



Produced by An Anonymous Volunteer





NORTHANGER ABBEY


by

Jane Austen (1803)




ADVERTISEMENT BY THE AUTHORESS, TO NORTHANGER ABBEY

THIS little work was finished in the year 1803, and intended for
immediate publication. It was disposed of to a bookseller, it was even
advertised, and why the business proceeded no farther, the author
has never been able to learn. That any bookseller should think it
worth-while to purchase what he did not think it worth-while to publish
seems extraordinary. But with this, neither the author nor the public
have any other concern than as some observation is necessary upon those
parts of the work which thirteen years have made comparatively obsolete.
The public are entreated to bear in mind that thirteen years have passed
since it was finished, many more since it was begun, and that during
that period, places, manners, books, and opinions have undergone
considerable changes.



CHAPTER 1


No one who had ever seen Catherine Morland in her infancy would have
supposed her born to be an heroine. Her situation in life, the character
of her father and mother, her own person and disposition, were
all equally against her. Her father was a clergyman, without being
neglected, or poor, and a very respectable man, though his name
was Richard--and he had never been handsome. He had a considerable
independence besides two good livings--and he was not in the least
addicted to locking up his daughters. Her mother was a woman of useful
plain sense, with a good temper, and, what is more remarkable, with a
good constitution. She had three sons before Catherine was born; and
instead of dying in bringing the latter into the world, as anybody might
expect, she still lived on--lived to have six children more--to see them
growing up around her, and to enjoy excellent health herself. A family
of ten children will be always called a fine family, where there are
heads and arms and legs enough for the number; but the Morlands had
little other right to the word, for they were in general very plain, and
Catherine, for many years of her life, as plain as any. She had a thin
awkward figure, a sallow skin without colour, dark lank hair, and strong
features--so much for her person; and not less unpropitious for heroism
seemed her mind. She was fond of all boy's plays, and greatly preferred
cricket not merely to dolls, but to the more heroic enjoyments of
infancy, nursing a dormouse, feeding a canary-bird, or watering a
rose-bush. Indeed she had no taste for a garden; and if she gathered
flowers at all, it was chiefly for the pleasure of mischief--at least
so it was conjectured from her always preferring those which she was
forbidden to take. Such were her propensities--her abilities were quite
as extraordinary. She never could learn or understand anything
before she was taught; and sometimes not even then, for she was often
inattentive, and occasionally stupid. Her mother was three months in
teaching her only to repeat the "Beggar's Petition"; and after all, her
next sister, Sally, could say it better than she did. Not that Catherine
was always stupid--by no means; she learnt the fable of "The Hare and
Many Friends" as quickly as any girl in England. Her mother wished her
to learn music; and Catherine was sure she should like it, for she was
very fond of tinkling the keys of the old forlorn spinnet; so, at eight
years old she began. She learnt a year, and could not bear it; and Mrs.
Morland, who did not insist on her daughters being accomplished in
spite of incapacity or distaste, allowed her to leave off. The day which
dismissed the music-master was one of the happiest of Catherine's life.
Her taste for drawing was not superior; though whenever she could obtain
the outside of a letter from her mother or seize upon any other odd
piece of paper, she did what she could in that way, by drawing houses
and trees, hens and chickens, all very much like one another. Writing
and accounts she was taught by her father; French by her mother: her
proficiency in either was not remarkable, and she shirked her lessons in
both whenever she could. What a strange, unaccountable character!--for
with all these symptoms of profligacy at ten years old, she had neither
a bad heart nor a bad temper, was seldom stubborn, scarcely ever
quarrelsome, and very kind to the little ones, with few interruptions
of tyranny; she was moreover noisy and wild, hated confinement and
cleanliness, and loved nothing so well in the world as rolling down the
green <DW72> at the back of the house.

Such was Catherine Morland at ten. At fifteen, appearances were mending;
she began to curl her hair and long for balls; her complexion improved,
her features were softened by plumpness and colour, her eyes gained more
animation, and her figure more consequence. Her love of dirt gave way to
an inclination for finery, and she grew clean as she grew smart; she had
now the pleasure of sometimes hearing her father and mother remark
on her personal improvement. "Catherine grows quite a good-looking
girl--she is almost pretty today," were words which caught her ears now
and then; and how welcome were the sounds! To look almost pretty is an
acquisition of higher delight to a girl who has been looking plain the
first fifteen years of her life than a beauty from her cradle can ever
receive.

Mrs. Morland was a very good woman, and wished to see her children
everything they ought to be; but her time was so much occupied in
lying-in and teaching the little ones, that her elder daughters were
inevitably left to shift for themselves; and it was not very wonderful
that Catherine, who had by nature nothing heroic about her, should
prefer cricket, baseball, riding on horseback, and running about
the country at the age of fourteen, to books--or at least books of
information--for, provided that nothing like useful knowledge could be
gained from them, provided they were all story and no reflection, she
had never any objection to books at all. But from fifteen to seventeen
she was in training for a heroine; she read all such works as heroines
must read to supply their memories with those quotations which are so
serviceable and so soothing in the vicissitudes of their eventful lives.

From Pope, she learnt to censure those who

   "bear about the mockery of woe."


From Gray, that

   "Many a flower is born to blush unseen,
   "And waste its fragrance on the desert air."


From Thompson, that--

   "It is a delightful task
   "To teach the young idea how to shoot."


And from Shakespeare she gained a great store of information--amongst
the rest, that--

   "Trifles light as air,
   "Are, to the jealous, confirmation strong,
   "As proofs of Holy Writ."


That

   "The poor beetle, which we tread upon,
   "In corporal sufferance feels a pang as great
   "As when a giant dies."


And that a