



Produced by Charles Bowen, from page scans provided by the Web Archive








Transcriber's Notes:

   1. Page scan source:
      http://www.archive.org/details/truantsnovel00maso

   2. The diphthong oe is represented by [oe].





                             THE TRUANTS






                          BY THE SAME AUTHOR


       THE FOUR FEATHERS.
       CLEMENTINA.
       MIRANDA OF THE BALCONY.
       THE WATCHERS.
       THE COURTSHIP OF MORRICE BUCKLER.
       THE PHILANDERERS.
       LAWRENCE CLAVERING.
       ENSIGN KNIGHTLEY, AND OTHER STORIES.






                             THE TRUANTS




                                  BY

                            A. E. W. MASON

                              AUTHOR OF

            "THE FOUR FEATHERS," "MIRANDA OF THE BALCONY,"

                              ETC., ETC.




                                LONDON

                SMITH, ELDER & CO., 15, WATERLOO PLACE

                                 1904

                       (_All rights reserved_)






                              PRINTED BY

                  WILLIAM CLOWES AND SONS, LIMITED,

                         LONDON AND BECCLES.




                               CONTENTS


       CHAPTER

         I. Pamela Mardale learns a very little History.

        II. Pamela looks on.

       III. The Truants.

        IV. Tony Stretton makes a Proposal.

         V. Pamela makes a Promise.

        VI. News of Tony.

       VII. The Lady on the Stairs.

      VIII. Gideon's Fleece.

        IX. The New Road.

         X. Mr. Chase.

        XI. On the Dogger Bank.

       XII. Tony's Inspiration.

      XIII. Tony Stretton returns to Stepney.

       XIV. Tony Stretton pays a Visit to Berkeley Square.

        XV. Mr. Mudge comes to the Rescue.

       XVI. The Foreign Legion.

      XVII. Callon leaves England.

     XVIII. South of Ouargla.

       XIX. The Turnpike Gate.

        XX. Mr. Chase does not answer.

       XXI. Callon redivivus.

      XXII. Mr. Mudge's Confession.

     XXIII. Roquebrune Revisited.

      XXIV. The End of the Experiment.

       XXV. Tony Stretton bids Farewell to the Legion.

      XXVI. Bad News for Pamela.

     XXVII. "Balak!"

    XXVIII. Homewards.

      XXIX. Pamela meets a Stranger.

       XXX. M. Giraud again.

      XXXI. At the Reserve.

     XXXII. Husband and Wife.

    XXXIII. Millie's Story.

     XXXIV. The Next Morning.

      XXXV. The Little House in Deanery Street.

     XXXVI. The End.





                             THE TRUANTS




                              CHAPTER I

             PAMELA MARDALE LEARNS A VERY LITTLE HISTORY


There were only two amongst all Pamela Mardale's friends who guessed
that anything was wrong with her; and those two included neither her
father nor her mother. Her mother, indeed, might have guessed, had she
been a different woman. But she was a woman of schemes and little
plots, who watched with concentration their immediate developments,
but had no eyes for any lasting consequence. And it was no doubt as
well for her peace of mind that she never guessed. But of the others
it was unlikely that any one would suspect the truth. For Pamela made
no outward sign. She hunted through the winter from her home under the
Croft Hill in Leicestershire; she went everywhere, as the saying is,
during the season in London; she held her own in her own world,
lacking neither good spirits nor the look of health. There were,
perhaps, two small peculiarities which marked her off from her
companions. She was interested in things rather than in persons, and
she preferred to talk to old men rather than to youths. But such
points, taken by themselves, were not of an importance to attract
attention.

Yet there were two amongst her friends who suspected: Alan Warrisden
and the schoolmaster of Roquebrune, the little village carved out of
the hillside to the east of Monte Carlo. The schoolmaster was the
nearer to the truth, for he not only knew that something was amiss, he
suspected what the something was. But then he had a certain advantage,
since he had known Pamela Mardale when she was a child. Their
acquaintance came about in the following way--

He was leaning one evening of December over the parapet of the tiny
square beside the schoolhouse, when a servant from the Villa
Pontignard approached him.

"Could M. Giraud make it convenient to call at the villa at noon
to-morrow?" the servant asked. "Madame Mardale was anxious to speak to
him."

M. Giraud turned about with a glow of pleasure upon his face.

"Certainly," he replied. "But nothing could be more simple. I will be
at the Villa Pontignard as the clock strikes."

