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StringDictionary is a specialized collection. This class comes under the System.Collections.Specialized namespace. It only allows string keys and string values. It suffers from performance problems. It implements a hash table with the key and the value strongly typed to be strings rather than objects.
A key cannot be null, but a value can.
The key is handled in a case-insensitive manner i.e, it is translated to lowercase before it is used with the string dictionary.
The constructor StringDictionary() initializes a new instance of the StringDictionary class.
StringDictionary() Initializes a new instance of the StringDictionary class.
Count Gets the number of key/value pairs in the StringDictionary.
IsSynchronized Gets a value indicating whether access to the StringDictionary is synchronized (thread safe).
Keys Gets a collection of keys in the StringDictionary.
SyncRoot Gets an object that can be used to synchronize access to the StringDictionary.
Values Gets a collection of values in the StringDictionary.
Add(String, String) Adds an entry with the specified key and value into the StringDictionary.
Clear() Removes all entries from the StringDictionary.
ContainsKey(String) Determines if the StringDictionary contains a specific key.
ContainsValue(String) Determines if the StringDictionary contains a specific value.
CopyTo(Array, Int32) Copies the string dictionary values to a one-dimensional Array instance at the specified index.
GetEnumerator() Returns an enumerator that iterates through the string dictionary.
Remove(String) Removes the entry with the specified key from the string dictionary.


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5 Things We Learned at TechCrunch Disrupt
As a brand new startup, we spend a lot of time talking about ourselves to two main groups: 1) People we want to be customers, and 2) People we want money from. But there's another side to this venture – the one in which we try to figure out how to run a business. And while we love talking about how Qwill is reimagining estate planning (shameless plug), we're also learning a ton of valuable lessons about how to begin, and hopefully thrive, in the startup world. So get cozy – here's the tale of how we crushed survived our first TechCrunch Disrupt conference.
When I told my friends I was flying out to San Francisco to go to TechCrunch, the first response I got was, "TechCrunch… is that a gym for nerds?" After a proper LOL, I realized that yeah – I guess TechCrunch is sort of a gym for nerds… investor nerds, techy nerds, and entrepreneurial nerds alike. A new wave of eager beavers roll into the Bay Area once a year to exercise their nerdiness at Disrupt SF, an annual conference that gives startups the chance to pitch their ideas to venture capitalists, media, potential consumers, and their techy peers.
Maybe you've never heard of TC Disrupt… or perhaps your only exposure has been via HBO's Silicon Valley, a satire that aims to expose what it's really like to start your own business in today's tech industry. (Spoiler alert: it's a hot mess.) The characters have actually attended the conference, and this behind-the-scenes look demonstrates how the show's creators kept their scenes true to life:
Silicon Valley's portrayal of Startup Alley set high expectations, and I'm glad to say that the real thing did not disappoint. Forgetting for a moment that we were five people huddled around a cocktail table luring passersby in with cute stickers and the promise of a planned future… it was amazing to stand by my team as we promoted (in public!) this thing that we've been slaving over for the past several months.
For those that like lists, here are the five major takeaways from our time at Disrupt last week.
1) Deadlines schmeadlines
When we first started discussing whether we should attend Disrupt or not this year, the major question was if we'd be ready to start promoting the app by September. The challenge would be prioritizing and building the must-have product features prior to the conference – though we were never considering this our full product launch, we wanted to lead with something that users would find immediately valuable. Being the democracy that we are, we made our list of product demands and saved our vote until our engineer, Josh, was on vacation :).
So, were we ready? Definitely not. But we were close! Ultimately we decided that our goals for the conference were less about fundraising and acquiring users (though who would say no to those?), and more about giving our team some aggressive deadlines for our product and marketing projects. While we didn't check off every box, we no doubt achieved much more than we would have without the external motivation of the conference.
2) Murphy's Law is legit
"Anything that can go wrong, will — and at the worst possible moment." – Murphy
In the weeks leading up to the conference, we had two major projects approaching completion: 1) A new version of our app giving users the ability to subscribe for premium features; and 2) A shiny new website. My pride requires that I disclose that we planned ahead – like way ahead – for both of these projects to be completed well before the conference. But thanks to Murph, who cares about having a plan?
The TL;DR version of this story is that both our app and our website were ready… just one day too late :). Keep reading if you like gory details.
