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THE IRISH PENNY JOURNAL.

    NUMBER 20.      SATURDAY, NOVEMBER 14, 1840.      VOLUME I.

[Illustration: MALAHIDE CASTLE, COUNTY OF DUBLIN.]

An ancient baronial castle, in good preservation and still inhabited by
the lineal descendant of its original founder, is a rare object to find
in Ireland; and the causes which have led to this circumstance are too
obvious to require an explanation. In Malahide Castle we have, however,
a highly interesting example of this kind; for though in its present
state it owes much of its imposing effect to modern restorations and
improvements, it still retains a considerable portion of very ancient
date, and most probably even some parts of the original castle erected
in the reign of King Henry II. Considered in this way, Malahide Castle
is without a rival in interest, not only in our metropolitan county, but
also perhaps within the boundary of the old English pale.

The Castle of Malahide is placed on a gently elevated situation on
a limestone rock near the village or town from which it derives its
name, and of which, with its picturesque bay, it commands a beautiful
prospect. In its general form it is quadrangular and nearly approaching
to a square, flanked on its south or principal front by circular towers,
with a fine “Gothic” entrance porch in the centre. Its proportions are
of considerable grandeur, and its picturesqueness is greatly heightened
by the masses of luxuriant ivy which mantle its walls. For much of its
present architectural magnificence it is however indebted to its present
proprietor, and his father, the late Colonel Talbot. The structure, as
it appeared in the commencement of the last century, was of contracted
dimensions, and had wholly lost its original castellated character,
though its ancient moat still remained. This moat is however now filled
up, and its sloping surface is converted into a green-sward, and planted
with Italian cypresses and other evergreens.

Interesting, however, as this ancient mansion is in its exterior
appearance, it is perhaps still more so in its interior features. Its
spacious hall, roofed with timber-work of oak, is of considerable
antiquity; but its attraction is eclipsed by another apartment of
equal age and vastly superior beauty, with which indeed in its way
there is nothing, as far as we know, to be compared in Ireland. This
unique apartment is wainscotted throughout with oak elaborately carved,
in compartments, with subjects derived from scripture history, and
though Gothic in their general character, some of them are executed
with considerable skill; while the chimney-piece, which exhibits in
its central division figures of the Virgin and Child, is carved with a
singular degree of elegance and beauty. The whole is richly varnished,
and from the blackness of tint which the wood has acquired from time, the
apartment, as Mr Brewer well observes, assumes the resemblance of one
vast cabinet of ebony.

The other apartments, of which there are ten on each floor, are of
inferior architectural pretensions, though some of them are of lofty
and spacious proportions. But they are not without attractions of a
high order, being enriched with some costly specimens of porcelain, and
their walls covered with the more valuable ornaments of a collection of
original portraits and paintings by the old masters. Among the former
the most remarkable are portraits of Charles I. and Queen Henrietta
Maria, by Vandyke; James II. and his queen, Anne Hyde, by Sir Peter Lely;
Queen Anne, by Sir Godfrey Kneller; the Duchess of Portsmouth, mistress
to Charles II.; the first Duke of Richmond (son of the above duchess)
when a child; Richard Talbot, the celebrated Duke of Tirconnel, Lord
Lieutenant of Ireland, general and minister to James II., by Sir Peter
Lely; the Ladies Catherine and Charlotte Talbot, daughters of the duke,
by Sir P. Lely; with many other portraits of illustrious members of the
Talbot family. The portraits of the Duchess of Portsmouth and her son
were presented by herself to Mrs Wogan of Rathcoffy, from whom they were
inherited by Colonel Talbot.

Among the pictures of more general interest, the most distinguished is
a small altar piece divided into compartments, and representing the
Nativity, Adoration, and Circumcision. This most valuable and interesting
picture is the work of Albert Durer, and is said to have belonged to the
unfortunate Mary Queen of Scots