クエリ: all in the familyでmeathead を演じたのは誰か
文章: オール・イン・ザ・ファミリー オール・イン・ザ・ファミリー(英語: All in the Family)は1971年から1979年にアメリカのCBSで9期に分けて放映されていたシチュエーション・コメディのテレビシリーズである。放送終了後の1979年から1983年まではスピン・オフ作品として続編となる『アーキー・バンカーズ・プレイス』が4期に分けて放映された。 本作はイギリスのシチュエーション・コメディである『ティル・デス・ドゥ・アス・パート』を元にして、ノーマン・リアとバッド・ヨーキンにより制作された。主演はキャロル・オコナー、ジーン・ステイプルトン、サリー・ストラザース、ロブ・ライナー。 労働者階級の父親と彼の家族を中心に物語が展開する。アメリカのテレビネットワークでのコメディとしては従来不適切とされていた題材を取り扱ったことで、画期的な番組となった。取り扱った題材には人種主義、反ユダヤ主義、不貞、同性愛、女性解放運動、レイプ、宗教、流産、妊娠中絶、乳がん、ベトナム戦争、更年期障害、勃起不全などがある。シチュエーション・コメディにこのような物議をかもすような問題を描いたことで、劇的な場面や現実的で時事的な対立が描きこまれるようになり、最も影響力のあるコメディ番組の1つとなった。 オール・イン・ザ・ファミリーはタイム誌の「全期間のテレビ・ショー100選」(All-TIME 100 TV Shows)の1つにも選ばれている。 第1期は視聴が低調であったが、第1期の再放送ではアメリカ合衆国での視聴が好調であった。そして、1971年から1976年まで5年連続でニールセン視聴率で第1位となった。ニールセン視聴率の1位を5年連続で飾るのは全米史上初めてのことであった。 シーズン2の第22話の"Sammy's Visit"はTV Guideの全期間における偉大なエピソード100選の1つに選ばれ、オール・イン・ザ・ファミリー自体もTV Guideの全期間のテレビショー50選の1つに選ばれている。2013年には全米脚本家組合はオール・イン・ザ・ファミリーをテレビシリーズ史上4番目に優れた脚本と評している。
文章: ふたりだけの窓 『ふたりだけの窓』(英語: The Family Way、The Family Way (Original Soundtrack Album))は、1966年に公開された同名映画のサウンドトラック。イギリスでは1967年1月6日、アメリカでは1967年6月12日に発売された。 プロデュースと編曲はジョージ・マーティンが担当しており、アーティスト名は「ジョージ・マーティン・オーケストラ」とクレジットされている。1966年12月23日にA面に「Love in the Open Air」、B面に「Theme from 'The Family Way'」を収録した7インチシングル盤が発売された。 本作は、1967年にアイヴァー・ノヴェロ賞を受賞。 文章: proverbial proverbial (比較級 more proverbial, 最上級 most proverbial) 諺の。 有名な、言い古された。 I grew up in a prefab house on Main Street in 1950s suburbia, the second and last child of a proverbial nuclear family. 私は、1950年代の郊外の大通りの建売住宅に、いわゆる核家族の2番目の子で末っ子として成長した。 I grew up in a prefab house on Main Street in 1950s suburbia, the second and last child of a proverbial nuclear family. 私は、1950年代の郊外の大通りの建売住宅に、いわゆる核家族の2番目の子で末っ子として成長した。 proverbial (複数 proverbials) (婉曲) 特定の状況で容認できない可能性のある語句を置き換えるための言葉。 I think we should be prepared in case the proverbial hits the fan. 私は、(とある卑俗語)騒動になったときに備えておくべきと考える。(「shit」の代替語として用いられている) I think we should be prepared in case the proverbial hits the fan. 私は、(とある卑俗語)騒動になったときに備えておくべきと考える。(「shit」の代替語として用いられている) (婉曲) 鼠径部又は睾丸。 文章: ハウス・オブ・フレーザー In 1985 the Al Fayed family bought the business for £615 million. The Al Fayeds supported the continuing expansion of the company and replaced the stag's head logo with a stag leaping from a green triangle with shop signs of this period using a double layered san serif typeface. In 1988, a five year strategic business plan was announced which saw a rationalisation of stores. Small branches were to be relinquished and replaced with larger units. In September 1990, two new department stores were opened, a House of Fraser in the Meadowhall Shopping Centre in Sheffield, and Schofields in Leeds. In 1991, a new House of Fraser store was opened at the Lakeside Shopping Centre in West Thurrock, Essex. In 1994, before House of Fraser plc was relisted on the London Stock Exchange, Harrods was moved out of the group so that it could remain under the private ownership of the Al Fayed family. John Coleman, who was appointed chief executive of the House of Fraser Group in 1996, launched the Linea brand in 1997 and Platinum and Fraser the following year. The House of Fraser logo was revised in 1996 with the leaping stag now going over an "F" shadow and shop signs using a serif typeface. There were many store closures in this period which included the closure or selling off of branches in locations including Sheffield (House of Fraser), Newcastle (Binns), Sunderland (Binns), Bradford (Rackhams) and Leeds (Schofields which had closed only six years after opening although House of Fraser continued to have a presence with their Rackhams (now House of Fraser store) in the city) with the loss of around 1,000 jobs. 