クエリ: If you want it here it is come and get itを歌ったのは誰ですか。
文章: カム・アンド・ゲット・イット (曲) 「カム・アンド・ゲット・イット」または「マジック・クリスチャンのテーマ」(原題 : Come And Get It)は、バッドフィンガーの楽曲である。ポール・マッカートニーが1969年に公開された映画『マジック・クリスチャン』のために書き下ろした楽曲で、プロデュースもマッカートニーが手がけた。1969年12月にシングル盤が発売され、全英シングルチャートで最高位4位を記録した。 マッカートニーによって制作されたデモ音源は、1996年に発売された『ザ・ビートルズ・アンソロジー3』や、2019年に発売された『アビイ・ロード (スーパー・デラックス・エディション)』に収録された。
文章: グループテスト The generality of the theory of group testing lends it to many diverse applications, including clone screening, locating electrical shorts; high speed computer networks; medical examination, quantity searching, statistics; machine learning, DNA sequencing; cryptography; and data forensics. This section provides a brief overview of a small selection of these applications. A multiaccess channel is a communication channel that connects many users at once. Every user can listen and transmit on the channel, but if more than one user transmits at the same time, the signals collide, and are reduced to unintelligible noise. Multiaccess channels are important for various real-world applications, notably wireless computer networks and phone networks. A prominent problem with multiaccess channels is how to assign transmission times to the users so that their messages do not collide. A simple method is to give each user their own time slot in which to transmit, requiring n {\displaystyle n} slots. (This is called time division multiplexing, or TDM.) However, this is very inefficient, since it will assign transmission slots to users that may not have a message, and it is usually assumed that only a few users will want to transmit at any given time otherwise a multiaccess channel is not practical in the first place. 文章: 宇乃かつを 作曲・編曲・演奏 文章: 諭諸裨将檄文 You have served in the army under my orders for a long time. When you needed clothing, I clothed you; when you lacked rice, I fed you; when your rank was too low, I promoted you; when your pay was insufficient, I increased it. If you had to travel by water, I supplied you with vessels; if you had to travel by land, I supplied you with horses. In time of war, we shared the same dangers; at the banquet table our laughter resounded in unison. Indeed, even Wang Gong Jian and Uriyangqatai did not show more solicitude for their officers than I have displayed for you. And now, you remain calm when your emperor is humiliated; you remain indifferent when your country is threatened! You, officers, are forced to serve the barbarians and you feel no shame! You hear the music played for their ambassadors and you do not leap up in anger. No, you amuse yourselves at the cockfights, in gambling, in the possession of your gardens and rice fields, and in the tranquility of family life. The exploitation of your personal affairs makes you forget your duties to the State; the distractions of the fields and of the hunt make you neglect military exercises; you are seduced by liquor and music. If the enemy comes, will your cocks' spurs be able to pierce his armor? Will the ruses you use in your games of chance be of use in repulsing him? Will the love of your wives and children be of any use in the Army? Your money would neither suffice to buy the enemy's death, your alcohol to besot him, nor your music to deafen him. All of us, you and I together, would then be taken prisoner. What grief! And not only would I lose my fief, but your property too would fall into enemy hands. It would not be my family alone that would be driven out, but your wives and children would also be reduced to slavery. It would not be only the graves of my ancestors that would be trampled under the invader's heel, but those of your ancestors would also be violated. I would be humiliated in this life and in a hundred others to come, and my name would be ignominiously tarnished. Your family's honor would also be sullied forever with the shame of your defeat. Tell me: Could you then indulge yourselves in pleasures? 