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GOING SOME

A ROMANCE OF STRENUOUS AFFECTION

BY

REX BEACH

SUGGESTED BY THE PLAY BY REX BEACH AND PAUL ARMSTRONG

ILLUSTRATED BY MARK FENDERSON




CHAPTER I

Four cowboys inclined their bodies over the barbed-wire fence
which marked the dividing-line between the Centipede Ranch and
their own, staring mournfully into a summer night such as only
the far southwestern country knows. Big yellow stars hung thick
and low--so low that it seemed they might almost be plucked by an
upstretched hand--and a silent air blew across thousands of open
miles of land lying crisp and fragrant under the velvet dark.

And as the four inclined their bodies, they inclined also their
ears, after the strained manner of listeners who feel anguish at
what they hear. A voice, shrill and human, pierced the night like
a needle, then, with a wail of a tortured soul, died away amid
discordant raspings: the voice of a phonograph. It was their own,
or had been until one overconfident day, when the Flying Heart
Ranch had risked it as a wager in a foot-race with the
neighboring Centipede, and their own man had been too slow. As it
had been their pride, it remained their disgrace. Dearly had they
loved, and dearly lost it. It meant something that looked like
honor, and though there were ten thousand thousand phonographs,
in all the world there was not one that could take its place.

The sound ceased, there was an approving distant murmur of men's
voices, and then the song began:

  "Jerusalem, Jerusalem,
  Lift up your voice and sing--"

Higher and higher the voice mounted until it reached again its
first