文章: 国際連合安全保障理事会決議307 2. Calls upon all Member States to refrain from any action which may aggravate the situation in the subcontinent or endanger international peace; 3. Calls upon all those concerned to take all measures necessary to preserve human life and for the observance of the Geneva Conventions of 1949 and to apply in full their provisions as regards the protection of the wounded and sick, prisoners of war and civilian population; 4. Calls for international assistance in the relief of suffering and the rehabilitation of refugees and their return in safety and dignity to their homes, and for full cooperation with the Secretary General to that effect; 文章: トレヴァー・モーガン モーガンははじめマクドナルドなど幾つかのCMに登場した。彼は長編特作映画『The Family Plan』で初めてブレイクし、『Barney's Great Adventure』へ出演した。『リメンバー・エイプリル』で主役を演じた。共演したハーレイ・ジョエル・オスメントはその後『シックス・センス』で主役を演じ、モーガンは今度はいじめっ子を演じた。 『パトリオット』のために子役を数人探していたメル・ギブソンはモーガンを見て、彼に映画のオーディションを受けるように勧めた。 モーガンは『ジュラシック・パークIII』と『グラスハウス』に出演した。その間テレビドラマ『Empire Falls』や『さよなら、僕らの夏』、『Off the Black』、『Local Color』、野球映画『Chasing 3000』に登場。テレビシリーズの『ER緊急救命室』の五話でがん患者を演じた。この役で1998年の全米映画俳優組合賞を主演たちと一緒に受賞した。テレビでの出演はディズニーのテレビ映画『Genius』やバイアコム/ショウテレビの『In the Dog House』、CBSの『Touched by an Angel』、20世紀フォックスの『Fire Co. 132』、ABCの『Missing Persons』がある。 文章: 若草の頃 万国博を翌年に控え、皆が浮き足立っているような1903年夏のセントルイス。父アロンゾ(レオン・エイムズ)、母アンナ(メアリー・アスター)とローズ(ルシル・ブレマー)、エスター、アグネス、トゥーティの4人娘と長男ロン・ジュニア(ヘンリー・H・ダニエル・ジュニア)が暮らす中流階級のスミス一家。次女エスター(ジュディ・ガーランド)は隣家に住むジョン・トゥルーイット(トム・ドレイク)を想っていたが、彼は彼女に気付かない。ウォーレン・シェフィールド(ロバート・サリー)からのプロポーズを望む長女ローズは彼からの電話を待っていたのだが、ウォーレンは相変わらず煮え切らない。 大学進学で家を離れるロンを壮行するパーティでエスターはようやくジョンと知り合うことができ、全ての客が帰った後に2人きりになると、エスターはジョンに家中のガス灯を消す手伝いを頼み、2人はロマンチックな雰囲気になりかけたが、ジョンの無神経な言葉で台無しとなる。 ハロウィンの日、トゥーティ(マーガレット・オブライエン)は怪我をして帰宅し、ジョンにやられたと語る。隣家へ走ったエスターはジョンに殴りかかり、貶す。エスターが帰宅すると、実はトゥーティとアグネス(ジョーン・キャロル)が危険な悪ふざけをして警察に捕まりそうになったところをジョンに助けられたのだと反省することなく語る。真実を知ったエスターはすぐに隣家のジョンを訪ねて謝罪をし、2人は初めてのキスをする。 文章: リチャード・ウィーバー Nominalism also undermines the concept of hierarchy, which depends entirely on fundamental truths about people. Weaver, in contrast, believed that hierarchies are necessary. He argued that social, gender, and age-related equality actually undermine stability and order. Believing in "natural social groupings". he claimed that it should be possible to sort people into suitable categories without the envy of equality. Using the hierarchical structure of a family as an example, he thought that family members accept various duties grounded in "sentiment" and "fraternity," not equality and rights. Continuing in this direction, he claimed not to understand the feminist movement, which led women to abandon their stronger connection to nature and intuition for a superficial political and economic equality with men. Weaver maintained that egalitarianism only promoted "[s]uspicion, hostility, and lack of trust and loyalty". Instead, he believed that there must be a center, a transcendent truth on which people could focus and structure their lives. Contrary to what nominalism would suggest, language can be pinned down, can serve as a foundation through which one can "find real meaning". So, those who do not understand language can never find real meaning, which is inordinately tragic. In Weaver's words, "a world without generalization would be a world without knowledge". Thus universals allow true knowledge. In The Ethics of Rhetoric, Weaver evaluates the ability of rhetoric to persuade. Similarly to ancient philosophers, Weaver found that language has the power to move people to do good, to do evil, or to do nothing at all. In his defense of orthodoxy, Weaver set down a number of rhetorical principles. He grounded his definition of "noble rhetoric" in the work of Plato; such rhetoric aimed to improve intellect by presenting men with "better versions of themselves". He also agreed with Plato's notions of the