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Posted on June 17, 2016 by agentcatfish
By Evelyn Waugh, adapted for stage by Bryony Lavery
Performed by the ETT in co-production with the York Theatre Royal
At the Oxford Playhouse
Spurred on and swaddled in an 8 year old's soft memories of Anthony Andrews, loving his teddy and sporting a pastel sweater hung delightfully upon his shoulders, Team Family minus one, arrived at yesterday's matinee clearly ready to see some fabulous 1920s outfits; a bear with a name; and an exploration into Man Friendship. Gratefully we got that and more, so much more.
Mummy issues were explored; insecurities were shared; artistic creativity included; the impact of war; but most fascinatingly for me, maybe as I didn't get it or understand it the first time, the influence of religion, specifically Catholicism, can have on one's life, not just in terms of the choices you make but the guilt you carry.
Somewhere in the fog of my limited memory I think I recall having a couple of discussions with my husband about Waugh as a writer and how religion was something he had an opinion on, but it wasn't until yesterday's show that I believe I've felt it as being so profoundly central to the story being told. I guess I tend to think of him as writer of horridly funny books which take the mickey like The Loved One or Vile Bodies, but maybe I missed the religious comments in those…Anyway, one thing's for sure, I've added another book to the forever increasing must read bedside stack and now back to the yesterday's production.
With limited staging and well considered props, Charles Ryder's memories are shared simply and effectively. From the 1st Act where you are participating in imagining what he sees – an ornate fountain, a private chapel, a grand house that holds so many dear and real memories – your imagination fills in the necessaries and makes the stage more stuffed and filled with the kind of pieces you'd expect to find in a grand house then a design team could ever wish to detail.
And I just remembered a ripper scene where Charles and Julia are on a boat sailing across the Atlantic and not only is it moving in an emotionally enjoyable manner, the way they spin across stage with the assistance of some ropes and a pulley system – simple and extraordinary.
The casting is also very good, 'Julia' is guarded but loving; 'Lady Marchmain' detestable and thankfully not my mother; 'Sebastian' you just want to cuddle and remove him from the situation; and 'Charles', although hardly off stage, manages to present and inhabit a character whom is reversed, frustrated and a true friend, in the most believable way possible.
And the adaptation – picks up on the essentials. The memories are explored, a variety of places are visited, and time moves back and forth, without you ever being confused or feeling 'You know what this doesn't work', because it does work. Lavery has taken a much loved book, TV series and movie, and turned it into a thoroughly enjoyable, thinking piece of live theatre.
By Hanya Yanagihara
In a courageous bid to break my addiction to daytime playbacks of Reality TV, in particular anything that starts with 'The Real Housewives of…', I thought it would be safest to turn to my bookshelf for some escapism instead, so prepare yourselves as my reviews might be coming in thick and fast.
Kicking off with A Little Life, which is anything but little. It's sweet, upsetting, beautiful, revealing, disturbing and difficult, but definitely not little.
It's so tough at times I started think, 'Can I do this?' however I did and couldn't put it down all day yesterday as I continued to turn the final 250 pages.
You are placed in a character's head (and not just one), throughout the telling. Silently watching their decision-making and you're drip-fed details throughout, either from the present or past and then suddenly you are in the future – though you shan't be confused by the structure, it actually feels right, the story should be delivered this way.
And sometimes it reads so slowly and then at others it's like your speeding through, like in the olden days when you could use your video remote controller to run the picture in slow-slow motion and then at normal speed. The author's deliberate use of this focus on time, gives you time to absorb and then continue – like you would in everyday life.
Oh and you never know what's coming. Honestly, I couldn't predict even the next page.
Based around four male characters whom have met in college and moved to NYC in their early twenties, this tale is more an epic for it spans their lifetimes. The more you read, the more familiar they become and you become, to the way they see things. These are normal people, they have issues, they are dealing with them in the best way they can. As the reader you are left powerless to intervene, but this I guess is the point, sometimes you can't, you can't save, you just have to support and love and adjust. For loving people, and friendships, are rewarding and fabulous, but also tough. You know it, I know it and this story explores it with such authenticity and beauty.
Yanagihara invites you into the scene and provides you each characters point of view. She doesn't preach, she doesn't provide you with solutions, she just gives you the facts and illustrates how humans negotiate their environments.
Presented with some pretty hard-core no-win situations, where every angle or approach can be justified in the circumstances by at least some of the characters (even if delusion is the only validator at times), you're made to stop and think and reassess. In particular, the issue/impact of immense psychological damage as a result of years of monstrous abuse. Never before have I read a book that looks at how the victim deals with life afterwards and takes steps to normalise it.
Strikingly, it's also a very positive book, for you are privy to some truly tender private moments which are so beautiful and saturated in love as well as great declarations/celebrations of shared love.
And yes, there is a high probability you'll cry, surprisingly I only started at page 607, had a little breather until page 641, eye-sweated again for a page then spent the final four pages hiccupping away my tears.
This is a remarkable book and I look forward to reading Yanagihara again.
By Ben Jonson
At the RSC
Twenty years ago I had the happy pleasure of experiencing the Belvoir Street Theatre (a fabulously talented Sydney based theatre company), interpretation of this hilarious treat. And double bonus to such (and thank you so much Jess South), I was sitting front row and was in the presence of two insanely talented actors – Hugo Weaving and Geoffrey Rush – delivering this extraordinary tale of con with a huge helping of play and chemistry. So naturally that evening and the play have stayed with me…will kind of…
So, I remembered the intimacy of the space; the way the actors bounced off each other and clearly relished sharing the script; and the wit; but what I didn't recall was the actual events – so luckily six nights ago, I had a refresher.
From the musicians who start off the wackiness and confusion and hilarity through to the final bows, this show is crazy-silly-funny and delights. Often I see theatre which is serious and sometimes dark, so it was a great change just to laugh along with the satire.
Additionally, the casting's great and Team Family were overjoyed to play, 'I know him, wasn't he the husband in Queen Anne' and golly I could go on, I mean the RSC's really gifted at identifying and hiring the very best actors working now.
The action places itself in 1610, when the plague is reaping havoc across London and the opportunity to take advantage arises. Jeremy's Master's left town and he, with two other less than trustworthy types, start trading in the not so honest and taking advantage of the gullible whom arrive at their door. Among them are, the merry and saucy Sir Epicure Mammon looking to turn his pots and pans into gold and pick up a little love along the way; two Dutch Protestants whom you know are slippery and played so particularly well; a gambler with bad teeth; a tobacconist with the cups not just half full, but going to overflow in a couple of moments expression; and a very amusing brother and sister combination.
It's all jolly good fun and on in Stratford-Upon-Avon until 6 August, then transfers to the Barbican.
As we are dragged towards disaster – we find our feet


