'Girls' Star Zosia Mamet Much-Mocked Kickstarter Fizzles At $2,783 
 
 'Girls' Star Zosia Mamet -- Much-Mocked Kickstarter Fizzles Out 
 
 is enjoying a cultural moment as one of HBO's "" ... but NOBODY WANTS A CRAPPY MUSIC VIDEO from Shoshanna and her bad-banjo-playing sister ... we know, because their Kickstarter campaign just ended -- and it BOMBED.The HUGELY MOCKED effort -- which closed today just before 1:00 PM PT -- raised the pathetic sum of $2,783. That's less than 10% of their goal of $32,000 ... and Kickstarter is an all-or-nothing deal ... so they get NOTHING.Zosia and younger sister Clara announced the video May 26 ... and the Internet trolling was INTENSE ... especially because the self-styled Cabin Sisters say they started the banjo-and-body-percussion band as "an excuse to spend more time together." It didn't help that the girls share aand make TV-star salaries (Clara is on ABC's "The Neighbors).Some thought the tone-deaf plea was a prank ... meant to call outand others for milking Kickstarter ... but TMZ confirmed with reps -- the girls were serious.Braff and Bell proved that a good idea can BLOW UP on Kickstarter ... Braff's "Wish I Was Here" raised $3,105,473, and the "Veronica Mars" movie raised a whopping $5,702,153.The Mamet sisters' highest pledge was $100 ... and nobody TOUCHED any of the 7 higher price points ... in all, only 80 people backed the widely publicized project -- most pitching in a buck.Too bad they can't keep the dough they DID raise ... enough to buy a couple of sad trombones. 

 À propos 
 
 This music video for Bleak Love is our chance to realize through the visual artistry of some very talented people the universal feeling of un-requited love. Visually the video will bounce from opulence to sparseness, French Baroque to a simple, timeless and heartbroken. We are hoping to capture something everyone has felt at some point in their lives. 
 
 Thank you so much for taking the time to visit our Kickstarter page. As you heard in our video this band sort of just happened. We come from a musical family and music has been a common bond for us since a young age. The universe has given us both an opportunity to make a living in our young adult lives as creative people and it is one of the greatest privileges a person could ask for, the ability to do what you love. This has become another opportunity for that privilege Being in the entertainment industry has its lesser known downsides, like being taken out of the town your family lives in or the demanding schedules that prevent attendance at family functions. We are, despite our wonderful jobs at GIRLS and NEIGHBORS, just sisters. 

 David Alan Mamet (; born November 30, 1947) is an American playwright, film director, screenwriter and author. He won a Pulitzer Prize and received Tony nominations for his plays Glengarry Glen Ross (1984) and Speed-the-Plow (1988). He first gained critical acclaim for a trio of off-Broadway 70s plays: The Duck Variations, Sexual Perversity in Chicago, and American Buffalo.[2] His plays Race and The Penitent, respectively, opened on Broadway in 2009 and previewed off-Broadway in 2017. 
 
 Feature films that Mamet both wrote and directed include House of Games (1987), Homicide (1991), The Spanish Prisoner (1997), Heist (2001), and Redbelt (2008). His screenwriting credits include The Postman Always Rings Twice (1981), The Verdict (1982), The Untouchables (1987), Hoffa (1992), Wag the Dog (1997), and Hannibal (2001). Mamet himself wrote the screenplay for the 1992 adaptation of Glengarry Glen Ross, and wrote and directed the 1994 adaptation of his play Oleanna (1992). He was the executive producer and frequent writer for the TV show The Unit (2006–2009). 
 
 Mamet's books include: The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues; and Three War Stories (2013), a trio of novellas about the physical and psychological effects of war. 
 
