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Waddesdon Coach Stations
Coach Stations Waddesdon: It is easy to use the hassle-free google road plan down the page to look for coach stations obtainable close to the Waddesdon, Buckinghamshire locality.
Find Local Coach Stations in Waddesdon Buckinghamshire
Viewable right here are the actual business entries with reference to coach stations in the vicinity of Waddesdon, utilizing the zoom out function (lower right of map) enables you to view results across a greater zone. In this way you will see listings for: Upper Winchendon, Quainton, Calvert, Dorton, Woodham, Cuddington, Westcott, Poundon, Chearsley, Dinton, Kingswood, Steeple Claydon, Oving, Ashendon, Bicester, Brill, Whitchurch, Ludgershall, Aylesbury, Dinton, Piddington, Nether Winchendon, Edgcott, Wootton Underwood, Charndon, Marsh Gibbon, Grendon Underwood.
Other websites where you may check out directories of Waddesdon coach stations will be Yell, Lacartes and Business Index.
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Review of Waddesdon: An age old farming community with a thirteenth century parish church, Waddesdon is found approximately ten kilometres west of the large town of Aylesbury in Buckinghamshire (Bucks). Waddesdon is probably best known as being the location of the Rothschild family owned, sixteenth century Renaissance style, Waddesdon Manor (these days administered by the National Trust), attracting countless visitors to the area.
Waddesdon today houses a population of around two thousand (in 2011) and is still peppered with structures built by the Rothschild family (the Village Hall, the Five Arrows Hotel and properties built for Manor employees). Waddesdon parish consists of roughly seven thousand acres (combined with Westcott, Woodham, Eythrope and Wormstone). Waddesdon once had a railway station which connected it to neighbouring Aylesbury, this is long decommissioned & the village may only be reached by road (namely the A41).
Waddesdon's Past History: Until the Norman conquest, Waddesdon was obviously a Saxon village, the manor being controlled by one of Queen Edith's men, Brictric. In the 1086 Domesday Book the manor was valued at twenty seven hides and documented to be possessed by Miles Crispin. The manor of Waddesdon was overseen by quite a few landowners prior to finally passing to John Spencer Churchill, 7th Duke of Marlborough in the nineteenth century, these included Thomas Earl of Devon and Henry of Oxford. Art enthusiast, politician and a affluent Austrian banking family, Baron Ferdinand de Rothschild, obtained the whole Bucks estate of the Duke of Marlborough in the late 19th century, which included Waddesdon & surrounding areas.
Waddesdon Manor House: Ferdinand de Rothschild proceeded to build the striking Waddesdon Manor House, using a layout by Gabrielle-Hippolyte Destailleur, in the style of a 16th century French chateau, right down to the wine cellars. Baron Ferdinand passed away in 1898, his estate being inherited by his sister, Alice Charlotte de Rothschild. The Manor was constructed as a family home and also to house the Baron's considerable collection of tapestries, art and furniture. The Manor was bequeathed to the National Trust on the death of James de Rothschild in the late 1950's, it later developed into a celebrated visitor attraction. There are many aspects which draw in tourists to Waddesdon Manor and these include fantastic restaurants, meeting areas, gift outlets, child's area, a first class marriage venue, a garden centre plus much more combined with the gardens plus the beautiful building itself featuring its collections of artwork, statues and furnishings. Waddesdon Manor and grounds in addition organizes countless events and functions throughout the year like food markets, art exhibitions, carol singing, wine tasting events, and horticultural events.
Apart from the current day title the village of Waddesdon has additionally been known as Votesdone (11th C) and Woddesdon (14th C), throughout the ages it's traditionally depended on agriculture. During the eighteenth century it briefly had a go at silk making, when a modest factory started in 1843 used as an addition to a larger factory in neighbouring Aylesbury. Lace manufacturing was additionally accomplished by some of the women of the parish in the mid to late nineteenth century. In approximately 1190 construction began on Waddesdon's parish church of Saint Michael and All Angels, the present church tower replaced a 14th century one in 1892, the font is dated 1400.
Facilities - Wedding Venue - The Dairy at Waddesdon Manor: Remarkably pretty, the widely known wedding venue, The Dairy at Waddesdon Manor near Aylesbury in Bucks, delivers a beautifully romantic back drop to your ideal wedding day anytime of year. Nestling in a relaxed waterside setting within superb garden areas, The Dairy at Waddesdon is a pleasant private building on the Waddesdon Estate, expertly devised for the rich Rothschild's in the nineteenth Century and for a a century or more the country estate of the Rothschild dynasty. You, with family and guests can experience a taste of that privileged lifestyle: superlative food, quality wines, and skilled service with full uniqueness assured. The fabulous Dairy at Waddesdon has a license for civil marriages under the Antler Chandelier, in the Winter Garden, within the West Hall and outside (under cover) by the lakeside pavilion. Call: 01296 653226.
A selection of Waddesdon streets and roads: Goss Avenue, Quainton Road, Waddesdon Hill, Little Britain, Sharps Close, Chestnut Close, Queen Street, Rose Terrace, Frederick Street, Silk Street, School Lane, Grove Way, Baker Street, Orchard Close, The Grove, Taylors Corner, Warmstone Close, Warmstone Lane, Anstey Close, High Street, The Square, Wood Street, Eythrope Road, New Street, Rectory Drive.
You could find a whole lot more pertaining to the village and neighbourhood by looking at this site: Waddeson.
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Relatively handy for exploring Waddesdon Manor & overlooking amazing open landscapes, this wonderful holiday home is blessed with magical views & is properly appointed throughout, making this suitable for a tranquil vacation or short break. The cottage is placed on the outskirts of the quiet little village of Ashendon roughly five miles drive from Waddesdon.
Looking out onto a sizable garden, with bar-b-que, outside furniture and a lot of fruit trees, this property has a warm and comfortable wooden beamed sitting area that has an open fire for warming up on winter days, in the spacious kitchen you'll find an AGA cooker, ideal for preparing a home-cooked English breakfast prior to leaving to explore.
The holiday home is only a short amble from the village boasting a classic public house (The Hundred of Ashendon), offering real ale and outstanding meals, and as well as Waddesdon, is convenient for going to such areas as Cuddington, Aylesbury, Chearsley and Haddenham, additionally in close proximity are the Chilterns. This excellent cottage is made for a break whenever the mood takes you.
This information should be useful for surrounding towns and villages such as: Brill, Aylesbury, Quainton, Cuddington, Whitchurch, Wootton Underwood, Dinton, Upper Winchendon, Poundon, Nether Winchendon, Ludgershall, Marsh Gibbon, Charndon, Bicester, Kingswood, Dinton, Steeple Claydon, Dorton, Westcott, Piddington, Chearsley, Edgcott, Calvert, Woodham, Ashendon, Grendon Underwood, Oving.
© Waddesdon Businesses - Coach Stations


Does Rome Have Any Interest In Sustainability?
Last week I decided to go to Rome for a getaway weekend. I needed to escape from the Berlin autumn (yes, it's already there, although the summer never showed up!), and I was interested to see what was happening in the city in terms of sustainability.
On the face of it, Rome doesn't feel like a green and sustainable city at all! I walked in its streets for hours and hours over four days to only encounter three plugin stations along with a couple of plug-in vehicles and one — only one — cycling lane.
Something that really hit me after only walking for a couple of seconds in the city center is the noise! Living in a familial and quiet part of Kreuzberg, this was a cultural shock, and an aggressive one! I realized after a while that instead of talking to each other, my friends and I were yelling to cover the noise of the vehicles and car horns. Because of all this traffic, air pollution readings often reach emergency levels in Rome, forcing partial city shutdowns. Before its renovation, the Colosseum was covered in so much smog that it took two years and €25 million to clean it.
In 2016, more than a third of Italian households perceived air pollution in the area where they lived — 43.4% in the Lazio region, which Rome is part of — while a fifth of them complained of unpleasant odors in the area they lived in.
My friend Lucia, who was born and raised in Rome, told me that it was impossible for her to not have a car, because of the poor quality of the public transportation system. One morning, she drove me with her car to the metro station so I could reach the city in a reasonable time. I tried to convince her not to, that I could take a bus and walk, but this was not about her being an incredible host. Once we reached the station 15 minutes later, I realized that a lot of people were being dropped off or picked up there as well, by family or friends with a car. It reminded me of when my parents drove me to the train station every Monday morning when I was a teenager in order for me to get to high school. The only difference is: we were living in a village with 300 inhabitants, and my school was 60 kilometers away.
The first one is the number of passenger cars for 1,000 inhabitants in the Region of Lazio: 628.7. We can add here the number of circulating motorcycles for 1,000 inhabitants, still in Lazio: 115.2.
The second figure is the number of children and students who travel to school or university by public means of transport, they are only 34.8% in the same Lazio region.
In the metro in Rome, there are only two lines, and it gets very, very busy. I have lived in Paris, London, and now Berlin, and I had always complained about public transport being late, slow, or packed, but Rome reaches a different level of inconvenience. The city has been trying to build a third line for ages, but the fantastic thing about Rome is that whenever they dig, they find some ruins from ancient times, so they have to rethink the project over and over again.
Waiting for the metro in Rome.
Being a tourist and not having anywhere to be at anytime, I walked everywhere once I reached the center. But this is a much bigger problem for the 2.8 million inhabitants, especially knowing that the cost to rent an apartment is so exorbitant in Rome. In fact, it is more affordable to live in the outskirts of the city, buy a car, and pay for insurance and gas, than rent a 25 square meter studio in the city center. According to the national statistic institute, Istat, 183,200 households live in relative poverty in the Lazio region. It's no wonder that sustainability comes after the financial aspect when having to decide between living in the city center and going by public transportation, or living in the cheapest apartment outside of the city center and going around with a private car. This is especially true for the youth, which suffer from a labor market that doesn't seem to be adapted to their needs: in Lazio, 41% of the youth is unemployed.
Along with the two metro lines, Rome also has a network of old and dirty buses and tramways. In fact, my friend told me they recently changed all the buses (it doesn't look like it), and the ones that were here a couple of years ago reminded her of the ones she use to take during her trip to South East Asia. Hearing this from a woman who just spent three months in Kathmandu is quite concerning.
In my desperate quest for sustainable initiatives, I asked Lucia, "what about being sustainable yourself?" — and here again, it's not easy. Whether it is because you need a car to get to work or because organic and sustainable products are not affordable and difficult to find, she is herself struggling to live by her convictions. And it's really frustrating.
One other environmental problem in Rome is the water treatment and use. In 2017, Italy has faced its driest springs in some 60 years, with some parts of the country registering rainfall 80% below normal. The Lazio region had even mulled a measure to stagger water supply shutdowns in certain neighborhoods of the capital for 8 hours a day in order to stop withdrawing water from Lake Bracciano because it had dropped to such a low level that it risked sparking an environmental disaster. There was a big controversy about shutting down the numerous fountains that locals and tourists use for a much needed refreshment during the summer. But one would point that the problem doesn't come from the running fountains, but from the fact that between 30% and 50% of Rome's water leaks from pipes.
Another thing that struck me is the waste management. There are a few recycling bins in the city centers, but they can be overflowing for days before being emptied, adding to the already abundant litter that tourists and locals alike nonchalantly scatter. And when the old little truck comes to empty them, it's during the middle of the afternoon blocking the way for the pedestrians for a couple of minutes. I feel like I'm being a bit dramatic here, but the city can surely do better. But it is improving. When we compare the number of municipal waste disposed in landfills, we can see that the number has dropped in the Lazio region from 539.7 kg per inhabitant in 2004, to 68.4 kg per inhabitant in 2015.


