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         [Illustration: RAPHAEL SANZIO D' URBINO (BY HIMSELF)
         _Uffizi Gallery, Florence_]



                         Masterpieces of Art



                               RAPHAEL

                   A COLLECTION OF FIFTEEN PICTURES

                    AND A PORTRAIT OF THE PAINTER

                        WITH INTRODUCTION AND

                            INTERPRETATION



                             _EDITED BY_

                           ESTELLE M. HURLL





                         BOSTON AND NEW YORK

                       HOUGHTON MIFFLIN COMPANY

                    The Riverside Press Cambridge


              Copyright, 1899, BY HOUGHTON, MIFFLIN & CO

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PREFACE


The object of this collection of prints is to introduce the student to
Raphael through the pictures which appeal directly to the imagination
with some story interest. With this characteristic as the leading
principle of choice, the variety of subjects is perhaps as wide as the
conditions admit. No attempt is made to represent all the sides of the
painter's art; his portraits are ignored and his Madonnas inadequately
represented, in order to give place to pictures which awaken as many
points of interest as possible. Within these narrow limits Raphael, as
an illustrator and a composer, is even in these few pictures clearly
represented.

Had choice been limited to pictures painted throughout by Raphael
himself, the value of the collection would have been seriously
affected, as some of the master's most interesting works were handed
over to his pupils for execution. Our list, however, contains only
such works as are at this date reckoned indisputably to be from
Raphael's own designs.

The text has only the modest aim of making the pictures intelligible.
Critical explanations are beyond its scope, and historical data are
for the most part relegated to the accompanying tables. The
Introduction is intended for teachers, and contains suggestions for a
comparative study of the pictures which may be carried out at
discretion.

All the reproductions in this book are from photographs made directly
from the original paintings. In order to get the best results a
careful comparison was made of the work of leading photographers. The
photographer of each picture is mentioned in the Table of Contents.

ESTELLE M. HURLL.

NEW BEDFORD, MASS.

June, 1899.

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CONTENTS AND LIST OF PICTURES


PORTRAIT OF RAPHAEL. PAINTED BY HIMSELF. _Frontispiece._
FROM PHOTOGRAPH BY FRATELLI ALINARI.

INTRODUCTION

I.    ON RAPHAEL'S CHARACTER AS AN ARTIST

II.   ON BOOKS OF REFERENCE

III.  HISTORICAL DIRECTORY OF THE PICTURES

IV.   COLLATERAL READING FROM LITERATURE

V.    OUTLINE TABLE OF THE PRINCIPAL EVENTS IN RAPHAEL'S LIFE

VI.   RAPHAEL'S CONTEMPORARIES

I.    THE MADONNA OF THE CHAIR

      PICTURE FROM PHOTOGRAPH BY FRATELLI ALINARI

II.   ABRAHAM AND THE THREE ANGELS

      PICTURE FROM CARBON PRINT BY BRAUN, CLEMENT & CO.

III.  THE MIRACULOUS DRAUGHT OF FISHES

      PICTURE FROM PHOTOGRAPH BY THURSTON THOMPSON

IV.   THE SACRIFICE AT LYSTRA

      PICTURE FROM PHOTOGRAPH BY THURSTON THOMPSON

V.    HELIODORUS DRIVEN FROM THE TEMPLE

      PICTURE FROM PHOTOGRAPH BY FRATELLI ALINARI

VI.   THE LIBERATION OF PETER

      PICTURE FROM PHOTOGRAPH BY FRATRELLI ALINARI

VII.  THE HOLY FAMILY OF FRANCIS I.

      PICTURE FROM CARBON PRINT BY BRAUN, CLEMENT & CO.

VII.  ST. CATHERINE OF ALEXANDRIA

      PICTURE FROM PHOTOGRAPH BY FRANZ HANFSTAENGL

IX.   ST. CECILIA

      PICTURE FROM PHOTOGRAPH BY FRATELLI ALINARI

X.    THE TRANSFIGURATION

      PICTURE FROM PHOTOGRAPH BY FRATELLI ALINARI

XI.   PARNASSUS

      PICTURE FROM PHOTOGRAPH BY FRATELLI ALINARI

XII.  SOCRATES AND ALCIBIADES

      PICTURE FROM PHOTOGRAPH BY GIACOMO BROGI

XIII. THE FLIGHT OF AENEAS

      PICTURE FROM PHOTOGRAPH BY FRATELLI ALINARI

XIV.  ST. MICHAEL SLAYING THE DRAGON

      PICTURE FROM CARBON PRINT BY BRAUN, CLEMENT & CO

XV.   THE SISTINE MADONNA

      PICTURE FROM PHOTOGRAPH BY FRANZ HANFSTAENGL

XVI.  PORTRAIT OF RAPHAEL (_See Frontispiece_)

      PRONOUNCING VOCABULARY OF PROPER NAMES AND FOREIGN WORDS

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INTRODUCTION

I. ON RAPHAEL'S CHARACTER AS AN ARTIST.


No one of