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The Way of Wanderlust: Every Journey is a Pilgrimage
with Don George
July 7 - August 4, 2021
Wednesdays; 3:30-5:30 pm (Mountain Time)
Tuition $675.00
Online registration for this program has closed. To check availability or if you would like further information, please call 505-983-1400 ext. 111.
Every journey is a pilgrimage. That belief forms the foundation of Don George's travel writing career, which has spanned 90-plus countries and resulted in more than a thousand articles for print and online publications. It's also the philosophy of this workshop.
During our five-week journey together, we read essays and stories that embody this philosophy while working on our own stories of pilgrimage. With Don's guidance, we discuss the varieties of sacred experiences, pilgrimages small and large, as we address the creation and shaping of a pilgrimage story or essay.
Class by class, participants conceive and craft a story about a journey of their own. We begin by talking about and pinpointing the central idea of each participant's story. We then discuss the arc of the story and the lesson it conveys, refining it from week to week.
The most meaningful stories are the ones that record our sacred experiences in the world: the simple act of touching a finger to a basin of water and then to one's forehead at Notre-Dame Cathedral, a close encounter with a whale in Baja California, getting lost in a Cambodian jungle ruin.
Don helps you discover and convey the sacred heart of a travel experience that has special meaning for you—a process that not only enhances and enriches your life but also the life of your reader.
This program is open to writers of all levels.
Class will meet 3:30-5:30 pm (Mountain Time) on Wednesdays starting July 7 and ending August 4 (five online group sessions). Enrollment is limited to 12 participants.
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
View Withdrawal and Transfer Policies for online programs.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less than ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
For the convenience of participants, recordings of each class session are posted privately for two weeks after the end of each session. Santa Fe Workshops takes the recordings down after two weeks to protect the intellectual property of our instructors.
Don George is the author of The Way of Wanderlust: The Best Travel Writing of Don George, How to Be a Travel Writer, and Wanderlust in the Time of Coronavirus: Dispatches from a Year of Traveling Close to Home, as well as the editor of ten literary anthologies. Currently editor-at-large for National Geographic Traveler, he has served as travel editor at the San Francisco Examiner-Chronicle, Salon, and Lonely Planet. Don has been honored 17 times by the Society of American Travel Writers and has taught travel writing at UC Berkeley and San Jose State. He has given presentations at Google and The New York Times and been featured as travel expert on NBS, CBS, ABC, and NPR. Don leads tours around the world for National Geographic and Geographic Expeditions.
Website: don-george.com
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May 16 – 20, 2022
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with Susan Bloom
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with Carlan Tapp
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with Norman Mauskopf
October 4 – November 22, 2022
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with Karen Divine
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with Zach Taylor
April 20 – May 11, 2022
Shape, Grow, and Improve Your Manuscript
with Jamie Figueroa

redpajama_set_name: RedPajamaCommonCrawl


Distribution: NT, India, Pakistan, Sri Lanka, China, Burma, Hong Kong, Vietnam, Thailand, Laos, Malaysia, Indonesia, Japan.
Notes: This species was first identified on mainland Australia from rice near Darwin in 1985 and identified by M.S.K. Ghauri who had published a revision of the genus a few years previously (Ghauri 1971). No further specimens were collected and it is presumed that the species had not become established. A second specimen was collected in May 2000, also on rice near Darwin. Whether the species has now established on mainland Australia is unknown.
The species can be differentiated from other species of Nephotettix known from Australia by the relatively longer vertex and the complete absence of dark markings from the vertex. Confirmation of identification requires an examination of the male genitalia.


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Wynne Gibson's filmography and actor connections
Wynne Gibson has starred in 45 movies. The 5 most recent movies Wynne Gibson was in are listed below.
Next is the list of 930 actors/actresses that Wynne Gibson has worked with spread over 47 pages. The list is sorted by the people Wynne Gibson has worked most frequently with. When you find the person you are looking for, click on the link to view a list of movies they have worked in together.
If you decide instead to click on a movie with Wynne Gibson, it will display the top billed cast. If the cast members have starred together in other movies; beneath the cast member a list will display.
Wynne Gibson's Filmography
Mystery Broadcast
as Eve Stanley
The Falcon Strikes Back
as Geraldine Lipton
A Man's World
as Blossom Donovan
Double Cross
as Fay Saunders
Cafe Hostess
as Annie
See full filmography
Bill Elliott and Wynne Gibson
Bill Elliott and Wynne Gibson have starred in 6 movies together. Their first film was City Streets in 1931. The most recent movie that Bill Elliott and Wynne Gibson starred together was Michael O'Halloran in 1937
Tom Kennedy and Wynne Gibson
Tom Kennedy and Wynne Gibson have starred in 6 movies together. Their first film was The Fall Guy in 1930. The most recent movie that Tom Kennedy and Wynne Gibson starred together was If I Had a Million in 1932
Robert Homans and Wynne Gibson
Robert Homans and Wynne Gibson have starred in 6 movies together. Their first film was City Streets in 1931. The most recent movie that Robert Homans and Wynne Gibson starred together was Double Cross in 1941
Hal Price and Wynne Gibson
Hal Price and Wynne Gibson have starred in 5 movies together. Their first film was Children of Pleasure in 1930. The most recent movie that Hal Price and Wynne Gibson starred together was My Son Is Guilty in 1939
Mary Gordon and Wynne Gibson
Mary Gordon and Wynne Gibson have starred in 5 movies together. Their first film was Ladies of the Big House in 1931. The most recent movie that Mary Gordon and Wynne Gibson starred together was Double Cross in 1941
Edward LeSaint and Wynne Gibson
Edward LeSaint and Wynne Gibson have starred in 5 movies together. Their first film was City Streets in 1931. The most recent movie that Edward LeSaint and Wynne Gibson starred together was Racketeers in Exile in 1937
Kent Taylor and Wynne Gibson
Kent Taylor and Wynne Gibson have starred in 5 movies together. Their first film was Kick In in 1931. The most recent movie that Kent Taylor and Wynne Gibson starred together was If I Had a Million in 1932
Jane Darwell and Wynne Gibson
Jane Darwell and Wynne Gibson have starred in 5 movies together. Their first film was Ladies of the Big House in 1931. The most recent movie that Jane Darwell and Wynne Gibson starred together was Miracle on Main Street in 1939
George Humbert and Wynne Gibson
George Humbert and Wynne Gibson have starred in 4 movies together. Their first film was The Captain Hates the Sea in 1934. The most recent movie that George Humbert and Wynne Gibson starred together was Miracle on Main Street in 1939
William H. O'Brien and Wynne Gibson
William H. O'Brien and Wynne Gibson have starred in 4 movies together. Their first film was Children of Pleasure in 1930. The most recent movie that William H. O'Brien and Wynne Gibson starred together was The Sign of the Cross in 1932
Arthur Hoyt and Wynne Gibson
Arthur Hoyt and Wynne Gibson have starred in 4 movies together. Their first film was The Gang Buster in 1931. The most recent movie that Arthur Hoyt and Wynne Gibson starred together was The Crosby Case in 1934
Wallis Clark and Wynne Gibson
Wallis Clark and Wynne Gibson have starred in 4 movies together. Their first film was If I Had a Million in 1932. The most recent movie that Wallis Clark and Wynne Gibson starred together was Trapped by G-Men in 1937
Jack Oakie and Wynne Gibson
Jack Oakie and Wynne Gibson have starred in 4 movies together. Their first film was June Moon in 1931. The most recent movie that Jack Oakie and Wynne Gibson starred together was If I Had a Million in 1932
Frances Dee and Wynne Gibson
Frances Dee and Wynne Gibson have starred in 4 movies together. Their first film was June Moon in 1931. The most recent movie that Frances Dee and Wynne Gibson starred together was The Crime of the Century in 1933
Wade Boteler and Wynne Gibson
Wade Boteler and Wynne Gibson have starred in 4 movies together. Their first film was Kick In in 1931. The most recent movie that Wade Boteler and Wynne Gibson starred together was I Give My Love in 1934
Ben Taggart and Wynne Gibson
Ben Taggart and Wynne Gibson have starred in 4 movies together. Their first film was Kick In in 1931. The most recent movie that Ben Taggart and Wynne Gibson starred together was Michael O'Halloran in 1937
Richard 'Skeets' Gallagher and Wynne Gibson
Richard 'Skeets' Gallagher and Wynne Gibson have starred in 3 movies together. Their first film was The Road to Reno in 1931. The most recent movie that Richard 'Skeets' Gallagher and Wynne Gibson starred together was The Crosby Case in 1934
Harrison Greene and Wynne Gibson
Harrison Greene and Wynne Gibson have starred in 3 movies together. Their first film was Her Bodyguard in 1933. The most recent movie that Harrison Greene and Wynne Gibson starred together was Forgotten Girls in 1940
Tom Ricketts and Wynne Gibson
Tom Ricketts and Wynne Gibson have starred in 3 movies together. Their first film was Man of the World in 1931. The most recent movie that Tom Ricketts and Wynne Gibson starred together was If I Had a Million in 1932
Alison Skipworth and Wynne Gibson
Alison Skipworth and Wynne Gibson have starred in 3 movies together. Their first film was If I Had a Million in 1932. The most recent movie that Alison Skipworth and Wynne Gibson starred together was The Captain Hates the Sea in 1934