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Die Ragower Mühle ist eine historische Wassermühle im Naturpark Schlaubetal. Sie befindet sich südlich von Müllrose zwischen Mixdorf im Westen und Schernsdorf im Osten in der Gemeinde Siehdichum. Sie ist ein Baudenkmal in der Gemeinde.

Geschichte
Im 12. Jahrhundert gründeten die Brüder des Johanniter-Ordens zu Friedland eine Wassermühle an der Schlaube.
Jahrhundertelang bildete hier die Schlaube eine natürliche Grenze zwischen dem Johanniter-Ordensamt Friedland und dem Stiftsgebiet Neuzelle.

Die Mixdorffsche Mühle wurde im Jahre 1508 von der Familie von Strumen (Streumen), welche auch in Besitz des Gutes Ragow war, erworben, und erhielt nun den Namen Ragower Mühle.

Als Getreidemühle um 1670 erwähnt, wurde sie ab 1743 auch Schneidemühle, da der Müller Johann Heinrich Schauer (Schur) die Mühle erwarb und erweiterte, welche bis dahin als Lehen des Gutes in Ragow zinste. In den Folgejahren wurde sie unter der Familie Schur, welche die Mühle bis 1926 in Besitz hatte, um eine Rohrmühle erweitert.

Das heutige zweistöckiges Mühlengebäude wurde um 1810 erbaut, die Mühle selbst, bis zur Stilllegung 1968 als Säge- und Ölmühle genutzt, erhielt um 1920 eine neue technische Ausstattung: einen Mahlgang, eine Quetsche, einen Plansichter, Reinigung (Aspirateur, Trieur, Schälmaschine), eine Mischmaschine, einen Sechskantsichter, einen Auflöser, Fahrstuhl, einen Antrieb über Francisturbine mit stehender Welle.

Im Jahre 1873 wurde dem Mühlenmeister Ernst Schur die Genehmigung erteilt, das 10 ar große Mühlengrundstück aus dem Gemeindebezirk Ragow, damals Landkreis Beeskow-Storkow in den Gemeindebezirk Tschernsdorf, Landkreis Guben, verlegen zu lassen.

Die allgemeine wirtschaftliche Lage zwang die Familie Schur zum Verkauf, neuer Besitzer wurde der Berliner Industrielle Paul Schenk.
Die Familie Schenk wurde mit dem Ende des Zweiten Weltkrieges enteignet und im Februar 1946 wurde im Rahmen der Bodenreform der Grundbesitz der Ragower Mühle aufgeteilt. Die Mühle lieferte noch bis 1951 Mehl, über das Schaufelrad wurde mittels Turbinen bis 1964 Strom erzeugt und bis 1968 wurde die Schrotmühle betrieben, welche im selben Jahr infolge staatlicher Beschlüsse der DDR stillgelegt wurde.

In den 1980er Jahren wird die Mühle als Technisches Denkmal in die Denkmalliste des Kreises Eisenhüttenstadt-Land aufgenommen und es erfolgte die Neueindeckung des Daches der Gebäude. Die Wohngebäude der nun denkmalgeschützten Mühle wurden für ein Kinderferienlager des VEB Kraftverkehr Frankfurt (Oder) genutzt.

Der staatliche Forstwirtschaftsbetrieb in Müllrose begann 1987 mit der Restaurierung des Wohnbereiches, leider erfolgte 1989 der teilweise Abriss des Stallgebäudes aus rotem Ziegelstein.

Mit dem Verkauf der Mühle an das Ehepaar Börner begann ab dem Jahre 2000 die vollständige Sanierung der Mühle. Die gesamte Inneneinrichtung wurde erhalten und die Mühle zum Gasthof.

Im Rahmen einer durch die Bundesanstalt für Arbeit eingeleiteten ABM- und SAM-Maßnahme wurde die JUMP-gGmbH Jugend mit Perspektive 2001/2002 mit der Restaurierung und Instandsetzung der "Ragower Mühle" als technisches Denkmal zur Errichtung eines Mühlenmuseums beauftragt. 2006 wurde der Antrieb über die Francisturbine restauriert, zu besonderen Anlässen, wie dem Deutschen Mühlentag, sind nun auch wieder Schauvorführungen möglich.

Literatur
 Baldur Börner & Hilmar Hopfe: Ragower Mühle – Technisches Denkmal und Ausflugsziel: Vermahlungsablauf, maschinentechnische Darstellung, Maschinengruppen, Transmissionssysteme, ... Essen und Trinken rund um die Ragower Mühle. Schlaubetal-Druck Kühl April 2006, ISBN 3981028260.
 Christoph Schröter: Die Ragower Mühle und ihre Erhaltung als technisches Denkmal. Diplomarbeit, FH für Technik und Wirtschaft Berlin, 1999.

Weblinks

 Deutsche Gesellschaft für Mühlenkunde und Mühlenerhaltung (DGM) e.V.
 Homepage der Eigentümer der Ragower Mühle

Einzelnachweise

Wassermühle in Brandenburg
Mühle im Landkreis Oder-Spree
Museum im Landkreis Oder-Spree
Baudenkmal in Siehdichum
Naturpark Schlaubetal
Mühle in Europa