The new version of our app landed in the store at 9pm on the night before our Startup Alley debut. Yay 🙌🎉🎈!!! But what we didn't know about Apple app store subscriptions is that it can take anywhere between a few hours and a few days for the actual product (in our case, "Qwill Premium") to populate in the Apple catalog. If users try to subscribe within your app before the product is available, sorry, no dice, looks like you've got a bug. This resulted in our encouraging booth visitors to download the app, with the nonchalant suggestion of maybe waiting a day or two…
If having a buggy app on TechCrunch day wasn't stressful enough, try promoting it without a shiny new website. Due to incompatible time zones between us and our web vendor, our new website launch was a slight miss, as well. Now feels like a good time to mention that Greg's business cards were also a day late, which led to Alicia hiding behind our banner to write his email address on dozens of our product flyers.
All that said, it truly was a great day. And, we like to think that we weren't a day late, but TechCrunch was just a day early.
3) Practice makes pitch perfect
So who knew that when setting out to build a business, it wouldn't be the product woes or lack of marketing budget that would keep us awake at night… but trying to perfect the pitch? Just kidding – the other things keep us up at night, too. But the pitch matters, especially at a conference like TechCrunch where you've only got a few seconds to pull prospective investors and users into your vision.
We were stoked to be among a few companies selected for a 60-second flash pitch on the Showcase Stage in Startup Alley. Commence nerves! Fortunately, there's a CEO for that, and he totally crushed it. As Greg will attest, 60 seconds is super short when you're trying to explain the whole of your existence. Everyone takes a slightly different approach, some trying to engage the audience with existential questions, others barely mentioning more than the name of their business and their website URL. Sadly, since the pitches were given alphabetically by company name, the crowd had considerably thinned by the time Greg was up. All that practice paid off, though, when media companies started popping over to our booth for impromptu interviews.
4) Branding matters
By now you've heard that our product release was shaky, our website launch was a no-go, and our pitching practice gave us a serious case of the butterflies. But you know what absolutely ruled? Our branding. And we have our amazing designer, Paul, to thank for that. There's something about QR codes, a vinyl banner, and mascot stickers that make you feel like a real company, you know?
Repeatedly we were complimented on our cute tees, banner design, and overall aesthetic. And it's no mistake – if anything, this feedback is the best validation we could hope for. There's always going to be product and feature overlap with competitors in the space, but we've worked hard to make sure that our brand is truly differentiated. Estate planning, after all, is not something people usually want to think about… at least until they meet Q .
5) Our team is special
The headline sort of speaks for itself, here. By calling my team special, maybe I'll be seen by some as the delusional soccer mom whose kids can do no wrong. But hear me out: our team is special.
I walked the entire expo floor of Startup Alley and engaged with dozens of other companies. Sure, there were extra large booths for established companies that brought along their dedicated events teams, but I didn't see a single other cocktail table surrounded by five people in matching t-shirts. We may not have known exactly what to do with ourselves, but you couldn't have kept any of us away from what felt like our first real milestone as a company. If Woody Allen was right when he said that "80% of success is just showing up," then, done. We got this.
TechCrunch Entrance
Booth Swag
Banner Time
Banner Buddies
Wheres Greg?
Found Greg!
Pitching Qwill
Showcase Stage
Showcase Pitch
Booth Duty
Lauren Baideme
Lauren is Qwill's marketing team (#startuplife). She's lived in the digital marketing world for the past 8 years, with specialties in marketing automation and making super colorful content maps. In past lives, she's been a neuroscience researcher, 6th grade teacher, and candy store clerk, all carefully chosen occupations to test varying personality theories. When she's not blogging for Qwill, she prefers a good lakeside or beach read, and will never say no to a road trip. Check out her instagram for a peek inside the life of a work-from-home cat mom.
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redpajama_set_name: RedPajamaCommonCrawl


Reflections: Online Information Conference 2011 – Collabor8now!
Inevitably the issue of "trust" came up, as in who would we trust to drive our car, or stay in our house? Evidence from the many P2P services that have sprung up over the past two years would indicate that broadly speaking, people are good and considerate and that there have been very few instances of theft or vandalism (though not to trivialise the impact this may have had on the victims). Rachel went on to say that we will increasingly come to rely on our "Reputation Capital", as a indicator of trust when transacting products and services in this emerging (and potentially huge) P2P market.
