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text:
See Other Contributors[remove]6
IU Audio-Visual Center3
You searched for: Format Moving Image Remove constraint Format: Moving Image Main contributor See Other Contributors Remove constraint Main contributor: See Other Contributors Date 1949 Remove constraint Date: 1949 Unit IUL Moving Image Archive Remove constraint Unit: IUL Moving Image Archive
1. Attitudes and Health (10:33)
See Other Contributors
When Marv Baker does not make the basketball team, he begins to worry. When he finds out that his sister Alice's sickness is caused by worry and learns from her doctor three rules to insure health...
2. Establishing Working Relations for the Disabled Worker (13:45)
Shows the tact and judgment which a supervisor must use in establishing working relations for a disabled worker. A supervisor overemphasizes the handicap of a new worker, a veteran, so that the ot...
3. Nurse (11:04)
Shows Miss Austin as she goes about her duties in the children's ward of a hospital. She checks a boy in an oxygen tent; visits two young girls, one with a cast on her arm and the other recovering...
4. One Hundred Years of Art and Artists in Indiana (19:12)
Discusses and shows the work of the Pre-Hoosier Group, the Hoosier Group, and contemporary artists in Indiana. Shows their studios and many of the artists at work. Made by Randolph Coats.
5. Striking Back Against Rabies (08:35)
Tells the story of a rabies epidemic, showing the coordinated attack of the county health department, state public health veterinarian, and the federal rabies control expert. Shows the behavior of...
6. Too Tough to Care (19:02)
Satirically dramatizes the selection by a cigarette company of an advertising campaign in the light of evidence that smoking is related to the incidence of lung canger. Pictures a number of adverti...

redpajama_set_name: RedPajamaCommonCrawl


Roland Moreno, who has died aged 66, once boasted that he could stop anyone on the streets of Paris and they would be carrying at least three examples of the smart card he invented – such as bank cards, shopping cards and phone payment cards. Today, the concept has expanded into contactless transport cards, identity cards, driving licences and the subscriber identity module (sim) used in mobile phones. His invention has touched almost everyone on the planet.
Although success made Moreno very rich – his company, Innovatron, has collected around €150m (£122m) in royalties – it did not give him the sort of global name recognition enjoyed by other technology entrepreneurs. However, he was one of France's heroes and a recipient of its Légion d'Honneur.
In the 1960s, the young, shaggy-haired Moreno, who was born in Cairo, Egypt, but went to school in Paris, worked as a clerk before moving into journalism and taking a variety of short-term jobs. These included working as a reporter for Detective magazine, an errand boy at L'Express and, from 1970 to 1972, news editor at a chemistry publication. He then set up Innovatron to sell ideas or, as today's lawyers would say, IP (intellectual property). His first success was a software system for creating brand names or company names by combining selected dictionary words, which was licensed by Nomen.
Moreno's indisputably big idea was to use a microchip as a handy way of carrying data around. The original concept, shown in a patent application in 1974, was for a signet ring, but this would have been impractical. The ring was based on an upside-down chip with protruding legs as contacts. By 1975, Moreno had simplified and converted it into a card format, and in 1976, he demonstrated making an electronic payment. He reportedly lashed together his prototype card-handling mechanism with Meccano.
Moreno was a Woody Allen fan (The Purple Rose of Cairo was a favourite) and had codenamed his project TMR after Allen's 1969 comedy, Take the Money and Run. Later he set up Innovatron's research department as RMT, for Roland Moreno Technology, enjoying the reversal.
The smart card (la carte à puce) was much more expensive than magnetic stripe cards and therefore relatively slow to take off – it took Moreno about eight years to get things going – but they were a huge success in France. France Télécom used a smart card for its Télécarte cards for pay phones in 1983, and France's banks launched a national debit card system, Carte Bleue, in 1992. France was leading the world. American Express's own Blue card was not launched until 1999. Penny-pinching British banks and the London transport system were even slower to wake up.
Not everyone liked the idea. There were worries about the security of smart cards and Moreno responded in 2000 by offering a million francs to anyone who could break his security within 90 days. No one collected the money. There were also worries about surveillance, and Moreno acknowledged that they had "the potential to become Big Brother's little helper". Smart cards make it much easier to track people. For example, banks know where you use your credit or debit card, transport systems know where you enter and leave their networks, and phone companies can track your location via the masts used by your mobile phone. However, most users appear to be willing to trade privacy for convenience.
Beyond smart cards, Moreno was a humorist, author, bon vivant and family man. In December 1976, he married Stephany Stolin, with whom he had two daughters, Marianne and Julia. Moreno's book of reflections, Théorie du Bordel Ambiant, generally shortened to TBA, was well received and went through several editions. Under the pseudonym Laure Dynateur, he published L'Aide-Mémoire du Nouveau Cordon-bleu, a cookbook promising "2,000 new ways to astonish your guests".
In his "nutty professor" guise, Moreno produced some strange musical devices (Pièce-o'matic, le Pianok and Calculette). He also launched Radio Deliro, which is no longer broadcasting; a sort of quiz site, Indécidables; and a poker site. In an interview, he told France Soir that he would like to be honoured with a waxwork, adding: "It's said that God owes a lot to Johann Sebastian Bach. I would like it said that French people owe a lot to Moreno."
Moreno is survived by his wife and daughters.


Join Team Blessons every month for Happy Hour! Meet & Greet with our Team Coach, Quane Bailey. Ask about nutrition, workouts, training for your next race, recovering from injuries exercises…..our team of charity athletes will be happy to share their experiences with you!
Make new friends, a new workout buddy or running/drinking buddy! We welcome all levels of runners and walkers, all genders and social butterflies! ANYONE CAN JOIN US.
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text:
You are here: Home / Profile Page / Data Source and Documentation for Hepatica nobilis Schreb. var. acuta (Pursh) Steyerm. Printer-Friendly
PLANTS Profile
Hepatica nobilis Schreb. var. acuta (Pursh) Steyerm.
sharplobe hepatica
Last revised by:
USDA NRCS National Plant Data Team
Curated and maintained by:
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Main page News, Metaverse
Dubai's Regulator to Open an Office in The Sandbox Metaverse
The Virtual Assets Regulatory Authority (VARA), the regulator of the cryptocurrency market in Dubai, has announced it is opening an office in The Sandbox metaverse.
The institution has announced it will become the emirate's first government agency and global regulator with a presence in the virtual world.
The VARA has said it has made this decision because it wants to increase the availability of its services, as well as to promote cooperation between cryptocurrency service providers, industry leaders and supervisory authorities.
The Dubai authorities passed in March a law on virtual assets and created the VARA.
Helal Saeed Almarri, director of the Dubai World Trade Centre, has commented:
"Dubai views the virtual asset industry as the driver of the global future economy. The VARA has been established at a pivotal moment in response to the expansion of the Emirate's incredibly sophisticated and modern legal framework regulating virtual asset activities."
According to him, the regulator's entry into the metaverse contributes to "the creation of a new borderless new market enabling sustainable economic freedom."
Meta Confirms its Commitment to the Metaverse
Meta's Metaverse-focused Division Loses $3.7B
Animoca Brands to Launch a $2B Fund to Invest in Metaverse