redpajama_set_name: RedPajamaWikipedia


I have reported repeatedly on the topic of "patent-free" multimedia codecs, such as in this roundup describing the WebM situation about two weeks ago. In discussions (such as on slashdot) there's always a lot of confusion about the subject and, unfortunately, about the intentions of those who issue Cassandra warnings.
Since my last post on this subject, the only significant news has been that Google modified the WebM licensing terms so as to make the WebM license consistent and compatible with existing FOSS licenses. This has been welcomed by the Free Software Foundation as well as Simon Phipps, a board member of the Open Source Initiative.
However, Google hasn't changed a thing about the risk that allegations of the infringement of third-party patents (Google's own patents have never been a problem here) by WebM represents to its adopters. There still isn't any hold-harmless or indemnification clause.
I think there are many people in the FOSS community who would benefit from a more differentiated approach toward anything that appears to be a generous donation. At the end of the day, the Trojan Horse was a gift horse, too (just to avoid any misunderstanding: I don't mean to liken WebM to the Trojan Horse; this was only meant to point out that refusing to look in the mouth is a dangerous approach).
The more realistic perspective -- still not a cynical one -- is that companies don't give for the sake of giving. If they give, they expect some kind of benefit in return. In some cases, the "free" deal can be very beneficial and fair. I use some Free Software that gives me great value and I can't see a risk. But at the other end of the spectrum there are "freebies" that are indeed modern variations of the Trojan Horse, such as those "open source patent pledges" by IBM and others.
When IBM first made that (in)famous pledge in early 2005, there were only a few people who understood that what seemed to be an act of generosity was a bad thing on the bottom line. Unfortunately, even an open-innovation luminary like Professor Lawrence Lessig got it wrong. He said: "This is exciting. It is IBM making good on its commitment to encourage a different kind of software development and recognizing the burden that patents can impose." Five years later, IBM proved him completely wrong on this. IBM continued to be just the same patent bully it's always been.
There's no reason to assume that Google wants to hurt the FOSS cause in any way with WebM, especially not in any IBM-like way. I don't put it past Google to have that intention elsewhere: they might do anything, including the use of patents, to destroy an open source search technology that could adversely affect their core business. However, in this particular context of video codecs, I don't think they intend to cause harm. I do believe them that they want more competition in this case.
What Google does do -- and what I believe the FOSS community must approach cautiously -- is to shift most of the risk to others while keeping most of the benefits to itself. Businesses like to do that, but FOSS developers and users shouldn't lose sight of the risks just out of excitement over the idea of getting a seemingly "unencumbered" codec.
A common misconception about open source and "free" specifications is that this would make something such as the WebM project independent from a single vendor or a group of vendors. Some think this puts "the community" in charge.
Theoretically, it's true because it would be legally possible. Practically, it's just wrong because we live in a dynamic world as opposed to a static one.
If any WebM code is released on FOSS terms, that doesn't guarantee that all future versions will be, too. The original copyright holder has every right to release future versions under different licenses.
Some will argue: well, if they do that, someone can still fork it and continue it as a FOSS project. That's not forbidden but it's rarely practical. If you do that, you have to compete against the steward of the original project. You have to give your fork a new name because you won't own any rights to the trademark of the original trademark. So the odds are long against you at the outset. Chances of a fork even being tried in any serious way are therefore quite limited; chances of such an effort succeeding are extremely low.
The bottom line is that Google will have all of the expertise in-house to develop WebM further, and this will give Google a lot of control over the future direction of the project from a practical point of view. That's perfectly legitimate, but it does have to be considered. Google is a powerful player and can steer WebM in whatever direction best benefits its business interests (search, Chrome, Android, YouTube, whatever else).
Some may be more comfortable with Google in charge of such a codec than with the backers of MPEG LA's H.264. I can see why many people feel that way but one could also argue that a single player as powerful as Google is a greater long-term risk than a consortium of many companies with a diversity of strategic interests. I don't want to support the former or the latter position: I just want to stress that hoping for Google to do away with MPEG LA -- if possible at all -- means to trade in one set of issues for another.
Some argue that by adopting WebM itself (by using it in and for Android, Chrome, YouTube etc.) Google will become a large-scale adopter and therefore has a fair share in the patent-related risk.
Unfortunately, third-party patent holders can go after whichever infringer(s) they want to. On the one hand, there's a huge reward out there for them if they succeed and force Google to pay. On the other hand, Google will defend itself vigorously when it's attacked directly. Smaller adopters of WebM may represent lower-hanging fruit to a patent holder. Typically the first ones to suffer from patent hold-up are those who are big enough to be able to pay significant amounts but not so big that fighting them would be a huge challenge. Then over time the targets will get bigger.
In WebM's case, patent holders would be particularly likely to prey on other adopters than Google initially: Google is also standing on the sidelines as some commercial adopters of Android are being approached by patent holders, such as HTC being sued by Apple and having felt forced to agree to pay royalties to Microsoft. So a patent holder might assume that Google would also leave WebM adopters in the lurch.
Another important difference between Google and large parts of the FOSS community is that Google does like software patents a lot. Just like most patent holders, they like their own patents and dislike those held by the rest of the world, which is human (but often misguided). It would be great if one day they could change their position and oppose all software patents, but so far they've been very much in favor of patents especially in connection with their search engine. So the WebM initiative shouldn't be confused for a crusade against software patents that one might want to support as a matter of principle, "for the cause".
In my opinion, no company that favors software patents can claim to be a reliable ally of FOSS. It can at best be a business partner for the community. And that's the perspective to take on WebM: is it a good deal? Is it a fair deal?
Don't count on Google's idealism or solidarity. You'd wind up disillusioned.
I have the utmost sympathy for those who say that Google shouldn't be held to a higher standard than MPEG LA in terms of indemnification for third-party patent infringement claims. Yes, I know why some think it's unfair. But there's always a higher hurdle for late entrants than for incumbents. Economists refer to that phenomenon as "barriers to entry". In this case, what comes with it is a significant burden of proof.
I fully agree that it would be desirable for MPEG LA to protect licensees of its patents against third-party infringement claims. Right now, a license from MPEG LA means that they won't sue you as a licensee over the patents you've licensed from them, but if anyone else has patents that read (or are claimed to read) on the same codec, then you're exposed to that risk anyway. In other words, you don't have a legal guarantee that MPEG LA is really a one-stop shop.
So some say that if MPEG LA doesn't provide a guarantee that you don't need any patents other than theirs to implement a certain codec, then Google (which unlike MPEG LA doesn't charge but makes WebM available on FOSS terms) shouldn't be required to do so either.
The part about "Google doesn't charge" was already addressed further above. Google has chosen a business model that is FOSS-based. All of us FOSS advocates like it, but we have to understand that they're doing this for commercial reasons, not for idealism. I think their responsibility shouldn't be less just because we like their business model better. Business is business. Free or non-free. Using their search engine is also free, still there are consumer rights advocates who insist on data privacy.
The late-entrant problem here is that H.264 is already in extremely widespread commercial use. Frankly, there aren't many digital video devices out there in the worldwide marketplace right now that don't implement it. That doesn't represent a guarantee that there aren't patents outside the MPEG LA pool that could be asserted against H.264, but I haven't found any indication that anyone has ever tried. Given that it's already so ubiquitous, it's hard to see why any "trolls" wouldn't have come out in the meantime.
By contrast, VP8 is only now beginning to take off big-time and I don't think it's responsible to simply discount as "FUD" MPEG LA's recent statement concerning the possible creation of a related patent pool (another way of saying that they believe some of their patents are infringed). I don't doubt that MPEG LA has strategic motivations that would make "FUD" potentially conducive to its purposes. I just oppose the approach of dismissing it as "FUD" without further analysis.
I mentioned before (in the context of control) the fact that Google's VP8 is a one-company effort. It was started by On2, which was acquired by Google earlier this year. It was only one company, and a rather small one compared to the long list of big companies supporting MPEG LA, which represent a very large part of all of the research and development that happened in recent years (even decades) in connection with multimedia technologies. That combined power simply makes them far more likely to have a "complete" patent pool (meaning that if you license something from them, you may indeed be fine for the relevant codec without much of a risk of third-party claims) than Google. This is like a whole bunch of long-standing Goliaths versus the one and relatively young David that On2 was before Google bought it (and Google itself wasn't even active in the codec field before it acquired On2).
All's well that ends well -- but what if it doesn't?
Given my background of promoting Free Software and Open Source and opposing software patents, it should go without saying that I'd be extremely happy to see a truly free and unencumbered video codec succeed.
Most people understand that this is my attitude. A very few have accused me of spreading or supporting "FUD". Again: There's no problem here if this works out well. But that doesn't mean we should turn a blind eye to the risks involved.
I mentioned in connection with IBM's patent pool the example of Professor Lessig, who was misguided by his dream of open innovation to the extent that he believed IBM's "pledge" of 500 patents meant a commitment to a good cause. I now see some tendencies on the part of various FOSS leaders to embrace WebM in a way that doesn't take into sufficient consideration the risks to which its adopters may be exposed.
I can see why: Yes, the whole idea of Free and Open Source Software is indeed going to be in real trouble if patents prevent the creation of a truly free and unencumbered codec. When I wrote that patent problems in connection with such technologies could even result in the World Wide Web Consortium having to rethink its patent-free/royalty-free standards requirement, I didn't like that notion at all (nor did I mean to ignore structural differences between today's W3C and the way proprietary standards like GSM are set). I just described a risk of how things could evolve over time.
Let's hope for the best but not forget to prevent the worst. The worst outcome here would be if various WebM adopters ended up being sued as a consequence of their undue reliance upon vague and unsubstantiated assurances made by Google. If the wider FOSS community takes most of the risk while Google would get most of the reward, then that's not fair in a scenario where things go wrong.
I continue to believe that a detailed analysis of the patent situation should be made available by Google to the public, and that holding WebM adopters harmless in the event of third-party patent infringement claims would be the only reliable way with which Google could practically eliminate the related concerns. If that isn't provided, it doesn't mean WebM is a bad thing or that it will necessarily fail. But it does suggest that we should continue to monitor the situation, and that it's reasonable to ask tough questions, even the ones we'd rather not have to ask in the first place.
No matter how much we want free, open and unencumbered standards, we must realize that the price of ignorant pigheadedness can be very high when patents are involved. Those are costly lawsuits that can have major consequences.
If after a year or two no one has brought up patent infringement assertions against WebM, then it will be much easier to recommend it to everyone. There would always be a risk, but in that case the risk may indeed be closer to the normal patent-related risk all software developers and distributors face all the time. For now, there are reasons to fear that the risk might be considerably higher.
Always think of your own risk. Google won't protect you based on the current license terms. Free Software and open source advocates won't protect you either. They have their agenda, so you should have yours.
If you're interested in reading more about the issue of patents on standards, I would like to recommend this article on another blog ("Video Networker"), covering standards in general and discussing the WebM situation in particular (under the "Skype and Google" subhead).


text:
67.5119. Ordinance or agreement required, when. — 1. Within the later of two months after August 28, 2018, or two months after receiving a request from a wireless provider, an authority shall adopt an ordinance or develop an agreement that makes available to wireless providers rates, fees, and other terms that comply with sections 67.5110 to 67.5121, subject to subsection* 2 of this section. An authority and a wireless provider may enter into an agreement implementing sections 67.5110 to 67.5121, but an authority shall not require a wireless provider to enter into such an agreement.
2. Sections 67.5110 to 67.5121 shall not nullify, modify, amend, or prohibit a mutual agreement between an authority and a wireless provider made prior to August 28, 2018, but an agreement that does not fully comply with sections 67.5110 to 67.5121 shall apply only to small wireless facilities and utility poles that were installed or approved for installation before August 28, 2018, subject to any termination provisions in the agreement. Such an agreement shall not be renewed, extended, or made to apply to any small wireless facility or utility pole installed or approved for installation after August 28, 2018, unless it is modified to fully comply with sections 67.5110 to 67.5121. In the absence of an agreement, and until such a compliant agreement or ordinance is entered or adopted, small wireless facilities and utility poles that become operational or were constructed before August 28, 2018, may remain installed and be operated under the requirements of sections 67.5110 to 67.5121.
*Word "subsections" appears in original rolls.

redpajama_set_name: RedPajamaCommonCrawl


Petition Make Funding for Education a Priority.
Make Funding for Education a Priority.
We, the undersigned, urge state lawmakers to make state funding for education a priority.
We believe that providing our children with a quality education benefits our communities and our state and helps ensure a prosperous future for all.
Nebraska has a constitutional obligation to provide for public education. Few other programs rise to the level of a constitutional obligation. We also believe we have a moral obligation to provide our children with a quality education.
Yes, we need to balance the budget -- but not on the backs of children.


