text:
Tag: farooq abdullah
Farooq Abdullah, Omar Abdullah's name present in the list of Roshni Act
SRINAGAR: Member Parliament Srinagar and former Jammu and Kashmir chief minister Farooq Abdullah and his son Omar Abdullah's names have surfaced in the list of beneficiaries of Roshni Act. Jammu and Kashmir administration has made public names of people, including politicians and bureaucrats, who were beneficiaries of the scheme. The administration of the union territory as directed by the Jammu and Kashmir High Court to make public land given under the controversial Roshni land scheme, since scrapped by a court, came out with the list of beneficiaries. On Tuesday, it came out with a list of those who had allegedly encroached land other than those given under the scheme. As per the details of state land (physically encroached but not shown in revenue records), uploaded on the websit...

redpajama_set_name: RedPajamaCommonCrawl


text:
Name Index Grace ELLETT was born (date unknown). Parents: William Henry ELLETT Jr. and Mildred Mae ADAMS.
Grace ELLETT was born about 1895 in Kansas. Parents: William Henry ELLETT Sr. and Grace Louise .
Joseph Alexander ELLETT was born on 13 August 1869 in Mississippi. He died on 19 February 1935 at the age of 65. He was buried in Edgewood Cemetery, Livingston, Missouri. Parents: Rev. Alexander M. ELLETT and Sarah Caroline .
Lula B. ELLETT was born in August 1871 in Mississippi. Parents: Rev. Alexander M. ELLETT and Sarah Caroline .
Marian ELLETT was born about 1889 in Missouri. Parents: William Henry ELLETT Sr. and Grace Louise .
Mary Coral ELLETT was born on 30 March 1866 in Texas. She died on 20 April 1954 at the age of 88. She was buried in Edgewood Cemetery, Livingston, Missouri. Parents: Rev. Alexander M. ELLETT and Sarah Caroline .
Richard Jackson ELLETT was born on 18 March 1899 in Kansas. Parents: William Henry ELLETT Sr. and Grace Louise .
Virginia ELLETT was born on 9 August 1878 in Burton, Harvey, Kansas. She died on 12 February 1951 at the age of 72. She was buried in Edgewood Cemetery, Livingston, Missouri. Parents: Rev. Alexander M. ELLETT and Sarah Caroline .
William Henry ELLETT Sr. was born in 1859 in Louisiana. He died in 1938 at the age of 79. He was buried in Edgewood Cemetery, Livingston, Missouri. He was a bank president in Chillicothe in 1910. Parents: Rev. Alexander M. ELLETT and Sarah Caroline .
Spouse: Grace Louise . Grace Louise and William Henry ELLETT Sr. were married about 1885. Children were: Capt. A. Morris ELLETT, Alexander ELLETT, Marian ELLETT, William Henry ELLETT Jr., Garnett ELLETT, Grace ELLETT, Gladys ELLETT, Richard Jackson ELLETT.
William Henry ELLETT Jr. was born on 26 August 1890 in Peabody, Marion, Kansas. He died on 10 November 1959 at the age of 69 in Fort Atkinson, Jefferson, Wisconsin. He was a Chillicothe banker for several years. Parents: William Henry ELLETT Sr. and Grace Louise .
Spouse: Mildred Mae ADAMS. Mildred Mae ADAMS and William Henry ELLETT Jr. were married on 31 March 1917 in Chillicothe, Livingston, Missouri. Bride and groom were of Chillicothe. Children were: Barbara ELLETT, Grace ELLETT, Charles ELLETT.
Charlotte ELLIDGE was born on 18 February 1834 in Richmond, Madison, Kentucky. She died on 8 November 1900 at the age of 66. She was buried in Rose Hill Cemetery, Caldwell, Missouri.
Spouse: James C. STAGNER. Charlotte ELLIDGE and James C. STAGNER were married in 1850 in Kentucky. Children were: Richard STAGNER, John T. STAGNER, Lytle STAGNER, Mary Elizabeth STAGNER, James C. STAGNER, Alice E. STAGNER.
Spouse: Martin Jasper BOWERS. Charlotte ELLIDGE and Martin Jasper BOWERS were married on 20 May 1862 in Caldwell Co., Missouri. The marriage record identifies her as Charlotte Stagner. Children were: William Edgar BOWERS Sr., Houston BOWERS, Henry Martin BOWERS, Ida Anna BOWERS, Charlotte Mae BOWERS, Jasper Arthur "Jap" BOWERS.
Mary A. ELLIFF was born in Illinois.
Spouse: William C. DUGGER. Mary A. ELLIFF and William C. DUGGER were married on 3 January 1849 in Madison Co., Illinois. Children were: Don Alonzo DUGGER.
Lottie Jean ELLINGSTON was born on 10 March 1924 in Stockton, San Joaquin, California.
Spouse: Floyd Allen ELLIOTT. Lottie Jean ELLINGSTON and Floyd Allen ELLIOTT were married.
Lewis ELLINGTON died in 1971.
Spouse: Juanita BECKNER. Juanita BECKNER and Lewis ELLINGTON were married in 1945.
Mary ELLINGTON was born in Kentucky.
Spouse: John ARMITIGE. Mary ELLINGTON and John ARMITIGE were married. Children were: Mary D. ARMITIGE.
