Image caption Gerry Goffin was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame 
 
 Songwriter Gerry Goffin, who penned chart-topping songs with his then-wife Carole King, has died at the age of 75 in Los Angeles. 
 
 He wrote dozens of hits over two decades, including The Loco-Motion, Will You Love Me Tomorrow and (You Make Me Feel Like) A Natural Woman. 
 
 He was inducted, along with King, into the Rock and Roll Hall of Fame in 1990. 
 
 In a statement, King said Goffin was her "first love" and had a "profound impact" on her life. 
 
 "His words expressed what so many people were feeling but didn't know how to say." 
 
 Born in the New York city borough of Brooklyn in 1939, Goffin married King when he was 20 and she was 17. They had their first hit, Will You Love Me Tomorrow, sung by the Shirelles, shortly afterwards. 
 
 After their divorce in 1968, Goffin continued writing songs, including a hit for Whitney Houston, Saving All My Love for You, in 1985. 
 
 He is survived by his wife, Michelle Goffin, who confirmed he died from natural causes. He had five children and six grandchildren. 
 
 A statement from the Recording Academy, which presented him and King with a Trustees Award in 2004, called Goffin a "legendary songwriter" and "profound lyricist". 
 
 "His prolific career has left an indelible mark on our culture, and his exceptional legacy will continue to teach and inspire many generations to come," said Neil Portnow, the Recording Academy's president. 
 
 "Our music community has truly lost one of its finest, and our deepest sympathies go out to his family, his friends, and all who have benefited from and have been moved by his extraordinary and heartfelt talent." 
 
 'A dynamic force' 
 
 Goffin was behind dozens of top 40 hits during his career and co-wrote seven songs that topped the US charts, including Diana Ross' Theme From Mahogany (Do You Know Where You're Going To?). 
 
 He also co-wrote Up On The Roof, Monkees' track Pleasant Valley Sunday, the Everly Brothers' Crying in the Rain, Bobby Vee's Take Good Care of My Baby and Gladys Knight and the Pips' track I've Got to Use My Imagination. 
 
 He also hired singer Kelly Clarkson to sing on some of his demos in 1995, before she was on American Idol. 
 
 He and King divorced in 1968, after having two children including singer-songwriter Louise Goffin. Their story is told in hit Broadway musical Beautiful: The Carole King Story, which won two Tony Awards this year. 
 
 King, who backed the project which was also produced by one of their daughters, only sat through the show in April, having avoided seeing it for months after it opened because it dredged up sad memories. 
 
 The musical shows them composing their songs at the Brill Building publishing company in Manhattan that also employed Neil Sedaka and Howard Greenfield. 
 
 "Gerry was a good man and a dynamic force, whose words and creative influence will resonate for generations to come," said King. 
 
 "His legacy to me is our two daughters, four grandchildren, and our songs that have touched millions and millions of people, as well as a lifelong friendship." 
 
 Image caption Gerry Goffin and his wife Michelle at the opening night of Beautiful: The Carole King Musical in New York 
 
 She added: "If you want to join his loved ones in honouring him, look at the names of the songwriters under the titles of songs. Among the titles associated with me, you'll often find Gerry's name next to mine." 
 
 'Soul brother' 
 
 Goffin, whose final album Back Room Blood was released in 1996, was working as an assistant chemist when he met King at Queens College. 
 
 He told Vanity Fair in 2001: "She was interested in writing rock and roll, and I was interested in writing this Broadway play. 
 
 "So we had an agreement where she would write (music) to the play if I would write (lyrics) to some of her rock and roll melodies. And eventually it came to be a boy-and-girl relationship. 
 
 "Eventually I began to lose heart in my play, and we stuck to writing rock and roll." 
 
 Goffin struggled with mental health problems during their marriage and at one point King made a decision to admit him for shock therapy, an experience she talks about in her memoir A Natural Woman. 
 