This is a non-certificated course for students who wish to undertake the RYA MCA Advanced Powerboat Exam and require preparation training for the exam.
Though there is no time scale we recommend a minimum of two days training. During the first day candidates have the opportunity to evaluate their progress with their instructor and determine whether more training or experience is required prior to taking the exam.
The two days cover the RYA Advanced Powerboat Course, theory to YM standard, a minimum of 1 night passage, close quarter manoeuvers to Advanced Powerboat standard and higher.
Candidates also have the opportunity to focus on areas they think require more work and the instructor will work with each student on their requirements to ensure they are as prepared as possible for the exam.
Navigation Candidates should be competent to the standard of the Intermediate Powerboat Certificate with navigation and chartwork to the level of Coastal Skipper/Yachtmaster Shorebased Theory Certificate.
First Aid A valid first aid certificate*. First aid qualifications held by Police, Fire and Armed Services are also acceptable.
Seatime 2 years relevant experience including night pilotage. As a guide 30 days, 2 days as skipper, 800 miles, 12 night hours. If you hold an RYA Advanced Powerboat Course Completion Certificate the seatime is reduced to: 20 days, 2 days as skipper, 400 miles, 12 night hours. All qualifying seatime must be within 10 years prior to the exam.
How to book Call us on (01656) 880033 or email us via the Contact Us page to book your course.


Over the next three years, the Clackamas Regional Center Mobility Improvement Project will complete more than 30 individual transportation improvements needed in the Clackamas Regional Center area by the county's Development Agency.
These improvements are designed to reduce congestion, improve safety, and provide better connections for all travelers, including pedestrians, bicyclists, motorists and transit riders, including widened roads and intersections, new bike and pedestrian paths and crossings, added bus stops, and improved street lighting and drainage.
With extensive improvements on the way, the project team is working to design features to help identify the Clackamas Regional Center as a special place to live, work and shop. Three designs for gateway signs have been developed, and the public is invited to express their views about which design they prefer.
Members of the public and other interested parties are invited to review the proposed gateway sign designs and vote for their favorite at www.crcmobilityproject.org/design/voting/.
The improvements as part of this project were selected after a year-long process of reviewing needed transportation improvements already identified in previous county transportation studies. The project team consulted with the public, businesses and technical experts to identify the improvements that would result in the most safety and travel benefits for the larger community.
Project design is underway, with construction planned beginning in 2019. A complete list of the selected projects is available at www.crcmobilityproject.org.
For more information, contact Project Manager Dave Queener at davidque@clackamas.us or 503-742-4322.


UPCOMING GIGS http://gigs.gigatools.com/user/Popof Hailing from Paris, POPOF is one of the most widely recognized names within the world of house and techno. A former member of cult Parisian free party underground collective, Heretik System, POPOF has since been brought to an international stage with countless tours and a now global fanbase. In 2009, he was voted Best Newcomer artist at the Ibiza DJ Awards and was appointed four years later official mentor of the Paris Techno Parade 2013's fifteen year anniversary, as a "historical actor and witness of the techno scene in France". An honor that was shared with ex-Culture minister and techno Parade initiator Jack Lang in front of 300.000 participants. One of the most downloaded artists in his category, POPOF is in very high demand for his remixes and has worked for famous artists such as Depeche Mode, Chemical Brothers, Moby, BookaShade, Vitalic, Tiga, Maetrik, Martin Solveig and many more. In addition to this he is also behind many official advertisements in collaboration with top international brands. POPOF has worked with some of the most respected labels within the scene, from early work on Turbo, Cr2 and Mistakes to the launch of his own label Form Music in 2009, Sven Väth's infamous Cocoon outlet, or most recently Kerri Chandler's Kaoz Theory and Jamie Jones' Hot Creations imprint. Through the latter, POPOF released in 2015 his LP 'Love Somebody', a crossgenre album which has received rave reviews by numerous publications and specialized websites. Featuring French singer Arno Joey and rising talent Animal & Me, "Love Somebody" offers a variety of collaborations with many renowned artists. Its two first singles, "Words Gone" (April 2015) and "Going Back" (September 2015) were followed by a string of remixes by some of the industry's biggest names: Jamie Jones, Luciano, Magda, Kerri Chandler, Eats Everything, Lee Foss, Marc Houle, Oxia & Miss Kittin... In April 2016, POPOF also released on Kaoz Theory his "One Chance in Three" EP featuring Arno Joey. Founded in 2015 by Kerri Chandler, KT releases feature contributions by some of the world's most famous house music artists (Jamie Jones, Seth Troxler, The Martinez Brothers, Davide Squillace, Matthias Tanzmann…) June 2016 saw the release of POPOF's third single from "Love Somebody", "Lidl Girl", featuring remixes by the Carl Cox Collective, Kerri Chandler, Magda, Shaun Reeves & Tuccillo. In November of the same year POPOF released a new EP, "President", on his label Form Music, his first solo outing on his label since the 2010 EP 'Wax Machine'. The EP, heavily influenced at the time with the undergoing US elections, was widely critically acclaimed and its two singles, "President" and "One Two" were heavily played by POPOF's peers. 2017 started strong for POPOF, with a sold-out tour in South America, a remix in February for Cuartero on Lee Foss' label Repopulate Mars and the selection of the track "One Two" for the new Repopulate Mars' compilation "Repopulate Miami", released in March. In May, POPOF made a remix for UMEK's new EP "Shadow Tactics", released on Form Music.


text:
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    UIWindow *window;
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@property (nonatomic, strong) IBOutlet UIWindow *window;
@property (nonatomic, strong) IBOutlet CartoType_DemoViewController *viewController;

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redpajama_set_name: RedPajamaGithub


text:
Ettore Bassi, full name Ettore Francesco Maria Bassi  (born 16 April 1970), is an Italian actor and television presenter.

Biography
Having loved magic since he was a child, he decided to study to become a magician and began to work as an animator in tourist villages. At the age of 19 he started his training as an actor attending the Acting School at Tangram Teatro di Torino. In 1992 he participated in the TV program Il più bello d'Italia, winning the title as the best talent. In 1993 he debuted as a television presenter in the TV program of Rai 1, La Banda dello Zecchino. In 1994 he started his career as an actor in the TV miniseries Italian Restaurant, directed by Giorgio Capitani. Since then and for many years he has been alternating his work between television presenter and actor of fiction, photo-romances, cinema, and theatre.

In 2000, alongside Pope John Paul II, he presented the Jubilee World Youth Day, broadcast all over the world. He became famous in Italy playing the role of Marshal Andrea Ferri in the TV series Carabinieri from 2002 to 2005. In 2003 he won the title of Telegrolla d'oro as the best actor of Italian fiction. In 2005 he received the Agesp Prize for the Best TV Fiction at the Busto Arsizio Film Festival. In the same year he tried his hand at car racing, following his passion for motoring, inherited from his father. This passion he has for the sport has garnered for him some success.

In 2005 he played in the TV miniseries Imperium: Saint Peter, directed by Giulio Base, and Pope John Paul II, directed by John Kent Harrison. From 2006 to 2007, he played the role of the paediatrician Corrado Milani in the TV series Nati ieri, bringing to this character some features of his own, like playing magic tricks to children. In 2007, alongside Giuseppe Fiorello, he played the role of Giorgio Piromallo in the TV miniseries St. Giuseppe Moscati: Doctor to the Poor, directed by Giacomo Campiotti. In the same year he played the role of Saint Francis of Assisi in the TV miniseries Clare and Francis, directed by Fabrizio Costa. In 2008 he received the Sant'Antonio International Award for the Television category for this interpretation.

In 2009 he played the protagonist in the TV mini-series Mal'aria. In 2010 it was announced that he would be the successor of Kaspar Capparoni in the Austrian-Italian police TV series Inspector Rex. He played in the 14th and 15th season of the TV series Inspector Rex where he interpreted the role of Inspector Davide Rivera. In 2014 he played in the movie Maldamore, then he performed in TV series Fuoriclasse and È arrivata la felicità. In 2015, along with his daughters, he presented the TV program Quando Mamma non c'è.

Alongside television work, he was  involved with the theatre, playing in performances, such as Il muro (The Wall), a small rock opera inspired by Pink Floyd's music, Trappola mortale (Deathtrap), for which he won the Charlot Theatre Prize in 2015, L'amore migliora la vita, Il sindaco pescatore. In 2016 he received the Monopoli City Prize for the Performance category. In 2017 he played in the stage musical The Bodyguard - Guardia del corpo, where he interpreted the role of Frank Farmer, who in the original film of 1992 was Kevin Costner.

Filmography

Cinema
 What Girls Never Say, directed by Carlo Vanzina (2000)
 La regina degli scacchi, directed by Claudia Florio (2001)
 Promessa d'amore, directed by Ugo Fabrizio Giordani (2004)
 Taxi Lovers, directed by Luigi Di Fiore (2005)
 Forget You Not (Per non dimenticarti), directed by Mariantonia Avati (2006)
 This Night Is Still Ours (Questa notte è ancora nostra), directed by Paolo Genovese and Luca Miniero (2008)
 La vita dispari, directed by Luca Fantasia (2011)
 Maldamore, directed by Angelo Longoni (2014)
 Finché giudice non ci separi, directed by Toni Fornari e Andrea Maia (2018)