realities of transcendentals (recall Weaver's hostility to nominalism) and the connection between form and substance. For instance, Weaver admired the connection between the forms of poetry and rhetoric. Like poetry, rhetoric relies on the connotation of words as well as their denotation. Good rhetoricians, he asserted, use poetic analogies to relate abstract ideas directly to the listeners. Specifically emphasizing metaphor, he found that comparison should be an essential part of the rhetorical process. However, arguments from definitionthat is, from the very nature of things (justice, beauty, the nature of man) -- had an even higher ethical status, because they were grounded in essences rather than similarities. Arguments grounded in mere circumstance ("I have to quit school because I cannot afford the tuition") Weaver viewed as the least ethical, because they grant the immediate facts a higher status than principle. Finally, Weaver pointed out that arguments from authority are only as good as the authority itself. 文章: 第3軍に対するパットンの演説 Be seated. Men, all this stuff you hear about America not wanting to fight, wanting to stay out of the war, is a lot of bullshit. Americans love to fight. All real Americans love the sting and clash of battle. When you were kids, you all admired the champion marble shooter, the fastest runner, the big-league ball players and the toughest boxers. Americans love a winner and will not tolerate a loser. Americans play to win all the time. That's why Americans have never lost and will never lose a war. The very thought of losing is hateful to Americans. Battle is the most significant competitions in which a man can indulge. It brings out all that is best and it removes all that is base. You are not all going to die. Only two percent of you right here today would be killed in a major battle. Every man is scared in his first action. If he says he's not, he's a goddamn liar. But the real hero is the man who fights even though he's scared. Some men will get over their fright in a minute under fire, some take an hour, and for some it takes days. But the real man never lets his fear of death overpower his honor, his sense of duty to his country, and his innate manhood. All through your army career you men have bitched about what you call 'this chicken-shit drilling.' That is all for a purposeto ensure instant obedience to orders and to create constant alertness. This must be bred into every soldier. I don't give a fuck for a man who is not always on his toes. But the drilling has made veterans of all you men. You are ready! A man has to be alert all the time if he expects to keep on breathing. If not, some German son-of-a-bitch will sneak up behind him and beat him to death with a sock full of shit. There are four hundred neatly marked graves in Sicily, all because one man went to sleep on the jobbut they are German graves, because we caught the bastard asleep before his officer did. An army is a team. It lives, eats, sleeps, and fights as a team. This individual hero stuff is bullshit. The bilious bastards who write that stuff for the Saturday Evening Post don't know any more about real battle than they do about fucking. And we have the best teamwe have the finest food and equipment, the best spirit and the best men in the world. Why, by God, I actually pity these poor bastards we're going up against. All the real heroes are not storybook combat fighters. Every single man in the army plays a vital role. So don't ever let up. Don't ever think that your job is unimportant. What if every truck driver decided that he didn't like the whine of the shells and turned yellow and jumped headlong into a ditch? That cowardly bastard could say to himself, 'Hell, they