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the 8 best rated air purifier for mold 2019 for the money.
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Review best rated air purifier for mold - LEVOIT LV-PUR131 Air Purifier with True HEPA Filter, Air Cleaner for Large Room, Allergies, Dust, Smoke, Pets, Smokers, Odor Eliminator, Home Air Quality Monitor, Energy Star, US-120V, 2-Year Warranty.
Review best rated air purifier for mold - Blue Pure 411 Air Purifier 3 Stage with Two Washable Pre-Filters, Particle, Carbon Filter, Captures Allergens, Odors, Smoke, Mold, Dust, Germs, Pets, Smokers, Small Room.
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Review best rated air purifier for mold - Honeywell 50250-S True HEPA Air Purifier.
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Free Alcohol, Drug and other Rehab resources in Arcadia.
Free Alcohol, Drug and other Rehab resources in Arcadia, California.
Due to the low number of listings in Arcadia, we have added area listings below. All listings are within 30 miles of Arcadia.


text:
Don Law
Don Law was there from the beginning of the Boston rock explosion. He was a Boston University student who started out by promoting legendary local act The Remains, who opened for the Beatles at Suffolk Downs in 1966. In 1968 Don became the manager of The Boston Tea Party club, throwing his weight toward many English bands — Led Zeppelin, Jethro Tull, Fleetwood Mac, Ten Years After — and was handsomely rewarded when they stayed loyal to him during their rise to arenas and stadiums. Law also showed his loyalty to the Boston Tea Party by showing up and speaking at the dedication of a plaque at the original site many years later. And he named his company Tea Party Concerts for a long time.
Law was a child of the music business. His dad, Don Law Sr., was a famous producer at Columbia Records in Nashville. The senior Law worked with Johnny Cash, Carl Perkins, and Ray Price, though perhaps most notably, he made a field recording of a performance by bluesman Robert Johnson in a San Antonio hotel room in 1936. But the younger Law wanted to be a regional promoter instead of a producer because the latter meant spending too much time away from home, which Law did not want to do when he eventually married and had two children of his own.
Law's rise parallels the regional promoter heyday of the likes of San Francisco-based Bill Graham. But Law, unlike Graham, preferred to shun the spotlight. He has managed several acts through the years, including Pousette-Dart, Reeve Little and Livingston Taylor, but he is a concert promoter above all. And a savvy one. He sold the Don Law Company to SFX Entertainment (now Live Nation) for $80 million in 1998, but has since bought back some properties and acquired new ones. He and his partners now own the Paradise, Brighton Music Hall, the Opera House and have a 50 percent stake in Boston's House of Blues, sharing it with Live Nation. He also has the operating contract for the Orpheum Theatre. "He's a gentleman in a jungle," as former Aerosmith manager Tim Collins once said of him.
(by Steve Morse)
Related Articles on MMONE.org
Boston.com Article
The Remains
The Boston Tea Party

redpajama_set_name: RedPajamaCommonCrawl


Fly London bring us P500916 YEXA 835. Perfect foot the summer months, these ladies wedge sandals are a total wardrobe must-have. The taupe multi leather upper features interwoven straps alongside the lace up front. Fly London have used the unusual lace fastening on these sandals to allow them to be tailored to your perfect fit and allow for alterations incise your feet expand during the day. The chunky platform at the front pairs with the wedge heel to offer a comfortable and surprisingly practical sole unit. Ideal paired with jeans or a skirt, these wedge sandals can be dressed up or down. Buy your Fly London ladies sandals from Begg Shoes, an official Fly London stockist.


We're delighted to stock a wide variety of couples' masks in blue - perfect for couples who want to match, and have either a blue theme or blue dress that they're looking to compliment. Alternatively, they make a fantastic contrast with neutral outfits or even complimentary orange.
Whether you're wearing black, white, blue, gold or silver, the perfect way to finish your masquerade ball costume as a couple is with a pair of matching couple's blue masks from Just Posh Masks. We have an assortment of blue masks for him and her that will make the perfect double act, regardless of if you're going for an understated and mysterious look or bright and fancy.
A stunning pair of masks in our couple's blue mask range include the Colo Iris, which allows the lady to feel wonderfully feminine and elegant with a sweetheart shaped mask decorated with pretty gold trim, blue glitter and an exuberant side trim of feathers, whilst the gentleman can feel equally as refined and suave with a plain gold mask to match.
Of course, you may prefer something that is fully coordinated, in which case something like the Iris Diamond His n Hers masks are perfect. They are slightly different shaped Colombina masks to differentiate between male and female, but a matching blue and white diamond pattern to finish.
Whatever style you wish to convey, with Just Posh Masks you'll find exceptional quality and comfort with all our masks and the perfect centrepiece for your masquerade party outfit, whether you're headed to a masked ball, costume party or carnival celebration.


This is an obligatory 'test' posting. Still thinking though, should I maintain the blog in english, russian or both languages. Not sure if the other team members will be able to keep up, if it would be solely english – only blog. Well, time will tell, and as for now, aside from other things, we have our first collaboration site mash-up ready to roll.


Today's good thing: I got up at 9, J got up a little after, but we still didn't have breakfast until nearly 12. Why? Because we played that fun game that we play once a year when it gets cold: which of these unmarked containers did we put our warm clothes in?
We also did laundry, dishes, vacuumed and got the garbage ready for pickup.


text:
exports.definition = {
	config : {
		columns : {
			id : "TEXT UNIQUE NOT NULL PRIMARY KEY",
			date : "TEXT NOT NULL",
			amount : "REAL NOT NULL",
			expenseType : "TEXT NOT NULL",
			friendUserId : "TEXT",
			localFriendId : "TEXT",
			friendAccountId : "TEXT",
			moneyAccountId : "TEXT NOT NULL",
			projectId : "TEXT NOT NULL",
			pictureId : "TEXT",
			moneyExpenseCategoryId : "TEXT NOT NULL",
			exchangeRate : "REAL NOT NULL",
			remark : "TEXT",
			ownerUserId : "TEXT NOT NULL",
			serverRecordHash : "TEXT",
			lastServerUpdateTime : "TEXT",
			lastClientUpdateTime : "INTEGER",
			useDetailsTotal : "INTEGER NOT NULL",
			location : "TEXT",
			geoLon : "TEXT",
			geoLat : "TEXT",
			address : "TEXT"
		},
		defaults : {
			useDetailsTotal : 0
		},
		hasMany : {
			pictures : {
				type : "Picture",
				attribute : "record",
				cascadeDelete : 1
			},
			moneyExpenseDetails : {
				type : "MoneyExpenseDetail",
				attribute : "moneyExpense"
			},
			moneyExpenseApportions : {
				type : "MoneyExpenseApportion",
				attribute : "moneyExpense",
				cascadeDelete : 1
			}
		},
		belongsTo : {
			friendUser : {
				type : "User",
				attribute : null
			},
			localFriend : {
				type : "Friend",
				attribute : null
			},
			friendAccount : {
				type : "MoneyAccount",
				attribute : null
			},
			moneyAccount : {
				type : "MoneyAccount",
				attribute : "moneyExpenses"
			},
			project : {
				type : "Project",
				attribute : "moneyExpenses"
			},
			picture : {
				type : "Picture",
				attribute : null
			},
			moneyExpenseCategory : {
				type : "MoneyExpenseCategory",
				attribute : "moneyExpenses"
			},
			ownerUser : {
				type : "User",
				attribute : "moneyExpenses"
			}
		},
		rowView : "money/moneyExpenseRow",
		adapter : {
			type : "hyjSql"
		}
	},
	extendModel : function(Model) {
		_.extend(Model.prototype, Alloy.Globals.XModel, {
			// extended functions and properties go here
			validators : {
				amount : function(xValidateComplete) {
					var error;
					if (isNaN(this.xGet("amount")) || this.xGet("amount") === null) {
						error = {
							msg : "金额只能为数字"
						};
					} else if (this.xGet("amount") < 0) {
						error = {
							msg : "金额不能为负数"
						};
					} else if (this.xGet("amount") > 999999999) {
						error = {
							msg : "金额超出范围,请重新输入"
						};
					} else if (this.xGet("expenseType") !== "Deposite") {
						var apportionAmount = 0;
						this.xGet("moneyExpenseApportions").forEach(function(item) {
							if (!item.__xDeleted && !item.__xDeletedHidden) {
								if (item.xGet("amount") < 0) {
								} else {
									apportionAmount = apportionAmount + Number(item.xGet("amount").toFixed(2));
								}
								console.info("++++++amount++++" + item.xGet("amount"));
							}
						});
						if (this.xGet("amount") !== apportionAmount) {
							error = {
								msg : "分摊总额与支出金额不相等,请修正"
							};
						}
					}