 His daughter Louise said her dad "wore his heart on his sleeve, and I am deeply blessed to have had a father who could so easily make the world laugh and cry with just a spiral notebook and a pen." 
 
 Composer and pianist Barry Goldberg, who wrote many later songs with Goffin, has also paid tribute. 
 
 "Gerry was one of the greatest lyricists of all time and my true soul brother," he said. 
 
 "I was privileged to have had him in my personal and professional life." 

 Songwriting team Carole King and Gerry Goffin pose in an early promotional photo shot in New York circa 1959. Goffin died June 19, 2014 at his home in Los Angeles. He was 75. (Photo: James Kriegsmann, Michael Ochs Archives via Getty Images) 
 
 NEW YORK — Gerry Goffin's name was not as universally known as that of his former wife and songwriting collaborator, Carole King. But the lyrics that Goffin wrote — for such early rock-era classics as Will You Love Me Tomorrow, (You Make Me Feel Like A) Natural Woman and Up On the Roof — have remained in the pop canon for decades. 
 
 Goffin — whose death Thursday at 75 was confirmed by his current wife, Michelle — met King, a budding composer, while both were teenagers. Eventually, they would write more than 50 top 40 hits, among them Little Eva's The Loco-Motion, The Drifters' Some Kind of Wonderful and The Monkees' Pleasant Valley Sunday. 
 
 The couple, who were inducted into the Songwriters Hall of Fame in 1987 and the Rock and Roll Hall of Fame in 1990, split up in 1968. But their relationship and their music came into focus again recently, thanks to Beautiful — The Carole King Musical, which premiered on Broadway this year and recently earned star Jessie Mueller a Tony Award for best leading actress in a musical. 
 
 In a statement, King called Goffin "my first love. He had a profound impact on my life and the rest of the world. Gerry was a good man and a dynamic force, whose words and creative influence will resonate for generations to come." 
 
 A Brooklyn native who studied to be a chemist before teaming up with King, Goffin was inspired by the pre-rock songwriters (many of them also New Yorkers) who helped shape the Great American Songbook, bringing both a playful wit and unabashed sensitivity to his lyrics. 
 
 Goffin collaborated with other songwriters, among them Michael Masser, with whom he crafted such hits as the Oscar-nominated Theme From Mahogany (Do You Know Where You're Going To) and Whitney Houston's Saving All My Love For You; Barry Mann (Who Put the Bomp); and Barry Goldberg (I've Got to Use My Imagination). 
 
 "Gerry was one of the greatest lyricists of all time and my true soul brother," Goldberg said in a statement. "I was privileged to have had him in my personal and professional life." 
 
 "His words expressed what so many people were feeling but didn't know how to say," King said in her statement. "If you want to join his loved ones in honoring him, look at the names of the songwriters under the titles of songs. Among the titles associated with me, you'll often find Gerry's name next to mine." 
 
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– The man who put the Bomp (in the Bomp, Bomp, Bomp) and penned dozens of other '60s hits, mainly in partnership with then-wife Carole King, has died at the age of 75. The duo, who married in 1959, scored their first hit with "Will You Love Me Tomorrow," and the many that followed included "The Loco-Motion," "(You Make Me Feel Like) a Natural Woman," and "I'm Into Something Good," reports the BBC. After splitting up with King in 1968, he continued to write hits, including "Saving All My Love for You" for Whitney Houston. Goffin—a Brooklyn native who worked as a chemist before meeting King—was heavily inspired by pre-rock songwriters like the early Broadway greats, USA Today notes. In a statement, King said Goffin was "my first love. He had a profound impact on my life and the rest of the world. Gerry was a good man and a dynamic force, whose words and creative influence will resonate for generations to come." His lyrics "expressed what so many people were feeling but didn't know how to say," she said. "If you want to join his loved ones in honoring him, look at the names of the songwriters under the titles of songs. Among the titles associated with me, you'll often find Gerry's name next to mine."