The Railway Children, at least this 1970 movie version written and directed by that long-time British character actor, Lionel Jeffries, is an unmitigated...classic. It tells a childhood story with great simplicity and charm; the sentimentality is muted; the evocation of childhood adventures is involving; and Jeffries brings cleverness and style to his production. The Waterbury family is leading an idyllic life in Edwardian London. The father is prosperous, the mother is beautiful and loving, the children are well-mannered and affectionate, their home is warm and cozy. Then one night during the Christmas holidays two men appear at the doorstep, talk quietly to the father, and then take him away. In a moment the lives of Mrs Waterbury (Dinah Sheridan) and Bobbie, 14 (Jenny Agutter), Phyllis, 12 (Sally Thomsett) and young Peter (Gary Warren), have been changed. Only their fortitude and good spirits are going to see them through. Now teetering into poverty, Mrs. Waterbury takes her children to live in a musty old brick house in the countryside near a rail-line, not too far from a small village with a train station. The children discover the rail and regularly sit on a small hill to wave at the passengers as the train chugs by. One day an old gentleman, going to his business in the city, looks up from his newspaper and finds himself waving back. It's not long before he will play an important part in the story. As time passes, Mrs. Waterbury brings all her love and intelligence to bear on her children. She begins to write stories to earn money. She teaches them their lessons and provides a home of warmth and security for them. The story, however, is about these three children, especially Bobbie. At 14, she is old enough to want to share her mother's worries, yet young enough to enjoy the adventures she has with her sister and brother. They find a poor man at the station who cannot speak English. They discover he is a Russian refugee who no longer knows where his wife and child are. They insist he must come home with them, and their mother takes him in. Before long the children have written a large sign to the old gentlemen on the train asking for his help. They help a young man taking part in a steeplechase who breaks his leg in a train tunnel. Soon, he is at their home recuperating. They decide to have a birthday party for the station master, a man with few friends and several children who is a stickler for his dignity. It's not long before the children help him realize the difference between friendship and charity. In other words, the three children encounter all sorts of problems in their childhood adventures, and manage to be instrumental in seeing that all the problems have happy endings. But what of their own problems? Bobbie finally learns from her mother that her father was taken away because he had been accused of treason, of giving state secrets to the Russians. Will Bobbie be able to find a way to help? Will the old gentleman be something more than simply an old gentleman on a passing train? Will their father's case be reopened? Will there be a happy ending? Jenny Agutter was almost 18 when she filmed her part; she plays the 14-year-old Bobbie with great naturalness and charm. As important as the other players are, especially Dinah Sheridan as the mother, Agutter is the heart of the story. For me, it is Jenny Agutter's talent and Lionel Jeffries' style and restraint that make this movie so memorable. The story's problems come with no serious doubt but that they will be solved. And Jeffries does not just give us an expertly adapted and directed movie, he adds touches that are barely noticed but which charm us. This might include just a split second of a freeze frame as two people talk; or a slow close-up of a small, yellow wildflower in the grass outside Bobbie's home, then a slow pull-back from a yellow oil lamp being turned up inside; or the realization that a delightful interior shot or a view of the green countryside or a look at the train station from a hill...all suddenly recall those charming Edwardian hand-tinted drawings of a perfect by- gone time. Perhaps this gentle story can't compete for the time kids need nowadays to perfect their Nintendo monster-splatting skills. I'm almost positive it would never capture the attention of most of their parents, especially those weaned on Batman and Leone. Still, it's a perfectly put together movie and shouldn't be forgotten. As an aside, 19 years later the story was retold as a television program. This time, Jenny Agutter played the mother.
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