David Gurteen ran one of his eponymous Knowledge Café's. It was well attended and we received some good feedback. Speaking to a few delegates afterwards I was just slightly surprised that none of them had previously attended a Knowledge Café – which is a fairly well-established process for encouraging conversations and networking. At least they will now be able to take this process back to their respective organisations.
I'll just round this off by mentioning that next year Online Information will be moving to a new venue at ICC London at ExceL, scheduled for 4-6 December 2012. This offers state of the art conferencing facilities, a much improved delegate experience, and better integration between the conference and exhibition elements. Something to look forward to in 2012. More details can be found in the press announcement.


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Is A Hello Kitty Painting Fine Art?
Cait Munro
"767778" by Andrew Brandou. Photo: Birdman Photos
Every Friday this summer, Refinery29 explores the passionate, rollicking world of fandom. We'll take a look at how we organize, create, debate and show our passion for the things we love — the good, the bad, and the loud.
On June 29, L.A.'s Corey Helford Gallery opened an exhibition dedicated to Hello Kitty. Created in partnership with Sanrio in celebration of her 45th anniversary, it's a dizzying homage to the Japanese little-girl-in-a-cat-costume's lasting cultural significance. Throughout the 12,000-square-foot gallery, you can find her sitting atop a pink, cat-shaped planet, her eyes moon-like and filled with stars. She's painted in pillow form, supporting a pin-up girl who sports a red bow and Kitty-printed fishnets. She's dangling from a pearl necklace; she's on a cake. She's a scoop of ice cream; she's a hat. She is everything and nothing all at once, and she's a far cry from her humble beginnings as a children's cartoon invented to profit from Kawaii culture.
Curators Sherri Trahan and Caro worked with over 100 artists including Mark Mothersbaugh, Paul Frank, Gary Baseman, Kukula, and Kazuki Takamatsu to commission new works for the show. "We wanted them to incorporate Hello Kitty into their own style," says Trahan. "We're not looking for them to change who we are to create the fan art. We're looking for them to be who they are and incorporate the fandom into it."
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When you think of "fan art," there's a good chance that stylized sketches of characters from Star Wars, Lord of the Rings, or Rick & Morty are what spring to mind. Maybe even Magneto and Professor X living in bliss as a happy queer couple, tenderly baking (which Michael Fassbender and James McAvoy have seen, mind you). There's a lot of that stuff on the internet — and elsewhere, as fans of those franchises tend to be about as die-hard as they come. But increasingly, there's also artwork celebrating less obvious (and more stereotypically female) fandoms, like Real Housewives, designer shoes, Disney Princesses, Hillary Clinton, and yes, Hello Kitty. And as the topics that inspire fan art have expanded, so too has its presence in fine art galleries, museums, fairs, and major biennales.
Fan art started in earnest in the 1960s and '70s with Star Wars, Star Trek, and Lord of the Rings. It was published in zines and traded at conventions, and therefore rarely seen by people other than fans. This continued through the '80s and '90s, while in the aughts, websites like DeviantArt and Tumblr provided a community for artists to display and share their work.
"Written fan creations rose up when it became easy to reproduce them, and the visual arts experienced the same thing as it became more reasonable to reproduce artwork in zines. These were still very women's interest-heavy, while the more commercial side of fandom (and therefore the more mainstream idea of what that looked like) was being targeted at young men," explains art historian and fan artist Amanda Niday. "A quick Google of staple fanzines of the time reveal women writers, women publishers, women artists, [and] women who really wanted Spock to be shirtless more often."
Basically, Niday says, women have always been involved in fandoms — and therefore fan art — but unfortunately, they weren't always welcomed or publicized. "The spaces women occupied were not spaces that were given with no questions asked," she notes.
Conversely, it's fan art that has long struggled for acceptance within the mainstream art world. Perhaps because of its self-contained, anti-establishment origins, "fan art" has historically been a dirty phrase that many "serious" artists — those aspiring more to gallery shows than Tumblr shares — still feel uncomfortable with.
"I spend a lot of time wondering if my art is fan art or not. And I hope that it's not."
