



Produced by Martin Adamson





THE LADY FROM THE SEA

By Henrik Ibsen


Translated by Eleanor Marx-Aveling




DRAMATIS PERSONAE


     Doctor Wangel.
     Ellida Wangel, his second wife.
     Bolette,
     Hilde (not yet grown up), his daughters by his first wife.
     Arnholm (second master at a college).
     Lyngstrand.
     Ballested.
     A Stranger.
     Young People of the Town.
     Tourists.
     Visitors.

(The action takes place in small fjord town, Northern Norway.)





THE LADY FROM THE SEA




ACT I

(SCENE.--DOCTOR WANGEL'S house, with a large verandah garden in front of
and around the house. Under the verandah a flagstaff. In the garden
an arbour, with table and chairs. Hedge, with small gate at the back.
Beyond, a road along the seashore. An avenue of trees along the road.
Between the trees are seen the fjord, high mountain ranges and peaks. A
warm and brilliantly clear summer morning.

BALLESTED, middle-aged, wearing an old velvet jacket, and a
broad-brimmed artist's hat, stands under the flagstaff, arranging the
ropes. The flag is lying on the ground. A little way from him is an
easel, with an outspread canvas. By the easel on a camp-stool, brushes,
a palette, and box of colours.

BOLETTE WANGEL comes from the room opening on the verandah. She carries
a large vase with flowers, which she puts down on the table.)

Bolette. Well, Ballested, does it work smoothly?

Ballested. Certainly, Miss Bolette, that's easy enough. May I ask--do
you expect any visitors today?

Bolette. Yes, we're expecting Mr. Arnholm this morning. He got to town
in the night.

Ballested. Arnholm? Wait a minute--wasn't Arnholm the man who was tutor
here several years ago?

Bolette. Yes, it is he.

Ballested. Oh, really! Is he coming into these parts again?

Bolette. That's why we want to have the flag up.

Ballested. Well, that's reasonable enough.

(BOLETTE goes into the room again. A little after LYNGSTRAND enters from
the road and stands still, interested by the easel and painting gear. He
is a slender youth, poorly but carefully dressed, and looks delicate.)

Lyngstrand (on the other side of the hedge). Good-morning.

Ballested (turning round). Hallo! Good-morning. (Hoists up flag). That's
it! Up goes the balloon. (Fastens the ropes, and then busies himself
about the easel.) Good-morning, my dear sir. I really don't think I've
the pleasure of--Lyngstrand. I'm sure you're a painter.

Ballested. Of course I am. Why shouldn't I be?

Lyngstrand. Yes, I can see you are. May I take the liberty of coming in
a moment?

Ballested. Would you like to come in and see?

Lyngstrand. I should like to immensely.

Ballested. Oh! there's nothing much to see yet. But come in. Come a
little closer.

Lyngstrand. Many thanks. (Comes in through the garden gate.)

Ballested (painting). It's the fjord there between the islands I'm
working at.

Lyngstrand. So I see.

Ballested. But the figure is still wanting. There's not a model to be
got in this town.

Lyngstrand. Is there to be a figure, too?

Ballest