text:
Artycok.tv > Profiles > A.M. 180
A.M. 180
Štěpán Bolf, Jakub Hošek and 2 more
→ Artlist
The gallery known as A. M. 180 belongs among the oldest well-functioning galleries in Prague which were founded from "below" by artists themselves. Its existence is made conditional on A. M. 180 Collective – continually consisting of Štěpán Bolf and Anežka and Jakub Hošek who established the gallery in 2003. The exhibition space has been provided by the multifunctional club Utopia in Bělehradská 45 since 1997.
Although the gallery has to "compete" with a number of other independent galleries that were founded after the year 2000, it has managed to maintain its characteristic profile and thanks to this it holds a specific place within the Czech art scene. Unlike a number of "off-spaces" which declared that they would introduce the work of young artists, A. M. 180 Collective has never made any generation resolutions – the only criterion for the choice of artists who exhibit there is the subjective interest of the organizers. However, in the long run this "subjectivity" approach has resulted in a well-balanced and good quality picture of the present art scene. The gallery presents the work of artists across generations, solo and group exhibitions and regularly organizes also exhibitions of foreign artists. The gallery does not lay excessive emphasis on the role of curators, on the contrary it stresses its multi-genre character, especially the relationship between music and visual arts. The same attention (in the eyes of the public perhaps even greater attention) is paid to concerts which form a natural part of the exhibition projects. An important feature of the gallery is the fact that until recently it has been financially autonomous, which is still true in case of the music production.
By the end of the year 2014 the gallery organized about two hundred exhibitions and at present a new series called Cut Club, focusing on art and fashion, is under way.
A.M. 180 Collective was formed from a team00:00:53.959
which used to prepare a cultural weekly show for TV O.00:00:57.690
For a long time we had a feeling00:01:03.340
something should be done in Prague because00:01:06.604
nothing was happening there00:01:10.842
and there weren't many places for young artists00:01:18.018
to realize their potential or present their work.00:01:22.168
The same went for music.00:01:24.999
It was a period of nothing after 1990s,00:01:28.006
with the arrival of the new millennium.00:01:32.868
The first impulse came from guys from Utopia00:01:37.929
who had a vacant space available,00:01:45.062
this room and a smaller one next door over there.00:01:47.491
They offered us to do something here.00:01:50.921
Utopia and A.M. ...00:01:55.010
The history is already eleven years long...00:01:56.973
As for the Utopia, it has been in existence for seventeen years,00:02:01.268
so I sometimes feel like a dinosaur among other Prague venues.00:02:07.483
However eleven years with A.M. means a lot of work,00:02:13.824
openings and at the beginning also music events00:02:21.005
before we called it quits.00:02:26.672
Many people are misinformed and consider this space A.M.00:02:30.706
and I keep explaining them it is Utopia and A.M. is a part of it.00:02:39.015
There are not only vernissages in fact,00:02:45.798
we also make projections of traveller's photographs,00:02:49.392
we show films and two theatres cooperate with us.00:02:53.086
The Tréma theatre has a permanent scene here00:03:01.483
and the British College Theatre Blood Love Rhetoric00:03:05.605
has been cooperating with us for the last few months.00:03:09.665
So this is another interesting dimension00:03:13.041
of Utopia not many people are aware of.00:03:15.301
We would often go to concerts and exhibitions abroad,00:03:19.517
to Berlin and Vienna for example and we00:03:25.724
wanted to bring here what we had missed.00:03:28.508
We often went abroad to culture events, didn't we?00:03:34.789
To Dresden...00:03:41.764
Yes, to Dresden as it is nearest.00:03:42.913
We wanted to share our experience with others.00:03:46.875
We intended to do a lot of things since the beginning,00:03:54.135
we didn't want to restrict just to organizing exhibitions or00:04:01.944
concerts as we all have many common interests00:04:05.912
but also many different ones.00:04:12.857
At the beginning of A.M. there were five of us,00:04:16.005
Markéta Pecková and Dan Dudarec,00:04:18.768
people with a bit different background.00:04:24.539
The fact we work here and together has emerged quite naturally.00:04:33.878
When we were teenagers, me and my sister mixed with00:04:44.247
a community of squatters in the cult squat Ladronka00:04:47.646
and we have known the guys from Utopia since then.00:04:56.337
So we considered it a sign,00:05:02.457
a natural reason why they had approached us.00:05:06.353
It wasn't by any chance.00:05:12.997
Things are happening and should happen somehow.00:05:15.784
The operation is based on a family tradition.00:05:19.586
Before Utopia was founded in 1997,00:05:28.673
I had lived in Ladronka between 1993 and 199800:05:37.556
and Kuba with Anežka, fourteen years old kids,00:05:43.755
would come to concerts there.00:05:50.503
They had also a band with Ondra Dušek and others.00:05:54.247
Among others they painted our gateway in Ladronka.00:06:01.076
So this was our first meeting.00:06:05.607
Utopia went through different stages,00:06:09.636
there was even a shop with records00:06:14.384
where apolitical skinheads sold some clothes, badges and stuff.00:06:19.055
Then they left as they needed a bigger space...00:06:28.464
After that there was a shop Day After Records00:06:32.687
of Míra the Fifth, Banana and so on.00:06:37.969
Then the space was empty and and we00:06:42.043
needed to last out economically.00:06:45.097
We knew Kuba and Anežka,00:06:47.447
who wanted naturally to continue with art,00:06:50.377
which was much better variant for me00:06:55.360
than selling products which I find consumerist.00:07:00.529
I guess Utopia goes together with a creative element.00:07:06.684
The creative element Kuba, Anežka and the A.M. 180 collective brought00:07:13.426
consisted in linking music and art platform.00:07:18.624
He adapted the legend a bit00:07:29.031
because the beginning was slightly different.00:07:31.895
At that time I knew Kuba for a short time00:07:34.836
and I met one person from the Utopia group00:07:37.851
when I was working for People In Need.00:07:43.048
There I learned about the space here.00:07:46.829
I spoke with Kuba about the need to do something,00:07:52.313
then it all connected and within a month00:07:57.906
we were here and started working.00:08:02.498
There was more than 180 exhibitions,00:08:06.933
about five hundred music events,00:08:11.783
within which 1200 bands and projects occurred here.00:08:19.468
At the beginning we had one opening00:08:30.335
every fortnight on Friday, we still have vernissages on Fridays.00:08:33.028
Now it has been a bit irregular,00:08:39.691
sometimes it's fortnight, sometimes three weeks,00:08:42.803
we also hold dernissages00:08:45.923
for people who couldn't come to the opening.00:08:49.681
We try to work as a collective as we have it00:08:54.138
in the name A.M.00:08:57.926
We discuss matters together, but me and my sister take00:09:01.592
care of the exhibition space as curators.00:09:08.537
Štěpán is in charge of the concerts.00:09:12.732
So our strength is distributed equally00:09:18.432
according to current possibilities we have.00:09:21.329
We all have other jobs to do.00:09:24.319
The gallery is not run by educated theorists00:09:30.976
or curators which logically reflects in the programme.00:09:35.223
It's rather about our perspective and00:09:42.202
certain urge to present things appealing to us personally.00:09:48.091
We follow our instincts and the reasons for00:09:55.153
approaching different people are various.00:10:00.826
We want our programme varied so that the viewers00:10:06.127
don't see the same type of art or artists00:10:10.500
working with the same medium all the time,00:10:13.930
although painting is presented here00:10:16.662
the most often as we are both painters...00:10:18.860
We try to be accommodating to people who come here.00:10:25.037
We present both interesting students00:10:32.076
with a potential as well as well-established artists,00:10:34.406
such as professors and artists we find principal or cult.00:10:40.194
We often present artists we feel00:10:53.239
we haven't seen displaying for a long time anywhere00:10:55.966
or who dropped out from the art pace and00:10:59.370
approaching him made him continue with working00:11:03.902
and increase his activity.00:11:09.109
Since beginning we financed it from our own sources,00:11:13.812
which was intentional as we wanted it this way,00:11:21.727
because we wanted to do it absolutely freely00:11:27.045
and this was the only way.00:11:36.168
Two years ago we made a compromise00:11:40.329
and we apply for grants for the gallery00:11:46.831
which partly finances its operation.00:11:50.455
But this applies only to the gallery.00:12:01.145
The concerts are financed from admission fees00:12:03.753
paid by fans who want to see the bands.00:12:10.804
When we began, there weren't many places of this type,00:12:16.901
lets say off spaces or how to call it.00:12:20.371
The gallery pattern wasn't so important,00:12:26.247
because artist were grateful they could00:12:30.540
present their work somewhere.00:12:33.443
As time went we started to place bigger demands on the programme00:12:35.639
so that the pattern is shaped a bit and00:12:41.287
we'd like to present artists from abroad,00:12:48.176
not to be restricted just to the Czech Republic,00:12:52.286
but that's much more expensive.00:12:56.248
We've also started a Cut Club linking art and fashion.00:12:58.254
Cut Club is an irregular show of exhibitions or presentations00:13:07.368
focusing on art and fashion crossover.00:13:13.809
Paradoxically the first five years we were riding high.00:13:21.241
All the parties went really wild.00:13:26.842
Almost every exhibition went awry somehow.00:13:32.048
Once there was a concert, an artist with her band came00:13:37.387
and they demanded a sound system which00:13:43.399
we didn't have so I rang round several sound men00:13:51.740
but they couldn't come in an hour of course and00:13:56.630
set up the whole sound system so00:13:59.882
they played acoustically over there in the corner00:14:02.657
and it came off well, their violinist stayed00:14:06.867
for the next few years and married Markéta from our collective.00:14:11.745
One of the strongest moments for me was when Květa Fialová came00:14:19.818
to a vernissage of Jan Hísek...00:14:25.438
It made us all very nervous.00:14:29.854
Or once a pickpocket came and stole a CD...00:14:33.247
Yes, that was funny...00:14:41.804
We have been motivated by the very same for the whole ten years,00:14:44.338
partly it keeps us on the scene...00:14:50.395
We keep up with the youth...00:14:54.133
No, I'm just kidding.00:14:57.126
We have always enjoyed this trendsetting.00:14:59.246
We don't like boredom.00:15:09.083
It's a way how we entertain ourselves...00:15:11.854
We feel urge to show people nice things00:15:16.030
being created in their nearness00:15:24.923
and a bit further as well.00:15:29.046
It has also much to do with the fact00:15:35.684
many musicians or bands make art.00:15:38.112
It's an opportunity how to provide them the space too.00:15:45.172
Art is linked with music so everything is related.00:15:51.011
We organized exhibitions of people who make music.00:15:58.109
It's all about the connection and contexts.00:16:03.325
Of course it would be nice if it resulted00:16:07.901
in some tangible object such as a book and we do plan it.00:16:10.354
I have been collecting drawings from music bands for many years00:16:16.655
and we have already organized one exhibition.00:16:21.561
I try to note it all in this form.00:16:24.538
I have various formats and it began unintentionally.00:16:27.357
It was me who started to cooperate with artists this way.00:16:30.617
The first one was my favorite band Tar Feathers from Stockholm00:16:35.150
who slept at our place as the bands used to do for many years.00:16:46.404
There was a guy with them who had a sketchbook and00:16:54.604
he asked me to draw him something in it.00:16:57.885
We discovered we were both artists,00:17:00.559
so I made him a drawing and then we started to00:17:06.451
exchange letters and sketchbooks by mail.00:17:09.819
The idea captured me and I had many sketchbooks at artists all over Europe00:17:14.566
and then I started to ask the bands I was friends with00:17:29.183
to write or draw something.00:17:33.294
It is all very natural, I don't push anyone into it.00:17:40.950
When I like someone I ask him to draw or write me something00:17:44.559
and it resulted in a fantastic project.00:17:50.566
It means a lot to me.00:17:57.755
All the activities snowball and complement each other.00:18:01.928
We aim to create something within the collective all the time.00:18:12.652
Nowadays the gallery means for me a space where I come00:18:17.353
every fortnight and I can hide or retire here.00:18:22.164
A place where I feel well because I meet00:18:30.074
people with who I have things in common,00:18:33.669
Here I see things which make me either angry or happy.00:18:38.284
When Kuba spoke about creating something...00:18:52.057
As for me, I don't create any art and never had the ambition00:18:56.897
but creating events and the operation around is something00:19:04.410
which satisfies me, I enjoy it and it keeps me alive.00:19:12.021
In a nutshell it makes you feel you live.00:19:17.259
Utopia is based on authorial production.00:19:21.431
We organize opening nights and most of the things originating here00:19:30.107
were created directly by people,00:19:33.979
that's why I speak about the principle of authorial production.00:19:39.085
I guess the mutual operation of Utopia and AM goes a bit beyond00:19:42.684
and I suppose it's based on a principle of social activism.00:19:48.792
It links Utopia and A.M. together with the history at Ladronka.00:19:53.398
We create open spaces and connect people,00:19:57.716
that's why I call it social activism.00:20:03.178
There isn't any political characteristic or overtone00:20:08.445
as I am not interested in politics any more.00:20:13.944
I aim for the space to be open based on certain principles,00:20:17.062
I want the space to be able to maintain itself,00:20:20.146
and to stay relatively independent.00:20:23.376
Seventeen years of Utopia's existence00:20:26.433
and eleven years together with A.M. showed it was possible00:20:29.923
even we had to make every effort,00:20:34.141
we spent voluntarily thousands of hours here00:20:37.794
and all this represents and connects us.00:20:43.300
Anežka Hošková
Petr Syrový
Radim Labuda
Adéla Korbičková
Adéla Dörnerová