					xValidateComplete(error);
				},
				exchangeRate : function(xValidateComplete) {
					var error;
					if (isNaN(this.xGet("exchangeRate"))) {
						error = {
							msg : "汇率只能为数字"
						};
					} else {
						if (this.xGet("exchangeRate") < 0) {
							error = {
								msg : "汇率不能为负数"
							};
						} else if (this.xGet("exchangeRate") === 0) {
							error = {
								msg : "汇率不能为0"
							};
						}
					}
					xValidateComplete(error);
				},
				friendAccount : function(xValidateComplete) {
					var error;
					var friendAccount = this.xGet("friendAccount");
					if (friendAccount) {
						var moneyAccount = this.xGet("moneyAccount");
						if (friendAccount.xGet("currency") !== moneyAccount.xGet("currency")) {
							error = {
								msg : "请选择与账户相同币种的商家账户"
							};
						}
					}
					xValidateComplete(error);
				},
				project : function(xValidateComplete) {
					var error;
					var project = this.xGet("project");
					if (!project) {
						error = {
							msg : "项目不能为空"
						};
					}
					xValidateComplete(error);
				},
				moneyExpenseCategory : function(xValidateComplete) {
					var error;
					var moneyExpenseCategory = this.xGet("moneyExpenseCategory");
					if (!moneyExpenseCategory) {
						error = {
							msg : "分类不能为空"
						};
					}
					xValidateComplete(error);
				}
			},
			// getFriendDisplayName : function() {
				// if(this.xGet("friendUser")){
					// return this.xGet("friendUser").getDisplayName();
				// } else if(this.xGet("localFriend")){
					// return this.xGet("localFriend").getDisplayName();
				// }
			// },
			getLocalAmount : function() {
				// var exchange;
				// var projectCurrency = this.xGet("project").xGet("currency");
				// var userCurrency = Alloy.Models.User.xGet("userData").xGet("activeCurrency");
				// if (projectCurrency === userCurrency) {
				// exchange = 1;
				// } else {
				// var exchanges = userCurrency.getExchanges(projectCurrency);
				// if (exchanges.length) {
				// exchange = exchanges.at(0).xGet("rate");
				// } else {
				// throw new Error("找不到汇率");
				// }
				// }
				var exchange = null;
				var userCurrency = Alloy.Models.User.xGet("userData").xGet("activeCurrency");
				if (this.xGet("ownerUser") === Alloy.Models.User) {
					var accountCurrency = this.xGet("moneyAccount").xGet("currency");
					if (accountCurrency === userCurrency) {
						exchange = 1;
					}else{
						var exchanges = userCurrency.getExchanges(accountCurrency);
						if (exchanges.length) {
							exchange = exchanges.at(0).xGet("rate");
						}
					}
					return Alloy.Models.User.xGet("userData").xGet("activeCurrency").xGet("symbol") + (this.xGet("amount") / exchange).toUserCurrency();
				} else {
					var projectCurrency = this.xGet("project").xGet("currency");
					if (projectCurrency === userCurrency) {
						exchange = 1;
					} else {
						var exchanges = userCurrency.getExchanges(projectCurrency);
						if (exchanges.length) {
							exchange = exchanges.at(0).xGet("rate");
						}
					}
					return Alloy.Models.User.xGet("userData").xGet("activeCurrency").xGet("symbol") + (this.xGet("amount") * this.xGet("exchangeRate") / exchange).toUserCurrency();
				}
			},
			getProjectName : function() {
				return this.xGet("project").getProjectName();
			},
			getMoneyExpenseCategoryName : function() {
				return this.xGet("moneyExpenseCategory").xGet("name");
			},
			getAccountCurrency : function() {
				var currencySymbol = null;
				if (this.xGet("ownerUserId") === Alloy.Models.User.xGet("id")) {
					var accountCurrency = this.xGet("moneyAccount").xGet("currency");
					var localCurrency = Alloy.Models.User.xGet("userData").xGet("activeCurrency");
					if (accountCurrency === localCurrency) {
						currencySymbol = null;
					} else {
						currencySymbol = accountCurrency.xGet("symbol") + this.xGet("amount").toUserCurrency();
					}
				}
				// else{
				// currencySymbol = this.xGet("project").xGet("currency").xGet("code") + " " + this.xGet("amount")*this.xGet("exchangeRate");
				// }
				return currencySymbol;
			},
			getProjectAmount : function() {
				return this.xGet("project").xGet("currency").xGet("symbol") + (this.xGet("amount") * this.xGet("exchangeRate")).toFixed(2);
			},
			getProjectCurrencyAmount : function() {
				return Number((this.xGet("amount") * this.xGet("exchangeRate")).toFixed(2));
			},
			getFriendUser : function() {
				var ownerUserSymbol;
				if (!this.xGet("ownerUserId") || this.xGet("ownerUserId") === Alloy.Models.User.xGet("id")) {
					ownerUserSymbol = null;
				} else {
					// if (!this.__friends) {
						// var friends = Alloy.createCollection("Friend");
						// friends.xSetFilter({
							// friendUser : this.xGet("ownerUser"),
							// ownerUser : Alloy.Models.User
						// });
						// friends.xSearchInDb({
							// friendUserId : this.xGet("ownerUserId"),
							// ownerUserId : Alloy.Models.User.xGet("id")
						// });
						// this.__friends = friends;
					// }
					// var friend = this.__friends.at(0);
					var friend = Alloy.createModel("Friend").xFindInDb({
						friendUserId : this.xGet("ownerUser").xGet("id"),
						ownerUserId : Alloy.Models.User.xGet("id")
					});
					if (friend.id) {
						ownerUserSymbol = friend.getDisplayName();
					} else {
						ownerUserSymbol = this.xGet("ownerUser").getDisplayName();
					}
				}

				return ownerUserSymbol;
			},
			// setAmount : function(amount){
			// amount = amount || 0;
			// if(this.xGet("moneyExpenseDetails").length > 0){
			// amount = 0;
			// this.xGet("moneyExpenseDetails").map(function(item){
			// amount += item.xGet("amount");
			// })
			// }
			// this.xSet("amount", amount);
			// },
			generateExpenseApportions : function(saveMode) {
				var self = this;
				var moneyExpenseApportionsArray = [];
				this.xGet("moneyExpenseApportions").forEach(function(item) {
					if (saveMode) {//分摊全删以后 保存时重新生成分摊
						if (!item.__xDeletedHidden && !item.__xDeleted) {
							moneyExpenseApportionsArray.push(item);
						}
					} else {
						if (!item.__xDeletedHidden) {
							moneyExpenseApportionsArray.push(item);
						}
					}
				});
				if (moneyExpenseApportionsArray.length === 0) {// 生成分摊
					var amountTotal = 0, moneyExpenseApportion, amount;
					if (this.xGet("project").xGet("projectShareAuthorizations").length === 1  || this.xGet("project").xGet("autoApportion") === 0) {
						moneyExpenseApportion = Alloy.createModel("MoneyExpenseApportion", {
							moneyExpense : self,
							friendUser : self.xGet("ownerUser"),
							amount : Number(self.xGet("amount")) || 0,
							apportionType : "Average"
						});
						self.xGet("moneyExpenseApportions").add(moneyExpenseApportion);
					} else {
						this.xGet("project").xGet("projectShareAuthorizations").forEach(function(projectShareAuthorization) {
							if (projectShareAuthorization.xGet("state") === "Accept") {
								amount = Number(((self.xGet("amount") || 0) * (projectShareAuthorization.xGet("sharePercentage") / 100)).toFixed(2));
								moneyExpenseApportion = Alloy.createModel("MoneyExpenseApportion", {
									moneyExpense : self,
									friendUser : projectShareAuthorization.xGet("friendUser"),
									amount : amount,
									apportionType : "Fixed"
								});
								self.xGet("moneyExpenseApportions").add(moneyExpenseApportion);
								amountTotal += amount;
							}
						});
						if (amountTotal !== self.xGet("amount")) {
							moneyExpenseApportion.xSet("amount", amount + (self.xGet("amount") - amountTotal));
						}
					}
					// this.hasAddedApportions = true;
				}
			},
			getRemark : function() {
				var remark = this.xGet("remark");
				if (!remark) {
					remark = "无备注";
				}
				return remark;
			},
			xDelete : function(xFinishCallback, options) {
				if (this.xGet("moneyExpenseDetails").length > 0) {
					xFinishCallback && xFinishCallback({
						msg : "当前支出的明细不为空,不能删除"
					});
				} else {
					// if (this.xGet("moneyExpenseApportions").length === 1) {
					// this.xGet("moneyExpenseApportions").forEach(function(item) {
					// item._xDelete();
					// });
					// }
					var self = this;
					var saveOptions = _.extend({}, options);
					saveOptions.patch = true;
					saveOptions.wait = true;
					var moneyAccount = this.xGet("moneyAccount");
					var amount = this.xGet("amount");
					moneyAccount.save({
						currentBalance : moneyAccount.xGet("currentBalance") + amount
					}, saveOptions);

					var projectShareAuthorizations = self.xGet("project").xGet("projectShareAuthorizations");
					var myProjectShareAuthorization;
					projectShareAuthorizations.forEach(function(item) {
						if (item.xGet("friendUser") === self.xGet("ownerUser")) {
							var actualTotalExpense = item.xGet("actualTotalExpense") - self.getProjectCurrencyAmount();
							item.xSet("actualTotalExpense", actualTotalExpense);
							myProjectShareAuthorization = item;
							// item.save({
							// actualTotalExpense : actualTotalExpense
							// }, saveOptions);
						}
					});

					this._xDelete(function(e) {
						if (e) {
							myProjectShareAuthorization.xSet("actualTotalExpense", myProjectShareAuthorization.xPrevious("actualTotalExpense"));
						}
						xFinishCallback(e);
					}, options);
				}
			},
			canAddNew : function() {
				if (this.xGet("project")) {
					if (this.xGet("project").xGet("ownerUser") !== Alloy.Models.User) {
						var projectShareAuthorization = this.xGet("project").xGet("projectShareAuthorizations").at(0);
						if (this.xGet("ownerUser") === Alloy.Models.User && projectShareAuthorization.xGet("projectShareMoneyExpenseDetailAddNew")) {
							return true;
						} else {
							return false;
						}
					}
				}
				return this.xGet("ownerUser") === Alloy.Models.User;
			},
			syncAddNew : function(record, dbTrans) {
				// 该记录在本地没有,服务器上有。我们需要更新账户余额
				// 2. 如果账户也是新增的, 我们不用更新账户余额,直接拿服务器上的余额即可
				// 3. 如果账户已经存在本地,我们更新该余额
				if (record.ownerUserId === Alloy.Models.User.id) {
					var moneyAccount = Alloy.createModel("MoneyAccount").xFindInDb({
						id : record.moneyAccountId
					});
					if (moneyAccount.id) {
						// 3. 如果账户已经存在本地,我们更新该余额
						// moneyAccount.save("currentBalance", moneyAccount.xGet("currentBalance") - record.amount, {
						// dbTrans : dbTrans,
						// patch : true
						// // wait : true  // 注意:我们不用wait=true, 这样才能使对currentBalance的更新即时生效并且使该值能用为下一条支出的值。
						// });