 Early life [ edit ] 
 
 Mamet was born in 1947 in Chicago to Lenore June (née Silver), a teacher, and Bernard Morris Mamet, a labor attorney.[3] One of his earliest jobs was as a busboy at Chicago's London House and The Second City. He also worked as an actor, editor for Oui magazine and as a cab-driver.[4] He was educated at the progressive Francis W. Parker School and at Goddard College in Plainfield, Vermont. At the Chicago Public Library Foundation 20th anniversary fundraiser in 2006, though, Mamet announced "My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign".[5] 
 
 After a move to Chicago's North Side neighborhood, Mamet encountered theater director Robert Sickinger, and began to work occasionally at Sickinger's Hull House Theatre. This represented the beginning of Mamet's lifelong involvement with the theater.[6] 
 
 Career [ edit ] 
 
 Theater [ edit ] 
 
 Mamet is a founding member of the Atlantic Theater Company; he first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo.[2] He was awarded the Pulitzer Prize in 1984 for Glengarry Glen Ross, which received its first Broadway revival in the summer of 2005. His play Race, which opened on Broadway on December 6, 2009 and featured James Spader, David Alan Grier, Kerry Washington, and Richard Thomas in the cast, received mixed reviews.[7] His play The Anarchist, starring Patti LuPone and Debra Winger, in her Broadway debut, opened on Broadway on November 13, 2012 in previews and was scheduled to close on December 16, 2012.[8] His 2017 play The Penitent previewed off-Broadway on February 8, 2017. 
 
 In 2002, Mamet was inducted into the American Theater Hall of Fame.[9] Mamet later received the PEN/Laura Pels International Foundation for Theater Award for Grand Master of American Theater in 2010. 
 
 In 2017, Mamet released an online class for writers entitled David Mamet teaches dramatic writing.[10] 
 
 Film [ edit ] 
 
 Mamet first film work was as a screenwriter, later directing his own scripts. 
 
 Mamet's first produced screenplay was the 1981 production of The Postman Always Rings Twice, based on James M. Cain's novel. He received an Academy Award nomination one year later for The Verdict, written in the late 1970s. He also wrote the screenplay for The Untouchables (1987), Hoffa (1992), The Edge (1997), Wag the Dog (1997), Ronin (1998), and Hannibal (2001). 
 
 In 1987, Mamet made his film directing debut with his screenplay House of Games, which won Best Film and Best Screenplay awards at the 1987 Venice Film Festival and the Film of the Year in 1989 from the London Critics Circle Film Awards. The film starred his then-wife, Lindsay Crouse, and many longtime stage associates and friends, including fellow Goddard College graduates.[11] Mamet was quoted as saying, "It was my first film as a director and I needed support, so I stacked the deck."[citation needed] After House of Games, Mamet later wrote and directed two more films focusing on the world of con artists, The Spanish Prisoner (1997) and Heist (2001). 
 
 Other films that Mamet both wrote and directed include: Things Change (1988), Homicide (1991) (nominated for the Palme d'Or at 1991 Cannes Film Festival and won a "Screenwriter of the Year" award for Mamet from the London Critics Circle Film Awards), Oleanna (1994), The Winslow Boy (1999), State and Main (2000), Spartan (2004), Redbelt (2008), and the 2013 bio-pic TV movie Phil Spector. 
 
 A feature-length film, a thriller titled Blackbird, was intended for release in 2015, but is still in development.[12][13] 
 
 When Mamet adapted his play for the 1992 film Glengarry Glen Ross, he wrote an additional part (including the monologue "Coffee's for closers") for Alec Baldwin. 
 
 Mamet continues to work with an informal repertory company for his films, including Crouse, William H. Macy, Joe Mantegna, Rebecca Pidgeon, and Ricky Jay, as well as the aforementioned school friends. 
 
 Mamet has funded his own films with payments he receives for credited and uncredited rewrites of typically big-budget films.[citation needed] For instance, Mamet did a rewrite of the script for Ronin under the pseudonym "Richard Weisz" and turned in an early version of a script for Malcolm X which was rejected by director Spike Lee.[14] In 2000, Mamet directed a film version of Catastrophe, a one-act play by Samuel Beckett featuring Harold Pinter and John Gielgud (in his final screen performance). In 2008, he directed and wrote the mixed martial arts movie Redbelt, about a martial arts instructor tricked into fighting in a professional bout. 
 
 In On Directing Film, Mamet asserts that directors should focus on getting the point of a scene across, rather than simply following a protagonist, or adding visually beautiful or intriguing shots. Films should create order from disorder in search of the objective. 
 