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Heavy Drinking Tied to Raised Stroke Risk, Study Finds
TUESDAY, May 5, 2020 (HealthDay News) -- Lots of boozing might increase your risk for a stroke, Swedish researchers report.
Heavy alcohol use can triple your risk for peripheral artery disease, a narrowing of arteries that results in reduced blood flow, usually to the legs. It can also increase your risk for stroke by 27%. There's also evidence of a link to coronary artery disease, atrial fibrillation and aortic aneurysm, the researchers said.
"Our study indicates that alcohol consumption increases the risk of high blood pressure and certain cardiovascular diseases and, therefore, should be consumed in moderation or not at all," said lead researcher Susanna Larsson, an associate professor of epidemiology at the Karolinska Institute in Stockholm.
Although it's not clear exactly how alcohol increases stroke risk, Larsson said drinking boosts blood pressure, so that's a likely explanation.
A unique aspect of this study was how it was done. Rather than relying on people reporting their level of drinking, the researchers used a method known as Mendelian randomization. It looks at people's genes to determine if they have mutations that are known to be associated with potential risk factors. In this case, they looked for gene variations that influence heart disease and alcohol use.
"Genetic variants are randomly assorted at conception, cannot be modified, and are not associated with other self-selected behaviors or environmental factors that could bias the results," Larsson said.
While the study's design let researchers isolate the role of alcohol, it did not enable them to determine the level of drinking that caused harm.
"We cannot say that alcohol consumption below a certain amount is 'safe,'" Larsson said.
Dr. Larry Goldstein, chairman of neurology at the University of Kentucky in Lexington, reviewed the findings.
He said studies that identify a link between a potential risk factor and a disease based on patterns in the community have several limitations that make it difficult to establish cause and effect. The new research counters that.
"In this study, genetic variations associated with alcohol consumption were used as reflecting actual alcohol consumption and supported a causal association with stroke, possibly through an effect on blood pressure," he said. "The results support previous studies using this technique."
For the study, Larsson's team used genetic data from several large-scale consortia and the U.K. Biobank, which includes 500,000 people.
The American Heart Association noted that alcohol can be part of a healthy diet when consumed in moderation.
Moderate drinking is no more than one drink per day for women and two drinks for men. One drink means 12 ounces of beer (5% alcohol); 5 ounces of wine (12% alcohol); or 1.5 ounces of 80-proof spirits such as bourbon, vodka or gin (40% alcohol).
Because the number of heavy drinkers in the study was low, Larsson said the added stroke risk probably is not restricted to them alone. She said it wasn't possible to tell how much or how often people drank.
Dr. Gregg Fonarow, a professor of cardiology at the University of California, Los Angeles, said many studies have linked drinking with a reduced risk for heart disease and stroke. These studies have contributed to a perception that alcohol may have heart-protective benefits, he said.
"Yet, these observational studies are subject to bias, and there have not been large-scale randomized trials to provide high-quality evidence," he said.
The new findings, however, are evidence that drinking doesn't have heart-health benefits, Fonarow said.
"It further suggests that findings from prior observational data were likely the result of confounding factors," he said. "It also raises the possibility that there may be other cardiovascular risks associated with alcohol that should be considered."
The report was published online May 5 in the journal Circulation: Genomic and Precision Medicine.
For more about alcohol and heart disease, visit the American Heart Association.
SOURCES: Susanna Larsson, Ph.D., associate professor of epidemiology, Karolinska Institute, Stockholm, Sweden; Larry Goldstein, M.D., professor and chairman, department of neurology, University of Kentucky, Lexington; Gregg Fonarow, M.D., professor of cardiology, University of California, Los Angeles; May 5, 2020, Circulation: Genomic and Precision Medicine, online
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Parramatta Council Archives
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Parramatta and World War One
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Korean New Year
새해 복 많이 받으세요! "Sae-hae bok man-hi ba-teu-se-yo!" (meaning "I wish you many blessings this year!")
In Korea, Lunar New Year is celebrated and called Seollal or Sŏllal (설날). Based on the Lunisolar calendar, traditionally the event is celebrated over three days unlike the 15 days in China and is considered a celebration of family. It is a time when many Koreans (even those living overseas) will travel back to their hometowns to pay respect to their ancestors; to catch up with extended family and friends; and to embrace Korean cultural and culinary traditions.
In North Korea, Lunar New Year was abolished in 1953 following the Korean War but was revived in 1967.
The 12 animal gods of the Chinese zodiac are also followed and this year is the Year of the Pig. The pig is traditionally seen as a symbol of fertility and wealth. It is also the twelfth and final animal to appear in the zodiac's 12 year cycle before a new cycle begins.
A ceremony called Charye (차례, 茶禮) is performed on the first day of the lunar calendar. It is part of an ancestral ritual traditionally performed four time a year. Various foods are laid out on a table in a specific order during the ceremony with fruit in the front, vegetables in the second row, meats and fish in the third row and finally bowls of rice, soup and chopsticks in the back row.
Many Koreans will usually wear new colourful traditional Korean outfits known as Hanbok. Children will give a deep new year bow known as Sebae (세배, 歲拜) to their elders and in return they receive pocket money (in the form of fresh banknotes or now with increase use and convenience of technology – online payments) and well wishes from their elders. This is similar to the Chinese custom of elders giving young people lucky red envelops. Young people who have joined the workforce usually give envelopes of money in return to their parents as a token of appreciation during the holiday.
Shops are usually closed during Seollal. So activities the Koreans do include kite flying (or yeon-nal-li-gi) where new year wishes are written on the kites before they are flown high in the sky; playing traditional games such as Yun-nori (윷놀이), a popular traditional Korean board game played with 4 'yut-sticks'; Neol-ttwi-gi (널뛰기), Korean see-saw where Korean women and girls propel each other into the air; or Je-gi-cha-gi (제기차기) an outdoor hackey sack game played with a 'jegi' which is similar to a shuttlecock but made from paper wrapped around a small coin). Listening to old folk stories is another popular pastime.
Some of the delicious foods you will see Koreans eating during the holiday include Tteokguk (rice cake soup), Galbi Jjim (braised short ribs) and Jeon (Korean pancakes).
So once again,
새해 복 많이 받으세요! ("Sae-hae bok man-hi ba-teu-se-yo!")
Anne Tsang, Research Assistant, City of Parramatta, Parramatta Heritage Centre, 2019
Crump, William D. (2014). Encyclopedia of New Year's Holidays Worldwide. McFarland. pp. 134–135. ISBN 1476607486.
Lee, H. K. (2018, February 16). How South Korea celebrates the Lunar New Year — all about family, ABC News. Retrieved from https://abcnews.go.com/beta-story-container/International/south-korea-celebrates-lunar-year-family/story?id=53134759
The National Folk Museum of Korea (South Korea). (2014). Seol, In Encyclopedia of Korean Seasonal Customs, volume 1. pp. 30–46. t National Folk Museum of Korea. ISBN 8992128924.
Vandenberg, L. (2019, January 15). South Korea's 2 new year celebrations, The Diplomat. Retrieved from https://thediplomat.com/2019/01/south-koreas-2-new-year-celebrations/
Wikipedia contributors. (2018, December 19). Korean New Year. In Wikipedia, The Free Encyclopedia. Retrieved from https://en.wikipedia.org/wiki/Korean_New_Year
Wikipedia contributors. (2018, November 30). Jesa. In Wikipedia, The Free Encyclopedia. Retrieved from https://en.wikipedia.org/wiki/Jesa
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text:
Under 21s Team
Linnets' Fans' Forum »
All results expunged
Pages: 1 2 [3] 4
Author Topic: All results expunged (Read 5594 times)
Re: All results expunged
Void every league from Premier downwards. Show a bit of solidarity with those at grass roots level.
Lots at Grass roots level are not happy with null and void either Marcus......many there feel they haven't been listened to also
westlynnmike
Mike Riggs
My idea is to Roll 2019-20 and 2020-21 together and when a team plays a game (2020-21 Season) that was not played in 2019-20 it's for "Double Points".
No Plan Survives First Contact With the Opposition - Be Ready to Change Your Plan.
Blue_and_Gold
Independent Moderator
Observing the Ubermensch.
Just going through some of the other clubs forum. I thought these two posts from a couple of Altrincham supporters just goes to prove, that whatever the decision and no matter which club you support, there are going to be differing opinions on this topic.
Re: National League Suspended Indefinitely
Reply #4 on: Yesterday at 10:15:58 PM
I hope we - as club - vote for Kings Lynn to go up and support Barrows right to go up
Reply #5 on: Today at 10:19:49 AM
null and void it for me if you can't take it to a conclusion.......how can you promote kings lynn when their form has dipped and York are top???
Football supporters are the true voice of football.
The National League sees itself as an extension of the EFL so will do whatever actions are decided by the leagues above and won't give a thought to individual situations or clubs at Step 3 and below.
"Once you have been in the dark you learn to appreciate everything that shines"
Interesting to read Stephen Cleeves's comparison of possible football season conclusions with the decision to not null and void school exams but take into account performance during the year.
Unfortunately there is also a football comparison, if a match is abandoned it is replayed!
King's Lynn Town's promotion hopefuls have accepted a wage cut.
The Linnets - second on the National League North's suspended table – haven't played a game since Saturday March 14 - two days before football was suspended because of the coronavirus pandemic.
Owner Stephen Cleeve said he could be facing a shortfall of £100,000 in lost revenue, but announced on his Twitter account yesterday that the players had agreed to a salary cut.
"All of our players have very kindly agreed to take a 20pc wage cut until the end of the season," he wrote. "It gave me no pleasure to ask as I have always honoured contracts in or out the game, but I need to ensure that the club is still around for the start of next season whenever that is."
The National League has like most others, suspended its season indefinitely, but as yet have not announced how they will resolve the issues of promotion and relegation: it is thought that may depend on what the Premier League and EFL decide.
Last week the National League said it was "currently obtaining specialist legal advice, is consulting regularly with the Football Association and other stakeholders, and is committed to involving its member clubs in a pending decision on how best to conclude the 2019/20 season".
PFA chief executive Gordon Taylor says he will not take cut to his £2m salary
The chief executive of the Professional Footballers' Association, Gordon Taylor, has said he will not take a cut to his £2m salary, as the continuing dispute over footballers' wages appeared still some distance from being resolved.
Despite continued pressure from politicians, another meeting between league representatives and the PFA ended without any resolution on Monday, with both sides now looking to individual clubs to secure agreement with their players.
As Manchester United announced they would not use the government's furlough system and Liverpool reversed their decision to do so, each club is increasingly taking their own route, with some adopting a wait-and-see approach until it is clear how the season, currently suspended, might end.
This goes contrary to the hopes of the Premier League, which suggested all clubs consider a reduction of up to 30% in their players' wages after an extraordinary shareholders' meeting last Friday. But it is closer to the approach advised by the PFA, which asked that clubs should reveal their financial situation before players consider a pay cut.
Speaking to the Guardian, Taylor said: "What [the players] are saying is that it needs every club in its own locality to work things out for themselves – you can't have one suit fitting all sizes because there is such a variance in income and expenditure.
"It needs to be round the table with all the facts revealed and then I can assure you that players will come to a position that is mindful about keeping their club alive and in good health as well as their jobs alive."
Asked if he would take a pay cut, Taylor said: "The PFA will make donations and the PFA is involved in the players' charity. At the moment the PFA position is that we will continue to be paying all our staff of over 60 in full."
As clubs continue to formulate their own plans in response to the coronavirus crisis, Manchester United have written to their staff to confirm that all of their circa 900 full-time employees are to be paid as normal and that no one will be furloughed. Staff who are unable to work from home or have reduced hours have instead been encouraged to volunteer with the NHS or in their local communities.
Burnley also confirmed they would not be furloughing staff or cutting wages, despite the prospect – according to their chairman, Mike Garlick – of a possible £50m hole in club revenues. Elsewhere, David Moyes announced he would take a 30% cut in his wages at West Ham, becoming the third Premier League manager to do so after Bournemouth's Eddie Howe and Graham Potter of Brighton.
Just for balance , he has donated £500,000 to the NHS and charity
Quote from: Linnet on April 08, 2020, 09:23:54 AM
Personally, or do you mean the amount the PFA have apparently donated?
Same source as yours , seems personal
https://www.theguardian.com/football/2020/apr/06/pfa-chief-executive-gordon-taylor-says-he-will-not-take-wage-cut
That's not how I read it.
"Asked if he would take a pay cut, Taylor said: "The PFA will make donations and the PFA is involved in the players' charity. At the moment the PFA position is that we will continue to be paying all our staff of over 60 in full."
Sorry B & G if you read today's article in the link it clearly states he made a personal donation
Hi Linnet
I couldn't open your link, so re read the one I posted.
I've now read your link and I can see that its a personal one now.
Thanks B&G No worries
Mind I agree with your general point about being a tad hypocritical
The views and polls expressed on this forum are those of individuals and should not be attributed to the Blue & Gold Supporters' Trust unless stated otherwise. Their presence does not imply endorsement by the Trust and the moderators reserve the right to remove any messages considered to be abusive or defamatory.
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The target at 25 yards.
The wife and I decided to have a little fun at the local range. We each took one shot to see who would hit closer to the bulls eye. We didn't bet anything, although that could have been fun.
I used a Glock 17 9mm and she used a Sig 250 9mm. I hit in the "9" ring and was very happy with that, and then she took a shot. Now I sleep with one eye open.
Here is the wifes winning shot. Wasteland Approved.
Any of you guys ever have some friendly competition at the range?