won't miss me, just one man in thousands.' What if every man said that? Where in the hell would we be then? No, thank God, Americans don't say that. Every man does his job. Every man is important. The ordnance men are needed to supply the guns, the quartermaster is needed to bring up the food and clothes for us because where we are going there isn't a hell of a lot to steal. Every last damn man in the mess hall, even the one who boils the water to keep us from getting the GI shits, has a job to do. Each man must think not only of himself, but think of his buddy fighting alongside him. We don't want yellow cowards in the army. They should be killed off like flies. If not, they will go back home after the war, goddamn cowards, and breed more cowards. The brave men will breed more brave men. Kill off the goddamn cowards and we'll have a nation of brave men. One of the bravest men I saw in the African campaign was on a telegraph pole in the midst of furious fire while we were moving toward Tunis. I stopped and asked him what the hell he was doing up there. He answered, 'Fixing the wire, sir.' 'Isn't it a little unhealthy up there right now?' I asked. 'Yes sir, but this goddamn wire has got to be fixed.' I asked, 'Don't those planes strafing the road bother you?' And he answered, 'No sir, but you sure as hell do.' Now, there was a real soldier. A real man. A man who devoted all he had to his duty, no matter how great the odds, no matter how seemingly insignificant his duty appeared at the time. And you should have seen the trucks on the road to Gabs. Those drivers were magnificent. All day and all night they crawled along those son-of-a-bitch roads, never stopping, never deviating from their course with shells bursting all around them. Many of the men drove over 40 consecutive hours. We got through on good old American guts. These were not combat men. But they were soldiers with a job to do. They were part of a team. Without them the fight would have been lost. Sure, we all want to go home. We want to get this war over with. But you can't win a war lying down. The quickest way to get it over with is to get the bastards who started it. We want to get the hell over there and clean the goddamn thing up, and then get at those purple-pissing Japs. The quicker they are whipped, the quicker we go home. The shortest way home is through Berlin and Tokyo. So keep moving. And when we get to Berlin, I am personally going to shoot that paper-hanging son-of-a-bitch Hitler. When a man is lying in a shell hole, if he just stays there all day, a Boche will get him eventually. The hell with that. My men don't dig foxholes. Foxholes only slow up an offensive. Keep moving. We'll win this war, but we'll win it only by fighting and showing the Germans that we've got more guts than they have or ever will have. We're not just going to shoot the bastards, we're going to rip out their living goddamned guts and use them to grease the treads of our tanks. We're going to murder those lousy Hun cocksuckers by the bushel-fucking-basket. Some of you men are wondering whether or not you'll chicken out under fire. Don't worry about it. I can assure you that you'll all do your duty. War is a bloody business, a killing business. The Nazis are the enemy. Wade into them, spill their blood or they will spill yours. Shoot them in the guts. Rip open their belly. When shells are hitting all around you and you wipe the dirt from your face and you realize that it's not dirt, it's the blood and gut of what was once your best friend, you'll know what to do. I don't want any messages saying 'I'm holding my position.' We're not holding a goddamned thing. We're advancing constantly and we're not interested in holding anything