 Books [ edit ] 
 
 In 1990 Mamet published The Hero Pony, a 55-page collection of poetry. He has also published a series of short plays, monologues and four novels, The Village (1994), The Old Religion (1997), Wilson: A Consideration of the Sources (2000), and Chicago (2018). He has written several non-fiction texts, and children's stories, including "True and False: Heresy and Common Sense for the Actor"(1997). In 2004 he published a lauded version of the classical Faust story, Faustus, however, when the play was staged in San Francisco during the spring of 2004, it was not well received by critics.[15] On May 1, 2010, Mamet released a graphic novel The Trials of Roderick Spode (The Human Ant). 
 
 On June 2, 2011, The Secret Knowledge: On the Dismantling of American Culture, Mamet's book detailing his conversion from modern liberalism to "a reformed liberal" was released.[16] 
 
 Mamet published Three War Stories, a collection of novellas, on November 11, 2013. In an interview with Newsmax TV, Mamet said he wanted to write about war, despite never having served. Moreover, the book allowed Mamet to free characters that had occupied his mind for years. On the subject of characters as a reason for writing, Mamet told the host, "You want to get these guys out of your head. You just want them to stop talking to you."[17] 
 
 Television and radio [ edit ] 
 
 Mamet wrote the "Wasted Weekend" episode of Hill Street Blues that aired in 1987. His then-wife, Lindsay Crouse, appeared in numerous episodes (including that one) as Officer McBride. Mamet is also the creator, producer and frequent writer of the television series The Unit, where he wrote a well-circulated memo to the writing staff. He directed a third-season episode of The Shield with Shawn Ryan. In 2007, Mamet directed two television commercials for Ford Motor Company. The two 30-second ads featured the Ford Edge and were filmed in Mamet's signature style of fast-paced dialogue and clear, simple imagery. Mamet's sister, Lynn, is a producer and writer for television shows, such as The Unit and Law & Order. 
 
 Mamet has contributed several dramas to BBC Radio through Jarvis & Ayres Productions, including an adaptation of Glengarry Glen Ross for BBC Radio 3 and new dramas for BBC Radio 4. The comedy Keep Your Pantheon (or On the Whole I'd Rather Be in Mesopotamia) was aired in 2007. 
 
 Other media and political views [ edit ] 
 
 Since May 2005 he has been a contributing blogger at The Huffington Post, drawing satirical cartoons with themes including political strife in Israel.[18] In a 2008 essay at The Village Voice titled "Why I Am No Longer a 'Brain-Dead Liberal"[19] he revealed that he had gradually rejected political correctness and progressivism and embraced conservatism. Mamet has spoken in interviews of changes in his views,[20] highlighting his agreement with free market theorists such as Friedrich Hayek[21] the historian Paul Johnson, and economist Thomas Sowell, whom Mamet called "one of our greatest minds". 
 
 During promotion of a book, Mamet said British people had "a taint of anti-semitism," claiming they "want to give [Israel] away to some people whose claim is rather dubious."[22] In the same interview, Mamet went on to say that "there are famous dramatists and novelists [in the UK] whose works are full of anti-Semitic filth." He refused to give examples because of British libel laws (the interview was conducted in New York City for the Financial Times).[22][23] He is known for his pro-Israel positions; in his book The Secret Knowledge he claimed that "Israelis would like to live in peace within their borders; the Arabs would like to kill them all."[24] 
 
 Mamet wrote an article for the November 2012 issue of The Jewish Journal of Greater Los Angeles imploring fellow Jewish Americans to vote for Republican nominee Mitt Romney.[25][26] 
 
 In an essay for Newsweek, published on 29 January 2013, Mamet argued against gun control laws: "It was intended to guard us against this inevitable decay of government that the Constitution was written. Its purpose was and is not to enthrone a Government superior to an imperfect and confused electorate, but to protect us from such a government."[27] 
 
 Critical reception to Mamet [ edit ] 
 
 Mamet's style of writing dialogue, marked by a cynical, street-smart edge, precisely crafted for effect, is so distinctive that it has come to be called Mamet speak.[28] Mamet himself has criticized his (and other writers') tendency to write "pretty" at the expense of sound, logical plots.[29] When asked how he developed his style for writing dialogue, Mamet said, "In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, based solely on our ability to speak the language viciously. That's probably where my ability was honed."[30] 
 