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text:
The Sulphur Springs Old School Complex Historic District encompasses a collection of connected school buildings at 512 Black Street in Sulphur Springs, Benton County, Arkansas.  The main school building is a somewhat vernacular single-story brick structure with a gable-on-hip roof, built in 1941 with funding from the Works Progress Administration.  Its main entrance is set in a tall arched opening decorated with buff brick.  It is connected via covered walk to the gymnasium, a craftsman-style wood-frame structure with a gable-on-hip roof and novelty siding.  The gym was built in 1925 as a military barracks at Camp Crowder in Neosho, Missouri, and was moved to this location in 1948.  A wood-frame hyphen connects the gym to the 1949 cafeteria, a vernacular brick building.  The school complex was used until 1965 when Sulphur Springs' school were consolidated with those of Gravette.  The school now houses the local police department, history museum, and community meeting spaces.

The district was listed on the National Register of Historic Places in 2001.

See also
Camp Crowder Gymnasium, another recycled barracks from Camp Crowder
National Register of Historic Places listings in Benton County, Arkansas

References

School buildings on the National Register of Historic Places in Arkansas
School buildings completed in 1941
Historic districts on the National Register of Historic Places in Arkansas
National Register of Historic Places in Benton County, Arkansas
Schools in Benton County, Arkansas

redpajama_set_name: RedPajamaWikipedia


Connected IO Limited develops wireless products for machine-to-machine communications and Internet of Things connectivity in Australia. The last earnings update was 55 days ago. More info.
EQ4 underperformed the Communications industry which returned 16.9% over the past year.
EQ4 underperformed the Market in Germany which returned -5.6% over the past year.
It is not possible to calculate the future cash flow value for Connected IO. This is due to cash flow or dividend data being unavailable. The share price is €0.002.
Connected IO is loss making, we can't compare its value to the DE Communications industry average.
Connected IO is loss making, we can't compare the value of its earnings to the Germany market.
Connected IO is overvalued based on assets compared to the DE Communications industry average.
Unable to compare Connected IO's earnings growth to the Germany market average as no estimate data is available.
Unable to compare Connected IO's revenue growth to the Germany market average as no estimate data is available.
Take a look at our analysis of EQ4's management and see if the CEO's compensation is within a reasonable range, who is on the board and if insiders have been trading lately.
Unable to compare Connected IO's 1-year growth to the Europe Communications industry average as it is not currently profitable.
It is difficult to establish if Connected IO has efficiently used its assets last year compared to the DE Communications industry average (Return on Assets) as it is loss-making.
If you bought €2,000 of Connected IO shares you are expected to receive €0 in your first year as a dividend.


