CRASHAW, VOLUME II (OF 2)***


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The Fuller Worthies' Library.

THE COMPLETE WORKS OF RICHARD CRASHAW.

In Two Volumes.

VOL. II.

ESSAY ON LIFE AND WRITINGS.

EPIGRAMMATA ET POEMATA LATINA: TRANSLATED FOR THE
FIRST TIME. GLOSSARIAL INDEX.







London:
Robson and Sons, Printers, Pancras Road, N.W.




The Fuller Worthies' Library.

THE COMPLETE WORKS OF RICHARD CRASHAW.

For the First Time Collected
and Collated with the Original and Early Editions,
and Much Enlarged with

    I. Hitherto unprinted and inedited Poems from Archbishop Sancroft's
        MSS. &c. &c.
   II. Translation of the whole of the Poemata et Epigrammata.
  III. Memorial-Introduction, Essay on Life and Poetry, and Notes.
   IV. In Quarto, reproduction in facsimile of the Author's own
       Illustrations of 1652, with others specially prepared.

Edited by the

REV. ALEXANDER B. GROSART,

St. George's, Blackburn, Lancashire.

In Two Volumes.

VOL. II.






Printed for Private Circulation.
1873.

156 copies printed.




PREFACE.


In our Essay and Notes in the present Volume we so fully state such
things as it seemed expedient to state on the specialties of our
collection of Crashaw's Latin and Greek Poetry, in common with our like
collection of his English Poetry in Vol. I., that little remains for
preface here, beyond our wish renewedly to express our gratitude and
obligations to our fellow-workers on the Translations now submitted. The
names given at p. 4 herein, and the markings on the margin of the
Contents, will show how generously my own somewhat large proportion of
the task of love has been lightened by them; and throughout I have been
aided and animated by the cordiality with which the friends have
responded to my demands, or spontaneously sent their contributions.
Preeminently I owe thanks to my 'brother beloved,' the Rev. RICHARD
WILTON, M.A., Londesborough Rectory, Market Weighton.

On the text of the Latin and Greek I refer to the close of our Essay;
but I must acknowledge willing and scholarly help, on certain points
whereon I consulted them, from Rev. Dr. HOLDEN, Ipswich, Rev. Dr.
JESSOPP, Norwich, and W. ALDIS WRIGHT, Esq. M.A. Cambridge (as before);
albeit the inevitable variety of suggested emendations, as onward,
compelled me to limit myself to as accurate a reproduction as possible
of the text of Crashaw himself, obvious misprints excepted.

I have now to record the various University Collections wherein
Crashaw's earliest poetical efforts appeared--all showing a passionate
loyalty, which indeed remained with him to the end.

(_a_) Anthologia in Regis exanthemata; seu gratulatio Musarum
Cantabrigiensium de felicissime conservata Regis Caroli valetudine,
1632.

(_b_) Ducis Eboracensis Fasciae a Musis Cantabrigiensibus raptim
contextae, 1633.

(_c_) Rex Redux; sive Musa Cantabrigiensis Voti... et felici reditu
Regis Caroli post receptam coronam comitaque peracta in Scotia, 1633.

(_d_) Carmen Natalitium ad cunas illustrissimae Principis Elizabethae
decantatum intra Nativitatis Dom. solemnia per humiles Cantabrigiae
Musas, 1635.

(_e_) {Synodia}, sive Musarum Cantabrigiensium concentus et
congratulatio ad serenissimum Britanniarum Regem Carolum de quinta sua
sobole clarissima Principe sibi nuper felicissime nata, 1637.

(_f_) Voces votivae ab Academicis Cantabrigiensibus pro novissimo Caroli
et Mariae Principe Filio emissae, 1640.

It is a noticeable fact, that Crashaw while still so young should have
been invited to contribute to these University Collections along with
Wren, Henry More, Edward King ('Lycidas'), Joseph Beaumont, Edward
Rainbow, and kindred. His pieces in each are recorded in the places in
our Volumes. They invite critical comment; but our space is fully
exhausted.

By the liberality of F. MADOX-BROWN, Esq. R.A. I am enabled to furnish
(in the 4to) in this our Second Volume an admirable photograph, by
Hollyer of London, of his cartoon for the memorial-window in Peterhouse,
Cambridge. Peterhouse is at late-last doing honour to some of her sons
thus. Professor Ward, of Owens' College, Manchester, has the praise, as
the privilege, of presenting the Crashaw portion of the fine Window.
The figure is full of dignity and impressiveness; we may accept the
creation of the Painter's genius for a Portrait. The accessories
are suggestive of familiar facts in the life and poetry of Crashaw.
Vignette-illustrations from W.J. LINTON, Es