



Produced by John Bickers; and Dagny





CRIME AND PUNISHMENT

By Fyodor Dostoevsky



Translated By Constance Garnett




TRANSLATOR'S PREFACE

A few words about Dostoevsky himself may help the English reader to
understand his work.

Dostoevsky was the son of a doctor. His parents were very hard-working
and deeply religious people, but so poor that they lived with their five
children in only two rooms. The father and mother spent their evenings
in reading aloud to their children, generally from books of a serious
character.

Though always sickly and delicate Dostoevsky came out third in the
final examination of the Petersburg school of Engineering. There he had
already begun his first work, "Poor Folk."

This story was published by the poet Nekrassov in his review and
was received with acclamations. The shy, unknown youth found himself
instantly something of a celebrity. A brilliant and successful career
seemed to open before him, but those hopes were soon dashed. In 1849 he
was arrested.

Though neither by temperament nor conviction a revolutionist, Dostoevsky
was one of a little group of young men who met together to read Fourier
and Proudhon. He was accused of "taking part in conversations against
the censorship, of reading a letter from Byelinsky to Gogol, and of
knowing of the intention to set up a printing press." Under Nicholas
I. (that "stern and just man," as Maurice Baring calls him) this was
enough, and he was condemned to death. After eight months' imprisonment
he was with twenty-one others taken out to the Semyonovsky Square to
be shot. Writing to his brother Mihail, Dostoevsky says: "They snapped
words over our heads, and they made us put on the white shirts worn by
persons condemned to death. Thereupon we were bound in threes to stakes,
to suffer execution. Being the third in the row, I concluded I had only
a few minutes of life before me. I thought of you and your dear ones and
I contrived to kiss Plestcheiev and Dourov, who were next to me, and to
bid them farewell. Suddenly the troops beat a tattoo, we were unbound,
brought back upon the scaffold, and informed that his Majesty had spared
us our lives." The sentence was commuted to hard labour.

One of the prisoners, Grigoryev, went mad as soon as he was untied, and
never regained his sanity.

The intense suffering of this experience left a lasting stamp on
Dostoevsky's mind. Though his religious temper led him in the end to
accept every suffering with resignation and to regard it as a blessing
in his own case, he constantly recurs to the subject in his writings.
He describes the awful agony of the condemned man and insists on the
cruelty of inflicting such torture. Then followed four years of penal
servitude, spent in the company of common criminals in Siberia, where
he began the "Dead House," and some years of service in a disciplinary
battalion.

He had shown signs of some obscure nervous disease before his arrest
and this now developed into violent attacks of epilepsy, from which he
suffered for the rest of his life. The fits occurred three or four times
a year and were more frequent in periods of great strain. In 1859 he was
allowed to return to Russia. He started a journal--"Vremya," which was
forbidden by the Censorship through a misunderstanding. In 1864 he lost
his first wife and his brother Mihail. He was in terrible poverty, yet
he took upon himself the payment of his brother's debts. He started
another journal--"The Epoch," which within a few months was also
prohibited. He was weighed down by debt, his brother's family was
dependent on him, he was forced to write at heart-breaking speed, and is
said never to have corrected his work. The later years of his life were
much softened by the tenderness and devotion of his second wife.

In June 1880 he made his famous speech at the unveiling of the
monument to Pushkin in Moscow and he was received with extraordinary
demonstrations of love and honour.

A few months later Dostoevsky died. He was followed to the grave by a
vast multitude of mourners, who "gave the hapless man the funeral of a
king." He is still probably the most widely read writer in Russia.

In the words of a Russian critic, who seeks to explain the feeling
inspired by Dostoevsky: "He was one of ourselves, a man of our blood and
our bone, but one who has suffered and has seen so much more deeply than
we have his insight impresses us as wisdom... that wisdom of the heart
which we seek that we may learn from it how to live. All his other
gifts came to him from nature, this he won for himself and through it he
became great."





CRIME AND PUNISHMENT




PART I



CHAPTER I

On an exceptionally hot evening early in July a young man came out of
the garret in which he lodged in S. Place and walked slowly, as though
in hesitation, towards K. bridge.

He had successfully avoided meeting his landlady on the staircase. His
garret was under the roof of a high, five-storied house and was more
like a cupboard than a room. The landlady who provided him with garret,
dinners, and attendance, lived on the floor below, and every time
he went out he was obliged to pass her kitchen, the door of which
invariably stood open. And each time he passed, the young man had a
sick, frightened feeling, which made him scowl and feel ashamed. He was
hopelessly in debt to his landlady, and was afraid of meeting her.