except the enemy's balls. We're going to hold him by his balls and we're going to kick him in the ass; twist his balls and kick the living shit out of him all the time. Our plan of operation is to advance and keep on advancing. We're going to go through the enemy like shit through a tinhorn. There will be some complaints that we're pushing our people too hard. I don't give a damn about such complaints. I believe that an ounce of sweat will save a gallon of blood. The harder we push, the more Germans we kill. The more Germans we kill, the fewer of our men will be killed. Pushing harder means fewer casualties. I want you all to remember that. My men don't surrender. I don't want to hear of any soldier under my command being captured unless he is hit. Even if you are hit, you can still fight. That's not just bullshit either. I want men like the lieutenant in Libya who, with a Luger against his chest, swept aside the gun with his hand, jerked his helmet off with the other and busted the hell out of the Boche with the helmet. Then he picked up the gun and he killed another German. All this time the man had a bullet through his lung. That's a man for you! Don't forget, you don't know I'm here at all. No word of that fact is to be mentioned in any letters. The world is not supposed to know what the hell they did with me. I'm not supposed to be commanding this army. I'm not even supposed to be in England. Let the first bastards to find out be the goddamned Germans. Some day, I want them to rise up on their piss-soaked hind legs and howl 'Ach! It's the goddamned Third Army and that son-of-a-bitch Patton again!' Then there's one thing you men will be able to say when this war is over and you get back home. Thirty years from now when you're sitting by your fireside with your grandson on your knee and he asks, 'What did you do in the great World War Two?' You won't have to cough and say, 'Well, your granddaddy shoveled shit in Louisiana.' No sir, you can look him straight in the eye and say 'Son, your granddaddy rode with the great Third Army and a son-of-a-goddamned-bitch named George Patton! All right, you sons of bitches. You know how I feel. I'll be proud to lead you wonderful guys in battle any time, anywhere. That's all. 文章: エリノア・ドナヒュー エリノア・ドナヒューはアメリカ合衆国の女優。生まれつきの赤い髪で、シットコム『パパは何でも知っている』でロバート・ヤングの長女役で人気のあったエリザベス・アンダーソン(ベティ)役で知られる。このドラマで知り合ったプロデューサーのハリー・アッカーマンと結婚し、彼が亡くなる1991年まで婚姻関係は約30年続いた。2人の間にはピーター、ジェイムス、クリストファーの3人の子供がいる。 文章: イン・ザ・スープ 『イン・ザ・スープ』(In the Soup)は、アメリカの1992年のインディペンデント映画。性格俳優で名バイプレーヤーのスティーヴ・ブシェミ主演によるコメディ作品である。『フラッシュダンス』のジェニファー・ビールスの夫アレクサンダー・ロックウェルが監督で、ビールスも出演。サンダンス映画祭で好評を博した。 文章: say AHD: s IPA: /se/ SAMPA: /seI/ say (三単現: says, 現在分詞: saying, 過去形: said, 過去分詞: said ) 言う、話す。 Please say your name slowly and clearly. ゆっくり、はっきりと名前を言ってください。 He said he would be here tomorrow. 彼は明日ここに来ると言った。 Please say your name slowly and clearly. ゆっくり、はっきりと名前を言ってください。 He said he would be here tomorrow. 彼は明日ここに来ると言った。 指し示す。意味する。書いてある。 The sign says it's 50 kilometres to Paris. 標識にはここからパリまで50kmとある。 The sign says it's 50 kilometres to Paris. 標識にはここからパリまで50kmとある。 (命令形で)仮定する。仮に~とすれば。 A holiday somewhere warm Florida, say would be nice. 休日はどこか暖かい場所、たとえばフロリダなんかよさそうだね。 Say he refuses. What do we do then? もし断られたらどうする。 Say your family is starving and you don't have any money, is it okay to steal some food? 家族が餓死寸前で金もないとしたら、食べ物を盗んでもかまわないのか。 A holiday somewhere warm Florida, say would be nice. 休日はどこか暖かい場所、たとえばフロリダなんかよさそうだね。 Say he refuses. What do we do then? もし断られたらどうする。 Say your family is starving and you don't have any money, is it okay to steal some food? 家族が餓死寸前で金もないとしたら、食べ物を盗んでもかまわないのか。 ~が賭けられる。~を賭けてもいい。 2005, Ian McEwan, Saturday, page 192:My fifty pounds says three months after the invasion there'll be a free press in Iraq, and unmonitored internet access too.