ELLIOT was born (date unknown).
Spouse: Linda FRAZIER. Linda FRAZIER and ELLIOT were married.
Jack ELLIOT was born (date unknown).
Spouse: Harriett Alberta RUNNELS. Harriett Alberta RUNNELS and Jack ELLIOT were married.
ELLIOTT was born (date unknown).
Spouse: Bettie Lou BUTRICK. Bettie Lou BUTRICK and ELLIOTT were married. Children were: Bruce Ernest ELLIOTT, daughter ELLIOTT.
Spouse: Irene JEWELL. Irene JEWELL and ELLIOTT were married.
Spouse: Velma . Velma and ELLIOTT were married.
Spouse: Irma ENGLAND. Irma ENGLAND and ELLIOTT were married.
Spouse: Margaret DENNIS. Margaret DENNIS and ELLIOTT were married.
Spouse: Melba Lee CARTER. Melba Lee CARTER and ELLIOTT were married.
Adaline Melinda ELLIOTT was born on 4 July 1933. She died on 29 July 2004 at the age of 71. She was buried in Higginsville, Lafayette, Missouri.
Spouse: Clarence Edward SLATTERY. Adaline Melinda ELLIOTT and Clarence Edward SLATTERY were married on 25 May 1955 in Norborne, Carroll, Missouri.
Adelia Lynn ELLIOTT was born about 1855 in Illinois. She died before 1900 at the age of 45. Parents: William ELLIOTT and Frances .
Spouse: Frederick Louis WILLARD II. Adelia Lynn ELLIOTT and Frederick Louis WILLARD II were married on 19 October 1871 in Livingston Co., Missouri. Children were: Mary Frances WILLARD, William Jason WILLARD, George Robert "Dick" WILLARD, Maud Bell WILLARD.
Agnes ELLIOTT was born in Edinburgh, Scotland.
Spouse: Jesse J. WILSON. Agnes ELLIOTT and Jesse J. WILSON were married. Children were: Andrew Elliott "Fred" WILSON.
Albert ELLIOTT died before 1910.
Spouse: Allene E. JONES. Allene E. JONES and Albert ELLIOTT were married. Children were: Mary "Matie" ELLIOTT, James M. ELLIOTT.
Albert E. ELLIOTT was born about 1904 in Iowa. Parents: George Winfield ELLIOTT and Ida Ellen COMEGYS.
Spouse: Erma Lea KELLEY. Erma Lea KELLEY and Albert E. ELLIOTT were married on 14 June 1924 in Chillicothe, Livingston, Missouri. Children were: Jo Ann ELLIOTT, Robert L. ELLIOTT, Dale C. ELLIOTT.
Albert S. ELLIOTT was born about 1872 in Mooresville, Livingston, Missouri. He was an implement dealer in Angleton, Texas in 1930. Parents: Hiram ELLIOTT and Mary S. SADLER.
Spouse: Mabel STONE. Mabel STONE and Albert S. ELLIOTT were married about 1899. This couple apparently had no children.
Alice ELLIOTT was born about 1864 in Illinois. Parents: William ELLIOTT and Frances .
Ambrose ELLIOTT was born about 1850 in Illinois. Parents: William ELLIOTT and Frances .
Anna M. ELLIOTT was born about 1863 in Ohio. Parents: Israel Wyley ELLIOTT and Nancy Jane BROWN.
Annie Elizabeth ELLIOTT was born on 28 October 1855 in Ray Co., Missouri. She died on 22 July 1938 at the age of 82 in Kansas City, Jackson, Missouri. She was buried in Mt. Washington, Jackson, Missouri.
Spouse: Eli SHUFFLER. Annie Elizabeth ELLIOTT and Eli SHUFFLER were married. Children were: Joseph Denton SHUFFLER.
Arthur Karl ELLIOTT was born on 23 October 1922. He died on 20 February 1973 at the age of 50.
Spouse: Paneli Margaret PRYOR. Paneli Margaret PRYOR and Arthur Karl ELLIOTT were married on 27 January 1949. Children were: Arthur Robert ELLIOTT, Michelle Ann ELLIOTT.
Arthur Perry ELLIOTT was born on 14 January 1869 in Iowa. He died on 18 December 1951 at the age of 82 in Spickard, Grundy, Missouri. He was buried on 20 December 1951 in Edgewood Cemetery, Livingston, Missouri. Parents: Elijah ELLIOTT and Carilla OSGOOD.
Spouse: Florence Maude BLAIR. Florence Maude BLAIR and Arthur Perry ELLIOTT were married. Children were: Gladys F. ELLIOTT, Leita L. ELLIOTT, Wynona Beatrice ELLIOTT, Frances C. ELLIOTT, Florence Maybell ELLIOTT, George A. ELLIOTT, Edith ELLIOTT, Zeva C. ELLIOTT.
Arthur R. ELLIOTT was born in May 1880 in Mooresville Twp., Livingston, Missouri. He died in 1894 at the age of 14. Family tradition says he drowned. He is buried in Kolb Cemetery in Oklahoma. Parents: Hiram ELLIOTT and Mary S. SADLER.
Arthur Robert ELLIOTT was born on 21 August 1950. Parents: Arthur Karl ELLIOTT and Paneli Margaret PRYOR.