text:
U.S. Troop Killed in Afghan Blast
February 1, 2010 / 4:38 AM / CBS/AP
A homemade bomb killed a U.S. service member Monday in southern Afghanistan, NATO said.
The American death toll has been rising as fighting escalates with an influx of 37,000 additional U.S. and NATO forces being sent to Afghanistan as part of President Obama's war strategy.
At least 29 U.S. troops died in January, more than double the 14 deaths recorded in the same month last year. That made it the deadliest month since November, when 30 died.
Veteran says Prince Harry protected him from homophobic bullies
CBSNews.com Special Report: Afghanistan
The statement announcing Monday's attack gave no further details, but fierce fighting has been taking place in the south, which is expected to be a major focus of the troop surge.
NATO and Afghan forces also killed seven militants in a gun battle Sunday in the south of the country, according to the Afghan army.
The troops were on patrol in Helmand province when they came under attack and returned fire, said Gen. Sher Mohammad Zazi, the army commander for southern Afghanistan. He said no government or international troops were wounded and that they recovered the bodies of seven militants after the battle. NATO forces did not immediately comment on the incident.
Meanwhile, two would-be suicide bombers targeted a police station Monday in southern Zabul province, but were driven back before they could set off their explosives.
Officers opened fire on the two attackers as they approached the police headquarters in Qalat city, fatally shooting one of them, said deputy provincial police chief Ghulam Jalanai Farahi. One officer was wounded in the firefight.
The second attacker escaped during the fighting and security forces were searching for him, Farahi said.
First published on February 1, 2010 / 4:38 AM
© 2010 CBS Interactive Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed. The Associated Press contributed to this report.


text:
Endang Rahayu Sedyaningsih (née le  et morte le ) est une femme politique et clinicienne indonésienne. Elle a été ministre de la Santé de 2009 à 2012.

Notes et références

Liens externes

Ministre indonésienne
Ministre indonésien de la Santé
Médecin indonésien
Médecin du XXe siècle
Étudiant de l'université d'Indonésie
Étudiant de l'université Harvard
Naissance en février 1955
Naissance à Jakarta
Décès en mai 2012
Décès à Jakarta
Mort d'un cancer du poumon
Mort d'un cancer en Indonésie
Décès à 57 ans

redpajama_set_name: RedPajamaWikipedia


text:
Mongolsko se účastnilo Letní olympiády 1972 v německém Mnichově. Zastupovalo ho 39 sportovců (37 mužů a 2 ženy) v 7 sportech.

Medailisté

Externí odkazy
  Mongolsko na LOH 1972

Země na Letních olympijských hrách 1972
Mongolsko na olympijských hrách


text:
Reports any fields that are not used in the toString() method of a class.

This inspection can help discover the
fields that were added after the toString() method was created and for which the toString() method was not
  updated. The quick-fix regenerates the toString() method.

In the Generate | toString() dialog, it is possible to exclude fields from this check.
This inspection will also check for problems with getter methods if the Enable getters in code generation option is enabled there.

Example:

  public class Relevant {
    private String name; // not used in toString()
    private int index;
    private int length;

    @Override
    public String toString() {
        return "Relevant{" + "index=" + index +
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    }
  }

After the quick-fix is applied:

  public class Relevant {
    private String name;
    private int index;
    private int length;

    @Override
    public String toString() {
        return "Relevant{" + "name='" + name + '\'' +
          ", index=" + index + ", length=" + length + '}';
    }
  }

redpajama_set_name: RedPajamaGithub


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text:
Trump and Nixon
At The Washington Post, Dan Balz writes:
There were no echoes of Ronald Reagan's "Morning in America," George H.W. Bush's "kinder and gentler nation" or even George W. Bush's compassionate conservatism in Donald Trump's speech accepting the Republican presidential nomination here Thursday night. Instead, in both theme and target audience, Trump offered a powerful echo of Richard Nixon almost 50 years ago.
Trump's speech proved once again that he would continue to throw out the traditional campaign rulebook that might dictate softer language and broader appeals. Instead, he offered his grim portrait of the country and a law-and-order message in the hope of summoning an army of disaffected and forgotten voters large enough to topple the political status quo in November.
No accident. At The New York Times, Michael Barbaro and Alexander Burns write:
In a startling disclosure on the first day of the convention, Mr. Trump's campaign chairman, Paul Manafort, declared that the candidate was using, as the template for his own prime-time speech accepting the Republican nomination, Nixon's convention address 48 years ago in Miami Beach. "If you go back and read," Mr. Manafort said at a Bloomberg News breakfast, "that speech is pretty much on line with a lot of the issues that are going on today."
Mr. Trump himself, in an interview, drew explicit comparisons between his candidacy and Nixon's, and between the current political climate and that of the United States in 1968.
"I think what Nixon understood is that when the world is falling apart, people want a strong leader whose highest priority is protecting America first," Mr. Trump said recently. "The '60s were bad, really bad. And it's really bad now. Americans feel like it's chaos again.
Danielle Kurtzleben at NPR:
However, in many ways, the America Trump will address differs vastly from Nixon's America. By the time of 1968's Republican convention, both Martin Luther King Jr. and Robert F. Kennedy had been assassinated, and destructive riots had torn through major U.S. cities. Meanwhile, thousands of young soldiers were dying overseas — that year, casualties in Vietnam would reach their peak — and the Cold War was the backdrop to U.S. foreign relations.
And yet: Amid the horrors and divisions of 1968, Americans weren't as polarized as they are today; the major-party presidential candidates weren't nearly as disliked; and Washington wasn't as distrusted. Nixon was appealing to a nation still hoping for a solution to its ongoing catastrophes — a nation in which an overwhelming majority of Americans believed he was of "high integrity." Trump, meanwhile, is addressing a nation in which a majority of voters view him unfavorably, and where even more have seemingly little expectation that government can solve its problems.
Labels: convention, crime, government, Nixon, political science, Politics, rhetoric, Trump
Trump Does Not Understand What Happened in Crimea
What a Jerk -- Continued
Donald & Vlad
Democrats to the Left
Sanders Lost the Nomination and Won the Party
DNC Emails
Trump and Russia
Clinton is Sounding a Lot More Like Reagan Than Tr...
Thought for the Night
Another Trump Day
Bad First Day for GOP Convention
Trump Does Not Read or Write
Trump Solicits Illegal Foreign Contributions
GOP Botches
Trump Does Not Care About the Senate GOP
Newt and Muslims
The Evangelicals' Faustian Bargain
Veep Leaks
Scandalabra Is Weighing on Clinton
Democrats Head Left
About Gingrich
Choosing Between Liars
Bush Continues to Weigh Down the GOP
No Trump
Outsiders on the Hill
Trump Met Congressional Republicans. He Did Not D...
Trump and Rape
Scandalabra: No Clinton Indictment, But No Rousin...
Trump and the Alt-Right
International Views of Clinton and Trump
Negative Partisanship
Chaos Syndrome