The servant bowed, and without another word paced away across the
square and up the narrow winding street of Roquebrune, leaving the
schoolmaster a little abashed at his display of eagerness. M. Giraud
recognised that in one man's mind, at all events, he was now set down
for a snob, for a lackey disguised as a schoolmaster. But the moment
of shame passed. He had no doubt as to the reason of the summons, and
he tingled with pride from head to foot. It was his little brochure
upon the history of the village--written with what timidity, and
printed at what cost to his meagre purse!--which had brought him
recognition from the lady of the villa upon the spur of the hill.
Looking upwards he could just see the white walls of the villa
glimmering through the dusk, he could imagine its garden of trim lawns
and dark cypresses falling from bank to bank in ordered tiers down the
hillside.

"To-morrow at noon," he repeated to himself; and now he was seized
with a shiver of fear at the thought of the mistakes in behaviour
which he was likely to make. What if Madame Mardale asked him to
breakfast? There would be unfamiliar dishes to be eaten with
particular forks. Sometimes a knife should be used and sometimes not.
He turned back to the parapet with the thought that he had better,
perhaps, send up a note in the morning pleading his duties at the
school as a reason for breaking his engagement. But he was young, and
as he looked down the steep <DW72> of rock on which the village is
perched, anticipation again got the better of fear. He began to build
up his life like a fairy palace from the foundation of this brief
message.

A long lane of steps led winding down from the square, and his eyes
followed it, as his feet had often done, to the little railway station
by the sea through which people journeyed to and fro between the great
cities, westwards to France and Paris, eastwards to Rome and Italy.
His eyes followed the signal lights towards another station of many
lamps far away to the right, and as he looked there blazed out
suddenly other lights of a great size and a glowing brilliancy, lights
which had the look of amazing jewels discovered in an eastern cave.
These were the lights upon the terrace of Monte Carlo. The
schoolmaster had walked that terrace on his mornings of leisure, had
sat unnoticed on the benches, all worship of the women and their
daintiness, all envy of the men and the composure of their manner. He
knew none of them, and yet one of them had actually sent for him, and
had heard of his work. He was to speak with her at noon to-morrow.

Let it be said at once that there was nothing of the lackey under the
schoolmaster's shabby coat. The visit which he was bidden to pay was
to him not so much a step upwards as outwards. Living always in this
remote high village, where the rock cropped out between the houses,
and the streets climbed through tunnels of rock, he was always
tormented with visions of great cities and thoroughfares ablaze; he
longed for the jostle of men, he craved for other companionship than
he could get in the village wineshop on the first floor, as a fainting
man craves for air. The stars came out above his head; it was a clear
night, and they had never shone brighter. The Mediterranean, dark and
noiseless, swept out at his feet beyond the woods of Cap Martin. But
he saw neither the Mediterranean nor any star. His eyes turned to the
glowing terrace upon his right, and to the red signal-lamps below the
terrace.

M. Giraud kept his engagement punctually. The clock chimed upon the
mantelpiece a few seconds after he was standing in the drawing-room of
the Villa Pontignard, and before the clock had stopped chiming Mrs.
Mardale came in to him. She was a tall woman, who, in spite of her
years, still retained the elegance of her youth, but her face was hard
and a trifle querulous, and M. Giraud was utterly intimidated. On the
other hand, she had good manners, and the friendly simplicity with
which she greeted him began to set him at his ease.

"You are a native of Roquebrune, Monsieur?" said she.

"No, Madame, my father was a peasant at Aigues-Mortes. I was born
there," he replied frankly.

"Yet you write, if I may say so, with the love of a native for his
village," she went on. M. Giraud was on the point of explaining. Mrs.
Mardale, however, was not in the least interested in his explanation,
and she asked him to sit down.

"My daughter, Monsieur, has an English governess," she explained, "but
it seems a pity that she should spend her winters here and lose the
chance of becoming really proficient in French. The cure recommended
me to apply to you, and I sent for you to see whether we could arrange
that you should read history with her in French during your spare
hours."

M. Giraud felt his head turning. Here was his opportunity so long
dreamed of come at last. It might be the beginning of a career--it was
at all events that first difficult step outwards. He was to be the
teacher in appearance; at the bottom of his heart he knew that he was
to be the pupil, he accepted the offer with enthusiasm, and the
arrangements were made. Three afternoons a week he was to spend an
hour at the Villa Pontignard.

"Well, I hope the plan will succeed, said Mrs. Mardale, but she spoke
in a voice which showed that she had no great hopes of success. And as
M. Giraud replied that he would at all events do his best, she
rejoined plaintively--

"It is not of you, Monsieur, that I have any doubts. But you do not
know my daughter. She will learn nothing which she does not want to
learn, she will not endure any governess who is not entirely her
slave, and she is fifteen and she really must learn something."