Barthenia ELLIOTT was born (date unknown).
Spouse: Willis Martin CARRIKER. Barthenia ELLIOTT and Willis Martin CARRIKER were married. Children were: William L. "Willie" CARRIKER.
Bob ELLIOTT was born (date unknown).
Spouse: Hazel ALLNUTT. Hazel ALLNUTT and Bob ELLIOTT were married.
Bradley ELLIOTT was born (date unknown). Parents: Terry Lynn ELLIOTT and Nancy Lynn MANN.
Bruce Ernest ELLIOTT was born in 1957. Parents: ELLIOTT and Bettie Lou BUTRICK.
Bud Leroy ELLIOTT was born on 25 November 1924 in Lamoni, Decatur, Iowa. He died on 6 May 2001 at the age of 76 in Liberty, Clay, Missouri. He was buried on 9 May 2001 in Resthaven Memorial Gardens, Livingston, Missouri. Parents: L. R. ELLIOTT and Emma DAVIS.
Spouse: Irene JOHNSON. Irene JOHNSON and Bud Leroy ELLIOTT were married on 3 July 1963 in Cheyenne, Laramie, Wyoming. Children were: Marlene Dee ELLIOTT, Cindy ELLIOTT, Kay ELLIOTT.
Burton William ELLIOTT was born on 23 September 1875 in Trenton, Grundy, Missouri. He died on 24 April 1948 at the age of 72 in Meadville, Linn, Missouri. He was buried in Wheeling Cemetery, Livingston, Missouri.
Spouse: Mary Anna MAXWELL. Mary Anna MAXWELL and Burton William ELLIOTT were married on 15 November 1898 in Grundy Co., Missouri. Children were: Emmalea Ann ELLIOTT, Orpha ELLIOTT.
Carrie ELLIOTT was born (date unknown). Parents: Robert "Bob" ELLIOTT and Patricia WATT.
Carrie Isabel ELLIOTT was born on 14 March 1860 in Plevna, Knox, Missouri. She died on 10 January 1939 at the age of 78 in Knox Co., Missouri. She was buried on 12 January 1939 in Knox Co., Missouri. Burial was in Pleasant Prairie Cemetery. Parents: William A. ELLIOTT and Caroline Russell SMITH.
Spouse: William Edward COMSTOCK. Carrie Isabel ELLIOTT and William Edward COMSTOCK were married. Children were: Elton Arthur COMSTOCK.
Catherine Edna ELLIOTT was born on 4 June 1911 in Laredo, Grundy, Missouri. She died on 29 May 1984 at the age of 72 in Lee's Summit, Jackson, Missouri. She was buried on 2 June 1984 in Evergreen Cemetery, Caldwell, Missouri. Parents: Charles Franklin ELLIOTT and Freda Olive LAPE.
Spouse: Victor H "Shorty" BAGLEY. Catherine Edna ELLIOTT and Victor H "Shorty" BAGLEY were married on 8 October 1933 in Chillicothe, Livingston, Missouri. The bride was of Chillicothe, the groom of Utica. Children were: Victor H. BAGLEY Jr..
Spouse: WARNER. Catherine Edna ELLIOTT and WARNER were married.
Charles ELLIOTT was born about 1878 in Mooresville Twp., Livingston, Missouri. He was a hired man on an Oklahoma farm in 1910. He never married. It is believed that he died in Peoria, Illinois. Parents: Hiram ELLIOTT and Mary S. SADLER.
Charles E. ELLIOTT was born on 18 September 1895 in Carroll Co., Missouri. He died on 10 April 1911 at the age of 15 in Carroll Co., Missouri. He was buried in Norborne, Carroll, Missouri. Parents: Oliver ELLIOTT and Elizabeth Frances WARREN.
Charles Franklin ELLIOTT died on 19 March 1961.
Spouse: Freda Olive LAPE. Freda Olive LAPE and Charles Franklin ELLIOTT were married on 7 July 1910 in Trenton, Grundy, Missouri. This family moved from Laredo to Chillicothe in 1929. Children were: Catherine Edna ELLIOTT, Floyd C. ELLIOTT, Fred F. ELLIOTT, Golda ELLIOTT, Mary Lois ELLIOTT.
Charles Franklin ELLIOTT was born on 1 September 1931 in Polo, Caldwell, Missouri. Parents: Wilbur Franklin "Frank" ELLIOTT and Christina BRELSFORD.
Spouse: Mary Ruth ISAACS. Mary Ruth ISAACS and Charles Franklin ELLIOTT were married on 26 July 1953 in Breckenridge, Caldwell, Missouri. Children were: Keith Darren ELLIOTT.


text:
Policy shifts, funding, accountability, and benchmarking: Taking the first steps toward police reform
High-profile cases such as the deaths of George Floyd and Breonna Taylor have led some community and government leaders to reimagine policing in America. Four potential components of police reform being discussed now are policy operation reform, police funding, commitment to transparency and accountability, and benchmarking.