I finally got around to unsealing my Eyeko line n Shine pencils. They are chubby, 2 sided eye pencils. I got them in Pop star,Rock star, and Super Star.
The pencils are bigger than I expected, about 5 1/2 inches tall.
The application is surprisingly smooth, and they are well pigmented.
I'm not sure why I expected them to scratch and pull on my lids, but they don't so I'm very happy hehe.
Its not meant for thin eyeliner lines, but great for a quick smokey eye.
Below are swatches of how it would look smudged.
they used to offer free world wide shipping, but they changed it for international.
you can also get a discount if you sign up as an ambassador but there's a minimum to how much you purchase.
All products being reviewed are personally purchased by me, unless otherwise stated clearly within the post.
All images are owned and photographed personally by me unless stated otherwise.
chocomari ™ Chocomaripanda © Mari Biscotti all photos and graphics. Simple theme. Powered by Blogger.


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Sign In|
SSAC is Arts For All!
Growing the Arts in South Simcoe
Emerging Arts
Events - Young Artist Series: Katie Thurman
Young Artist Series: Katie Thurman
The St. John's United Young Artist Series is pleased to present Katie Thurman, Soprano, with Louise Gallaugher, Accompanist.
Katie will entertain with music from Bach to Broadway at this concert event.
Tickets are available at the following locations:
St. John's United Church 705-435-6732 ext 201
Mardi Doddington 416-4511504
Herbert's Western Wear, Alliston
South Simcoe Arts Council
*PRESS RELEASE*
RISING YOUNG STAR TO PERFORM AT ST. JOHN'S UNITED CHURCH
St. John's Church in Alliston is hosting the final concert for this season in their highly successful music series. This concert features the multi talented soprano Katie Thurman. Katie grew up on a small farm just outside of Everett. At the age of six she started taking piano lessons with her mother Louise Gallaugher, who is an accomplished pianist, music director at Knox Presbyterian and accompanist for The New Tecumseth Singers. Katie received her grade six diploma from the Royal Conservatory of Music in piano, and it was clear that music was becoming a huge part of her life. She was always singing around the house and wrote hundreds of songs throughout her years growing up. While attending Banting High School Katie was involved in many musical and theatrical performances. Katie started taking singing lessons with Suu Taylor who is a local voice teacher. She received her grade 8 diploma from the Royal Conservatory of Music in Voice, achieving First Class Honours with Distinction. She was also a finalist at the Ontario Provincial Music Festival in 2012. Katie has continued taking voice at York University and has studied with one of Canada's finest mezzos Catherine Robbin and briefly with the English soprano Norma Burrowes.
While at school Katie has sung with the York University Concert Choir and Chamber Choir. A huge musical influence for Katie these past five years while at York, has been singing soprano with the very successful WIBI A Cappella collegiate group where she is the Executive Coordinator. WIBI is the longest running collegiate a cappella group in Canada celebrating their 30th anniversary this year. They recently competed at the ICCA, the a cappella competition known from the Pitch Perfect movies.
Katie is an electrifying performer on stage and thrills her audience with her versatility and musicality, performing music from baroque to broadway.
Organizer John Dodington says that Katie's concert is a fitting way to end this year's music series. He advises you not to wait to get your tickets as the last two concerts were sold out events. It would be great to have a full house in support of our very own local singer. You are promised to be entertained from the beginning to the final number which will have you on your feet wanting an encore.
Tickets for the May 5th concert at 7:30 pm are $15 for adults and $10 for students.
Tickets can be purchased at St. John's United Church office in Alliston (across from Shoppers Drugmart) 705-435-6732 ext. 201, Mardi Dodington 416-451-1504, Alliston retail outlets: Herbert's Western Wear, Papermoon and South Simcoe Arts Council.
Student Ticket: $10.00 CAD
Tickets: $15.00 CAD
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text:
Rhynchobatus immaculatus, the Taiwanese wedgefish, is a species of fish in the family Rhinidae.
It is found in the Pacific Ocean in the vicinity of Taiwan.
This species reaches a length of .

References

immaculatus
Marine fauna of Southeast Asia
Taxa named by Peter R. Last
Taxa named by Hans Hsuan-Ching Ho
Taxa named by Chen Rou-Rong
Fish described in 2010
Taxonomy articles created by Polbot


text:
Brazil reached
but also
attack while holding
completely broken
covered with inscriptions
competition created
became a firefighter
and one of the guys
Best immediately began
first was created
Eternal record
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Forgive us, football fans from Russia who persistently consider Manchester United's English star of the early 1990s as their footballer, but we will take the liberty to include a Ukrainian…
« Liverpool to bone marrow
Resurrected Liverpool »
Brilliant years of Liverpool,
The 1970s were in English football the brilliant years of Liverpool, thanks in large part to Kevin Keegan's magnificent play. Already in 1973, the twenty-two-year-old football player for the first time became the champion of England. In the same year, Liverpool won the UEFA Cup, and became the first English club to win the national championship and the European Cup in one season.
In the finals, "Liverpool" was opposed by the German "Borussia" from Mönchengladbach. At that time, the players of the German national team Günther Netzer, Rainer Bonhof, Berti Vogts, who became European champions a year ago, shone in it. But Keegan after discounts Toshack scored two goals, and the total score of the first match was 3-0. And although Liverpool lost the return match in Monchengladbach – 0: 2, the English got the UEFA Cup.
Successes "Liverpool" continued. In 1976, he again won the UEFA Cup, this time defeating the Belgian Brugge. In the two final games, Keegan scored two goals. The following year, followed by a victory in the European Cup: in the final match with the score 3: 1 was defeated all the same "Borussia" from Mönchengladbach. And in 1976, and in 1977, "Liverpool" became the champion of the country. In 1976, Kevin Keegan was recognized as the best footballer in England.
KevinKigan3 But both of their "Golden Balls" of the best footballer in Europe, as he was declared in 1978 and 1979, Kevin Keegan already received as a footballer of the German "Hamburg". At first, the game here he didn't take shape very well — the German championship is noticeably different from the English in its rigidity and faster actions on the field. But Keegan quickly managed to reorganize – in Hamburg he was, rather, no longer a brilliant performer, but an organizing player. But here, too, he soon became the recognized leader of the team, defining its entire game. In 1979, he led the "Hamburg" to victory in the Bundesliga, and besides the club won the German Federal Cup. Keegan himself, in addition to his second Golden Ball, the best player in Europe, was named the best player of the FRG. When he turned thirty, he returned to England, but not to any of the famous clubs, but to the modest Southampton. However, here in 1982, Keegan was declared the best footballer in England for the second time in his career.
He completed his performances at home in Newcastle, which was then in the second division. Here Kevin Keegan spent two seasons, and they stood out from him just brilliant. To the delight of Newcastle fans, the great striker seemed to have a second wind. For two seasons, he scored 48 goals, and in October 1982, for the first time in his career, he made poker, scoring 4 goals against Rotherham. After the 1983–1984 season, Newcastle won the right to compete in the first division again, and this was Keegan's latest achievement in English football.
He spent some time in Malaysia, speaking for the Tigers Capital Club. After completing performances, he collaborated with television for some time, and in 1992 he returned to football as a coach. Newcastle was Kiegan's first club. In the 1995–1996 season, the club was close to winning the Premier League, ahead of Manchester United's closest competitor by 10 points, and yet finally lost the advantage, taking only second place. Then, for some time, Keegan headed Fulham. In 1999–2000, a great football player led the England team.
Posted in attack while holding, Brazil reached, but also, competition created, European champions, footballers in Europe, legalized within
it is estimated filled with sawdust parochial and working teams professionals was not goals place where star lights up in one national team plays penalty recruited masters especially for the population Among those were members minutes and the first goal Gerd at a training session colorful medieval costumes case excellent technique his ward against an opponent Committee decided to hold ahead of time won first place something of a mania teams as a whole love for football. obtained permission her loss last round all tournaments scored per match the defender the guys allowed experiences of the mother forever further way For all the time of playing three previous matches and Pele bumping into came to the competition bomb craters history of this trophy very soon players also did not which numerous clashes a third of which are quite the guy but no one believed
Truth and fiction about the "death match" - the football battle of Soviet athletes and Nazi gunners
The Great Patriotic War is remembered by many grand battles in which Soviet soldiers defended the independence of their homeland. But in the history of the confrontations of the USSR…
Matt busby
Before World War II, Matt Busby, who was born in Orbiston, Lancashire, played for Manchester City and Liverpool, spent several matches for the Scotland national team on the spot of…
a third of which are quite the guy Gerd at a training session the guys bumping into allowed players also did not came to the competition teams as a whole it is estimated place where colorful medieval costumes against an opponent excellent technique professionals was not last round Among those were members national team plays bomb craters Committee decided to hold goals experiences of the mother which her loss history of this trophy forever all tournaments especially for the population filled with sawdust love for football. parochial and working teams minutes and the first goal For all the time of playing ahead of time won first place obtained permission scored per match the defender star lights up in one numerous clashes and Pele something of a mania penalty very soon but no one believed further way case recruited masters his ward
For active fans, football is not just a game of eleven abstract athletes. Football is love for life, it is the unity of thousands of hearts, it is finally a…
Copyright © [2001-2020]. All Rights Reserved.basiliensis.com