Laura Collins
"I spend a lot of time wondering if my art is fan art or not. And I hope that it's not," says Laura Collins, a Chicago-based painter known for her portraits of cultural icons like the Olsen twins, Princess Diana, Anna Wintour, and the Real Housewives. "I won't just paint your favorite singer, or whatever. I have to choose a moment that I genuinely feel is maybe a moment of weakness for that person or just a little bit of a stumble or a slip-up. I mean, I literally did a series of runway models falling."
Collins' gaze is more critical, and more steeped in dark humor, than many other homages. What you understand as fan art may depend on what you think it means to be a fan. Does fandom mean you direct relentless, unquestioning positivity toward a subject? Does it mean you fill your home with themed bric-a-brac? Or does it mean you respect someone or something, and fight for their cultural relevance to be appreciated? And how much is it possible for an artwork to both serious and fanatic at once?
Some in the art world say it comes down to factors like who the artist is, whether or not they have a formal art education, and how they choose to present themselves. "To me, it's hard to explain, but there's a big difference between fan art that's created with fans that are online, that aren't actual artists, and fan art by artists for whom art is their first love," says Trahan.
"Kim Richards Pointing At Her Sister" by Laura Collins.
There's a lot of art in the world that's predicated on an understanding of the art historical canon. It's inherently exclusive, and it means to be. The acceptance of Pop art, like Andy Warhol's soup cans, served to open that up, and now it seems like fan art could be the next frontier. "I think that perhaps fan art has an enticing sense of pleasure and joy in its focus that might generate a greater quality of freedom, agency, and inclusivity. I think the gallery world is slowly responding to this energy," says Courtney Lee Weida, associate professor of art education at Adelphi University.
"I was surprised to see Frida Kahlo-inspired art (or fan art) featured alongside Kahlo prints in the Brooklyn Museum gift shop during her recent retrospective," she adds. "As another example, Lisa Frank, who is the subject of an enormous amount of fan art on Etsy and even has her own tarot deck designed by fans, is scheduled to partake in the upcoming Venice Biennale."
"Fan art has an enticing sense of pleasure and joy in its focus that might generate a greater quality of freedom, agency, and inclusivity."
Courtney Lee Weida
Some of this can be chalked up to the fact that we're living in an increasingly nostalgic, fan-focused culture. From Buzzfeed lists to Twitter memes, there's a lot of space these days to come together over shared obsessions. But when artists are able to harness this generalized sense of nostalgia and use it to make a point, or turn an image on its head, that's when fan art becomes something worthy of more critical attention. Niday, for example, is well-known for her series of Disney Princesses holding up protest signs with messages like "I Am Not A Prize To Be Won" and "Why Is Mulan Any Different?" While Disney Princess fan art is relatively common on the internet (much to the chagrin of the company itself), these are about something deeper than a mere expression of appreciation.
"The Princess series for me came at a time when I was really feeling like I needed that connection, that inspiration. That old cliche about an artist who just needed to get her feelings out," she explains. "And so I drew what I was feeling in the languages I knew. I think part of what made other people connect with that series was that they knew those languages, too. And maybe that's the real power of fan art and fandom."
Collins, meanwhile, says she was drawn into painting celebrities because they are "kind of like this weird common family that we all have."
Since announcing the Hello Kitty show, Trahan says Corey Helford Gallery has received "hundreds upon hundreds" of emails from fans and potential collectors, some of whom are flying in from around the world to see the work. Since art is, as much as some may want to deny it, a business, this bodes well for similar exhibitions going forward. As does the presence of Lisa Frank at the Venice Biennale, and the critical acclaim directed at Maghen Brown's Game of Thrones fan art at this year's Every Woman Biennial (formerly known as the Whitney Houston Biennial).
What remains to be seen, however, is just how niche the subjects can get. Imagine: Art dedicated to beauty YouTubers and their myriad feuds. Or mid-aughts fashion trends. Big Little Lies. Kon-Mari. Flamin' Hot Cheetos. You know, whatever. The possibilities are as endless as our collective dedication allows.
How Fandom Culture Is Blurring The Lines Of Fan Art
Entertainment • Fandom Fridays • News
written by Cait Munro
The Ultimate Beach Read Bucket List
We're passionate about beach reads. Or, more specifically, we're passionate about the act of reading on the beach. The act symbolizes a pause from the


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