‘The Queen was in the parlour eating bread and honey’ in which nursery rhyme?
TagMe Search
The_Queen_Was_in_the_Parlour.txt Sing_a_Song_of_Sixpence.txt
The Queen Was in the Parlour Sing a Song of Sixpence
The Queen Was in the Parlour: a romance in three acts is a play by the English writer Noël Coward. Belonging to the Ruritanian romance genre, its title is drawn from a line in the nursery rhyme "Sing a Song of Sixpence".  Although written in 1922, it was not produced until 24 August 1926, when it was premiered at the St Martin's Theatre. 

Adaptations

It has been adapted for film three times - the first two times under its original title (in 1927 as a silent movie and in 1928 as a talking picture)  and the third time as Tonight Is Ours in 1933. "Sing a Song of Sixpence" is a well-known English nursery rhyme, perhaps originating in the 18th century. It is also listed in the Roud Folk Song Index as number 13191.

Lyrics

A common modern version is:
Sing a song of sixpence,
A pocket full of rye.
Four and twenty blackbirds,
Baked in a pie.

When the pie was opened,
The birds began to sing;
Wasn't that a dainty dish,
To set before the king?

The king was in his counting house,
Counting out his money;
The queen was in the parlour,
Eating bread and honey.

The maid was in the garden,
Hanging out the clothes,
When down came a blackbird
And pecked off her nose.I. Opie and P. Opie, The Oxford Dictionary of Nursery Rhymes (Oxford University Press, 1951, 2nd edn., 1997), pp. 394-5.

The final line of the fourth verse is sometimes slightly varied, with nose pecked or nipped off. One of the following additional verses is often added to moderate the ending:

They sent for the king's doctor,
who sewed it on again;
He sewed it on so neatly,
the seam was never seen.

or:

There was such a commotion,
that little Jenny wren
Flew down into the garden,
and put it back again.

Origins

The rhyme's origins are uncertain. References have been inferred in Shakespeare's Twelfth Night (c. 1602), (Act II, Scene iii), where Sir Toby Belch tells a clown: "Come on; there is sixpence for you: let's have a song" and in Beaumont and Fletcher's Bonduca (1614), which contains the line "Whoa, here's a stir now! Sing a song o' sixpence!" 

In the past it has often been attributed to George Steevens (1736–1800), who used it in a pun at the expense of Poet Laureate Henry James Pye (1745–1813) in 1790, but the first verse had already appeared in print in Tommy Thumb's Pretty Song Book, published in London around 1744, in the form:

Sing a Song of Sixpence,
A bag full of Rye,
Four and twenty Naughty Boys,
Baked in a Pye.

The next printed version that survives, from around 1780, has two verses and the boys have been replaced by birds. A version of the modern four verses is first extant in Gammer Gurton's Garland or The Nursery Parnassus published in 1784, which ends with a magpie attacking the unfortunate maid. Fifth verses with the happier endings began to be added from the middle of the 19th century.

Meaning and interpretations

Many interpretations have been placed on this rhyme. It is known that a 16th-century amusement was to place live birds in a pie, as a form of entremet. An Italian cookbook from 1549 (translated into English in 1598) contained such a recipe:  "to make pies so that birds may be alive in them and flie out when it is cut up" and this was referred to in a cook book of 1725 by John Nott.  The wedding of Marie de' Medici and Henry IV of France in 1600 contains some interesting parallels. "The first surprise, though, came shortly before the starter—when the guests sat down, unfolded their napkins and saw songbirds fly out. The highlight of the meal were sherbets of milk and honey, which were created by Buontalenti."[http://enjoyment.independent.co.uk/food_and_drink/features/article2255670.ece Blow out! History's 10 greatest banquets - Features, Food & Drink - The Independent]

In The Oxford Dictionary of Nursery Rhymes, Iona and Peter Opie write that the rhyme has been tied to a variety of historical events or folklorish symbols such as the queen symbolizing the moon, the king the sun,  and the blackbirds the number of hours in a day; or, as the authors indicate, the blackbirds have been seen as an allusion to monks during the period of the Dissolution of the Monasteries by Henry VIII, with Catherine of Aragon representing  the queen, and Anne Boleyn the maid. The rye and the birds have been seen to represent a tribute sent to Henry VII, and on another level, the term "pocketful of rye" may in fact refer to an older term of measurement. The number 24 has been tied to the Reformation and the printing of the English Bible with 24 letters. From a folklorish tradition, the blackbird taking the maid's nose has been seen as a demon stealing her soul. 

No corroborative evidence has been found to support these theories and given that the earliest version has only one stanza and mentions "naughty boys" and not blackbirds, they can only be applicable if it is assumed that more recently printed versions accurately preserve an older tradition.
Sing a Song of Sixpence Sing a song of sixpence Sing A Song Of Sixpence
sing song of sixpence
sing song of sixpence
WikipediaEntity
Sing a Song of Sixpence
 The Queen was in the Parlor eating bread and honey in which are her serry rhymes. 

 I think you meant to provide the Queen of the rh rhyme, and I and honey honey honey honey honey to identify the Queen is fellow s s s s s s s.