Stephanie Zamora
Some local governments have taken the lead in adjusting operating policies. Cities such as Minneapolis, Washington, D.C, Sacramento, Phoenix have committed to banning chokeholds or other maneuvers that have led to asphyxiation. Other policies that have been implemented include "Duty to Intervene" and "Breonna's Law." The former was adopted by the City of Cambridge to encourage the Cambridge Police Department present at any scene where physical force is being applied to stop or attempt to stop another member of the Department when force is being unreasonably applied or is no longer required.  Louisville banned "No-Knock" warrants after a unanimous vote by the Metro Council following the death of 26 year-old-Breonna Taylor, who was killed by police in her apartment after the execution of a "No-Knock" warrant.
Police Funding
Some communities have also been calling on local government leadership to divert funds from police budgets to social wellbeing initiatives and programs. The Los Angeles City Council approved a $150 million cut to the LAPD's budget for the next fiscal year in order to allocate the money for social service. This is an 8 percent cut to the $1.86 billion proposed operating budget of the LAPD. The largest share of LA County's net county costs (NCC) goes to the County's public safety departments, including the Sheriff's Department, according to the LA County summary of their 2020-2021 budget proposal. Activists are pressing for further action. Communities such as the City of Austin are adopting budget cuts as well.
Commitment to Transparency and Accountability
Proposals to increase transparency and accountability include independent investigations in cases involving police violence, implementing civilian review boards, and the use of community-oriented policing. In San Jose, CA, an independent auditor will be used in place of the internal affairs model traditionally used by the agency in cases of excessive force and racial discrimination. Phoenix, AZ is utilizing a civilian review board known as the Office of Accountability and Transparency. This community-lead effort and initiative came after the Phoenix City Council voted to approve funding after pressure from the community and protests during the summer. Other cities such as the City of Santa Cruz, CA are opting to focus on improving trust between communities and law enforcement through workshops and commissions.
Benchmarking Resources
The National League of Cities published "Policing in the 21st Century" to provide local governments with a guide with steps to apply community policing practices. Some of the suggestions are similar to the above-mentioned components of reform such as building trust, increasing transparency, and enhancing police training. Some are based on President Obama's Task Force on 21st Century Policing guidelines. Data-driven solutions have also been suggested. Benchmarking tools like those used by the International Association of Chiefs of Police enhance decision making and conduct comparative analyses with peer agencies.
These recommendations and discussions of shifts in traditional policing signal a change in popular opinion on the intersection of policing and racism. Some activists point out that poor and working-class communities of color are most often victims of violence, and argue that police budgets are bloated while funding for social services is insufficient. Addressing these disparities in resources is a possible key to improving relations between local governments, police, and the citizenry. Community leaders are asking pressing questions that make some leaders rethink the priorities of their cities.
Access the research request here: https://members.transformgov.org/police-reform-improvements-and-benchmarks/


Happy Monday! Our challenge this week at Simon Says Stamp and Show is 'just add pearl'. Don't miss the gorgeous DT projects, such a great variety.
I cut the covers from mat board and inked them with Rusty Hinge and Vintage photo. A piece of manila cardstock was coloured with Antique Linen, Frayed Burlap and Peeled Paint Distress Stain, when it was dry I embossed it with a wood pattern stamp (one of my favourite stamps) and Vintage Photo Distress Embossing powder. The calendar was stamped on cream cardstock with Archival Jet Black and smeared with Antique Linen Distress Stickles for some shine. I cut the circle frame with Sizzix Circle Framelits, making it a bit off centre. It was inked with Rusty Hinge and I added pearls all around.
The title translates 'Autumn Leaves' and was die cut with the Inside Out die, from kraft core cardstock.
I cut some branches from kraft glassine paper. Stamped and coloured two Mini Blueprint leaves (I am using the larger version on the inside), and used the Mini Tattered Leaves to die cut two leaves from vellum and stamped them with Mini Blueprint leaves.
First, I cut a long piece of watercolour paper and stamped the three leaves and the acorn on it with Archival Jet Black ink, spacing them out evenly. You have to use a waterproof ink for this step.
Let the Archival Ink dry for a while, then paint the leaves with art masking fluid. I was happy a few months ago when I discovered that the masking fluid didn't affect the Archival Ink, because this is a really easy way of masking. Use an old paint brush when painting with masking fluid, coat it with a little bit of soap first, and wash immediately when you are finished. Let the masking fluid dry.
I wanted a fluid watercolour background and pounced Distress Stains (Antique Linen, Frayed Burlap, Peeled Paint and Forest Moss) on my craft sheet. Then I misted the paper pretty heavily with water and dragged and dipped it into the ink. This is the result. The masking fluid has protected the leaves from the ink.
The shiny leaves and acorn look nice on the matte watercolour background, you see the shine better on this photo. Measure and score the accordion folds, then glue to the covers.
This is what the accordion booklet looks like folded up.
Show us your pearly projects this week and you could be the lucky one who wins a $50 gift voucher from Simon Says Stamp.
Thank you for visiting! Enjoy your week!
This week's case file at CSI:Color, Stories, Inspiration is so stunning, and don't miss the fabulous DT layouts.
From the evidence items I used: foliage, damask, ribbon, something transparent, curtains and black and white patterned paper. I journaled about a special event: the renovation of my parents' house. I wrote a lot of journaling so I wrote it on a separate paper and placed it behind the layout.