The FDA has granted final approval for the first generic version of Narcan (naloxone hydrochloride nasal spray; Adapt Pharma) to Teva Pharmaceuticals.
A panel of experts addressed several challenges associated with the implementation of the 2016 Centers for Disease Control and Prevention Guideline for Prescribing Opioids for Chronic Pain.
The demand for naloxone is relatively inelastic with respect to changes in its out-of-pocket price, and conversion to an over-the-counter medication is expected to increase naloxone pharmacy sales.
A relationship between opioid withdrawal, pain catastrophizing, and the experience of pain may be present in women with chronic pain who misuse prescription opioids.
Drug manufacturers and distributors will now be able to access a Drug Enforcement Administration (DEA) database that monitors controlled substances from the point of manufacture all the way through to the point of sale.
Patients with low back pain or osteoarthritis who reported adverse drug reactions to NSAIDs have significantly higher odds of receiving prescriptions for opioids and developing opioid use disorder.
More than two-thirds of drug overdose deaths in 2017 involved an opioid, with increases in overdose deaths from all opioids and synthetic opioids seen from 2016 to 2017.
An authorized generic version of Evzio is expected to be available next year at a price of $178 per carton.
Heroin addicts were more compliant with taking monthly injections of naltrexone rather than consuming it in a pill version.
Many patients in a workers' compensation cohort have persistent opioid use.
The guideline formulated by the Centers for Disease Control and Prevention in an effort to curb opioid overdose-related deaths included a recommendation for steep reductions in opioid doses for patients taking high doses of the drug for chronic pain.


text:
Independent components of human brain morphology
Yujiang Wang
Corresponding author at: Interdisciplinary Complex Systems Group, School of Computing, Newcastle University, Newcastle upon Tyne, UK.; CNNP Lab (www.cnnp-lab.com), Interdisciplinary Complex Systems Group, School of Computing, Newcastle University, Newcastle upon Tyne, UK; Faculty of Medical Sciences, Newcastle University, Newcastle upon Tyne, UK; UCL Queen Square Institute of Neurology, London, UK
Karoline Leiberg
CNNP Lab (www.cnnp-lab.com), Interdisciplinary Complex Systems Group, School of Computing, Newcastle University, Newcastle upon Tyne, UK
Tobias Ludwig
Graduate Training Center of Neuroscience, University of Tübingen, Tübingen, Germany
Bethany Little
CNNP Lab (www.cnnp-lab.com), Interdisciplinary Complex Systems Group, School of Computing, Newcastle University, Newcastle upon Tyne, UK; Faculty of Medical Sciences, Newcastle University, Newcastle upon Tyne, UK
Joe H Necus
Gavin Winston
UCL Queen Square Institute of Neurology, London, UK; Department of Medicine, Division of Neurology, Queen's University, Kingston, Canada; Epilepsy Society MRI Unit, Chalfont St Peter, UK
Sjoerd B Vos
UCL Queen Square Institute of Neurology, London, UK; Centre for Medical Image Computing (CMIC), University College London, London, UK; Epilepsy Society MRI Unit, Chalfont St Peter, UK
Jane de Tisi
UCL Queen Square Institute of Neurology, London, UK
John S Duncan
UCL Queen Square Institute of Neurology, London, UK; Epilepsy Society MRI Unit, Chalfont St Peter, UK
Peter N Taylor
CNNP Lab (www.cnnp-lab.com), Interdisciplinary Complex Systems Group, School of Computing, Newcastle University, Newcastle upon Tyne, UK; Faculty of Medical Sciences, Newcastle University, Newcastle upon Tyne, UK; UCL Queen Square Institute of Neurology, London, UK
Bruno Mota
Institute of Physics, Federal University of Rio de Janeiro, Brazil
Quantification of brain morphology has become an important cornerstone in understanding brain structure. Measures of cortical morphology such as thickness and surface area are frequently used to compare groups of subjects or characterise longitudinal changes. However, such measures are often treated as independent from each other. A recently described scaling law, derived from a statistical physics model of cortical folding, demonstrates that there is a tight covariance between three commonly used cortical morphology measures: cortical thickness, total surface area, and exposed surface area. We show that assuming the independence of cortical morphology measures can hide features and potentially lead to misinterpretations. Using the scaling law, we account for the covariance between cortical morphology measures and derive novel independent measures of cortical morphology. By applying these new measures, we show that new information can be gained; in our example we show that distinct morphological alterations underlie healthy ageing compared to temporal lobe epilepsy, even on the coarse level of a whole hemisphere. We thus provide a conceptual framework for characterising cortical morphology in a statistically valid and interpretable manner, based on theoretical reasoning about the shape of the cortex.