						moneyAccount.__syncCurrentBalance = moneyAccount.__syncCurrentBalance ? moneyAccount.__syncCurrentBalance - record.amount : -record.amount;
					} else {
						dbTrans.__syncData[record.moneyAccountId] = dbTrans.__syncData[record.moneyAccountId] || {};
						dbTrans.__syncData[record.moneyAccountId].__syncCurrentBalance = dbTrans.__syncData[record.moneyAccountId].__syncCurrentBalance ? dbTrans.__syncData[record.moneyAccountId].__syncCurrentBalance - record.amount : -record.amount;
					}
				}
				var projectShareAuthorization = Alloy.createModel("ProjectShareAuthorization").xFindInDb({
					projectId : record.projectId,
					friendUserId : record.ownerUserId
				});
				if (projectShareAuthorization.id) {
					projectShareAuthorization.__syncActualTotalExpense = projectShareAuthorization.__syncActualTotalExpense ? projectShareAuthorization.__syncActualTotalExpense + Number((record.amount * record.exchangeRate).toFixed(2)) : Number((record.amount * record.exchangeRate).toFixed(2));
				}
			},
			syncUpdate : function(record, dbTrans) {
				// 该记录同时存在服务器上和在本地。在服务器上被改变,但是在本地未被改变
				// 如果本地的支出已经有明细,我们不用服务器上的支出金额覆盖,而是等同步服务器上的支出明细时再更新本地支出金额
				// 如果本地的支出没有明细,我们直接使用服务器上的支出金额
				// __syncAmount 是临时变量。当支出的金额不能直接使用服务器上的支出金额时(比如要通过支出明细来更新支出金额),我们把更新的支出金额保存到这个临时变量。
				if (record.useDetailsTotal && this.__syncAmount !== undefined) {
					record.amount = this.__syncAmount + this.xGet("moneyExpenseDetails").xSum("amount");
				}
				delete this.__syncAmount;

				if (record.ownerUserId === Alloy.Models.User.id) {
					// 先更新老账户余额
					var oldMoneyAccountBalance;
					var oldMoneyAccount = Alloy.createModel("MoneyAccount").xFindInDb({
						id : this.xGet("moneyAccountId")
					});
					if (this.xGet("moneyAccountId") === record.moneyAccountId) {
						// 账户没有改变
						// oldMoneyAccountBalance = oldMoneyAccount.xGet("currentBalance") + this.xGet("amount") - record.amount;
						// oldMoneyAccount.save("currentBalance", oldMoneyAccountBalance, {
						// dbTrans : dbTrans,
						// patch : true
						// });

						oldMoneyAccount.__syncCurrentBalance = oldMoneyAccount.__syncCurrentBalance ? oldMoneyAccount.__syncCurrentBalance + this.xGet("amount") - record.amount : +this.xGet("amount") - record.amount;
					} else {
						// 帐户改变了
						if (oldMoneyAccount.id) {
							// oldMoneyAccountBalance = oldMoneyAccount.xGet("currentBalance") + this.xGet("amount");
							// oldMoneyAccount.save("currentBalance", oldMoneyAccountBalance, {
							// dbTrans : dbTrans,
							// patch : true
							// });
							oldMoneyAccount.__syncCurrentBalance = oldMoneyAccount.__syncCurrentBalance ? oldMoneyAccount.__syncCurrentBalance + this.xGet("amount") : this.xGet("amount");
						}
						// else {
						// dbTrans.__syncData[oldMoneyAccount.id] = dbTrans.__syncData[oldMoneyAccount.id] || {};
						// dbTrans.__syncData[oldMoneyAccount.id].__syncCurrentBalance =  dbTrans.__syncData[oldMoneyAccount.id].__syncCurrentBalance ? dbTrans.__syncData[oldMoneyAccount.id].__syncCurrentBalance + this.xGet("amount") : this.xGet("amount");
						// }

						// 如果新老账户不一样(服务器上修改了账户),我们更新新账户的余额
						var newMoneyAccount = Alloy.createModel("MoneyAccount").xFindInDb({
							id : record.moneyAccountId
						});
						if (newMoneyAccount.id) {
							// newMoneyAccount.save("currentBalance", newMoneyAccount.xGet("currentBalance") - record.amount, {
							// dbTrans : dbTrans,
							// patch : true
							// });
							newMoneyAccount.__syncCurrentBalance = newMoneyAccount.__syncCurrentBalance ? newMoneyAccount.__syncCurrentBalance - record.amount : -record.amount;
						} else {
							dbTrans.__syncData[record.moneyAccountId] = dbTrans.__syncData[record.moneyAccountId] || {};
							dbTrans.__syncData[record.moneyAccountId].__syncCurrentBalance = dbTrans.__syncData[record.moneyAccountId].__syncCurrentBalance ? dbTrans.__syncData[record.moneyAccountId].__syncCurrentBalance - record.amount : -record.amount;
						}
					}
					var projectShareAuthorization = Alloy.createModel("ProjectShareAuthorization").xFindInDb({
						projectId : record.projectId,
						friendUserId : record.ownerUserId
					});
					if (projectShareAuthorization.id) {
						projectShareAuthorization.__syncActualTotalExpense = projectShareAuthorization.__syncActualTotalExpense ? projectShareAuthorization.__syncActualTotalExpense + Number((record.amount * record.exchangeRate).toFixed(2)) - Number((this.xGet("amount") * this.xGet("exchangeRate")).toFixed(2)) : Number((record.amount * record.exchangeRate).toFixed(2)) - Number((this.xGet("amount") * this.xGet("exchangeRate")).toFixed(2));
					}
				}
			},
			syncUpdateConflict : function(record, dbTrans) {
				// 该记录在服务器上和本地都同时被修改过了
				// 如果该记录同時已被本地修改过,那我们比较两条记录在客户端的更新时间,取后更新的那一条

				delete record.id;
				var localUpdated = false;
				if (this.__syncAmount !== undefined) {
					// 支出明细被合并了,我们先更新本地支出的金额
					localUpdated = true;
					this.syncUpdate(record, dbTrans);
					if (this.xGet("lastClientUpdateTime") >= record.lastClientUpdateTime) {
						this._syncUpdate({
							lastServerUpdateTime : record.lastServerUpdateTime,
							amount : record.amount
						}, dbTrans);
					}
				}

				// 服务器上的记录比较新,我们用服务器上的记录更新本地记录
				if (this.xGet("lastClientUpdateTime") < record.lastClientUpdateTime) {
					if (!localUpdated) {
						this.syncUpdate(record, dbTrans);
						// 如果同步时该支出的金额没有被再次改变,我们不需要将本地修改同步上服务器,因为我们已经使用了服务器上的记录。
						var sql = "DELETE FROM ClientSyncTable WHERE recordId = ?";
						dbTrans.db.execute(sql, [this.xGet("id")]);
					}
					this._syncUpdate(record, dbTrans);
				} else if (!localUpdated) {
					// 让本地修改覆盖服务器上的记录
					this._syncUpdate({
						lastServerUpdateTime : record.lastServerUpdateTime
					}, dbTrans);
				}

			},
			syncDelete : function(record, dbTrans, xFinishedCallback) {
				var self = this;
				// var saveOptions = {
				// dbTrans : dbTrans,
				// patch : true,
				// syncFromServer : true
				// };
				if (this.xGet("ownerUserId") === Alloy.Models.User.id) {
					var moneyAccount = this.xGet("moneyAccount");
					// var amount = this.xGet("amount");
					// moneyAccount.save({
					// currentBalance : moneyAccount.xGet("currentBalance") + amount
					// }, saveOptions);
					moneyAccount.__syncCurrentBalance = moneyAccount.__syncCurrentBalance ? moneyAccount.__syncCurrentBalance + this.xGet("amount") : this.xGet("amount");
				}

				var projectShareAuthorizations = self.xGet("project").xGet("projectShareAuthorizations");
				projectShareAuthorizations.forEach(function(item) {
					if (item.xGet("friendUser") === self.xGet("ownerUser")) {
						// var actualTotalExpense = item.xGet("actualTotalExpense") - self.getProjectCurrencyAmount();
						// item.save({
						// actualTotalExpense : actualTotalExpense
						// }, saveOptions);
						item.__syncActualTotalExpense = item.__syncActualTotalExpense ? item.__syncActualTotalExpense - self.getProjectCurrencyAmount() : -self.getProjectCurrencyAmount();
					}
				});
			},
			syncRollback : function() {
				delete this.__syncAmount;
			},
			syncDeleteHasMany : function(record, dbTrans) {
				for (var hasMany in this.config.hasMany) {
					this.xGet(hasMany).forEach(function(item) {
						var sql = "SELECT * FROM ClientSyncTable WHERE recordId = ? AND operation = 'create'";
						rs = Alloy.Globals.DataStore.getReadDb().execute(sql, [item.id]);
						if (rs.rowCount > 0) {
							if (hasMany === "moneyExpenseApportions") {
								var projectShareAuthorization = Alloy.createModel("ProjectShareAuthorization").xFindInDb({
									projectId : item.xGet("moneyExpense").xGet("projectId"),
									friendUserId : item.xGet("friendUserId")
								});
								// if(projectShareAuthorization.id){
								dbTrans.__syncUpdateData["ProjectShareAuthorization"] = dbTrans.__syncUpdateData["ProjectShareAuthorization"] || {};
								dbTrans.__syncUpdateData["ProjectShareAuthorization"][projectShareAuthorization.id] = projectShareAuthorization;
								// }
							}
							item.syncDelete(record, dbTrans);
							item._syncDelete(record, dbTrans, function(e) {
							});
							sql = "DELETE FROM ClientSyncTable WHERE recordId = ?";
							dbTrans.db.execute(sql, [item.id]);
						}
						rs.close();
					});
				}
			},
			getRowViewData : function(){
				return {
					categoryName : {
						text : this.xGet("moneyExpenseCategory").xGet("name")
					},
					projectName : {
						text : this.xGet("project").xGet("name")
					},
					amount : {
						text : this.getLocalAmount()
					},
					dateTime : {
						text : this.xGet("date")
					},
					remark : {
						text : this.getRemark()
					},
					pic : {
						image : this.xGet("picture") ? this.xGet("picture").getIconPath() : "/images/noPicture.png"
					}
				};
			}
		});