 One instance of Mamet's dialogue style can be found in Glengarry Glen Ross, in which two down-on-their-luck real estate salesmen are considering stealing from their employer's office. George Aaronow and Dave Moss equivocate on the meaning of "talk" and "speak", turning language and meaning to deceptive purposes: 
 
 Moss No. What do you mean? Have I talked to him about this [Pause] Aaronow Yes. I mean are you actually talking about this, or are we just... Moss No, we're just... Aaronow We're just "talking" about it. Moss We're just speaking about it. [Pause] As an idea. Aaronow As an idea. Moss Yes. Aaronow We're not actually talking about it. Moss No. Aaronow Talking about it as a... Moss No. Aaronow As a robbery. Moss As a "robbery?" No. 
 
 Mamet dedicated Glengarry Glen Ross to Harold Pinter, who was instrumental in its being first staged at the Royal National Theatre, (London) in 1983, and whom Mamet has acknowledged as an influence on its success, and on his other work.[31] 
 
 Mamet and gender issues [ edit ] 
 
 Mamet's plays have frequently sparked debate and controversy.[32] During a staging of Oleanna in 1992, in which a post-secondary student accuses her professor of sexual harassment, a critic reported that the play divided the audience by gender and recounted "couples emerged screaming at each other".[32] 
 
 Arthur Holmberg in his 2014 book David Mamet and Male Friendship, has reconsidered the gender issue in many of Mamet's plays throughout his career by asserting a prominent and recurrent reversed sexual orientation of portrayed male gender preferences.[33] 
 
 Personal life [ edit ] 
 
 Mamet and actress Lindsay Crouse married in 1977 and divorced in 1990. The couple have two children, Willa and Zosia. Willa is a professional photographer and Zosia is an actress. Mamet has been married to actress and singer-songwriter Rebecca Pidgeon since 1991. They have two children, Clara and Noah. 
 
 Mamet is a Reform Jew and strongly pro-Israel.[34] 
 
 Archive [ edit ] 
 
 The papers of David Mamet were sold to the Harry Ransom Center at the University of Texas at Austin in 2007 and first opened for research in 2009.[35] The growing collection consists mainly of manuscripts and related production materials for most of his plays, films, and other writings, but also includes his personal journals from 1966 to 2005. In 2015, the Ransom Center secured a second major addition to Mamet's papers that include more recent works. Additional materials relating to Mamet and his career can be found in the Ransom Center's collections of Robert De Niro, Mel Gussow, Tom Stoppard, Sam Shepard, Paul Schrader, Don DeLillo, and John Russell Brown. 
 
 Works [ edit ] 
 
 Mamet is credited as writer of these works except where noted. Credits in addition to writer also noted. 
 
 References [ edit ] 
 
 Further reading [ edit ]
– Last month, Kickstarter taught us that only 315 people still care about Melissa Joan Hart's career. This month, it teaches us that even fewer people care about Zosia Mamet's music. Mamet isn't exactly struggling in life—in addition to starring on the wildly popular Girls, she's the daughter of playwright David Mamet—yet she and sister Clara (who's also on a TV show, ABC's The Neighbors) still went on the crowdfunding site to ask the general public for $32,000 so the duo (act name: The Cabin Sisters) could make a music video. The campaign ended unsuccessfully yesterday, with just 80 backers pledging $2,783, TMZ reports. The campaign was the target of much derision, and some even speculated it was some sort of supposed-to-be-ironic prank, but TMZ confirmed with the sisters' reps that the ladies really were hoping to get funded. Perhaps people didn't take too kindly to lines like this from the campaign video: "My sister Clara and I decided to start this band basically as an excuse to spend more time together." Sounds inspired! Our favorite comment left on the campaign page: "I am so excited to see what kind of music video $32,000 buys! I don't know a lot about music videos, though I did make one once with a $150 smartphone and some free editing software, and if my calculations are accurate a $32,000 music video should be approximately 213.33 times better."