



Produced by Judith Boss.  HTML version by Al Haines.










THE HOUSE OF THE SEVEN GABLES


by

NATHANIEL HAWTHORNE




Table of Contents

         INTRODUCTORY NOTE
         AUTHOR'S PREFACE
     I.  THE OLD PYNCHEON FAMILY
    II.  THE LITTLE SHOP-WINDOW
   III.  THE FIRST CUSTOMER
    IV.  A DAY BEHIND THE COUNTER
     V.  MAY AND NOVEMBER
    VI.  MAULE'S WELL
   VII.  THE GUEST
  VIII.  THE PYNCHEON OF TO-DAY
    IX.  CLIFFORD AND PHOEBE
     X.  THE PYNCHEON GARDEN
    XI.  THE ARCHED WINDOW
   XII.  THE DAGUERREOTYPIST
  XIII.  ALICE PYNCHEON
   XIV.  PHOEBE'S GOOD-BYE
    XV.  THE SCOWL AND SMILE
   XVI.  CLIFFORD'S CHAMBER
  XVII.  THE FLIGHT OF TWO OWLS
 XVIII.  GOVERNOR PYNCHEON
   XIX.  ALICE'S POSIES
    XX.  THE FLOWER OF EDEN
   XXI.  THE DEPARTURE




                         INTRODUCTORY NOTE.

THE HOUSE OF THE SEVEN GABLES.


IN September of the year during the February of which Hawthorne had
completed "The Scarlet Letter," he began "The House of the Seven
Gables." Meanwhile, he had removed from Salem to Lenox, in Berkshire
County, Massachusetts, where he occupied with his family a small red
wooden house, still standing at the date of this edition, near the
Stockbridge Bowl.

"I sha'n't have the new story ready by November,"  he explained to his
publisher, on the 1st of October, "for I am never good for anything in
the literary way till after the first autumnal frost, which has
somewhat such an effect on my imagination that it does on the foliage
here about me-multiplying and brightening its hues." But by vigorous
application he was able to complete the new work about the middle of
the January following.

Since research has disclosed the manner in which the romance is
interwoven with incidents from the history of the Hawthorne family,
"The House of the Seven Gables" has acquired an interest apart from
that by which it first appealed to the public. John Hathorne (as the
name was then spelled), the great-grandfather of Nathaniel Hawthorne,
was a magistrate at Salem in the latter part of the seventeenth
century, and officiated at the famous trials for witchcraft held there.
It is of record that he used peculiar severity towards a certain woman
who was among the accused; and the husband of this woman prophesied
that God would take revenge upon his wife's persecutors.  This
circumstance doubtless furnished a hint for that piece of tradition in
the book which represents a Pyncheon of a former generation as having
persecuted one Maule, who declared that God would give his enemy "blood
to drink." It became a conviction with the Hawthorne family that a
curse had been pronounced upon its members, which continued in force in
the time of the romancer; a conviction perhaps derived from the
recorded prophecy of the injured woman's husband, just mentioned; and,
here again, we have a correspondence with Maule's malediction in the
story. Furthermore, there occurs in the "American Note-Books" (August
27, 1837), a reminiscence of the author's family, to the following
effect. Philip English, a character well-known in early Salem annals,
was among those who suffered from John Hathorne's magisterial
harshness, and he maintained in consequence a lasting feud with the old
Puritan official. But at his death English left daughters, one of whom
is said to have married the son of Justice John Hathorne, whom English
had declared he would never forgive. It is scarcely necessary to point
out how clearly this foreshadows the final union of those hereditary
foes, the Pyncheons and Maules, through the marriage of Phoebe and
Holgrave. The romance, however, describes the Maules as possessing some
of the traits known to have been characteristic of the Hawthornes: for
example, "so long as any of the race were to be found, they had been
marked out from other men--not strikingly, nor as with a sharp line,
but with an effect that was felt rather than spoken of--by an
hereditary characteristic of reserve