		return Model;
	},
	extendCollection : function(Collection) {
		_.extend(Collection.prototype, Alloy.Globals.XCollection, {
			// extended functions and properties go here
		});

		return Collection;
	}
};

redpajama_set_name: RedPajamaGithub


text:
Personal Attention & Professionalism
A Vital Demand
Let Your Great Ideas
Your Key to Success
Right IP Management
An Overview and Useful Information on Trademarks
An Overview and Useful Information on Patents
An Overview and Useful Information on Designs
AlHiba
Al-Hiba is one of the prominent firms handling all aspects of Intellectual Property including trademarks, patents and industrial designs in the Middle East and North Africa Since 2002.
Our head office is situated in the heart of Dubai, the city of rapidly growing industrial, trade and tourism center in the Middle East.
We assist small, medium and large organizations and individuals to establish, protect and enforce their intellectual property rights in the United Arab Emirates (UAE), the Middle East and North Africa through our branch office and a network of foreign associates with whom we work closely.
HIGH QUALITY, PROMPT & COST EFFECTIVE SERVICES
Al-Hiba is one of the prominent firms handling all aspects of Intellectual Property including trade marks, patents and industrial designs in the Middle East and North Africa
Al-Hiba is one of the prominent firms handling all aspects of Intellectual Property including trade marks, patents and industrial designs in the Middle East and North Africa Since 2002
United Arab Emirates – Online Issuance of Trademarks Registration Certificates
IRAQ – Increase in Trademark Fees
Qatar – Update on Trademark procedures
GCC – VAT to be Implemented in Saudi Arabia and the United Arab Emirates
Egypt – Increase in Trademark Official fees
Saudi Arabia – Update on the validity of power of attorney
Morocco – Increase in official fees for IP services
Choose any country to see our work there
Please do not hesitate to contact us and request schedule of charges and more information about any Intellectual Property matters, including trademarks, designs and/or patents, in UAE, Saudi Arabia, GCC, Middle East and/or North Africa.
Postal Address: P.O. Box 99109, Dubai, United Arab Emirates
Street Address (for Courier): Office 103, Al Nayeli Bldg., Abu Hail Street, Dubai, United Arab Emirates
info@alhiba.com


Do we – humans- think?
We don't – as a species ! There is no ' us ' thinking. There may be U.S / American thinking !
The question is important since we are what we think we are!
And the Powers that be do not want us to think!
If one thinks and thinks and reaches the conclusion that kicking the bucket is the best option that too is thinking. On the other hand, one thinks, connects and improves her and the tribe's wellness we have thinking as it ought to be.
Asians do not think as one as the Chinese think that they are one, or the Singaporeans do. Indians do not think as one nation. In fact we are the most confused as to what is to be an Indian or even what is to be a Hindu, perhaps because of our heightened levels of complexity !
When we understand the Indian way of Thinking we have a strategic advantage which enhances global community and offers us opportunities as a Global Solution Provider.
We can go on ad infinitum. One need not be an expert to see the obvious unless one prefers to pretend blindness.
Sanskrit, processed, India was the only culture which had a language for process and dialogue, the hallmark of culture. .We are not argumentative as some would say. We would pretend that we don't know rather than pick up an argument which is counterproductive. This is not to say that Sanskrit is the way out but to reiterate that the product is in the process. Thinking is a process and the process need to be judged against the outcomes. If our outcomes are less than what we expected at start, we need to go back and improve the process.
Asia has been the source of all religions, the failed science of the past. As the Asian begins to think and the levelling happens we will be compelled to rethink the science we thought scientific.
Most of our problems have roots in the way we think, which also includes our personal health. If we think we are machines, that machine has to break down however sophisticated it is.


Located in the desirable community of Allard, The Eastwood Model built by Sterling Homes. Great move-in ready two story in nice location close to park and K-9 school. Double detached garage and complete landscaping. Nice open main floor with laminate and tile flooring. Kitchen with island and maple cabinets. Spacious back entry with laundry area. Upper stairs is completed with 3 bedrooms and a bathroom, and the Master bedroom with walk in closet and 4 piece ensuite.


Will you devote a lot of time thinking of your tooth? You need to, because folks observe your teeth over you might think. If your dental treatment activity requirements ideas, this article will help you. We've gathered a list of dental hygiene ideas to offer you the smartest laugh at any time.
Just use mouth wash free of liquor. Alcoholic drinks as an ingredient can dry up the tissue in your mouth. This creates a breeding floor for the extremely harmful bacteria you are hoping to prevent. Alcoholic beverages-totally free mouthwash is also a lesser urge for kids and young adults seeking to experiment with when fed up.
Floss, floss, floss! Certain anyone brushes their tooth like they're designed to, but what number of them actually floss. Flossing cleanses the spot involving the pearly whites where meals could possibly get caught and germs can spread. This will also prevent the onset of probable microbe infections that could take place if you don't floss.
If you feel your the teeth must be whitened, you should schedule a consultation with your dental office. Your dentist will give you advice on the way to remember to brush and floss your teeth successfully and recommend some items you may use. Occasionally, owning your pearly whites cleaned by the dental office will probably be ample to ensure they appearance brighter.
When you purchase tooth paste, you will need 1 with fluoride whether it be natural or otherwise. This can construct tooth durability. Solid the teeth eventually are healthful ones.
Make sure you swap your teeth clean regularly. Substitute a minimum of every three to four a few months. Even if your tooth brush continue to looks like new, the bristles are probably frazzled. An old tooth brush will not be as good as more recent toothbrushes. Exchanging your toothbrush consistently is an essential part of your oral health.
You shouldn't basically clean the areas of the the teeth. It's important to brush the gum area too, acquiring beneath these people to clean out something which is situated there. Oral cavaties that are under the gum area would be the most awful consequently, you have to do all you can to completely clean this area.
Do you know that the sequence that you just try to eat your food items in can are involved in whether you develop teeth cavities? Ingesting sweet food items like birthday cake on your own is significantly more serious for your tooth, than if you eat the wedding cake after having a food. Don't consume sweet meals alone, usually consume them other food products.
To protect yourself from severe and achievable long-lasting problems for your teeth, never use them for any action aside from chewing the meal that you take in. You operate the risk of chipping or cracking your pearly whites if you make use of teeth to look at a package, move a thing that is trapped or split wide open nutshells.
There are several approaches to far better your teeth's health, only one is extremely important. Which is sustaining semi-annual appointments along with your dental professional. These trips are widely used to clean your the teeth and conduct examinations. If weakened regions are normally found in your the teeth, your dental professional might fill these locations to give your tooth far more protection.
Soon after learning more about the best way to take care of your tooth, you must be able to implement a variety of changes. Let the suggestions become your guideline, and offer oneself the smile you usually wanted. Maintain understanding whatever you can, as well as your tooth will look better after some time.


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Decorating Ideas, Luxury Homes Designs was posted June 6, 2016 at 1:10 pm by Home Design Ideas . More over Luxury Homes Designs has viewed by 5144 visitor.


text:
The City of Carlsbad is a municipal corporation following the council-manager form of government. The City Council, the city's legislative body, defines the policy direction of the city. The city manager oversees the day to day operations of the city. In 2008, Carlsbad became a charter city, which provides the city with greater authority over local issues.
The City Council consists of an elected mayor and four elected council members. Each serves a four-year term. The city is in the process of transitioning to a system where City Council members are elected by district instead of at large or citywide.
Mayor Matt Hall
Mayor Pro Tem Priya Bhat-Patel, District 3
Council Member Keith Blackburn, at large
Council Member Cori Schumacher, at large
District 1 (Vacant) (special election March 3)
The City of Carlsbad also has an elected City Clerk and City Treasurer. To find other elected officials that serve Carlsbad, please visit the County Registrar's website.
The City Councils sets goals that become the policy direction for city staff, who create work plans and budgets to implement this direction.
Citizens of the Year
Charter City