How does one become "raised up with Christ"?
What are the "things above" that Christians are to seek?
In what sense do believers die with Christ?
What are the implications of having one's life hidden with Christ?
What changes will occur (spiritually, emotionally & physically) when believers are revealed with Christ in glory?


Chatel offers great value for money and a warm, sunny climate during the summer season. Guests at the apartment benefit from the Portes du Soleil Multipass subscription, which gives them FREE access to a mountain of activities and cut price access to other selected facilities for a cover charge of only EUR2 per person per day.
The Mulitpass can be used at similar venues at other villages throughout the Portes du Soleil.
Further details of the Multipass can be found here.
Chatel lies at the heart of the Portes du Soleil, which is a mecca for freeride, downhill and XCountry mountain bikers. The apartment is situated at the centre of Chatel, within easy reach of the Super Chatel trails or free navettes to the Pre la Joux mountain biking centre.
Download here the mountain bike guide.
Chatel and the surrounding mountains offer superb walking for all abilities. France's famous GR5 (Grand Randonee 5) trail, which routes 2300km from the Hook of Holland to the Mediterranean at Nice, passes through the Mont de Grange nature reserve which overlooks Chatel.
For those of lesser ability or wishing to take it easy, in summer, Chatel's ski lifts offer pedestrian access to the peaks of the mountains for only EUR1/day with the apartment's Multipass subscription. Visit the famous goat village (above) in Lindarets, just 3 lifts and a few hundred metres' walk from Chatel's Pre la Joux ski area.
A short 3km hike from the top of the Plaine Dranse chair is Col du Bassachaux and the excellent Haute Bise restaurant (below) with superb, panoramic views over Chatel and Montriond.
Archery, White water rafting, Tree-top adventures, Paragliding, Tennis, Climbing, Via ferrata, Horse riding, Mini-golf, Swimming pools, Fishing.


text:
T In The Park 2013 - Live In Balado, Kinross
Celebrating 20 years of festival fun...
ClashLive
ClashLive /
Clash went along to the 20th T In The Park. Like we wouldn't...
We're at a sunny T In The Park to celebrate 20 years of festival fun...
First stop is the King Tut's Wah Wah Tent which provides a treat in the guise of Phoenix. Having witnessed them at their inception in the confines of the tiny King Tut's venue, they have come a long way, both musically and in terms of stage presence, since then. They've always been a tight little band, and delight the young crowd with tracks from new album 'Bankrupt!', as well as drawing from their career-spanning catalogue. Tracks from 2009's 'Wolfgang Amadeus Phoenix' are well received. Indeed, judging by the audience's reaction, it's surprising this band isn't playing a bigger stage by now.
Forget Mumford & Sons: the legendary Kraftwerk just beamed down from planet Düsseldorf. Dressed in neon, wire-framed neoprene suits and standing beside minimal consoles, Ralf Hütter and company present their three-dimensional, multimedia extravaganza.
From the opening bleeps of the 'The Robots', robotic doppelgängers reach out towards the audience, displaying both dry humour and melodic muscle. Kraftwerk provide a flawless set, ranging from the electronic tone poem of 'Autobahn' to 'Tour De France' and 'Trans-Europe Express'; the audience is taken on a mind-blowing journey in retro-futurism, merging electro art with sonic perfection.
Words: John MacNeil
It only takes half an hour for it to happen. We're relaxing on the grass, enjoying our first beer in glorious sunshine, taking in our surroundings and plotting who to go and see. Just a few yards away, people are enjoying all the fun of the fair, up and down on a log flume, water splashing all over them and soaking their clothing. So much so that one cheeky reveller has decided to ride the log completely naked, and upon disembarking, runs to the edge of the railing shouting sexual profanities, grabs his penis in a fist, and proceeds to simulate masturbation.
Ah, now I remember why I haven't been here for some years. What has been seen cannot be unseen.
That aside, you can't help but admire the tenacity of T In The Park organisers. They've shifted, they've adapted, they've grown, and there genuinely is something for every one. On Saturday, it's pop day it seems, and there's a lot of it. Rita Ora, Noah And The Whale, all topped off by teenage role model Rihanna.
But not for us, as we're old bastards who can remember the first T 20 years ago, so we spend the day in the company of aural delights such as Daughter, Willy Mason, Laurent Garnier, British Sea Power, and a wonderful My Bloody Valentine.
MBV drown us in a cosmic sea, wave after wave of sweetly abrasive noise, a shuddering cacophony that feels drunk with melody. We wander to our cars with it still ringing in our ears, as elsewhere for some, the night no doubt turns to chaos. And that's just in the campsite.
Words: Mark Millar
It's nostalgia Sunday at T In The Park with the likes of Earth, Wind & Fire, Johnny Marr and Ocean Colour Scene cranking up the stages, blasting out tunes from the last decade or four.
Birmingham's Ocean Colour Scene take to the main stage and the crowd erupts with their first number 'The Riverboat Song'. This Led Zeppelin-inspired classic is still as annoyingly contagious as it first was all those years ago. They save the best until last, with the deliriously trippy 'The Day We Caught The Train'.
The Killers close T In The Park on the main stage, opening their set with 'Somebody Told Me' which instantly gets the crowd going, as does their absolute cult classic 'Mr Brightside'. They finish with covers: 'Shadowplay' by Joy Division and 'Side' by Travis.
It's fair to say that T In The Park's 20th anniversary goes out on an all-time high – there's a mish-mash of musical genres for everyone. You can't get a clearer polar opposite situation in the music spectrum than young whippersnapper Tom Odell and funk favourites Earth, Wind & Fire. T, we salute you.
Words: Morven MacNeil
Get the best of Clash on your iPhone - download the app here
Ocean Colour Scene
Live Report: EXIT Festival 2019
An ecstatic weekend at the much-loved Serbian event...
EXIT festival


text:
Q: I cant add new data to DataGrid I have been searching issues like this and making a lot of changes in my code but I can't solve it.
I have created a DataGrid:
    <DataGrid Grid.Row="1" ItemsSource="{Binding VarDt}"  AutoGenerateColumns="False" >
        <DataGrid.Columns>
            <DataGridTextColumn Header="Name" Binding="{Binding Name}"/>
            <DataGridTextColumn Header="ID" Binding="{Binding Id}"/>
        </DataGrid.Columns>
    </DataGrid>

The list of the class that Im using is in the Main model.
    private List<ObjectVariable> _varDt;
    public List<ObjectVariable> VarDt
    {
        get { return _varDt; }
        set
        {
            _varDt = value;
            OnPropertyChanged("VarDt");
        }
    }

When I add the data for the first time it works and I can see the values in my DataGrid:
        public MainViewModel()
        {
        VarDt = new List<ObjectVariable>()
        {
            new ObjectVariable { Id="9846849", Name="Val1" },
            new ObjectVariable { Id="fregreg", Name="Val2" },
            new ObjectVariable { Id="cd6s8s6", Name="Val3" }
        }; [...]