侵攻から3か月後にはイラクで報道の自由、それにインターネットの無検閲利用が実現する方に50ポンド賭けるよ。 2005, Ian McEwan, Saturday, page 192:My fifty pounds says three months after the invasion there'll be a free press in Iraq, and unmonitored internet access too.侵攻から3か月後にはイラクで報道の自由、それにインターネットの無検閲利用が実現する方に50ポンド賭けるよ。 speak tell say (複数 says) 意見。言い分 発言の機会 say 質問やお願いを言う前に、注意を引くために言う言葉。なあ。ねえ。ちょっと。あのう。 I’ve had you in my mind all this week when things got troublesome. Say, will you do me a good turn? (John Buchan. "The Thirty-nine Steps")〔1915年〕 事態が面倒になった今週、あなたのことがずっと頭にあったんだ。あのう、お願いを聞いてもらえませんか? I’ve had you in my mind all this week when things got troublesome. Say, will you do me a good turn? (John Buchan. "The Thirty-nine Steps")〔1915年〕 事態が面倒になった今週、あなたのことがずっと頭にあったんだ。あのう、お願いを聞いてもらえませんか? たとえば。おおよそ。 hey ↑ John Buchan. "The Thirty-nine Steps". 1915. (Project Gutenberg. Release Date: June, 1996. Last updated: October 30, 2018. http://www.gutenberg.org/files/558/558-h/558-h.htm) このページはスタブ(書きかけ)です。このページを加筆して下さる協力者を求めています。 文章: アラン・メルヴィン 1980年代初頭、『オール・イン・ザ・ファミリー』の続編『Archie Bunker's Place 』でバーニー・ヘフナー役でさらに重要な役どころとなりレギュラー出演。1983年にこの番組は終わるとアニメの声優に専念するようになった。 2008年1月17日、癌により84歳で死去。 文章: The World Vale Tudo Championship In WVC IV, Lapenda’s card hosted the biggest revenge bout between Brazilian Vale Tudo rivalry, Jose “Pele” Landi vs Jorge “Macaco” Patino. These two fought in the 8-man tournament and the Superfight featured UFC 7 Champion Marco Ruas and UFC 2 runner up, Patrick Smith. WVC IV expanded its PPV to be broadcast in the United States and was the last MMA PPV in the United States (for 2 years) due to prohibitions placed on MMA spearheaded by Senator John McCain. While UFC’s business was suffering due to the lack of PPV revenues and Senator McCain’s success at getting UFC banned in all 50 states, the WVC was thriving and it became the #1 event in the world. Lapenda issued a challenge in April 1997 through Black Belt Magazine to the UFC for a co-promotion that pitted each promotion’s top fighters in what would have been the most complete card ever seen in MMA. Lapenda suggested a card between his fighters Marco Ruas, Pedro Rizzo, Hugo Duarte, Bas Rutten, Fabio Gurgel would fight UFC’s Mark Coleman, Dan Severn, Don Fry, Ken Shamrock, and Jerry Bolander. The UFC never replied. WVC V introduced Ukrainian kickboxer, Igor Vovchanchyn, who would rule over the heavyweight division for years to come. Vovchanchyn won all three fights in the 8-man tournament via KO/TKO, including a brutal 14-second knockout in the final over Mark Coleman’s protge, Nick Nutter, an NCAA All-American Wrestler from Ohio State. 文章: ワンス・アポン・ア・タイム (season 4) 第1話:"A Tale of Two Sisters"ではリトル・ジョン役のジェイソン・ブルカルトが登場。第6話にも登場する。ローランド役のラファエル・アレハンドロも第1話に登場し、第3話、第6話にも登場する。第7話ではアナとエルサの母親であるゲルダ役のパスカル・ハットンが登場する。第2話:"White Out"では、ボー・ピープ役でロビン・ワイガート、チャーミング王子の母であるルース役のガブリエラ・ローズが登場する。第4話:"The Apprentice"では、魔法使いの弟子役のティモシー・ウェッバーが登場し、後に2時間構成の"Smash the Mirror"、第7話:"Best Laid Plans"でも登場する。 第4話では先代の闇の王・ゾソ役でブラッド・ドゥーリフが再登場する。 第5話:"Breaking Glass"では、エマの子供の頃の役としてアビィ・ロスが再登場する。その後、第10話,、第16話にも登場する。 第6話:"Family Business"では、ベルの父・モーリス卿役のエリック・キンリーサイドが再登場し、オーケン役のダーシー・ジョンソンが登場する。第7話:の"The Snow Queen"では、シンデレラ/アシュレイ役のジェシー・シュラム、オーロラ役のサラ・ボルジャーが登場する。また、若い頃のイングリッド役のブライトン・シャルビノ、若い頃のゲルダ役のアヴァ・マリー・テレク、ヘルガ役のサリー・プレスマン、若い頃のヘルガ役のベイリー・ハーバート、ウェーゼルトン公爵役のジョナサン・ラニョンらが登場する。第10話:"Fall"では、黒ひげ役のチャールズ・メシュアが登場する。 パトリック・フィッシュラーは物語の鍵となる人物としてキャスティングされた。初登場は第17話で、彼が著者であることが判明する。 第18話でも登場。 文章: クリストファー・マッセイ クリストファー・マッセイは、アメリカ合衆国の俳優。ジョージア州アトランタ出身。 代表作はニコロデオンのコメディドラマシリーズ Zoey 101 エミー賞やヤング・アーティスト・アワーズといった賞にノミネートされたり受賞したりした マッセイは、2000年代初期から様々なコマーシャルに出るようになって人気が出た。 弟は『レイブン 見えちゃってチョー大変!』や『コーリー ホワイトハウスでチョー大変!』に出演しているカイル・マッセイ。クリストファー本人も『レイブン 見えちゃってチョー大変!』でコーディ・リンゼイと共にゲスト出演した。