 Television
 Italian Restaurant, directed by Giorgio Capitani - TV miniseries, episode 1x06 (1994)
 I ragazzi del muretto 3 - TV series (1996)
 Il maresciallo Rocca 1 - TV series, episode 1x07 (1996)
 Un posto al sole - soap opera (1997)
 Un medico in famiglia - TV series, episode 1x27 (1999)
 Casa famiglia, directed by Riccardo Donna - TV series (2001-2003)
 Carabinieri - TV series (2002-2005)
 Imperium: Saint Peter (San Pietro), directed by Giulio Base - TV miniseries (2005)
 Pope John Paul II, directed by John Kent Harrison - TV miniseries (2005)
 Der Todestunnel, directed by Dominique Othenin-Girard - TV film (2005)
 Nati ieri, directed by Carmine Elia, Paolo Genovese, and Luca Miniero - TV series (2006-2007)
 St. Giuseppe Moscati: Doctor to the Poor (Giuseppe Moscati - L'amore che guarisce), directed by Giacomo Campiotti - TV miniseries (2007)
 Clare and Francis (Chiara e Francesco), directed by Fabrizio Costa - TV miniseries (2007)
 Bakhita, directed by Giacomo Campiotti - TV miniseries (2009)
 Mal'aria, directed by Paolo Bianchini - TV miniseries (2009)
 Il sorteggio, directed by Giacomo Campiotti - TV film (2010)
 Pius XII - Under the Roman Sky (Sotto il cielo di Roma), directed by Christian Duguay - TV miniseries (2010)
 Inspector Rex (Rex) - TV series (2012-2013)
 Un matrimonio, directed by Pupi Avati - TV miniseries, episode 1x06 (2014)
 Fuoriclasse, directed by Riccardo Donna and Tiziana Aristarco - TV series (2014-2015)
 A testa alta - I martiri di Fiesole, directed by Maurizio Zaccaro - TV film (2014)
 È arrivata la felicità, directed by Riccardo Milani and Francesco Vicario - TV series (2015)
 Boris Giuliano - Un poliziotto a Palermo, directed by Ricky Tognazzi - TV miniseries (2016)
 La porta rossa, directed by Carmine Elia - TV series (2017-2019)
 L'isola di Pietro, directed by Giulio Manfredonia - TV series (2018)

 Short films
 Io ti voglio bene assai, directed by Fernando Muraca (2006)
 Pentito, directed by Marcello Conte (2006)
 Sali e Tabacchi, directed by Fabio Di Credico and Tommy Dibari (2006)
 Detenuto senza colpa, directed by Andrea Costantini (2015)

 Advertising
 Shampoo Johnson (1992)
 Telecom (1994-1996)
 Unica 5 (2009)
 Nurith, directed by Andrea Costantini (2012)

 Dubbing
 Mark Consuelos in American Horror Story Theatre
 Uno sguardo dal ponte, directed by Teodoro Cassano (1996/1998)
 Adorabili amici, written by Carole Greep, directed by Patrick Rossi Gastaldi (2008)
 La grande cena, directed by Camilla Cuparo (2009)
 Banda (dis)armata, directed by Roberto Marafante (2010)
 Il muro, directed by Angelo Longoni (2013)
 Trappola Mortale, directed by Ennio Coltorti (2013/2015)
 L'amore migliora la vita, directed by Angelo Longoni (2015/2017)
 Il sindaco pescatore, directed by Enrico Maria Lamanna (2015/2019)
 Miles Gloriosus, directed by Cristiano Roccamo (2016)
 The Bodyguard - Guardia del corpo, il Musical, directed by Federico Bellone (2017)
 Anfitrione, directed by Cristiano Roccamo (2017)
 Pseudolo, directed by Cristiano Roccamo (2018)
 Mi amavi ancora..., directed by Stefano Artissunch (2019)
 L'attimo Fuggente, directed by Marco Iacomelli (2019)

 Television programs
 Piacere Raiuno (Rai 1, 1991)
 Buon pomeriggio (Rete 4, 1992)
 A casa nostra (Rete 4, 1992)
 Il più bello d'Italia (Rete 4, 1992) – winner
 La Banda dello Zecchino (Rai 1, 1993, 1999-2001) – presenter
 Tutti a casa (Rai 1, 1994) – member of Cavazza family
 Disney Club (Rai 1, 1995) – presenter
 Zap Zap (TMC, 1996, 1998-1999) – presenter
 Lo Zecchino d'Oro, 43°-44° editions (Rai 1, 2000-2001) – presenter
 Giornata Mondiale della Gioventù, the Jubilee (Rai 1, 2000) – presenter
 Festa della mamma (Rai 1, 2000-2001) – presenter
 Concerto di primavera (Rai 1, 2001-2002) – presenter
 Luce del mondo, sale della terra (Rai 1, 2002) – presenter
 Ma che domenica (Rai 1, 2002) – presenter
 Cosa non farei (Rete 4, 2004) – presenter
 Acchiappo i sogni (Rai Premium, 2014-2015) – presenter
 Quando mamma non c'è (Sky Gambero Rosso, 2015) – presenter
 Ballando con le stelle (Rai 1, 2019)

 Radio programs Voci della Luna (Radionorba e Radionorba TV, 2018-2019) – presenter

 Award
 2003 - Telegrolla d'oro - the best actor of fiction
 2005 - Agesp Prize for the Best TV Fiction at the Busto Arsizio Film Festival
 2008 - Sant'Antonio International Award for the Television category
 2015 - Charlot Theatre Prize
 2016 - Monopoli City Prize for the Performance category

 References The information in this article is based on that in its italy equivalent''.

External links
 Sito ufficiale di Ettore Bassi

1970 births
Italian male actors
Male beauty pageant winners
Italian television presenters
Living people


There's a new place to grab some grub at Disney's Fort Wilderness Resort and Campground.
And it might be the single coolest thing we've seen at Disney World in quite some time… Welcome to the Chuck Wagon!
This new food truck is serving up Counter Service-style eats on its Fresh Fixin's menu to all the Happy Campers at Fort Wilderness from 11:00 AM – 9:00 PM Saturdays through Mondays, and from 5:00 – 9:00 PM Tuesdays through Fridays. This here's also the spot where you can grab some classic camping snacks (S'mores!). Oh, and some of those Fort Wilderness Moonshine Cocktails, too!
But to load up on some of these treats, you gotta know where to find 'em first. So join us on our jaunt to visit the Chuck Wagon! Though you may be surprised to learn it's not actually a wagon at all.
So then, what is it?
Custom-made to blend in perfectly with its campground surroundings, the Chuck Wagon Fresh Fixin's Food Truck is designed to look exactly like an old school RV. Get a load of this!
When you're looking for a tasty treat (which, of course, you ARE on Mardi Gras), a must stop shop on Disney California Adventure's Buena Vista Street is Trolley Treats.
The aroma of the candy kitchen entices you as you pass the picture window where you'll often see candy makers creating one of their signature Trolley Treats items: The Gourmet Marshmallow.
Sold either individually for $3.49 from the counter, or in packs of two for $5.95 from the store's display, the hand made fluffy squares are available in several different flavors.
The flavors I went with were Banana Split, S'mores, Luscious Lemon, and Peanut Butter Chocolate Madness. I have to say all of them were great, but it was a serious sugar overload.
First up, let's go with the Banana Split. Topped with a cherry, this fun marshmallow is adorable and delicious. In fact, I think I'd call it my favorite. I love banana flavored items though, so this was right up my alley.
The banana flavor reminded me a bit of banana flavored Laffy Taffy — sort of artificial, but the added chocolate drizzle, caramel & cherry on top made it the perfect combination to impersonate a mini banana split.
June 15th is right around the corner and two of the places I can't wait to get to are Trolly Treats & Clarabelle's Ice Cream, both located on Disney California Adventure's new Buena Vista Street.
We got the chance to sample some goodies from these spots, and I can't wait to share them with you.
Clarabelle's Ice Cream will be serving up some old fashioned frozen favorites as well as some treats with some interesting toppings!
Clarabelle's will serve hand scooped ice cream as well as a new to the resort item; chocolate or vanilla bean hand dipped ice cream bars with various topping choices that include sprinkles, chocolate pearls, nuts, and drum roll please…. POP ROCKS!
Clarabelle's will also serve specialty sundaes like this adorable two scooper served in a Red Trolley cup.


text:
Theodor Bastard ist eine russische Band, die in erster Linie in der Weltmusik, dem Neofolk, Dark Wave und Trip-Hop verankert ist. Dank Jana Vevys' Eintritt in die Band im Jahr 2004 wurden diese verschiedenen Musikrichtungen vereint. Bis dahin war der Musikstil der Band durch Industrial Rock, Noise und experimentelle Musik gekennzeichnet. Die Band wurde im Jahr 1996 in Sankt-Petersburg von Alexander Starostin gegründet und ganz am Anfang bestand sie nur aus ihm. Alexanders Künstlername ist Fedor Svoloch (übersetzt so viel wie "Fedor Abschaum") und das war anfangs auch der Name der Band. Im Jahr 1999 wurde der Name ins Englische als "Theodor Bastard" übersetzt. Das Schaffen der Band ignoriert aus Prinzip das alltägliche Leben und ist in Mythologie und Träumen begründet.

Geschichte

Sängerin Jana Veva singt häufig in einer von ihr erfundenen eigenen Sprache, darüber hinaus auch in seltenen Sprachen, die u. a. von dem afrikanischen, über den asiatischen bis hin zum indianischen Sprachraum reichen. Die Band bedient sich sowohl elektronischer Stilmittel als auch altertümlicher Instrumente. So vermischen sich etwa Synthesizer, Sampler oder Theremin mit einer Vielzahl von ethnischen Instrumenten wie Darbuka, Conga, Djembé, Daf, Didgeridoo, Gusli, Zymbal, Dulcimer, Agogô, Bawu, Kalimba, Marimba, Okarina, Udu, Reco-reco, Caxixi, Cajón, Mongolische Pferdekopfgeige, Dungchen und Maultrommel, darüber hinaus werden auch noch diverse klassische Instrumente wie beispielsweise Violoncello oder Harfe genutzt.

Im Lauf der vergangenen Jahre ist Theodor Bastard auf vielen großen Fantasy-, Gothic-, Folk- und Mittelalterfestivals aufgetreten, dazu gehören das Wave-Gotik-Treffen (2011, 2014, 2017) und Fusion Festival (2004) in Deutschland, Dark Bombastic Evening (2012, 2013, 2016) in Rumänien, Castle Party (2014) in Polen, Menuo Juodaragis (2008, 2012, 2016) in Litauen. Die Band hatte auch mehrere Auftritte auf dem Castlefest (2015, 2017), dem größten Fantasy Festival in den Niederlanden.

Theodor Bastard hat bisher neun Alben in fünf Ländern veröffentlicht: Deutschland (Danse Macabre, Pandaimonium), Argentinien (Twilight Records), Mexiko (The Art Records), Türkei (Muzikal Yapım), Russland (Fulldozer).