One of my favourite parts of the new look of the house is this city wall paper on two walls in the kitchen. I mimicked it on the background with a stamp. Because I used watercolour paper, and this stamp has many solid areas, the texture of the paper shows throw. It was stamped with Archival Jet Black ink. I used a foliage and bird stencil and misted Dylusions and home made mists through it, and I misted the yellow Dylusions mist here and there on the layout. Without planning it at all, one of the spots ended up looking like the sun coming up over the village. At the bottom of the page I misted yellow through a art definition text stencil, stamped with a brick stamp using Archival Ink Sap Green, and stamped with a splatter stamp with black ink.
I also used the new Tim Holtz Sizzix Brick Wall Sizzlits die and cut it from white cardstock. It was layered on yellow cardstock to look like the bricks of my parents' house.
I splattered some of the green mist over the layout. Here's a close-up of the bird.
Love this Rickety House die by Tim Holtz and made a house based on my parents' house. It was die cut from white mat board, with the roof being cut twice. I embossed the house with a brick folder and inked it with Mustard Seed and Scattered Straw. The roof was embossed with a grid folder and inked black. I added a left-over vintage lace to the roof, it had been inked with Pewter Distress Stain. The house got mica windows, and lace curtains and I placed some text paper behind the windows.
The Townscape was die cut twice from white mat board and covered with Crackle Accents.
Thank you for looking!! Enjoy your weekend!
Stamps: Hero Arts: A Village S5432; Stamper's Anonymous Tim Holtz Ultimate Grunge.
Today I am sharing a step-by-step tutorial on the Sizzix blog. It is a bit different from most of my projects, but once I got the idea, I just had to make it. I've had fun trying out different ways of using Eileen Hull's great Candy Drawer die, making it into a chest of drawers, a gift box and a shadow box. This time it became a kiddies Memory game.
I used to love playing Memory as a child, and I made this for my son, who is still a bit too small to understand how it works, but still loves the cards. I used a lot of small dies for the images on the cards. It's a great gift project for a child and you can use images that interest them and make as many pairs of cards as you would like to. The box is fun to make too.
To see how I made this, head over to the Sizzix blog.
Hi everyone! Today I have my version of Tim Holtz's 12 tags of 2012 October tag to share. Since we don't celebrate Halloween, I made an autumn tag instead, and it has a fun brand new Karen Burniston Sizzix Circle & Ribbon 3D Platform pop up on the inside. It comes from her new Hearth & Home collection. I also posted a pop-up card using some of the new dies here.
I loved the technique Tim showed of colouring dry Rock Candy glitter with alcohol inks and used Pesto and Espresso to colour my glitter. I also used one of my favourite dies, the Branch Tree, which was die cut from grungeboard, painted green and then coated in glitter. The technique of colouring tissue paper with paint dabbers was also lots of fun. I used Sunshine Yellow, Sunset Orange and Jenni Bowlin red. The background was stamped with Tim's new Stamper's Anonymous Mini Blueprint stamps. I misted it heavily with a homemade glimmer mist, I can't remember what I had made it with, a goldish yellow perfect pearls, mixed with orange (maybe Wild Honey distress reinker).
You see the glitter and perfect pearls shine better on this photo.
The ticket was die cut from manila cardstock and stamped. I also cut leaves from three different colours kraft core cardstock with the Autumn Gatherings die. They were sanded, inked a bit and then coated with Rock Candy Distress Stickles.
And when you open the tag, you find this. Sorry very hard to photograph. The Circle & Ribbon pop-up die is so much fun! It consists of a platform, a circle on which you can place all kinds of things or maybe just stamp a sentiment, and such a fun spiral ribbon, which really adds a great element of surprise when you open the tag.
I inked the inside with Distress Inks, stamped it using Archival Jet black, misted heavily and when dry added some more stamping.
I inked the platform with Peeled Paint and stamped it with this great definition stamp from Hero Arts. The circle was inked with Mustard Seed and Scattered Straw and stamped with Spiced Marmalade. The spirals were die cut from yellow kraft core cardstock, and coated with Rock Candy Distress Stickles. The bird was cut from grungepaper, using the Bird Branch die and coloured with Distress Stain Antique Bronze. I added some left over leaves around the feet of the bird, as well as a leaf covered with left over brown glitter, and a leaf coated with dry gold Stickles glitter.
Here's another view of the platform and the leaves.
A close up of the bird and the leaves.
Hi everyone! This week we have a special guest at Simon Says Stamp and Show, the fabulous Wendy Vecchi. During the week she will post two tutorials. Looking forward to that! This week we are having an inspired by Wendy Vecchi challenge (you can see all her great Studio 490 products here). I hope you will play along with us!
I used Wendy's fun Art Parts Large Circle Frame as the base for my frame, love how sturdy the art parts are.
I painted the circle cream and when dry with Jenni Bowlin Speckled Egg and Soap Powder paint. After it dried, I sanded it to reveal some of the cream paint and give it a worn look. I painted the frame cream too, but later changed my mind and painted it silver instead.
The great sentiment from Wendy's Celestial Art set was stamped with Versafine Onyx Black and clear embossed. I masked it with a piece of paper and stamped the surrounding areas with the large stamp from the same set using Versamark, and embossed with Ranger's Frosted Crystals Antiquities. Loved the effect, it was hard to photograph though.