文章: up カナ表記 ウ IPA: /up/, [up] up 白子。 古英語 upp< ゲルマン祖語 *up- (イギリス英語) enPR: p, IPA(?): /p/[p], X-SAMPA: /Vp/ (アメリカ英語) enPR: p, IPA: /p/, X-SAMPA: /Vp/ 発音(米) : (東部オーストラリア) IPA: /ap/, X-SAMPA: /a/ up (比較形なし) 上の方へ。 高い方へ。 立てて。 起こして。 上流へ。 奥地へ。 北へ。 都会へ。 中心地へ。 近づいて。 上がって。 勢いよく。 活発に。 元気に。 完全に~し尽くして。 全部で。 down upon upper uppity upto upward upwards all it's cracked up to be back up/backup bottoms up bottom-up blow up break up buck up build up burn up clog up cloud up clean up clear up close up crack up cut up double up dress up dry up eat up finish up gang up gang up on go up kick up knock up lash up let up look up/lookup muck up one-up one-upmanship open up polish up run up/runup runner up shake up shoot up show up shut up stir up stop up turn up up to up to it up to you use up walkup wet up work up write up up 上がって。 登って。 The cat went up the tree. The cat went up the tree. ~の上の方に。 ~に沿って。 down 動詞句は、必ず後続詞を伴う(他動詞的)。 give up pick up put up ring up take up throw up up a creek up someone's alley up (比較形なし) 上方への。 終わって。 Time is up! Time is up! 尽きて。 勝ち越して。 (情報技術) 作動して。 Is the server back up? Is the server back up? 起きている。 I can’t believe it’s 3 a.m. and you’re still up. I can’t believe it’s 3 a.m. and you’re still up. 上機嫌の、陽気な。 I’m feeling up today. I’m feeling up today. 活発な。 興奮している。 down upside know which end is up up and running up for grabs up (一般には不可算; 複数 ups) 上昇。 値上がり 上り坂。 向上。 出世。 繁栄。 幸運。 down ups and downs up 立て。 がんばれ。 up (三単現: ups, 現在分詞: upping, 過去形: upped, 過去分詞: upped ) (他動詞, 口語) 増やす、(値段など)引き上げる。 If we up the volume, we'll be able to make out the details. If we up the volume, we'll be able to make out the details. (他動詞, 米, 口語) 助長する、昇進させる。 It wasn’t long before they upped him to Vice President. It wasn’t long before they upped him to Vice President. (他動詞, 米, 口語) (薬物等で)興奮させる。 (自動詞) 急に~する。 He just upped and quit. He upped and punched that guy. He just upped and quit. He upped and punched that guy. (語義1): turn up upper up and up and go up and leave 文章: 長大語 The Boy Bands Have Won, and All the Copyists and the Tribute Bands and the TV Talent Show Producers Have Won, If We Allow Our Culture to Be Shaped by Mimicry, Whether from Lack of Ideas or From Exaggerated Respect. You Should Never Try to Freeze Culture. What You Can Do Is Recycle That Culture. Take Your Older Brother's Hand-Me-Down Jacket and Re-Style It, Re-Fashion It to the Point Where It Becomes Your Own. But Don't Just Regurgitate Creative History, or Hold Art and Music and Literature as Fixed, Untouchable and Kept Under Glass. The People Who Try to 'Guard' Any Particular Form of Music Are, Like the Copyists and Manufactured Bands, Doing It the Worst Disservice, Because the Only Thing That You Can Do to Music That Will Damage It Is Not Change It, Not Make It Your Own. Because Then It Dies, Then It's Over, Then It's Done, and the Boy Bands Have Won. インドで2010年に出版された書籍に、1086単語・5633文字のタイトルのものが存在する。 小説『ロビンソン・クルーソー』の原題は、 文章: 白ワイン "I come to the wedding of my sister Annette And, when the champagne is flowing, I could not hold you, I am tipsy, and I pinched my little tuft. I feel flageoler I feel my legsM I have the heart guil'ret, the pleasing air I am ready to cavort When I drank Moet et Chandon". 