Das Album Oikoumene, das im Jahr 2012 veröffentlicht wurde, bedeutet "Oikumene" – die gesamte bewohnte Welt. Es ist von Musik der ganzen Welt inspiriert. An den Aufnahmen zum Album nahmen unter anderem die britischen Bands Fun-Da-Mental, Zulu Chor The Mighty Zulu Nation, der indische Sarod Spieler Rampur Rani, der französische, aber in Afrika geborene Sänger Julien Jacob teil. Das Album wurde in Studios in Sankt-Petersburg, London und Paris aufgenommen. Beim Design des Artworks wurden die Bilder des berühmten russischen Malers Boris Indrikov verarbeitet. Das Album "Oikoumene" wurde in Deutschland unter dem Label Danse Macabre veröffentlicht.

Im Jahr 2015 wurde das Album Vetvi veröffentlicht. "Vetvi", übersetzt "Geäst", zu verstehen als Geäst vom Baum des Lebens – heiliger Baum, der die drei Ebenen, den Himmel, die Erde und die Unterwelt verbindet. Das Thema des Albums basiert auf Legenden und Mythos der nördlichen Völker. Der erste Song ist in altnordischer Sprache gesungen. Zu zwei Songs des Albums Vetvi (Geäst) und Kukushka (Kuckuck) wurden Videos gedreht. Das Artwork des Albums hat die portugiesische Malerin Elia Mervi entworfen.

Zusammenarbeit

Besonders berühmt ist die Zusammenarbeit von Theodor Bastard mit dem deutschen Komponisten Stefan Hertrich und seinen Projekten "SpiRitual" und "Shiva in Exile", die sich in den zwei Stilen Ethno und Gothic kombinieren. Die Sängerin Jana Veva hat die Texte für drei Stücke des Albums Pulse vom Projekt "SpiRitual" und für alle Kompositionen des Albums "Nour" vom Projekt Shiva in Exile geschrieben und gesungen.

Auf dem Sampler …It Just Is (In Memoriam: John Balance), der zur Erinnerung an John Balance von der Band Coil veröffentlicht wurde, ist ein Remake des Coil-Songs Love Secret Domain vorhanden, welcher von Theodor Bastard im Stile eines Requiems bearbeitet wurde. Am 23. September 2005 gab es in St. Petersburg ein gemeinsames Konzert von Coil und Theodor Bastard in Erinnerung an John Balance. Bei diesem Konzert hat der zweite Coil-Leader Peter Christopherson seine Bewunderung zu diesem Remake zum Ausdruck gebracht.

Auf dem im Jahr 2011 erschienenen Sampler von Theodor Bastard Remakes nahmen beispielsweise folgende europäischen Bands teil: Riz Maslen, Animals On Wheels, Up, Bustle & Out, Robin Rimbaud, State of Bengal, Geomatic, Flint Glass.

Diskografie

Studioalben
 1996:
 1997:
 1998:
 1999: Wave Save
 2000: Agorafobia
 2000: Live in Heaven
 2002: BossaNova_Trip
 2004: Pustota
 2006: Sueta
 2008:
 2009:
 2011: Remixed
 2012: Music for the Empty Spaces
 2012: Oikoumene
 2014: Pustota (Remastered)
 2015: Vetvi
 2020: Volch'ya Yagoda

Singles
 2008:
 2009:
 2010: Tapachula

Weblinks

 Offizielle Internetpräsenz von Theodor Bastard

 Theodor Bastard bei Last.fm

Einzelnachweise

Russische Band
Weltmusik-Band
Folk-Rock-Band
Wikipedia:Artikel mit Video


Welcome to Eastwood Apartments in Springdale, Arkansas! Living in this beautifully developed apartment community provides everything you want right at home, in your own neighborhood. We are convenient to Highway 265, Highway 71B, the Springdale airport, and just minutes to area shopping, restaurants, and entertainment. Whether your preference is upstairs with added views or downstairs for convenience, your spacious apartment is well-designed for maximum space efficiency and comfort. Open floor plans create the perfect atmosphere for both entertaining and comfortable living. Private bedrooms and baths offer the optimum layout for singles, families, or roommates. Enjoy the convenience of a full-size washer and dryer in each apartment and full-size appliances in the kitchen including refrigerator, range, dishwasher, and disposal. Our recreational amenities include a fitness center, clubroom with fireplace, swimming pool with sundeck area, tennis courts, playground, picnic tables with BBQ grills, and pond with sparkling fountains.
Contact us today for a tour and let us show you why you will LOVE where you LIVE and PLAY at Eastwood Apartments!


According to IMDB, Columbia has bought the rights to the Moonwalking with Einstein movie.
Adaptations of original pieces of literature are about as daring as things get in Hollywood of late, so the news that Columbia Pictures have acquired the rights to a marginal best-seller comes as a real surprise.
Only a "marginal" bestseller? It was #2 on Amazon last I checked.
It looks like Moonwalking with Einstein will be a major movie. I hope that it helps popularize memory techniques.
There's your possible solution to increasing popularity, Josh. An entertaining movie that draws in a younger audience and their parents will increase memory sports popularity exponentially.
Congratulations from a French reader.
It's time for us to organize a French championship!


Train Your Mind to Wait!
Being impulsive is often a good thing, as it leads to spontaneous excursions and other events/activities that result in great time. However, being impulsive can also put you in proverbial hot water and result in very messy consequences and situations.
Many negatives unfortunately stem from impulsive words and actions. Blurting out a thought the minute you have it can easily result in hurt feelings, while impulsive actions can sometimes result in leaving others you would normally associate with out. Impulsive words and actions are hurtful because they involve little to no thought, and can potentially leave many feeling badly about themselves and or you.
The way around the thoughtlessness associated with impulsiveness is to train the mind to plan, ask questions, and listen to inner conversations. The old advice about "counting to 10" before making a decision or saying a few words can work, but most require more than 10 seconds to think critically about something. And that's okay! The main thing is to be aware of impulsive thoughts and to take a moment to stop and reflect before saying something the minute it enters your head.
Asking questions in such scenarios is therefore key. For example, asking yourself, "Will this person be offended by this statement?" is rarely a bad thing, nor are questions such as "Am I ignoring the wants of friends and family?" and "What are the potential repercussions of what I'm about to do/say?" While there is such a thing as over-analyzing, it's still important to ask yourself the right questions and simply take a minute to slow down before making an insensitive comment or doing something rash.
The decision to ask the right questions goes hand in hand with listening closely to inner conversations. Most of the time we know the impulsive decision we're making isn't the best, though such thoughts often come too little, too late. That's why listening intently to our inner conversations in conjunction with asking the right questions is so essential. That inner monologue guides us and serves as our companion throughout life, and always pushes us in the right direction. It's when we ignore inner conversations that things go badly.
A great method for training yourself to stop before making an impulsive decision is to write it out. This gives you a clear idea of why doing something impulsive is worth it…or not worth it in the slightest. The more you practice this, the more adept you'll get at slowing down for reflection. Eventually, you won't have to write anything down anymore!
For more on changing your mind and changing your life, please contact me at A Life to Live today.


Located in Pokolbin, 5 km from Hunter Valley Gardens and 2.6 km from Tyrrell's Wines, Meissen Country Estate Villa Golf offers free WiFi and air conditioning. The accommodation is 3.5 km from Keith Tulloch Wine. The villa includes 1 bedroom and a kitchen with a dishwasher and an oven. A TV is available. Guests can also relax in the shared lounge area. Brokenwood Wines is 5 km from the villa. The nearest airport is Newcastle Airport, 87 km from Meissen Country Estate Villa Golf.


