



Produced by Earle C. Beach and David Widger





HIS OWN PEOPLE

by Booth Tarkington





I. A Change of Lodging

The glass-domed "palm-room" of the Grand Continental Hotel Magnifique in
Rome is of vasty heights and distances, filled with a mellow green light
which filters down languidly through the upper foliage of tall palms,
so that the two hundred people who may be refreshing or displaying
themselves there at the tea-hour have something the look of under-water
creatures playing upon the sea-bed. They appear, however, to be unaware
of their condition; even the ladies, most like anemones of that
gay assembly, do not seem to know it; and when the Hungarian band
(crustacean-like in costume, and therefore well within the picture)
has sheathed its flying tentacles and withdrawn by dim processes, the
tea-drinkers all float out through the doors, instead of bubbling up
and away through the filmy roof. In truth, some such exit as that was
imagined for them by a young man who remained in the aquarium after they
had all gone, late one afternoon of last winter. They had been marvelous
enough, and to him could have seemed little more so had they made such a
departure. He could almost have gone that way himself, so charged was
he with the uplift of his belief that, in spite of the brilliant
strangeness of the hour just past, he had been no fish out of water.

While the waiters were clearing the little tables, he leaned back in his
chair in a content so rich it was nearer ecstasy. He could not bear to
disturb the possession joy had taken of him, and, like a half-awake boy
clinging to a dream that his hitherto unkind sweetheart has kissed him,
lingered on in the enchanted atmosphere, his eyes still full of all they
had beheld with such delight, detaining and smiling upon each revelation
of this fresh memory--the flashingly lovely faces, the dreamily lovely
faces, the pearls and laces of the anemone ladies, the color and
romantic fashion of the uniforms, and the old princes who had been
pointed out to him: splendid old men wearing white mustaches and single
eye-glasses, as he had so long hoped and dreamed they did.

"Mine own people!" he whispered. "I have come unto mine own at last.
Mine own people!" After long waiting (he told himself), he had seen
them--the people he had wanted to see, wanted to know, wanted to
be _of!_ Ever since he had begun to read of the "beau monde" in his
schooldays, he had yearned to know some such sumptuous reality as that
which had come true to-day, when, at last, in Rome he had seen--as he
wrote home that night--"the finest essence of Old-World society mingling
in Cosmopolis."

Artificial odors (too heavy to keep up with the crowd that had
worn them) still hung about him; he breathed them deeply, his eyes
half-closed and his lips noiselessly formed themselves to a quotation
from one of his own poems:

       While trails of scent, like cobweb's films
         Slender and faint and rare,
       Of roses, and rich, fair fabrics,
         Cling on the stirless air,
       The sibilance of voices,
         At a wave of Milady's glove,
       Is stilled--

He stopped short, interrupting himself with a half-cough of laughter as
he remembered the inspiration of these verses. He had written them three
months ago, at home in Cranston, Ohio, the evening after Anna McCord's
"coming-out tea." "Milady" meant Mrs. McCord; she had "stilled" the
conversation of her guests when Mary Kramer (whom the poem called a
"sweet, pale singer") rose to sing Mavourneen; and the stanza closed
with the right word to rhyme with "glove." He felt a contemptuous pity
for his little, untraveled, provincial self of three months ago, if,
indeed, it could have been himself who wrote verses about Anna McCord's
"coming-out tea" and referred to poor, good old Mrs. McCord as "Milady"!

The second stanza had intimated a conviction of a kind which only poets
may reveal:

       She sang to that great assembly,
         They thought, as they praised her tone;
       But she and my heart knew better:
         Her song was for me alone.

He had told the truth when he wrote of Mary Kramer as pale and sweet,
and she was paler, but no less sweet, when he came to say good-by to
her before he sailed. Her face, as it was at the final moment of the
protracted farewell, shone before him very clearly now for a moment:
young, plaintive, white, too lamentably honest to conceal how much her
"God-speed" to him cost her. He came very near telling her how fond of
her he had always been; came near giving up his great trip to remain
with her always.

"Ah!" He shivered as one shivers at the thought of disaster narrowly
averted. "The fates were good that I only came near it!"

He took from his breast-pocket an engraved card, without having to
search for it, because during the few days the card had been in his
possession the action had become a habit.

"Comtesse de Vaurigard," was the name engraved, and below was written in
pencil: "To remember Monsieur Robert Russ Mellin he promise to come to
tea Hotel Magnifique, Roma, at five o'clock Thursday."


There had been disappointment in the first stages of his journey, and
that had gone hard with Mellin. Europe had been his goal so long, and
his hopes of pleasure grew so high when (after his years of saving and
putting by, bit by bit, out of his salary in a real-estate office)
he drew actually near the shining horizon. But London, his first
stopping-place, had given him some dreadful days. He knew nobody, and
had not understood how heavily sheer loneliness--which was something he
had never felt until then--would weigh upon his spirits. In Cranston,
where the young people "grew up together