This was not because he was cowardly and abject, quite the contrary; but
for some time past he had been in an overstrained irritable condition,
verging on hypochondria. He had become so completely absorbed in
himself, and isolated from his fellows that he dreaded meeting, not
only his landlady, but anyone at all. He was crushed by poverty, but the
anxieties of his position had of late ceased to weigh upon him. He had
given up attending to matters of practical importance; he had lost all
desire to do so. Nothing that any landlady could do had a real terror
for him. But to be stopped on the stairs, to be forced to listen to her
trivial, irrelevant gossip, to pestering demands for payment, threats
and complaints, and to rack his brains for excuses, to prevaricate, to
lie--no, rather than that, he would creep down the stairs like a cat and
slip out unseen.

This evening, however, on coming out into the street, he became acutely
aware of his fears.

"I want to attempt a thing _like that_ and am frightened by these
trifles," he thought, with an odd smile. "Hm... yes, all is in a man's
hands and he lets it all slip from cowardice, that's an axiom. It would
be interesting to know what it is men are most afraid of. Taking a new
step, uttering a new word is what they fear most.... But I am talking
too much. It's because I chatter that I do nothing. Or perhaps it is
that I chatter because I do nothing. I've learned to chatter this
last month, lying for days together in my den thinking... of Jack the
Giant-killer. Why am I going there now? Am I capable of _that_? Is
_that_ serious? It is not serious at all. It's simply a fantasy to amuse
myself; a plaything! Yes, maybe it is a plaything."

The heat in the street was terrible: and the airlessness, the bustle
and the plaster, scaffolding, bricks, and dust all about him, and that
special Petersburg stench, so familiar to all who are unable to get out
of town in summer--all worked painfully upon the young man's already
overwrought nerves. The insufferable stench from the pot-houses, which
are particularly numerous in that part of the town, and the drunken men
whom he met continually, although it was a working day, completed
the revolting misery of the picture. An expression of the profoundest
disgust gleamed for a moment in the young man's refined face. He was,
by the way, exceptionally handsome, above the average in height, slim,
well-built, with beautiful dark eyes and dark brown hair. Soon he sank
into deep thought, or more accurately speaking into a complete blankness
of mind; he walked along not observing what was about him and not caring
to observe it. From time to time, he would mutter something, from the
habit of talking to himself, to which he had just confessed. At these
moments he would become conscious that his ideas were sometimes in a
tangle and that he was very weak; for two days he had scarcely tasted
food.

He was so badly dressed that even a man accustomed to shabbiness would
have been ashamed to be seen in the street in such rags. In that quarter
of the town, however, scarcely any shortcoming in dress would have
created surprise. Owing to the proximity of the Hay Market, the number
of establishments of bad character, the preponderance of the trading
and working class population crowded in these streets and alleys in the
heart of Petersburg, types so various were to be seen in the streets
that no figure, however queer, would have caused surprise. But there was
such accumulated bitterness and contempt in the young man's heart, that,
in spite of all the fastidiousness of youth, he minded his rags least
of all in the street. It was a different matter when he met with
acquaintances or with former fellow students, whom, indeed, he disliked
meeting at any time. And yet when a drunken man who, for some unknown
reason, was being taken somewhere in a huge waggon dragged by a heavy
dray horse, suddenly shouted at him as he drove past: "Hey there, German
hatter" bawling at the top of his voice and pointing at him--the young
man stopped suddenly and clutched tremulously at his hat. It was a tall
round hat from Zimmerman's, but completely worn out, rusty with age, all
torn and bespattered, brimless and bent on one side in a most unseemly
fashion. Not shame, however, but quite another feeling akin to terror
had overtaken him.

"I knew it," he muttered in confusion, "I thought so! That's the worst
of all! Why, a stupid thing like this, the most trivial detail might
spoil the whole plan. Yes, my hat is too noticeable.... It looks absurd
and that makes it noticeable.... With my rags I ought to wear a cap, any
sort of old pancake, but not this grotesque thing. Nobody wears such
a hat, it would be noticed a mile off, it would be remembered.... What
matters is that people would remember it, and that would give them
a clue. For this business one should be as little conspicuous as
possible.... Trifles, trifles are what matter! Why, it's just such
trifles that always ruin everything...."

He had not far to go; he knew indeed how many steps it was from the gate
of his lodging house: exactly seven hundred and thirty. He had counted
them once when he had been lost in dreams. At the time he had put no
faith in those dreams and was only tantalising himself by their hideous
but daring recklessness. Now, a month later, he had begun to look upon
them differently, and, in spite of the monologues in which he jeered at
his own impotence and indecision, he had involuntarily come to regard
this "hideous" dream as an exploit to be attempted, although he
still did not realise this himself. He was positively going now for a
"rehearsal" of his project, and at every step his excitement grew more
and more violent.