I layered all the flowers together and attached a jewel brad in the centre.
The flower got a lovely Blossom Bucket Lace Leaf which was painted, first with Stream, and then dry-brushed with Speckled Egg. When dry, I coated it in a thin layer of Distress Stickles Rock Candy.
After painting the frame silver, I sanded it and inked with Black Soot. Then it was covered with Rock Candy Distress Crackle paint. When the paint had dried, I pounced it with Tumbled Glass Distress Stain. I love the effect that gives.
I hope you will join us in the fun this week! Just like every week, our generous sponsor, Simon Says Stamp, gives a $50 gift voucher to one lucky participant.
Today I have a scenic card to share, my second card for this month's Craft a Scene challenge, 'Majestic Mountains'. I hope you'll play along with us, there is still a lot of time.
This is a half-sheet scene (5.5 x 8.5 in), done on glossy cardstock and coloured with dye inks using a Colorbox Stylus tool (see this tutorial). Kevin Nakagawa from Stampscapes has recently done fabulous videos explaining the basics of scenic stamping, don't miss them.
I planned the placement of all the stamps on scrap paper first, as I usually do.The little cabin was stamped first, and then masked, something I don't often do, but I wanted the trees to come up behind the cabin, so it was necessary here. I wanted to use this mountain stamp from Sutter stamps and stamped it twice to fill the width of the paper. I added some extra trees at the base of the mountains, apart from those already included in the mountain stamp. Before stamping the addional pine trees, I wiped the bottom of the trunk a little bit, so that they look more natural growing out of the grass.
The little pond was stamped and then I added some boulders behind it, and some pebbles around the path of the riders. The trees in the foreground was stamped with Archival Ink Olive, which I also used for the grass stamping (with one of my most used stamped, the Sedge Filler). The rest of the stamping was done with Archival Jet Black.
I wanted to get natural looking and muted colours on the scene, and started as usual with the lightest shades, gradually building up more colour. I added quite a bit of brown to the grass. The mountains were coloured with brown, grey and a bit of green, and I added extra texture to the open ares on the mountains. I also added shadows to the house and the riders, using a darker shade of ink than the grass.
The birds were stamped with Denim ink and partly placed where they are to cover up a smudge. Some foreground branches were stamped. Then I added mist by dry-brushing white pigment ink on the scene, such as on the mountain furthest away (the mist helps to push the mountain back, making it look further away). Highlights were added with a white gel pen.
From the evidence items I used: woodgrain background, texture paste, polka dots, grid design, grass, flowers, circles. From the testimony items, I added a flower to my journaling spot and was inspired by the word 'small'.
I just love this photo of my son and his cousin in a field of grass and flowers. I mixed modeling paste with acrylic paint and applied it through a stencil for the woodgrain background. I had a bit of leftover paste and smeared it on top of a die cut grungeboard star. The blue cardstock is Core'dinations so I sanded the edges a bit. Then it was mounted on a really old BasigGrey patterned paper.
The photo was placed on top of six circles, but instead of using ordinary circles, I die cut them with a large fringed flower die, using six different 6x6 patterned papers (so the patterns are smaller).
Here's a close-up of the woodgrain. The balloons were stamped with Archival Ink Vermillion. The title translates 'together'.
I had a little bird from the Birds on a Wire die on my desk and it really wanted to jump onto the layout. Love these birds.
The grass was made with Eileen Hull's 3D Flowers #2 die. I cut six strips from cardstock and cut many of the fringes to make it look more like grass. They were stamped with an envelope background stamp. The flowers come from Karen Burniston's Hello set and were cut from white cardstock. The little circle was inked with Scattered Straw.
Time to start with some Christmas cards! I send different cards to everyone at Christmas, never having been very good at making many of the same. I used dies from the brand new Karen Burniston's Sizzix Hearth & Home collection on this card. You can see the whole Hearth & Home collection here, it is fabulous, so versatile, and certainly not only for Christmas projects.
This card is different from my normal projects, I rarely do clean and simple cards. I made it for two Stamptoberfest challenges at the Stamping Board on Two Peas, the 'Good Things - Small Packages' (to use a small stamp as your focal point), and the 'Get a move on it' challenges. It is also for the Hero Arts October challenge, Holiday Cardmaking. I totally forgot to write about Stamptoberfest here, it is an event organised by the members of the Stamping Board themselves. I host a challenge too, called 'Let it Snow', you can find the details here.
I decided to do a card using only white cardstock, texture and just a little bit of colour. Sorry, the colours are a bit off in the photo, I didn't have great light for an all white card when I took it.
I used the great Bracket Frame & Label Bigz die on the front and cut it from Specialty Stamping cardstock. This is such a great die, you get the centre label and the two frames, all of which work well both together and on their own. I decided to use all three here.
The two frames were embossed with a heart and a dot folder and the smaller frame was mounted with foam dots. I love the feel of Specialty Stamping paper. I also die cut three little snowflakes, using the Snowflakes Framelits set.
The bird was stamped with Archival Jet Black ink and coloured with Distress Ink (Barn Door and Tumbled Glass) and a craft nib.
Here's a close-up of the dry embossed texture.