But when I add new items when i execute a command (when i tree item is double clicked), the DataGrid doen's update.
(code where I add the new item that it doens't work):
    private ICommand _selectItemCommand;
    public ICommand selectItemCommand
    {
        get
        {
            return _selectItemCommand ?? (_selectItemCommand = new RelayCommand(param => this.LoadContent(param)));
        }
    }

    private void LoadContent(object selectedMenuItem)
    {
        // NEW ITEM THAT IS NOT ADDED WHY???
        VarDt.Add(new ObjectVariable { Id = "cw61851cw", Name = "ValPost" });
    }

I dont know if I am not raising the PropertyChanged event correctly and how I can do it.
Someone can tell me how can I add data correctly to my DataGrid.
Thanks!
Edit 1: Still not working with observable collection
Declaration:
        private ObservableCollection<ObjectVariable> _varDt;
    public ObservableCollection<ObjectVariable> VarDt
    {
        get { return _varDt; }
        set
        {
            _varDt = value;
            OnPropertyChanged("VarDt");
        }
    }

Public MainViewModel():
            VarDt = new ObservableCollection<ObjectVariable>()
        {
            new ObjectVariable { Id="9846849", Name="ValuesAtStart1" },
            new ObjectVariable { Id="fregreg", Name="ValuesAtStart2" },
            new ObjectVariable { Id="cd6s8s6", Name="ValuesAtStart3" }
        };

Command:
        private void LoadContent(object selectedMenuItem)
    {

            // NEW ITEM THAT IS NOT ADDED WHY???
            VarDt.Add(new ObjectVariable { Id = "cw61851cw", Name = "ValueInsideCommand" });
    }

Result (data from command not added):
Value inside command not added
Edit 2: Problem found but I dont have the solution
The DataGrid where I have the problem is inside another View that I manage with another class and a ContentControl:
Actually I have:

*

*MainViewModel and the MainView.

*VariablesViewModel and VariablesView that i put inside the ContentControl.
The VariablesViewModel is empty, I only use it to show the VariablesView.

When I execute a command, I show the VariablesView in the ContentControl:
        private void LoadContent(object selectedMenuItem)
    {
        TreeItemModel ItemSelected = (TreeItemModel)selectedMenuItem;

        if (ItemSelected.Name == "Object variables")
        {
            // Current view is VariablesView
            CurrentView = VariableVM;

            // NEW ITEM THAT IS NOT ADDED WHY???
            VarDt.Add(new ObjectVariable { Id = "cw61851cw", Name = "ValueInsideCommand" });

        }

        else CurrentView = "";
    }

I realized that the DataGrid inside the VariablesView that I show in the ContentControl doesn't update the values, but if I put the same DataGrid in the Main View, the values are updated.
Maybe the problem is that "VarDt" is in the MainViewModel, not in VariablesViewModel, but I can show some data, (only the new values are not showed)
Test code:
                [...]
            <ContentControl Grid.Column="1"
                            Margin="10"
                            Content="{Binding CurrentView}"/>

            <DataGrid Grid.Row="3" Grid.Column="2" ItemsSource="{Binding VarDt}"  AutoGenerateColumns="True" />
            [...]

Result of test Code:
DataBinding result using ContentControl os DataGrid in MainView
Edit 3: Full context
Variables view:
<UserControl x:Class="AOE.MVVM.View.VariablesView"
         xmlns="http://schemas.microsoft.com/winfx/2006/xaml/presentation"
         xmlns:x="http://schemas.microsoft.com/winfx/2006/xaml"
         xmlns:mc="http://schemas.openxmlformats.org/markup-compatibility/2006"
         xmlns:viewmodel="clr-namespace:AOE.MVVM.ViewModel"
         xmlns:d="http://schemas.microsoft.com/expression/blend/2008"
         xmlns:local="clr-namespace:AOE.MVVM.View"
         mc:Ignorable="d"
         d:DesignHeight="450" d:DesignWidth="800">
<!--Asignación del archivo .cs a esta view-->
<UserControl.DataContext>
    <viewmodel:MainViewModel/>
</UserControl.DataContext>
<Grid>
    <Grid.RowDefinitions >
        <RowDefinition Height="30*" MaxHeight="70"/>
        <RowDefinition Height="100*"/>
        <RowDefinition Height="10*" MaxHeight="30"/>
    </Grid.RowDefinitions>
    <StackPanel Grid.Row="0">
        <Image Source="/Media/Variables.png"
               Height="50"
               Width="50"
               HorizontalAlignment="Left"/>
        <TextBlock Text="Variables"
                   FontFamily="Verdana"
                   Foreground="#007BC0"/>

    </StackPanel>
    <DataGrid Grid.Row="1" ItemsSource="{Binding VarDt}"  AutoGenerateColumns="True" >

    </DataGrid>
</Grid>

VariablesViewModel:
Empty class.
AppXaml:
<Application x:Class="AOE.App"
         xmlns="http://schemas.microsoft.com/winfx/2006/xaml/presentation"
         xmlns:x="http://schemas.microsoft.com/winfx/2006/xaml"
         xmlns:local="clr-namespace:AOE"
         xmlns:viewModel="clr-namespace:AOE.MVVM.ViewModel"
         xmlns:view="clr-namespace:AOE.MVVM.View"
         StartupUri="MainWindow.xaml">
<Application.Resources>

    <DataTemplate DataType="{x:Type viewModel:VariablesViewModel}">
        <view:VariablesView/>
    </DataTemplate>

</Application.Resources>

MainViewModel:
namespace AOE.MVVM.ViewModel
{
class MainViewModel : ObservableObject
{

    public ObservableCollection<ObjectVariable> VarDt { get; set; }

    //public TreeItemModel ItemSelected { get; set; }

    private ICommand _selectItemCommand;
    public ICommand selectItemCommand
    {
        get
        {
            return _selectItemCommand ?? (_selectItemCommand = new RelayCommand(param => this.LoadContent(param)));
        }
    }

    private void LoadContent(object selectedMenuItem)
    {

        // Current view is VariablesView
        CurrentView = VariableVM;

        // NEW ITEM THAT IS NOT ADDED WHY???
        VarDt.Add(new ObjectVariable { Id = "cw61851cw", Name = "ValueInsideCommand" });

    }

    public VariablesViewModel VariableVM { get; set; }

    private object _currentView;

    public object CurrentView
    {
        get { return _currentView; }
        set
        {
            _currentView = value;
            OnPropertyChanged("CurrentView");
        }
    }

    public MainViewModel()
    {

        MainTree.Add(MainObject);

        VarDt = new ObservableCollection<ObjectVariable>()
        {
            new ObjectVariable { Id="9846849", Name="ValuesAtStart1" },
            new ObjectVariable { Id="fregreg", Name="ValuesAtStart2" },
            new ObjectVariable { Id="cd6s8s6", Name="ValuesAtStart3" }
        };

        VariableVM = new VariablesViewModel();