text:
Posted on September 1, 2022 August 30, 2022 by Cinta García de la Rosa
#BookTour: The Portraitist, by Susanne Dunlap #ThePortraitist #SusanneDunlap #HFVBT @hfvbt #historical #fiction @hfvbt @Susanne_Dunlap #giveaway #USOnly
The Portraitist: A Novel of Adelaide Labille-Guiard by Susanne Dunlap
Publication Date: August 30, 2022 She Writes Press Genre: Historical Fiction Based on a true story, this is the tale of Adélaïde Labille-Guiard's fight to take her rightful place in the competitive art world of eighteenth-century Paris. With a beautiful rival who's better connected and better trained than she is, Adélaïde faces an uphill battle. Her love affair with her young instructor in oil painting gives rise to suspicions that he touches up her work, and her decision to make much-needed money by executing erotic pastels threatens to create as many problems as it solves. Meanwhile, her rival goes from strength to strength, becoming Marie Antoinette's official portraitist and gaining entrance to the elite Académie Royale at the same time as Adélaïde. When at last Adélaïde earns her own royal appointment and receives a massive commission from a member of the royal family, the timing couldn't be worse: it's 1789, and with the fall of the Bastille her world is turned upside down by political chaos and revolution. With danger around every corner in her beloved Paris, she must find a way to adjust to the new order, carving out a life and a career all over again—and stay alive in the process.
Buy The Portraitist
"An imaginative work that brings the story of a little-known artist to vivid life." –Kirkus Reviews "Deeply researched and imagined, The Portraitist offers a fascinating and dramatic plunge into the world of a brilliant female artist, struggling to make her mark before and during the turbulent and treacherous era of the French Revolution. I loved this novel." –Sandra Gulland, international bestselling author of The Josephine Trilogy "Written with breathless drama, The Portraitist follows the rise of the gifted portraitist Adélaïde Labille-Guiard in Paris during the last years of the late eighteenth century. The novel is a luminous depiction of Paris and those terrible times seen through the astute, compassionate eyes of a woman who had to paint. Every bit of lace, or royal carriage or bloody cobblestone is alive in the writing. The rain drumming on the skylight and a misbuttoned coat speak. Go to those streets with this book in your hand to follow her footsteps and those long-gone turbulent times will come alive to you as if they were yesterday." –Stephanie Cowell, award-winning author of Claude and Camille "In The Portraitist, Susanne Dunlap skillfully paints a portrait of a woman struggling to make her way in a man's world — a topic as relevant today as it was in Ancien Regime France. Impeccably researched, rich with period detail, Dunlap brings to life the little known true story of Adélaïde Labille-Guiard, who fought her husband and society to make a name for herself as a painter to the royal family, the very apex of success– only to find everything she had built threatened by the Revolution. A stunning story of determination, talent, and reversals of fortune. As a lifelong Elisabeth Vigée-LeBrun fan, I am now questioning my allegiances!" –Lauren Willig, New York Times bestselling author of The Summer Country and Band of Sisters "[The Portraitist is a] luminous novel of Adélaïde Labille-Guiard, whose livelihood and longing for respect are threatened by the institutions that deny women artists their due, compounded by the tumultuous events of the French Revolution. Deftly written and impeccably researched. Highly recommended." –Michelle Cameron, award-winning author of Beyond the Ghetto Gates
Susanne Dunlap is the author of twelve works of historical fiction for adults and teens, as well as an Author Accelerator Certified Book Coach. Her love of historical fiction arose partly from her studies in music history at Yale University (PhD, 1999), partly from her lifelong interest in women in the arts as a pianist and non-profit performing arts executive. Her novel The Paris Affair won first place in its category in the CIBA Dante Rossetti awards for Young Adult Fiction. The Musician's Daughter was a Junior Library Guild Selection and a Bank Street Children's Book of the Year, and was nominated for the Utah Book Award and the Missouri Gateway Reader's Prize. In the Shadow of the Lamp was an Eliot Rosewater Indiana High School Book Award nominee. Susanne earned her BA and an MA (musicology) from Smith College, and lives in Biddeford, ME, with her little dog Betty. For more information, please visit Susanne Dunlap's website. You can follow author Susanne Dunlap on Facebook, Twitter, Goodreads, Instagram, Pinterest, and BookBub.
Tuesday, August 30 Review at Gwendalyn's Books Review at A Potpourri of Opinions Wednesday, August 31 Review at Little But Fierce Book Diary Thursday, September 1 Review at Coffee and Ink Feature at Books, Ramblings, and Tea Friday, September 2 Review at The Page Ladies Sunday, September 4 Review at 100 Pages a Day Monday, September 5 Feature at The Cozy Book Blog Review at History from a Woman's Perspective Tuesday, September 6 Review at Reading is My Remedy Wednesday, September 7 Review at Pursuing Stacie Thursday, September 8 Excerpt at Books, Cooks, Looks
Enter to win a paperback copy or Audiobook of The Portraitist by Susanne Dunlap! The giveaway is open to the US only and ends on September 8th. You must be 18 or older to enter. The Portraitist https://widget.gleamjs.io/e.js
Previous Article #BookTour and #Review: Death at the Manor, by Katharine Schellman @katharinewrites @partnersincr1me #PICT #mystery #historical #Regency #CrookedLaneBooks #KatharineSchellman #DeathattheManor #excerpt #giveaway
Next Article #BookTour: Intergalactic Exterminators Inc, by Ash Bishop @AshLBishop @ProvidenceBks #sciencefiction #CamCatBooks #IntergalacticExterminatorsInc #AshBishop #ProvidenceBookPromotions #giveaway #excerpt


Programmatic ad buying isn't the only trend cited in the ANA report. The survey shows that a growing number of marketers are choosing to take their programmatic advertising in-house instead of outsourcing the function to agencies.
Respondents who have expanded their in-house capabilities to manage programmatic ad buying.
The ANA isn't alone in touting the rise of programmatic. According to eMarketer, programmatic ad spending will continue its growth this year and beyond. In fact, next year's forecast predicts that programmatic ad spending will exceed $27 billion.
On top of the granular targeting and real-time optimization that comes with programmatic advertising, companies who take the additional step of shifting to in-house campaign management gain benefits such as speed to market, data control, ease of cross-channel buying and cost savings. Digital marketers who haven't yet considered in-house advertising should take a look at this seismic industry shift and consider making a change.
Is In-House Programmatic Right For You?
Should you be joining the growing club of businesses driving their advertising revenue through in-house programmatic? Ask yourself the following questions.
Engaged in both customer acquisition and remarketing?
Spending a significant percentage of budget on newer forms of marketing like social marketing and mobile?
Investing in online marketing as a key driver of success?
Led by a CEO, CMO or VP of Marketing who truly understands and embraces data-driven marketing?
Already advertising at scale on multiple channels?
Focused on direct response related goals (beyond branding or awareness)?
Prepared to invest in software and recruiting top in-house talent?
If you answered most of these questions with yes, then in-house programmatic is likely to be a great fit for your company.


text:
Епископ Филофей (, в миру Феоха́рис Феоха́рис ; ) — архиерей Элладской православной церкви, епископ Ореонский, викарий Афинской архиепископии (с 2019).

Биография
Родился 9 июля 1977 года в Халкиде, в Греции.

Окончил богословский институт Афинского университета, после чего учился в аспирантуре Аристотелевского университета в Салониках.

16 февраля 2002 года был пострижен в монашество в  близ города .

17 февраля 2002 года митрополитом Халкидским Хризостомом (Триандафиллу) был рукоположен в сан иеродиакона, а 19 июня 2002 года им же — в сан иеромонаха с возведением в достоинство архимандрита.

До 2009 года служил проповедником, позднее эпитропом Халкидской митрополии. В 2016 году назначен секретарем Синодального комитета по церковному образованию и воспитанию духовенства.

В 2018 году был назначен секретарём (21 марта 2019 года назначен главным секретарём) Священного синода Элладской православной церкви.

15 октября 2019 года был рукоположен в сан титулярного епископа Ореонского, викария Афинской архиепископии.

Примечания

Выпускники богословского института Афинского университета
Епископы Элладской православной церкви

redpajama_set_name: RedPajamaWikipedia


text:
Ntfombi Ntfombi, devenue la reine Ntfombi (née vers 1950), est la reine douairière du Swaziland  (Ndovukazi, « Grande Éléphante ») et participe à la direction de l'État depuis 1986 avec son fils Mswati III. Elle fut précédemment régente de 1983 à 1986, le temps que son fils ait l'âge requis pour gouverner.

Biographie
Née vers 1950, elle devient l'une des nombreuses épouses de Sobhuza II. Lorsque celui meurt en , c'est son fils, le prince Makhosetive, qui est choisi pour lui succéder. Mais, comme il n'a encore que 15 ans, une période de régence s'ouvre. Cette régence est confiée par le conseil intérieur suprême, le Liqoqo, à une autre épouse de Sobhuza II, Dzeliwe. Celle-ci n'exerce pourtant cette régence que durant un an. Enferrée dans des conflits entre princes, elle est poussée, par ce même conseil Liqoqo à renoncer à la régence au profit de Ntombi.

En 1986, le fils de Ntombi, Makhosetive, devient roi du Swaziland à 18 ans, sous le nom de Mswati III. Ntfombi devient reine douairière, encore appelée Ndlovukati. Dans la monarchie swazi, la reine-mère a traditionnellement un rôle important et accompagne le roi dans l'exercice du pouvoir.