With a sinking heart and a nervous tremor, he went up to a huge house
which on one side looked on to the canal, and on the other into the
street. This house was let out in tiny tenements and was inhabited by
working people of all kinds--tailors, locksmiths, cooks, Germans of
sorts, girls picking up a living as best they could, petty clerks, etc.
There was a continual coming and going through the two gates and in the
two courtyards of the house. Three or four door-keepers were employed on
the building. The young man was very glad to meet none of them, and
at once slipped unnoticed through the door on the right, and up the
staircase. It was a back staircase, dark and narrow, but he was familiar
with it already, and knew his way, and he liked all these surroundings:
in such darkness even the most inquisitive eyes were not to be dreaded.

"If I am so scared now, what would it be if it somehow came to pass that
I were really going to do it?" he could not help asking himself as he
reached the fourth storey. There his progress was barred by some porters
who were engaged in moving furniture out of a flat. He knew that the
flat had been occupied by a German clerk in the civil service, and his
family. This German was moving out then, and so the fourth floor on this
staircase would be untenanted except by the old woman. "That's a good
thing anyway," he thought to himself, as he rang the bell of the old
woman's flat. The bell gave a faint tinkle as though it were made of
tin and not of copper. The little flats in such houses always have bells
that ring like that. He had forgotten the note of that bell, and now
its peculiar tinkle seemed to remind him of something and to bring it
clearly before him.... He started, his nerves were terribly overstrained
by now. In a little while, the door was opened a tiny crack: the old
woman eyed her visitor with evident distrust through the crack, and
nothing could be seen but her little eyes, glittering in the darkness.
But, seeing a number of people on the landing, she grew bolder, and
opened the door wide. The young man stepped into the dark entry, which
was partitioned off from the tiny kitchen. The old woman stood facing
him in silence and looking inquiringly at him. She was a diminutive,
withered up old woman of sixty, with sharp malignant eyes and a sharp
little nose. Her colourless, somewhat grizzled hair was thickly smeared
with oil, and she wore no kerchief over it. Round her thin long neck,
which looked like a hen's leg, was knotted some sort of flannel rag,
and, in spite of the heat, there hung flapping on her shoulders, a mangy
fur cape, yellow with age. The old woman coughed and groaned at every
instant. The young man must have looked at her with a rather peculiar
expression, for a gleam of mistrust came into her eyes again.

"Raskolnikov, a student, I came here a month ago," the young man made
haste to mutter, with a half bow, remembering that he ought to be more
polite.

"I remember, my good sir, I remember quite well your coming here," the
old woman said distinctly, still keeping her inquiring eyes on his face.

"And here... I am again on the same errand," Raskolnikov continued, a
little disconcerted and surprised at the old woman's mistrust. "Perhaps
she is always like that though, only I did not notice it the other
time," he thought with an uneasy feeling.

The old woman paused, as though hesitating; then stepped on one side,
and pointing to the door of the room, she said, letting her visitor pass
in front of her:

"Step in, my good sir."

The little room into which the young man walked, with yellow paper on
the walls, geraniums and muslin curtains in the windows, was brightly
lighted up at that moment by the setting sun.

"So the sun will shine like this _then_ too!" flashed as it were by
chance through Raskolnikov's mind, and with a rapid glance he scanned
everything in the room, trying as far as possible to notice and
remember its arrangement. But there was nothing special in the room. The
furniture, all very old and of yellow wood, consisted of a sofa with
a huge bent wooden back, an oval table in front of the sofa, a
dressing-table with a looking-glass fixed on it between the windows,
chairs along the walls and two or three half-penny prints in yellow
frames, representing German damsels with birds in their hands--that was
all. In the corner a light was burning before a small ikon. Everything
was very clean; the floor and the furniture were brightly polished;
everything shone.

"Lizaveta's work," thought the young man. There was not a speck of dust
to be seen in the whole flat.

"It's in the houses of spiteful old widows that one finds such
cleanliness," Raskolnikov thought again, and he stole a curious glance
at the cotton curtain over the door leading into another tiny room, in
which stood the old woman's bed and chest of drawers and into which he
had never looked before. These two rooms made up the whole flat.

"What do you want?" the old woman said severely, coming into the room
and, as before, standing in front of him so as to look him straight in
the face.

"I've brought something to pawn here," and he drew out of his pocket
an old-fashioned flat silver watch, on the back of which was engraved a
globe; the chain was of steel.

"But the time is up for your last pledge. The month was up the day
before yesterday."

"I will bring you the interest for another month; wait a little."

"But that's for me to do as I please, my good sir, to wait or to sell
your pledge at once."

"How much will you give me for the watch, Alyona Ivanovna?"

"You come with such trifles, my good sir, it's scarcely worth anything.
I gave you two roubles last time for your ring and one could buy it
quite new at a jeweler's for a rouble and a half."

"Give me four roubles for it, I shall redeem it, it was my father's. I
shall