


Produced by David Widger





ZIBELINE

By Philippe De Massa

Translated By D. Knowlton Ranous




ALEXANDRE-PHILIPPE-REGNIER DE MASSA

MARQUIS DE MASSA, soldier, composer, and French dramatist, was born in
Paris, December 5, 1831. He selected the military career and received a
commission in the cavalry after leaving the school of St. Cyr. He served
in the Imperial Guards, took part in the Italian and Franco-German Wars
and was promoted Chief of Squadron, Fifth Regiment, Chasseurs a Cheval,
September 10, 1871. Having tendered his resignation from active service,
he was appointed a lieutenant-colonel in the territorial army February
3, 1880. He has been decorated with the Legion of Honor.

The Marquis de Massa is known as a composer of music and as a dramatic
author and novelist. At the Opera Comique there was represented in
1861 Royal-Cravate, written by him. Fragments of two operas by him were
performed at the Paris Conservatory of Music in 1865, and in 1868. The
list of his principal plays follows: 'Le Service en campagne, comedy
(1882); La Cicatrice, comedy (1885); Au Mont Ida, Fronsac a La Bastille,
and La Coeur de Paris, all in 1887; La Czarine and Brouille depuis
Magenta (1888), and La Bonne Aventure--all comedies--1889. Together with
Petipa he also wrote a ballet Le Roi d'Yvetot (1866); music by Charles
Labarre. He further wrote Zibeline, a most brilliant romance (1892) with
an Introduction by Jules Claretie; crowned by the Academie Francaise.
This odd and dainty little story has a heroine of striking originality,
in character and exploits. Her real name is Valentine de Vermont, and
she is the daughter of a fabulously wealthy French-American dealer in
furs, and when, after his death, she goes to Paris to spend her colossal
fortune, and to make restitution to the man from whom her father won
at play the large sum that became the foundation of his wealth, certain
lively Parisian ladies, envying her her rich furs, gave her the name of
Zibeline, that of a very rare, almost extinct, wild animal. Zibeline's
American unconventionality, her audacity, her wealth, and generosity,
set all Paris by the ears. There are fascinating glimpses into the
drawing-rooms of the most exclusive Parisian society, and also into
the historic greenroom of the Comedie Francaise, on a brilliant "first
night." The man to whom she makes graceful restitution of his fortune
is a hero of the Franco-Mexican and Franco-Prussian wars, and when she
gives him back his property, she throws her heart in with the gift. The
story is an interesting study of a brilliant and unconventional American
girl as seen by the eyes of a clever Frenchman.

Later came 'La Revue quand meme, comedy, (1894); Souvenirs et
Impressions (1897); La Revue retrospective, comedy (1899); and Sonnets'
the same year.

               PAUL HERVIEU
             de l'Academe Francaise.




LETTER FROM JULES CLARETIE TO THE AUTHOR

MY DEAR FRIEND:

I have often declared that I never would write prefaces! But how can
one resist a fine fellow who brings one an attractive manuscript, signed
with a name popular among all his friends, who asks of one, in the most
engaging way, an opinion on the same--then a word, a simple word of
introduction, like a signal to saddle?

I have read your Zibeline, my dear friend, and this romance--your
first--has given me a very keen pleasure. You told me once that you felt
a certain timidity in publishing it. Reassure yourself immediately. A
man can not be regarded as a novice when he has known, as you have,
all the Parisian literary world so long; or rather, perhaps, I may more
accurately say, he is always a novice when he tastes for the first time
the intoxication of printer's ink.

You have the quickest of wits and the least possible affectation of
gravity, and you have made as well known in Mexico as in Paris your
couplets on the end of the Mexican conflict with France. 'Tout Mexico y
passera!' Where are they, the 'tol-de-rols' of autumn?

Yesterday I found, in a volume of dramatic criticism by