Pamela Mardale, indeed, was at this time the despair of her mother.
Mrs. Mardale had mapped out for her daughter an ideal career. She was
to be a model of decorum in the Early Victorian style, at once an
ornament for a drawing-room and an excellent housekeeper, and she was
subsequently to make a brilliant marriage. The weak point of the
scheme was that it left Pamela out of the reckoning. There was her
passion for horses for one thing, and her distinct refusal, besides,
to sit quietly in any drawing-room. When she was a child, horses had
been persons to Pamela rather than animals, and, as her conduct
showed, persons preferable by far to human beings. Visitors to the
house under Croft Hill were at times promised a sight of Pamela, and
indeed they sometimes did see a girl in a white frock, with long black
legs, and her hair tumbled all over her forehead, neighing and
prancing at them from behind the gate of the stable yard. But they did
not see her at closer quarters than that, and it was certain that if
by any chance her lessons were properly learnt, they had been learnt
upon the corn-bin in the stables. Portraits of Pamela at the age of
nine remain, and they show a girl who was very pretty, but who might
quite well have been a boy, with a mass of unruly dark hair, a pair of
active dark eyes, and a good-humoured face alertly watching for any
mischief which might come its way.

Something of the troubles which M. Giraud was likely to find ahead of
him Mrs. Mardale disclosed that morning, and the schoolmaster returned
to his house filled with apprehensions. The apprehensions, however,
were not justified. The little schoolmaster was so shy, so timid, that
Pamela was disarmed. She could be gentle when she chose, and she chose
now. She saw, too, M. Giraud's anxiety to justify her mother's choice
of him, and she determined with a sense of extreme virtue to be a
credit to his teaching. They became friends, and thus one afternoon,
when they had taken their books out into the garden of the villa, M.
Giraud confided to her the history of the brochure which had made them
acquainted.

"It was not love for Roquebrune which led me to write it," he said.
"It was, on the contrary, my discontent. I was tortured with longings,
I was not content with the children's lessons for my working hours,
and the wineshop for my leisure. I took long walks over Cap Martin to
Mentone, along the Corniche road to La Turbie, and up Mont Agel. But
still I had my longings as my constant companions, and since
everywhere I saw traces of antiquity, I wrote this little history as a
relief. It kept my thoughts away from the great world."

The garden ran here to a point at the extreme end of that outcropping
spur of rock on which the villa was built. They were facing westwards,
and the sun was setting behind the hills. It lay red upon the
Mediterranean on their left, but the ravine and front was already
dark, and down the hillside the shadows of the trees were lengthening.
At their feet, a long way below, a stream tumbled and roared amongst
the oleanders in the depths of the ravine. Pamela sat gazing
downwards, her lips parted in a smile.

"The great world," she said in a low voice of eagerness. "I wonder
what it's like."

That afternoon marked a distinct step in their friendship, and
thereafter in the intervals of their reading they talked continually
upon this one point they had in common, their curiosity as to the life
of the world beyond their village. But it happened that Pamela did the
greater part of the talking, and one afternoon that fact occurred to
her.

"You always listen now, Monsieur," she said. "Why have you grown so
silent?"

"You know more than I do, Mademoiselle."

"I?" she exclaimed in surprise. "I only know about horses." Then she
laughed. "Really, we both know nothing. We can only guess and guess."

And that was the truth. Pamela's ideas of the world were as visionary,
as dreamlike as his, but they were not his, as he was quick to
recognise. The instincts of her class, her traditions, the influence
of her friends, were all audible in her voice as well as in her words.
To her the world was a great flower garden of pleasure with plenty of
room for horses. To him it was a crowded place of ennobling strife.

"But it's pleasant work guessing," she continued, "isn't it? Then why
have you stopped?"

"I will tell you, Mademoiselle. I am beginning to guess through your
eyes."

The whistle of a train, the train from Paris, mounted through the
still air to their ears.

"Well," said Pamela, with a shrug of impatience, "we shall both know
the truth some time."

"You will, Mademoiselle," said the schoolmaster, suddenly falling out
of his dream.

Pamela looked quickly at him. The idea that he would be left behind,
that he would stay here all his life listening to the sing-song drone
of the children in the schoolroom, teaching over and over again with
an infinite weariness the same elementary lessons, until he became
shabby and worn as the lesson-books he handled, had never struck her
till this moment. The trouble which clouded his face was reflected by
sympathy upon hers.

"But you won't stay here," she said gently. "Oh no! Let me think!" and
she thought with a child's oblivion of obstacles and a child's
confidence. She imparted the wise result of her reflections to M.
Giraud the next afternoon.

He came to the garden with his eyes fevered and his face drawn.

"You are ill?" said Pamela. "We will not work to-day."

"It's nothing," he replied.

"Tell me," said she.

M. Giraud looked out across the