



Produced by Louise Hope




[Transcriber's Note:

This text is intended for users whose text readers cannot use the "real"
(Unicode/UTF-8) version. In the Latin text, the "oe" diphthong is shown
as [oe] to distinguish it from the two-vowel sequence "oe" ("coeuntia").
The asterism used in the advertising section is shown as ***.

The Prosody section uses letters with macrons and breves ("long" and
"short" marks). In _this section only_, vowels with macron are shown
as CAPITALS, while vowels with breve are shown in {braces}. Long vowels
that are already capitalized (very rare) are shown in [brackets].

This book was written in 1840. It includes material that may be
offensive to some readers. Students should be cautioned that the book
predates "New Style" (classical) pronunciation. Note in particular
the pronunciation of "j" ("Never jam today") and of all vowels ("Yes,
you Can-u-leia").

In the main text, boldface type is shown in +marks+. In the advertising
section at the end, the same +marks+ represent sans-serif type.

Typographical errors are listed at the end of the text, along with some
general notes.]




    [Frontispiece:
    "Painted and Engraved by John Leech, R.C.A."]




                   THE COMIC

                 LATIN GRAMMAR;

        A new and facetious Introduction

                     to the

                  LATIN TONGUE.

          With Numerous Illustrations.


              The Second Edition.


                    London:
          CHARLES TILT, FLEET STREET.
                    MDCCCXL.




  Coe, Printer, 27, Old Change, St. Paul's.




  ADVERTISEMENT

  TO THE SECOND EDITION.


The Author of this little work cannot allow a second edition of it to go
forth to the world, unaccompanied by a few words of apology, he being
desirous of imitating, in every respect, the example of distinguished
writers.

He begs that so much as the consciousness of being answerable for a
great deal of nonsense, usually prompts a man to say, in the hope of
disarming criticism, may be considered to have been said already. But he
particularly requests that the want of additions to his book may be
excused; and pleads, in arrest of judgment, his numerous and absorbing
avocations.

Wishing to atone as much as possible for this deficiency, and prevailed
upon by the importunity of his friends, he has allowed a portrait of
himself, by that eminent artist, Mr. John Leech, to whom he is indebted
for the embellishments, and very probably for the sale of the book, to
be presented, facing the title-page, to the public.

Here again he has been influenced by the wish to comply with the
requisitions of custom, and the disinclination to appear odd, whimsical,
or peculiar.

On the admirable sketch itself, bare justice requires that he should
speak somewhat in detail. The likeness he is told, he fears by too
partial admirers, is excellent. The principle on which it has been
executed, that of investing with an ideal magnitude, the proportions of
nature, is plainly, from what we observe in heroic poetry, painting, and
sculpture, the soul itself of the superhuman and sublime. Of the
justness of the metaphorical compliment implied in the delineation of
the head, it is not for the author to speak; of its exquisiteness and
delicacy, his sense is too strong for expression. The habitual
pensiveness of the elevated eyebrows, mingled with the momentary gaiety
of the rest of the countenance, is one of the most successful points in
the picture, and is as true to nature as it is indicative of art.

The Author's tailor, though there are certain reasons why his name
should not appear in print, desires to express his obligation to the
talented artist for the very favourable impression which, without
prejudice to truth, has been given to the public of his skill. The ease
so conspicuous in the management of the surtout, and the thought so
remarkable in the treatment of the trousers, fully warrant his
admiration and gratitude.

Too great praise cannot be bestowed on the boots, considered with
reference to art, though in this respect the Author is quite sensible
that both himself and the maker of their originals have been greatly
flattered. He is also perfectly aware that there is a degree of
neatness, elegance, and spirit in the tie of the cravat, to which he has
in reality never yet been able to attain.

In conclusion, he is much gratified by the taste displayed in furnishing
him with so handsome a walking stick; and he assures all whom it may
concern, that the hint thus bestowed will not be lost upon him; for he
intends immediately to relinquish the