
would find Mr. Bazalgette a much greater comfort and a better stay
than poor spiritless me."

"Oh, if the house took fire and fell about our ears, he would come out
of his shell, no doubt; or if the children all died one after another,
poor dear little souls; but those great troubles only come in stories.
Give me a friend that can sympathize with the real hourly
mortifications of a too susceptible nature; sit on this ottoman, and
let me go on. Where was I when Jones came and interrupted us? They
always do just at the interesting point."

Miss Fountain's face promptly wreathed itself into an expectant smile.
She abandoned her hand and her ear, and leaned her graceful person
toward her aunt, while that lady murmured to her in low and thrilling
tones--his eyes, his long hair, his imaginative expressions, his
romantic projects of frugal love; how her harsh papa had warned Adonis
off the premises; how Adonis went without a word (as pale as death,
love), and soon after, in his despair, flung himself--to an ugly
heiress; and how this disappointment had darkened her whole life, and
so on.

Perhaps, if Adonis had stood before her now, rolling his eyes, and his
phrases hot from the annuals, the flourishing matron might have sent
him to the servants' hall with a wave of her white and jeweled hand.
But the melody disarms this sort of brutal criticism--a woman's voice
relating love's young dream; and then the picture--a matron still
handsome pouring into a lovely virgin's ear the last thing she ought;
the young beauty's eyes mimicking sympathy; the ripe beauty's soft,
delicious accents--purr! purr! purr!

Crash overhead! a window smashed aie! aie! clatter! clatter! screams
of infantine rage and feminine remonstrance, feet pattering, and a
general hullabaloo, cut the soft recital in two. The ladies clasped
hands, like guilty things surprised.

Lucy sprang to her feet; the oppressed one sank slowly and gracefully
back, inch by inch, on the ottoman, with a sigh of ostentatious
resignation, and gazed, martyr-like, on the chandelier.

"Will you not go up to the nursery?" cried Lucy, in a flutter.

"No, dear," replied the other, faintly, but as cool as a marble slab;
"you go; cast some of your oil upon those ever-troubled waters and
then come back and let us try once more."

Miss Fountain heard but half this sentence; she was already gliding up
the stairs. She opened the nursery door, and there stood in the middle
of the room "Original Sin." Its name after the flesh was Master
Reginald. It was half-past six, had been baptized in church, after
which every child becomes, according to polemic divines of the day, "a
little soul of Christian fire" until it goes to a public school. And
there it straddled, two scarlet cheeks puffed out with