I continued the white theme on the inside, and used the fabulous Raising 3D Platform die. Such a fun die! When you open the card it literary raises up to meet you. Perfect for sentiments, but for tons of other things too. Here I used it for the sentiment, and stamped the sentiment inside the Fancy Frame Bigz die. The two fancy dies fit perfectly on top of the platform.
The insert in the Raising 3D Platform die explains how to fold and assemble die pop-up, it is much easier than what it looks.
Here's a close-up of the platform.
I used the inner oval from the Fancy Frame to stamp another bird. I also added a strip of Specialty Stamping paper, which was embossed in a winter word folder.
Here's a view from another angle of the pop-up.
Hi everyone! I have another pop-up card to share today, using Karen Burniston's Sizzix pop 'n cuts dies, and some other dies too. My niece and nephew have their birthdays very close together, he got the pop-up card you can find in this post, and she got the card below.
Here's the front of the card, kept pretty simple. The cardstock was stamped with a star background stamp, for a tone-on-tone effect. I die cut a film strip from Core'dinations cardstock, sanded it and backed it with cream cardstock, a perfect place for small stamped images. 'Grattis' means 'congratulations'. The arrow was die cut, inked and stamped with an envelope pattern stamp. I placed Washer Border strip behind the film strip.
This Heart & Wing die is so sweet. I cut the wings and the small heart from sticky back canvas and inked with brown and yellow distress inks. The larger heart was cut from patterned paper.
This fun banner comes from Eileen Hull's Cupcake Stand & Pennant die. I cut it from manila cardstock, inked yellow, folded over a piece of twine, added some stamps and a stitched border. It was adhered with foam tape.
Here's the inside of the card. It is lots of fun to place photo cut outs on pop-ups, especially for kiddies cards, since when you open it, it looks like he is just jumping out on his bike. I used the versatile Label pop-up die here. I repeated the star stamping from the outside, as well as the star paper, the yellow arrow, and the washer border (cut in black Core'dinations cardstock and sanded). The three little hearts come from the Heart & Wing die. Two were cut from canvas and the third from patterned paper.
I just had to use of my favourite dies, the Birds on a Wire. I cut it from manila cardstock and inked it softly with yellow, green and brown inks.
Another angle of the pop-up.
Here you can see the pop-up mechanism from the top. It is very easy to assemble since the die both cuts and scores the pop-up.


Dr. Hammad Haider expansively touches all aspects of stress and pathological fractures at sqadia.com. Starting off with stress fractures, pathological fractures and types of physeal injuries also comes under debate. Injuries to joints are also discussed. Lastly, dislocation and subluxation are pursued.
Two main types of stress of fatigue fractures discussed in this section are bending stress and compression stress. Sites affected with stress fractures are shaft of humerus, pubic rami or femoral neck, calcaneum. Imaging techniques used to locate the fracture are X-rays, radioscintigraphy, and MRI. Treatment modality is also elaborated.
Orthopaedic surgeon begins by explaining what pathological fractures actually are. To carry out examination, local signs should not be missed. Diagnosis involves various tests such as local radionuclide imaging, tests for syphilis and metabolic bone disorders. After that, treatment option is suggested for generalized bone disease, local benign conditions, and primary malignant tumour.
Injuries of the physis are classified into type 1, type 2, type 3, type 4, and type 5. Following this, mechanism of injury is pursued. X-rays studies of physeal injuries demonstrates that physis is radiolucent, epiphysis is incompletely ossified, and type 5 injuries can only be diagnosed in retrospect. Information about treatment and complications is also delivered.
Bones are pulled apart when injuries to joints occur. Sprain is the painful wrenching, strain is the physical effect of tress, and rupture is the severe stretching or twisting force. Then, comments are given on strained ligament and ruptured ligament. Their treatment approach is also highlighted.
Dislocation means that the joint surfaces are completely displaced and are no longer in contact. After that, subluxation is defined. Then clinical features are presented. This is followed by elucidation of treatment. Complications include vascular injury, nerve injury, avascular necrosis of bone, joint stiffness and secondary osteoarthritis.


text:
MN Wild
Wild earn another home victory by defeating Kings
The Wild got off to a strong start and used three third-period goals to pick up a 5-1 victory over the Los Angeles Kings.
Chris Schad
Andy Witchger
Last season, there was no place like home for the Minnesota Wild. Not because the Wild had played well at home, but because they had actually struggled to the tune of a 16-18-7 record. Entering this season, the Wild had to make playing better at the Xcel Energy Center a priority and in their first four home games this season, they have shown an extra emphasis on winning in St. Paul.
The latest home effort came on Saturday night, where the Wild got off to a strong start and used three third-period goals to pick up a 5-1 victory over the Los Angeles Kings.
The Wild took control of the game in the first period despite being outshot and when Matt Dumba crashed the net in front of Jonathan Quick, Gerald Mayhew was there for the deflection and his second goal of the season to put Minnesota on the board at the 5:50 mark.
The Kings would find the equalizer on Ben Hutton's first goal of the season at 4:29 of the second period, but Eric Staal regained the lead for the Wild with his third goal of the season from Jason Zucker to take a 2-1 advantage going into the final period.