text:
Pres. Trump: Gov. Evers 'agreed to accept federal assistance,' up to 2K National Guard coming to Kenosha
By Jason Calvi
Gov. Evers 'agreed to accept federal assistance' in Kenosha, President Trump says
President Donald Trump announced Wednesday that Gov. Evers has agreed to accept federal assistance after a deadly night of protests in Kenosha.
KENOSHA, Wis. - President Donald Trump announced Wednesday afternoon, Aug. 26 Governor Tony Evers has agreed to accept federal assistance after a deadly night of protests in Kenosha.
Two people were shot to death during a night of anti-racism protests in Kenosha in a possible vigilante attack carried out apparently by a young white man who was caught on cellphone video opening fire in the middle of the street with a semi-automatic rifle. A 17-year-old from Antioch, Illinois was arrested on homicide charges.
The gunfire erupted late Tuesday, just before midnight, during the third straight night of unrest in Kenosha over the police shooting of a Black man, Jacob Blake, on Sunday.
Shooting on third night of protests in Kenosha
Governor Evers issued a statement Wednesday authorizing 500 members of the Wisconsin National Guard "to support local law enforcement in Kenosha County" Wednesday evening:
"The governor is continuing to work with other states in facilitating additional National Guard and state patrol support.
"On Monday, at the request of local officials, the governor announced he authorized the Wisconsin National Guard to help protect critical infrastructure and assist in maintaining public safety and the ability of individuals to peacefully protest in Kenosha County. On Tuesday, in addition to declaring a state of emergency, Gov. Evers authorized increasing Wisconsin National Guard support for Kenosha County to 250 members.
"Pursuant to Section 321.39(1)(a) of the Wisconsin Statutes, the governor ordered into state active duty members of the Wisconsin National Guard deemed necessary to support to local law enforcement and first responders in Kenosha. Any Guard members called to active duty may only be used to provide support to local law enforcement and to protect critical infrastructure and cultural institutions necessary for the well-being of the community, and to provide support to first responders such as the Kenosha Fire Department. The Wisconsin National Guard may not be used to impede the ability of people to peacefully protest or impede the ability of the media to report on this situation."
U.S. Sen. Ron Johnson (R-Wis.) and Rep. Bryan Steil (WI-1) issued this statement:
"It is a tragedy that two people had to lose their lives before Gov. Evers was willing to set aside politics and accept President Trump's help to restore order in Kenosha. Violence and chaos like we've seen the last three nights do nothing to advance justice, and they drown out the voices of those protesting peacefully. Going forward, our focus should be on healing – for Jacob Blake, for the lives turned upside down in the rioting, and for the community of Kenosha."
Jacob Blake
Earlier Tuesday, Evers turned down a White House offer to dispatch additional National Guard troops to the city of Kenosha after two nights of rioting that followed the police shooting of a Black man, White House Chief of Staff Mark Meadows told "Tucker Carlson Tonight.
"The president was on the phone with the governor today ... we have National Guard standing by, and if the general for the National Guard [in Kenosha] needs additional help, we're there to do it, but today, that request was denied by the governor," Meadows told host Tucker Carlson Tuesday.
An Evers' spokesperson said this Wednesday afternoon: "Gov. Evers has been working with several state partners to get additional National Guard and state patrol support. I can confirm the governor spoke with Mark Meadows this morning. The federal government is planning to assist in facilitating conversations with other state partners and provide FBI support to our state response."
Third night of unrest in Kenosha
After Tucker Carlson posited Tuesday night that Evers "clearly wants riots," the former North Carolina congressman answered: "It is out of control and it can't be allowed to continue."
"I got a call today from [Rep. Bryan Steil, R-Wis.,] who represents that district, and from Senator [Ron] Johnson as well, really just pleading for help, saying that the local sheriff and the mayor and police chief need some additional assistance," Meadows explained Tuesday. "I got on the phone right away and offered assistance in the form of additional National Guard help."
Meadows went on to say that many Democratic governors are "ignoring the problem" of mob violence in major cities, so authorities must have enough resources to stem the criminality on their own.
"You do not have a First Amendment right to loot and riot," he said.
Meadows said that an additional roadblock to stopping the violence is the fact that in Democratic precincts, prosecutors like Multnomah County, Ore., District Attorney Mike Schmidt won't thoroughly prosecute riot cases, which helps the wrongdoers to get back to committing criminal acts as soon as the following day.
City vehicles set on fire in Kenosha
Racine and Kenosha area legislators released the below statement "after Governor Evers finally accepted federal assistance from President Trump to help law enforcement in Kenosha:"
"After three nights of uncontrollable riots and tragic deaths, our communities welcome the federal assistance and additional National Guard members to help local authorities take back our streets and allow for peaceful protests. It is sad that it has taken this long for the governor to seek out the necessary help. Even during the most contentious times, the safety of our citizens is paramount and should always come before politics. No one should live in fear inside their own homes or worry if their business will go up in flames.
"We continue to stand ready to work with national, state and local officials to ensure that our area receives the assistance and resources it needs moving forward."
In the meantime, on the second night of the Republican National Convention Tuesday, the opening prayer called for healing for Jacob Blake and his family, and for those who put themselves in harm's way.
On Wednesday, Democratic presidential nominee Joe Biden said he spoke with Jacob Blake's mother, father and sister, and said the violence has to stop.
Read more at FOXNews.com.


Team set of Spalding Essential Reversible basketball kits for match play or training.
These kits from Spalding are in lightweight mesh (double layer) material and are ideal for match wear or training. In size choice to suit all team players from kids, youth and adults to 4XL.
IMPORTANT: Please call for an availability check on your prefered colour before ordering. Samples may be available to check sizing and see the good value provided by these kits.
If you order online before an availability check, please email the size combination required, e.g. Set of 12, S x 1, M x 2, L x 6, XL x 3.
See separate listings in teamwear for full customisation of your chosen kits with lettering, logos and numbering or contact SwiSh for discounts on multiple print item combinations.


Join us on July 12th for the first ever Lexington Beer Run!
This fun run will benefit Girls on the Run with 100% of all ticket sales going to this organization!
The event starts at West Sixth at Noon, where runners will check in. You'll run at your own pace to Country Boy, where you'll sample some of their fine beers! After a short rest, you'll run to Blue Stallion Brewing to taste some of their fine german style lagers! And then finally, you'll return to West Sixth to finish your tastings.
All registrants will receive small token giveaway from each brewery to go home with, which you'll pick up at the end!
Come out, taste some great beers, run a little, and raise some money for a good cause.
Registration is $10 per person, limit of 100 tickets. Each participant will receive 2 free 4oz samples at each stop.


Matt Marshall and Company has an extensive inventory of boiler room equipment and industrial supplies. The proper spare parts can shorten downtime and helps to keep your boiler room running efficiently. Below is a partial listing of parts we stock. Please contact us concerning other items, or if you have any questions.


 Solutions » Red Mango Marketing!
Red Mango Marketing & Media offers website development, email marketing programs, and social media options for small businesses. We can help you get set up with our website, create your email marketing template and set up your social media programs.
Red Mango Marketing also offers a complete marketing solution with built-in management for businesses looking to integrate in-store tradition with supported brand development success on the internet. We work with you to create your website, and build a plan for email marketing and social media. We manage it with you and for you.
We provide FREE training to help educate and help small businesses and nonprofits in our community grow. If you are interested in having us speak or present at your group, contact us here.
Red Mango Marketing hosts free seminars and training workshops in the north Texas-area. Book us today!


Celebrate the many Spanish-speaking countries and cultures represented in the LILA community during our FREE annual family night event, Thurs., Feb. 8, 5-8p.m. Enjoy fun activities, dances, and food (provided by Acapulco Mexican Restaurant).
Food tickets are available for pre-order via FeePay through Tues., Feb. 6. Tickets required only for food.
Shuttle bus service is available from the City Hall lot. Limited additional parking available in the Family Pathways lot (no shuttle).


If you're in need of dental care, you're covered with Blue Cross Blue Shield. Your Blue Cross Blue Shield dental insurance makes keeping up with your oral hygiene a breeze. The attentive staff at Avalon Dental Group can provide you with all the help you need to prepare your paperwork quickly and get on with the business of receiving quality dental care.
Thanks to our online forms for insurance information and appointment forms, Avalon Dental makes scheduling your dental care stress-free, and your Blue Cross Blue Shield insurance will take the financial stress out of your dentistry as well.
Avalon Dental Group wants you to get the dental care you need, so we accept a wide range of insurance plans, including BCBS. Whether you are here for preventive care like cleanings, exams or corrective surgery, your Blue Cross Blue Shield Dental Plan will help with the cost. Just speak with your dental care team and they will guide you through your coverage and process the paperwork for you, so your visits to our office are no-hassle and smooth.
We have many years of experience in working with insurance companies. We can help you get more from your policy than you may be aware of, and tailor your care to get the most treatments available with as little out-of-pocket cost as possible.
We believe in allowing as few obstacles as possible between you and the dental care you deserve. That's why we coordinate your insurance coverage with your treatments so that you have that much less standing in your way of a healthy smile. Contact our office today to schedule your next visit.


text:
An algebraic Riccati equation is a type of nonlinear equation that arises in the context of infinite-horizon optimal control problems in continuous time or discrete time.

A typical algebraic Riccati equation is similar to one of the following:

the continuous time algebraic Riccati equation (CARE):

or the discrete time algebraic Riccati equation (DARE):

P is the unknown n by n symmetric matrix and A, B, Q, R are known real coefficient matrices.

Though generally this equation can have many solutions, it is usually specified that we want to obtain the unique stabilizing solution, if such a solution exists.

Origin of the name

The name Riccati is given to these equations because of their relation to the Riccati differential equation.  Indeed, the CARE is verified by the time invariant solutions of the associated matrix valued Riccati differential equation.  As for the DARE, it is verified by the time invariant solutions of the matrix valued Riccati difference equation (which is the analogue of the Riccati differential equation in the context of discrete time LQR).

Context of the discrete-time algebraic Riccati equation

In  infinite-horizon optimal control problems, one cares about the value of some variable of interest arbitrarily far into the future, and one must optimally choose a value of a controlled variable right now, knowing that one will also behave optimally at all times in the future.  The optimal current values of the problem's control variables at any time can be found using the solution of the Riccati equation and the current observations on evolving state variables. With multiple state variables and multiple control variables, the Riccati equation will be a matrix equation.

The algebraic Riccati equation determines the solution of the infinite-horizon time-invariant Linear-Quadratic Regulator problem (LQR) as well as that of the infinite horizon time-invariant Linear-Quadratic-Gaussian control problem (LQG). These are two of the most fundamental problems in control theory.

A typical specification of the discrete-time linear quadratic control problem is to minimize

subject to the state equation

where y is an n × 1 vector of state variables, u is a k × 1 vector of control variables, A is the n × n state transition matrix, B is the n × k matrix of control multipliers, Q (n × n) is a symmetric positive semi-definite state cost matrix, and R (k × k) is a symmetric positive definite control cost matrix.