1926年には、Hubert Lapaireの曲 "ソーヴィニヨン"のように、いくつかの品種が歌のなかに登場するものもある。 "I dounn'rais the burgundy vou the Burgundian And all your sacred champagne wines for a little keg of sauvignon Who gilds the cotiau of nout campaign It is v'louteux it is blondin It is of the little wine franch'ment kind ... If bin before St. Martin J'mettrons the throat under the champ'lure" 文章: 金塊和歌集 もしかして 金槐和歌集 ではありませんか? 文章: Zachmanフレームワーク Eventually the cells with the detailed representation give Rules detail for (Why); Process detail for (How); Data detail for (What); Role detail for (Who); Location detail for (Where); and Event detail for (When). There is a sixth row in the current Zachman framework, but it is not used for enterprise architecture while the enterprise is described by rows one to six, enterprise architecture uses only rows one to five, thus only five rows are shown here. Since the product development (i.e., architectural artifact) in each cell or the problem solution embodied by the cell is the answer to a question from a perspective, typically, the models or descriptions are higher-level depictions or the surface answers of the cell. The refined models or designs supporting that answer are the detailed descriptions within the cell. Decomposition (i.e., drill down to greater levels of detail) takes place within each cell. If a cell is not made explicit (defined), it is implicit (undefined). If it is implicit, the risk of making assumptions about these cells exists. If the assumptions are valid, then time and money are saved. If, however, the assumptions are invalid, it is likely to increase costs and exceed the schedule for implementation. 文章: had better 'd better had better (口語) (特定の状況下における忠告や意見表明) ~した方がいい。 You had better finish that homework on time, if you want to get a good grade. 良い成績がほしいなら、宿題は期限通りに済ませたほうが良い。 "Will we get it finished?" / "We had better." 「それ完成させられるかな」「そうしないとね」 The project had better get finished by the current deadline. その企画は現在の締め切りまでに終わらせたほうがいい。 You had better finish that homework on time, if you want to get a good grade. 良い成績がほしいなら、宿題は期限通りに済ませたほうが良い。 "Will we get it finished?" / "We had better." 「それ完成させられるかな」「そうしないとね」 The project had better get finished by the current deadline. その企画は現在の締め切りまでに終わらせたほうがいい。 (口語) (一種の脅迫) ~しないと大変なことになる、~せよ。 "I'll pay you back tomorrow." / "You'd better!" 「お金は明日返します」「絶対に返せよ」 "You'd better not do that again." 二度とやるんじゃないぞ。 "I'll pay you back tomorrow." / "You'd better!" 「お金は明日返します」「絶対に返せよ」 "You'd better not do that again." 二度とやるんじゃないぞ。 しばしば、hadは、'dに変えられるか、略される。 had betterが含まれた文は、イントネーションによって意味合いが変わる。 You had better obey him.() 彼には従った方がいいぞ。 You had better obey him.() ぐずぐずしないでさっさと彼に従え。 had best should 文章: & (シングル) 全曲作詞:ayumi hamasaki 文章: 是永巧一 作曲/編曲/プロデュース レコーディング参加 文章: 30~トリビュート・コンサート (アルバム) ビデオも、同時期に発売され、"Gotta Serve Somebody", "War", "Boots of Spanish Leather", "Love Minus Zero/No Limit"が追加収録。リハーサル風景の抜粋も収録され本演奏されることのなかった"It Takes A Lot To Laugh, It Takes A Train To Cry", "I Believe In You"などが垣間見える。ただし、テレビ放送された"Wanted Man", "I Want You", "If Not For You","Song To Woody"は未収録。また、ハウスバンドによるオープニングアクトの"Lay Lady Lay","From A Buick 6", "See That My Grave Is Kept Clean"も未収録。CD、ビデオともに容量の制約により若干、曲順が変えられている。 「北国の少女」の原題 "Girl From the North Country" はこのアルバムに限り、"Girl of the North Country" と表記されている。 PVとして"My Back Pages"が作られたが、ディランが元メロディを崩して歌い出すとトム・ペティとG. E. スミスが顔を見合わせ苦笑いする場面が観客の場面に差し替えられている。 文章: here IPA: /h(r)/ here 不可算 ここ。 現時点。 