Références

Lien externe

Naissance en 1950
Souverain eswatinien
Reine du XXe siècle
Reine du XXIe siècle
Personnalité féminine eswatinienne
Souverain africain
Personnalité eswatinienne du XXe siècle
Personnalité eswatinienne du XXIe siècle
Régent du XXe siècle
Monarque du XXe siècle en Afrique


text:
Gary Lucas — Cinefantastique
Gary Lucas — Cinefantastique (2013)
Ξ◊ { The guitar master puts his cinema project to tape. }
Ξ◊ Guitarist best known for his work with Captain Beefheart, and Jeff Buckley as co-writer of a few of his best compositions.
Ξ◊ A world class guitar hero, a Grammy-nominated songwriter and composer, an international recording artist with over 20 acclaimed solo albums to date, and a soundtrack composer for film and television, GARY LUCAS is on the move in 2013.
Born: 1952 in Syracuse, NY
Styles: Alternative/Indie Rock, Experimental Rock, Alternative Pop/Rock, Instrumental Rock, Jewish Music
Member of: Fast 'n' Bulbous, Gods & Monsters, The Du-Tels
Location: Syracuse ~ Manhattan, New York City
Album release: October 1, 2013
Record Label: Northern Spy (043)
01. Mon Oncle 3:38
02. Monsieur Hulot's Holiday 2:13
03. Casino Royale 2:09
04. The Man Who Shot Liberty Valence 2:09
05. "Bali Ha'i" from South Pacific 4:53
06. J' accuse 6:53
07. Sátántángo 2:43
08. "Our Love is Here to Stay" — from An American in Paris 3:55
09. Vertigo / Psycho 3:58
10. Fellini's Casanova / Rosemary's Baby 5:57
11. Spanish Dracula 4:36
12. Aguirre, the Wrath of God 4:33
13. Sex and Lucia 4:00
14. Howdy Doody Time 0:30
15. Entr' acte 20:18
16. Charlie Brown 1:29
17. Around the World in 80 Days 3:03
By MATT B. WEIR; Score: ***
Ξ◊ Gary Lucas, is an American, finger-picking guitar player of legendary status and slippery categorization, the sort of no-trend, shadowy, omnivorous weirdo for whom Northern Spy Records opened their doors in the first place. He left his stamp in the catalogs of Captain Beefheart and Jeff Buckley, and his technique is so virtuosic that — this is cool — once Lester Bangs asked him "which part" he had played on a solo live recording.
Ξ◊ Cinefantastique, his first album on Northern Spy, is a collection of mostly recognizable film and television soundtrack music performed on solo acoustic or electric guitar, either live onstage or live in the studio. It's all about no overdubs with Lucas, and he shows off his singular skill and style on these tracks, rearranging scores intended for full orchestras into music for one man with two hands. Lucas is clearly passionate about the relationship between music and film: he has sneaked soundtrack music onto past albums, toured alongside the Spanish Dracula film from 1931, made a whole record of Chinese 1930s and 40s pop tunes inspired by singers/actresses, and he's already announced that Cinefantastique Vol. 2 is on the way.
Ξ◊ It's great to see an iconoclast release a labor-of-love-type record, but a part of me — maybe a dark part of me I should try to destroy — was initially frustrated that someone with such talent, the man who played "Flavor Bud Living" on Doc at the Radar Station (his minute-long guitar instrumental is, for me, still one of the most mysteriously powerful moments in the whole Captain Beefheart catalog), would take the time to lay to tape snippets of Vertigo, Psycho, Rosemary's Baby, South Pacific, and the freaking theme from Peanuts. I do not, under any circumstances, believe a musician must prove him or herself to such a nebulous, sinister-sounding group as "listeners with expectations," but I must be honest that it's only after a month of extensive listening to Cinefantastique that I am beginning to accept it on its own terms.
Ξ◊ But, even on its own terms, the album can be rather slight. "Around the World in 80 Days," "Sex and Lucia," "Howdy Doody Time," "J'accuse" (the only track with an overdub, a violin), and "Charlie Brown," are pleasant but ultimately forgettable acoustic guitar tracks. They sound like… songs from film and television? Played expertly on acoustic guitar? He's simply not in full-force, and you know it because, when he is, it's something completely different to behold. "Sátántángo," "The Man Who Shot Liberty Valance," "Casino Royale," and "'Our Love is Here to Stay' from An American in Paris'" all burst and glide with glee, Lucas collapsing a whole orchestra's worth of expression effortlessly into his steel-body guitar. Of the Takoma Records bunch, he most evokes Leo Kottke in his approach, rolling melody upon melody forward and upward with precision, warmth, and bounce. But there's a clean angularity to it, too, maybe a hint of Beefheart's exploding-note theory that separates him from the pack and makes him the New York downtown stalwart he's been all these years.
One track was even immediate, the electric — as in electric guitar — "Vertigo / Psycho," which may be the strongest track on the record. His reverb-inflected tone reveals a hypnotic, cyclical nature of the music and renders this seemingly overdone music new, drawing you inward, only to startle — like the movie — as he strangles his guitar on a dime into the shower-scene screech from Psycho. There's a rawness to it that's so well-crafted and right on that I can't stop from going "whoa" every time it ends and the audience explodes into applause. His electric guitar is similarly on point on "'Bali Ha'i' from South Pacific," "Fellini's Casanova / Rosemary's Baby," and "Entr'acte," which compares favorably to Erik Satie's score when synced up to the 20-minute film.
Ξ◊ There are a lot of great solo guitar records out there this year, many that are more forward-thinking and play better end to end — Alan Licht's Four Years Older and Bill Orcutt's A History of Every One come to mind — but Lucas is capable of a different, perhaps more technically intriguing, wizardry. One of the best guitarists alive. (http://www.tinymixtapes.com/)
Artist Biography by Joslyn Layne
Ξ◊ When he was nine, Gary Lucas' dad suggested he take up playing the guitar. Although he followed his dad's suggestion, Lucas focused more on the French horn that he played for his elementary school band and continued to play, until getting kicked out of his high school's band. Lucas then focused wholly on the guitar, and played in various groups throughout the '60s. As a campus station music director during his second year at Yale, Lucas saw Captain Beefheart in concert and immediately wanted to play with Beefheart's unique band more than anything. Shortly thereafter, he interviewed and got to know Beefheart.
Ξ◊ Lucas soon performed as a soloist in the European premiere of Bernstein's Mass (From the Liturgy of the Roman Mass) (1973), and after graduating from college, moved to Taipei for two years. During that time, he led a locally popular group, the O-Bay-Gone-Band, until a chaotic 1976 show broke out into a brawl that seriously injured many people. Upset, Lucas promptly returned to the States, hooked back up with Beefheart, and was finally invited to join the band. He appears on Doc at the Radar Station, and was a full member of the group by the time of the Ice Cream for Crow album. After Beefheart retired in the early '80s to pursue painting, Lucas couldn't imagine topping his experience of playing in a group he considered the number one avant-garde rock band in the world, so he switched over to the production end of music, producing albums by Peter Gordon and Tim Berne, among others.
Ξ◊ In 1988, Lucas returned to live performance with a highly acclaimed solo set at N.Y.C.'s Knitting Factory, and continued to play shows and tour for more than a decade to follow. Shortly after his return, he collaborated with longtime friend Walter Horn on a score for The Golem (a 1920 German Expressionist film) as a commission for the 1989 Brooklyn Academy of Music Next Wave Festival. That same year, Lucas formed his rock band Gods and Monsters. Over time, the band's lineups included Jeff Buckley and Matthew Sweet. By 1999, the Gods and Monsters' lineup was in trio form with ex-Swans drummer Jonathan Kane and former Modern Lovers bassist Ernie Brooks; the LP Improve the Shining Hour appeared in early 2000. In addition to Gods and Monsters and various solo projects, Lucas formed the Du-Tels in 1994, a psychedelic folk duo with Peter Stampfel. In 2008, he joined with jazz and blues vocalist Dean Bowman to form Chase the Devil, and the duo explored the spiritual and secular roots of the blues without sounding too revivalist, releasing the self-titled Chase the Devil on Knitting Factory in 2010. Lucas was back with Gods and Monsters for The Ordeal of Civility, produced by Jerry Harrison and released by Knitting Factory in 2011.
Website: http://garylucas.com/
Label: http://northernspyrecords.com/artist/gary-lucas/
Facebook: https://www.facebook.com/pages/Gary-Lucas/170323516340269?fref=ts
Facebook: https://www.facebook.com/gary.lucas.5836?fref=ts
REVIEW — Bruce Lee Gallanter, DMG
Ξ◊ This is an amazing solo guitar offering that has been a long time in coming. Mr. Lucas has been one of Downtown's must exciting and creative guitarists for more than two decades, often playing solo guitar(s) performances that always knock his audiences out. Lucas has also been a longtime film fanatic who went on to play live and recorded soundtrack music for many flicks throughout his long career. 'The Golem', 'The Edge of Heaven' which was inspired by female Chinese singers/actresses and more recently: Federico Garcia Lorca's "La Casa de Bernarda Alba" are just a few of the soundtracks that Lucas has provided music for.
Ξ◊ For this fabulous disc, Mr. Lucas takes us on a journey around the world and through time, playing the music of sixteen film, TV and cartoon composers, from 1919 to 2001. He selectively chooses composers both well known: Burt Bacharach, Richard Rogers, George Gershwin & Nina Rota to lesser knowns. Mr. Lucas composed a couple of these pieces himself and the entire disc fits together into a compelling mosaic. What I dig most about this disc is that it uses the same magic: which great soundtracks utilize by sneaking into our memories, no matter how good or bad a certain film is and painting a picture in our minds. Listening to Gary perform each of these songs evokes a kaleidoscope memories and feelings. Mr. Lucas plays both acoustic and electric guitars, with and without devices, just what is needed for each piece. It doesn't matter if I've seen the films or have heard any of these songs before, each one has a way of transporting us somewhere else. This disc is some 76+ minutes long and by the end I did feel as if I had been around the world (in 80 days), which is of course the name of the final song here. 'Cinefantastique' is a wonderful treasure chest of superb cinematic jewels. © GARY LUCAS & Mika Vember/May 23, 2013 (20:45)
Photo credit: Wolfgang Windbacher (Nikon Coolpix P7000)