Induction backwards in time can be used to obtain the optimal control solution at each time,

with the symmetric positive definite cost-to-go matrix P evolving backwards in time from  according to

which is known as the discrete-time dynamic Riccati equation of this problem. The steady-state characterization of P, relevant for the infinite-horizon problem in which T goes to infinity, can be found by iterating the dynamic equation repeatedly until it converges; then P is characterized by removing the time subscripts from the dynamic equation.

Solution

Usually solvers try to find the unique stabilizing solution, if such a solution exists.  A solution is stabilizing if using it for controlling the associated LQR system makes the closed loop system stable.

For the CARE, the control is

and the closed loop state transfer matrix is

which is stable if and only if all of its eigenvalues have strictly negative real part.

For the DARE, the control is

and the closed loop state transfer matrix is

which is stable if and only if all of its eigenvalues are strictly inside the unit circle of the complex plane.

A solution to the algebraic Riccati equation can be obtained by matrix factorizations or by iterating on the Riccati equation.  One type of iteration can be obtained in the discrete time case by using the dynamic Riccati equation that arises in the finite-horizon problem: in the latter type of problem each iteration of the value of the matrix is relevant for optimal choice at each period that is a finite distance in time from a final time period, and if it is iterated infinitely far back in time it converges to the specific matrix that is relevant for optimal choice an infinite length of time prior to a final period—that is, for when there is an infinite horizon.

It is also possible to find the solution by finding the eigendecomposition of a larger system.  For the CARE, we define the Hamiltonian matrix

Since  is Hamiltonian, if it does not have any eigenvalues on the imaginary axis, then exactly half of its eigenvalues have a negative real part.  If we denote the  matrix whose columns form a basis of the corresponding subspace, in block-matrix notation, as

then

is a solution of the Riccati equation; furthermore, the eigenvalues of  are the eigenvalues of  with negative real part.

For the DARE, when  is invertible, we define the symplectic matrix

Since  is symplectic, if it does not have any eigenvalues on the unit circle, then exactly half of its eigenvalues are inside the unit circle.  If we denote the  matrix whose columns form a basis of the corresponding subspace, in block-matrix notation, as

where  and  result from the decomposition

then

is a solution of the Riccati equation; furthermore, the eigenvalues of  are the eigenvalues of  which are inside the unit circle.

See also
Lyapunov equation
Schur decomposition
Sylvester equation

References

External links
 CARE solver help of MATLAB Control toolbox.
 DARE solver help of MATLAB Control toolbox.
 Online CARE solver for arbitrary sized matrices.
 Python CARE and DARE solvers.
 Mathematica function to solve the continuous-time algebraic Riccati equation.
 Mathematica function to solve the discrete-time algebraic Riccati equation.

Matrices
Equations
Optimal control


text:
La Bureau 121 o (en coreà: 국 121) és una agrupació de ciberdelinqüents i ciberguerra de Corea del nord, [1] la qual forma part de l'Oficina General de Reconeixement (en coreà: 정찰 총국; RGB, Reconnaissance General Bureau o Oficina de Reconeixement del Departament d'Estat Major) la qual aquesta és una agència d'intel·ligència de Corea del Nord que gestiona les operacions clandestines de l'estat. [2]

La bureau també és conegut arreu del món per els garn delictes arreu del món. La quantitat dels seus membres és secret però es pas que està format per diferents càrrecs com els propis hackers, supervisors i altres càrrecs necessaris per mantenir la unitat. Aquest grup també està acusat de ser el responsable de l'atac de ransomware WannaCry, un dels més perjudicials d'arreu del món, afectan (en diferents casos i àmbits tecnològics en cada país) a mes de 60 països amb una bona accessibilitat a internet i més de 200.000 ordinadors tant privats, com empresaris o per supervisar empreses i de governs en alguns casos. I així proclamen-se ells com els "Ciberguerrers sota les ordres de Kim Jong-un". [3]

Corea del Nord


蜉 is the 5638th most frequent character.
蜉 has 1 dictionary entry.
蜉 appears as a character in 3 words.
蜉 appears as a component in 0 characters.
Pronunciation clue for 蜉 (fu2): The component 孚 is pronounced as 'fu2'. It has the exact same pronunciation as the character.


> OS X versions? Or is it "Lion only"?
It's supposed to remove PPC support in preparation for Lion.
> the bug added/the functionality removed in a "point" release?
I downloaded a beta version (I'm a paid-up ADC member) and it was there.


text:
Jawahar Navodaya Vidyalaya, Silvassa or locally known as JNV Silvassa is a boarding, co-educational  school in Union territory of Dadra and Nagar Haveli in India. Navodaya Vidyalayas are funded by the Indian Ministry of Human Resources Development and administered  by Navodaya Vidyalaya Smiti, an autonomous body under the ministry.

History
The school was established in 1986, and is a part of Jawahar Navodaya Vidyalaya schools which provide free education to gifted children. This school is administered and monitored by Pune regional office of Navodaya Vidyalaya Smiti.

Admission
Admission to JNV Silvassa at class VI level is made through selection test conducted by Navodaya Vidyalaya Smiti. The information about test is disseminated and advertised in Dadra and Nagar Haveli by the office of Dadra and Nagar Haveli district magistrate (Collector), who is also chairperson of Vidyalya Management Committee(VMC).

Affiliations
JNV Silvassa is affiliated to Central Board of Secondary Education with affiliation number 3040001.

See also
 Jawahar Navodaya Vidyalaya, Daman
 List of JNV schools

References

External links

 Official Website of JNV Silvassa

Silvassa
Silvassa
Educational institutions established in 1986
1986 establishments in Dadra and Nagar Haveli
Schools in Dadra and Nagar Haveli and Daman and Diu


He might be a professional chef, but waaaay to much seasoning in my opinion. Also I don't like burgers you can't properly eat because they're stacked too high.
How much coke did this guy do before recording this video?
3:24 anybody else notice him dropping the oil container?
Is this a secret of the krabby patty?
Gordon Ramsay is a damn artist.
I never regretted eating my piping hot pipe with a bit of salt.
Cop: we need the meat!!!!
My blood pressure went up 40 points just watching him "lightly season" this configuration 12 times..
Oh man i would love to have that BBQ it turned 3 steaks into 6. It's MAGIC !
I really love listening to some one intelligent in the field talk about something they love.
You left out the layer of seasoning between the lettuce and the tomato!
Great now I fancy a burger.
Le jeune Gordon en sueur face à la suprématie culinaire de l'Empereur Gangesque !


text:
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      <button ng-click="remove(movie.imdbID, movie.Type)" class="remove-btn overlay-btn btn btn-sm btn-custom white">Remove from favorites</button>

    {{movie.Title}}

    {{movie.Year}}

Nothing to show here. Add some movies to get started.


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Clinical trials are stringent efforts to determine a treatment's effectiveness and safety. As a result, there are lots of rules to take bias out of the process. Drug development researchers do not want to mistakenly endorse a drug that is unsafe or ineffective. Alternatively, they do not want to miss one that can help patients.
This video describes the basics of the clinical trial process.
There are requirements a patient must meet before they can enter a clinical trial. Our clinical trial finder will consider some of these key factors in the search so you get only trials for which you are likely to qualify.
Is the patient newly diagnosed or is their disease progressing? Has the tumor responded to platinum drugs? Does the patient have the specific type of tumor (histology) the drug is being tested against: high grade serous, mucinous, clear cell, endometroid, carcinosarcoma?
Potential trial participants receive a medical workup, testing blood cell counts, blood chemistry and other factors, to gauge whether they can tolerate the agent being tested.
To determine a drug's effectiveness against the cancer, researchers must measure the tumor response. Some trials use imaging technologies, such as PET/CT, to measure whether a tumor is shrinking. In those trials, participants receive a baseline scan to confirm that their tumor is measurable and to record its size before the treatment starts. Other trials use other means to determine response to the new drug (e.g., CA125) so checking the enrollment criteria is important.
Some trials use biomarkers, such as proteins or gene expression, to determine the drug's effects in the body. In these cases, clinicians may need a blood sample or tumor tissue to make those measurements.
Drug companies are always concerned that including certain patients in a trial might skew the results. Previous treatments and other factors could make a patient less likely to respond to the drug being tested. Our clinical trial finder will consider some of these key factors in the search so you get only trials for which you are likely to qualify.
One of the most common exclusion criteria is prior treatments. For some trials, patients are ineligible if they've had too many previous treatments or have already received one of the agents being tested as part of a drug combo.
This is why it is so important to look at clinical trials early. Patients who begin treatment without considering trials may later find they are ineligible for certain trials.
Drug testing begins small and grows significantly as the drug gets closer to approval. Early trials are focused on safety and dosage. Later trials seek to demonstrate the treatment's efficacy.
These trials are usually the first time the drug has been tested in humans. Sometimes, they combine two drugs that have already been shown safe and effective when given separately. These are small studies, between 20 and 100 participants, designed to evaluate safety, determine appropriate dosage and identify side effects.
Some phase I trials have two parts: the first is called dose-finding (or dose escalation), in which patients get increasing doses to confirm safety at each dose. The second part is called dose expansion, in which a larger group of patients receive a dose that has already been shown safe in a few patients. During conversations with the trial investigator prior to enrolling in a phase I study, it might be helpful to ask these questions.
These are larger studies of 100 to 300 participants that evaluate both safety and efficacy. Sometimes these studies compare the new drug to other treatments.
These are much larger studies, 1,000 to 3,000 participants, designed to confirm effectiveness, monitor side effects, compare to other treatments and collect additional information to ensure safe use.
These studies are conducted after the treatment has been approved by the FDA to investigate risks, benefits and optimal use.