Appendix 197 To The Companion Bible.
The King exalted and made Head over all things to "the church which is His body". The "mystery" (the later Pauline Epistles. See Appendix 193). The kingdom in abeyance (Hebrews 2:8).
The King and the kingdom unveiled. The King enthroned. The kingdom set up. Promise and prophecy fulfilled (The Revelation).
¹ For further details, see Appendix 95. II and Appendix 198.
1. The Lord Jesus Christ is the one great Subject of the Word of God (compare Luke 24:27; John 5:39), being the promised "Seed" of the woman (Genesis 3:15). He is therefore the Master-key to the Divine revelation of the Word. The whole Bible is about Him directly or indirectly, and as everything centers in and around Him, apart from Him it cannot be understood.
This is set forth in the foregoing Structure, from which we see that Genesis and Revelation, "the first" and "the last" books of the Bible, are inseparably linked together. Genesis is "the beginning" and Revelation the ending of the written Word, even as the Lord, the Incarnate Word, spake of Himself (compare 21:6; 22:13). Revelation is the complement of Genesis. Either without the other would be unintelligible. Genesis 1—2 finds its correspondence in Revelation 21—22 (see Appendix 198).
Without the first chapters of Genesis, Revelation would be an insoluble riddle, as indeed it is to those who treat the record of "the Creation" and the "Fall" as "myths" (See 2Timothy 4:4). Without the last chapters of the Revelation "the Book" would be a hopeless and heart-breaking record of the failure and doom of the Adamic race.
The Bible may be likened to a beautiful and complex girdle or belt, with a corresponding connecting clasp at each end, one the complement of the other. Do away with either, the girdle is useless as a girdle. So here, Genesis and Revelation are the two clasps of the Divine Word, which link together and enclose between them in "perfection of beauty" and harmony the whole of the Scriptures in which God has been pleased to reveal His "Eternal Purpose" (Appendix 198).
2. ITS SCOPE, etc. The key to unlock the meaning and scope of the book is found in 1:10. "The Lord's day" = THE DAY OF THE LORD (Jehovah). (See Isaiah 2:12) John was not in "a state of spiritual exaltation" on any particular Sunday at Patmos, as the result of which "he saw visions and dreamed dreams". But as we are told, "I came to be (or found myself) by the Spirit in the day of the Lord" (compare Ezekiel 1:1; 8:3, etc.). He is then shown, and both sees and hears (22:8), the things he records.
"The day of the Lord" being yet future, it follows that the whole book must concern the things belonging to "that day", and consequently is wholly prophecy. Though partial adumbrations of judgment may be traced in connection with affairs of past history, yet the significant, solemn warning here (1:10) that the "judgments" in Revelation relate to the day of the Lord, "the day of vengeance" (compare Isaiah 61:2; 63:4, etc.), makes it clear that the book concerns the future, and the day of the unveiling (the Apocalypse) of the great "King of kings and Lord of lords" (see Appendix 198).
The Gospels contain the prophecies of the great tribulation: Revelation describes it. Between, come the Scriptures of the intermediate period, Acts and the Epistles. Chronologically and canonically, Revelation follows after the Epistles, though logically in God's purpose (Ephesians 3:11) it follows the Gospels. Therefore we see the scope embraces the wind-up of all the affairs of time; it records the end of prophecy, the end of "the secret of God" (10:7), the end of all "enmity towards God", and the dawn of the "ages of the ages".
3. ITS HEBREW CHARACTER. The language of the book is Greek: its thoughts and idioms are Hebrew. This links it with the Old Testament, and shows that its great purpose is to declare God's final dealings with the Jew and the Gentile as such; and that "the church of God" of the Pauline Epistles and this dispensation (Appendix 195) has no place in Revelation (other than in association with its glorified Head). See Appendix 193. All the imagery of the book, Temple, Tabernacle, etc., belongs to Israel.
Again, in Matthew (the Hebrew Gospel) are some 92 quotations from and references to the Old Testament. In Hebrews there are 102. In Revelation are found no fewer than 285. This emphatically stamps its close connection with the Old Testament and Israel; and it equally stamps the latest utterances of "modern scholarship", namely, that "whatever view may be taken of the indebtedness to Jewish sources, there can be no doubt that he (the writer) has produced a book which taken as a whole is profoundly Christian", as being the dicta of men who, wittingly or unwittingly, are blind to this fundamental fact of Revelation.
"The Son of Man" (1:13; 14:14). Never found in the Pauline Epistles to the "churches". See Appendix 98. XVI and Appendix 99.
"The Almighty" (1:8; etc.). See Appendix 98. IV.
"The Lord God" (3:8 and see 22:6). Compare this title with Genesis 2:4—3:24 in connexion with "paradise".
"The First and the Last" (1:11, 17; 2:8; 22:13). Never associated with "the church which is His body".
"The Prince of the kings of the earth" (1:5). Never used in connexion with "the church".
"Who is to come" (= The Coming One), 1:4, etc. Occurs sixteen times in the Gospels, Acts, Hebrews (10:37); three times in Revelation, and nowhere else.
"The Living One" (1:18). A title only found in Daniel (4:34; 12:7) and six times in this book. Thus linking Daniel and Revelation in a very special manner.
4. The "BRIDE" AND THE "WIFE" of 21:9 must not be confused with the "wife" of 19:7. The latter is Israel called out from among the nations for blessing in "the Land"; the earthly consort of "the Great King" (compare Psalm 45; Jeremiah 3:14). This "wife" (19:7) is connected with the Millennial Jerusalem which, with the rest of the earth "that now" is, will pass away and give place to the new earth with the new Jerusalem, succeeding and replacing the former. "The bride, the Lamb's wife" of 21:9, is still of Israel, but the Israel of the "heavenly calling" (Hebrews 3:1): all those connected with the "heavenly country" and "the city with the foundations" for which they "looked" (Hebrews 11:13-16); the "Jerusalem above" of Galatians 4:26. Hence the significance of the term "bride" (numphe) in 21:9.
The Israel of 19:7 is not spoken of as bride (numphe), because she has become wife (gune). Compare the "married to you" = am become your husband (consummation), of Jeremiah 3:14, and see the Note there relating to the "restoration" time. Here (21:9) the term "bride" indicates clearly that the betrothal has taken place and that the marriage will be consummated when the bride shall have come down out of heaven. John sees her coming down (present participle), 21:10.
The loose way in which we speak of a "bride" as not only a contracting party at the time of the marriage ceremony, but also of her after she has become wife (gune), is responsible for much confusion as to the "wife" of 19:7 and the bride-wife of 21:9. Strictly speaking, "bride" is to be applied only to a betrothed virgin (Greek parthenos = Hebrew bethulah), when the marriage (legal) ceremony takes place. Directly after, she ceases to be "bride", and has become (legally) "wife", although from the forensic point of view consummation of the marriage may be delayed (compare Matthew 1:25, and see the Note there).
According to the Mosaic Law, a betrothed maid (Hebrew bethulah) was legally a wife ('ishshah), (compare Matthew 1:18, 20 with Deuteronomy 22:23, 24); hence Joseph's trouble and temptation (see Matthew 1:20). A careful study of the terms in Matthew 1:18-25 will afford a clue to a clearer understanding of the terms "bride" and the two "wives" of Revelation 19:7; 21:9 than volumes of commentary.
If the earthly millennial metropolis is real, so is this also, for both are spoken of in the same terms. And if the laying of "thy stones with fair colors" and "thy foundations with sapphires" (Isaiah 54:11) is spoken of the day when God is to be called "the God of the whole earth" (see verse 5), it must refer to the time of Isaiah 65:17; 66:22 and Revelation 21:1. Moreover, laying foundations implies a solid substratum on which to lay them, that is to say, earth. Foundations are of no use to a city "suspended" in the air!
The same argument applies also to the "tree of life" and the "water of life". If the "river" and "trees for meat" of Ezekiel 47:1-12 are real and literal, so also are the "tree" and the "water" of life here. Again, both are spoken of in identical terms. There is no more room for "imagery" in the one case than the other. The "tree of life" lost in the paradise of Genesis is here seen restored to the whole earth in the day when "the God of the whole earth" will "tabernacle" with men,—(and be) "their God" (Revelation 21:3). There is no place for "symbolism" in either case.
5. The more important Figures of Speech are noted. These will supply helpful keys where the symbolism is not Divinely explained or indicated, and will enable the student to judge whether Revelation is purely Johannine "symbolic imagery", as some affirm, and a "legitimate appeal to Christian imagination"; or whether the book is, as it claims to be, a deliberate setting forth proleptically of the actual scenes and events with which God declares that His purposes concerning the heaven and the earth shall be consummated.
6. NUMBERS hold a prominent and significant place in Revelation. These in order are:—2 (occurs eleven times); 3 (eleven); 3½ (twice); 4 (thirty); 5 (three); 6 (twice, including 13:18); 7 (fifty-four); 10 (nine); 12 (twenty-two); 24 (seven); 42 (twice); 144 (four); 666 (once); 1,000 (nine); 1,260 (twice); 1,600 (once); 7,000 (once); 12,000 (thirteen); 144,000 (three); 100,000,000 (once, 5:11); 200,000,000 (once, 9:16). Twenty-one in all (3×7 = 21. See Appendix 10).
Seven is thus seen to be the predominant number, occurring fifty-four times (3×3×3×2 = 54. Appendix 10).
Twelve comes next—twenty-two occurrences Seven, ten, and twelve, with their multiples, run throughout the book. In the Notes attention is called to other numbers of great significance. The student will thus be enabled to work out for himself many problems connected with the question of number in Scripture. Some examples are here given of word occurrences.
aster (star), Iesous, doulos (servant); etc.
The word arnion (lamb) occurs 29 times ("the Lamb" 28 = 4 sevens: the other occurs 13:11). Elsewhere only in John 21:15. hagios (holy) occurs 26 times according to the texts, which omit 15:3 and 22:6, and add 22:21; otherwise 27 times (3×9 or 3×3×3): doxa (glory) occurs 17 times (10 + 7): eulogia (blessing and ascription) 3 times; ethnos (nations) 23 times; nikao (overcome) 17 times: drakon (dragon) 13 times: plege (plague, etc.) occurs 16 times (4×4).
Phrases occur frequently, for example (i) he that hath an ear 7 times; if any man hath an ear occurs once: (ii) third part, 16 times: (iii) the kings of the earth, 9 times.
7. CONCLUSION. The "tree of life" (22:2) and the "water of life" (verses 1, 17) are seen to be the great central subjects of the new earth. No longer will there be any "curse" (verse 3). In place of the "Fall" we have restoration. Instead of expulsion—"lest he put forth his hand, and take also of the tree of life, and eat, and live for ever" (Genesis 3:22)—is the gracious invitation to those who "have right to the tree of life" (verse 22), "Come, whosoever desireth, and let him take the water of life freely" (verse 17).
8. The Benediction (22:21) not only completes the correspondence of the Structure (page 1883 of The Companion Bible), but appropriately closes the whole of the Book of God. "Grace and truth came by Jesus Christ" (John 1:17). In this dispensation all is of grace. Grace now, glory hereafter (compare Psalm 84:11). In the time coming, with which Revelation is concerned, grace will be given to "endure to the end" (Matthew 24:13) to all who come "out of the great tribulation" (7:14); to all slain under antichrist "for the Word of God" (6:9); and to all who "have the testimony of Jesus Christ" (12:17). "Grace, grace." ALL IS OF GRACE!


text:
Q: Load jQuery file if window width is between values I found a lot of solutions but got none of them working..
What I have is this:
$(document).ready(function(){
    if ( $(window).width() > 480) {

    }
});

What I want to know is how can I load an external js file into my html head when the window width is greater than 480px but smaller than 768px. I tried with 'load' and 'write' but got none of it working.
Thanks in advance!