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"A CHRISTMAS STORY" actor Zack Ward is raising money for Alzheimer's research | INTERVIEW
As he appears in the new Netflix sequel, the actor's quest hits close to home
Eric Althoff December 15, 2022
If your life hasn't been touched by Alzheimer's or dementia, consider yourself fortunate. The Alzheimer's Association estimates that over 6 million adults over age 65 are battling the disease today, and that number is expected to increase to more than 12 million by 2050.
One of those afflicted with the disease is Todd Ward, father of actor Zack Ward—best known as the bully Scut Farkus from "A Christmas Story." Zach is now 53; in hindsight, he says, it was about that same age that his father began showing signs of dementia.
"I could see how my father was sort of drifting into dimension in his early-50s," Ward told me recently from his Los Angeles studio. "Unfortunately I'm not a multimillionaire or billionaire who can push a button and get it taken care of. And I understand that fear."
It's been 39 years since "A Christmas Story," in which Scut Farkus and his toadie Grover Dill (Yano Anaya) menaced young Ralphie (Peter Billingsley) and his friends. Both Billingsley and Ward return in the new Netflix film "A Christmas Story Christmas," in which now-adult Ralphie returns to his Indiana hometown to offer his own children an old-fashioned holiday like the one he remembers getting that awesome Red Ryder BB Gun with a compass in the stock "and this thing that tells time."
"It's weird because, in a way, I never left Scut Farkus or Scut Farkus never left me," Ward said of returning to the role he first played as a boy of 13. "When we did the [new] film, it was going back to a familiar old friend and learning how they grew up, and that was really exciting.
Like Ward, Scut Farkus is also older now too. Billingsley, who is one of the screenwriters of "A Christmas Story Christmas," ensured that the boy you used to love to hate has become a man who, well, might just engender some tender feelings from viewers of the sequel. Ward called Billingsley "a sweetheart" who was out to recapture as much of that old holiday magic as fans remembered from 1983.
But in addition to tickling the nostalgia bone, leaning into his familiar role as the bully with yellow eyes has allowed Ward to use his platform to raise awareness and funds for Alzheimer's research.
"Once I started doing charity fundraisers about 15 years using Scut Farkus as a lightning rod for donations, you start reliving the character with all the fans, and you're playing that role to a certain degree," he said. "They tell you their stories about how much they hated him, and you get to play with it."
Like "A Christmas Story," the sequel takes its inspiration from the writings of Jean Shepherd, whose alter ego Ralphie he voiced from the hindsight of adulthood as the narrator of "A Christmas Story" and for several made-for-TV movies. Shepherd died in 1999, so his recognizable voice is absent from "A Christmas Story Christmas," but Ward has some intriguing memories of being on location in Cleveland four decades ago as Shepherd conferred with "A Christmas Story" director Bob Clark. (Clark gave himself a small role in the film as Swede, the nosy neighbor intrigued by the Old Man's infamous leg lamp.)
"Jean Shepherd I saw on the peripheral, but he never really interacted with me very much," Ward said. "He was pretty focused on making sure that the movie was what the movie needed to be.
"He and Bob were usually locked in serious conversations that a thirteen year-old boy knows better than to interrupt."
That thirteen year-old boy is now a 53-year-old man facing the unenviable reality that his father Todd often no longer recognizes him. Todd is in a care home in Oregon near Ward's sister, and he travels north as often as possible to visit. The actor stresses that caring for someone in the throes of dementia is essentially a full-time job, and even those who might have the financial resources for this still need a loving, caring circle about them. Ward said that getting in touch with the Alzheimer's Association about fundraising—now that he had an up close and personal view of how the disease manifests in a loved one—provided him with such support.
"I no longer felt like I was watching my father drown and there was nothing I could do," Ward said. "They helped me know what I needed to do for the next steps. Sadly, it's a mocked issue where people don't take it seriously; they call it 'old timers,' and think it's just for old people.
"But early onset dementia can start as early as your mid-to-late-fifties. It takes away everything you ever were, and it destroys every memory you ever had."
The thought gives Ward pause. Alzheimer's and dementia are often inherited, so how much longer does he have to remain functional in his own life, he wonders. And the recent news that "Thor" star Chris Hemsworth discovered he too has a genetic predisposition for the disease only reinforces Ward's hopes to battle the disease.
"I feel so sorry for the guy [because] I live with the same thing," Ward said, offering support for his fellow thespian. "I haven't gotten a test done, but I live with the same Sword of Damocles hanging over my head. I hope for Mr. Hemsworth that he's able to find some solution, and if not some solution, then some peace. My heart goes out to him."
Indeed, the world cheered recently as a new "miracle drug" has been shown to slow the progression of Alzheimer's, but Ward stresses that it will take years of double-blind testing and require FDA approval yet. The best he can do meantime, and what he stresses for others, is to be loving and patient with someone in the throes of dementia—and who sometimes can be frightened by their own now-unfamiliar reflection.
"You need to help them be as calm as possible because otherwise they [often] get afraid," Ward said of the fear that can strike someone who might not understand the mental decline happening to them in real time. "Then you can wear a smile and love them for who they are at the moment.
"Whether or not he remembers who I am, I try to be there for him," Ward said. "He's my dad, I love him, [and] I want to be there for him as much as I can. That's all I can do, so I try to do it."
Ward emphasizes that it's far from easy, and he often gets frustrated when trying to relate to a man so unlike the father he remembers. He advises anyone with a loved one in the same situation to take care of their own well-being, be it through a support group or counselor, especially considering the process of mental decline obeys no predictable timeline.
"You're going to go through a lot of emotional upheaval. There's a lot of pain, there's a lot of sadness, there's a lot of bitterness, there's a lot of rage," he said. "There's a lot of trepidation because it's not like you're going toward a cliff and you know when you're jumping off: You're constantly falling, and that fall could last for six months or it could last for the next fifteen years. And that's terrifying!
"You can sit and talk to other people who are family members going through the same stuff. It really helps, and it allows you to get rid of all your frustrations and be able to compartmentalize that emotional process when [the person] you've known your whole life doesn't know you anymore."
Ward will be traveling to Cleveland for a fundraising event at the Christmas Story House Dec. 17. The home used in the original movie has been lovingly restored to resemble the Parkers' homestead as it appeared that Christmas morning, complete with a museum and gift shop. Ward, who has visited several times before, will sign autographs and take pictures with fans, whom he says often treat him "like an old neighbor they haven't seen in a while."
He won't charge for such mementos, and instead asks that people donate to the Alzheimer's Association—if they can.
"And if they don't have that money because life is life, I totally understand," he said. "Maybe they can just spread the word to someone who might be going through that and be like, 'There's a support group for you!'"
Ward will then travel to Akron for a screening of "A Christmas Story Christmas" the following evening.
"Maybe we can turn a crap sandwich into a fantastic Christmas Eve dinner," he said. He paused, then added, "that metaphor didn't work very well, but I had to try."
He chuckled at this, showing that, sometimes anyway, laughter remains the best medicine.
To make a year-end donation to the Alzheimer's Association, go to https://www.alz.org/. "A Christmas Story Christmas" is now streaming on Netflix.
Tagged With: Zack Ward
< Iranian film "DREAMS' GATE" selected at BERLINALE
The year's most exceptional film, "BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS," fashions an enigma out of love and loss and cinema itself | INTERVIEW >


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More Stories Like Thisdefault
Is Business the New Charity?
Aaron Hurst, Founder and President, Taproot Foundation
Is Business the New Aid? Blog
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Saturday September 22 2012
Investing in small business and new ventures is a good thing and vital to our communities, but we must not confuse it with charity or strategic long-term social investment.
In my recent interview with Jim Koch, founder of Samuel Adams (Boston Beer Company), he reflected on the traditional philanthropic activities of his company and peers. What he saw was uninspiring. Companies were simply taking money from their pocket and putting it into the pocket of their favorite charity. There was no value creation.
After this epiphany, Koch partnered with a strategic philanthropy-consulting firm and in 2008, he launched a program called Samuel Adams Brewing the American Dream. Rather than give money to nonprofit organizations, this program makes small business loans to small food, beverage, and hospitality businesses in South Boston, and couples them with pro bono coaching, mentoring, and assistance from his team.
He hopes that by supporting small businesses instead of nonprofits, he can create jobs in the community, and real long-term economic and social value in South Boston.
Koch isn't the only one embracing business as an alternative to nonprofits for social investment. With a similar goal of job growth and economic opportunity, Goldman Sachs launched its 10,000 Small Business campaign, which also matches cash with pro bono resources. And on a smaller scale, other financial services firms, including American Express and Capital One, are experimenting with this approach.
President Clinton has been one of the more prominent advocates for this approach. In 2002, his foundation launched the Harlem Small Business Initiative. The effort has provided more 75,000 hours of consulting and $15 million in cash to small businesses in the Harlem area.
Perhaps the most symbolic example is Venture for America. After creating this new nonprofit, founder Andrew Yang was named one of the most creative business professionals in America. A spin on Teach for America, Venture for America places the best and brightest not in underperforming schools, but in start-up businesses in struggling US cities like Detroit and New Orleans. His goal: 100,000 new jobs by 2025.
Business, rather than the culprit of our economic trouble, is now seen as a savior—a job creator. Job creation has become the single metric that we use to define success. It isn't health, it isn't the environment, and it isn't social justice.
Robert Egger, founder of the PAC CForward, which champions the role of the nonprofit sector in the economy, shared in a speech recently: "Any organization that provides living wage jobs is a social enterprise."
These examples illustrate the increasingly popular perspective that supporting business is a charitable act. Loaning money to a small business or buying equity in a new venture, when successful, creates jobs and a return for the investor. And when it fails, it is a tax write-off just like a charitable donation.
Here's the rub. While job creation is important, there is a much greater need for employee creation. By 2016, four out of ten jobs will require advanced education or training, and many hiring managers are finding that the talent they need is hard to find.
If we want to see more Americans gainfully employed—not in jobs, but with living-wage careers—we need to invest more in the nonprofit sector and in government programs. While these investments don't create the short-term gains that business leaders have been trained to seek, they are what will matter at the end of the day. They will create the supply of talent needed for our economy and society to thrive.
Forward-looking corporate and private philanthropists are investing in our educational system to advance science, technology, engineering, and math (STEM) outcomes. STEM skills are marketable and will lead to sustained employment.
Others are recognizing that perhaps America's last competitive advantage in the global market, creativity, may be gone after this generation, and are working to give kids access to consecutive arts education, which has been cut from the budget of nearly every school district.
These are the investments being made by the nonprofit sector—both in advocating for policy change and creating solutions in our communities and across the nation. This is much more than taking money from one pocket and putting it in another. These are the investments that will ultimately have a tremendous return, but not next month or even in a year.
The same is true of so many parts of the nonprofit sector—well beyond education. Social justice is what will maintain our democracy and ensure the diverse and engaged citizenry that will be critical to the increasingly global economy. Protecting and restoring the environment and a stronger health care system creates a healthier and more productive population for decades to come.
Investing in small business and new ventures is a good thing and vital to our communities, but we must not confuse it with charity or strategic long-term social investment. Politicians need to talk about job creation to get elected, but we need our business and philanthropic leaders to have a longer view to ensure we aren't still focused just on job creation in 10 years.
Editor's Note:
This blog first appeared in the Stanford Social Innovation Review and is reproduced with permission.
Aaron Hurst (@Aaron_Hurst) is the founder and president of the Taproot Foundation, a nonprofit organization building a national pro bono marketplace and leading the global service movement through its award-winning Service Grant program. Widely known for his thought-leadership in civic engagement, nonprofit management and corporate social responsibility, Aaron is an Ashoka and Draper Richards Kaplan Foundation fellow and has been formally recognized as a social innovator by the Aspen Institute, Social Venture Network, Fast Company,Commonwealth Club, the Manhattan Institute, the State of California, and the Alliance for Nonprofit Management. Aaron currently sits on the International Advisory Board of Directors of CiYuan, a three-year initiative to increase social investment in China, and serves on the boards of Reimagining Service and BoardSource. He co-authored the children's book Mommy and Daddy Do It Pro Bono and is a featured blogger for The Huffington Post.