In keeping with my end-of-year tradition, I feature a song on my Poetry Corner December 2017. I struggled for a week to find a suitable song for surviving the relentless Twitter storm and assault on our lives. My older son came to the rescue with the suggestion of the song, "People Help the People" by Birdy, a young British musician, singer, and songwriter.
Written by Simon Aldred – a guitarist and singer-songwriter who started the British folk-rock band Cherry Ghost in 2005 – the song was first released in their debut album in July 2007. It won Aldred the prestigious Ivor Novello Award in musical achievement for Best Contemporary Song.
end at the ocean's edge.
Autumn has arrived in the northern hemisphere. Deciduous trees transform from hues of green leaves to blazes of yellow, orange, red, and brown. Fallen leaves carpet the earth with gold.
While the vibrant colors brighten my day, the shorter daylight hours and longer nights dampen my spirits. The fallen leaves remind me of all that I have had to let go of along my journey through life. Each leaf: a person who, for good or for bad, has touched my life. Very few friendships have survived the distance and time.
I have learned to let go of the pain of losing the people I love. I have learned to let go of places that held special memories and happy moments spent with family and friends. But I am a long way from shedding the dead leaves that drain my energies and rob me of joy and peace of mind.
I am learning to let go of toxic predatory relationships that feed on my goodwill. I am learning to let go of the fear of losing what I had already lost or never was mine to lose. I continue to struggle to let go of disappointments, resentments, making assumptions, and passing judgments.
Letting go requires courage, a willingness to change the direction of my life, and acknowledgment that I do not live in a vacuum. I connect with others who connect with others. My actions or non-action have consequences in the grand scheme of life.
Autumn is upon us. It is a time to let go of our fears, prejudices, and ignorance that divide us, lest the approaching winter of austerity, desolation, and isolation find us unprepared.


Join us as we attend Fall Camp at Camp Castaway. It will be a weekend full of exciting surprise activities, lessons on knowing Jesus more, amazing food, giant hot tubs, and lots of time to bond with friends! A great event to invite a friend to who does not know Christ!
Scholarships are available to ensure everyone can attend.


text:
Q: Php 2d array as C# 2d array/struct I'm using MailChimp's API to subscribe email to a list. Function listsubscribe() is used for email subscription:
public static  listSubscribe(string apikey, string id, string email_address, array merge_vars, string email_type, boolean double_optin, boolean update_existing, boolean replace_interests, boolean send_welcome)

I downloaded MailChimp's official .NET wrapper for their API
When looking in Visual Studio, this is one of overloaded functions:
listSubscribe(string apikey, string id, string email_address, MCMergeVar[] merges)

When I click on definition of MCMergeVar[], this comes out:
[XmlRpcMissingMapping(MappingAction.Ignore)]
    public struct MCMergeVar
    {
        public string name;
        public bool req;
        [XmlRpcMissingMapping(MappingAction.Error)]
        public string tag;
        public string val;
    }

In a php example on MailChimp's website, this is how merges variable is declared:
$merge_vars = array('FNAME'=>'Test', 'LNAME'=>'Account', 'INTERESTS'=>'');

How to write this array correctly for my C# wrapper?
I tried something like this:
MCMergeVar[] subMergeVars = new MCMergeVar[1];
subMergeVars["FNAME"] = "Test User";

But it requires an int in place where "FNAME" is now placed, so this doesn't work...
Thanks in advance,
Ile
EDIT 1:
I tried FoxFire's solution but no data from subMergeVars is passed to MailChimp server, only email is passed:
// Subscribe email to list
            string subID = "26973e52cc";
            string subEmail = "mymail@some.com.hr";
            MCMergeVar[] subMergeVars = new MCMergeVar[5];
            subMergeVars[0].name = "FNAME";
            subMergeVars[0].val = "FNDynamic";
            subMergeVars[1].name = "LNAME";
            subMergeVars[1].val = "LNDynamic";

            mailChimp.api.listSubscribe(subID, subEmail, subMergeVars, "html");

A: Most likely:
MCMergeVar[] subMergeVars = new MCMergeVar[1];
subMergeVars[0].name = "FNAME";
subMergeVars[0].val = "Test User";

A: Try:
var mergeVars = new List<MCMergeVar>();

mergeVars.Add(new MCMergeVar() { tag = "FNAME", val = "Test User First Name" });
mergeVars.Add(new MCMergeVar() { tag = "LNAME", val = "Test User Last Name" });

Then use:
mergeVars.ToArray()

redpajama_set_name: RedPajamaStackExchange


text:
/* -*- Mode: C++; tab-width: 4; c-basic-offset: 4; indent-tabs-mode: nil -*- */
/*
 *     Copyright 2016 Couchbase, Inc.
 *
 *   Licensed under the Apache License, Version 2.0 (the "License");
 *   you may not use this file except in compliance with the License.
 *   You may obtain a copy of the License at
 *
 *       http://www.apache.org/licenses/LICENSE-2.0
 *
 *   Unless required by applicable law or agreed to in writing, software
 *   distributed under the License is distributed on an "AS IS" BASIS,
 *   WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
 *   See the License for the specific language governing permissions and
 *   limitations under the License.
 */

#include "ephemeral_bucket.h"

#include "ep_engine.h"
#include "ephemeral_vb.h"

EphemeralBucket::EphemeralBucket(EventuallyPersistentEngine& theEngine)
    : KVBucket(theEngine) {}

RCPtr<VBucket> EphemeralBucket::makeVBucket(
        VBucket::id_type id,
        vbucket_state_t state,
        KVShard* shard,
        std::unique_ptr<FailoverTable> table,
        NewSeqnoCallback newSeqnoCb,
        vbucket_state_t initState,
        int64_t lastSeqno,
        uint64_t lastSnapStart,
        uint64_t lastSnapEnd,
        uint64_t purgeSeqno,
        uint64_t maxCas) {
    return RCPtr<VBucket>(new EphemeralVBucket(id,
                                               state,
                                               stats,
                                               engine.getCheckpointConfig(),
                                               shard,
                                               lastSeqno,
                                               lastSnapStart,
                                               lastSnapEnd,
                                               std::move(table),
                                               std::move(newSeqnoCb),
                                               engine.getConfiguration(),
                                               eviction_policy,
                                               initState,
                                               purgeSeqno,
                                               maxCas));
}


When you stay at Lamor Apartments in Lammermoor, you'll be near the beach, within a 5-minute drive of Yeppoon Beach and Capricorn Coast Visitor Information Centre. This 4-star apartment is 2.5 mi (4 km) from Keppel Bay Marina and 2.8 mi (4.5 km) from Keppel Kraken.
Make yourself at home in one of the 100 air-conditioned rooms featuring kitchens with full-sized refrigerators/freezers and microwaves. Rooms have private balconies. Flat-screen televisions with digital programming provide entertainment, while complimentary wireless Internet access keeps you connected. Conveniences include complimentary newspapers and ceiling fans.
Be sure to enjoy recreational amenities including an outdoor pool and an outdoor tennis court. Additional amenities at this apartment include complimentary wireless Internet access, tour/ticket assistance, and barbecue grills.