In the third, the Wild put a dominant touch on another home victory scoring 28 seconds in with Joel Eriksson Ek's first goal of the season to make it a 3-1 lead. The Wild would spend the rest of the game padding their lead as Mikko Koivu scored his first goal of the season and Jared Spurgeon scored his second goal of the year.
The offense helped Alex Stalock, who was filling in for an injured Devan Dubnyk between the pipes, making 29 saves on 30 shots for his second win of the season. as the Wild prevailed for the third time in four home games this season.
With Minnesota (4-7-0) also picking up three wins in their last four overall games, they'll look to keep the momentum going as they head into a Central Division back-to-back with a trip to Dallas on Tuesday and St. Louis on Wednesday.
Eric StaalAlex StalockGerald MayhewMinnesota Wildmikko koivuJared SpurgeonNHL
Second-period eruption helps Wild rout Stars
With three second-period goals, the Wild picked up a 7-0 victory.
Wild overcome shaky first period to defeat Coyotes
Although it was a rough start, the Wild rebounded to pick up a much needed victory.
Staal scores twice as Wild dominate Philadelphia
The Wild settled down after allowing a goal on the first shot of the game.
Wild's Stalock blanks Canucks to take Game 1 of qualifying series
Jared Spurgeon added two goals for the Wild's first Game 1 victory since 2015.
Staal's goal gives Wild first overtime victory of season
The veteran's overtime goal helped take down the Winnipeg Jets.
Wild earn comeback victory vs. Montreal
The Wild didn't let a couple of rough stretches derail their gameplan.
Koivu reaches several milestones in Wild victory
The Wild captain was the hero playing in his 1,000th career game.
Wild's misery continues with shutout in Montreal
Most of Montreal's damage occurred in the final six minutes of the first period.


text:
Libya : France hardens the tone against Turkey - The Point
tensions continue to multiply around the issue of libya. This is the France that rises to the niche this Sunday, denouncing the actions of the regime of Recep T
14 June 2020 Sunday 11:33
tensions continue to multiply around the issue of libya. This is the France that rises to the niche this Sunday, denouncing the actions of the regime of Recep Tayyip Erdogan in the region. Paris, who, for months, multiplies the charges against the regional ambitions of turkey is irritated to as a " policy more aggressive and assertive Turkey, with seven Turkish ships positioned off the coast of Libya and a violation of the arms embargo ". "The Turks behave in an unacceptable manner by mobilising Nato, and France can't let them do," adds the French presidency.
Emmanuel Macron has already spoken on this point with the american president Donald Trump this week, and " the exchanges will take place in the coming weeks on this topic with the Nato partners engaged on the spot ", adds the Elysium. The French president had already regretted the silence of Nato, of which Turkey is a member, to the offensive Turkish military against the militias the kurds in Syria, allies of the west in the fight against terrorism in Syria. It was then said, in November, Nato was in a state of " brain death ".
Read also Luc de Barochez – Erdogan lady the pawn to Macron in Libya
The appeal of gas fields
on Friday, the european Union requested the support of Nato to help enforce the arms embargo in Libya, after having been prevented by the Turkish army to inspect a suspicious vessel. While the gas fields offshore of the region, inflame the lusts, the Turkey is supporting in Libya, the union government of libya (GNA) Fayez el-Sarraj, recognized by the united Nations. Thanks to his support, the GNA has imposed glaring setbacks to the forces of field marshal Khalifa Haftar, strong man of the East supported by Egypt, the united arab Emirates and Russia.
Read also the Maghreb : France rocked
Turkey has concluded, in November, a controversial agreement with the libyan authorities to be able to perform searches of hydrocarbons in the eastern Mediterranean. Like many of the riparian countries, Greece has denounced the agreement, Turkish-libyan, which considerably extends the continental shelf of Turkey. Ankara has also recently conducted exploratory drilling in the vicinity of Cyprus, sparking protests from neighboring countries, Cyprus, Greece, Egypt, as well as the european Union, which has threatened Turkey with sanctions.
writing will advise you
The letter of the Maghreb – Libya, the new Vietnam, A merchant in switzerland who is suspected of plunder of diesel libyan Bernard Bajolet : "neither in France, Nor to the CIA, there was Ms. Irma "
Date Of Update: 14 June 2020, 11:33
1 Mini-forest at the surge in super-fast planted everywhere... 2 100 years of the Tölzer mountain dead recovery controls:... 3 Wolfratshausen: Two women fighting on the Isarufer... 4 Itaewon Class , the series Korean, which denounces... 5 Furstenfeldbruck: Bärbel Padilla-Ottl Officer BLSV-Corona.... 6 Zimmermann, a Long and Stoiber leave the TSV Ismaning... 7 USA: After the death of George Floyd - Apparently,... 8 3. League Live-Ticker: SV Waldhof Mannheim, FC Bayern... 9 Severe weather warning! Thunderstorms, heavy rain,... 10 Black woman cashier racially insulted: Rossmann in...
Son of Buffalo victim presses Congress: "What are you doing?"
UN: Multiple looming food crises are fuelled by climate shocks and war
Ukraine finds bodies after steel-plant siege
Boris Johnson, the weak leader of the UK, survives no confidence vote
Florida is hit hard by heavy rains, flooding Miami and leaving vehicles stranded.
Mini-forest at the surge in super-fast planted everywhere...