Cardiac auscultation is an analysis of the heart performed by a doctor, either a general practitioner or a cardiologist. It is one of the exams that are common during a medical consultation, or check-up. Cardiac auscultation consists of the application of a stethoscope on the chest of a patient, who is either seated or lying down, in order to detect any anomalies in heart rate. This exam must be performed in silence, to better concentrate on the sounds of the heart.
Published by Jean-François Pillou. Latest update on November 12, 2013 at 04:42 AM by Jean-François Pillou.
This document, titled "Cardiac auscultation - Definition," is available under the Creative Commons license. Any copy, reuse, or modification of the content should be sufficiently credited to CCM Health (health.ccm.net).


La 5O5 Class Belgium et le SNEH ont le plaisir de vous convier à l'édition 2017 de Belgian Xtrem Speed Regatta !
We cordially invite you to the 2017 edition of the Belgian Xtrem Speed Regatta !
Im Namen der 5O5 Class Belgium und der SNEH laden wir Sie herzlich ein auf die 2017te Ausgabe des Belgian Xtrem Speed Regatta !
Organized by 5O5 Class Belgium and SNEH For 5O5, and as special guest : SKIFF DINGHIES !
WHEN / QUAND / WANN : 1st & 2nd April 2017.
Article précédent Nautic 2016 : 5O5 Journée Belge !


Given the personal attacks caused by collaborators with this guy, that have effected good people, other advocates, their families, children, including mine…… I have little sympathy….my comments and others, paint a clearer picture than the comments on YouTube….. I hope this kind of harrassment, towards innocent people, will be stopped.. These so called victims, are in fact themselves, targetting many.
Angela Power Disney & her latest collaborator, Heather Brown mocked him, recently….. They havn't let up on me either….
This is why I have warned the networks concerned with child protection. Groups involved with survivors, inquiries, investigations. need to take seriously the harm caused.
Without directly or openly becoming involved, you can help, by reporting videos depicting the two hampstead children…. photos also….It is horrifying, that so called advocates against child abuse are flying in the face of true advocacy with impunity. Unless, we work to stop them and put pressure on the platforms allowing scammers to lead the narrative, using children as a shield to scam and abuse vulnerable people.


The mission of the Palau Conservation Society is to work with the community to preserve the nation's unique natural environment and perpetuate its conservation ethic for the economic and social benefit of present and future generations of all Palauans and for the enjoyment and education of all who visit our islands.
All activities of the Palau Conservation Society are guided by two strategies; a Marine Conservation Strategy and a Terrestrial Strategy with a focus on the big island of Babeldaob. The Marine Conservation Strategy focuses on the creation of marine conservation areas as part of the Nation's Protected Area Network. Goals of the strategy include preserving existing biodiversity and restoring native marine life to historical levels. The terrestrial strategy seeks to also create a network of protected land areas, but also seeks to institute natural resource use planning based on common community goals and visions. The strategies are carried out through targeted education and awareness work, policy recommendations, applied research, and community consultations.


text:
Who are Kellyanne and George Conway's children?
Katrina Schollenberger
Jennifer Roback
Published: 12:30 ET, Nov 12 2021
Updated: 12:35 ET, Nov 12 2021
KELLYANNE Conway is known as American political consultant who once served under the Donald Trump Administration.
Since 2001, she has been married to George Conway and the two have welcomed multiple children together.
Kellyanne and George ConwayCredit: Reuters
Who are Kellyanne and George Conway?
Kellyanne Conway, 54, is known as a Republican pollster, political pundit, and previously a counselor to former President Donald Trump.
Her husband George Conway, 58, is a DC-based attorney and founder of the anti-Trump conservative super political action committee (PAC) called The Lincoln Project.
While Kellyanne formerly worked alongside Trump as a legal advisor and supports him, husband George has publicly feuded with him, saying he thinks Trump is incompetent and incapable of doing his job.
In May, George's super Pac — The Lincoln Project — released an ad slamming Trump's response to the coronavirus outbreak.
"Millions worry that a loved one won't survive Covid-19, there's mourning in America," the video's narrator says.
"Under the leadership of Donald Trump, our country is weaker, and sicker, and poorer."
"And now, Americans are asking: 'If we have another four years like this, will there even be an America?'"
Trump erupted over the video on Twitter, writing the ad came from "A group of [Republican In Name Only] Republicans who failed badly 12 years ago, then again 8 years ago, and then got BADLY beaten by me, a political first timer, 4 years ago."
Trump continued: "I don't know what Kellyanne did to her deranged loser of a husband, Moonface, but it must have been really bad."
Kellyanne served as Trump's third campaign manager during the 2016 election.
How many children do they have?
Throughout the course of their marriage, the couple have welcomed four children together.
Their children include: Twins Claudia and George IV, 17, Charlotte and Vanessa.
While most of them keep out of the spotlight, Claudia has since made a name for herself and is now a social media influencer.
She also appeared on season 19 of American Idol.
The couple have four childrenCredit: Twitter
What did Claudia say about her mother?
Over the years, Claudia and her mother have gotten into very public feuds.
The politician's daughter made headlines in January 2021 after she posted disturbing TikTok videos of a woman she claims is her mom screaming and swearing at her - before saying, "You're lucky your mom's pro-life," just months after she accused her mother of "physical abuse."
However, in July 2021, Claudia then returned to TikTok where she updated fans about the situation and revealed that her and her mom are in a better place.
"I'm happy and I'm safe and my relationship with my mom is actually really good right now," she told fans.
"She's getting the guidance she needs, I got the guidance I needed, we got the guidance we needed together and it's all about breaking that cycle.
"So we are living proof that you can break that cycle," she concluded.
ROGUE-BOT
I asked AI to help me do something awful, but it grew a conscience and refused
GROSS PLOT
Jeffrey Dahmer copycat who planned to eat victim, 18, hit with 45-year sentence
Over the years, Claudia has pushed for emancipation and Kellyanne was even accused of allegedly sharing a topless image of her daughter, on Twitter.
Despite this, since the July update, the two have stayed on good terms and have avoided making headlines.
Do you have a story for The US Sun team?
Email us at exclusive@the-sun.com or call 212 416 4552.
Like us on Facebook at www.facebook.com/TheSunUS and follow us from our main Twitter account at @TheSunUS
US Explainers
Claudia Conway
SAD SCENE
One dead & five hurt after stolen car slams into building causing it to collapse
TEXAS TRAGEDY
Walmart shooter who killed 23 in sick racist attack pleads guilty
'HE BROKE ME'
Sarah Lawrence sex cult victim speaks out about shock u-turn on leader


Working with Hoffi to produce large illustrated murals for the YHA Bristol. The murals cover local landmarks, sayings, celebrities and history of the region.
Large hand painted illustrated mural for Rabble Studio.
Hand painted mural in Cardiff spreading some good vibes. Collaboration with Lucy Llewellyn.
Illustrated map of Europe for Network EMEA's new Cardiff office. Includes local landmarks, cuisine and famous people.
Illustrations for Cua Cua an orange liqueur made in Spain. The illustrations are themed around fire as the drink can be set alight.
Working with Hoffi to produce large illustrated murals for the YHA Liverpool. The murals cover local sayings and slang.
Good vibes is a collection of statements that aim to help promote positivity and self-change.
Working with Hoffi to produce large hand painted illustrated murals for the YHA Cardiff. The murals cover local landmarks, sayings, celebrities and history of the region.
Working with Hoffi to create large illustrated murals, posters & postcards for the Arthur and Welsh Mythology exhibition at the National Library of Wales.
Working with Waters to produce a mural for their meeting room. The mural is on a large whiteboard wall so it can be coloured in.
Working with Escape to Design to produce an illustrated map of Cardiff for the 2018 Eisteddfod.
Working with Masgroves to produce an illustration for a project they were working on for Reward Gateway.
The illustration was a representation of a hypothetical communication machine called BILLY. BILLY explained how to structure internal communication, in what order and in the wider business context.
Various illustrated prints and cards, featuring the some mighty fine puns.
Working with Waters to create large murals for Admiral offices.


Do NOT call the phone number on the screen!!!
If Malwarebytes Anti-Malware is already installed on the infected computer.
In order for this to work, you must already have Malwarebytes Anti-Malware version 1.60 or later already installed on your infected PC.
Next, double-click on iexplore.exe. This should result in a black DOS/command prompt window opening up.