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Wed, 17:28: Start of a week at Walt Disney World, centered on Pin Trading event Fri and Sat.
Wed, 17:29: Got to Orlando, went thru rental car hassle, waited for Krissi to arrive. Changed car when 1st one had bad tire.
Wed, 17:31: Off to Beach Club. Greeted as usual by name based on RFID MagicBands.
Wed, 17:33: We've been upgraded to Club Level. Sweet!! Check in on 5th with special concierge, I had strawberry champagne during check-in process.
Wed, 17:48: Checking out the snack selection in lounge--not bad. Cookies, pretzels, candy of course but pappadum, red pepper pesto, breads, house chips.
Wed, 17:50: Free soft drinks and alcohol. Will be hot stuff later, dessert at night, continental bfast.
Wed, 17:54: Floor is being renovated, lounge temporarily in Presidential Suite w great view of lake and Boardwalk resort.
Wed, 17:55: Renovations perhaps explain why we, at discounted (PIN code) standard room rate, got upgraded.
Wed, 17:59: Second car from rental place has tag that starts PIN. Has to be our car for the pin weekend, right?
Wed, 18:08: Off to catch bus to Magic Kingdom. Have to stop at entrance for Krissi to pick her new Annual Pass.
Wed, 21:09: Got into MK before the parade got to the head of Main Street, with time to look at pin lanyards on the way.
Wed, 21:11: Watched Festival of Fantasy from halfway up Main Street. They were booking it--no pauses for dance, etc, with possible storm blowing up.
Wed, 21:13: Change in Sorcerers of the MK process: have to 'open a portal' at least once between getting sets of cards.
Wed, 21:14: After parade, walked to Fantasyland and used FP for mine train. I still really like that coaster. Safety bar was cramped for Krissi.
Wed, 21:15: Paused in store with A/C and made a dinner reservation at the Plaza for 5 pm, then headed to Circus tent for pin trading.
Wed, 21:47: Got SotMK cards, pin traded up the street to the Plaza for dinner.
Wed, 21:51: Downpour came as we finished dinner--watched the street party floats fly back to shelter having gotten caught in it.
Wed, 21:52: Plan to work our way out and take monorail to Epcot, walk through park (doing stuff) to Beach Club.
Wed, 22:44: Stopped at Guest Relations again for an (illicit) second go at pin book. It was a different book, we both think.
Wed, 22:49: Cast member asked what we were looking for. Mentioned the cast lanyard 7 dwarf pins, she found us 4 in the back.
Wed, 23:03: At Epcot, stopped at stroller rental to trade pins at Duffy stroller and tell Duffy hi from Doris.
Wed, 23:39: Meandering thru Epcot: Guest Relations, Pin station, Mouse Gear. Headed to Norway to ride Maelstrom, possibly to be replaced by Frozen ride.
Thu, 00:31: Maelstrom is just as odd a collection of scenes as ever.
Thu, 00:35: Walked the rest of the way around Epcot lagoon to Internatl Gateway, pin trading some. Pin book in Africa is now a small board.
Thu, 00:37: Boat was waiting outside Epcot and feet are tired, so we're going home by water via Boardwalk.
Thu, 01:28: Little dessert bites in club lounge: a cheesecake, chocolate dome cake, cupcake. Add iced coffee with a shot of Kahlua: nice wind down.


In an article posted on Spaceflight Now Gilles Leclerc, Director General of Space Technologies at the Canadian Space Agency (CSA) confirms that the International Space Station (ISS) partners have contacted Russia about purchasing an additional Soyuz spacecraft, potentially one new flight per year between 2013 and 2016. Currently an additional seat on a Soyuz costs $56 million based on the last contract signed by the U.S.
It should be noted that there is no room in the current CSA budget for adding any additional seats on a Soyuz for Canada, something Leclerc emphasized.
In fact the CSA's own planned spending figures for 2012-2013 indicate ongoing budget cuts back down to a budget of $312 million. Just one Soyuz flight at a cost of $56 million would consume 1/6 of that years budget. However if the CSA did purchase an additional seat it would most likely be spread over several years budget.
Currently under an agreement signed with NASA, the CSA is entitled to fly at least one more astronaut to the ISS with the U.S. program until 2016. The U.S. has made arrangements for this with Russia so that a Canadian, likely veteran Chris Hadfield, will fly on a Soyuz in November of 2012 and become the first Canadian to command the ISS as Expedition 35 Commander, something yet to be confirmed by the CSA, but much speculated.


text:
Gulbenkian Prize (Education)
In the school's initial project, Graphic Design is the area where Ar.Co concentrates its ambitions for a consistent and lasting training program. This explains why a diversity of heterogeneous course subjects, composing the Basic Training Program, integrates, as early as 1973/74, the Design department. With the profound changes that occur in Portugal's social situation after April 1974, the school's own viability is questioned and the training structure is reformulated and altered. The idea of a Design Program being the center of all training is put aside and Graphic/Typographic Design will become one area among others. Still, the term Design constitutes an almost administrative area during the school's early years. It keeps a theoretical ambition and influence and a variety of training and promotion activities, as well as a wide area of interests, will take place with the Design tag attached to them. Visual Communication, for instance, becomes a sort of second name for Design, even after the latter has been reduced to studio practice. In 1973, Luís Filipe Oliveira orients the course "Graphic Communication" and French publicity posters are exhibited and commented on by Claude Ternat (who himself orients several practical Open Courses dedicated to design in 1974). In 1975/76, Robin Fior is responsible for Typographic Design - a "sequence of practical projects that function as an introduction to graphic design" – and in 1976/77, with the collaboration of Sebastião Rodrigues, António Inverno and the Proença-Cooperativa Operária de Artes Gráficas, he will become the Head of the Typography/Silkscreen Workshop (that will include Alda Rosa in 1977/78). Group work developed under the orientation of Robin Fior produces the exhibition "Vladimir Maiakovsky: Montras/Cartazes ROS.TA 1919/21", that integrates posters and silkscreen prints produced by the school in a show/installation (opening at Ar.Co on November 1976 and travelling elsewhere after that). In 1980/81 João Melo directs the Graphic Design Workshop, followed by Vítor Simões in 1982/83. Nuno Alves Pereira, Manuel Paula and Jorge Jacinto collaborate. From 1982/83 onwards the Workshop's name is changed to simply Graphic and Helena Salvador and Ana Filipa Tainha integrate the training staff (constituted, in 1988/89, by Jorge Jacinto, José Mesquita, Maria José Campos, Manuel Paula, Isabel P. Alves, Ana da Silva, Ana Conduto and Vítor Simões himself). Beatriz Alçada will be Head of Department in 1990/91. In the school's 20th anniversary leaflet, from 1993, the department does not mention Design but the development of "a personal creative process, stimulating (...) reflexion, analysis and the study of a given problem" and "the diversity of solutions and (...) correct use of graphic design as a means and a support of a communication 'language'." Maria José Campos directs the department at this point and there are new collaborators, namely Alberto Simões, Margarida Oliveira, Robin Fior and Ulrika d'Orey. The department's structure and orientation is substantially altered in 1994, when Nuno Vale Cardoso becomes the person in charge. The designation Graphic Design will return and the main objective will be to "promote training in design as a projectual method in general, specifically in the field of communication and having as its basis the graphic arts" (1994/95 advertising leaflet). The training staff incorporates new collaborations throughout the next 19 years: Duarte Bélard da Fonseca, Rui Azevedo, Vera Velez, Henrique Cayatte, Paulo Ramalho, Mónica Mendes, Jorge dos Reis, Ana Valviga, João Brandão, Ruben Dias, Ricardo Azevedo, João Catarino, Ricardo Santos, Nuno Gonçalves, Helga Vieira da Silva, Gonçalo Falcão, Luísa Santos, Conceição Barbosa, Gonçalo Freitas and again Robin Fior and Helena Salvador. New course subjects, especially in the area of the digital technologies, are added to graphic design. At the same time, a permanent typography workshop is created with the collaboration of Jorge dos Reis. In view of the undeveloped level of the market offerings in post-graduation Design courses, the "Advanced Seminar in Communication Design" is created in 1996, with orientation by Henrique Cayatte and Paulo Ramalho. The Design program is further consolidated with the introduction of new course subjects (History of the Graphic Arts, IT, Webdesign, Typography, Calligraphy, Typographic Drawing, Illustration, Design Theory, Graphic Production, among others) and its duration goes from 3 to 4 years. Facing a continuous decrease in the number of enrolments in recent years, the department is extint in 2013, although the typography workshop is kept working at the Quinta de S. Miguel, Almada.
Exhibition "Vladimir Maiakovksy: Montras/Cartazes ROS.TA 1919-21". Robin Fior and students from Ar.Co's Graphic Workshop, 1976.
Typography workshop with Ruben Dias, Quinta de S. Miguel, Almada, March 2013.
Typography workshop with Jorge dos Reis, 2001 (information sheet).
Poster by Robin Fior on Ar.Co's tenth anniversary, 1983, a restyling of a poster he had done in 1981.
Information sheet for the Advanced Seminar in Design and Communication with Henrique Cayatte and Paulo Vieira Ramalho, 1996.
Poster by Robin Fior, 1976.


I assume it at least doesn't require a connection for split screen? I'm okay with digital if I have to get it that way.
Should work perfectly fine offline.
Cool, that one should work really great for a party setting and next month Street Fighter V is out and that'll be another.


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