A: Use getScript
$(document).ready(function(){
    if ( $(window).width() > 480 && $(window).width() < 768) {
        $.getScript( "ajax/test.js", function( data, textStatus, jqxhr ) {
          console.log( data ); // Data returned
          console.log( textStatus ); // Success
          console.log( jqxhr.status ); // 200
          console.log( "Load was performed." );
        });
    }
});

A: // I loaded value between 901 to 1600 width, You can run with your min-width or max-width
jQuery(document).ready(function($){ // Or else use with your requirment function (ex.$(window).on('load') or click function etc.)
var windowsize = $(window).width();
if ((windowsize >= 901) && (windowsize <= 1600)) {
       //Do Your Code Here...
}
});

redpajama_set_name: RedPajamaStackExchange


Well I finally took some of my tinkering with this game and packed into an installer and posted it on Moddb.
The mod adds about 15 new unlimited aircraft to the game and changes the way you choose tracks, difficulty settings, and engines. Check out the Moddb page if you are are interested in learning more.
I didn't realize anyone was still playing XAR. Carry on!
At this point, I certainly would say I've spent more time tweaking and modding the game then actually playing it, but I'm that way with most games, especially older games like Xtreme Air Racing.
I went ahead and uploaded another update to the XAR Mod to moddb. I was able to add some more aircraft types to the game. The cockpits and textures are off on a few of them, so I'll have to keep tinkering around with those.


Tarvaris signed a one-year contract this past offseason that pays him $1.176 million.
@Last shot for Tavaris to stay with Vikings?
@Vikings to keep Tavaris Jackson?
@Tarvaris odd man out via the Favre signing?
@Vikings passing game has "a long way to go"


text:
A Prairie Home Companion
MPR Dismisses Keillor's Son, 2 Others From 'Prairie Home'Garrison Keillor retired from the show in July 2016.
MPR, Keillor Agree To Restore 'Prairie Home' Online ArchivesMinnesota Public Radio says it has an agreement with Garrison Keillor to restore online access to old recordings of his "A Prairie Home Companion" radio show.
Keillor Jokes About Allegations In 1st Show Since FiringKeillor sang and told a few personal stories Wednesday at Yavapai College in Prescott.
Keillor: Alleged Sexual Misconduct Just 'Romantic Writing'Garrison Keillor described several sexually suggestive emails he exchanged with a former researcher who accused him of sexual misconduct as "romantic writing" that never resulted in a physical relationship.
Report: Fired Employee First Reported Keillor MisconductThe person who first accused the creator of "A Prairie Home Companion" of inappropriate conduct with a female employee was a disgruntled male staffer who spoke up after he was fired from the show last summer, according to a report published Friday.
Keillor: MPR Did Not Have Face-To-Face Talk With Me"If I am guilty of harassment, then every employee who stole a pencil is guilty of embezzlement," he said.
Keillor In Mediation With Minnesota Public Radio Over FiringGarrison Keillor wrote on his Facebook page Friday that a second day of mediation was held at a law firm in downtown Minneapolis.
'Prairie Home' Gets New Name After Keillor's FiringChris Thile, the mandolin virtuoso who has hosted the weekly variety show since Keillor's retirement last year, announced the new name Saturday evening as the show opened a live performance in New York City.
Keillor's 'Prairie Home' Replacement Calls Allegations 'Heartbreaking'Chris Thile on Saturday addressed alleged improper conduct by Keillor in the opening minutes of the first show to be broadcast since news of the allegations broke.
4 Things To Know: Trump Rally, 'The Blind Sheikh' & Western Rains Here's a look at the four things you need to know for Sunday, Feb. 19, 2017.
Chris Thile Will Return As 'Prairie Home' Host For 2nd SeasonMandolinist Chris Thile says he is returning for a second season as host of "A Prairie Home Companion."
Halfway Through Season, Thile Brings Younger Audience To 'Prairie Home'Halfway through his first season hosting "A Prairie Home Companion," mandolin maestro Chris Thile still feels "like a kid in a candy store" taking over the long-running popular public radio show created by Garrison Keillor — but knows he has to do one big thing.
'Praire Home Companion' Returns With New Host Chris ThileA nationally-known radio show set in Minnesota is back on the air -- now with a new host.
Whoops! USA Today Calls Garrison Keillor 'A Man From Wisconsin'Whether it's Bob Dylan, Prince, or Judy Garland, Minnesotans are (overly?) proud of famous individuals born in the Land of 10,000 Lakes. So, woe to those who mistakenly report that a famous Minnesotan is from another state. That brings us to today's example: Garrison Keillor.
Keillor Hosting Last 'Prairie Home Companion' In HollywoodSome 18,000 fans at the Hollywood Bowl will be transported to Lake Wobegon, Minnesota, Friday night as writer and humorist Garrison Keillor hosts his final episode of the old-style variety show "A Prairie Home Companion" after 42 years on public radio.


Below you'll find answers to the most commonly asked questions for MSU Denver Facilities Planning. Just click on the slide down panel to reveal the answer!
What's the difference between MSU Denver Facilities Planning and AHEC Facilities Services?
With more than 150 acres on the Auraria campus, a division of responsibility between buildings is crucial in order to provide efficient and professional support for every facility.
What does the office of Facilities Planning at MSU do?
The Office of Facilities Planning is responsible for a large portion of overall building support such as general maintenance, custodial services, repairs, temperature control, and access control approvals for the MSU Denver buildings on campus. For space studies, project estimates, remodels, repairs, event space, and so much more, we are the ones to come to!
If you need work done from the Facilities Department, we keep track of most of our requests thorugh our online database, SchoolDude. We request that you put in a work order through Schooldude for any work you need in our buildings. SchoolDude is a cloud-based system in which you van create, track, and manage work orders so that both parties can keep up to date on their progress. Use our Setup Guide to help walk you through the process of creating a SchoolDude account. To put in a work order, go to our home page and select the red "Submit a Work Order" button. Please keep in mind that the "Submittal Password for all users at MSU Denver will be "roadrunner". Your account password and the submittal password are not the same!
For any large spills or other custodial concerns, please contact the Facilities Planning main line at 303-615-1699. There is one day porter working between all of the MSU buildings throughout the day, we are happy to contact her for any large issues, but we can't guarentee that she can be there immediately.
Our team understands that an overly hot workplace environment can be distracting. Please check out our Tips to Beat the Heat to get a better understanding of how the temperature control system works in the Student Success Building.
Why do the lights in my office keep turning off?
Many of the lights in the MSU Denver buildings are activated by motion detection. If your overhead lights are turning off prematurely, locate the sensor in the room and ensure that its range is not obstructed by any objects. Please note that some overhead lights are also programmed to a set schedule. If you feel that the overhead lights in your office or work area are set to an incorrect schedule, please submit a work order and our team will help to find a solution.
How do I get access in MSU Denver buildings?
All access requests for the MSU Denver community (student employees, faculty, and staff) must be approved by the Office of Facilities Planning, however we do not directly encode ID cards or make physical keys. To gain building access, please have your office manager or designated signing authority update your departmental key matrix and e-mail a request to facilitiesplanning@msudenver.edu If you get locked out of your room or office give us a call and we are happy to unlock that room for you.
How do I get access to a non-MSU owned building?
How do I request an MSU Denver space for an event?
From the homepage of our website, the "Event Scheduling" tab will give you a list of all of our available spaces along with times and capacities. To request these spaces, select the red "Request Event Space" button and place your space request. Please allow 5-6 business days for our Event Scheduling Coordinator to respond to your request.
If you are wanting to book a Student Success building or Aerospace and Engineering Science building classrooms, contact our Event Scheduling Coordinator directly at sellis35@msudenver.edu or 303-615-5290 with details including date and time of your event.
If you are looking to book a conference room for a meeting, that information will be found under the "Conference Rooms" tab on our website.
For any questions or concerns regarding event space, contact the Event Scheduling coordinator at sellis35@msudnever.edu.
How do I request event space in a non-MSU owned building?
To request event space in a shared auraria campus building you will need to contact the Auraria Campus Event Services (ACES) at 303-556-2755 or visit the AHEC Event Services website.
Where should I park during an event?
Emergencies can range from needing immediate access, power outages, flooding, and fires to suspicious objects, suspicious people, or an active shooter. Please get familiar with the emergency procedures listed below. More information can also be found on the campus Emergency Preparedness page.
All lost and found items from the Student Success Building are held at the Information Desk of Enrollment Services. To inquire about your lost item, contact the Information Desk at (303) 556-5740.
All lost and found items from the Tivoli (including the Auraria Campus Bookstore) are held for six weeks at the ID Station. After that point, unclaimed items are disposed of or donated. To inquire about your lost item, contact the ID Station at (303) 556-8385.
Some items of high value are collected by the Auraria Campus Police Department. If your item is not at the ID Station, please check with with Auraria Campus P.D. at (303) 556-5000 or visit their office in Tivoli 228.
What mailing service do I use?
If you need to mail a package, MSU Denver does not require you to go through any particular mailing service. You are free to use FedEx, UPS, or any other mailing service you would like. If you order a package to be delivered to you, it will first go through AHEC Receiving and then be distributed from there. For more information on receiving packages please visit the AHEC Receiving website.
Please feel free to give us a call at 303-615-1699 or send us an email below!


Spotted in the Rocky Mountains of Colorado: The Ford F-150, caught in the midst of high-altitude testing. Sources report that versions of the F-150 captured in the mountainous terrain were, as Carscoops.com notes, "in various states of undress: some in the production forms we've already seen, some with one manner or another of visible modifications, and one with rather heavy camouflage enveloping the entire front end."
The success of the F-150 is certainly warranted. Although Ford established the F-150's reputability over recent years, its team has avoided getting too comfortable. Ford's ongoing pursuit for improvement and innovation - as illustrated in its recent powertrain upgrades - is a testament to its esteemed position in the automotive world. It's a suspenseful guessing game as to what these latest improvements mean for F-150 drivers, but one's bated breath is sure to be worth the wait. Until the news is officially released, bide your time by test-driving our selection of F-150s at Sound Ford in Renton, Washington today.


The Preschoolers are a really poppy punky band from Horseheads NY. We sound alot like the Ramones. I guess the Ramones and screeching Weasel are our influences. We got started back in the summer of '98. So we havent been together for very long, but we have played alot of shows around town and some out of town as well. This page isnt done, and probably won be for a while cause I never have the time to do this crap.
Maintained byNepente. Want to join theRing of Punk?