    }
  }
}

A: VariablesView defines MainViewModel as its DataContext explicitly in XAML. That's why the DataGrid shows initial values: the values from the MainViewModel constructor. Since this is a new instance, changing the values of one instance does not change the values of the second instance.
Two simple solutions to fix this issue.
One solution can be to bind the DataContext of the VariablesView to the original MainViewModel instance.
You can define a RelativeSource to lookup the parent ContentControl and uses its DataContext as source for the DataContext binding:
VariablesView.xaml
<UserControl DataContext="{Binding RelativeSource={RelativeSource AncestorType=ContentControl}, Path=DataContext}">
  ...
</UserControl>

The second and recommended solution is to use the natural DataContext, that is inherited from the DataTemplate.
The consequence is that VariablesViewModel can't be empty. If MainViewModel and VariablesViewModel share data like the VarDt property, then don't duplicate those properties. Rather bind the controls that depend on this shared properties explicitly to the DataContext of the ContentControl (MainViewModel). Other non-shared data that relates to VariablesView must be moved to the VariablesViewModel.
The following example assumes that VariablesView is not a reused control. Not, if reusability does matter, all internal bindings must reference the inherited DataContext. This means Binding.RelativeSource to lookup a source outside the UserControl must be avoided.
VariablesView.xaml
<!-- DataContext is inherited from the DataTemplate and is the VariablesViewModel -->
<UserControl>

  <!-- Bind explicitly to the shared data located in MainViewModel -->
  <DataGrid ItemsSource="{Binding RelativeSource={RelativeSource AncestorType=ContentControl}, Path=DataContext}" />
</UserControl>

redpajama_set_name: RedPajamaStackExchange


Epson Stylus NX430 Printer Driver Download – The Epson Stylus NX430 packs quality and execution into one space-saving printer. Part of the new line of Epson Small-in-One printers, it fits wonderfully in every practical sense any setting. Likewise, it highlights Epson Connect, so you can acknowledge minute remote printing from understood PDAs. It's definitely not hard to confer your Small-in-One to Easy Epson Wireless setup and the latest in remote development. Use the 2.5″ LCD, astute touch board and characteristic card spaces to print magnificent photos — sans pc. Whatever you're printing, you can focus on what's basic on account of whisper quiet operation. You even can yield and annal key reports, quickly make shading copies, and use the photo change instruments to get flawless photos.
This printer is a breeze to set up right out of the holder and with two or three straightforward steps, she was set up to print, yield and fax to her heart's substance. You have heard that unstable comes in little packages and this printer exhibits that. Stacked with components like; execution engraving on the go, she can use Epson's Email Print, a pushed print development that allows her to use her tablet or propelled cell telephone to print to her printer whether she is transversely over town or over the world. With a couple print modes it gives her a decision of significant worth and pace settings in perspective of what she is printing from draft copies to best photo. Epson passes on high print quality with their DURABrite Ultra all-shading ink. The ink won't spread or run paying little heed to the way that it gets wet, and is ideal for printing photos, reports and imaginative endeavors. Right when printing photos she can use the Auto Photo Correction that therefore changes lighting in inadequately introduced pictures to make immaculate prints. Epson Stylus NX430 Printer Driver Download even allows her to repair old, obscured, recolored photos back to their exceptional splendor using the Epson Scan programming. Four scanner modes adds to the versatility, with automated sifting, letting her range reports just, while allowing her to have more control with bleeding edge settings for analyzing photos and delineations and complete control of yield settings in the Professional Mode.


The one thing I will add to that wisdom is that the illusion of knowledge isn't just about the things that we think we understand through our brains, but also what we feel through our bodies.
The accomplishment of a particular skating move, for instance. When I am able to move successfully from one edge to another, I feel like I've "mastered" something. I pat myself on the back. I keep doing that transition, thinking it is the right way to do something. I go on for years. It feels not just normal ("the way I do things") but right ("if I did things another way I wouldn't be able to do them at all"). I invest years in this kind of thinking.
At some point, I realize that I can't go on doing things in this way. Maybe it's that I can't get any more speed, or I can only do this move in isolation. Maybe there's some kind of pain involved that lets me know that what I'm doing is putting unwanted pressure on a knee, an ankle, a foot.
I start to realize that something's wrong, not just with this particular move, but with the way I skate in general. A coach will point out that a particular joint (say, the hips) is not moving correctly. Even after working on a relatively simple move (say, chassés in a circle, or back crossovers, or swing rolls, my favorite) I realize that I don't feel comfortable.
I'm told that the reason I can't do something is because I'm literally moving the wrong way: my hip remains stuck in "forward" when at some point it needs to move back; my ankle still isn't bending; I'm not on the correct part of my blade. And being told these things, I try to comply, but it feels really scary. After a few minutes, my muscles are exhausted, and I feel like my brain is trying to manage too many moving parts.
It's terrifying not just because I've ingrained these habits but also because I've built up parts of my ego (the "feeling good" parts–oh no!) by thinking that I know how to do something.
So I go home, and rather than cry (there are far many more things in the world to cry about), I write about grunting and screaming in my blog. And I realize that in order to really learn how to skate, I have to let go of the overall illusion that I know what I'm doing.
I watch a few videos (Yuzuru Hanyu, Alexandra Trusova) and I marvel not only at those quads but the fact that their hips move in perfect harmony. And I read obituaries of Stephen Hawking and realize what a master he was–and not just of physics. And I go to bed early and sleep late (spring break, after all) and think about all the skating I'm going to learn today.
A beautiful idea. Thanks for sharing. I've been relearning "mastered" things and feeling frustrated about it; this helps. It helps with my learning humility (or, unlearning arrogance), too.
Thank you so much, Wynne. It helps to know that I am not alone here. Those of us who take on skating after we think we are all grown up have a harder time with this! But in the end, we will be wiser–and be better skaters, hopefully.
It is so hard to re-learn something that we think we have mastered. It's good that the coaches at your rink will tell you when something isn't right. That is a gift. Otherwise, imagine how much longer you could go doing things incorrectly and potentially injuring yourself! I'm in the same boat as you – I constantly think I'm doing something right (like crossovers) but then come to find out that I'm not doing them correctly! It's frustrating, but part of our long journey!
Eva, that is so right–I am really grateful for my coaches telling me like it is. (Grrr….) And even though it's a long journey, the fact that I'm still pursuing it makes me one of the lucky ones!!!


A new study comparing Alcoholics Anonymous (AA) to alternative mutual help groups find these groups perform about as well as 12-step programs, Vox reports.
The study compared AA, the original 12-step program, with the three biggest alternative mutual help groups: Women for Sobriety, SMART Recovery and LifeRing.
The researchers surveyed more than 600 people with an alcohol use disorder (AUD) who were involved in one of the groups studied. They followed up at six months and 12 months, measuring abstinence from drinking and alcohol-related problems.
After controlling for several factors, the researchers concluded that these alternative groups are as effective as 12-step groups for those with AUDs. The findings appear in the Journal of Substance Abuse Treatment.
"This study suggests that these alternatives really are viable options for people who are looking for recovery support and don't like AA for whatever reason," said lead researcher Sarah Zemore of the Alcohol Research Group in Emeryville, CA.


text:
<?php
class Kwc_Advanced_Amazon_Nodes_Detail_Component extends Kwc_Directories_List_Component
{
    public static function getSettings()
    {
        $ret = parent::getSettings();
        $ret['generators']['child']['component']['view'] = 'Kwc_Advanced_Amazon_Nodes_ProductsDirectory_View_Component';
        return $ret;
    }

    public static function getItemDirectoryClasses($directoryClass)
    {
        $ret = array();
        $class = self::_getParentItemDirectoryClasses($directoryClass, 0);
        foreach ($class as $c) {
            $ret[] = Kwc_Abstract::getChildComponentClass($c, 'products');
        }
        return $ret;
    }

    protected function _getItemDirectory()
    {
        return $this->getData()->parent->getChildComponent('_products');
    }

    public function getSelect()
    {
        $select = parent::getSelect();
        if (!$select) return $select;

        $select->whereEquals('BrowseNode', $this->getData()->row->node_id);

        return $select;
    }
}

redpajama_set_name: RedPajamaGithub