現世。 ここで、ここに You mustn't play here. - ここで遊んではいけません。 Please come here at nine tomorrow. - 明日、九時にここに来てください。 Here is ~ - ここに~があります。 You mustn't play here. - ここで遊んではいけません。 Please come here at nine tomorrow. - 明日、九時にここに来てください。 Here is ~ - ここに~があります。 現時点で。いま。そろそろ。もはや。 この点に関して。この場合に。 私に関して。 Same here. - 私もそうです。 Same here. - 私もそうです。 現世で。 Here it is Here I am Here you are Here we are Here we go (人にものを差し出す際に)ほら。はいどうぞ。 (人の注意を引く際に)ねえ。おい。 (点呼で)はい。 IPA(?): /hr/ 分綴: here ウラル祖語 *kojera「雄の動物」 マンシ語 χr (χr). here (複数・主格 herk) (解剖学) 睾丸、精巣。 雄蜂。 (軽侮語) 怠け者、浮浪者、居候。 herj herl herezacsk lhere「クローバー」 を省略 < l「馬」 + here「睾丸」 (刃の形状が似ていることから) here (複数・主格 herk) (民俗的) クローバー。 eperhere farkashere tarlhere apr here arany here bbor here egyvirg here erdei here fehr here fldbenterm here havasi here hlyagos here lndzss here magyar here pusztai here rti here svos here sudr here sziki here tavaszi here 十月。 heriの属格形。 文章: トーマス・C・カンサ Each home was used as a learning place. I made it my obligation to sit and have coffee with the volunteers and homeowners and get them to tell us about their personal experience during and after the tsunami. These coffee sessions brought the volunteers and families closer together. Their stories are not written anywhere, which is why it was important that we have an oral history lesson. It marked the first time that volunteers and experienced volunteers were exposed to a personal relationship. I encouraged the volunteers to write a thank you card to the people that were kind enough to let us into their homes and to share their experiences. I feel that I have changed and this experience has helped me revalue my own life. The people were magical. There was no grabbing of things nor any looting. It was always, “You first, please!” Even when food was distributed, it was organised in a disciplined manner. I was highly impressed by the way people were able to team up and keep their spirits up. There was no running water, no gas and no electricity, but the human spirit was there in abundance. I was prepared for a chaotic situation but, to my surprise, no shops were looted and people shared what little they had. There was no fussing and waiting for handouts. People of all ages were engaged in helping each other. Everyone helped those that were weaker. I witnessed this without fail everyday. When I first came in by bus, the roads were severely damaged however, seven days later these roads were as good as new - kilometer after kilometer. This is a lesson other countries should learn. The local government, the private sector and the unions worked hand-in-hand to get things done. Please do not get the impression that all was 100% and in some instances some thing were too slow for my liking. But I have to give them the benefit of the doubt under the circumstanes. The strong work ethic of all the people may be one of the reasons why so much progress was made in such a short time. 文章: flea fle も参照。 古英語 flah, fla IPA: /fli/, SAMPA: /fli:/ 同音異義: flee flea (複数 fleas) ノミ。 Come here and get rid of this flea on my chest. It's driving me crazy! (Ruth Stiles Gannett. "My Father's Dragon")〔1948年〕 ここに来ておれの胸にいるノミを取り除け。こいつのせいで気が狂いそうだ! Come here and get rid of this flea on my chest. It's driving me crazy! (Ruth Stiles Gannett. "My Father's Dragon")〔1948年〕 ここに来ておれの胸にいるノミを取り除け。こいつのせいで気が狂いそうだ! flea market sand flea sand fly sandfly ↑ Ruth Stiles Gannett. "My Father's Dragon". 1948. Random House. (Project Gutenberg. September 18, 2009. http://www.gutenberg.org/files/30017/30017-h/30017-h.htm)