

E-text prepared by Glynn Burleson
and revised by Joseph E. Loewenstein, M.D.



SIXES AND SEVENS

by

O. HENRY







CONTENTS

       I. THE LAST OF THE TROUBADOURS
      II. THE SLEUTHS
     III. WITCHES' LOAVES
      IV. THE PRIDE OF THE CITIES
       V. HOLDING UP A TRAIN
      VI. ULYSSES AND THE DOGMAN
     VII. THE CHAMPION OF THE WEATHER
    VIII. MAKES THE WHOLE WORLD KIN
      IX. AT ARMS WITH MORPHEUS
       X. A GHOST OF A CHANCE
      XI. JIMMY HAYES AND MURIEL
     XII. THE DOOR OF UNREST
    XIII. THE DUPLICITY OF HARGRAVES
     XIV. LET ME FEEL YOUR PULSE
      XV. OCTOBER AND JUNE
     XVI. THE CHURCH WITH AN OVERSHOT-WHEEL
    XVII. NEW YORK BY CAMP FIRE LIGHT
   XVIII. THE ADVENTURES OF SHAMROCK JOLNES
     XIX. THE LADY HIGHER UP
      XX. THE GREATER CONEY
     XXI. LAW AND ORDER
    XXII. TRANSFORMATION OF MARTIN BURNEY
   XXIII. THE CALIPH AND THE CAD
    XXIV. THE DIAMOND OF KALI
     XXV. THE DAY WE CELEBRATE




I

THE LAST OF THE TROUBADOURS


Inexorably Sam Galloway saddled his pony. He was going away from the
Rancho Altito at the end of a three-months' visit. It is not to be
expected that a guest should put up with wheat coffee and biscuits
yellow-streaked with saleratus for longer than that. Nick Napoleon,
the big <DW64> man cook, had never been able to make good biscuits.
Once before, when Nick was cooking at the Willow Ranch, Sam had been
forced to fly from his _cuisine_, after only a six-weeks' sojourn.

On Sam's face was an expression of sorrow, deepened with regret and
slightly tempered by the patient forgiveness of a connoisseur who
cannot be understood. But very firmly and inexorably he buckled his
saddle-cinches, looped his stake-rope and hung it to his saddle-horn,
tied his slicker and coat on the cantle, and looped his quirt on his
right wrist. The Merrydews (householders of the Rancho Altito), men,
women, children, and servants, vassals, visitors, employes, dogs, and
casual callers were grouped in the "gallery" of the ranch house, all
with faces set to the tune of melancholy and grief. For, as the coming
of Sam Galloway to any ranch, camp, or cabin between the rivers Frio
or Bravo del Norte aroused joy, so his departure caused mourning and
distress.

And then, during absolute silence, except for the bumping of a hind
elbow of a hound dog as he pursued a wicked flea, Sam tenderly and
carefully tied his guitar across his saddle on top of his slicker and
coat. The guitar was in a green duck bag; and if you catch the
significance of it, it explains Sam.

Sam Galloway was the Last of the Troubadours. Of course you know about
the troubadours. The encyclopaedia says they flourished between the
eleventh and the thirteenth centuries. What they flourished doesn't
seem clear--you may be pretty sure it wasn't a sword: maybe it was a
fiddlebow, or a forkful of spaghetti, or a lady's scarf. Anyhow, Sam
Galloway was one of 'em.

Sam put on a martyred expression as he mounted his pony. But the
expression on his face was hilarious compared with the one on his
pony's. You see, a pony gets to know his rider mighty well, and it is
not unlikely that cow ponies in pastures and at hitching racks had
often guyed Sam's pony for being ridden by a guitar player instead of
by a rollicking, cussing, all-wool cowboy. No man is a hero to his
saddle-horse. And even an escalator in a department store might be
excused for tripping up a troubadour.

Oh, I know I'm one; and so are you. You remember the stories you
memorize and the card tricks you study and that little piece on the
piano--how does it go?--ti-tum-te-tum-ti-tum--those little Arabian Ten
Minute Entertainments that you furnish when you go up to call on your
rich Aunt Jane. You should know that _omnae personae in tres partes
divisae sunt_. Namely: Barons, Troubadours, and Workers. Barons have no
inclination to read such folderol as this; and Workers have no time:
so I